#[[they're like. all easy to find though so]]

[dw-flagler]

its kind of funny to me that in the comics supergirl kind of occupies the spot for like the edgy superman. which is kind of weird for her typical role as kid sidekick to superman because her thing as a character (at least the versions of her character that i like) is that she doesn't have a reason to help anybody and doesn't like earth. edgy superman. but she's also the kid sidekick. strange juxtaposition

[fluffs-n-stuffs]

Thinking about Eusine's hairstyle in my style tonight ✍️✨

Lil' bonus under the cut ->

[subsequentibis]

FINALLY started titanfall 2, the movement will take a little getting used to but i'm pleased to find it's way easier to pull off than i thought it would be, the ghost runner is so helpful and i like the game's clever ways of giving you Cool Badass Moments very organically.

[queen-susans-revenge]

oh no

my teenager is just like ME as a teen

oh nooooooooooo

[ereborne]

Song of the Day: December 9

"Allies or Enemies" by the Crane Wives

[mc-pumpkin]

Part of me really wants all the dead eggs to come back one day but I can't think of any way it could be done that would make sense and wouldn't make it feel like. Well what was it all for then. You know?

[hazeism]

hi!! wanted to ask if you have any favorite books, either that you've read recently or of all time. Your prose is insane and I need to broaden my own vocabulary so if you have any book recs, fiction or nonfiction, I'd love to know :')

Hii :D ! ahaha, what a well-timed question; lately I've become the kind of guy who just really wants to talk about what people are reading, or are planning to read, and responding in kind, so thanks for giving me an opportunity to indulge that, haha. What a wicked invention the printing press was!!! (Also--thank you!! I'm glad my prose is to your taste. I'm happy !💕)

If you don't mind, I'll put a cut on this right away, because I know I'm very talkative, but let me put a TLDR above for all the novels/authors I mention here. Disclaimer also that I am kind of a dunce (I think you know this) so I like silly shit a lot of times . please be nice to me adfhbjkdg. :D

(No nonfiction also because I'm a frivolous and unworldly little sprite or something but if you want straight philosophy [which counts] come back and I'll do my Top Ten Epic Platonic Dialogues Compilation for you .)

TLDR: Read any UKLG you get your hands on, Cain by Jose Saramago, or any Saramago (though maybe not Skylight, which is not a good introduction to Saramago), very much enjoyed Sartre's The Age of Reason recently, Shadow & Claw or The Fifth Head of Cerberus by Gene Wolfe. If you feel like it, come off anon and tell me what you like, so I can give more tailored recommendations!!

Now if you're asking for favorites, like just the particular and arbitrary objects of my partiality, that stir my stupid little heart, the true answer is probably UKLG's The Farthest Shore, just because it is very special to me. I can't, of course, in good conscience, recommend the third novel of a six-novel fantasy series to someone (but of course read Le Guin, everyone should be reading Le Guin, it's dire for universal soteriology that we all read Le Guin; You'll probably get told to start with Left Hand of Darkness, and that's pretty solid. I liked The Lathe of Heaven as well. And if you read any Le Guin it doesn't hurt to pick up a copy of the Tao. I love the Tao man.)

Some friendlier recommendations, though:

José Saramago is someone I really consider peerless; There's no way to pick up a Saramago and not know who's written it. Cain is a bit drier, a bit more abrasive (almost accusatory, in that particular way you'll find in a Buddhist parable) and bleak than some other Saramagos, but it's one I like (perhaps for the trite reason that I like bucolic atmospheres and Classical antiquity as a setting) so it's the one I'll put forward.

Uhh, I've also been enjoying Sartre's Roads to Freedom lately, starting with The Age Of Reason. I'm partway through the second novel and umm... despite all the other things you could say about Sartre, lmfao, let it not be said that he is not a serious literary force. Serious is maybe the only word for it. Dire, too. I keep a commonplace book, so usually I take excerpts, but this was the first time in memory that I felt compelled to commit entire pages, ahah (I just took pictures though, fuck copying all that).

If you're itching for esoteric language, Shadow of the Torturer (as usually collected with Claw of the Conciliator in a single omnibus edition titled Shadow & Claw; the first of the give-or-take five volume Urth series) by Gene Wolfe will scratch you BLOODY. If you're particularly fussy, you might be irritated by your compulsion to Google, but I find it really makes the experience when you type in a word and the only results are "what the fuck did Gene Wolfe mean by this?" hahaha; Honestly, though, those kinds of complaints are borne from a lack of immersion, but you'll notice pretty quickly that the verbiage is a pretty crucial vehicle OF the immersion.

It may or may not become a commitment, though, if you like Urth enough to want to read through, so if you want Wolfe without the strings--though less of the exciting vocabulary, which is pretty necessarily constrained to Urth--I'd really highly recommend The Fifth Head of Cerberus (the novella OR the novel, I mean the former is volumized in the latter so just start it and if you feel like stopping then stop, haha). Mr. Terminal E is incredible but I scrape enough time out of my daily life to gush about his crazy literary density so I won't do it again here (you should ask my coworker, lmfao, who one time went "stop, hold on, hold on." because my face started getting really red while I was explaining to him some Wolfean gesture). If you read any Wolfe, and I mean ANY Wolfe, because his permatypes and his manipulations of them are endlessly interesting, feel free to come back and chat with me over it!!!

I guess I have to disclaim that my habit is mostly to pick through an author's corpus over a course of, usually, a couple years, and then sometimes I'll read things that will inform my understanding of the genre conventions or currents that the author is writing in (been enjoying Golden Age sci-fi recently)--it's not really as deliberate of a process as it sounds, but I think if you were to map my habits, that's the landscape of it. This means, though, that my reading is actually pretty narrow in scope, and I am not very well read or very knowledgeable in general (who is, in this economy) but it does mean that of the authors I do like, I can probably find the novel that'll work best for your taste.

If you want to come off anon, or I guess just leave another message, haha, (or if someone else wants to, idgaf, we're all friends here at tumblr user hazeism) describing the things you like or look for in a novel I can probably give you a more relevant recommendation. I've been dosing people up a lot lately tbh, it's like a parlor trick I've been doing; I have a conversation with someone and afterwards they'll have a PDF with a relevant Asimov story in their messages, hahaha. I can't help myself sometimes.

Come back anyway, though, if you read anything I talked about, okay? I want to hear about it 🥺

And alsooo (turning to face the audience) if anyone ever wants to put recs in my inbox (or my dms : ) slow replies though sorry I'm a hermit) I'd be happy to take 'em down. Can't guarantee I'll read them in a timely manner, or that you'll ever find out if/when I do, but it's good for me to leave my comfort zone.

[noxtivagus]

i get distracted so easily but i promise i'll get more done ! eventually aaaa 🫶🏼

[seelestia]

✧ i'll show you (if you'll let me).

⎯ there is a certain touch of beauty to witnessing a side of theirs revealed to you so naturally. it becomes as easy as breathing if you just let it happen... so, will you? ( or in other words, a way you enable them to be themselves. )

#STARRING. aventurine, dr. ratio, sunday, dan heng ft. gn!reader. { 4.2k words }

#TAGS. fluff, established relationship. more: minor spoilers for aven's backstory (described mostly abstractly), ratio is referred to by his first name, i called sunday a nerd (sorry), dr. ratio & dan heng are certified workaholics.

#P/S. i think i may have yapped a little considering the word count but i hope it ends up being a good kind of yapping. tysm for reading! ♡

© seelestia on tumblr, may 2024. please do not repost, plagiarize, translate, use for AI-related purposes or claim as your own.

★ 〜 masterlist.

will you let aventurine hold you close when he sleeps? . . . whether it's an arm slung over your hips or his nose buried in your shoulder or fingers tracing shapes onto your skin. he doesn't ask for too much; only that you grant him the permission to cradle you in his arms, somewhere within his reach. it's a habit, he hopes you don't mind.

you have to wonder, though. considering the plenitude of pillows on the bed, why do his hands still seek you out? with all the credits he spent on those cotton-stuffed angels, you thought aventurine would relish them a bit more. but ah-ah, see? that is where you're wrong. sure, the pillows are extremely comfy but he always has a preference for things with much, much more value.

and the truth — well, his truth — is that even the softest cushions from oti mall couldn't compare to the privilege of laying his head on your chest, he'd say. especially when you brush his hair with your fingers - oh, one of the easiest ways to paradise. truly, the best value there is! can you blame a man for being honest and a little lovesick?

(“sappy,” you accuse. he pouts, offended.)

but aventurine has a flair for theatrics, you know that. his witty quips are as feather-light in weight as light-hearted they are in intent. but his touch - in the forms of kind caresses or rhythmic taps to a tune from his forgotten culture - lingers on your skin, with a yearning so heavy. you question whether it could be nostalgia or instead, silent awe at a reality he never imagined could ever be his.

(kakavasha remembers. clinging onto you for warmth like he once did to his sister, falling asleep with her prayers to mama fenge in his ears. the avgins believed gaiathra triclops to be the symbol of humility; so naturally, their prayers to her should also be humble, not too quiet but not too loud. all in moderation. for a frail child like him, those gentle prayers alone were enough to let him drift into a dreamless slumber and to ignore the shackles of reality if not for the briefest moments.

time passed. came a time where the melody he associated with slumber was no longer a soft voice lulling him but pure static, a noise to distract his mind from the chains around his wrists. they burned themselves onto his skin, searing, but he was already too familiar with the sensation to care. the mark on his neck was unwelcome, laughing at him, but he too laughed at his own pitiful reflection so what's the difference, anyway?

time passed again, the call of slumber then turned into clattering noises of chips doused in gold and dice thrown onto a surface. he thought it'd stay that way forever but before long, it morphed into up-and-down waves he couldn't decipher initially. they're gentle, faint like a human's breathing: your breathing as you allowed him to lie beside you for the first time, he realized back then. although he deems himself unworthy, an ugly grime on your pristine existence that still insists on cradling him — but despite it all, he finds this last melody to be his favorite so far.)

✧ a moment among the stars:

ticklish.

the sensation, minor yet still impactful enough, causes you to stir out of sleep. the light of noon greets your eyes and you become vaguely cognizant that the root of it all is the tufts of blond hair brushing against your neck.

there is a solid weight on your torso and a pair of slender arms loosely wrapped around your waist - but they're nothing you haven't grown used to. you comb your fingers through the messy locks licking at your skin, instinctively, and the fragrant scent of what you register as penacony's limited edition perfume kisses your nose.

“...ugh, what system time is it?” you let out a grunt, shifting around slightly to let your limbs breathe. you don't get an answer to your question, instead, aventurine's arms reestablish their hold on you. hooking you closer to him as if to wring out whatever proximity is left, if there is even any. his simple proclamation of “who cares?”, in a sense.

there it is again, that ticklish feeling. you feel soft lips grazing feather-like kisses against your collarbone. oh, he definitely isn't letting go just yet. truly merciless, a dozy morning thought accompanied by your tired sigh. the noise still comes out fond, however, so your feigned act of annoyance is fooling no one.

“it's warm, you know,” you grumble. but the yawn escaping your mouth right after betrays whatever stern image you're trying to adopt. not like you can ever be too stern with him. aventurine knows this, yes, and he gives you an A+ for effort each time.

“mhm,” he finally speaks, snuggling into your chest with no care about anything in the world, “g'morning to you too, lovely.”

his favorite mornings aren't his favorite if not thanks to your innocuous complaints and delightful attempts at pushing his pretty face away, no? a lazy grin graces the stoneheart's lips and eyes like exquisite gems, although sleepy, flutter open to gaze at you languidly. he takes the sight of you in then lets out a sigh - a fond noise just like yours earlier; the both of you really are two peas of a pod.

you must look a terrible mess right now and yet, the sight of you has aventurine smiling dazedly. “ah, what a spectacular sight. i really am the luckiest man in the galaxy,” he hums in approval. you want to roll your eyes but stops as he leans up to pepper (ah, one necessary correction: smother) kisses all over your face, arms dragging you closer to his chest like a cage. your eyes widen comically. what a nefarious trap, he has the advantage!

every remnant of sleepiness clinging to your mind evaporates. you squeal with laughter, shoving at his shoulder using the strength of a baby deer because no, you don't really want him to stop. he knows that too, of course.

“mwah, mwah, mwah—”

“pfft...! kakavasha, i can't breathe!”

(he has half a mind to pinch his skin, as if to remind himself that this is real. he can feel your giggles tickling his skin as if to tell him in return: yes, you are.)

will you let veritas pour his heart out after a long day? . . . well, that could count as too much of an overstatement. others say, “that man is like a brick wall!” some more dare to whisper, “doesn't his temper already exhaust whatever emotional quota he has?!” needless to say, everyone knows that dr. ratio is a man ruled by the mind, not by the heart. alright, that's quite true - but does that imply he has discarded the latter altogether? if so, then you beg to differ.

(not in the literal sense, of course! the heart is a vital organ of the body. saying otherwise would be akin to spitting on his shiny phd in biology... or his seven other phd's at that.)

the pedestal which the public places veritas ratio on reaches still great heights, even if it may not rival an ivory tower a member of the genius society resides in. it is so high up that mundane troubles of those below can't reach a genius like him, surely? well, as tall as he stands - somehow, the universe grants you a front row seat for a particular sight that proves otherwise.

if only they knew the doctor has a habit of mumbling these incomprehensible (more like barely intelligible) grumbles under his breath, striking a resemblance similar to a grumpy old cat. if you strain your ears hard enough, you might catch a “...this has to be it...” or “...i dare not think so...” from time to time as he roams around the room with materials in his hands.

(absurd, people would say. but you think it's extremely cute.)

veritas doesn't say it out loud - but you can tell by the hunch in his stiff shoulders, by the one or two sighs he huffs every six minutes - that he is itching to tell somebody of all the tomfooleries he has encountered today. of course, the topics he laments about vary; it's only when you hear him exhaling the loudest sigh that you get to find out.

mostly though, it's about his students and remarks on how they can further improve their performance — sure, he could phrase it a little gentler — but you still find it sweet that he cares. if not that, then it'd be about indolent colleagues, complicated formulae and more. on some days, he'll even let out an exasperated “truly mind-boggling! could you believe that?” to which you'd reply with an “uh-huh, go on.”

at the end of a ranting session, veritas takes careful note to leave a kiss on your person afterward. no matter where it is - on the lips, the cheek or your hand. no matter where you are - sitting on the couch beside him, behind the kitchen counter or across the room. the warmth that stays on your skin when he pulls away is somewhat tingly. appreciative, you think, especially when he looks at you with such loving eyes that his colleagues would be sure to retch in shock if they were a witness.

looks like you are right on the money; he has never discarded his heart, after all. so yes, to rephrase - will you lend veritas a listening ear when he needs it?

✧ a moment among the stars:

“...yet another headache.”

as unsubtle as ever, the doctor's complaint is barely hidden behind the guise of a mumble. those neatly styled violet bangs of his aren't doing an excellent job at concealing that frown strewn across his forehead either. veritas's posture is tense, a dead giveaway, as he goes over the piles of documents on his desk.

you cock an eyebrow upon seeing the stamp belonging to the intelligentsia guild on one of the papers. definitely work. it has been two system hours since he took a seat at the work desk, you concur, or lifted a finger to do something besides flipping through drafts. a mere glance at the stack of documents is enough to convince you that those researchers at the guild must really value veritas's input.

a perk of being a genius, maybe? the phantom of a weight lands alight on your shoulders. with a mug of black coffee in hand, you make your way to him. your footsteps are without a sound, only the noise of porcelain being placed down onto woodenware is enough to announce your arrival. “rough day at work?” you ask, peering down at his progress.

(a doctor's handwriting really is something. you resist the urge to squint.)

veritas doesn't seem to mind. if the way he smiles at the sight of you, albeit tiredly, is any indication. “hah,” he rests a hand on his temple and scoffs wryly, “so much grievances like you wouldn't believe.”

oh, he is teetering on the precipice of a tangent but stops himself. “...fret not, i'm fine. this is hardly something beyond my expertise,” he shakes his head, the motion causing his reading glasses to slide down a smidgen down the bridge of his nose.

you're too familiar with the self-assured bravado he puts on. you're quite endeared, actually. “okay, mr. i-require-no-rest,” you take the glasses off his face and he breaks into a frown. at the childish tone you're using or for having his reading glasses taken away, you don't know.

“why don't you take a little break?” you suggest. veritas sighs, “need i remind you that dilly-dallying is for fools who wish to waste their time?” and crosses his arms defiantly. he knows your strategy, he has come face-to-face with it several times.

“do you think a break with me is a waste of time?” you present him with a rhetorical question, quite the difficult adversary.

(and he keeps losing to it every single time.)

“well, that's—” the doctor nearly splutters, taken aback. “that's different if you insist on inserting yourself as a variable,” he infers, putting emphasis on the last part accompanied by an incredulous look.

“the answer is up for debate then,” you shrug with a cheeky smile. your hand then deftly lifts the mug you previously set down to your lips, veritas's eyes dilate in bewilderment. “so,” you hum at the rich taste of your handiwork, “wanna tell me about your day? haven't heard about the council in a while.”

“you—” he gasps in defeat, “i thought that was supposed to be my mug of coffee.”

(he has a slight pout on his face, but you dare not point it out lest it disappears in the blink of an eye.)

“our mug of coffee,” you take a few more sips with an innocent decadence. “all is fair in love and war, doctor.”

“i can never win with you,” he buries his face in his palm with a groan. you laugh heartily, a sound that chimes like quaint little bells in his ears - it elicits a reaction from his lips, for them to quirk up at the corners in the smallest of ways.

“regardless. . .” veritas relents and reaches for your free hand. you let him. “it seems a break wouldn't be so amiss, after all,” he then presses a kiss on the side of your wrist, affectionate.

(your heart skips a beat.)

will you let sunday regale you with facts you've never heard of before? . . . a man of eloquent words, no less a man of educated mind. you have no doubt that the books in the dewlight pavilion really aren't just there for show - not that you're allowed to browse through them at your own desire. a servant's voice would stop you in your tracks should your fingers ever brush against something in the family's secret bookshelf.

how mysterious.

but sunday makes it known to the staff that you, in particular, are allowed more access to the shelves - perhaps, not too much - but more than even mr. mccoy, at least. with the way you have to crane your neck far up to pinpoint the tallest height that the shelves reach, you wonder: has sunday gone through everything here personally?

your immediate answer is most likely. you know sunday fairly well; to have something that he hasn't scrutinized from the inside out in his possession will surely gnaw away at his psyche incessantly. not being in the know at all times is a looming fear for him. but of course, you have other ways to confirm the answer for yourself.

pick out a book from a shelf there, either intentional or purely arbitrary, and watch as sunday carefully traces his steps towards you. his curiosity is piqued, which topic has caught your interest this time? but he tucks it under proper cordiality. with a hand behind his back, he'd utter your name in the softest tone and ask the familiar question of “would you like to know more?” — asking for your permission to ramble, essentially — you find this tendency of his to be charming, so you nod each time.

(and he smiles when you do. a smile less refined at the edges, kinder and relaxed.)

the best place to start from is always the beginning. you think sunday agrees because he often starts by telling you the history and its origins before moving on to its impact on the galaxy, then his personal stance on the topic. it's a pattern, you notice, his ramblings have a pattern. and it's consistent every time, you might've believed he was reading off a script. and what's more? sunday is blissfully oblivious of it.

fascinating. you ponder: what kind of things you can do with this information? decisions, decisions, decisions. . . but ultimately, you opt for keeping it a secret like a treasure only you're allowed to see.

(that might be true in a way. you don't doubt that robin, his dear sister, is familiar with this side of him. does that mean he treasures you like he does her? your chest starts to feel a bit lighter.)

if you were to point it out, you fear you might never witness it again - goodness, to know that he has been displaying such foolishness or rather, what he viewed as an embarrassing freudian slip in front of you? his wings might as well resort to covering his face for good until the end of time.

as you listen to him talk (with such elegance at that), you can't help whatever tender look you have on your face. really, who would've thought the head of the oak family could be such. . . a nerd?

(you hope in secret that sunday will be more willing to show sides like these to you in the future. and that they're not a weakness at all, not when they're shared with you.)

✧ a moment among the stars:

“it looks like you're fascinated by the dreamscape nursery rhyme this time.”

sunday spares the article in your hold no further inspection. one glance at the cover and walls of memorized information rush to the front of his mind. he looks familiar with it; could it be a part of his childhood too? but then again, everything found here is within his knowledge.

“i am,” you say with intrigue, “it got me ruminating for a while.”

you meet his gaze, stumbling upon yellow irises that glimmer akin to gold under penaconian chandeliers. you think you see a hint of affection in them, swimming around your reflection like a school of fish in a pond. it makes you smile.

he smiles back, oblivious to your thoughts but returns your gesture. he asks, “how so?” and you reply without delay, “i read through it and the morbid undertone took me by surpri—”

or at least, it's supposed to be without delay until you realize sunday has stepped closer in order to peer down at the page you're holding open. and suddenly, you're extremely aware of every minute detail like how his breath brushes against the side of your cheek and how his chest rumbles as he hums in acknowledgement.

(you flush in the neck and he perceives this reaction of yours with mirth.)

“my apologies,” sunday chuckles and pulls away, “i've simply forgotten the rhyme and wished to refresh my memory.”

“somehow, i feel that isn't the case...” you mumble accusingly. that seems to amplify whatever little amusement he gets from flustering you. “oh, my dove. i can assure you that it is,” he caresses your head, a little placatingly.

most times, sunday isn't so laidback about giving affection in public — since he has an image to maintain — so you assume the fact that the servants are out and about, leaving only you and him here, plays a role in his unusual boldness. you accept the gesture with a bashful pout.

“now, where were we?” sunday clears his throat, “ah, yes. some people have noted on the nursery rhyme's strange quality but still, it retains its popularity in penacony. it is also widely assumed that the hound resembles the bloodhound family while—”

you hold back an amused sigh, but it's more out of fondness than anything. he'll start from the history then the effect on the general public, as per usual, but you're not the only predictable one here. you'd listen to him anytime too, won't you?

(you do adore when the head of the oak family would put off his public figure mask around you. if only for just a while.)

will you let dan heng rest his head on your lap when it's just you two? . . . the sense of comfort it provides isn't something he can explain with words. as if he has ever been good with words in the first place. saying a sentence bereft of logical reasoning or witty remarks doesn't come easily to the express’ guard. neither does intimacy. . . but you know that already, don't you?

after all, it isn't a secret that dan heng prefers speaking with his actions. if to show one's intentions is the end goal, then actions are the fastest route to choose. words, although able to sweeten the trip like how a beautiful scenery can, will eventually lead to actions regardless so why take the extra step?

but you're different from him; you articulate what you think and what you mean. you're honest in ways that keep catching dan heng off guard without fail — just like the first time you offered your empty lap to him when his head was swirling in pain — but he supposes that is one of your charms. “words can be useful. we're not all born mind readers,” you told him once and he hummed, accepting of your perspective.

(“look at you two! opposites attract!” march chirped. he recalled shooting her a look of indignation and she rubbed the back of her head sheepishly in response.)

dan heng has learnt to grow used to your propensities - but by far, your shameless invitations are still one matter that can't be comprehended even with time. he cannot understand; how you smile as you sit on his futon in the archives (he doesn't mind), how you link gazes with him so effortlessly, how you pat your lap knowingly and say, “why don't you rest your head here?”

(he has to restrain himself from bursting into flames like a heliobus.)

sometimes, he'll accept reluctantly or he'll decline with an underlying tone of longing he doesn't want you to notice. because as much of a good hold dan heng has on nonchalance, he cannot deny that this particular gesture of yours has left a mark on him.

(it remains persistently.)

when he rests his head on your lap, he can't help but take a deep inhale - your fragrance fills his senses and he discards the selfish desire to keep it all to himself. your fingers are soothing as they thread through his hair gently. the feeling that washes over him is serene, almost comparable to submerging himself in the pure waters of scalegorge waterscape.

when overcome by such a tranquil state of mind, dan heng wonders what expression he might be making at that moment? he always keeps his eyes closed, so it's a shame he may never know. but you do, and you don't think you've ever seen him look so at peace before like he does now.

(perhaps, that's why you keep offering him this in the first place.)

✧ a moment among the stars:

“someone looks tired,” you state with a pointed stare. the archives isn't a room too spacious and the only ones here are you and him. the target of your sentence is obvious.

but dan heng doesn't take the bait, barely looks away from the entry he is currently authoring. still, he spares you a glance and hums glibly, “are you projecting? if so, feel free to use my bed in the meantime.”

you let out a noise, something gibberish that conveys disappointment but it is effectively drowned out by the typing noises. “you haven't even touched the food i bought you,” your voice becomes mellow, “why don't you rest for a while?”

he isn't convinced, you think, since his fingers are still hard at work. the new info the team brought back must've been a lot if he's that focused.

“dan heng?” you try again, hopeful for the last time. you don't take him for a fool, of course, he'll know when he reaches his limit and have proper rest then. but would that really be ideal? a second passes and that hope flickers like a dimming light. but just an inch before the edge of giving up, the typing slows to a stop.

“. . .alright,” he murmurs. finally, after a good hour spent drawing patterns on his backside with your eyes, dan heng turns around to face you. he look tense, you note with abject concern.

“here,” you usher him to your lap, empty and conveniently so. dan heng shoots you a blank look - this isn't the first time you offered and this isn't the first time he reacted like that. you try to suppress a laugh, failing gloriously at it. “just for a little bit,” you utter through a stifled fit of chuckles.

dan heng shakes his head, not in rejection but in defeat. his eyes slip close, second nature, as he leans to situate his head on your lap. you welcome him with a hum and let your fingers card through his hair. a calm sigh falls from his lips like a water droplet in springtime.

“this. . . is nice,” he admits, sudden and unprompted. you nearly doubt your ears for a moment there. did he— “i don't hate it is, uhm, what i mean to say,” dan heng adds and it dawns on you that your ears are still working. his eyes are still closed, not that you'd expect anything else, he prefers to treat it as a shield from being face-to-face with embarrassment.

(or to avoid your ecstatic gaze. he can feel warmth rushing to his cheeks already.)

“i know,” you smile, brushing away a few messy strands from his forehead. he isn't an open book but you think you've read the pages enough to remember all the little details. “but thanks for telling me. i'm no mind reader but i think i can read yours pretty well.”

“i shall provide no further comment,” he holds back an incredulous exhale, yet his lips still curl slightly at the corner. you feel the teeniest desire to trace the curve of his lips with your fingertip but settle for silently admiring them instead.

“it's fine. i know the answer already,” you say, words dripping with affection. such a shame dan heng never looks up at you during a time like this. because if he did, he wouldn't have missed seeing the sheer fondness in your gaze that rains down on him in light showers. a true shame.

(one day, he'll gather the courage. maybe.)

— thank you for reading! reblogs with comments are most appreciated. ♡

[gildead]

it's munday and i'm gonna be ranking all the lullaby songs let's go gamers.

safety lullaby: kinda mid. off-putting to hear hypno say lines when he's just sampling the pokémon cry for the rest of the mod, but hey he's spitting bars. 4/10.

left unchecked: absolute fucking banger and highly underrated. actually writing my own lyrics to it as we speak. 8/10.

lost cause: literally just noise but gf's beginning part saves it from being a zero. 1/10.

frostbite: kinda slow but i do admit, it's kinda grown on me. after that first verse it does get a lot better, ESPECIALLY once freakachu comes out. i do gotta say the shiny remix of it is the improved version, especially when the monochrome leitmotif comes in. 6/10.

insomnia: another one that grew on me!!! kinda long but i love silver's chromatics and there's a few really fun parts. i do wish scorchvx got to add in the ending animation to insomnia because otherwise the sequence feels incomplete without it and we don't get how BF ends up in the void. 7/10.

monochrome: THE MAN. THE MYTH. THE LEGEND. the reason why i got back into poképastas and remembered why i loved lost silver so much. absolute fucking banger in v1, and simplycrispy IMPROVED on literal perfection for v2. i actually like both versions of perish mix oddly enough, mainly because simplycrispy lowered the jumpscare volume so that it's actually listenable. i still prefer the non-jumpscare version when it comes to juno's cover and general listening because i'm a weenie and don't wanna be shrieked at when i'm listening to juno spitting bars. 11/10.

missingno: definitely a banger, heavily improved from v1, but i don't... really think it should've gotten its own week? the missingno week definitely confuses me, since there wasn't as much of an effort to tie it in with buried alive as lost silver week did for SOMS and lost silver. having two songs as opposed to three definitely didn't help, and maybe if the mod was finished they would've done a little more polishing. still, good song. 8/10.

brimstone: okay this is the one they were REALLY hyping up in the teaser for V2. and while i enjoyed it at first, it's... definitely a bit of a let down. there's a lot of good concepts within (missingno as a pokémon, the white hand becoming GF), but i don't necessarily... think they were fully utilized to the best of their abilities? also it's just LOOOONG. which is weird because triple trouble is much longer but it also feels more dynamic than brimstone does, which i feel like you gotta do if you're making a super long FNF song so the player doesn't fall asleep at the keyboard? 5/10.

amusia: damn, for a wigglytuff unable to sing, she sure goes off. that being said, saster almost never misses. also unfinished because it's lacking the ending jumpscare, but i don't think it really needed that? lullaby overuses the jumpscares quite a bit (coughcoughPURINcoughcoughFROSTBITEcoughitycoughLOSTCAUSEcough) and i think the more somber, poignant ending provides better contrast. also reminds me i gotta get wigglytuff icons for.... science. 8/10.

dissension: WHY ARE YOU SO SLOOOOOW. steven's chromatics fuck though... is what i was originally going to write, but i'm relistening to the song so i can do this and actually wait no this is a banger. the instrumental definitely reminds me of something ghost would put out, and steven's chromatics still fuck. 7/10.

purin: OHHHH MAN HERE WE FUCKING GO. so i know i should be nicer to this song because there was a lot of cool stuff that got cut from it and it's heavily unfinished but man fuck it. the song blows. jigglypuff's chromatics sound like ass, forcing my poor poor man pico to carry the song. there's a cover with gold that fixes the problems of 'jigglypuff's chromatics sound like ass', but MYYYYY GOOOOOOD it does not fix how slooooooooooow it is. it's like Bring Me To Life but if you replaced amy lee with a deflating helium balloon. also no the reversed part is not as cool as people think it is. kill me/10.

death toll: a lot of people claim this is the best song of lullaby. i still think monochrome edges it out, but honestly it's REEEEEAAAAAALLY close. the dueling melodies REALLY hit, the diamond/pearl themes in there feel well-blended, and dawn shifting into BF makes for some really neat moments. juno also wrote a really good cover of this that you should listen to. recd's on it. 10/10.

isotope: the backing track is really good on this one, but my god the memes killed it for me. there should've been a MUCH bigger drop after the 'they took everything from me' monologue. first half is really good, but the song just kinda ends on a sad wet fart, and not the darnell kind. also i don't have any better place to put this but man th3innu3ndo is a douchebag. 4/10.

bygone purpose: so remember my notes on purin above? bygone purpose has the same problem but with a much better song. GOD i do not like hypno's chromatics on this one. alexis definitely saves it though. 6/10.

pasta night: talk about getting funky on a friday night, huh. absolute BANGER swinging back-up, mx, lord x, and hypno's chromatics are really good together, and of course we got my little boy floating by in the background. of COURSE i'm gonna give this one a perfect rating. 10/10.

shinto: reeeeaaaaaaally good. like, unbelievably fun. my one nitpick is that there's a problem with the mixing and the instrumental sometimes overpowers shinto and grey's chromatics, but otherwise it would've also gotten a perfect score. 9.5/10.

shitno: okay unpopular opinion time but i actually like shinto a little better than this one. i think we should've fully given saster free reign over shitno, because his part's DEFINITELY where the song gets really good. not that it was bad (it's not), but like, if you're gonna have shinto turn into a big fuckass monster, you'd want the big fuckass monster song to exceed all expectations. 9/10.

[webism]

pornstar!sukuna who has a niche for the dark and dangerous, he only accepts shoots that cater to his more… intense nature—ropes and chains and gags and rigs beyond the regular bedroom scenes.

pornstar!sukuna who works with many other actors and actresses. he's demeaned and degraded more people for a pay check than he can count, but his favourite is you. you’re not so easy to break, which he likes—plus, videos in which you bite back make double the profit.

pornstar!sukuna who is easy to agree when you call him one night asking for a favour. you were meant to do a camshow with another pornstar when he cancelled last minute—and you know people are excited for this one, if you don’t want to miss out on a paycheck you’d need to find a quick replacement.

pornstar!sukuna who is expecting a homemade bd/sm rig to greet him when he walks into your home that night.

pornstar!sukuna who isn’t expecting a bed with a pink duvet and matching fluffy pink handcuffs hanging from your headboard. it’s cute, he thinks—he can picture the scene, you laid out and fucked like a whore in pink. he’s eager, until you tell him the handcuffs aren’t for you, but for him.

pornstar!sukuna who is about ready to walk out, to tell you off for even assuming he’d do such things on camera, that he'd ruin his crafted image of this sadistic figurehead for a camshow of all things.

pornstar!sukuna who just can't say no and turn on his heels, not when you look up at him like that, your pretty eyes just too convincing. He's seen you fucked out and stupidly cockdrunk before, he knows what you look like when you submit wholly to him, and though it's a beautiful sight—one of his favourites—he can't deny that he's intrigued to know how you look through his eyes when they're glossed with desperate pleasure.

pornstar!sukuna, the notorious dominant, who loads up on thousands. of peoples screens handcuffed to a pink bed. Everything pink: the cuffs, the sheets, his mussed hair, the pretty blush that paints the bridge of his nose, the leaky tip of his cock as you stroke it, your nails painted pink to match.

pornstar!sukuna who growls when people start tipping each time he gets close to cumming. who looks so insanely out of place, big and imposing and so covered in tattoos that even his ridiculous length has been inked to an extent, all needy and growing all the more desperate as you keep denying him his orgasm. wrists chained to your wooden headboard, his muscles ache with the temptation of breaking free.

pornstar!sukuna who can't help but wonder if his life has been flipped on its head when you start praising him and he moans at your words alone. Who, for all his life has gotten off on inflicting the worst onto others, and can now feel the most powerful orgasm of his life cresting when those narcotic words spill from your lips. "doing so well for me, god you look good like this, sukuna."

pornstar!sukuna who can only hold on for so long before his taut-pulled patience snaps and burns on impact. so when he's watching himself through the display of your laptop, cock red and angry as it leaks in need at your denial of his orgasm again, he snaps.

pornstar!sukuna who breaks your handcuffs with one pull, and has you flipped over and taking his mean cock in less time than it takes you to process his movements. who is glad you were enjoying torturing him, because you're so wet that the stretch of his cock is only searingly painful and you're not pushed to tears... this time.

pornstar!sukuna who fucks you mindless for toying with him for so long. for airing out a side of him that is weak in the bones for you, and plastering it on the internet for anyone to see. he bullies his cock into you, mean and unrelenting—yet whispers the sweetest of nothings into your ear as he does so, low enough that your mic can't pick up on them—your ears only.

pornstar!sukuna who kisses you when he cums. his lip piercing cold against your lips, your legs shaking in desperate need for mercy as he paints your insides white.

pornstar!sukuna who laughs when you, in your cum-drunk haze, try to reach for your laptop to turn off the camshow.

pornstar!sukuna who promises your now-doubled viewer count that the stream won't end until you've come ten times on his cock—he's going to make an example out of you.

[harunayuuka2060]

MC: I want to confess to Hornton, but I wouldn't like him to know that I have feelings for him either.

Ace: Easy peasy. Cover his ears.

Deuce: Bruh— Won't Draconia-senpai find that weird?

Ace: He befriended the Prefect even though they're weird.

MC: ...

MC: Fuck you, Ace.

Ace: Fuck you too.

Deuce: *whacks his head*

Malleus: What is it, child of man?

MC: Can I cover your ears for a moment?

Malleus: ...

Malleus: I don't know what this is for, but no problem. *leans down so they could reach him*

MC: *covers his ears*

MC: *breathes in*

MC: Malleus, I like you. *smiles*

MC: I've liked you...since the time you received those SDC tickets and laughed like a maniac.

MC: But I'm a human and you're a fae, so you won't probably like me back. *awkward chuckle*

MC: That's all. *takes their hands off his ears*

Malleus: ...

MC: Sorry about that, Hornton. Haha, I'll see you tomorrow—

Malleus: Without hearing my answer?

MC: ...

Malleus: ...

MC: You heard... everything?

Malleus: *smirks*

Malleus: I read your lips, dear.

[harmoonix]

♦️Rubina♦️

Short Astrology Observations

Gemini placements, especially Moon/Mercury and Mars, love to make eye contact with the people they find attractive, but I can tell their eye contacts last so long

An Aquarius Lilith can talk about a rebellious nature in your community/social group, your friends can tell that you're a fiery person

Aries Saturn/Saturn in the 1H can end up overthinking over tense situations that already happened, is a like a flashback coming in your life

When Mercury transits your 7H, you can find yourself talking randomly about your past relationships or even current ones

The eyes of a sun - lilith h12 native are GORGEOUS!! These natives are widely known for having strong personalities and charisma

Neptune in the 6H/8H/12H can be drained by people mentally or even you can find your energy 'being stolen' by others in spirituality we call these people 'energetic vampires' people who are known to steal energy/mood

Neptune/Pisces in the 2H can indeed spend their finances on things they find spiritual or ancient. Also, it is very important to value your personal traits

If someone has a mix of Sag + Aries in their chart! BE SURE that person can be harsh at times even without realizing that they're being harsh on others

If you're born with Aqua placements, it is a big indicator that you have a humanitarian and peaceful energy, you love to help people in your community

Mars in the 11H or in Aqua can engage in conflicts about their friends or even with them, there is always some sort of issues, though this placement is very useful for manifesting fast

If Saturn is finding himself in the enemies like Leo or Cancer/Aries it can be a big indicator that you're meant to change something in this life time

Lilith in the 10H/Capricorn can have a provocative, sometimes problematic image, the society can find you powerful

You can always count on people with Moons in the 9H/11H/Sag Moon/Aquarius Moon to be loyal to you!! They will be so devoted to you

Moon transit in the 12H can talk about dreaming about your past or certain events that happened in the past

♦️Is very easy to tell the degrees between the tropical and sidereal charts if you learn them, the sidereal degrees will always be within 6° more in the sidereal chart than tropical for example

Having a planet at 24° in the tropical chart will result in a planet with 0° in the sidereal chart (24+6=0° in astrology because we don't have the 30°)

If you have a planet at 21° in the tropical chart will result a planet with 27° in sidereal chart

(21° + 6° = 27°)

If you have a planet at 2° in the tropical chart, it will result in 8° degrees in the sidereal chart

(2° + 6° = 8°)

And so on 🤩👏 just calculate them!♦️

Taurus Placements especially Venus/Lilith/Moon love to get spoiled!! They love luxury but won't tell and instead they will want you to observe that

Pluto in the 10H/11H in a natives chart can make energy of the chart so influential if you have aspects to pluto it will play a big role in your life

Prominent and Dominant planets are not the same!!

Prominent: lots of aspects to one planet

Dominant: lot of planets in the same sign (someone with 4 planets in Cancer is a Moon dominant)

I don't know if you guys observed, but most ppl with cap placements in a way feel restricted to tell their feelings, and it can be because people may not pay attention to those

2H/3H in Scorpio/Aquarius/Gemini/Aries can make the native talk in a more dirty way, for example, telling a curse word in each one of their questions/sentences

Venus in Aqua/Venus at 11° 23° degrees can have a chance to meet their partners online! That doesn't mean accepting all the requests on Tinder!!

The moon sign in your moon persona chart will tell more about your soul! Is a very emotional journey discovering as well! Make a combo of your tropical moon sign and moon persona's moon sign

Having 5H planets in your SR (solar return) can indicate getting into romantic relationships, especially Mars/Venus

Mercury aspecting Pluto natives may love to speak possessive words out of their mouths like 'You're mine' and things like that

Pluto in the 7H/Lilith in the 7H can talk about a dating history involving toxic partners and attracting them

When Aquarius Venus/Mercury/Moon/Rising will find love, they will mostly look for natives with a good mindset and a stable communication skill.

People who tend to be people pleasers can indicate deep father issues, especially parental trauma watch out for the sun/Saturn sign and the sign over your 4H

Capricorn/Aries in your 3H can indicate being the oldest/first kid or sibling in your family

People who have Saturn - Mercury harsh aspects find it hard to concentrate, hard to be focusing on things. Those people who have a lot on their mind

I feel like people with a water moon can be romantic, only if their partner shows romantism as well. Otherwise, it can be hard to be with one-sided romantic person

Cancer/Moon in the 9H ppl can have parents or family members who work in educational institutions, schools, high-schools etc

People with 4H like Libra, Taurus, Leo, and Pisces could've been raised by a single parent only or divorced parents later in life

In some cases, Leo/Cancer/Gemini/Aquarius/Sagittarius Lilith can talk about being the black sheep of the family and also the family with a favorite child, so favorkids in the family

Scorpio/Capricorn/Taurus Venus would rather wait for that one person to arrive in their lives than waste times with relationships

The definition of a Libra is co - relationships, so people with Libra Placements will feel like they need to have someone with them or the feeling to depend on someone

~ Have a little fun. It's the only way we know ~

[mostlysignssomeportents]

The Google antitrust remedy should extinguish surveillance, not democratize it

I'm coming to DEFCON! On FRIDAY (Aug 9), I'm emceeing the EFF POKER TOURNAMENT (noon at the Horseshoe Poker Room), and appearing on the BRICKED AND ABANDONED panel (5PM, LVCC - L1 - HW1–11–01). On SATURDAY (Aug 10), I'm giving a keynote called "DISENSHITTIFY OR DIE! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification" (noon, LVCC - L1 - HW1–11–01).

If you are even slightly plugged into the doings and goings on in this tired old world of ours, then you have heard that Google has lost its antitrust case against the DOJ Antitrust Division, and is now an official, no-foolin', convicted monopolist.

This is huge. Epochal. The DOJ, under the leadership of the fire-breathing trustbuster Jonathan Kanter, has done something that was inconceivable four years ago when he was appointed. On Kanter's first day on the job as head of the Antitrust Division, he addressed his gathered prosecutors and asked them to raise their hands if they'd never lost a case.

It was a canny trap. As the proud, victorious DOJ lawyers thrust their arms into the air, Kanter quoted James Comey, who did the same thing on his first day on the job as DA for the Southern District of New York: "You people are the chickenshit club." A federal prosecutor who never loses a case is a prosecutor who only goes after easy targets, and leave the worst offenders (who can mount a serious defense) unscathed.

Under Kanter, the Antitrust Division has been anything but a Chickenshit Club. They've gone after the biggest game, the hardest targets, and with Google, they bagged the hardest target of all.

Again: this is huge:

https://www.thebignewsletter.com/p/boom-judge-rules-google-is-a-monopolist

But also: this is just the start.

Now that Google is convicted, the court needs to decide what to do about it. Courts have lots of leeway when it comes to addressing a finding of lawbreaking. They can impose "conduct remedies" ("don't do that anymore"). These are generally considered weaksauce, because they're hard to administer. When you tell a company like Google to stop doing something, you need to expend a lot of energy to make sure they're following orders. Conduct remedies are as much a punishment for the government (which has to spend millions closely observing the company to ensure compliance) as they are for the firms involved.

But the court could also order Google to stop doing certain things. For example, since the ruling finds that Google illegally maintained its monopoly by paying other entities – Apple, Mozilla, Samsung, AT&T, etc – to be the default search, the court could order them to stop doing that. At the very least, that's a lot easier to monitor.

The big guns, though are the structural remedies. The court could order Google to sell off parts of its business, like its ad-tech stack, through which it represents both buyers and sellers in a marketplace it owns, and with whom it competes as a buyer and a seller. There's already proposed, bipartisan legislation to do this (how bipartisan? Its two main co-sponsors are Ted Cruz and Elizabeth Warren!):

https://pluralistic.net/2023/05/25/structural-separation/#america-act

All of these things, and more, are on the table:

https://www.wired.com/story/google-search-monopoly-judge-amit-mehta-options/

We'll get a better sense of what the judge is likely to order in the fall, but the case could drag out for quite some time, as Google appeals the verdict, then tries for the Supreme Court, then appeals the remedy, and so on and so on. Dragging things out in the hopes of running out the clock is a time-honored tradition in tech antitrust. IBM dragged out its antitrust appeals for 12 years, from 1970 to 1982 (they called it "Antitrust's Vietnam"). This is an expensive gambit: IBM outspent the entire DOJ Antitrust Division for 12 consecutive years, hiring more lawyers to fight the DOJ than the DOJ employed to run all of its antitrust enforcement, nationwide. But it worked. IBM hung in there until Reagan got elected and ordered his AG to drop the case.

This is the same trick Microsoft pulled in the nineties. The case went to trial in 1998, and Microsoft lost in 1999. They appealed, and dragged out the proceedings until GW Bush stole the presidency in 2000 and dropped the case in 2001.

I am 100% certain that there are lawyers at Google thinking about this: "OK, say we put a few hundred million behind Trump-affiliated PACs, wait until he's president, have a little meeting with Attorney General Andrew Tate, and convince him to drop the case. Worked for IBM, worked for Microsoft, it'll work for us. And it'll be a bargain."

That's one way things could go wrong, but it's hardly the only way. In his ruling, Judge Mehta rejected the DOJ's argument that in illegally creating and maintaining its monopoly, Google harmed its users' privacy by foreclosing on the possibility of a rival that didn't rely on commercial surveillance.

The judge repeats some of the most cherished and absurd canards of the marketing industry, like the idea that people actually like advertisements, provided that they're relevant, so spying on people is actually doing them a favor by making it easier to target the right ads to them.

First of all, this is just obvious self-serving rubbish that the advertising industry has been repeating since the days when it was waging a massive campaign against the TV remote on the grounds that people would "steal" TV by changing the channel when the ads came on. If "relevant" advertising was so great, then no one would reach for the remote – or better still, they'd change the channel when the show came back on, looking for more ads. People don't like advertising. And they hate "relevant" advertising that targets their private behaviors and views. They find it creepy.

Remember when Apple offered users a one-click opt-out from Facebook spying, the most sophisticated commercial surveillance system in human history, whose entire purpose was to deliver "relevant" advertising? More than 96% of Apple's customers opted out of surveillance. Even the most Hayek-pilled economist has to admit that this is a a hell of a "revealed preference." People don't want "relevant" advertising. Period.

The judge's credulous repetition of this obvious nonsense is doubly disturbing in light of the nature of the monopoly charge against Google – that the company had monopolized the advertising market.

Don't get me wrong: Google has monopolized the advertising market. They operate a "full stack" ad-tech shop. By controlling the tools that sellers and buyers use, and the marketplace where they use them, Google steals billions from advertisers and publishers. And that's before you factor in Jedi Blue, the illegal collusive arrangement the company has with Facebook, by which they carved up the market to increase their profits, gouge advertisers, starve publishers, and keep out smaller rivals:

https://en.wikipedia.org/wiki/Jedi_Blue

One effect of Google's monopoly power is a global privacy crisis. In regions with strong privacy laws (like the EU), Google uses flags of convenience (looking at you, Ireland) to break the law with impunity:

https://pluralistic.net/2023/05/15/finnegans-snooze/#dirty-old-town

In the rest of the world, Google works with other members of the surveillance cartel to prevent the passage of privacy laws. That's why the USA hasn't had a new federal privacy law since 1988, when Congress acted to ban video-store clerks from telling newspaper reporters about the VHS cassettes you took home:

https://en.wikipedia.org/wiki/Video_Privacy_Protection_Act

The lack of privacy law and privacy enforcement means that Google can inflict untold privacy harms on billions of people around the world. Everything we do, everywhere we go online and offline, every relationship we have, everything we buy and say and do – it's all collected and stored and mined and used against us. The immediate harm here is the haunting sense that you are always under observation, a violation of your fundamental human rights that prevents you from ever being your authentic self:

https://www.theguardian.com/technology/blog/2013/jun/14/nsa-prism

The harms of surveillance aren't merely spiritual and psychological – they're material and immediate. The commercial surveillance industry provides the raw feedstock for a parade of horribles, from stalkers and bounty hunters turning up on their targets' front doors to cops rounding up demonstrators with location data from their phones to identity thieves tricking their marks by using leaked or purchased private information as convincers:

https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy

The problem with Google's monopolization of the surveillance business model is that they're spying on us. But for a certain kind of competition wonk, the problem is that Google is monopolizing the violation of our human rights, and we need to use competition law to "democratize" commercial surveillance.

This is deeply perverse, but it represents a central split in competition theory. Some trustbusters fetishize competition for its own sake, on the theory that it makes companies better and more efficient. But there are some things we don't want companies to be better at, like violating our human rights. We want to ban human rights violations, not improve them.

For other trustbusters – like me – the point of competition enforcement isn't merely to make companies offer better products, it's to make companies small enough to hold account through the enforcement of democratic laws. I want to break – and break up – Google because I want to end its ability to bigfoot privacy law so that we can finally root out the cancer of commercial surveillance. I don't want to make Google smaller so that other surveillance companies can get in on the game.

There is a real danger that this could emerge from this decision, and that's a danger we need to guard against. Last month, Google shocked the technical world by announcing that it would not follow through on its years-long promise to kill third-party cookies, one of the most pernicious and dangerous tools of commercial surveillance. The reason for this volte-face appears to be concern that the EU would view killing third-party cookies as anticompetitive, since Google intended to maintain commercial surveillance using its Orwellian "Privacy Sandbox" technology in Chrome, with the effect that everyone except Google would find it harder to spy on us as we used the internet:

https://www.thebignewsletter.com/p/googles-trail-of-crumbs

It's true! This is anticompetitive. But the answer isn't to preserve the universal power of tech companies large and small to violate our human rights – it's to ban everyone, especially Google, from spying on us!

This current in competition law is still on the fringe, but the Google case – which finds the company illegally dominating surveillance advertising, but rejects the idea that surveillance is itself a harm – offers an opportunity for this bad idea to go from the fringe to the center.

If that happens, look out.

Take "attribution," an obscure bit of ad-tech jargon disguising a jaw-droppingly terrible practice. "Attribution" is when an ad-tech company shows you an ad, and then follows you everywhere you go, monitoring everything you do, to determine whether the ad convinced you to buy something. I mean that literally: they're combining location data generated by your phone and captured by Bluetooth and wifi receivers with data from your credit card to follow you everywhere and log everything, so that they can prove to a merchant that you bought something.

This is unspeakably grotesque. It should be illegal. In many parts of the world, it is illegal, but it is so lucrative that monopolists like Google can buy off the enforcers and get away with it. What's more, only the very largest corporations have the resources to surveil you so closely and invasively that they can perform this "service."

But again, some competition wonks look at this situation and say, "Well, that's not right, we need to make sure that everyone can do attribution." This was a (completely mad) premise in the (otherwise very good) 2020 Competition and Markets Authority market-study on "Online platforms and digital advertising":

https://assets.publishing.service.gov.uk/media/5fa557668fa8f5788db46efc/Final_report_Digital_ALT_TEXT.pdf

This (again, otherwise sensible) document veers completely off the rails whenever the subject of attribution comes up. At one point, the authors propose that the law should allow corporations to spy on people who opt out of commercial surveillance, provided that this spying is undertaken for the sole purpose of attribution.

But it gets even worse: by the end of the document, the authors propose a "user ID intervention" to give every Briton a permanent, government-issued advertising identifier to make it easier for smaller companies to do attribution.

Look, I understand why advertisers like attribution and are willing to preferentially take their business to companies that can perform it. But the fact that merchants want to be able to peer into every corner of our lives to figure out how well their ads are performing is no basis for permitting them to do so – much less intervening in the market to make it even easier so more commercial snoops can get their noses in our business!

This is an idea that keeps popping up, like in this editorial by a UK lawyer, where he proposes fixing "Google's dominance of online advertising" by making it possible for everyone to track us using the commercial surveillance identifiers created and monopolized by the ad-tech duopoly and the mobile tech duopoly:

https://www.thesling.org/what-to-do-about-googles-dominance-of-online-advertising/

Those companies are doing something rotten. In dominating ads, they have stolen billions from publishers and advertisers. Then they used those billions to capture our democratic process and ensure that our human rights weren't being defended as they plundered our private data and put us in harm's way.

Advertising will adapt. The marketing bros know this is coming. They're already discussing how to live in a world where you can't measure clicks and you can't attribute actions (e.g. the world from the first advertisements up until the early 2000s):

https://sparktoro.com/blog/attribution-is-dying-clicks-are-dying-marketing-is-going-back-to-the-20th-century/

An equitable solution to Google's monopoly will not run though our right to privacy. We don't solve the Google monopoly by creating competition in surveillance. The reason to get rid of Google's monopoly is to make it easier to end surveillance.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/07/revealed-preferences/#extinguish-v-improve

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[graphic--horde]

How do you make your stamps? :0

Disclaimer: this is an obscenely long explanation, with pictures. Efficiency is stupid

So, for the static ones, I make a 99x56 px file on ibis paint x. Other programs are probably available online but I don't use them.

After that, I either upload an image I want to make into a stamp, or I draw one.

Then, I find a frame I want to use. Ill upload them here but let it be known I stole all of these right from deviantart

Most of them are from Lil-Devil-Melii on deviantart. The rest i have no idea. They're not all 99x56px but you can crop the canvas it's fine

Make sure to erase the edges of the picture , so they're transparent. It's not as cute otherwise

Upload those frames over your image in whatever art program you're using and viola, stamp.

For moving ones, it's a lot harder. Mostly because I refuse to download Photoshop.

There are a couple ways to do this. Some are simple animations, like with flashing text and whatnot. For these, you download the individual animation frames from your art program. Make sure it's transparent.

Then, upload each frame to ezgif.com under the option "GIF maker." You can play around with how fast each frame goes and whatnot but in the end, it'll be a stamp with some rad text that moves. This is easy, and doesn't make me want to shit my pants and cry. If you're new, do this. This is fun. This is good. This does not kill me inside

I made that↓ stamp with this method :)

this next one is how we turn gifs into stamps. This one makes me sad. It involves math and sucks. But we gotta do it. For the vibe

First, grab your gif. I'm using this cow gif because it's awesome

Then, I resize it using ezgif. Literally everything for this will be using ezgif. I am a simple man

At this point you should decide what frame to use. I'm using this one because its the first one I clicked

Figured out what size the inside of the frame is. That's what I resize the gif to, so the edges can be transparent. The inside of this one is 93x50 px, so those are the dimensions I'm making the gif.

Figure it out by putting the frame into ibis paint and realizing the canvas to fit just the inside of the frame, then seeing what the dimensions are. But there could be easier ways

Woah it's so small now

Then, still on ezgif, I go to the "crop" option.

Make sureeee to upload the smaller gif

press the button that says "extend canvas size", and then put the "width" and "height" as the dimensions for your FRAME. This'll put a bit of a transparent border around the gif. For this frame, I did 99px and 56px.

The "left" and "top" boxes show how many pixels the cropping happens from the edges of the canvas. The formula for finding that is

(width of gif / 2) - (difference between gif width and frame width / 2) = left box

For me it's (93 / 2) - (6 / 2) = 43.5

Then you do the same.for the height, which for me ends up being 22 from the top

This is reallyyy touchy and annoying though

Here's my result , with no visible difference

Okay so THEN you go to the "overlay" option, under "effects." And upload your frame. If the cropping was done right, you shouldn't have to move the frame at all and can just download it

Here's my result:

if you don't care about transparency, you can resize your gif to be the same size as the frame, and then put the frame over it. But I'm a slut for transparency

Anyways. I'm sorry if anything was unclear, it's two am. And I hope this was helpful :) these really are fun to make once you get it down

also if anyone has an easier way to make stamps from gifs, please god tell me

[hairmetal666]

Wayne's used to worrying about Eddie. He should be; he's been doing it since the kid was twelve. First it was Eddie's silence, his permanent frown, the way the bones stood out too prominent on his small wrists. Then it was the kids at school, taunting him and calling him names, the fights and calls from the principal's office. Next came the late nights, the drinking, the dealing, failing his senior year twice. But all of those times, every single one, Wayne had known what to do. Maybe it wasn't perfect, maybe it took a little time, but he'd always figured out exactly what his boy needed.

And now--now Wayne doesn't know if he can help; knows it's not in his power to fix it. 

So, he sits for the second week in a row, watching his nephew--his whole heart--sitting in front of the window, looking out at the forest, nursing the same cup of coffee that he poured six hours ago, and wonders how in the world he can help.

They're cleaning up from dinner, Eddie quiet at his side, when he says, "Gonna need some help with the mugs tomorrow."

After moving to Oregon once Eddie graduated and he retired, he found an affinity for pottery. Never woulda thought it, but he loves it and tourists love his booth at the farmers market.

He can't think of a better way to get his nephew out of the house, but wonders if he doesn't know his boy as well as he thinks after a decade in Los Angeles, that Eddie'll refuse. He just nods, though, goes back to drying the plate in his hands.

And next morning, right at 6:45, Eddie is in the living room in black jeans that are so worn they're nearly grey in places, and the threadbare Metallica tee Wayne thrifted for him nearly a decade back. It's a win. Small, yes--Eddie doesn't even complain once about the country-western station Wayne plays in the truck--but still a step forward.

Wayne wastes no time parking and handing Eddie a box of carefully packed merchandise. He leads the way, trusts that Eddie is right on his heels until he hears Jim Hopper's voice say, "You better keep an eye on those mugs, son. Your uncle will tan your hide."

He turns to see Hopper balancing one end of Eddie's box, Eddie's cheeks flushed pink. "Sorry, I--uh, I've got it now." Hopper lets go and for the briefest instant Eddie's eyes dart to the side and the pink in his cheeks grows deeper.

Wayne tracks the path Eddie's eyes took and finds--he swallows back a chuckle--Steve Harrington just setting one of his Adirondack chairs into place, his t-shirt lifted to show of a stretch of stomach.

Well. Eddie did always like the pretty ones.

They setup the booth in companionable silence, and Hopper pops back over for a proper introduction. Before he departs again, he says to Eddie, "I got some kids who really love that dnd game and your show. They're going to be crazy to meet you. That okay?"

And Eddie, he's a good boy, he smiles and nods but as soon as Hopper is out of earshot, Wayne's saying, "Hop's kids and their friends are big fans and I know you're heartsore about the cancellation, but you better be polite."

Eddie glares. "What do you think, old man, that I'll be mean to children?"

"Well, with how you've been moping around the cabin these last few weeks, hard to know."

He scoffs. "Yeah, well. Netflix putting your hit show on indefinite hiatus without warning or explanation will do that to a guy."

Wayne knows there's nothing he can say to soften this hurt, so he gives Eddie's shoulder a tight squeeze. "I'm proud of you no matter what, son."

His nephew nods, eyes down, but Wayne doesn't miss the small, pleased, lift at the corner of his lips.

The morning passes smoothly and Wayne pretends he doesn't notice every time he finds Eddie's gaze straying to Steve's booth.

The kids come by around noon, Dustin Henderson breaking away from the pack to shriek, "You're Eddie Munson!"

Eddie smiles, stands. "That I am, young adventurer." He bows low, exaggerated and the kids giggle. "Pray tell, what are your names?"

The chatter is fast and easy, Eddie the happiest he's been in weeks, and Wayne relaxes back in his chair, lets out a long, slow breath of relief at the breaking storm. He stretches back in his chair, eyes catching on Steve Harrington across the way. Steve who is watching Eddie and the kids with an expression Wayne can only think of as fond.

Wayne isn't one to play matchmaker, but--he thinks, just maybe, just this once he could nudge.

It happens late in the afternoon, when business has well-slowed, Eddie asking, "Um--that guy over there, who is--what's his deal?"

Wayne thinks he manages to keep all traces of amusement from his face and voice as he answers, "Who? Ohh, Steve Harrington. He's the guidance counselor down at the middle school. Does a bit of carpentry in his free time. Best friends with the woman who owns that little bookstore."

He watches as Eddie processes, as his eyes widen, probably in remembrance of the pride flags and Protect Trans Kids shirts, how the woman in question wore a lesbian flag pin on her apron. "Guidance counselor?" He says eventually. "Kind of a drag."

"You would think, but the kids love him. The ones you met earlier today? He babysat them for years; imprinted on him, Jim and I say."

"Hmm," is the only response he gets, Eddie's attention back on the man in question.

---

The day after the market, Wayne walks into the living room to find Eddie's laptop tucked into the cushions of the window seat. He hasn't seen the thing since Eddie came home, never used to see him without it, and this--well.

He says, "need to run into town for a few things. You up for a trip? You might could stop at that bookstore."

Eddie nods, takes a sip of his coffee--he's actually drinking it-- says, "Yeah. Yeah, I think that'd be cool."

The store isn't busy when they arrive, and Wayne drifts towards the magazines to leave Eddie to his own devices.

Wayne loses himself to quiet browsing, wanting to give Eddie space, to maybe chat with Robin Buckley, strike up the beginnings of a friendship. Enough time passes, though, that Wayne is wondering where his boisterous, noticeable nephew could've disappeared to so silently.

He winds around a shelf and sees Eddie and Steve Harrington in deep conversation. He can't hear it, not really, but they're standing close, with pink in their cheeks. As he watches, Steve says something that makes Eddie laugh and pull a few strands of hair over his mouth.

They're almost inseparable after that. Eddie, Steve, Robin, and all those kids. They play dnd, have movie nights, spend hours at the diner. And Eddie, he's writing, sketching, gets down Wayne's acoustic guitar and plays around for a while.

When he asks how things are with "that Harrington boy," Eddie flushes red and says, "none of your business, old man" before giving Wayne a quick, affectionate squeeze. 

---

Two and a half months after Eddie came to stay, Wayne's walking back from the river, the sky the light navy of new dusk. His fishing rod is draped over one shoulder, tackle box held easily in his fist, the walk home pleasant, a perfect end to a good day.

The light from the front porch seeps through the trees, and he's thinking about a cold beer, a warm pizza, if Eddie's found his way home yet, when figures standing on the porch stop him in his tracks.

It takes a second, longer, for his eyes to adjust from the dark of the woods, and the glow of the bulb, but then he sees--

Eddie and Steve locked in a fierce embrace, desperate and very much private.

He turns right back towards the river, doesn't mind giving the boys some time.

He waits a good half hour, just enjoying the forest, before heading back. Steve's car is gone, the porch vacant, but the cabin is lit up, bright and warm and inviting.

Wayne steps inside, and his nephew is there, laptop open, but he isn't working, just smiling to himself, chin resting on his fist.

"Okay?" Wayne asks.

"Huh? Oh, yeah." Eddie's smile doesn't fall from his face.

He doesn't want to interfere, ask too much, not when he's sure things are still young. Instead, he asks, "What'd you say to ordering a pizza?"

And Eddie, heedless of Wayne's question, says,"you know. I've been thinking about maybe staying here for a little longer."

And Wayne, his smile grows, and he claps a hand on his nephew's shoulder. "You're welcome here for as long as you want. Already consider it your home anyway."