#((50% of this post is about making his job easier and the other 50% is about making it harder again))

[concubuck]

Most parents have heard that cambions born on Earth have a voracious appetite, often drinking four to five times as much milk as their human (or demon!) siblings. This actually has less to do with where they grow up, and more who's feeding them: because a human mother's milk is formulated to feed a human infant, it leaves a demonic infant with several key nutritional deficiencies. Cambions have adapted to this by knowing to cry for more milk until their needs are met! Cambions raised in Hell on succubus milk rarely have this problem.

If your little one starts cluster feeding for more than two weeks straight, but doesn't show any other signs of poor health, she might be compensating for a specific nutritional deficiency. Bring it up at her next doctor's appointment. If she's formula fed, you might want to change brands or add a vitamin supplement; if you're breastfeeding, pick up some prenatal vitamins or tannis root (both of which remain beneficial through the breastfeeding period).

"... And if you're planning to breastfeed, I can arrange for you to have an appointment with a lactation consultant at the hospital after you give birth."

"It can't hurt, I suppose—but is that really necessary, doctor? I doubt I'll have any trouble feeding the baby! I can adjust my nipple size, I can squirt, I can increase my supply on demand, I can even give him chocolate milk if he wants—"

"Ooh, you shouldn't be doing that."

"What, is chocolate bad for babies?"

"I mean messing with your supply. Milk is a chemically complicated food. If you don't have specific training in lactation magic, manipulating your supply can cause nutrient deficiencies or surpluses that can impact the baby—"

"Lactation magic?"

"Yes, consciously creating your own milk is just like trying to mix your own baby formula recipe at home: without a proper education on the nutritional needs and chemical composition of—"

"Lactation magic?!" Alastor laughs so hard he almost falls off his chair.

###

Well, he's boned now. He'd been counting on being able to turn his milk on and off as necessary— pause it for a couple hours to take a quick gig on Earth, turn it back on the moment he's home to feed the baby, increase production for the hook-ups who found that a turn on, decrease it for the rest, et cetera. If he just has to let his natural milk production do its thing, that heavily limits his movements and his feeding options. (Will his natural milk production be enough? He can magically change his bust size, but he isn't "naturally" any better endowed than the average man—and he assumes once he gives birth his body will automatically switch back to its original, wombless, bedicked anatomy.)

Maybe he'll have to look into pumping after all, to ensure he can keep up a steady supply even while working on Earth. Or maybe he should interview some wet nurses, in case he needs to hire one.

But he's starting by finding a book on lactation magic.

Heh.

[mono-dot-jpeg]

boy failures for u - i. yoichi, s. nagi, s. ryusei, b. meguru

summary; in which some boys just love you so much, they simply can't function

genre/extra tags; scenarios, fluff, comedy, projecting my love for dog energy boys, they're so pathetic /pos, bachira is clumsy, ryusei is an embarrassingly horny dude (can confirm, he gets no bitches, absolutely ZERO play!!), nagi... is perfect as he is, yoichi,,,, is just socially awkward around people he has a crush on

[gender neutral reader]

a/n; look at me being fancy this one panel banner, slay. tbh i couldn't think of a good three photos to use for it so i tried this which is kind of nice. anyways i had a sudden thought hit me and it must be done. and what better anime to write for than the one where everyone has unexplainable gay tension between each other. i swear im as caught up as possible i think and i swear the gay tension is like,, crazy.

isagi yoichi is endearing. he's so bad at being normal around you. his face flushed a cute red, and his words barely managing to leave his mouth as you talk to him so sweetly. he doesn't know how to handle a crush. and it's so cute to tease him because he just doesn't know how to respond properly.

the times where he does manage to gain enough confidence to talk a conversation with you, he's never taking the lead in any of them. he's talking [somewhat] normally to you, answering your questions and [attempting] to reply to your thoughts and responses. of course, just don't flirt with him too hard. there's like a 50 percent chance he will understand it or not.

he can't even admire you correctly. when he attempts to give you a compliment, he's saying all the wrong words and apologizing profusely like he offended your entire bloodline. he's so utterly enchanted by you, he wonders if you're an angel sent just for him.

"you're so nice, y/n." "huh?" "i-i mean you're really cute! wait- i didn't mean that! fuck- not that i don't think you look cute! you're really a great person, you know?! sorry! i'm just gonna go back to practice...!"

nagi seishiro is so lazy that you can't help but watch over him. you understand why reo adores him (a little too much). he's a boy with pretty privilege and talent. he talks to you with such honesty that he unintentionally flirts with you. he doesn't know a lot of things well, but even he's had his fair share with understanding liking people (but that's only with the random dating sims he's tried).

when he manages to get on his feet, whether it's for a soccer match or you, he's stuck by you like a cute koala. he whines about everything being "too much of a hassle." but he finds himself walking around looking for you, no matter how far you are. he whines to you about how he had to get up to find you, and he's cuddling close to you. his mouth turned into his signature X shape as he pouts at you, annoyed that you just had to be away from him for more than a minute.

he tries so hard to be around you but at the cost of his laziness, he mutters to you about how much easier it would be if you just stay with him all the time like his purple-haired companion or his cactus pet. he fell for you first, but he makes it so easy for you to fall harder.

"why do you always have to do stuff?" "it's my job, sei." "you should just stay with me all the time. you take care of me so well."

shidou ryuusei is annoyingly desperate for you. if isagi was endearing, shidou was insolent. he speaks before he thinks. he has no shame in chasing after you. it's quite a feat that you haven't even shooed him away as much as sae has. you sort of find a friend in sae because of that. he always rolls his eyes when you mention him. he wonders why you keep being around the blonde jock, and you tell him, "who doesn't love a pathetic man?"

when he talks to you, he just can't read a room with you in it. he's the type of guy to say "this shot is for you." and it hits the goal post and then to his face. of course he'd never actually miss in a real match but i can guarantee that it would happen during a practice match. he unintentionally humiliates himself every time he tries to be cool. if sae is there, it's even worse. he's trying to bump up the flirting up to a 200 and failing miserably to woo either of you.

he's like those tweets where it's like, "how did i pull them? easy. i just went, PLEASEPLEAPLSEPWPLEAPLELA-". without fail, he basically tries to re-enact that but he doesn't even pull you because you'd much rather wait for him to actually be a decent man and grow the rest of his brain. though it doesn't seem he'll learn his lesson anytime soon.

"did i ever tell you how hot you look right now?" "yes. you have. multiple times. today." "please go out with me." "no."

bachira meguru is confusing. he's clingy, blunt, teasing, a little stupid but has the spirit, and an absolute cutie. he's passionate about what he likes. and surprise, surprise, he likes you. he's an infodumper but you don't mind at all. but sometimes those talks take a hard left into just telling you how much he likes you. you better hope you're strong because he will be jumping on you for a hug.

when he's just buzzing with excitement, he can't help but scramble by your side to cling onto you in any way that you will allow him to. he's not as boy failure as the others on this list because even when he fails to capture your heart, he's still succeeding in his book. he loves when you give him any sliver of attention. that's probably his thing as a boy failure. he is a hyper and needy dog who's too big to cuddle with but doesn't care. and you can't say no because then they just stare at you with those big eyes until you cave.

he's the type of guy to be confused when people ask if you're dating him and you say no. "what do you mean we're not dating? i thought this was the dating." he's never actually confessed, but he considers his "s-tier affection" to be confession enough. but he's kind of coward whether he realizes it or not. he's scared to actually say that he wants to be yours, but that's like an angsty story for another time, SO SHUT.

"what if we kissed? like right now?" "but we're not dating, meguru." "we're not? we should." "i'll think about it." "no think! just do!"

[windvexer]

This is also why I don't know how to recommend spells to people because to me most spells are just:

Find a Guy who's really good at the thing (probably other people talk about how good he is)

Ask him to do the thing for you

Provide auxiliary support to make his job easier (and say please and thank you!)

And one Guy can often do a lot of things. Like, Rosemary can help with memory problems, sleep, cleansing, protection, healing, and nightmares.

So you can show up and say, "Rosemary, when I drink this tea of you, please infuse me with good memory so I can remember important details of this upcoming conversation."

Or, "Rosemary, when I hang up this sachet of you, please stand as a sentinel of my sleep and guard against bad dreams."

Or, "Rosemary, when I place your pot by the front door, please cleanse the air of all sickness that may enter, and keep the home healthy."

(And yeah, there are Techniques to this, but that's not what this post is about)

But the problem is that sometimes, the Guy might not be that helpful until you get to know him a little more and things get chill between you two. Or he might show you hidden aspects to himself that are not common and not talked about by other people.

So you can get into a situation where you've been hanging with Rosemary for a while and have a really weird dream and all of the sudden, Rosemary can make other people tell you the truth.

That's not a Rosemary correspondence and it's probably not something that other people can do with Rosemary.

But it's something you can do with Rosemary because you've gotten to know each other on a friend level.

A missing factor for me, and maybe for other people, was treating spellwork like a potion-making game where you just gather X amount of Y-aligned correspondence and if you mix enough of them you get a Potion of Y.

Like if you need protection, you just go to a correspondence list and find enough Protection-aligned plants (regardless of how they work or their personalities or attributes) and put them together in a bag and saying an unrelated charm or prayer that you say no matter which plants you put in the bag.

Which is how people end up with 50 little jars of dead plants that stay dead because they have no connection to them, still looking up what ingredients to use in which spells.

Which is fine, but it's also like... not necessarily what everyone is looking for.

So my point is that if correspondences are reduced to 4-5 purposes on a chart, then you get the correspondence brainrot which is like "which kitchen herb is a gentle cleanser, and which kitchen herb is a strong cleanser," when the reality is that if a guy can Cleanse he can show up gently or strongly in his own unique way,

And it all makes more sense by just treating him like a Guy and asking him to do what you need to do.

I genuinely think that if a practitioner is looking for something deeper and more relational in their practice, a really good way is to scale everything back and start using like one activated (evoked, prayed over, petitioned, etc.) Ally in each spell and just asking if he, as a Guy, can or wants to do something for you.

Like if you go absolutely bonkers over a good cup of Chamomile tea, what's the harm in asking Chamomile to cleanse for you? What's the harm in asking Chamomile to protect your home, or bless your sleep?

At the very least you're going to begin learning a lot about Chamomile in an interpersonal way, where you can begin understanding the "correspondence" for yourself. And you can also learn some fucking cool stuff, like, isn't it weird that when I ask Chamomile to protect my home, we all started finding little bits of cash we had lost?

Idk. Magic is just easier when more things are Guys.

[gojoidyll]

HELLOOO i just read ur topaz x reader x aventurine post and i rlly love it!! can i request for a part 2 plspslsp? it could be anything :3 if u want hehe :D thank u!!

A part 2 <3

part 1 link

The Good Days, The Bad Days, and Everything In-Between

Topaz x Reader x Aventurine

The Good Days

Everything is fun and games with Aventurine on the good days.

He loves to tease both you and Topaz most of all.

Though, you’re the better one to tease (in other words, the easier target)

Hates it when you ignore him and must have your attention at all times

Topaz, on the other hand, enjoys the good days to the best of her abilities

Likes to have that time to relax and hear about anything and everything that you have to say to her

Will pout and plot on ways to get you to notice her if you are too busy with Aventurine

All in all

These days, these good days, were the days that were the most fun when you three spent them together

The Bad Days

You try your best to cheer the both of them up especially if the mission or assignment was particularly rough on them.

And if one of them snaps at you?

They are immediately apologizing

Aventurine wouldn’t be able to survive if he watched you cry because of what he said to you.

And Topaz?

She hates seeing you upset.

All you were trying to do was lighten up their day and what did they do?

Yell at you, call you clingy, and take you for granted because you tend to be at home more times than they are.

(yes you work for the IPC and have an equally taxing job as they do, but they tend not to see that on their bad days)

Though it’ll all be alright because they will do anything and everything in their power to make you smile again.

And the bad days suddenly turn good.

The In-Between Days

Anything goes on days like these

The three of you are either:

Working

Sleeping

Or planning dates and ways to hang out and spend your time together

Though there are the rare days when you three go off and do your own thing

Aventurine will either be gambling, making “new friends,” or enjoying his free time with other activities he deems enjoyable.

Topaz will either be spending it with numby or go out sight seeing (she always gets distracted by the cute animals she tends to pass by or find)

And you? Well, the in-between was always a 50/50 with you.

You never knew if it would be bad or good.

Sometimes life would suffocate you. And other times you would be able to hide the suffocation.

You always thought you were good at hidings these feelings and insecurities away when Topaz and Aventurine weren’t around.

Because honestly, you really did think you were clingy and that they needed space from you. So you would try your best to stay inside in hopes of not running into them.

It was the least you could do.

Though, little did you know, was that they would save you from yourself on these in-between days more times than you could count.

Because you are everything to them just as they are everything to you.

[embracing-the-ineffable]

The Ineffable Detective Agency presents: Hidden Audio in Gabriel's Returning Memory

Ok everyone, I found a big mystery and I need your help! Are there any sound engineers in the Good Omens fandom? Please spread our search for them by reblogging this!

Remember when I posted the slowed-down video of Gabriel's memory returning and we all analyzed the scenes as they flashed by?

Well.

Eventually I realized that if you play the "memory tunnels" at different speeds, there's hidden audio. Mostly it's people talking, heavily masked by lots of extra sound effects which I've done my best to minimize unless they seemed meaningful, but realistically there are probably multiple layers of meaningful audio to decode, because that seems to be how things are with Good Omens!

There are also parts of the audio I can't decipher, and I'm hoping a skilled sound engineer will be able to do a better job manipulating this than I was able to do. (Plus, if you'd like to help, there's more hidden audio in other places, but that'll be the subject of another post 👀)

And … we're all Ineffable Detectives in this fandom, right?! The audio clips aren't anything we recognize from either season of Good Omens so far. Maybe some part of this will be familiar to you, from somewhere?? Sit down someplace quiet, pop in headphones if you have them, and listen to this (the first few seconds are silent):

Before we've influenced you, what do YOU hear??

I know a lot of people just hear noise at first, so if that's what you heard, you aren't alone! Now, here it is a second time, with captions for what we THINK we're hearing, and with gratitude for input from the @ineffable-detective-agency featuring @noneorother, @thebluestgreen and @eybefioro:

And here are the video captions again, with their timestamps: 0:03 oops... oops 0:05 you say you're a musician 0:08 it helps a lot as well 0:14 pssst, musician 0:16 crying or gasping 0:17, 0:19 musician 0:23 {music} 0:27 {singing} how good it feels (to pray?) 0:33 ? 0:41 ? 0:49 …what do you think… 0:50 glass crashing 1:03 ? 1:10 things look... things look super… 1:14 you say that the musician is negotiating his business …?… 1:24 things look super… super...

Do you recognize any of these clips from any other media? If not, my assumption is it's audio that was pre recorded for season 3, and left here as a hint about SOMETHING. But what?? As always, we'd love to hear your ideas!

Also, please reblog!

And if you have the skill/knowledge/interest to make this easier to understand, please let me know. We can collaborate, or you can just run with it, whatever suits you.

See more of our posts plus a link to a Google doc with metas and clues from all over the fandom, here!

[the-conversation-pod]

OM NOM NOM: The What Did You Eat Yesterday? Episode

And we're back! Ben and NiNi finally sit down to talk about their favorite food BL, and unpack all the ways that What Did You Eat Yesterday? made them grapple with queer mortality and long-term commitment. Grab a snack and a drink, and join us for the discussion about our favorite Comfort BL.

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

00:00:00 - Introduction 00:01:15 - What Did You Eat Yesterday?: The Granddaddy 00:12:08 - Favorite Episodes 00:19:22 - The Show that Keeps Coming Back 00:24:57 - Season 2: Mortality, Family, and Hets 00:43:10 - WDYEY is So Gay and Found Family 00:50:54 - Let’s Talk About The Food 00:56:36 - Final Thoughts (And A Moment to Drag Nobu)

The Conversation Transcripts!

Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

00:00:00 - Introduction

NiNi

Welcome to The Conversation About BL, aka The Brown Liquor Podcast.

Ben

And there it is. I’m Ben.

NiNi

I’m NiNi.

Ben

And we’re you’re drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.

NiNi

Four times a year we pop in to talk about what’s going on in the BL world.

Ben

We shoot the shit about stories and all the drama going into them. I review from a queer media lens.

NiNi

And I review from a romance and drama lens.

Ben

So if you like cracked-out takes and really intense emotional analysis…

NiNi

If you like talking about artistry, industry, and the discourse…

Ben

And if you generally just love simping…

NiNi

There is a lot of simping on this podcast…

Ben

We are the show for you!

01:15 - What Did You Eat Yesterday?: The Granddaddy

Ben

And we're back. Finally, my time has come. [NiNi laughs] NiNi has finally set down some time for us to talk about my favorite show after they embarrassed me in the Clip Show. 

We are finally talking about What Did You Eat Yesterday?

NiNi

We are. You must know by now, dear listeners, that this is the granddaddy. This is the show of all time for us, this is the yardstick by which things are measured. What Did You Eat Yesterday? is an article of faith for Ben and I. 

Ben, why don't you tell the people what What Did You Eat Yesterday? is about?

Ben

What Did You Eat Yesterday? is a slice of life food drama from Japan that is about two gay men in their forties-approaching-50, and it's about the daily challenges of their life as they try to maintain a long-term relationship with each other, and grounded around the meals they share at their dinner table.

NiNi

So simple a description. So, somehow, deep and devastating a show.

Ben

NiNi, how about you try describing our leads in this show?

NiNi

Hoo! Okay, let's see! So our two main leads are Kakei Shiro, played by Nishijima Hidetoshi; and Yabuki Kenji, played by Uchino Seiyo. These two are legends of the stage and screen, and it shows in the show. There's a cast of fun characters that surrounds Shiro and Kenji. 

At Shiro’s job—Shiro’s a lawyer—there is Mom-sensei, Mom-sensei’s son, and various other lawyers in the office. At Kenji's job at the hair salon, there is his boss, who is a serial philanderer; his wife who he runs the salon with; and a cast of other hairdressers and assorted hangers on. And then you've got their friends who steadily become more and more important to the show as they go along. Shiro's friend Kohinata and his partner Wataru, otherwise known as Gilbert. There are a lot of other characters around. There’s Shiro and Kenji's families, there's their neighbor, Koyama. There's so many, so many fantastic characters in this little show. Each of them so distinct, each of them so fully fleshed out and human in a lot of ways. 

I don't know how to talk about this show. I love it so much. It goes so deep for me. Like I said, it's an article of faith, almost, and I just get a warm feeling when I think about it. When I watch it, when I see all the characters on it interact, from the intensely important characters like Shiro's parents, all the way down to the lady at the supermarket where Shiro and Kenji buy their groceries—who is Shiro's partner in keeping his food bills down by pointing to the sales without speaking to him. Ever.

[both laugh]

Ben

I love their dynamic. It's so funny. 

To talk about What Did You Eat Yesterday?, let's talk about BL, and why What Did You Eat Yesterday? feels unique in relation to BL. In BL, you're in traditional romance. You got two pretty people. They looked at each other. They liked what they saw. And they gotta figure out if they can be together. In What Did You Eat Yesterday? we're past the figuring it out portion. They decided they want to be together and now they're navigating what that means. Unlike in a traditional BL, where your ongoing arc is, “Are these two going to finally kiss?” this show is structured episodically, where each episode is about something going on in their lives that they have to contend with, and then we move beyond that particular issue. 

There is an ongoing throughline about these two coming to a greater understanding of each other, learning to love themselves better, building more intimate relationships with the people around them, and building their relationship. But that's so different from the rest of BL. What Did You Eat Yesterday? episodes, in a lot of ways, can stand on their own. You can go back for What Did You Eat Yesterday? and watch some of your favorite episodes individually in a way that I don't think is as accessible with a traditional romance.

NiNi

I think what it is is that it's a traditional situation comedy. So it's not necessarily a serialized story, although there are elements that you keep up with—runners that go through the story—it is more of a “There's a situation. They deal with the situation. Sometimes there are hijinks, sometimes it's more serious. There's always some kind of a heartwarming moment, and they always cook something because food is the center of their home.” 

It's lovely and predictable in that way that you know what you're going to get in a What Did You Eat Yesterday? episode, but also, you never know how things are gonna turn for Shiro and Kenji. Not in the sense of, “Oh, are they gonna break up over this?” Not something like that. But you never know if this is the moment that one of them is going to have a revelation, or there's going to be a moving forward in their dynamic. You just never know if that's gonna happen. So there's parts of the show, particularly around Shiro’s very complicated relationship with the closet, that sometimes you think it's gonna zig and then actually it zags and you're like, “Oh, my God, Shiro is growing.” 

It's so fun to watch, especially at my age, to know that you can still grow, and learn, and change, and learn to adjust and compromise for other people if you care enough to do so. You ain't dead yet. [laughs]

Ben

I think what makes this show special for me is it doesn't exist in the bubble, and the issues that they have are specific to gay men. 

The very first issue that we encounter for them is how closeted Shiro is compared to Kenji, who is a flamboyant hairdresser. Kenji and Shiro's first fight that we experienced, Kenji brags to one of his clients about his boyfriend, and he gets a little racy about it. And then later, when Kenji and Shiro are walking down the street together, they encounter that client, who comments on the details of their relationship that she gleaned from Kenji and embarrasses Shiro, who is deeply-closeted and doesn't want people walking around talking about his business. Kenji gets really upset about this and begins to cry and asks, “Everyone else gets to talk about their families and everyone they love that's important to them. Why am I not allowed to?” And Shiro doesn't really have a great response to that, because he knows he's in the wrong, and so instead he just makes some of Kenji's favorite food. [laughs] Which is one of the ongoing ways they solve their issues. 

So much of this show is about the long term impacts of the closet and homophobia on gay men, and the ways it informs how we make bonds with each other. We mentioned Kohinata and Wataru earlier. They only meet Kohinata because Shiro has an encounter at the grocery store with a woman who also wants to take advantage of a sale on watermelon, but the watermelon is too big for their refrigerators, and so they decide to split it. They become friends. And, in time, they introduced Shiro to one of their other gay friends. And they do that thing that's kind of annoying from straight people. They're like, “You're both gay! Go, you know, mingle with each other.” And like, that's super awkward as hell, but it ends up being genuinely helpful. They do actually become friends. They start hanging out as couples together. 

There's a really good examination about the fact that Kenji is not exactly Shiro's type per se, but Kohinata is, and Kenji gets worried that if he leaves Shiro alone with Kohinata, something might happen. And they have a really sort of ugly breakdown where Kenji admits this jealousy is in him, but he feels like he's wrong in that regard because he once cheated on a partner, so he doesn't have the moral high ground here. But it's still something he's deathly terrified of because he loves Shiro so much and doesn't want to lose him. 

What's so special about this show is when they introduce something interesting in an episode, they're able to use that later, where you benefit from having seen that interaction earlier, but it doesn't matter if you don't remember all of it. You don't have to remember all those details about how he and Kayoko met to appreciate that they are grocery friends now, who take advantage of sales together and like to cook things together when there's a way to benefit. There's a beautiful examination of the mundane in this show that is really heartwarming.

12:08 - Favorite Episodes

NiNi

I wanna get a little bit into this idea that you had about the episodic nature of this and maybe do a little fun thing. Do you have a favorite episode of What Did You Eat Yesterday?

Ben

Depends on my mood at the time.

NiNi

What are some of your tops?

Ben

I think, in the first season, I really like the Christmas episode, they host Kohinata and Wataru. We had already seen Shiro make that meal for Kenji as the first thing he cooked for him. He tried to make the best dishes he could make the first night Kenji moved in with him, and that just sort of became their Christmas tradition because it just happened to be the holiday season. And I liked him sharing that with other gay people. That's also the episode where Shiro says plainly that he wants to take Kenji home so that his parents can see that he's not a sad person because Kenji's at his side. And that gets me. 

We've seen the Christmas moments three times in this show now, because we have Kenji first moving in, their dinner with Wataru and them, and then we had Christmas again in the second season. But in the second season, they end up changing their menu because of their changing health needs. That was really well earned because we, the audience, were primed for another Christmas meal and we're excited to see it, but it was really lovely to see them unpack that their Christmas traditions are something that they have control over. This is really significant for me as a queer person, because we have to create our own traditions. 

We don't get to have all of the same ones that straight people do. Some of us are not necessarily welcome with our partners around our families. We don't necessarily go home to see them. We often do events with other people at the holiday season. One of mine is getting other local homos together to watch the seminal classic by Rob Williams, Make the Yuletide Gay, a not great film from 2009, but one of my favorite films. 

The other episode I really like is from the first season, the episode where Kenji invites his friends to meet Shiro to talk about adult adoption, particularly because we had follow up on that episode in the second season. Adult adoption was the right choice for Kenji's friends, but Kenji later in the second season refuses to be adopted by Shiro, because he wants to hold out for marriage. Once Shiro adopts him, marriage is not possible, and that is what he wants. For pragmatic reasons, older couples have to choose adult adoption to protect the younger partner from family members that the older partner does not like. But adult adoption is not marriage. Gay people want to partner with the people that are most important to them, like other people do, and it is kind of shitty that we have to do all this roundabout stuff just to protect the people we care about. 

What about you? Do you have any favorite episodes of this show?

NiNi

I always like the episodes where Kenji cooks. Because Shiro is the one who does the majority of the cooking for the two of them. It's how he shows he cares, and he enjoys it, and he's good at it. And Kenji is always incredibly appreciative of the meals that Shiro makes. 

But I always like when Kenji cooks for Shiro. Sometimes he cooks for himself because Shiro was not there, and those will be times he indulges himself and makes something that he knows that Shiro wouldn't necessarily approve of because it's unhealthy. But I always like when Kenji cooks specifically for Shiro, because he's so deliberate and thoughtful about it. There's one episode in particular when he makes some kind of soup for Shiro when he's sick.

Ben

Okay, that one is so funny because Shiro’s so independent, Kenji never gets the chance to take care of Shiro. So the way we will run around excited about BL tropes, like, “Oh, someone's sick. Oh, let's get some lukewarm water. It's time to fucking get this boy a sponge bath!”

[both laugh]

That's the moment that Kenji is having. Shiro is really sick and so has to be cared for. And so he's really excited to make a simple meal for Shiro and take care of him. But he's such a nervous wreck about it. We get to watch Shiro listening in the whole time. Like, “What the hell is happening up there?”

NiNi

[laughs] Shiro is so particular about everything and Kenji knows it, and so it's going a little bit badly. It's a little bit of a disaster. He pulls it together in the end.

Ben

Kenji actually did a good job.

NiNi

Kenji always feels like Shiro does so much for him, and Shiro doesn't let him do things for Shiro, and so he will always grab the opportunity to do something. He's always like, “Oh, we need something? I'll run, I'll go get it. I'll do this. I'll do that.”

Ben

Kenji cares about Shiro, so he takes care of their home.

NiNi

There is a situation where the washing machine overflows and part of the apartment gets flooded. Kenji notices that this is a thing that is continuously happening, and he goes out and buys a hose and says, “Well, you know, next time this happens, you can just drain it into the sink rather than it flooding the thing.” And that's when Shiro stops and he looks around at all the things that Kenji does to keep their home running, and he starts to cry. It's a very heartwarming moment, because you don't get the sense that Shiro takes Kenji for granted at all. That's not what this is about. 

But it's just one of those moments where you really stop and take stock of how loved you are and it just overwhelms you. And that's the moment that he was having. But that moment was so earned by all the moments that had come before, where you see all the small ways that Kenji tries to take care of Shiro, and how Shiro feels like it's his responsibility to take care of himself and Kenji. And he doesn't like it when he doesn't feel like he's taking care of them. Well, he's realized at this point that, “Yeah, Kenji can take care of me, too in some big and small ways, and I knew he loved me, but I really feel like he loves me.” It's just a really lovely moment.

19:22 - The Show that Keeps Coming Back

Ben

This is our fourth outing with What Did You Eat Yesterday? I've been pretty close to this show the whole time it's been airing. What's it been like for you seeing the show come back three times now?

NiNi

I could watch this show forever. That's honestly how I feel about it. And the way that the show is set up, as long as Nishijima and Uchino want to keep doing it, I think we could get this show basically forever. It feels like meeting up with old friends every time you see a new bit of it, whether it's the special or the movie or new episodes. 

It always feels like you have these friends, Shiro and Kenji. They've been living their lives. You haven't seen them for a while and then, boom. They’re here, and you're so happy to see them and you just want to know everything that's been going on with them. You wanna sit up at night and chat and catch up with their lives. Every time the show comes back, that's how I feel about it. I can't wait to sit down and catch up with Shiro and Kenji, and see what's going on with them now. 

I feel like there's more stuff that maybe you're more aware of regarding the cultural significance of the show and what it means for Japan to be doing a show like this. So why don't you get into some of that stuff?

Ben

So the first show airs, and it's decently popular. Like it performs well in its time slot, which is one of the late night time slots. “Here's a quiet, easy to watch show. Now go to bed. You have to work in the morning.”

Uchino and Nishijima are veteran actors. Both of them have well over 100 credits. They are very successful actors who are sought out and are busy. And it was really surprising that they agreed to be part of this. I cannot overstate how significant it is for queer TV… talented, veteran actors are willing to play gay characters in a gay way, and are really proud of that work, and want to keep coming back and doing it. Uchino and Nishijima say plainly all the time: They are longtime fans of the manga and were very determined to bring it to air. They worked to rearrange their schedules to make sure that this show could keep coming back. 

[Nishijima] is an Oscar winning actor now. He's becoming more internationally famous because of Drive My Car. So it's not like these guys are getting less busy. Both of these guys are so good. 

If you've only seen Uchino play Kenji, you owe it to yourself to see Uchino play a veteran Japanese historical military leader or a fucking yakuza. He is so good. You get a small flash of that when he wears the suit in the movie, and in I think episode 3 of Season 2 where he flashes the macho thing. That's Uchino teasing the rest of us about the rest of the work he's done. He's played some intensely macho characters in his career, so it's really fun seeing him in particular playing someone as flamboyant as Kenji. 

What's so surprising is the show keeps coming back. Like season one, we go from the fight in episode one, where Shiro yells at Kenji for even telling someone else that he's in a relationship with him, to them meeting Shiro's parents in episode 12, and Shiro reassuring Kenji that he doesn't want either of them to die, that they're gonna eat well and live a long, happy life together. I would have been okay. It would have still been one of my favorite shows if we just ended at episode 12. 

The arc of season one is so strong of Shiro letting go a little bit and not being so stiff. He can't give Kenji all the things he maybe wants, but he can be a little less stiff about some of these things. And then they announced the fucking New Year special and I'm like, what the fuck is going on? And they're like, “Oh, yes. We’re going to a whole new year special.” What's it about? “Well, Shiro's really busy at work, so he's not gonna be home a lot.” And I'm like, oh my God. [laughs] This is so much fun. 

We got to see Kenji and Shiro dealing with separation anxiety and missing each other. That was so much fun. We got to see Kenji trying to play the role of brave housewife for a while. We got to see Kohinata and Wataru's internal dynamic for a bit. That was a really fascinating thing for us to get to experience. We got to see Kenji tell Wataru straight up, “Stop testing your partner. They're going to fail eventually. And then what? Stop holding back. You ain't brave. You ain't doing nothing.” Great stuff. 

And then we get the movie! And I was not expecting the movie either, and the movie ended up being heavier than I expected. The movie ends up having Shiro's parents regress and say they don't actually want Kenji to come over anymore. And that was a huge pain point that played out in season 2. I was not expecting them to hold on to that as long as they did. The delivery from Nishijima when he tells Kenji, “I know you're hurting over this,” was so good.

24:57 - Season 2: Mortality, Family, and Hets

Ben

Let's talk about Season 2, NiNI. What were the big things for season 2 that stuck out to you as sort of the big ideas?

NiNi

There was a definite throughline about mortality. There's a lot of death, and discussions around death, and inheritance, and family, and the next generation, and what happens when you are gone. That really sort of permeated the second season. But not in a melancholy way, more in like a contemplative way, a way that makes you think about who are the people who are important to you? What do they need? What do you want to share with them? What do you want them to have of you when you're gone? What matters about your relationship with them now? Those are the kinds of themes that the show used that runner to explore. 

Themes of moving forward and growing up in certain ways, because one of the things about Shiro that comes to the fore at work, Shiro is the kind of person who has avoided too much responsibility at work. He's avoided being promoted. He took the job that he took because he would be able to leave work on time and go home and have dinner. 

This is culturally related as well, because he's seen as a little feckless at work because he's not married, because Shiro’s not out at work, at all. He is becoming more out in other aspects of his life, but he is completely not out at work. So as far as anybody at work is concerned, Shiro’s a single man, and the idea of a single man of Shiro's age in Japanese society and culture. It's seen as him being sort of flighty and irresponsible, which is the opposite of Shiro, which is just so funny to me. 

One of the things that he does this season, because of the nature of what they're trying to explore through this idea of mortality, is that he starts taking on more responsibility at work. His boss tells him that she wants to retire and she wants him to run the law firm. This is something he would have never agreed to, never even considered before now, but because he's in a place where he feels stable and secure in his life, things are good with him and Kenji, he is coming to an accord about things with his parents. He feels stable, he feels like his life is good, and so he's more willing to take on that additional responsibility at work. 

I found that to be a really interesting part of this season, how the discussions of mortality threaded its way through the season and manifested in different ways. What about you? What are some of the things that you took away from this season?

Ben

Before I get into that, I really want to follow up on one of the things you mentioned about Shiro taking on this responsibility at work. This was a runner because it comes up about four times this season. I like that the thing that finally pushes Shiro over the edge is Kenji taking on more responsibility at work. Once he realized that Kenji was going to be a manager, and wasn't going to be home at normal times anymore, and was embracing this new responsibility in his life, that inspired Shiro to also do that as well. I really like that it was Kenji just accepting this sort of thing and being brave about it, that pushed Shiro. And I like how Shiro did it because he wanted to also help Osamu. 

You get the sense that Shiro intentionally took a job in this law firm because he wanted to work in a small law firm where there wasn't a lot of room for growth and promotion, where they wouldn’t be constantly expecting him to take on more responsibility and deal with juniors coming up underneath him. He wanted to work in a small family law firm where the mom had a son who was intended to inherit and take charge of the firm so he wouldn't be expected to. You get the sense that he was surprised that he was asked to take on partnership in this, but it ends up being something that's positive for all of them because he likes and respects Osamu. But Osamu's passion is criminal defense law, which is not very lucrative for their firm, but it's what Osamu's passionate about. 

We got to see Shiro and Osamu work together this season, and that this is not something that Osamu is being, sort of half-assed about. He got super worked up for one of their clients. I think in the first season, I thought of him as maybe a little lazy, being able to take it easy because it's his mom’s firm and Shiro’s really determined, but it was really nice to see that Osamu had his own backbone as a lawyer about things that were really important to him, that he wanted to do professionally. And some of that involves him not necessarily being hands on with the firm as he's not as good about these things. 

I really liked that Shiro is able to extend his tendency to want to help people in a more accessible way this season. He gets so scared about the gay thing that he just ends up hiding from so many people. I really enjoyed seeing Shiro be more flexible this season. He took the fact that his vision is getting worse almost completely in stride. [laughs] Even though he was so grumpy about having to spend a bunch of money on lenses. 

I actually liked the through line about how they're getting older and things are changing. I liked that the first episode this season was about them having to change grocery stores because Nakamuraya closed, and that was devastating for Shiro. That was the grocery store that he liked and trusted the most, and he had to go and find a new grocery. Thankfully, we find the same clerk at that one who is still helping them out. Speaking of her, we mentioned her earlier. I love that she has a completely distinct relationship with Kenji and Shiro, where Kenji’s like, “She talks to me all the time! She's great!” and Shiro’s just like, “What? She only ever glares at me.” 

[both laugh]

NiNi

She speaks to him one time in the entire show.

Ben

I love it.

NiNi

That's when he goes to the grocery store and she sees him in his glasses for the first time and he's self-conscious about them. And when she sees him, he takes them off really quickly and she goes, “I think they really suit you,” and that was it.

Ben

I love it. [laughs] I almost cried! I was like, yes!

NiNi

I was like that's your friend! She cares about you! [laughs]

Ben

I think she also commented once this season that the fish is actually good at the new store. She actually protected Shiro once. She was being told to go around and mark a bunch of sketchy food off that needed to go, and she saw Shiro eyeing her with the sale button, and she didn't put it on the food that she didn't think was gonna be safe for them to eat because she knew Shiro wouldn't take it if it wasn't on sale. [laughs]

I really liked in this season how Shiro was really trying to accept that things were changing in their lives. I love Shiro accepting that Kenji was going to take on this role of manager after the whole thing with the philanderer friend of Kenji's, whose wife, now that their daughter has graduated, was like, “I'm leaving this man. I can't be with him anymore.” And then he decides to fuck off to Vietnam, and so Kenji's left running the store. 

I like that Shiro accepted that they're getting older and that their food needs and eating habits are changing. That Shiro, despite his determination to save up as much as possible for their futures by being really pragmatic about their food budget, and probably other things in their lives as well, because he and Kenji never seemed to buy a lot of new things or go shopping a lot. Shiro increased their food budget in response to inflation and in response to the fact that Kenji’s cholesterol was maybe a little high, and wanting to make sure that Kenji ate the right food so that he would stay healthy. 

I really liked the final conversation with Shiro's parents where they talk about how they want to make sure that Kenji is in their will, that they accept him as Shiro’s other half. That they chided him not to fuck things up with Kenji.

NiNi

That they found a columbarium that would have enough space so that Kenji could be with them.

Ben

Right, and Kenji took this as the peace offering it was from Shiro's mom and started thinking about himself as the beloathed daughter-in-law. [laughs]

NiNi

It's so funny because this is basically Shiro's mom saying literally over my dead body, but in a nice way, like. 

[both laugh]

“Over my dead body,” but that's the acceptance? It was just so funny because all the things she's talking about, the columbarium, the inheritance, it's all well after I'm dead. But she's fine with it? Basically? This is the way that she's chosen to accept him. And he immediately understands that and he takes it absolutely in the spirit in which it's meant.

Ben

I love the way that they do it is the only way that Shiro and his family could. “Well, it's very cost effective for us to buy into this together right now. They're having a sale, so.” 

I really like that his parents were very stern with him about it, but they're like, “We're not going to move to the nursing home that's closer to you because it's more expensive. “We will deal with the hassle of being further from you because you're 50 now. We don't know how much longer we're going to be around, but if we're here for a long time, we want to make sure that there's something for you to have to make sure that you're okay as well.” And I liked how Shiro had to learn to accept that from his parents, not as a knock against him for being a bad son, but as for them trying to do right by him as his parents. I thought that was a really significant move from the show, considering how much the idea is that the kids are supposed to put everything they can into taking care of their parents as they get older. I thought it was really inspired for aging parents to be like, “No, we wanna make sure that we are not a burden to you in our final twilight years.”

NiNi

The relationship between Shiro and his parents is so fascinating from the very beginning of the show up until this bit that we've seen so far. Not just in terms of the way that they are learning and growing, and finding ways to accept who their son is, and he in his own way, finding his ways to accept who they are without losing himself. 

The structure of their relationship is also so culturally interesting to me. It just feels very Japanese. I don't know how else to explain it, the way that they deal with each other, the way that his dad never lets Shiro pay for anything for them, just things like that. His parents are so traditional. For a long part of the show, his mother would only wear kimono. It's only later on in the show that she stops wearing kimono all the time.

Ben

It's a really subtle thing with the costuming choice, but every time that she takes a step forward, she's not wearing traditional clothes.

NiNi

The dynamic is also interesting because Kenji's relationship with his family is so different than Shiro's relationship with his family.

Ben

Oh, let's talk about that episode, since you brought up Kenji's mom and sisters.

NiNi

So Kenji is the only son of a single mother, and he has two younger sisters. His family is very comfortable with Kenji being gay, with everything around that. He is very open with his family, he talks to them about Shiro all the time, but still his family have never met Shiro. With all the death-flagging that was going on around this season, his mom was just like. “Oh well, I, I want to meet your Shiro,” and he immediately starts panicking. He's like, “Are you dying?” 

So they have the meet up. Shiro picks this really nice restaurant for them to meet up. He's very considerate and thoughtful about how he chooses the restaurant in terms of what distance they'll have to go, and he wants it to be a nice experience.

Ben

It’s also the restaurant that Oo-sensei took him to the first time when he started working at the firm.

NiNi

Yep, he picks the restaurant with a lot of things in mind, basically. And so they have this lovely meal, and then Kenji's mom explains why she wanted to meet him. A friend of hers, her son died, and she started thinking about what would happen if Kenji died and Kenji's like, “What the hell?” and she's like, “No, no, no. Just listen to me.” But basically, she didn't want it to be a situation where, if anything happened to Kenji, that Shiro would not be able to stand with them as Kenji's family. So she figured at the very least if they met once, then they're not strangers and Shiro has the right, then, to stand with them if anything happens to Kenji, and mourn him as part of the family, basically.

Ben

That was so touching. I legit sobbed after that episode ended. [laughs] I'm getting hot right now thinking about it. That was such an incredible episode. Oh my God.

NiNi

It was so much. Kenji's family is so the opposite of Shiro’s family. They're teasing and they're chattering a mile a minute.

Ben

They're leaving the restaurant and his sisters and trying to take the receipt from Kenji so that they can pay part of their share and he's like, “Go away. Stop it. I'm the oldest. Let me do this.”

NiNi

It's a very different dynamic than Shiro’s family, and it's not one that Shiro’s necessarily entirely comfortable with yet, because he's so much more stoic than Kenji is. But he is starting to lean into it a little bit. He's still kind of on the outside of things in that regard, but they're teasing him and he's doing his little shy smile thing. He's not entirely comfortable with them yet, but you can see how he will possibly get there. I don't think he'll ever be the one who's teasing back, but he will become comfortable with them. You can see it. And that's what Kenji's mom wanted. That's the ball whe wanted to start rolling. She wants Shiro to feel like family with them. 

There's so much of that in this season. This season is just emotional hits after emotional hits in that regard. There's so much about family, and caring for people. Like, thoughtfully caring for people, not just absentmindedly caring for people, which is a big thing for me. Putting thought into how you care about somebody, and how you show that care for somebody, it's a big, big thing for me and something I enjoy seeing.

Ben

I really like how this season made me get super invested in a bunch of heterosexual characters. Like I ended up super invested in Osamu and his desire to become a prosecutorial educator for criminal defense attorneys. That was a big deal for him that he really wanted to take on this educator role, even if it didn't pay well, because it was really important to. 

I got weirdly invested in the sort of flaky hairdresser. The other guy who works at Kenji's shop, and his relationship with his girlfriend who can't cook.

NiNi

Incredible. So incredible. I love that so much.

Ben

There are so many layers to this whole thing.

NiNi

And the fact that you thought it was just a one-off thing, but then later in the season it comes back.

Ben

Oh my God. So, Kenji is invited to hang out with one of his coworkers, and Kenji at first is nervous. Like, “Is this hot young guy trying to get me into his house? I'm a married woman, sir!” and he's super nervous about what the hell is going on? But it's—like his colleague’s really intent on him coming over, and he talks about his girlfriend, about how they didn't work out because she couldn't really cook that well. He didn't like her food, and then one night he just got tired of it and made a really nice pasta, and she got super upset about this because she tries so hard to fill this role that she feels like she's supposed to, but she's just not a good cook. And she's never gotten the experience of someone enjoying her food, and they just didn't work out. 

I'm like, okay, well, that was a really cool story, but it’s a little bit sad. And then five episodes later in episode 9, we get the reveal that he missed her and they tried to work it out. And he tried to teach her how to cook more effectively. And then he decided to settle on baking. Somebody who’s such a stickler for details as her, “salt to taste” as an instruction does not work for her. So she picks up baking and ends up being really good at it, and then she has this moment where she gets to react to the first time of seeing someone smile and enjoy the food she made. And, besties, I ugly cried.

NiNi

It was a Capital M Moment. 

Ben and Nini [in unison]

It was so good! [both laugh]

NiNi

I wept. I wept! It was so beautiful. And you now see that they figured it out. They figured it out through food!

Ben

The biggest thing about What Did You Eat Yesterday? is it is the kindest show.

43:10 - WDYEY is So Gay and Found Family

Ben

What Did You Eat Yesterday? is so explicitly gay. Everything about this show is gay. The fact that Shiro doesn't want to be a super successful, high-powered lawyer is unusual. He does not fit the mold of a traditional Japanese man, despite all of the other things about him. He's just so unusual as a Japanese man that despite all of his attempts to closet himself, he ends up looking weirder to people the longer this goes on. It's so awful for guys like Shiro. 

For Kenji, everybody's gonna clock his ass right away, but Shiro’s not going to get clocked right away. And so often the fact that he doesn't get clocked makes him seem creepy to people. Like, there's that whole moment in the first season with the apprentice lawyer that gets assigned to him for a while, where that interaction ends up kind of a mess because Shiro's misreading signals from her, doesn't want her glomming onto him too much, and ends up accidentally really upsetting the girl by making her think he was trying to hit on her. 

Oo-sensei is like, “Shiro, what are you doing? You've been a bachelor the 20 years I've known you. What the hell is going on? Please do better.” [laughs] And it sucks because he's doing so good, but he won't tell her exactly that. 

Oh my God. Speaking of her. I love her so much. She got Shiro a portable induction burner.

NiNi

I want one. I absolutely want one of those.

Ben

They are so fucking useful. You can cook stuff on your dinner table without worrying that the whole fucking table’s gonna burst into flames. 

She lies to Shiro that she got it as a gift from someone else, and she's just trying to downsize some of her stuff, cause she's realized she's getting old and has too much shit in her house. And so she's like, “Yeah, Shiro, I need you to take care of this for me so that I can get rid of it.” “Well, I guess if I have to do a favor, it would be rude not to accept the gift under these conditions.” I love her so much. She can do no wrong. She is my favorite.

NiNi

She knows him so well. I wouldn't be surprised if she has already dialed in to what's going on.

Ben

She absolutely knows.

NiNi

I think she knows he's gay.

Ben

She also knows that he eats with someone. She asked very politely in the first season if he has someone to share meals with, and Shiro said yes, and she just said very good. That was very tactful, ma'am. I approve. 

Let’s talk about Kyoko a little bit, because we haven't talked about Kayoko much.

NiNi

I was just about to say all the women around Shiro are so great and Kayoko is definitely one of the greatest. Sorry, before we get into her, I just love the way that she ran into Kenji at the grocery store and acted like she was meeting BTS or something. [laughs]

Ben

She was so excited to meet Kenji, and Kenji's like, “Huh? What do you want?” I also like that Kenji was low-key kind of bitchy [laughs] at the grocery store with this weird woman rolling up on him. We see the version of Kenji where he is home with the man he loves and is loud about it all the time, or we see him at work where he is ON for his clientele. It was so refreshing to see Kenji as just another dude in a grocery store being like, “Why the fuck is this woman looking at me like that?”

NiNi

[Laughs] It was so delightful. I love Kayoko as a character. She doesn't pop up a whole lot, but every time she does, it's truly a delight. 

Her main story in this season is she and her husband finally, finally getting to meet Kenji, and they're both so excited about it. And it's this whole event. When Shiro and Kenji go over there, Kayoko’s husband is talking Kenji's ear off and wants to know everything. Everything! He wants to know how they met. He wants to know everything about them. They're just so enthused about their friend's partner, because they know that this is somebody that Shiro loves, and they love Shiro. So they want to love whoever Shiro loves.

Ben

It's really fascinating with the way some of these dynamics play out. Kohinata and Shiro have been friends with Kayoko and her husband for years. Kohinata even longer. But they've never met either of their partners. Shiro has talked so much about Kenji that they feel they know him. But it's notable that it seems like there's this sort of line they can't cross and say, “I would like to meet him.” There appears to be some sort of etiquette line that everyone's toeing here, where they want to meet Kenji. It's impolite to ask. It means that there's some sort of gap in their closeness. 

But they are just so happy that Kenji's finally showing up. They have this little dinner party together. And what is his name? Let me pull up his name real quick. Tominaga-san. He is so enamored with Kenji. He is resting his hand on his chin. He is batting his eyelashes at Kenji, he is like, “Please tell us. Tell us the story of how you met Shiro.” 

It was fun for us as the audience because Kenji immediately begins retelling the story we heard Kenji say to Wataru and Kohinata in season one, and so we know the story, and so we can roll our eyes with Shiro when he says he looks like Kaiba Ryu again. And Shiro’s like, “Okay, whatever, bro.” 

[both laugh]

City Hunter. It was so much fun. 

One of the things I really like this season: we got a sense of the relationship between Wataru and Kohinata, that Wataru had a crush on Kohinata when Wataru was still very much a minor, and Kohinata basically refused to acknowledge it for like five to eight years because he thought it was inappropriate. That Wataru was so gay that he was basically disowned by his own family. That's a really painful thing for the two of them. I was really glad that we got some insight into those details. I also like that Shiro and Kenji were doing the math on their relationship and they were like, “Wait, hold the fuck up, bro.”

NiNi

They were like, “Hold the phone. What did you? What?” He's like, “No, no, no. Nothing happened until he was old enough.” And they're all like, “But still!”

[both laugh]

That is something that felt very gay to me.

Ben

That was very real. I was like, “Ohh, gurl.”

NiNi

I have friends who are with people that they met when they were in high school, who were much older and they're still with them now. Now that they're in their late 30s and 40s it’s not so scandalous, but they've been together a long time.

Ben

Yeah, absolutely.

NiNi

That felt very gay to me.

50:54 - Let’s Talk About The Food

NiNi

This show is so good! It's so enjoyable, and we haven't even started talking about the food yet. Oh my God. The food on this show.

Ben

What are some of the favorite things you've seen made on the show?

NiNi

Mmmm…Shiro did something. He made, I think it was a version of khao man gai with chicken thighs in the rice cooker. I looked at that and I immediately thought, “I have got to try that.” That and the sushi pizza.

Ben

I have made Shiro's lasagna.

NiNi

How was it?

Ben

It's very good. His steps are really traditional. I think that's the big thing I learned when I've been copying some of his stuff. Shiro’s cooking food that you would find in like a basic recipe you would find somewhere else. What Shiro’s really good at is balancing his time for all the dishes he needs to make so that you have all of the four or five side dishes he wants to have every time you sit down, which I don't like to do. That's too many dishes. [laughs]

NiNi

That's very much Japanese cooking, though.

Ben

Five different bowls per person. Hell to the no. I am a Creole food home cook. It's all going in one fucking pot.

NiNi

[laughs] They do some one pot stuff sometimes, though. It's really good.

Ben

They do! Like, they have curry.

NiNi

They have curry and the same thing, the same khao man gai that I was just talking about as well. That was all done in the rice cooker, basically.

Ben

I liked that pasta that Kayoko made. I haven't made it yet, but I think about that one every time it's hot. I really liked that slapped together sushi that Shiro put together when Kenji's friends were coming over.

NiNi

That was good. I am also, like Shiro, not good at hot oil, so I paid very close attention to the tempura recipe to see if maybe I would have the wherewithal and the bravery to try it at some point.

Ben

I like that Shiro, despite being really determined about his own skills, how easily he collaborates with other people in the kitchen. I thought Shiro would be the kind of cook who was difficult to cook around, but he shares space in his kitchen so easily with Kayoko and Kohinata and Kenji when they help him out. Shiro admits that he's not very comfortable cooking with oil. Like, he's not very good at doing tempura, and he let Kayoko teach him when they hung out again. I like that he's willing to learn from other people. 

I liked in the movie when Kohinata and Wataru's fridge went out, and they brought a bunch of food over to them, they had like a mini feast and brought some stuff for them to save. They invited Kayoko over to help them make some stuff. In this season, they were like, we really want to get these special type of cheesy pancakes and Kohinata and he are just working through the recipe together, which let us have a really cool moment where Wataru seems like he's also starting to mellow out a little bit. He's just vibing with Kenji and they're gossiping about their boyfriends with each other.

NiNi

I love that demon twink.

Ben

[Laughs] He is a demon twink. He's like, “Is Shiro turning 50?” He convinces his well meaning rich boyfriend to send like a whole party package to them with a big ass balloon saying congratulations on 50.

NiNi

I don't know how well meaning Kohinata was? Because in that same episode, where they're making the pancakes, he says, “I'm so sorry about the 50 balloon,” and he looks Shiro dead in the eye in this kind of way. [laughs]

Ben

But that's not Kohinata being aggressive. That's Kohinata being alarmingly earnest. He very much needs to see you forgive him in that moment. It's the same thing that happened when Wataru kicked him out with the clams thing.

NiNi

The way that I read it, because Kohinata is very into his fitness, right? He looks good. He's very toned and muscular. He exercises a lot. He's got a great body. He doesn't look anything like whatever age he is. And while Shiro looks good for his age, Shiro does not look like Kohinata. And Kohinata’s very proud of his body. He shows it off, like the things that he wears, and all those kinds of things. So I just thought there was just him being a little bitchy as well, but in a nice way because he's Kohinata.

Ben

I’m gonna think about that. I’m gonna rewatch it and see how I feel about it with that in mind. I don't think that's what he's doing. I don't think that's who he is, but I’m gonna think about it.

NiNi

But yeah, it's not just the food. The food always looks good and I'm always like, “I gotta try that. I gotta try that. I gotta try that.” But just the process of watching them cook in this show, the way that it's filmed, it feels very comfortable. It feels like you could actually make these meals. It doesn't feel over complicated. It doesn't feel stressful. It feels like just this calm time in the kitchen and it makes you feel like you could do it, too.

Ben

We've talked to Japanese friends of ours that mention that the food Shiro makes is actually very simple and normal for Japanese people. He's not doing anything spectacular with the food, but that's also, I think, part of the charm. He's doing something really normal really earnestly every day as a way to let his partner know that he still matters to him.

56:36 - Final Thoughts (And A Moment to Drag Nobu)

Ben

This is my favorite show, and it will probably always end up being my favorite show. I say a lot that as much as I like BL, I like the silly little stories about gay boys falling in love with each other. I really do appreciate stories about gay boys staying together. That's why I'm really glad that we're seeing more sequels. We talked about this in an earlier episode this year, I believe, how we feel about sequels, and I do want them to keep trying to tell stories about gay people trying to make their lives work. I really like that this show keeps coming back and has more things to say—that it feels like everyone grew between both shows. 

By the end of season 2, we know that Shiro and Kenji have been together for at least eight years. I really like how they feel older. It's been almost five years since the first show released, and Nishijima and Uchino have changed in that time, and it was really cool to see the two of them exploring what it means to get older through these characters as well. There is room in this genre to tell stories about beloved couples growing together, and I am so glad that we have such a high bar of a show to refer to when we tell people we want that.

NiNi

You're talking about having this show to refer to, and refer to it you do, sir.

Ben

I do.

[both laugh]

NiNi

One of the things that I really enjoyed about this show is watching other shows come behind it in the same spirit, but not trying to do the exact same thing. Two in particular that really have felt like they came off the spirit of this show were Our Dining Table and She Loves to Cook, and She Loves to Eat. I want to see more shows in this general vein.

Ben

We called episode 6 of Tokyo in April Is… the What Did You Eat Yesterday? homage episode. There's a moment in I Became the Main Role of a BL Drama that we called the What Did You Eat Yesterday? moment where we thought that one actor was channeling Uchino's performance as Kenji when he was enjoying the curry that he was eating.

NiNi

As you said that, watching Kenji eat the food is almost as much fun as watching Shiro prepare the food.

Ben

We got some manga insights from our friend, Turtles. We were hoping to bring her on for this episode, but she's so busy. I love you, girl, but we gotta find a better time to work with you. She talked about how when they first moved in together—they didn't capture this in the show—Kenji was not as animated about enjoying Shiro's food, and Shiro got a little bit stressed about that, because Shiro's trying to communicate that he cares about Kenji through the food and he wasn't receiving a lot of feedback for that. Kenji picks up on this and starts being more animated and more forthright about enjoying the food because he knows it's important to Shiro. 

Speaking of partners recognizing what's important to Shiro, let's talk about that motherfucker that Shiro used to live with.

NiNi

Oh my God. Nobu. Oh my God, what the hell?

Ben

I hate that man so much.

NiNi

He's so cruel. It is shitty behavior—absolutely shitty behavior—to not acknowledge and be grateful for somebody cooking for you. I don't care if you like the food or not. If somebody puts effort into cooking for you, you at the very least say thank you.

Ben

And when you use a shared kitchen, you clean up after yourself, goddamn.

NiNi

Cannot stand that character. The actor that they got to play him was so good, though, I really hated his face. Like—

[both laugh]

Ben

It’s the same episode we talked about earlier with the washing machine continually getting clogged and not draining properly. This happened years ago when Nobu was still living with Shiro. Nobu didn't offer to help at all. He was just like, “Clean this up right away before you cause problems for the people underneath us and they want us to pay for it.” And it's like, bro, this is his fucking house. And then he's like, “Whatever, I'm leaving. I'm gonna get me some chicken.” And I'm like, brah, you going to Popeyes right now? Come on now.

NiNi

And you're not even going to the Popeyes for the two of us.

Ben

That's the thing, too! It's not like he realized that Shiro was gonna be dealing with a pretty serious headache, and he's like, “Well, I'm gonna go get some cleaning supplies, and I'm gonna pick up some chicken on the way back.” He comes back like, like, “Oh, so you're still dealing with this. I'm hungry. You need to make some food, too.” I hate that man, so much.

NiNi

It really gives you an understanding, though, of how much Shiro has grown, because part of Shiro’s growing has been learning to love and accept himself. And you could tell in that flashback that Shiro did not love himself, and how much Kenji becoming a part of his life has encouraged him to love himself. 

One of the things that I noticed about the flashback with Nobu is how he shrank. He didn't argue with him. He was thinking things in his head, but he didn't argue with Nobu. He just kind of shrank away, and he would never do that with Kenji. He will always fight it out with Kenji, and I really appreciate that. Not only does he feel comfortable in this relationship, but he is also becoming more comfortable with himself. I thought that was a really neat sort of juxtaposition to see how Shiro used to be and how far he's come.

Ben

What I want to reiterate, after musing on it so much, is how genuinely special it is to have an episodic show about the lives of gay people in our list of shows to recommend to people.

NiNi

You know I'm not so much on the recommends as you are, but I will sit and watch this show anytime, any day, anywhere, starting at any point. I will watch one episode. I will watch seven episodes. I will skip around in time. I'll watch the movie. Because for me it's about just sitting and having that moment with these characters that I love. It's like a warm hug. I like this show, I love this show. Long may it reign. Hopefully they come back again. Not too far away. 

If I'm talking about a thesis statement of how I feel about this show, it is that What Did You Eat Yesterday? is a show about just going along through life with the person that you love. And that's all it is. There's nothing more to it. It's very simple, but in that simplicity there is so much.

Ben

I really hope we get to talk about this show again. I really hope that Uchino and Nishijima and friends are able to come back together for this show again. I will totally understand and respect if they can't, or don't. But I really hope they do! [laughs]

NiNi

I hope that we get What Did You Eat Yesterday? episodes every other year for the next decade.

Ben

If you have not yet watched What Did You Eat Yesterday? It is available on GagaOOlala. Please go watch it. I hope you enjoy it. If you are a member of our pod team and you are reading this transcript—[NiNi laughs]—and you've still not watched this show, I am begging you, please watch this show.

NiNi

She's gonna get a kick out of that. 

[both laugh]

Right, so that is going to wrap us up on Om-nom-nom, our What Did You Eat Yesterday? episode. We out. Say bye to the people, Ben.

Ben

Peace.

[pencileraser1]

pencil eraser one. you word your long posts about dps very well so im pointing my frustration with media-ly illiterate people in your direction. im constantly seething with rage at this podcast episode i listened to a very long time ago abt dps bc they said neils suicide was STUPID and OVERDRAMATIC. and i just. i wanna throw up that boy killed himself and ur calling himnoverdramatic what do i even do. i am high a little and this is very much affecting me i cant get up from this couch 🎀

you're completely correct for this i actually have a few thoughts about this so uh bear with me for a second

theres something that sucks so much about this specific type of criticism of this movie in particular to me because of how much i relate to neil. i watched dps for the first time when i was 17, severely depressed and borderline suicidal and i related So Much to him. i didn't write off his suicide or criticize it because i'd Been There.

generally i feel like this criticism probably stems from lack of understanding Why he would do what he did, and there's a number of reasons that that this could be although that would be leaning a bit too much into psychoanalysis and assuming things i don't know about them so i'm not going to go into it really

up until it happens, neil seems like he's doing mostly okay, and particularly if you haven't seen the movie before i could see how to certain people his suicide might seem overdramatic since it's a bit of a sudden shift from mostly okay to suicidal. but the thing is that up until this point, neil has just been doing a very good job at hiding that something is wrong.

my interpretation of the movie has always been that he'd struggled with some form of depression as well as dealing with some amount of suicidal ideation before the movie and had just generally been good at masking it. during the events of the movie he is the happiest he has ever been because of the combination of the poets, acting, and keating. so when at the end of the play his father suddenly takes away all three, and his options are either to confront his father (something that he feels is impossible to do- even if it technically isn't, the fear he has surrounding it of his father listening but not caring, or making things worse than the are, or anything else, prevents him from doing it) or suffer through 10 years of medical school away from anything he actually cares about, he decides to remove himself from the situation entirely instead.

(theres something about the way his suicide is framed within the movie where in some fucked up way his suicide more than anything else is his carpe diem. he's seizing control of his life in the only way he is physically capable of anymore)

neil's suicide isn't rational but that doesn't mean it doesn't make sense or that he's overdramatic. just because logically waiting out the 10 years until he's away from his dad or leaving as soon as he graduates high school or turns 18 or whatever it is is a better option doesn't mean that 1. he'd have the idea to run away early or more importantly think it doable (he tries so hard to not directly disobey his father the whole movie and after doing it one time is now stuck in This situation, additionally, while this is the 50's and in general shit costed less/jobs were easier to get/etc. he is financially dependent on his father and running away without any support is not the smartest decision) and 2. that he'd be physically capable of enduring the 10 years. because 10 years is a long time Especially if it's 10 years studying to become a doctor, something that is both generally difficult and also something he Doesn't Want To Do. and so the sudden switch from happiest time of his life to suicidal throws people off and they don't understand why he wouldn't have done any of the other options that they thing are the logical ones but to him probably didn't seem physically possible.

[madelynhimegami]

To my knowledge, you like Puyo Puyo! But what do you enjoy most about it?

Honestly, it might be easier to explain my intoduction to the series. Ideally we'll get there in the end either way. You ever seen one of those "What I Played/What I Expected/What I Got" memes? My story is pretty much like one of those.

I don't remember when I started learning bits and pieces about it, or when Dr. Robotnik's Mean Bean Machine went from being itself to a Puyo game in a trenchcoat in my mind. But by mid 2017 I knew the aforementioned (I called the CPZ boss in Sonic Mania a Puyo boss on twitter when I played it), recognized Carbuncle, recognized Draco Centauros (thanks to a friend who is still a big fan of her), and had heard that there was some sort of story to it, but didn't know a lot of details.

Then in September of 2017, a friend of mine mentioned that he had been playing Puyo Puyo Tetris lately as his go-to "pick up and play" sort of game. I looked it up in the eshop, saw it was cheap, and thought a pick-up-and-play game was what I needed and bought it. Not that I knew shit about playing Puyo well, but I at least had some basic competency at Tetris to balance things out.

And hey, at least the story mode would be a good way to learn! So I dove in to the story and started playing.

I was expecting the story to be inconseqential to my enjoyment of the game. Something either generic or corny, with characters that ranged from "tolerable" to "painful anime cliche."

The thing that knocked me on my ass almost immediately was that the writing was actually funny, made better with the English cast's fantastic delivery.

Those are all from just the story's first chapter! The first one is from the prologue! The other two are from the third scene (couting dialogue before and after a round of gameplay together as one scene)! And it kept going!

For the record, even though I was picky with what to include, and stitching lines from the same scenes together, I still had almost fifty (50) funny moments I wanted to drop out of context, in a game with a rough total of two hours of story material collected to write this post. And then I had to narrow it down further just so I wouldn't hit the image limit too quickly.

Was it a little corny and awkward at points? Sure. Several voice actors had to grow into their roles. Plus, the impression I always had from the script-- an impression that's only gotten stronger the more I learn about this series and then come back to this game-- is that someone on the development team was not expecting this to be all that successful overseas. And not for no reason, since Puyo Puyo's tried to get its foot in the door in the west several times by this point. But the end result of this lack of faith was a localization team that tried very hard to make this game stand on its own merits with as little understanding of the games that had come before as possible. Which, honestly I think they did a pretty dang good job of! Especially since it didn't shy away from the hard-hitting stuff when it came. Which I'm going to intentionally leave even further out of context so as to not give away all of it.

There was also this line here, which was what first clued me in that the writing's quality wasn't an accident, that the writer is actually thinking all this stuff through:

Fun fact, the only people you will see in your dreams are people you have seen while you're awake. The parts of the brain responsible for dreams can't make up new faces, or throw together composites of preeviously-known ones. Hence, this question, which does in fact get answered in the next scene, in a way that made me go, "Ohhh, that's really smart, actually!"

But yeah. That was just this one game. It took me a few more years before I tried other games that had been translated, fan or otherwise, but the more I've played and the more I learn about these characters and their worlds, the more engrossed I get. It's a hyperfixation now. It seems like there's always something new I'm learning about it, but it's not overwhelming, it just feels like I'm knowing a good friend better and better. The modern artstyle is deceptively simple and very endearing, and so many of the characters are interesting and fun. And the current writer is just so galaxy-brained, I'm not even kidding.

The characters in the Puyo Puyo series are all morons. They're all crazy. But at the end of the day, they care about each other, no matter how little they want to admit it. And they all have their own theming to the magic they use. It's a lot of fun. From your standard-fair RPG spells, to cosmic forces, to math terms,

I can't recommend this series enough, no matter what your skill level with puzzle games is! There's something in it for everyone.

Unless you're looking for genuinely evil characters, I guess. Like, there are characters that are intimidating or sinister or threatening, but almost none of them are actually evil. Fraid the closest to that this series has is a(n as-of-now) gender-ambiguous Elon Musk with better hair in the Japan-excusive gacha game.

Further reading from the author (that isn't already on their tumblr):

[1]

[2]

[3]

[moonshine-nightlight]

Hi, I'm always very impressed by your world building skills, even in shorter stories! Do you have any advice for aspiring writers on how to build their fantasy world?

So i drafted a response to this in between working just far too much and then my computer crashed and i lost it. Then i was even busier so i never got around to writing it again but i am making some time this weekend, so worldbuilding post - take 2

My main, high level worldbuilding tips are:

Rule of Cool: worldbuild things you think are fun and interesting. not only is that the best way to get ideas you like and are motivated to write about, but other people will also think they're interesting too. have fun with it.

Iceberg theory: know more about the world than ever makes it into the story. people can sense when worldbuilding is shallow, so even if they never see the true depths of the world they can often sense it's there. plus if u know the whole picture, everything the readers do see will seem more coherent

Integration: i heavily integrate the world i'm building into the story i'm telling--so dig into the plot and characters and make sure that the world and the story serve each other well. your world is there to contribute to the story so make sure its fulfilling that purpose

For more specifics about how i personally world build and for some examples from my stories of the above guidelines, see below.

So firstly, i love worldbuilding. i just think its a ton of fun and could easily spend hours just thinking about worlds in my head. (i mean what else is there to do when ur commuting to work, amiright?) i think that does make it easier for me to take the time to do it right and makes the world come through more vividly in my writing. it can get annoying or tedious or be more challenging at times, but since i like it/find world building interesting, i'm more willing to put in the time and effort to whip it into shape and i get less frustrated with that part of the process in general.

i'm also always thinking about world building to some degree in the back of my mind. picking up interesting information, facts, snatches of cool ideas or images or whatever. then i throw all that in like a junk drawer in my brain so when i sit down to more officially write or flesh out a world, i already have spare parts at my finger tips to use or drawn on.

Reading and consuming other art and worlds also makes it easier to make your own, just lik reading is a key part of writing practice. i don't just mean fiction, but just anything about the actual world makes it much easier to make up your own--that can manifest as awe at the fireflies that actually exist or spite that dragons dont. Whether that's random youtube video essays about the history of musicals or drinks or fashion to books and articles and documentaries or just my friend's niche interests (or their regular jobs). i'm always taking worldbuilding notes in the back of my mind.

For a more writing specific example, i read this short guide '50 Ways to Kill a Mermaid' (its locked for AO3 so u hav to sign in to read it) and it was super fun and cool to read that info from a writer who had studied marine biology. then when i was fleshing out Don't Shoot the Messenger a year later, the problem of Satrasi being a sea demon in a fresh water pool and bloating came to my mind because i'd stored that tidbit from the article away for later use.

My personal method for worldbuilding and plot outlining is sort a brainstorming/Q&A i have with myself (i hope this makes sense when i'm done writing this all out lol).

I've mentioned this before but the prompt that inspired Dale was: "You’re pretty sure your boyfriend was replaced by an eldritch being that can barely emulate being human. Weirdly, you enjoy a better relationship with them than your actual boyfriend."

So when that idea grabbed me, i started brainstorming about the world and asking myself questions. Why is the reader with the boyfriend if they don't really like them? What would make someone stay in a relationship like that? Do i want to make this a dark story? And i did not, i wanted it to be fun, so the arranged marriage angle came to mind. And if that's the premise then when is the story? is this our 'past' or another world entirely? diff world means more freedom so i automatically leaned in that direction.

Can the reader tell the 'boyfriend' has been replaced? Are demons a thing people know about? does the reader know that's an option? which is more fun? if the reader is worried about Dale getting caught, that's more room for hijinks so then yes, demons are known, but not common otherwise too many people would notice.

So my plot and worldbuilding are evolving in tandem and informing each other, based on the type of story i want to tell and how the characters i have in mind will react etc.

i run through a lot of ideas and turn them over in my head--trying out diff pieces to see if they fit--and am always willing to drop an idea or save it for another story if i don't think its working for the current one

For iceberg theory, i mentioned above for Dale would be the religions in that world. When i decided to introduce a priest like character (for discovery danger) i knew i needed to focus more on the religions than i previously had noted. the majority of what i came up with isn't int he story, but i think the fact that i know it helps me write when did end up in there, helped make it consistent, and means i can more easily work in allusions to it without having to work so hard those singular times.

For example, i'd decided to call the demon realm "the Depths" early on, which to me already invokes deep water and darkness, so i followed that through to sort height and air and light as being perceived more positively. fire and light are important symbols in this world and they primarily burn their dead--to bury someone below ground would be seen as almost condemning them and someone drowning is also seen as like, not good for their soul because what if it is 'pulled down' rather than 'ascending'. some of this was alluded to in the chapter, but most of it is not. this also helped me come up with the various "by the light" "dawn's ire" and other similar little 'religious' phrases and exclamations different characters use at times.

Meanwhile, in Sacrifice, the people living their are relatively non-religious--thats why they both don't pray to any other deities and it takes 5 years of problems to even bother trying an old god. it's not sacrilege because they're desperate people trying a long shot, not violating or abandoning a different belief. because i wanted the reader's main problem with it all to just be that they didn't think it work.

And why is she a translator? because i wanted to use the idea from that one post that goes around about how ridiculous it is in movies when their translated prophecies rhyme in english. why are they arguing about the translation? because its a dead language so no one really speaks it, that means the people who came up with it were here a century ago or longer. why aren't they here anymore? nomadic so they left and ended up staying away because of a natural disaster elsewhere. why is this town here now? a particular export/resource in this area became valuable enough for people to try to live here. the fact that its a lumber town due to some rare wood native to the area doesn't come up in the story, but i know it and i think that i know that about the town helps it feel more real, makes it easier for me to reach for new details when i need them

and going back to anything can be inspiration, let's talk about the doorlock in the very beginning of Finally Woken. its literally just a magical keypad/number pad but with different colored tiles instead of numbers because i wanted the reader to be able to get in, but i felt it didnt make sense for them to hav a physical key. and i thought it would look cool in Heshi's door and it went well with the fact that he's a glassblower . also, why is Heshi a glassblower? because i frickin' lov blown glass - i just think its so cool and pretty. that helped lead into the sort of artisan economy feel that world has.

Each of these stories has an outline and notes doc at a minimum. the notes doc is where i throw lik pics, inspiration posts, random worldbuilding ideas etc. only much shorter stories or stories that are heavily based in 'modern' world don't hav extensive random notes.

my Dale folder has subfolders for characters and the setting, as well as random worldbuilding files such as "demon summoning/magic" "spiritual belief and org" "fashion - feminine" and so on. Even excluding the plot outline and chapter notes (and not counting pics) i've got like, over 4k of random notes saved. dale is the one i hav the most of that for, but all my fics have some little section with stuff like that jotted down

in the end, i think the best way to sum up all that is with my three original rules of: put stuff u think is cool in your world, known more than you tell to help everything fit together and seem deep, and build your world around your plot and characters because they should all be working together to tell the story you want to tell.

honestly, i could ramble about worldbuilding all day so if anyone has any questions or wants more examples, just let me know ^^

[poorlittleyaoyao]

14, 48, and 50 for A-Yao?

14. Most heroic moment

Oh, killing WRH, for sure. MY racks up all kinds of big heroic moments during Sunshot--saving LXC! saving QS! making sure civilians are out of the way! the whole spy thing in general!--but killing WRH entailed major risk and sacrifice alongside bravery. After all, MY has a pretty good thing going in Nightless City! Torturing people is, you know, not great, but he's the trusted assistant of the most powerful man in the jianghu. In novel canon, he's one of the few people permitted to greet WRH without kneeling. In drama canon, he has direct input on battlefield strategy. This is the most power he's ever had and the most respect he's ever had. Meanwhile, a good chunk of the Sunshot coalition has treated him like garbage. And there's no guarantee people will believe that he was a spy all along rather than a coward jumping ship at the last minute, especially if LXC has died in battle and there's nobody to vouch for him. But he kills him anyway, because it's the right thing to do. (And he saves NMJ, even though letting WRH kill him would make his life a whole lot easier, also because it's the right thing to do.)

48. Scariest moment of their life

In terms of immediate, adrenaline-rush sheer terror: during the non-horny realtime version of MY and NMJ's encounter at Nightless City in CQL, NMJ almost cuts him in half with Baxia and the poor guy looks PETRIFIED. MY is saved only because WRH grabs NMJ and hauls him away. That would be TERRIFYING, because 1.) he almost died, and 2.) he continues to almost die until WRH incapacitates NMJ, 3.) he's also plainly scared for as well as of NMJ. And, as stated above, it doesn't exactly bode well for his own fate post-Sunshot!

In terms of frightening on an existential level: also in CQL, the moment he hits the bottom of the Jinlintai stairs. JGS dispatches servants to get rid of MY in the novel IIRC, so there's some plausible deniability there; maybe Jin-furen or someone else gave the order and his father had no part in it! In CQL, though, JGS is right there the whole time. JGS looked MY in the eye and chose to violently reject him. There is no doubt that his father doesn't want him. His mother is dead, he's all alone, and his ONE JOB--the ONE THING he's meant to do--he failed. If he wants to crack an unhinged evil smile to cope, he's valid.

50. A memory they’ve blocked out

Given his eidetic memory, I think JGY's problem is that he can't block things out. He remembers everything! Much of it bad! Which must be exhausting not just because that sure is A Lot to carry around, but many of the things he remembers clear as day have been genuinely forgotten by the other parties involved, so if he tries to bring them up, people will be like "lol what are you talking about? that didn't happen."

So what I think he does INSTEAD is kind of... gaslight himself? Like he does these elaborate retcons of his own memories to enable him to compartmentalize better, chief among them being "the only reason my father doesn't treat me as his son is that external forces prevent him from doing so :) and I just :) need to do better :)" until the "not worth mentioning" scene breaks the illusion for good.

[doubleddenden]

Just for fun, I'm going to make an absolute WORST CASE scenario for Pokemon day (with sillies)

Pokemon decides to announce NFTs (they did put out a job listing for an NFT expert months ago)

Pokemon merch that's just more overpriced garbage. Shitty pastel tshirts that just have the pokemon logo stamped on the left breast area- $50, only goes to size XL.

Pokemon Go has way too much screen time for yet another Kanto fest

Pokemon Masters, Unite, and Cafe just won't end their trailers.

New tv show that's just a vague reality show about celebrities that liked Pokémon once, and it's more of an episodic celebrity biography show with one line or two about Pokémon. Not even fun ones, C tier at best. So, something like T@yl*r Sw*ft's boyfriend's football career, but one line about playing Blue for a few hours at his cousin's house.

Pokemon Home fees will increase

Pokemon Bank will close TODAY

Port of Red, Blue, Gold, Silver, Ruby, and Sapphire to NSO- you have to pay for online to access it over cloud- internet connection required, and for some reason you have to pay extra for them in a Pokémon exclusive expansion pass. No word of third versions. Does not include the events or Japan exclusives.

Black and White 1 remakes announced. It's chibi like BDSP, colors are dry and washed out, there's graphical errors in the trailer frames, they state BW2 specifically is not part of the remake, they promise tweaks to make the gameplay EASIER than ever. Parts of the game are made with AI and script rewritten by Chat GPT, with an error you spot easily in a trailer. Masuda has the remake game director's neck clenched tightly from the back. He looks at you and says "you will buy the games this time. This isn't a request." Japan pre-order exclusives are amazingly crafted Reshiram and Zekrom statues that even have light up tails and eyes, and also you get shiny versions of them only in the Japanese copies, US gets a cheap piece of paper with generic stock images of Pikachu and Charizard on it, everything is shiny locked for everywhere not Japan.

They tease a Legends game. You think it's going to be amazing, you think oh my god we're getting Legends Unova... wait, it looks Japanese, maybe LEGENDS CELEBI???...it's Legends......... KANTO, and it's the most gorgeous thing you've ever seen after the clear lack of care put into their non gen 1 games since the Switch launched. A selling point is, once again, no new Pokémon after the og 151 so older fans can enjoy it better. Your starters are Charmander, Charmander, and Charmander, you might encounter Bulbasaur and Squirtle in post game. Your job is to stop EEEVIL outsiders from the rest of the regions with their newer Pokémon from settling into Kanto. Johto is having an awesome party next door with all the regions invited, but there's been a convenient landslide blocking the only way over. It's just reskinned Let's Go Pikachu and Eevee. Professor Oak is your age and putting moves on your mom.

Features a mythical Pokémon based on depression that looks like a tiny salary man, comes with its own movie featuring Ash as a depressed Millenial realizing he peaked at 10. He has to get a job. Pikachu is dying of old age and Ash has to "grow up" and release him and all of his other still living Pokémon. It cuts to real life, and Pokémon was just a game he has been playing for years to cope with his parents' divorce and eventually his own with Misty, then May, then Dawn, then Serena, then Goh, etc. Ash's dad is finally revealed: it's Chris Pratt with bad cgi wrinkles, back with milk. They go to the arcade to play Mario to stomp on some................................................................................................................................................................................... KOOPAS.

"Well that's all. Oh wait, one more thing!"

Ed Sheeran and T@yl*r Sw*ft music video featuring 1 Pikachu in a frame that can be easily edited out, with a song not even about Pokémon. The song sounds like shit and is about another breakup.

There, the bar has been lowered to the floor. It cannot get worse.

[ghostflowerhotpotch]

I appreciate the breakdown (you do a great job with those). I just think she's afraid for herself and for what a tragedy could do to Miles. I just dont like the term shutting down lol. Up to this point, she believes in these canon events. I think it pains her that she can't hold his hand like she wants to. She would love nothing more to believe that "There's a first time for everything".

Funny enough, the next time se see them is on top of the rooftop with her saying feelings make her hungry

@underthestyx

Okay, seems more than one person had asked me about this, let's talk about it.

Like I indicated in the analysis, a lot of stuff is happening on that scene, we have multiple moments with Gwen kind of pulling away just to also get a bit closer, as I said earlier, a lot of push and pull.

I don't think there can be a definitive answer for sure in this situation, since Gwen again, didn't say "no" or "yes," at any moment, the things she said were drowned in subtext that make me glad not being the one at the other end of that conversation because I would had probably left very confused.

Perhaps shutting down is too strong of a word for what is happening in this context, she isn't saying outright no so I guess it cannot qualify.

However, why I am still on the fence about this?

Well, I will be the first to admit that personal biases come into play.

I am a person that tries to go more than for what is being said that other signals, mostly because I am not good reading them. Is easier in media and more in animation since everything has a purpose and a reason to be; but in real life something that is being done and said in a certain tone can have another 50 factors not related to me and I have no way to know which one is which.

Something I learned along the way is that regardless if is a lie or the true, people say what they say because they want you to believe it; and the reason as to why they want you to think that can be more important than the actual answer at times.

Ultimately I think either read is valid because the situation is extremely ambiguous; Gwen doesn't take the next step to what would be actually dating, yet always stays close and makes sure to Miles to know that he is special to her and she sees him in a light different than everyone else, even if she can't bring herself to say which light.

Yet I can't see it in any other way because for me, she leaving his comment hanging after talking about not being a good idea, outweighs the rest.

Sorry to anyone who was expecting me to go into an even more in depth analysis to justify my point; but I had been on the internet for too long to think is a good idea to double down on something when you don't have a clue what you are talking about.

And I am glad we can hear other people out! I wanted to do these analysis because I think there is a lot of merit to what is going on in the screen that is worth talking.

So let's continue with the conversation, feel free to reblog with your own addendum or do your own post if you feel inclined.

[mean-scarlet-deceiver]

Sodor Work History: James Edition

Ugh, it seems to have vanished?? But I had an anon request a James equivalent to my Edward work history post. Of course now that I'm done writing I can't find the ask… #ThanksTumblr… Anyway here goes:

I'd like to! But James is tricky...

The thing with James is, we seem to have a bunch of data points throughout the books on his doings. But there's so much we don't know about the main line working and how many "unseen" engines share the work with our main characters. Like, all the branch line characters are easier to at least assemble pieces into a rough border because there are more constraints there. The main line has too many unknowns. There is a similar problem to sketching out Henry's timetables, but at least with Henry—like with all the other MCs—we know of at least one thing that he is known to do regularly. We don't have a touchstone for James.

Broadly, though, here are a few things I notice (and/or just streeeeeetch to conclude in a fever dream) about James's Sodor career:

He spent a little while there as the closest damn thing Tidmouth had to a station pilot. I feel like this gets completely overlooked. After the bootlace incident he's benched from passenger work, of course, but in addition to goods work he is doing a lot of coach-fetching at the big station. Troublesome Engines says that he continued being the "odd jobs" fellow for a while until he started to rebel. He would never have been full-time—unlike, say, Thomas. Thomas, I'm sure, would have been transferred to Tidmouth when HQ moved and continued there if not for his branch line assignment. But, unlike Thomas, James is trusted to take trains out of the station. But in between those trains he was largely stuck with the shunting. (In "Troublesome Trucks" his tricky goods train appears to go as far as Maron or Cronk? Not traversing the whole line, not yet.) Troublesome Engines says of course that Gordon and Henry had to step up, and also that Edward helped when he was available, but I think it's pretty obvious who was a) actually a Tidmouth engine and b) the newest Tidmouth engine and c) the smallest Tidmouth engine. (To add to this brief period in James's life, I note that the train that pushes him down the hill at the end of TTTE might well be—da dum da dum!—the same train that Thomas lost control of in the previous story. How's that for literary repetition, eh? Anyway, point being, James might have been expected to fill in Thomas's old role on the NWR from the very start.)

During Thomas and Bertie's chase, James is seen in an illustration with a goods train on Thomas's line! Now you can explain away one random illustration if you want, but it does make a lot of sense that in 1948 Thomas might need help running goods on his line—this would have been after the useful working lives of the Coffee Pots, but before Toby (and way before Percy) join the line. So yeah, until Toby's arrival James might have pitched in on Thomas's line fairly often. It's a nice detail. It might have gone all the way back to the '20s or whatever. Certainly James would have been grateful to Thomas for rescuing him so he was probably happy to do it... at least for a while...

Let's talk main line stopping trains. I have a bit of a headcanon here, though it's built on the slenderest of canonical reeds which is why I'm not calling this bit an analysis. We see James with a lot of these stopping trains but in my personal canon I've decided that all such trains we see him on in this era ("Dirty Objects," "Old Iron," "A Close Shave," and maybe "Henry's Sneeze") are 'the Limited,' which I take it is a semi-fast that stops only at major stations (places like Knapford, Wellsworth, Cronk—maybe Crovan's Gate though that seems to leave CG, like, absurdly well-served). No all-stops for James, thank you! Well, occasionally he gets stuck with one but usually that's beneath him.

Sadly for him, throughout most of the '50s goods are clearly not beneath him. If I am right that in passenger work he specializes on the semi-fast, he has no such luck in goods work. "Dirty Objects" has that wonderful description making it clear how much James hates slow good trains but I suspect those are his bread and butter for years to come. Certainly he's in the midst of another such assignment a year later in "Old Iron"—and in that story it is also made clear that, not only does he have to stop at each station to pick up or drop off trucks, at most of these stops he has to do his own shunting. This sounds like it probably takes most of his damn day. The day described in "Dirty Objects" of one morning passenger service followed by one of these endless slogs is probably pretty typical for James in this era.

In the early '50s at least, this routine gets broken up—occasionally—only when there is a need to cover the Express. The '50s were a good decade for it, as, in addition to Gordon's regular need for "rest" or maintenance, James also gets to score big with Gordon's unplanned trip to London and Gordon's lengthy punishment following the Ditch Incident. Jackpot, baby!

[Time-Sensitive Alert: There Is A Tram Engine Blocking Your Line]

I assume all James's appearances at the junction with the narrow-gauge gang are when he's taking an Express. Or maybe some sort of Limited? But it's... fairly consistent that Tidmouth engines are not just randomly on the eastern end of the line unless they're taking some sort of major train—I presume that any of the humdrum 'Locals' on the eastern side are taken care of by Vicarstown engines.

The '50s are when we get the most complete picture of James's working days. I reckon it changed, however, towards the end of the decade. Along with the other 'eight,' our boy's fame is on the rise throughout the decade and I think James effectively parlayed this into doing more passenger work, taking advantage of what was surely a rise in tourism to the island. At some point James is merely picking up the slack when it comes to heavy goods—and then. Then! Donald arrives. Bringing a twin with him! I tend to think at this point James was pretty much relieved from the goods work he had hated for so long completely... for, like, a month or two. Then Donald had to be repaired after his totally-accidental signalbox adventure and TFC observes ruefully that "James will have to help with the goods work... he won't like that!" Surely not, but I think the thing was, when TFC got an unexpected 2-for-1, James was immediately released from that stuff. God, no wonder that by the final story he was so keen for both twins to stay on! For that matter, I also reckon that James was usually tapped for snow-removal duty during winters before the Caledonians came. Really they were a godsend to him in his effort to rise above his station. Ye're welcome, laddie.

Seriously. For the rest of the Wilbert Awdry books, I can't find another instance of James doing goods work. *shrugs casually* Now, Awdry was also giving James far less screen time at this point so you can say definitely say there's not enough data to draw meaningful conclusions. I however prefer to think it was no coincidence but rather a logical effect of recruiting Duck, the Caledonians, and the diesels of the '60s. It makes sense. Heavy goods would have only been getting heavier. Not that it was impossible for James to keep up, but if you have some modern diesels and two Scottish goods engines who love to work together as much as possible then, you know. Why keep forcing James into that role?

I admit that Christopher Awdry fucks up this trajectory. Sigh. Sometimes he is soooo thoughtful about his timetable choices but other times I think he just defaults to some of the most obvious franchise tropes the same way a TVS writer would. It's maddening.

Anyway yeah, I concede that as soon as we see James again in '84 he's taking goods. He's also complaining about having to shunt his train, saying that this should be Donald or Douglas's kind of work, but the twins were both called away to help on Edward's branch line on that particular day so the field is open for James to have his karmic story ("Crossed Lines"). Now you could make a plausible case that what James says when he's grumbling is not to be trusted as gospel truth and that he's exaggerating the degree to which this is now true but I'm inclined to take it at face value.

At any rate, for all the rest of the series, James is seen (when he is seen) taking passenger trains, including at least one turn on the Express in '92/'93, except on a few occasions:

1. Filling in while Henry is in overhaul on the Flying Kipper

2. Working some sort of special job repairing rails along with Donald and Douglas in the final book. Notably he expresses on the last day (well, the "last" day, or so they all thought) that he's looking forward to it being done so he can hopefully go back to passenger trains, but he is remarkably chill throughout the whole story and causes zero (0) drama at all. And you thought Gordon was supposed to be the only RWS character to show growth. Mwahaha!

In short, I suppose when you add in the Christopher Awdry era (you know. if we want to) then it's no longer clear whether James is really doing goods work and odd jobs significantly less or whether he's just bitching about it less. I'm inclined to think Both, however: He's called upon for it less often than in the pre-Caledonian invasion days and therefore he doesn't chafe and bitch nearly about it as much when he is.

Much like we let TVS confirm/fill in the gist of Edward's latter-day career, I feel like we can take similar cues for James. I'm thinking here mostly of the Brenner era, especially *drumroll please* "SOMEBODY HAS TO BE THE FAAAAVOURITE!" vibes. Well, I'm not so sure James is really going around singing his smokebox off (... though it's cute ngl...) but I do think it's true that he is, in general, picking up a steady enough supply of "good" jobs that his ego is pretty well fed. Which is honestly a much better way to manage James than to try desperately to teach him humility, if you ask me.

I'm not sure how useful a proposed timeline will be but it seemed to be some people's favorite part of the last such post I did so I'll give it a try.

1925 — goods trial, first day cow-field crash

1925 — overhaul

1925 — passenger trial, bootlace incident

1925 — station pilot and local goods (western end of line only)

1925 — allowed back on passenger trains, also western end of line only

1928 (or whatever year you allow for the strike and Percy's arrival, which is somewhere between '25-'35) — shifts to a longstanding pattern of morning stopping passenger train (I proposed the Limited, to Cronk and back to Tidmouth) and then has a slow heavy goods out of Tidmouth (this requires stopping and shunting at many stations and takes the better part of the day), probably tacks on an evening passenger service too

1939-1946 — I do think wartime disrupted James's schedule. Ironically I tend to think he got a lot of passenger services, including regular charge of the Express to free Gordon on heavy coal and war materiel trains, but the work was all non-stop hell and Vicarstown certainly and probably Tidmouth also got blitzed so it's not like he got to enjoy it. Troop trains were also probably a James specialty.

1960 — James transitions out of heavy goods work and his longstanding timetable of Limited + slow goods + evening commuter service is changed, probably to something featuring more passenger trains than previously. Fitted goods are definitely an option to replace his hated slow goods assignment.

2010-11 — James picks up a months-long assignment helping with some sort of line repair. Notably it seems to be during the late winter/early spring "off season," so my guess is that he took his usual commuter services but that during the summer and holidays James is also taking frequent specials. It's during that chunk of his "busy season" timetables that he is pulled for stuff like this in the off-season—no need to find coverage for him.

You'll notice the 1920s were suuuuuuper eventful but also only a blip in James's life.

Which is the exact sort of thing that I think we so often forget. They've all lived so much more life than their little highlight stories that we're privy to.

[cherryrockpops]

OTP: Caught In Your Orbit - Brief Explanation on our Alternate Universe

I realize from the way the comic panels start off, and from what fans know of the Cyberpunk 2077 universe, that there will be some questions on things you don't see. For example why is there no cyberspace Johnny in all of this? So this post is to clarify a few key details about this Universe along with wanting to give fans of the OTP a bit of character backstory.

To start things off:

Johnny is 100% dead. He did not survive the bombing of Arasaka Tower and his mind was never copied onto a shard. Reason for this is so our V isn't on borrowed time and we didn't have to try and RP his malware ass

Even though there is no Relic to steal, Jackie still unfortunately perishes during a high-paying gig around the same time the original gig would have happened.

Kerry meets V through Rogue's recommendation rather than V paying a visit to Kerry on Johnny's request.

This world does include other OC appearances but overall all OC's, including Nick and Virgil, have their own sperate timelines/worlds. What happens in this one doesn't need to accurately match the original world they come from, including NPC's like Kerry, Rogue and Dino.

I might be missing a few others but more will be explained as the story progresses.

Character Backstories! (or at least what you need to know for now)

Kerry Eurodyne

Most of Kerry’s story is the same as in-game. Kerry’s career path still goes from being a Samurai band member to a Rock Star Soloist. He gets married, divorced, and has that issue with UsCracks and his manager. In our world, we have expanded his character to be more of a family man where he would fret over you skipping meals or not sleeping properly. His biggest regrets in life are losing Johnny when he should have held on, and choosing his career over his kids when Louise blackmailed him. Kerry misses both dearly and he hates himself for not being strong enough when it mattered most.

Virgil Avara

Our official “V” in the story and @sammysilverdyne OC. Corpo-born, Virgil grew up in a tough environment that pushed him to succeed, where only the strong would survive and the weak would perish. Luckily though, Virgil never lost touch with the compassion and mercy within his heart and with the help of his best friend Jackie, left the Corpo life behind. From there the story plays out the same, minus how Jackie dies, and after Jackie’s death Virgil goes into a long period of mourning. It's not until the rent comes due that Virgil finally starts working again but strictly as a solo player, never taking on a partner even if it would make the job that much easier.

Nicolas B

Nicky first appeared in Kerry’s life back when Samurai was just a back-street band. He was their on-call roadie, taking care of their equipment and handling other day-to-day tasks before they signed on with Universal. They didn't meet back up again until Nancy's trial. During their time apart, Nick had become a hired mercenary, specializing in infiltration along while hustling his own custom tech for extra cash. He was the one who introduced Rogue to Johnny, and it was him Johnny first went to when the Rockerboy wanted to launch an attack on Arasaka. After the Arasaka Tower bombing, Nicolas disappeared without a trace and was presumed dead by those who knew him… that is until 50 years later when Virgil catches him skulking around Kerry’s villa. It is not revealed yet where he was during that time nor why he appeared now, but it is revealed that he goes by a new identity. B, a notorious arms dealer in Night City's underground market.

[naryrising]

Hi there! I'm sorry if you've answered this before, but how did you get involved volunteering with AO3, and what's it like? I'm a current MLIS student and it's something I'm interested in doing in the future. Love your blog!!

I got involved in volunteering with AO3 in 2010, when you could get involved by saying "Hi, I'm interested in helping out" to the people you probably already knew from other fandom spaces, and they would give you some work to do. It was much a smaller team then and there was enough of everything to do that basically anyone who wanted to help out could do what they felt like working on. So I can't really recommend my way of getting involved, as it doesn't exist anymore.

But if you do want to get involved, keep an eye on when recruitment opens up for various teams. This will always be posted in multiple places: the news page, AO3's official twitter and tumblr accounts, and the Transformative Works volunteer page. Pick whichever one appeals to you/is easiest for you to keep up with, and keep watch on that. Pretty much every month there will be some team that's recruiting (other than in December, we don't recruit in December). Some large teams (like tag wrangling and translation) typically recruit about 3 to 4 times a year, but they often have specific things they're looking for, such as particular language skills, familiarity with specific fandoms, etc. Smaller teams may only recruit once a year.

If you see a position you would be interested in, jump on it and apply quickly. Applications are almost always capped (for instance, will close after 50 applications are received, or whatever number the committee is able to review), so if you take a few days to think about it, you may miss your chance.

The first secret I'll tell you is, once you're involved, it's much easier to find other ways to be involved. So if you really want to be, idk, on the Open Doors team, but they aren't currently recruiting or you don't manage to apply in time, try applying for Support. If you want to do graphic design but what's open is tag wrangling, apply for tag wrangling. Now, I'm not suggesting you apply for something just because you want to jump ship to another team as soon as possible, or for something you're going to dislike doing - that will just make people annoyed, and won't be a good experience for you either. But what I mean is, internal movement around various committees can happen much more easily than external recruitment, and often outside of regular recruitment rounds. For my part, the Support team recruits externally once a year, usually in spring, but if someone who's already gone through training as a tag wrangler and has been successfully doing that for a few months comes and talks to me about their interest in also trying Support, I'll likely be willing to take them on outside of regular recruitment season. Familiarity with one team's processes and procedures helps make you a better deal for another team, if you've already proven you can do the type of work we do, and other chairs are willing to vouch for your reliability/enthusiasm/ability to get along with others.

The second secret I'll tell you is that the most important characteristic for a volunteer, and the most impossible to train for, is time/energy/willingness to sit down and do the (sometimes unfun, often unrecognized and unrewarded) work. In my position as Support chair, I can look for people who have, say, previous tech support experience, and that's great, they probably have useful knowledge they would bring to the role. But knowing whether they have the right temperament to do a part-time job without extrinsic motivation (no pay; no boss standing over your shoulder to make you work) is more important. I can teach people the technical knowledge they need to have. I can't give more time, motivation, or energy to someone who doesn't have the personal headspace necessary to come home after work/school and sit down and do more work. So if you are interviewing for a volunteer position, the thing you most need to convince them on is your willingness and enthusiasm to do the work. Some things I look for include: does the person reply promptly to emails? Do they follow instructions well? Do they show up on time for interviews/training, or do they communicate with me if they need to reschedule to another time? Do they complete requested tasks in the requested time? All of those tend to be promising signs that someone is likely enthusiastic and responsible enough for a position like this.

[gravesaint]

hi! when i read your post i got so excited bc the whole reason I went back to school (first time in 4 years, since high school!) is to become an archivist and work in a queer archive and help bridge those gaps and educate young ppl abt our history. do you mind answering a few questions of mine about how you got your job? what kind of program were you in, what did u major in, how did you end up working in a queer archive, what’s your job like? I could DM also!

Hello! Thanks for the ask!

So in undergrad I actually majored in art history because I knew I wanted to do some kind of museum/memory institution work, but wasn't really sure what (I went back and forth between curation, conservation, education, etc.). I also got a minor in museum studies!

I then went directly into gradschool because I got lucky with scholarships, and last spring I completed my master's in museum sciences. That program had three different tracks (administrative, education, and collections care), and I went down the collections care track since that aligned most with my desire to do archival work. I also interned in a few different areas at a local museum, and my work with their digitization department is what really cemented the fact that I liked working with collections.

Once I finished my master's, I was actually just on the job hunt when I decided to volunteer at my local equality center as a way to get out of the house and stay active in the community. I started by cleaning out their closets sdhfdjfhd

The volunteer coordinator saw in my email signature that I had a master's in archival and collections care and asked if I'd be willing to look at their history project room (literally a room full of 50+ years of materials that no one had ever organized). They had tried to put together an archival plan for it about 20 years ago, but the project just never took off.

I started by just going through everything and coming up with a preliminary plan for how to start managing the space, and I volunteered once a week for a few months just working on that. Over time my plans got more and more complex and I started treating the position like an actual job because I'm bad at setting boundaries lol. By this time I had actually landed a paying job working at a museum gift shop (not a lot of museum opportunities where I live currently, so I had to take what I could get and it pays the bills).

I spoke often with one of the center's main patrons (an older gay man who has done a lot of philanthropy in my city), and we eventually worked out an agreement for turning what I had already been doing into a paid position. I had already been doing work way beyond the scope of a volunteer (I did a lot of work on our online catalogue while at home or at my other job), and because I kept a record of all the work I had done and projects I had started, it was easier to pitch the idea of a full-time position to the organization's president.

So overall, I came into the position in a kinda unconventional way tbh. But luckily everyone at the center actually values the history and the work I've put in, so they saw the value of hiring me on officially. There are definitely easier ways of getting into archival work, but that's how it happened for me sjdfjdfh

As for what the job is actually like, I detail that in this ask!

My closing advice:

Have better workplace boundaries than me.

Look for ways to apply your skills in unconventional places (I never thought I would be making a career somewhere outside of a museum).

It can be daunting, but try to get as much experience under your belt while still in school as you can (via internships and volunteering), because it helps grow your confidence and it'll be easier for you to promote yourself and your work in the future. Unfortunately most internships probably aren't going to be paid, which is bullshit, but they really do help once you're out of school.

Develop a cocktail of autism, adhd, and ocd that makes you really good at building organizational and archival systems from the ground up (not actually required because chances are you'll find a pre-functioning archive that already has basic protocols in place).