Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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back of house.
Pairing: OPLA!Vinsmoke Sanji x Fem!Reader
Word Count: 1,113 words
Warnings: Mild swearing
If it weren’t for his principles regarding women, you’re fairly certain Sanji would’ve throttled and strung you up to dry by now.
“I … I’m impressed, sweetheart,” he says with a bright smile, though under the swinging lights of the kitchen it seems more out of pain than pleasure. “You managed to burn water.”
Your cheeks flame as you peer into the blackened pot with him, all traces of the water you’d been tasked with boiling completely gone. Vanished. You have no idea how or why.
“I’m sorry, Sanji.”
“No need to apologize. Everybody makes mistakes –”
“Sanji!” you hear Zeff before you see him round the corner. “Why the hell do I smell something burning in my kitchen?”
“None of your business, old man,” Sanji snaps immediately, murmuring a quiet excuse me, dear to you before taking the pot by the handle and heading to the sink. He twists the faucet open and running water roars like thunder in your ears as he thrusts the pot underneath. “I have it under control.”
“Under control, eh?" Zeff says. He suddenly turns his squinted gaze upon you, and you shrivel. “This your doing, missy?”
“I –”
“Leave her alone,” Sanji interrupts. “I didn’t give clear enough instructions. It was my fault.”
“Oh, there’s no doubt about that.” Eyeing your guilty and defeated figure next to the stove, Zeff shakes his head with a sigh and points you to the door. “[Y/n], go out and wait tables for the rest of your shift.”
Immediately, you make a move to remove your apron. “Oka –”
Sanji makes a noise of dissent and turns the faucet off. “Wait tables? She can still chop the vegetables and help me plate.”
“You’ll do that yourself. Front of house needs the extra person, anyway.”
“I’m her mentor.”
“And I’m the damn boss.”
The rest of the staff roll their eyes and carry on while the two men argue in the middle of the kitchen. You swallow and take your apron off, balling it up in your hands. This isn’t the first time they’ve butted heads over your incompetence, and watching them now cuts at your last shred of dignity.
Clearing your throat, you grimace when Sanji’s head whips around to look at you.
“Zeff’s right,” you tell him. “Dinner rush is coming up soon and I’ll just be in the way, anyway.”
Zeff grunts with satisfaction.
The expression on Sanji’s face reminds you of a kicked puppy. “But …” he begins to protest.
“Oi, you heard what she said. Get back to work! We have customers waiting!”
Sanji blusters about before heading back to his station, casting you one final, forlorn look as he does so. You imagine that your own face looks just the same when you turn to leave.
—
You take orders and serve customers for the remainder of the day, as promised, and help with cleanup after closing time. And then, long after the sun’s dipped below the horizon, Sanji joins you on the upper deck with a steaming bowl of seafood fried rice.
“For the madam,” he says with a smile, offering you the bowl.
You accept it silently and take a bite as he sits down next to you. It’s perfect like it always is – savory and warm on your tongue, happy and gentle in your stomach. You’ve never known a home quite like Sanji’s cooking.
His eyes remain fixed on you as you eat all of the rice, scraping the bowl for every last grain and setting it down beside you once you’re finished.
“Thank you.”
“It’s nothing. I figured it would cheer you up.”
“It did.”
It did, and yet, your lips tremble and your throat closes up. You clench your hands into fists in your lap.
Sanji’s hand immediately presses your shoulder as you sniffle. “Are you alright?” he questions worriedly.
(His attentiveness strikes you like a hot iron sometimes, even now.)
“Why haven’t you given up on me yet?” you whisper.
His brow furrows. As if it’s obvious, he answers, “You want to be a cook. A lady’s wish is my command.” Sanji pauses. “And I can’t call myself the greatest cook in the East Blue if I can’t teach others to be great cooks as well.”
“I think you’d be the greatest regardless.”
You glance at him through watery eyes in time to see his face flush a deep red. He looks away hastily, chuckling with feigned modesty. “I’m flattered that you think so highly of me.”
Your shoulders lift in a shrug as you look back down at your hands. You reach up to blot away your tears.
How could you not think the world of Sanji? Or the world of anyone at the Baratie, for that matter? When you were kicked off the merchant ship you’d stowed away on two years ago, you had been sure that you’d be banned from setting foot in such a fine-looking restaurant. Years of scorn and slammed doors had not given you the chance to think otherwise.
But Sanji spotted you on the docks, called you madam like you really were one, cooked you a meal in the kitchen and talked to you. Zeff gave you a job and a bed of your own. The staff gave you a family.
“We’ll try again tomorrow. I’ll figure out something that’ll make everything click for you, and you’ll be a proper cook in no time.” Sanji leans forward, resting his elbows on his knees, and winks up at you. “I promise.”
As always, your heart skips a beat.
“Okay.”
Maybe, you realize suddenly, you don’t necessarily want to be a cook so much as you want to love the way Sanji does.
“That’s my girl.” Standing up, Sanji takes your empty bowl in one hand and offers the other for you to take. “Now, shall I walk the madam to her room, or does she wish to stay out on the deck for a while?”
You allow yourself to grin, considering. “The madam wishes to stay out here and …” you hesitate but then decide to soldier on, “and possibly chat with a dear friend for a few more minutes?”
Your pulse pounds in your ears.
Sanji’s eyes widen a bit. Then he blinks, and then he smiles, drawing his hand back and quickly sitting down next to you once more.
“A lady’s wish is my command,” he says.
He takes out a cigarette, making a quip about Patty while he lights it, and your combined laughter rings out across the Baratie. It’s perfect like it always is – savory and warm on your tongue, happy and gentle in your stomach.
Indeed, this is home.
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uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)
neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.
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