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octopiys · 21 hours
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Alejandro and Rodolfo being rescue/rehabilitators, and they own a rescue center in Mexico. Governments/forces are trying to buy them out for experimentation, but they're standing firm on their beliefs. These creatures exist because they exist just like anyone else, and sometimes they need a bit of help, they're not something to be oggled at. Graves being there on a foreign research trip and taking too many notes, too many videos. Eventually, one of the hybrids that they were rehabilitating, they called him Roach, who was injured after being too close to a detonated depth charge, (I'm thinking maybe he's a minke whale hybrid? I like them they're funky) and it's time they release him back into the proper waters. Sure, it's a process, but it's necessary.
They meet up with a few friends they know, a couple researchers doing a few studies and observations of marine life in the antarctic, and decide to inform them about the minke whale rescue. Now, Price, Laswell, and Nikolai, the head researchers, have a perfect idea on how to get this Minke whale hybrid readjusted to underwater life after a few years of human contact. They've been monitoring two other hybrids, nicknamed Ghost and Soap, an orca hybrid and a leopard seal hybrid, an unlikely pair, and decide that the minke whale would fit in. At first, Rodolfo, the veterinarian, was concerned about the predatory habits of an orca against a minke, but Laswell showed proof of an almost mutualistic bond between the seal and orca, and reluctantly, Rodolfo gave in.
There's a furred seal hybrid outside the door when they make up their mind. He's a nice looking creature with soft fur and rich skin, and stunning brown eyes. He made a few barking sounds at them, nudging the two as his ears flattened against his head. Alejandro crouched down to attempt to make conversation, and Price informed them both that this hybrid was nicknamed Gaz, who had developed an attachment to the base after release, and didn't seem to leave them alone. But nobody really was complaining, he was a kind hybrid who didn't understand why the researchers did not want dead squid or octopus every morning.
There was a horn off in the distance and the group perked up a little bit, but Gaz's ears still lay flattened against his head. After a moment, he hurries off and disappears into icy water. In the distance, they see a transport boat. Apparently, it contained the rest of their supplies for the season, along with a few other researchers from around the world. Apparently, this was a popular destination.
On the boat were three new people. One named Alex Keller, an American marine biologist, who was working on his marine rehabilitation book. The second named Farah Karim, a strong-headed environmentalist who was determined to show the world that hybrids were not something to be afraid of. The third, named Philip Graves, a researcher from a private company. They must've been rich, and highly suspicious, because with one Google of the company name, nothing was found. Rodolfo had a sinking feeling it was a government agent, but Alejandro assured that it was a researcher that they had known. After all, it's the same kid who visited their rehabilitation center a few years ago, before the American media picked up a false ideology about hybrids, then creating the whole stigma.... the kid that took so many notes. He was only interested in the benefit of the hybrids. He did say he was a researcher, right?
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orca!ghost + leopard seal!soap
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octopiys · 14 days
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Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3
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octopiys · 16 days
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comic thing of this post
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(Please click on it for better quality)
Bonus:
Gaz: You think he'd have a bit more to say to Ghost other than
Gaz: (checks paper)
Gaz: 'boobies' and 'cock'
Price: poor lad.
Price:
Price: checks out though
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octopiys · 16 days
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If your oc was a canon character what bad takes/gross mischaracterizations would the fandom come up with for them
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octopiys · 16 days
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Modern Warfare Dossier mockup Drive Link
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octopiys · 17 days
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Yall think Gaz and Ghost would communicate with Johnny via ouiji board or nah
(comic here)
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octopiys · 18 days
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Alexei "Midas" Borochauv
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Midas is a ground force operator that specializes in hostage rescue. In present times, he's thirty-six, just two years older than Captain Price. He's ranked lieutenant, because that was the highest rank he had before entering special forces where you can't rank up unless it's through official promotion (I think that's how it works?) He comes from a Russian background, however, he's part of a UN organized private military company, similar to Task Force 141 and the Shadow Company. What isn't shown in the picture is that he's a single father to a two year old girl that is practically his world. Her name is Anastasia. His scars are burns he received on an operation ten years ago, and it was also the same he met Captain Price on. Luckily, the captain had nothing to do with it, and the two grew relatively close afterwards, thanks to Laswell and her connections. I can type out his entire backstory if anyone wants to read it (if you do I'm your biggest fan fr) and add it in another post, or start a short story with a few chapters about it. The next few OCS I post about on here will take place in the same universe :). Thanks to those who encouraged me to post about my OCS lol!
edit: quality was nerfed I'm sorry yall
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octopiys · 18 days
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The Writer's Guide to Authentic Wounds and Fatalities
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Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.
Writing Fatal Injuries
When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.
Choosing the right injuries for your story
Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.
For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.
Researching the mechanics of fatal injuries
To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.
For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.
Depicting the immediate aftermath
When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.
For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.
Emotional and dramatic impact on the narrative
The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.
For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.
Writing Minor Injuries
While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.
Types of minor injuries to consider
When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.
For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.
Conveying pain and discomfort
When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.
For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.
Balancing realism with narrative pace
While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.
For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.
Writing Bloodshed And Realistic Blood Loss
When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.
Understanding blood loss and its impact on the body
To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.
Factors influencing blood loss in different injury scenarios
The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.
Techniques for accurately portraying blood loss in writing
There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.
By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.
Bruises: Colors, Progression, and Pain
Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.
Understanding the stages and colors of bruises
Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.
For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.
Depicting the progression of bruises over time
As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.
For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.
Conveying the pain and sensitivity associated with bruises
Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.
Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.
Remember The Side Effects
Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.
Physical side effects
Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.
For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.
Emotional and psychological side effects
Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.
For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.
Social implications and changes
Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.
For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.
By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.
Conclusion
Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.
Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.
Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.
I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 
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octopiys · 20 days
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Oh my God oh my God oh my God guys I got my new computer so I can write AND DRAW ON IT!! IT FOLDS INTO A TABLET!!!! IM SO EXCITED
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octopiys · 21 days
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Ty ty for the tag!!
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Np tags @hazardworld & anyone else
Tagged by the lovely @eternalergo to make myself in this picrew!!! Thank you bestie 🖤🤍🖤🤍
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Tagging- @crowmauling @casualartisandeer @foreveryourfinalgirl @strafethesesinners @strang3n1ghts @ayesleigh @aceghosts @captmactavish @captains-price @aglaophotis @teamhawkeye @ravenhxlm @belcha @themightyflynn08 @themcfucked @sundaybones @stitchesthebear @clicheantagonist @clarke-mason @frankensteined @sadcowboysclub @purgetrooperfox @amalkavian @ansburg @oswhys @sunsetsarsatequila @lululandd @salstray @saemajis @crystariumrose @spacestephh @takeheartlucia @unamused-kookaburra @tiffanyvalntine @resident-milf @milkshakeworm @vampgf @cockworms @paralysingpentagram @crownedinmarigolds @shadowsofrose @fly-amanitaa @onehornedbeast @entreri @distantsonata @torterragarden @firstaidspray @littlegoldfinchh @mysticalgalaxysalad
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octopiys · 22 days
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I wanna eat this art so bad it's SO GOOD
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Omegaverse? Hell yeah ✨
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octopiys · 26 days
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johnny dates your friend and then asks her if she's got any friends (you) for his friend (simon). but simon freaks you out. he can't hold a conversation— or won't, you're not sure; you're lucky if you get monosyllabic grunts out of him as if he were a neanderthal. the only times you've seriously heard him talk is to bark out words at either johnny or the bartender.
he walks around with a poorly concealed weapon on his hip, almost like he is expecting trouble. he wears all black, which is completely fine, but then a skull balaclava that he refuses to take off, even to drink his liquor. you don't try to hide the grimace on your face when you watch him sip through the thick fabric. he's got skeleton gloves on his hands too, like some sort of shit cosplay to match his mask.
and he fucking stares, unashamedly so. it is unblinking, scrutinizing, intense— his dark eyes, pools of midnight, keen. he stares at the people walking in through the door, stares at johnny when he takes your friend to the dance floor, and when you tell him out of courtesy that you're going to go get another drink, you can feel him boring holes into the back of your head as you walk away, piercing flesh and bone.
the phantom fingers of his gaze trace icy paths along your spine, erupting your skin in goosebumps. you find him immensely creepy, and you thank the fucking stars you're only here as a favor for your friend. you don't think you want to do this again. he's either a wanted serial killer or just a goddamn freak.
a heavy arm wraps around your shoulders once you're at the bar, and with a sneer on your lips, you turn to the owner of said offending limb, only to come face to face with johnny. he leans into you, close enough to where you can feel his stubble grazing the shell of your ear. (back up, brother.)
"listen, bonnie!" you wince; it's really not that loud in here for him to be yelling like that. "ah ken, ghos— er, simon, might no' be yer average man. he can be a little off-puttin'—" a little? if he doesn't follow you home and skin you alive, you'd be incredibly fortunate— "but ah promise ye, while he may no' be boyfriend material, he's an incredible fuck."
excuse me? he's got to be positively pissed. "maybe you should slow down, yeah? you might already be three sheets to the wind if you're gassing up your unsettling friend's cock. no offense."
"naw! ah'm tellin' ye. long ago, we had a mission tha' ran everyone tight, 'n so we relieved tension the only way we could— big, strong guy like him had me limpin' for a few days after."
you're about to ask for an angel shot because there is no way in hell that your friend's boyfriend is making casual conversation about him getting absolutely railed by—
"give 'em a try. jus' the once, i swear he don't bite," johnny pauses-- the rosy flush on his nose and cheeks vibrant, "unless ye ask nicely. yer friend said ye needed to get laid, anyways." oh, you're gonna fucking kill her, that long-tongued cretin.
"right!" you drink the remainder of your cocktail in one big gulp, liquid warmth trailing down your throat, before not-so-kindly shrugging him off. "i'm gonna go, you, uh— we didn't have this conversation, for the sake of my friend." you gesture at the bartender. "one more, please. i'm gonna need it."
-
damn. now johnny's got you thinking about getting your back broken by simon. maybe you really are just down horrendously, or maybe it's the alcohol in your system that has decided to toss all self-preservation out the metaphorical window because now you can't stop noticing him.
he's real tall— enough to have him slightly tipping his head to walk through a doorway. his shoulders are mountainous, his hands the size of a bear's paw. his physicality is undoubtedly impressive and well, you've always been weak to burly, commanding men.
you make eye contact with johnny from across the room, his bright blue eyes alive under the dim light of the dingy bar, and the bastard shifts his gaze from simon to you, giving a cheeky wink.
lifting your glass, you drink the last of your liquid courage— the taste of it bittersweet. it has been a long time since you've gotten laid.
double damn.
"hey." you lean slightly toward simon, cupping your hand around your mouth. "you and i both know why we're here. take me home?" the way he looks at you has you shifting restlessly in your seat. did you perhaps make a mistake? oh, fuck. did you just throw yourself cunt-first at someone who is not interested? your face burns with embarrassment, heat licking up your cheeks. maybe the earth will split open, right here ri—
"let's go then." oh thank fucking god. you don't know what you would've done if he'd said no. shrivel up and die, probably. "uber'll be here in 4."
when it arrives, he places his leather jacket around your shoulders, cocooning you in its warmth— the heady scent of nicotine clings to the garment— and leads you outside with a hand on the small of your back.
-
the world outside the car blurs into a hazy painting as the driver navigates the streets. colors blend together, once sharp outlines now dissolved. the rain gently taps on the window, a soothing sound that could easily lull you to sleep until you start when a roughened palm suddenly glides along your thigh— fingers slowly tracing intimate patterns on your skin.
simon's hand is hot, and it only burns hotter the closer it gets to your center under your least favorite skirt. he cannot be serious right now. you place your hand over his, short nails biting into him because there is no way you're about to be fingered in an uber—
his voice is deep, a deliciously thick rumble, right by your ear. "nice kitty." you've never been one for pet names or anything else for that matter, but the pulse of arousal that shoots up your spine has a shaky exhale leaving your lips, a ghostly breath fogging up the window.
the tips of his fingers tease the seam of your knickers, a generic cotton fabric that clings to your dampening cunt like a second skin— desire trickling onto the gusset. your whimper is drowned out by the terrible music the driver is currently playing when his small finger grazes over your slit, featherlight.
"so wet already? i've barely even touched ya, love." again with the cunt-clenching nicknames. he has no business purring them out like that. "i can smell your sweet pussy from here. you really must be achin' for it." of course the time he chooses to be vocal, it's to spew filth. "don't worry, i'll treat ya good."
somehow, you actually manage to choke out a response. "i'm sure. johnny-" you hiss through clenched teeth when he slips under your knickers, a finger brushing along your slick entrance, "said you had him walking side to side once." you buck your hips, seeking the friction you need, but it only makes him pull away a bit; how unsurprisingly cruel.
"only because he was bein' a brat. you're not a brat though, are ya? gonna be good f'me?" your tongue is heavy in your mouth, words lodged in your throat— all you can give him is a slight nod. "i expect verbal answers. i'd hate to spank your arse raw. how would ya sit down after?"
the idea of being bent over his strong thighs, face pressed into his couch as his firm hand takes you into the needy subspace you crave is too much, or maybe not enough because you're tucking your face into the side of his neck in an instant. "please," you warble, unsure of what you're even begging for.
he curls his finger, slipping between your lips, and when he finally brushes your clit— a fleeting, tantalizing touch— your eyes threaten to roll into the back of your head. "needy little thing. i bet there's a damp spot right where you're sittin'. drippin' all over my fingers—" your breath is ripped from your lungs when he abruptly pulls his hand out and away, the sodden material of your knickers snapping against your heated skin. you're about to snarl out a vicious what the fuck, but the once-blurred scenery outside sharpens into focus.
the driver parks and looks at you from the rearview mirror. "we're here." you mumble a muted thank you, stepping out with quivering legs and a drenched cunt. a crisp breeze dances across your skin, a refreshing contrast to the stifling heat from inside the car.
as soon as the car drives off, you're hoisted onto a broad shoulder. the world tilts, and you fist the back of simon's shirt for stability. "highly unnecessary. i can wa—" you let out a squeak when he slaps the back of your thigh, the sharp bite of it sending a jolt straight to your throbbing center.
"hush."
you sputter indignantly as you hold on tighter, breaths coming out in short gasps, syncing with each step. "i beg your pardon?"
you yelp when he gives you another slap, this time closer to your cunt. "then beg." you're rendered speechless.
wow. maybe you've actually bitten off more than you can chew.
the wet cement under you is a blur, the texture lost in the rush of his movements until he comes to a stop, and you hear a familiar jingle of keys. he bursts through the door, the hinges groaning in protest, and you're staggeringly planted on both feet.
"nice place." a lie. it looks unlived in— brand spanking new. you vaguely hear the lock behind you as you take in your surroundings. a perfect, leather couch, not a crease in sight. the rug under it is pristine and bland, a cream color that matches the rest of his flat. impersonal. not an ounce of real personality anywhere. you begin shrugging off his jacket when you're suddenly pressed against the cold door, simon bent at the knees in front of you, his dark eyes— sharp as blades— lock onto yours.
"gonna beg?"
the fire in your lower belly reignites at the sight of his unmasked face. ash-brown hair in a simple crew cut, thick brows with the right one bisected by a pink, gnarled scar. slightly crooked nose, broken one too many times, and thin, pale lips. a countenance to match his rugged personality.
you're pulled out of your thoughts when he licks a hot stripe over your covered slit and you mewl at the sensation. "i asked you a question."
the words rush out of your mouth before you can even think of stopping them. "yes, yes! please, god, i don't- just- please let me come! i-" his thumbs hook into the waistband of your knickers and tug them down slowly, strings of arousal sticking to the gusset, smearing on your inner thighs.
"alrigh', since ya begged so prettily." your vision goes white when he throws one leg over his shoulder, and his slick tongue slides through your folds, the tip flicking your clit lightly. he laps at your cunt like it drips milk and honey— nourishing and sweet. simon groans into you, the sound crawling up your vertebrae and into the base of your skull.
he begins to draw lazy circles around your pearl, every swirl of his tongue has your back bowing as if winding it, inching you closer to the precipice. your toes curl in your shoes, hands finding purchase in his coarse hair, knuckles staining white as you start the feel the familiar tightening in your lower belly.
and then he pushes one thick finger into you, down to the scarred knuckle, and crooks it. the squelching noise your dripping pussy makes when he presses on the tiny patch of rough skin inside is loud and obscene; practically echoing off the dull, ivory walls of his flat.
"gonna come f'me? make a mess all over my hand?" simon adds another finger, a slight burn nipping at the heels of the pleasure coiling under your navel.
"c'mon. give it to me, pet." his lips encircle your clit, giving it a light suckle and it's—
the coil snaps, a sudden release of tension. it is violent and oh, so exquisite. white noise in your head, your ears, coursing through your veins. it prickles, it stings; it's pleasure and pain. your soul sinks back into your body— like a feather returning to its nest— and you blink, momentarily unbalanced.
"ya with me?"
you breathe deep— the taste of salt in the air, the scent of sweat-slick skin, your heart pulsing with life. "yes. i'm here." the man took you to the stars and laid you on them. jesus.
"good." the room spins, and you're weightless, nestled in his arms. it'd seem innocent if it wasn't for the stickiness in between your thighs, or the prominent bulge in his jeans occasionally pressing into your arse.
simon kicks a door open, knob bouncing off the wall with a crack, and quickly places you on the bed before tugging his shirt off. the belt and jeans come off next, and—
"you don't wear pants." why would he let that monstrosity just hang like that?
"good observation. is water still wet?" he asks, tonelessly. you narrow your eyes at him, pushing your tongue against the back of your teeth.
"fuck me for having eyes and using them as intended, i guess," you mumble under your breath. he grabs you by the ankle and tugs the skirt off, then your shoes, "ouch, i like my feet where they are, thank you," and literally rips your shirt in half. "you'll be giving me on of yours before i leave as recompense."
he holds himself up with his arms over you, your thighs burning as they cradle his hips.
his cock is a heavy, hot weight on your stomach— ruddy, leaking tip right under your navel. you're not small by any means, but he's going to tear you in half. there's no surviving such an onslaught. he's not just leaving you with a limp, he's going to turn your two smaller holes into one big one.
he tears into a golden wrapper with his teeth, and expertly rolls the condom on. simon lowers down to his elbows and nudges your jaw with his nose. "i'll stop the moment ya call it. tap on me if you're feelin' overwhelmed."
that's the sweetest thing anyone's ever said to you, and the fact that it comes from a massive creep who stares at people like they owe him money has you a bit dumbstruck.
his stubble grazes the side of your neck as he glides his cock along your slick folds; once, thrice, until the head catches on your swollen entrance. simon pushes in slow, agonizingly slow— you don't know if it's better or worse because you feel every devastating inch of his length as it forcibly wrenches your walls apart.
your senses are solely focused on him: his body enveloping yours completely. his breath, sweetened like malt, wafts gently across your skin. his thick waist that you can't fully wrap your legs around. everything about him is big— his physicality, his presence, his cock.
"take a deep breath for me, pet. feel everythin' i'm givin' you."
your lungs expand as you do, and when you exhale, your muscles slacken. rapturous pleasure begins to bleed through the delicate membrane that separates it from the bite of pain, until boundaries are blurred and—
and he sinks into you like a rock breaking the surface tension of still water, bottoming out in one, smooth stroke. you can't help the mewl that falls from your lips nor the way your walls clamp down around him.
"fuck, there it is. so bloody tight, this greedy cunt is takin' my cock like it was made for me."
there isn't a single coherent thought in your head and you're glad for it. finally, someone to fuck you stupid.
simon gives you an experimental thrust, dragging his length along every single one of your nerves, and then another— desire overflowing from where he stuffs you to the very brim. "good. ready?"
he takes your tiny nod as an answer this time and begins to fuck you in earnest. it takes everything in you to not black out from how perfect it felt.
simon puts his weight behind every thrust, a steady pull out, and a spine-jarring push in. you can feel him deep in your stomach, a delicious pinch of discomfort each time he presses against the plug of your womb.
"so fuckin' wet, your cunt's droolin' all over me." he hooks an arm under your left leg and lifts, the angle he's put you in tittering dangerously on the tightrope of rapture and ache.
it's so good, so fucking good, your slick walls fluttering as he carves himself into you, your soul, your cunt when you feel a tight snap inside.
simon pulls out in an instant, taking your breath with him as he does. you look down at his cock and notice that—
"the condom broke. i've got another in the drawer, gimme a sec."
there is some weird thing that lodges in place somewhere deep in your sternum when you realize that he's been nothing but considerate and attentive to you since he brought you home and hasn't fussed over anything once. it's an extremely low bar, you are aware. rewarding what should be the bare fucking minimum is sad, but you're not completely altruistic in your motives anyway. you want to feel his bare cock inside as he rearranges your insides.
"no!" he quickly turns to look at you, "no. it's okay. i'm clean and i'm also on the pill. if that's okay with you, of course."
a man his stature should not move as fast as he just did, blinking from one side of the room to the other. he quickly throws both of your legs over his shoulders, heels resting on his back when he sinks back in, this time letting out a guttural groan as he does.
you can feel the ridge of his flared head, the warmth of his cock seeping into your tender walls— a new level of intimacy. he fucks you with fervor now, a precise snap of his hips that has your teeth clacking with every thrust.
your climax takes you by complete surprise, crashing into you like waves on a rocky, jagged shore. burst after burst of blinding pleasure threatens to consume you whole, and when your limbs are loose and syrupy— body limp— only then do you realize that he came just as fast. thick white ropes of viscous spend cover your stomach and trail down to your abused cunt.
your hamstrings already hurt with delayed onset muscle soreness. you might actually need a wheelchair to go back home.
(thank god your hips held out, and no, you don't care that it's essentially sacrilegious of you to even think that.)
his breathing comes out in ragged bursts, beads of sweat dripping onto the valley of your breasts.
and he's back to the fucking staring. "simon."
"pet."
"please stop looking at me like that."
he huffs and dips his head to flick your hardened nipple with his tongue, making you hiss with over sensitivity.
"make me."
-
as dawn breaks, the world begins to stir awake. hues of pale pink stain the sky, the first blush of morning. light and shadow begin to blend in the bedroom.
your phone vibrates under the pillow, simon's arm tightening around your soft waist at the buzzing sound. his lips press a light kiss on the sensitive skin by your ear, and his large hand begins to weave its way downward, pads of his fingers gathering the evidence of last night (or early morning) and gently parts your folds, brushing light strokes on your clit.
when he places your leg around his hip and sinks into you from behind, your phone buzzes again-- alone and forgotten.
good morning!!! i expect a full, detailed report by lunch or so help you god.
sent 5:30 am
about time you got laid, you're not you when you're horny.
sent 5:49 am
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octopiys · 1 month
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Does anyone have any interest in hearing about any of my cod ocs? I feel like I have to ask lol but I'm developing backstories for one of them and OH I wanna tell you guys so bad but I have no idea if anyone's even interested lol-
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octopiys · 1 month
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listening to Too Sweet by Hozier and actually going insane, rattling the bars of my cage, screaming, crying, sobbing, losing my mind
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octopiys · 1 month
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Thinking about how Soap embodies the Hozier man (ie. practical perfection)
pt 1 | pt 2
cw: slight nsfw? (No minors go away), implied violence, soap is so devoted to you, he's going insane
Utterly devoted to his lover, no matter how they look, who they are, anything like that. He sees you and he hears wedding bells, a cacophonous symphony, off tune and perfect.
He looks at you, and he swears he walks the heavens with you at his side. If Hell is real, then it's when you aren't there. It's not rainy days, because you're the break in the clouds. Hell, you're the storm, he's the lightning. He worships you.
You're his god/dess, if there ever was one. Caring hands that embrace him, oh, he'd melt, he'd burn, and he'd thank you. Oh, how he'd thank you.
He knows you hold your own. He knows you shift the earth beneath your feet, he knows you spin it yourself. After all, there would be no point in the world turning if you weren't there. How could it operate? The moon pales in the comparison.
His life has been tainted by the darkness of others, of War, but your caress healed him. Purified him. Stitched up his soul. His safety, if he was good enough to call you his own.
He'd turn to the woods, surely. Your favorite. If you were a fairy tale, a legend, a myth, he was the only to discover you, he'd keep it that way. Deep stone, wet rock, the breathing of the trees, the pines and the oaks, the earth beneath his feet. They call this life. No, this is simply just surviving.
You're the one that makes him live.
Your smile would never be tainted. It was his sun. Your eyes, pools of moonlight, ethereal. Soft, thick like syrup. Warm, smooth, like coffee and whiskey. If he'd drown anywhere, it would be in you, and oh...
How he'd thank you.
His spend was nothing but an offering, placed inside an altar to a deity, if it was all he could give, then he would, just to see those eyes, hear your breath, your pleasure.
And if your smile was to diminish, your eyes to harden, your gaze to break, it would not be his doing.
And if whoever caused it never ended up causing anything, ever again.... An offering, simply. A pleasure. A thanks.
No one would taint his love, his deity.
Snuggled up to you, lucky to share your space, your breath, your bed.... If heaven was real, he didn't want it.
Just you.
Only you.
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octopiys · 1 month
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racism in the community.
it's under the cut for those who want to read this. i don't have many examples and i apologize, and i'm not name dropping for my own safety [ last time i called someone out i was mocked by them, and was really insecure about my chosen aesthetic for a bit. ]
now, i know we've talked about the racism within the community and Gaz, but can we talk about the racism in the community with Horangi? someone I follow [ won't name drop for now ] recently said this in response to someone saying it's weird they call Horangi "rice cooker"
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that just feels like a lot of words for "I can't be racist, I have [type of race] kind of friends!" like i genuinely understand they're fictional characters, but you shouldn't be racist against fictional people just like real people, the fuck? like they can't be like "oh yeah! you can call me [hurtful thing] it's fine."
any comments exposing the person in the screenshot will be deleted.
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octopiys · 1 month
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02 / 627 words
You challenge Gaz to a pushup competition. And lose. What did you think would happen?
He keeps at it, though, maybe as a flex. Half-envious and half-curious, you lay on your stomach with your arms folded under your chin and watch him go. Gaz pushes himself up and down at the same even pace. You could always saboratge him, shove him over, but the satisfaction wouldn't last. Especially with his self-righteous ass taking it as permission to be a martyr about it. Wouldn't be the first time.
"Can you do those one-handed?" you ask him.
He glances at you. "Doesn't do much good for my triceps, but yeah, I can handle it."
"So what? Triceps, pff. The point of one-handed pushups is looking cool."
"If you can pull it off."
"Can you?"
"Obviously."
Gaz pushes up a little harder, repositioning one hand so it's centered under him when he comes down. The other hand he puts behind his back. To your disappointment, he continues with ease. He holds his body in perfect alignment despite the sheen of sweat glazing his skin.
"Wow, fine." You make yourself sound as unimpressed as possible. "Of course you can do it with your dominant arm. What about the other one?"
Gaz switches sides without missing a rep, making it look just as easy. You frown.
"That what you meant?" he asks.
"Yeah. Yeah. Okay, that was smooth," you admit.
"It's all in the form. Keep everything straight and taut. Can't do it properly if your body's all loose and jerking around."
"Uh-huh," you say absently. "What about weighted pushups? Like what if there were something on your back?"
"I've done it before. How come you want to know?"
"Just wondering what if I, like, sat on your back while you did it. Do you think you'd be strong enough?"
"Ah, is that it?" Gaz grins. He pauses his reps with his arm taught but slightly bent, bracing him in a plank. "Try it."
"Really?"
"I can take it."
"I'm heavy."
"Mmm, sure you are. Come on."
Gaz lowers himself to the ground. You hesitate, but he's not letting you back out. He's calling your bluff and he knows it.
"Chickening out?"
You huff and push yourself to your knees. "You wish."
You feel like a ton of clumsy bricks, lowering yourself down onto his back. You really try not to think about how your hand lands right above his shoulder blade or how his tank top leaves so much of his muscled back and shoulders exposed or how your ass slides against the firm curve of his lower back. You pray you're not too heavy. But Gaz either doesn't notice or doesn't mind. As soon as you're situated, draped over him sort of on your back and sort of on your side, he resumes his reps. Slower. Like he's accommodating you as you adjust.
You keep as still as you can. Gaz is as focused and professional as ever. But this is a bit more intimate than you anticipated. Damn him for forcing you to contend with the consequences of your actions. It's impossible not to notice and feel his back muscles at work. His strength is impressive. You're dismayed at the very idea that you thought you could beat Gaz in a test of arm strength. Hubris, that's what it was.
"Is this... helping? The weight?"
"Helping my training? Yeah, it seems to be working. You're good resistance."
"Oh. Thanks. Glad to be of service."
"Yeah? You feel alright on top of me?"
Your cheeks go a little pink at his phrasing. "Yeah. Best seat in the house."
"Is it?" Gaz wears a cheeky smirk, though you can't see it. "Keep it there, then. I like a little extra motivation."
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