#( text. jesse. )

[housemdfever]

House MD text posts except I'm running out of titles

13 and Chase are literally just House's kids atp

[honestlydarkprincess]

STOP ADDING AI TO THINGS. ILL MAKE THE PLAYLIST WITH MY MENTAL ILLNESS LIKE THE UNIVERSE INTENDED.

[8-bitbasil]

polished a jesse painting from 2021

[xwilltruman]

the pitt on twitter part 9

[youhavethesun]

have been on the character x textpost grind today for some reason, here’s some jess <3

[drmadscientistmd]

I love breaking bad but the entire show is just

Walt: Jessie, good news, I found a dealer willing to sell our meth.

Walt five seconds later: Hooooooly fuck Jessie, this meth dealer guy? He's fucking crazy dude. I mean he's actually insane. We gotta kill this guy before he kills us Jessie. Holy shit, who could have possibly seen this coming—"

[henley-reeves]

Method acting peaked here.

[devilledminion]

[jesse-pinko]

It’s literally not my fault that the themes of Breaking Bad become that much stronger if you read Walter as a closeted gay man… like where to even start okay it’s 2008 and this guy is so, so insecure in his masculinity and so, so resentful of his picket fence family life. He’s done what he was “supposed” to do by societal standards and he still doesn’t feel like enough of a man compared to his brodude brother-in-law specifically. He can’t escape the feeling that something is missing, that it’s all a charade, and he finds it hard to believe the rest of the people in his life really are content with this lifestyle. Nobody seems to understand, and he hates them all for not seeing how unhappy he is. He gets his cancer diagnosis and is suddenly acutely aware that he feels burdened and unfulfilled by the life he’s built for himself, and that time is running out to change things.

It’s when he sees Jesse Pinkman fall half naked out of a window that everything changes. He’s pretty, and young, and floundering without guidance or a support system. He desperately craves human connection and lacks the self-esteem to take his life in any particular direction without someone instructing him. He’s grieving his aunt, the only person he had looking out for him, who died of cancer. He already views Walter as an authority figure. He’s alone.

And with Jesse around, Walter doesn’t have to come to terms with anything about himself that might challenge his masculinity, because it isn’t an equal relationship. Because he’s still “the man” in this dynamic, the one with the power, the one calling the shots, the dominant one, the firm hand. Moreso than in his relationship with Skyler, who refuses to be bullied into the role he would assign her, that of the submissive, subservient little wife who looks to him for guidance and permission. As a criminal, Walt can express care for another man in the only way that traditional masculinity would deem acceptable; through violence. His love language is violence. Violence toward Jesse and violence on Jesse’s behalf. He runs over two men with a car for Jesse. He kills Jane and Mike, a romantic and paternal threat respectively, because they were going to take Jesse away from him. He tries on occasion to verbalize their relationship into something more traditionally familial, as if saying it might make it true, but it never quite fits the mold exactly. He reasserts, over and over again in what he later admits is a lie, that he is doing this for his family, that everything he does is an extension of his masculine role rather than deviant from it. He would kill and die for Jesse, he does kill and die for Jesse. In fact, in a story of self-actualization that still has Walt cling to his delusions of grandeur up until the very end (almost as though becoming Heisenberg wasn’t actually self-actualization so much as an escapist fantasy) his arc concludes with him actually self-actualizing by committing one last act of violence on Jesse’s behalf. In Ozymandias, he tells Jesse about Jane as a way of playing into Jesse’s worst fear that Walter never cared about him, that everything they did to and for each other meant nothing. Walter’s last act on Earth is a refutation of that; it’s an admission of care. His last act of self-actualization was a confession of love for another man.

[darthkote]

[ventresses]

Star Wars: The Clone Wars (6/?) - Blue & Green

Star Wars + Text Posts & Headlines

Note from OP:

In looking back, I have mixed feelings about that last Mace Windu one, because while it's somewhat relevant to his character in the sense that he IS extremely powerful fighter, I also feel like it also veers too much into the "Angry Black Person" stereotype/trope, &/or that it is pulling too much from other memorable characters of Samuel L. Jackson's, not from the personality of Mace Windu himself.

I'm on the fence whether I should remove it from the post or just leave it there, so I'm just going to leave these remarks, and also drop the link to a really good post I saw a few days ago, discussing Mace Windu’s character in the fandom, I highly recommend checking it out:

[housemdfever]

More House MD text post (Made by me)

[honestlydarkprincess]

every time you ship something problematic and gross an angel gets its wings

[sashketter]

The fun thing about the clones is that because they don’t have last names, whenever you write their name before another character who does have a last name, they read like a couple. Like ofc Cody is Obi Wan’s husband, it clearly says “Cody and Obi Wan Kenobi.” Or “Bly and Aayla Secura,” they’ve been together for ages! The clones are syntactically husband-shaped!

[gamelpar]

[guardianspirits13]

Me drawing Annabeth: intelligent, stunning, intimidating, how could she *not* be half goddess???

Me drawing Percy: he tripped over nothing on the sidewalk and faceplanted. Annabeth holds his brain cells hostage because he cannot be trusted with them. Both of his parents are gods in their own right but it doesn't show like 98% of the time