#“have a little faith”

[miru-mu]

rolling around on the floor...

everyone got pissed off and yelled at each other last session, then avoided each other for a good chunk of this one. a talk went poorly and then another one was SAD...but I think went well... and then Keith found out the aliens he needs to kill are at a bachelorette party they need to go to?? and Alun tried to steal/borrow his truck without saying anything??? so obviously next week it's time to shop for gifts and outfits and not talk about how utterly down anyone is, obviously!! going to the sickest party on this plane of existence will fix everything

[muffinlance]

We're all thinking it, I'm gonna say it:

The live action teaser would have been instantly 200% better if the final shot had been "MY CABBAGES!"

[poorly-drawn-mdzs]

Welcome to the Dungeons of Fear and Hunger.

[bisexualsfromouterspace]

ANATOMY OF A FALL (2023) dir. Justine Triet CONGRATULATIONS ON 5 ACADEMY AWARD NOMINATIONS!

Sandra Hüller, Actress in a Leading Role Justine Triet, Directing Laurent Sénéchal, Film Editing Justine Triet and Arthur Harari, Original Screenplay Anatomy of a Fall, Best Picture

[juanabaloo]

[oomles]

This headline is so funny to me like... imagine any producer of anything ever outright saying to the press "I don't think the sequel we're making is as good at the first, sorry :("

[mediumgayitalian]

“Man overboard!”

Annabeth does, in fact, understand that such a cry warrants hastiness. Hurry, even.

“Man overboard! Man overboard!”

Most men, after all, cannot swim, and if the whispers are to be believed then this particular man is not even conscious to try. He is no doubt in peril, and the Fates have a stronger hold on his thread with every passing moment.

“Make way! Man overboard!”

If she is jostled one more time, however.

“Man overboard! Lower the ladder, man overboard!”

Should even one more crew yank her back away from the walls of the ship, patting her on the arm as they shove her ‘somewhere more befitting for such a finely dressed lady’.

“Hook it around him, for the gods’ sake, man overboard!”

There are going to be several more men joining him.

“Clear a path! Clear a path!”

She makes it, finally, to the rail unimpeded enough to lean over and see the man who, she has heard, has fallen overboard. He clings like dark-haired Danaë on the waterlogged hope of a wine barrel, bare back burned from the sun, nose nearly dragging along the friendly swirling waves. His dignity is covered, barely, by a torn, bloodstained cloth, and his tanned skin is crisscrossed with raised white scars.

He is handsome.

She stumbles back from the hull, face burning. And absurd thought to have. She seeks out deliberately a close-cropped head of blond hair, smiling tersely when Captain Grace meets her eyes, offering her a nod.

“Straight line,” she murmurs to herself, pulling back her shoulders.

She gives the men plenty of distance as they haul the downed sailor up from the depths. It irks her, really, to be following their orders, but to help or to offer it would mean more of the jostling, the pushing. More grimey hands irreparably staining the fine silk of the new dress Mother had sent her with.

It takes the crew an embarrassingly long time to haul the man up, even though Annabeth can see, as one of the bulkier men wraps a limp arm around his shoulders, that he is slight. He has the shoulders of a swimmer and the leanness of a scavenger, but his frame is small. In fact she is almost sure that upright, they would stand shoulder to shoulder. Perhaps an inch on his part, nothing more.

She realises, with a start, that the crew is staring at her, and forces her second blush of the day back from whence it came. She meets the expectant states with a tilted chin and hard eyes, drawing her skirts and clicking her heels against the groaning deck.

“What,” she snaps.

“He’s unconscious, my lady.”

“So? Place him out of the sun, have someone monitor him.”

The crewman supporting the unconscious man — truly, Annabeth needs to learn these men’s names; it would be easier if any of them spoke to her at any time other than to ask if the sun was making her feel faint — shifts from foot to foot.

Well.

Foot to peg.

“Yes,” he says eventually. He makes some sort of vague gesture with his hand, stepping forward. “Er — our thoughts exactly, my lady.”

Still, no one moves. The unconscious man’s head lolls, pitching his whole weight forward. Another sailor lunges forward to catch him, readjusting him so he’s steady.

Still, no one moves.

Annabeth shifts to face her betrothed. He winces under her sharp look, hand coming up to run the back of his neck.

“He may fare best under your care,” Captain Grace says hesitantly. “The bunks are unfit for someone in his condition. And my men can be…rough.”

“Choose your words carefully, Jason,” she warns.

Grimacing, Captain Grace plows on. “I mean no offense, my lady. We have no other women on the ship. Your cabin is cool and sheltered and I know you enjoy those weaving projects in idle time. He will not require much more than an eye to ensure he does not pass in his sleep. I can think of no one more capable to watch over him.”

The doctor, for starters, Annabeth thinks. Drunk as he is, the sickly rescue should be his charge; nursing him should be his task.

The crew doesn’t even glance at him, though. He stands happily to the side, red-faced and cross-eyed, bottle dribbling from his trouser pockets, and Annabeth fights the urge to bare her teeth.

“Whatever you believe is best, Captain,” she grits out. She glares at the crew, pausing on each man until he squirms under her gaze. “Do not leave him to soak my sheets.”

They leave him, instead, sprawled on the wooden floorboards.

Annabeth scowls.

A four week journey, her mother had told her. Barely a month at sea, with plenty of stops on the islands dotting the paths and a stack of journals for her research. Captain Grace’s vessel is exceptionally well-stocked and custom built by the brightest of his father’s engineers; so smoothly is it claimed to flow through the water that all aboard her will scarcely feel even the roughest rock of the waves.

A sharp veer to the side has Annabeth stumbling, nearly crushing herself under the man’s dead weight.

“Smooth,” she grumbles to herself, huffing as she drags him back upright. His skin is alarmingly cool from the bite of the water, and still slick. It takes her four tries to force his arm back over her shoulder, slippery as it is. “Top model, they say. Well, what a purse of lies that is. I could design a better ship in my —” she huffs, yanking him the last few feet towards her bed — “sleep.”

She could be more gentle with him, she supposes. If his head or spine is injured then her rough handling will doom him. But, well, penny, pound, et cetera. If he has a head injury and the waves haven’t killed him, her light tossing won’t, either.

Probably.

She deposits him on top of her quilt and then stands at the foot of her bed, hands on her hips, toes tapping. She tilts her head slightly to the right. Narrowing her eyes, she tilts it to the right. She wrinkles her nose and squints her eyes.

She can’t be faulted for her earlier thoughts, she decides.

He has a strange kind of charm to him. The same magnetism present in the performers of her mother’s court; men and women who gather in bright clothing and perform tricks and tease the audience, riding the thin line between furious huffing and uproarious laughter. Troublemakers, with enough skill to balance the line. Thin, twitching fingers and smile lines in the corner of his eyes, thick but maintained brows and dramatically bowed lips.

With a sound so great it rivals the billowing coal engines down billow, the man snores, trail of saliva trickling down his chin.

How revolting. Annabeth finds her lips twitching upwards and resets them deliberately into a graceful line.

Yes, he is the alluring kind. She wouldn’t be surprised if he turns out to be some kind of thief, or a cast-out stowaway. A wisecracker who pushed the envelope an inch too far.

She stalks over to the windowed wall of her tiny cabin, wrestling it open. The immediate relief of the sea breeze has her gasping, resisting the urge to stick her head out and bask in the cool air. That would be undignified, even if her room as become unbearably stifling with the presence of another person in it.

Gods, she is lonely.

She had hoped at least to have one of her ladies accompanying her. It would have been a little more bearable, the company, cramped as her cabin would be. On this ship now she is bored nearly to tears from sunup to sundown every day, barred from even the most menial of tasks that could upset her delicate womanliness and bereft of even a child to argue with. The crew tiptoes around her like she may crack to fine shards should they so much as offer her more than a fine morning, my lady, or the sun suits you quite beautifully, did you know, and Captain Grace loves nothing more than extended silences. In all honesty she only gets to talk to the ship’s mechanic, who, vulgar as he is, at least talks to her as he would anyone else on the ship. Sure, she can only stand so much of him at a time, and he’s been banned from breathing in her direction since the very first day of their expedition, but if she happens to be in the ship’s engine room as the same time as he is, then it would simply be impolite to ignore her.

Not that Valdez cares much for rules. Or her preferences.

Desperate times, et cetera, et cetera.

Knowing the deck will be too crowded for her to slip down below unnoticed, she settles down onto the old, rickety corner-desk with a sigh, cracking open her journal. Except for a string of blotty doodles along the edges, the paper is devoid of anything, as barren and numb as her mind feels. She understands, dramatic as it is, why so many sailors return from their voyages mad; why pirates and navies alike sail with crews. Even a day on the empty, open ocean without someone to talk to is maddening. She feels as if words flee from her vocabulary with every minute she doesn’t use them. What is there to do, on this stupid boat, besides sleep and eat and mope? She wishes she was allowed to steer the vessel, or watch from the nest. Not stimulating jobs, true, but jobs, at least. She has not sunk so low as to long for a deck-scrubber, but she is dangerously close. She can feel it. Another week at sea without much more than a loom and a needle and her mind will leap into the waves, she’s sure, abandoning her to the dull tedium of the stagnant clouds. The knowledge that she has three weeks left until they reach Lord Dyeus’ kingdom could make her break down into weeping, should she dwell on it long enough. By the time she returns to civilization she may no longer be suited for it.

A rustle sounds behind her, followed by a cut-off snort.

“…Somehow, I don’t think I’m at sea anymore.”

Annabeth yelps, nearly falling right off her chair. She scrambles upright, or tries to, but her stupid petticoats get caught up around her ankles and nearly send her toppling again, this time with even less of her dignity. It is only with sheer force of will that she manages to force her spine straight and upright in perfect time to meet the most gorgeous, sea green eyes she has ever seen.

“You drool when you sleep,” she informs him, darkly satisfied when the amused twinkle fades from his eyes in favour of a flat glare, hand coming up to swipe at his chin.

“I don’t suppose you could tell me where I am,” he mutters as the minutes stretch on.

Annabeth snaps her gaze back up to his face, wishing desperately her cabin had a second window.

“Captain Grace’s ship.” She swallows stiffly, collarbone suddenly itchy. “On route to the Kingdom of Lightning.”

The man’s face pales, long, calloused fingers twitching into fists.

“The ship carrying Princess Annabeth?”

Her mouth dries even further. “…Yes.”

“Someone needs to summon her, quickly. I have news. I — I come from Pirate Jackson’s ship — they threw me off board to drown.”

She knows, immediately, why he tells her this. Why his eyes go round with desperation, why his hands twist, why he has developed a sudden, scrutinizing interest in the view of the sea from outside her window, throat bobbing with every heavy suggestion.

But all hypotheses must be tested.

“Why?”

He meets her gaze, green eyes an exact mirror of the roiling sea around them; layered, stormy, and deeper than the darkest of trenches, wider than the night sky.

“Because they want to know her location. And I refused to give it up.”

———

next

[clerk427]

UNFORGIVABLE.

I can't be the only one who thought the True Ending and the Profane Sabbath Ending are very nice visual parallels of each other, right??? Maybe someone has already drawn something similar, idk!! Anyway Amy grabbing John for being a coward

[hyyyperfixated]

viv ruining cherri’s character to make husk the only one genuinely caring for angel and reaching out in a real way was evil and wicked and despicable. addict cherri would NEVER do that shit. free my wife!!

[thermodynamic-comedian]

i keep saying this in different ways but i truly just adore arthur lester. he's the most resilient little bug in the whole world. nothing can keep him down. he is filled with rage and grief and joy and hope. he should've died so many times by now, but he cannot. his sheer fucking spirit and will has carried him through unimaginable horrors and it will carry him further

[sergle]

(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild

omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?

I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!

[tangents-within-tangents]

Just some things I think deserve a super accurate movie/show adaption in a beautiful 2D animation style:

The How to Train Your Dragon series

Gregor the Overlander

Artemis Fowl

The Adventure Zone

The Hitchhiker's Guide to the Galaxy

Frankenstein or the Modern Prometheus

The Wonderful Wizard of Oz (fr so much was left out of the 1939 film!)

Alice's Adventures in Wonderland and Through the Looking-Glass

The actual Little Mermaid story (there are a ton of adaptations I haven't seen yet so maybe it exists somewhere but we all know Disney’s didn’t even come close)

[wolves-in-the-world]

the thing about eliot spencer as a character, right. the thing about him.

(and as always your mileage may vary on my analyses so if we disagree that's cool actually)

is that he is in fact a somewhat emotionally constipated idiot who is occasionally sensitive about his perceived masculinity and gets defensive about emotional intimacy around other men (largely hardison, who's much more comfortable expressing affection and embracing a softer kind of masculinity), but eliot displays enough emotional awareness and sensitivity and respect for women etc etc that anyone who's been subjected to that era of television will put on rose-tinted glasses without even looking twice.

(and he is, don't get me wrong, incredibly emotionally aware for a professionally punchy guy with enough trauma to sink the titanic. it still startles me to see.)

on top of which we have the layers and the accessories and the excellent hair with the secret braids and the way he barely has an ego and he's good with kids and protective of his team without taking it too far, and some of us never stood a fucking chance.

[redsoda1111]

my offering for swap!au (dozo)

i have a lot of Thoughts about this au. specifically where both kni and vash's goals differ but yet i still try to keep the same. the shift is, who was the one who got rem's speech after tesla's revelation.

kni uses his powers of creation so as not to let his sisters suffer the end of a last run anymore. hence the black hair. meanwhile, vash doesn't want to eradicate all of humanity, but to control them and strip them of their free will. he thinks in this way, he could control how plants are to be treated and kni won't have to slowly kill himself for the Humans and their sisters. he's starting a cult lmao

[plulp]

heres yalls science teacher. have fun go crazy

[be-right-bach]

can't believe an anime called buddy daddies did not end up being, in fact, just a silly little comedy of two hitmen raising a child together but instead an actual heartwarming, well written show about (re)learning to love and to be loved, about how the meaning of family goes way beyond blood and no matter how unconventional it may be, it's still as perfect and valid because it's yours and you wouldn't trade it for anything else