#( me: you mean you can't go? )

[egophiliac]

lostinthebookwithstitch.jpg

this is all I can muster right now, too busy having my brain absolutely melted by the September schedule, what is happening

[poorly-drawn-mdzs]

Do you like sci-fi and indie animation? Check out Monkey Wrench!

[invinciblerodent]

"I'll make a save here and try breaking up with Astarion, just to see the dialogue- I could see him get kinda nasty about it, but I honestly don't know what to expect so---"

...............

.......

....

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[dittydipity]

going INSANE. what is he thinking. why did he say this. why does he do all of this. i am thinking so hard.

we know he's seeking arceus to recreate the world bc in his eyes the world is cruel and unjust and it needs to be destroyed and remade. he's set himself on a mission to create the better reality he's envisioned for his whole life.

but everything else he does. the way he spends his time on pasio making people smile with togepi. even if he justifies it as something purely transactional to get more customers, we know he doesn't really take his merchant job seriously. the way he loves his pokemon so much that they will pop out of their pokeball to excitedly tell whoever will listen how much they love volo back. him trying to capture these moments of happiness tangibly because they never last long and can be wiped away any second.

he still hangs onto hope so much despite what's implied to have happened to him. in spite of all the anger and bitterness that's festered in him, he doesn't really want to destroy everything as he says.

it all started with a wish for the world to be a better place, for the good in the world to outweigh all the cruelty. he's still trying to spread what happiness he can.

but at the same time his past drags behind him and reminds him that he can't afford to trust in the goodness of the world.

that self-assigned mission to usurp arceus's power and rewrite everything.. to him, it's his duty now. he has to do it for himself and, as he rationalizes to himself, for the world.

so he ignores the flaws and holes he finds in his own reasoning. he can't help but seek out the brightness and happiness and goodness that does exist in the world, yet he has to dismiss it to justify his goals.

... all this to try and explain to myself why volo's asking all these questions and making all these comments that seem to go against what we'd expect given his ulterior motive and plans. and it's like he's asking the few friends he has to remember him as the one who seeks joy, even when he does the worst to fulfill his dreams

[royalarchivist]

Mine: Refer to me however you want!

Mike: Yeah, for me too. I think I use all pronouns too.

[They high-five and fist-bump each other]

Mine:

[via @barbmine]

[adhd-merlin]

[yashley]

laura & ashley & imogen & fearne in c3e80 or:

[the-real-list-of-ominous-threats]

I'm going to force you to play the joke FNAF dating sim my friend and I are making

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[poorly-drawn-mdzs]

I want you whipped into shape!

[First] Prev <–-> Next

[cupcakesmoothie]

I did all three backstories for Touchstarved (I have 12 hours on this thing and it's only the demo)

Kuras and Vere don't seem to have red options, but Vere does have a secret ending and Kuras... I don't know, holds you for a bit longer?

For Mhin, it really is just picking The Alchemist backstory. You can call them short or whatever and you'll still get it.

For Leander, you have to take the flowers and keep touching him. It's okay if you hold back the first time even.

For Ais, you gotta tell him fuck you and pet the soulless, and after that red option pretty much all yours.

Differences I found between the three backstories:

It is pretty much like how they tell you, Oracle gets premonitions, Hound has experience with people and survival, and Alchemist has knowledge about magic and science, so there's different things you find out with each one.

The Alchemist:

I may be a little bit biased, but think The Alchemist is the most informative (It's also the first one I picked). There's the expected info of noticing that Vere's collar is enchanted, or knowing about how strong Leander really is when it comes to magic, but it's got the added bonus of MC's mentor having been in the Senobium in the past.

Compared to the others, The Alchemist is more familiar with Senobium, albeit through word of mouth. It's interesting how many times the MC says something similar to "I didn't know the Senobium did that." It calls into question whether MC's teacher was lying, or more interestingly (and what I think might be the case), the Senobium has changed a lot recently. It's talked about, even without the Alchemist backstory, that the Senobium used to be somewhere you could go to for help, but now most of the characters you meet do not like the Senobium, so what changed?

The Hound:

The Hound (the least popular option, apparently) was pretty fun. The Hound notices more about Ais, specifically that he's very suited to be a leader, and that the number of scars he has (one) seems suspicious for his temperament (or "how seasoned he acts", as the MC puts it).

One thing that I found very fun was doing Mhin's route as the Hound. They're somewhat able to keep up! They can (or tried to) recognize tells, and noted that Mhin was one of the few people who was able to sneak up on them. They also weren't sure how Vere managed to get their key. They were also prepared to steal to survive.

The Oracle:

While The Hound notices physical things, the Oracle notices... how do you say, otherworldly things. The Seaspring seems to be hiding a lot (of course it is), but the MC notices a heartbeat. A presence. They feel something from Ais. The name Ocudeus means something, they can feel it. They feel like they can see Ais' tattoo move.

Also, the MC feels something from Mhin and Kuras (in his clinic at least), which is interesting!

If I had to decide which love interest was better with which backstory...

Vere: The fact that the Alchemist thought that they could tell what enchantments were on his collar if only they could touch it feels promising! And both their connections (though I mean connection in the loosest term for MC here) to the Senobium makes it feel like you might very well find something.

The Hound might be one of the few who can actually survive this guy if I'm gonna be honest. (I mean you can still get killed by him but. You know.)

Ais: The Oracle's sixth sense makes going to the Seaspring a lot more interesting compared to the others, and the way they can feel something from Ais is very cool.

The Hound can tell his character better than the others, and I wonder how that will come into play later on.

Kuras: The Alchemist knows their way around spell-crafting and alchemy (When I picked this I wondered if they would be able to help Kuras around the clinic, which doesn't happen, but hey it might).

The Oracle seems to also feel something from him.

Mhin: First things first, their red option literally requires you to have the Alchemist backstory. Mhin's precision is noticed by the other MCs sure, but not to that detail.

Watching the Hound observe where they could be was so fun to watch. It feels like this MC will be able to keep up.

The Oracle feels something from Mhin, something inhuman.

Leander: The Alchemist was able to tell that the flash of magic was a barrier spell, and that most magic (or at least the ones they're familiar with) uses an incantation or spell circle. His didn't.

But either way, there will be things to find no matter the backstory you choose, and all of the character's stories are intertwined, so don't let this dissuade you from a specific backstory! There will always be things to find, you just need to look.

Extra: I found it pretty cool how each MC has a different way of knowing what a Groupmind is. Story-wise this makes sense of course, but each of their reactions to it are slightly different, from I heard this from rumours of people in cults (Hound), to I used to be told I could put people in a groupmind (Oracle), to legends suggest it was possible with a strong enough catalyst but it's never been done before (Alchemist).

Also, it's interesting to know what they each think of surroundings (specifically the Amaryllis district). They all have different opinions from I used to be told bizarre things about this place and now I kinda get it (Alchemist), to it's not that different from the place I grew up in (Hound), to it's VERY different from where I grew up in (Oracle).

And if I'm not mistaken, the reason Vere gives for your desperation is different for all of them!

You can find gameplay from me on my Youtube channel, or watch me getting all the red options and secret ending here:

I didn't read it out loud cause my mic sorta sucks and sometimes it peaks and gets a bit shrill. Also you see how my mouse moves sometimes? It means I'm screaming. I don't think I'd have been able to keep calm enough for this. Also my reading kinda sucks anyway hope you like it lol

[hermit-frog]

(...) his black hair parted in the middle and curling about his ears, so that he looked now in his dreamy, fevered state like one of those lithe androgynous creatures of a Botticelli painting.

[tossawary]

Having written a lot of complete, novel-length fics at this point... I want to say that it's a lot of work and that it's not weird to struggle to complete a creative project. I don't think it's a moral failing to have WIPs or abandoned works or ideas that just don't pan out for whatever reason. It's not a Bad Thing that you've done to yourself or to anyone else.

Like, I don't want to position myself as a big fandom authority here, I just want to speak from my experience and maybe reassure someone by agreeing that completing any creative project is not easy. I have WIPs and abandoned works you haven't seen. I have ideas that I know I'll never follow through on, both achievable and unachievable ones. Writing takes time and effort that has to be taken from elsewhere, and sometimes work is too exhausting and dinner still has to be made and decent sleep is too important, so you just can't do it. Dedicating time to any one hobby means less time for others and that kind of sucks sometimes. Sometimes, I just don't FEEL like writing and I'm not going to "suffer for my art".

It's flattering to be held in high esteem sometimes for writing long and complete fan stories (I have other fan creators I personally admire for similar reasons), but I do want to make it clear that it's a lot of work (writing is work no matter what you're writing!), I'm pretty lucky to be able to do that work more frequently than many others, and I personally don't think anyone should hold it against themselves (or against anyone else!) if circumstances get in the way. Sometimes, things just don't work out and we need to give ourselves time, or even just move on. I appreciate people's slow-to-update WIPs and abandoned works and stories on lengthy hiatus and fic ideas that will never be written.

So, like, if anyone is feeling a little down because they have a story that they're struggling with... I feel that. I don't think it's weird if your fanfiction is important to you or to feel like you've fucked it up somehow. I don't think you're a bad person or a bad writer if you take years to finish a story or if you have to give up on one because you've outgrown it. I think it's cool to share what you have if you want to share it. I think you're cool.

[halfagone]

The Power of DPxDC

There has been a lot of anti-DPxDC sentiment going around lately; if you haven't heard about it, then don't worry about it. This isn't a post about the negativity, this is a post celebrating how much we've done as a crossover fandom!

Just as a bit of perspective, I've been reading fics from DPxDC since 2020. Now that might not seem like a long time ago, but back then we didn't even have 100 fics for the crossover as a whole, and look at us now! This is a screenshot from Ao3 just today:

Incredible, isn't it? Look how much we've grown and contributed and shared! And that's not even mentioning all the wonderful Tumblr prompts and posts and incredible fanart. DPxDC has us in a chokehold and it isn't about to let go any time soon.

I know it can be a little disheartening to see all the people trying to drag us down. I know I've been left disappointed in some cases, but I also know that my love for the crossover hasn't abated at all, and I hope it stays that way with you all too!

There is so much engagement in this crossover, I cannot tell you enough how much you all have spoiled me with comments and kudos and fanart. A lot of my fandom friends like to tease me for writing so much, but I don't think I could have written half of those fics had it not been for people like you loving them as much as you do.

Passion is the lifeblood of this fandom, of every fandom! And I don't see that going away any time soon for DPxDC.

I know I want to comment and kudos more. I read a lot of fics, but I don't sign in often so that you can see me leaving that kudos, and it's been more and more apparent to me how many people don't realize how much I adore their writing. I'm hoping to fix that!

Some might say that we don't tag our work appropriately, and while that might be true in some cases, I cannot stress enough just how good of a job we're doing. @tourettesdog made a wonderful post not too long ago about tagging, and we do clean work! Not even a full 3% of all the tags they'd seen included a "main" tag, which has been the frustration for most. 3%? That's incredible!

You all deserve some appreciation for the hard work y'all do, and this is it! I hope you all know how well you've fed creators, readers, and fans like me! Don't let up, because we do amazing work. And that deserves to be celebrated.

[cuthechicane]

jendo miami 2024 compilation featuring:

"lando is very level-headed"

"i reckon lando pole" ;)

"he was in for a fight even without the safety car, very proud of him"

"nico was 111, you were 113, he's beaten you both, how do you feel about that?" "he's just better."

"he's a confident driver, he's very skilled, and he's a team player"

"i don't think there's one person in the world that watches formula one that's upset about that victory"