#(it is also. by and large. googling all your problems.)

[you-have-made-a-fatal-error]

need to shell out for a new laptop before the end of the year - for a lot of reasons but mainly bc support ending for win8.1 makes fixing the current beast rather pointless :/ (and. admittedly. there is a lot to fix. she's old and she has suffered.)

but my current beastie is from the last gen of laptops with a disc drive and the thought of using an external/usb disc drive is enough to make me cry tears of blood

[protoctist]

everyone will tell you that bioinformatics / data science in general is by and large mostly data wrangling. they are correct. and sometimes you will bash your head against a wall and give up such that the data wrangling is literally just copying and pasting and control-f'ing an excel file a million times until you are on the verge of tears

[pro-sipper]

Antis think that proshippers claim fiction can never affect reality when really what we say is, by and large, "fiction is not reality".

If there's one group who has a problem understanding this, it's antis.

"If I tell you to kys then it doesn't matter bc it's just words". Incorrect. You are directing your vitriol to a real human being that just happens to be behind your screen

"If I post a pic of your house from google maps it doesn't matter bc it's just pixels on a screen". Incorrect. The house exists in real life, and the person who lives there is a real person that you are threatening

"If you enjoy this content in fiction, why not just look it up in real life? The dark web exists and you can find what you enjoy there". Incorrect and also extremely sick. Characters in a story are not real and cannot be hurt. You are urging someone to give up writing fiction in favor of seeking out content of real life people being hurt and exploited because you think "hurting" fictional characters is worse than hurting a human being

Antis are the ones who have shown time and time again that they literally cannot tell the difference between fiction and reality, and they insist on projecting that onto those of us that can.

These examples are all lifted directly from posts I've seen in my time on this blog. If I had more time rn I would hunt them down and link them all, but in the meantime, if anyone has the links on hand, feel free to add them!

[tragedynoir]

— introducing 015: PRIVATE EYE + [ link ]

a warm, nostalgic google doc template inspired by private detectives, and crime investigation! this template follows the collection of information on your muse from the lens of a private detective, through things such as letters, newspapers and official medical documents. this template features space for long writing as well! this premium template and a full page-by-page preview can be found in the link above or in the source link.

features:

8 unique 14" x 8.5" pages, all with hand-crafted full-page background images

short and long sections, an extra long backstory section, and multiple spaces for pictures

a large array of thematic page types and elements — letters, post-it notes, newspaper clippings, and evidence sheet which can be used to include ooc information or give more atmospheric depth to the template

some elements (muse pictures, text on backing post-it notes, date on envelope, and items in evidence ziploc bag) that can be customized in google drawings

terms of use:

you may edit to your heart’s desire. Change the colours, replace, add or remove elements and images etc.

you may remix pages with pages from my other templates.

you may not remove the credit from the templates.

you may not copy, sell or redistribute my templates whether wholesale, in part (i.e. taking out certain pages) or remixed (i.e. modified).

you will also receive an additional guide with images on how to use and edit google doc templates! if you have any problems or issues, feel free to leave an ask or join our discord server.

this was so much fun to make, but took so much time to put together. I'm really proud of it so I I hope you like it! as always, I appreciate all your likes + reblogs. ♡

[impish-baby]

which of your familial yandere’s do you think would best handle a moody teenager? I’m definitely a fan of the fics where the reader is cute and obedient but I never see much for the older agere’s 😭

This ask is so cute- apologies if I made teen regressor! reader too stereotypical, I just found it funny

Valerian: wants to be a cool parent so bad but they're old-

They do not care for most modern technology but they're sitting there with their reading glasses trying to google all the current lingo and what's hot with the kids these days, will definitely come up to you asking why your generation is into certain things (boomer but times 10,000, they've been alive centuries)

It's a good thing for you if you're into certain alternative fashions because Valerian's wardrobe is stocked full of choices for more goth or lolita looks! They never mind sharing, they're more than happy to have you giving their pieces another life (maybe will be a little miffed if you decide to use something for a DIY without asking first, but they get over it fairly quickly and immediately turn to fawning over your work)

Tentatively let's you go out to concerts and different things, with a chaperone of course! They will not hear any moaning over you being old enough to go by yourself, you're still their baby and need someone to make sure you're safe! (Don't think you'll make any friends though, for some reason everyone avoids you like the plague..)

Rowen: does not stop talking about when he was in a band in high school, you could like a totally different genre of music and he still chats about it because he's (admittedly poorly) trying to connect with you

He's dealt with two other kids before, so attitude problems are no stranger to him! He never takes anything personally, but will threaten to take your door if you keep slamming it (never actually does, he just finds it to be the most annoying part) I think he'd get you lots of journals and self help books just because he knows how difficult and large emotions can be at that age

Unfortunately, you're still not allowed to go anywhere unless you're willing to make it a family trip! None of his kids are allowed in town without him, and sneaking out isn't really an option when he (not to mention your siblings) can out pace you easily. You'll get locked up in the den for the effort though :p

Sylvia: She... does not do well with teen regressors (._.) She tries her best of course, but is very used to babies/toddlers

Her first thought when you're in a mood is that you're throwing a tantrum and she'll start to treat it as such, which does the opposite of helping because it just feels like she's making fun of you-

She messages her coven apologizing for her own teen years..

Eventually, figures out that things go smoother if she takes on more of a big sister role instead of a motherly one. Is very much into gossiping and watching TV together (still doesn't let you watch anything too 'inappropriate', she frowns anytime there's even a mild curse)

Thoren and Rune: *sniffles* they grow up so fast.. they're both sad about their fledgling deciding they're oh so mature and broody

Rune has a habit of mimicking you, annoyingly enough. The deep sighs, eye rolls, he finds it funny how much it bothers you (and despite your efforts, he can tell you also find it humorous sometimes, no feeling escapes the bond)

They mandate cuddling, not that they didn't before, it's just worse now that you act like you're too good for some snuggles from your sires! It doesn't matter how much you fuss about it, you're being dragged into the nest one way or another

My personal ranking for this group best to worst is: Rowen, Thoren and Rune, Valerian, and lastly Sylvia

[mostlysignssomeportents]

No, “convenience” isn’t the problem

I'm touring my new, nationally bestselling novel The Bezzle! Catch me in CHICAGO (Apr 17), Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

Using Amazon, or Twitter, or Facebook, or Google, or Doordash, or Uber doesn't make you lazy. Platform capitalism isn't enshittifying because you made the wrong shopping choices.

Remember, the reason these corporations were able to capture such substantial market-share is that the capital markets saw them as a bet that they could lose money for years, drive out competition, capture their markets, and then raise prices and abuse their workers and suppliers without fear of reprisal. Investors were chasing monopoly power, that is, companies that are too big to fail, too big to jail, and too big to care:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

The tactics that let a few startups into Big Tech are illegal under existing antitrust laws. It's illegal for large corporations to buy up smaller ones before they can grow to challenge their dominance. It's illegal for dominant companies to merge with each other. "Predatory pricing" (selling goods or services below cost to prevent competitors from entering the market, or to drive out existing competitors) is also illegal. It's illegal for a big business to use its power to bargain for preferential discounts from its suppliers. Large companies aren't allowed to collude to fix prices or payments.

But under successive administrations, from Jimmy Carter through to Donald Trump, corporations routinely broke these laws. They explicitly and implicitly colluded to keep those laws from being enforced, driving smaller businesses into the ground. Now, sociopaths are just as capable of starting small companies as they are of running monopolies, but that one store that's run by a colossal asshole isn't the threat to your wellbeing that, say, Walmart or Amazon is.

All of this took place against a backdrop of stagnating wages and skyrocketing housing, health, and education costs. In other words, even as the cost of operating a small business was going up (when Amazon gets a preferential discount from a key supplier, that supplier needs to make up the difference by gouging smaller, weaker retailers), Americans' disposable income was falling.

So long as the capital markets were willing to continue funding loss-making future monopolists, your neighbors were going to make the choice to shop "the wrong way." As small, local businesses lost those customers, the costs they had to charge to make up the difference would go up, making it harder and harder for you to afford to shop "the right way."

In other words: by allowing corporations to flout antimonopoly laws, we set the stage for monopolies. The fault lay with regulators and the corporate leaders and finance barons who captured them – not with "consumers" who made the wrong choices. What's more, as the biggest businesses' monopoly power grew, your ability to choose grew ever narrower: once every mom-and-pop restaurant in your area fires their delivery drivers and switches to Doordash, your choice to order delivery from a place that payrolls its drivers goes away.

Monopolists don't just have the advantage of nearly unlimited access to the capital markets – they also enjoy the easy coordination that comes from participating in a cartel. It's easy for five giant corporations to form conspiracies because five CEOs can fit around a single table, which means that some day, they will:

https://pluralistic.net/2023/04/18/cursed-are-the-sausagemakers/#how-the-parties-get-to-yes

By contrast, "consumers" are atomized – there are millions of us, we don't know each other, and we struggle to agree on a course of action and stick to it. For "consumers" to make a difference, we have to form institutions, like co-ops or buying clubs, or embark on coordinated campaigns, like boycotts. Both of these tactics have their place, but they are weak when compared to monopoly power.

Luckily, we're not just "consumers." We're also citizens who can exercise political power. That's hard work – but so is organizing a co-op or a boycott. The difference is, when we dog enforcers who wield the power of the state, and line up behind them when they start to do their jobs, we can make deep structural differences that go far beyond anything we can make happen as consumers:

https://pluralistic.net/2022/10/18/administrative-competence/#i-know-stuff

We're not just "consumers" or "citizens" – we're also workers, and when workers come together in unions, they, too, can concentrate the diffuse, atomized power of the individual into a single, powerful entity that can hold the forces of capital in check:

https://pluralistic.net/2024/04/10/an-injury-to-one/#is-an-injury-to-all

And all of these things work together; when regulators do their jobs, they protect workers who are unionizing:

https://pluralistic.net/2023/09/06/goons-ginks-and-company-finks/#if-blood-be-the-price-of-your-cursed-wealth

And strong labor power can force cartels to abandon their plans to rig the market so that every consumer choice makes them more powerful:

https://pluralistic.net/2023/10/01/how-the-writers-guild-sunk-ais-ship/

And when consumers can choose better, local, more ethical businesses at competitive rates, those choices can make a difference:

https://pluralistic.net/2022/07/10/view-a-sku/

Antimonopoly policy is the foundation for all forms of people-power. The very instant corporations become too big to fail, jail or care is the instant that "voting with your wallet" becomes a waste of time.

Sure, choose that small local grocery, but everything on their shelves is going to come from the consumer packaged-goods duopoly of Procter and Gamble and Unilever. Sure, hunt down that local brand of potato chips that you love instead of P&G or Unilever's brand, but if they become successful, either P&G or Unilever will buy them out, and issue a press release trumpeting the purchase, saying "We bought out this beloved independent brand and added it to our portfolio because we know that consumers value choice."

If you're going to devote yourself to solving the collective action problem to make people-power work against corporations, spend your precious time wisely. As Zephyr Teachout writes in Break 'Em Up, don't miss the protest march outside the Amazon warehouse because you spent two hours driving around looking for an independent stationery so you could buy the markers and cardboard to make your anti-Amazon sign without shopping on Amazon:

https://pluralistic.net/2020/07/29/break-em-up/#break-em-up

When blame corporate power on "laziness," we buy into the corporations' own story about how they came to dominate our lives: we just prefer them. This is how Google explains away its 90% market-share in search: we just chose Google. But we didn't, not really – Google spends tens of billions of dollars every single year buying up the search-box on every website, phone, and operating system:

https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task

Blaming "laziness" for corporate dominance also buys into the monopolists' claim that the only way to have convenient, easy-to-use services is to cede power to them. Facebook claims it's literally impossible for you to carry on social relations with the people that matter to you without also letting them spy on you. When we criticize people for wanting to hang out online with the people they love, we send the message that they need to choose loneliness and isolation, or they will be complicit in monopoly.

The problem with Google isn't that it lets you find things. The problem with Facebook isn't that it lets you talk to your friends. The problem with Uber isn't that it gets you from one place to another without having to stand on a corner waving your arm in the air. The problem with Amazon isn't that it makes it easy to locate a wide variety of products. We should stop telling people that they're wrong to want these things, because a) these things are good; and b) these things can be separated from the monopoly power of these corporate bullies:

https://pluralistic.net/2022/11/08/divisibility/#technognosticism

Remember the Napster Wars? The music labels had screwed over musicians and fans. 80 percent of all recorded music wasn't offered for sale, and the labels cooked the books to make it effectively impossible for musicians to earn out their advances. Napster didn't solve all of that (though they did offer $15/user/month to the labels for a license to their catalogs), but there were many ways in which it was vastly superior to the system it replaced.

The record labels responded by suing tens of thousands of people, mostly kids, but also dead people and babies and lots of other people. They demanded an end to online anonymity and a system of universal surveillance. They wanted every online space to algorithmically monitor everything a user posted and delete anything that might be a copyright infringement.

These were the problems with the music cartel: they suppressed the availability of music, screwed over musicians, carried on a campaign of indiscriminate legal terror, and lobbied effectively for a system of ubiquitous, far-reaching digital surveillance and control:

https://pluralistic.net/2023/02/02/nonbinary-families/#red-envelopes

You know what wasn't a problem with the record labels? The music. The music was fine. Great, even.

But some of the people who were outraged with the labels' outrageous actions decided the problem was the music. Their answer wasn't to merely demand better copyright laws or fairer treatment for musicians, but to demand that music fans stop listening to music from the labels. Somehow, they thought they could build a popular movement that you could only join by swearing off popular music.

That didn't work. It can't work. A popular movement that you can only join by boycotting popular music will always be unpopular. It's bad tactics.

When we blame "laziness" for tech monopolies, we send the message that our friends have to choose between life's joys and comforts, and a fair economic system that doesn't corrupt our politics, screw over workers, and destroy small, local businesses. This isn't true. It's a lie that monopolists tell to justify their abuse. When we repeat it, we do monopolists' work for them – and we chase away the people we need to recruit for the meaningful struggles to build worker power and political power.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/12/give-me-convenience/#or-give-me-death

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[avaf00rd]

Fridge

Little shits pt 2

Kyra Cooney cross x teen!reader (platonic)

actually finished this shockingly quick. (Not proof read). Submitting it now and going to sleep. So it’s bad.

I had a Leah fic that was pretty good but then half didn’t save in the draft. And rewriting is the worst. I’ll try to get back into it tomorrow if I can promise.

Enjoy bbys

——————————————-

“shit.” Kyra blankly said as she made a huge dent in the mcfoord new fridge. Don’t ask how.

“How the fuck did you manage that!” You exclaimed checking out the massive mark left right in the middle of the fridge.

You and Kyra had been in Baylor against Katie and Caitlin for a few weeks now. It was hilarious to all of you. You were also all getting great content for the Arsenal new YouTube channel where different players would do vlogs of game days and other activities.

“Ok everyone Kyra just broke the fridge” you sighed running your palm over your forehead looking back into the camera

“It’s not definitely broken. We can just undo it” she said. You grabbed the camera to point it towards her raising one eyebrow.

“It’s as big as a bowling ball” you said. Kyra turned to you and the camera with a blank expression.

“I say we grab the toilet plunger.” Before quickly getting up to find it.

“If I were Katie I would rather have massive dent on my fridge then have the fridge smell like my own shit.” You sighed as u sat down on the stool. You two were truly truly fucked this time. Some of your pranks included putting pictures of drunk Caitlin all around every second cubby at the training grounds. This round it was slightly lighter by super gluing the lids to their foods in the fridge. Lame right? Kyra somehow managed to pick up a random pot and accidentally charge it straight into the fridge. You forgot about the camera as you were lost in thought thinking about how badly you fucked up this time. Brand new fridge for their brand new place. It was over.

“Ok no plunge but I did some googling. We just need an ice cube” you guys were the definition of blind leading the blind. So of course you grabbed an ice cube and placed it on the large dent 10 times its size. “Is it working” Kyra asked holding the camera towards you and the ice cube. You slowly turned your head around to face her wiht a blank expression reading no you fucking idiot.

A knock on the door made you both share a look of panic. “The pantry” Kyra pointed intending that you just run away from this problem.

“No dumb ass” you said before getting up and walking to the door. You were nearly 100% it wasn’t Caitlin and Katie as you walked the hallway before twisting the handle.

“Hey tiny” Leah said in surprise to find you here.

“Hey Leah”

“What on earth are you doing here” she questioned

“We need your help” you said hopefully. Kyra peaking around the corner to be seen with a sad smile and a nod. Leah slightly chuckled before following you down the hall. Where you stood from afar with Kyra pointing to the fridge. Leah just bursted out laughing.

“Shit you did this” she chuckled checking it out.

“Yes what do we do!” You slightly yelled. Kyra still in shock from what happened.

“Don’t worry about it. They might be mad but Katie was telling me a new fridge and oven was arriving so it doesn’t really matter-“

“This is the new fridge!” Kyra exclaimed

Leah jaw slightly fell “you’ve truly done it again children”

“Leah please answer. What do we do?” You asked desperate for help.

“We wait until they get home” she said softly before filling up a cup of water for herself and sitting at the dining room table on her phone.

You waited around 20 minutes doing nothing. Kyra on her phone, probably researching how to fix it. And you now just sitting next to Leah looking out the window. It might not seem like a big deal. But a brand new expensive fridge, with a possible non-fixable problem was defiantly a big deal to your young minds. You just had a plan in your mind. Offer to pay to fix it. If you can’t fix it. You and Kyra will go halves on a replacement. Kyra tried to rebuttal when you brought up that plan, but quickly shut up when she realised it was the only option.

This was amusing to Leah. The panic in your faces made her laugh. The whole team was just waiting for something to go terribly wrong.

“Let me get this straight you were trying to superglue all of their food? Aha! That’s good” Leah exclaimed with a goofiness in her voice. You and Kyra just sat their blankly. Kyra soon chuckling at the thought of how this whole situation is kind of funny.

A rattle of keys on the front door made your heart completely stop. “Oh hey Leah. And girls. Oh shit what did you do” Caitlin asked with a smirk on her face kind of ready to see the next prank. Just so she could then plot her next one.

“Ok ok so” you put your hands on both their chests before they could walk much further. “We were doing a light hearted prank right. Then we made a mistake. Dear Kyra here-“

“-we both made a mistake ok! We are very very sorry and we will pay for this.” Kyra said. You both stood in front of the three older girls with your hands behind your backs. Apologising like a five year old who just stole lollies.

“Huh” Katie said confused towards the girls, while Caitlin walked into the kitchen to put her bags down.

“Kyra Cooney cross!” There was a yell across the flat. A somewhat fuming Caitlin voice coming from the source. Katie quickly following to see.

“It wasn’t just me!” Kyra quickly defended in panic.

“You did this!” You said to Kyra . Then looking at the two other girls

“I’m gonna head” Leah waved before leaving behind all of you.

“I’ll pay to get it fixed. Even though I didn’t do it” you said to them. Mumbling the last part, targeted towards Kyra.

“Bet your ass you guys will” Katie said

“This is new” Caitlin said looking at the fridge

“That we both know. And we are very very very very sorry a million times” Kyra said pointing between the two of you. You just nodded next to her.

“Sleep with one eye open. Next one will be serious” Katie said smirking. Plotting her next prank.

“You two can go” Caitlin waved you and the 21 year old off. Kyra nodded quickly zooming down the halls.

“Send me your bank details!” You said before walking out. Forgetting the camera on the bench. You went to grab it before heading out again.

“Bye gooners!” You said. Before turning the camera to Kyra who was waiting for the elevator next to you. Who turned around and poking her tongue out.

[desertsanctuary-blog]

I'm quite curious about your view of monsterkind. Because from what I've seen so far, I see that you hold a rather negative perspective on them, which is understandable considering what happened to the previous six souls. But I feel like this point of view ignores quite a few things shown in canon, like the fact that, according to you, humans have "forgiven" monsters and don't seek war, but monsterkind does, and that because of this, monsters are wrong. This overlooks the fact that while monsters do live in a relatively functional society, they still have a considerable number of problems from living underground. They weren't sent there out of mercy. The war was literally a massacre by humans, and they were sent underground to rot. They survived almost by miracle. Their main power source (the core) has to be constantly cooled manually, otherwise it would literally explode, killing them all. All the technology they've developed has been built solely thanks to the garbage humans leave there, and the general environment isn't good either. Many monsters tell you, when you talk to them, that they feel trapped and sometimes hopeless because of their situation. In addition to this, there's the fact that their entire view of humans is based on their history (the consequences of which still affect them), a history that not only mentions that humans are much stronger than them in almost every way and that they are evil in every way, but also that said vision and history are everywhere, in books, legends, and on walls. Aside from all the monsters being blamed for celebrating the deaths of children, when it's explicit in the game that most don't even know what humans look like (Undyne and Alphys literally only have the anime as a reference, and in it, there may be 500-year-old characters who look 10). Adding to this, one can justify the hatred by saying that they wouldn't have to be afraid of Frisk as an infant, but the fact that the genocide route exists, where we literally hunt them down without any problems despite Frisk being just a child, shows that they do have something to fear. I'm sorry this is so much text, but I had this whole argument stuck in my head and had to get it out, haha. +Just to be clear, I have nothing against your au. I like your interpretation of Ut and UTY, especially your treatment of Asgore and his actions, but I've seen more and more people justifying their hatred of monsters and the genocidal route with arguments that, if applied to the real world, would deserve one or two cancellations. TBF, you don't have to answer all this if it's just bothering you. It was a lot of text, and I just wanted to vent. I blame Google Translate for any spelling mistakes 👍

Please, next time you write such a large body of text, use paragraphs. I'll try to respond to your points, but I am definitely going to miss some.

Onto the topic. Don't get me wrong. I feel bad for the Monsters. They didn't deserve to be locked under a mountain for a thousand years. Keep in mind that 'Undeserving' does NOT mean 'Innocent'. Far from it.

Why did the War happen?

A common misconception in the fandom is that the human attack was unprovoked. That cannot be further from the truth. Monsters have a surprisingly detailed knowledge of what happens when they absorb one or even multiple human souls. There's even an ancient drawing of the result in Waterfall.

Odds are, some power-hungry Monsters were trying to harvest as many souls as possible. Even if they didn't know the exact number, enough souls would eventually lead to being capable of effortlessly wiping out all life on the planet. As a result, medieval humanity decided that the best course of action was to remove any possibility of such a threat existing.

Are current humans guilty?

You said that I claimed that humans forgave Monsters. I never said such a thing. Humans forgot Monsters and the war. Modern humanity has nothing to do with the war. Punishing them for something they never even heard about, especially with something as severe as EXTINCTION, is wrong.

Are Monsters reliable narrators?

You said that Monster's view of humanity is based on their history. That's not history, that's propaganda. Designed to make their hatred fester and grow with time, rather than mellow down. "Our souls are made of kindness and compassion, but humans have shown us that they don't need those to exist." That is bullshit if I ever heard it. Why do you think the average Monster doesn't know a human if they are right in front of them? They never bothered to educate their young about who and what humans are beyond the war. Even Undyne couldn't tell fiction and history apart.

It's for this exact reason that the Museum exists. It's to show them who we are. Our greatest achievements as well as our failures. That's why Dalv became a scholar trying to decipher the stories of the Fallen Children. To show that they weren't enemies, but rather children scared for their lives. Victims of the situation, Monsters forced on them.

Are Monsters held accountable for their actions?

The reason my view of Monsters can appear so negative is because the way that the fandom and the game itself view them is too positive. Nobody acknowledges their mistakes. The game works too hard to paint Monsters as the victims that did no wrong, even going as far as to claim that Monsters are much weaker than humans, despite all of the evidence arguing that that isn't the case. Undyne literally tells Frisk that their existence is a crime and that the only good thing that they can do is fucking kill themselves, and then we're supposed to act like they're 'besties' after one disatseerous cooking sesstion.

The Monsters never bother to apologise to Frisk for TRYING TO KILL THEM. When Asgore tries, it's played off as a joke. This basically tells me that Monsters shouldn't be held accountable for their actions. The fact that nobody is mad that Alphys mutilated and fused their loved ones together, forcing them to live in constant pain, doesn't help. The fact that all of the major characters in Yellow apologised for attacking Clover is one of the reasons why I prefer them over the originals.

Conclstions

I hope that I was able to satisfy you with my answers. While I agree that the Genocide route is wrong, that doesn't mean that Monsters should get away with their actions scot-free.

[the-fox-in-the-socks]

The Mai Akasaki Mystery Flower - Solved?

feat. a mini-dissection of Mai's name

Hi! I have seen a few people here guessing what the flower on Mai’s tattoo is (mostly camellias iirc)… and I think I have the answer!

I think it’s Ochna integerrima, which is also known as the yellow Mai flower. (Hoa mai vàng is it’s Vietnamese name). Yes, the answer may be that simple: the Mai flower is literally the Mai flower. It seems to match her tattoo and is a very similar shade to her eyes.

(Note: I found most of this information in February last year when I just searched ‘mai flower’ on google and saw the results and was like ‘huh?’ and went down a rabbit hole from there lol.)

The flower has great significance to the Vietnamese Lunar New year, or Tết, short for Tết Nguyên Đán. They are used to decorate homes and are in full bloom during Tết, which is around late January to early or mid-February and lasts for around 7-10 days, which also lines up with Mai’s birthday (February 1st).

(please correct me if I am wrong, I got this information from Google and I am not Vietnamese and have never celebrated this holiday myself!)

There is a legend associated with the flower as well, which I believe might help explain what happened to Mai Akasaki.

https://botanicgardens.uw.edu/about/blog/2022/01/31/lunar-new-years-and-the-legend-of-the-mai-flower/

The following is copy-pasted from the above website:

"The Mai flower is named after a heroine in Vietnamese lore. Mai, a young warrior set off with her father to slay a giant serpent which had been terrorising their village. Mai’s mother gave her a bright yellow áo dài (traditional Vietnamese dress) to wear when she returned, so her mother could see her coming. Sadly, Mai ended up sacrificing her life to save her father from the serpent. Impressed by her heroic feats, the Gods made her a saint and granted her the ability to return home to her parents during the Lunar New Year celebration. After her parents passed, Mai transformed into a tree in front of her family home which blossomed with yellow flowers every year. Over time, the villagers would collect branches from this tree and decorate their homes for Lunar New Year."

And here are two other websites I looked at when researching this story:

https://scootersaigontour.com/legend-of-yellow-apricot-blossom-and-peach-blossom-on-vietnamese-new-year/

https://heritagevietnamairlines.com/en/the-tale-of-the-yellow-mai-flowers/

This leads me to believe that Mai sacrificed herself trying to protect the cast from a large threat, perhaps the mastermind/MonoTV, or sacrificed herself during the HPA operation that @1moreff-creator mentions in their post Everything We Know About Mai Akasaki + So Many Theories – @1moreff-creator on Tumblr. (this post is basically the Mai bible, please check it out!)

Additionally, MonoTV’s Mai-related secret quote “It’s all your fault”, and the second anniversary code with the same message, and some of the other Mai secret quotes talking about her in past tense imply that she has already passed, and that the cast is the reason why, which could mean she sacrificed herself for them... so I don't think she is the mastermind!

Her surname can also potentially provide us with clues.

“aka” means red, the same colour as her hair

“sa” means bloom or blossom, a reference to her flower tattoo

“ki” means hope, and why that is important is pretty self-explanatory if you've seen anything Danganronpa related

and "saki" means blossom of hope

(These are all Japanese meanings. I just used google for these translations, I do not know Japanese).

This means that her sharing the same name as this flower is likely not just a coincidence, but a deliberate choice by DRDTdev.

Submitted Surnames with "red" in Meaning - Behind the Name

Tenma Saki | Project SEKAI Wiki | Fandom

(yes I just cited the project sekai wiki as a source in my drdt theory, I don't know how I got here either)

The only problems with this theory that her flower is a Mai flower (that I know of) is probably the Literature Girl Insane flowers and the flowers in the bonus episodes being different colours. For the LGI flowers they may just be different flowers altogether that are there to symbolise something else, or a different aspect of Mai... I'm not sure. And the bonus episode flowers could just be coloured differently for aesthetic purposes.

tl;dr The flower on Mai's tattoo may actually be called 'Mai', it suggests she sacrificed herself and probably isn't the mastermind and her surname reinforces the idea that her name choice is not a coincidence.

This is my first tumblr post so apologies in advance if anything about the formatting is weird! Also critisism is appreciated, I would love to hear your thoughts on this :D

[jokeroutsubs]

Joker Out Subs: Translating a Band

One of our Slovene members, Breda Hribernik (IG fabriconmyhead), wrote an article about JokerOutSubs in the students' magazine ENgLIST.

From our organisation and translation process to translation choices, Breda explained about JokerOutSubs from a linguistic perspective.

Thank you Breda, we're very proud to have you on our team! ❤️

Article below the cut 👇

Picture this: London, early April 2024. Day four of my solo journey to England. After queuing for several hours (something that would never happen in Slovenia), me and a few of the friends I met just a few hours ago finally made it into the venue: Shepherd’s Bush Empire, built in 1903 as a music hall. The high ceiling and intricate wall decor closely reminded me of the Slovenian National Theatre Drama in Ljubljana, which got us all even more excited for the concert. And after the two opening acts, the main performers finally

made it onto the stage.

There are events in life you expect to happen as if they were a part of a ‘Lifetime Bingo’. Scraping your knee as a child. Having a best friend. Going to college. But I never thought I would ever be attending a concert in London where a crowd of 2,000 would be loudly singing along to songs in my native language, Slovene. And yet that was exactly what I experienced during my Joker Out concert in London.

The band, consisting of Bojan Cvjetićanin, Jan Peteh, Jure Maček, Kris Guštin and Nace Jordan, gained international stardom during and after their Eurovision days. At the time of writing this article, the band had completed two successful tours in Europe, with a busy festival schedule awaiting them throughout the summer. This kind of global recognition is rather unexpected for a Slovene band. However, because most of the band's content is in Slovene, especially their older works, the language barrier can present a problem for foreign fans. This is where JokerOutSubs comes in.

1. General

Joker Out Subs (hereon JOS) is a fan-organised translation group. While translating celebrity content is nothing new, it mostly consists of individuals who translate short clips and post them online. Such translations have, in the past, been seen with K-pop musicians. JOS, on the other hand, is a group consisting of several members from all around the globe, me included. Alongside speaking Slovene, our members also speak languages ranging from Finnish to Japanese. The fan-translation group has one main goal: translating content.

The group was founded in May 2023, after we discovered a desire for translated content. Since then, the group whose main goal is translating different content in connection with the band has only grown and expanded. While a great deal of work is still done by speakers of Slovene, JOS would not be as successful without its other members. Social media managers, makers of closed captions, and editors are just a few people who really bring our translations to life.

2. Translation Process

Our translations have a large audience and, in some cases, they are even used by Slovene language teachers around Europe. We make sure to hold them up to a high standard: they are checked multiple times. Alongside our work being grammatically correct, we also want to ensure that the language remains neutral, in order not to implicate anything which does not occur in the original.

Communication-wise, we have a Discord server with many separate channels (for the various languages) and threads. We use Google Spreadsheets specifically for our translations, as using columns is a manageable approach. Column one contains the original text, column two has the translation. The following columns are reserved for comments.

Our translations are not always as simple as translating a written text. A great deal of the content we translate are either videos, radio interviews or podcasts. With those, creating a transcript is the first step. For videos, we also have to create closed captions with timings. Both of these processes are rather tedious, but the end result is a text ready for translation.

Once the first translation is finished, it is checked by a fellow member. For translations from Slovene, this will be a fellow Native Slovene speaker. The reviewer will correct the spelling, punctuation, and grammar of the translation in the form of comments, which the original translator can then approve or dismiss.

Still, the translation is not done yet. Our Native English speakers conduct the final correction of the text. This is mostly to find mistakes that have previously been missed, but English speakers also reshape the piece to make it sound as authentic as possible. The original translator again has a say in these corrections. Finally, our social media team publishes the piece.

Original translation

Check by Slovene speaker

Check by original translator

Check by native English speaker

Check by original translator

3. Translation Problems

As most of us can remember from our classes, translation is rarely done without a hitch. But when one is translating the work of five men in their twenties with diverse linguistic backgrounds (two members of the band grew up in bilingual environments), the work becomes even more difficult. And when these men use slang in their speech, the skills acquired in one’s university translation classes are almost useless.

One such example is an interview with the radio station Val 202, in which the lead singer Bojan Cvjetićanin talks about one of their departed band-members, Martin Jurkovič (who left the band in autumn of 2022 in order to pursue his studies). Bojan wanted to express that Martin was very successful in his field and therefore used the phrase ‘trga gate’ which does not have an equivalent in English. ‘Ripping underwear’ does not exactly mean ‘to be successful’ in English. As we wished to retain some of the vulgarity of the original, we translated the phrase as ‘kicking ass’.

“…. še je njemu v njegovih osebnih sferah odprlo v najboljši možni smeri, in tako kot rečemo mi, trga gate.”¹

… his personal spheres have taken off in the best possible way, and he is, as we say, kicking ass.

¹Joker Out between dreams and reality (Val 202: Music 202) - Part 1: Bojan and Jan

Alongside slang, dialects can also pose a challenge. As a promotion for their concert in Maribor, the band members organised a giveaway for two tickets. All the participants had to do was write down one of their favourite words from the Styrian dialect, before the band members shared their own. Jure Maček, the drummer of the band, said that his favourite word was ‘Štbljc’, which means ‘bedroom’. It would be nearly impossible to translate the word into English and somehow retain its Styrian colouring. In this case, we retained the original in the captions of the video and added a note with its meaning in English elsewhere. These culture-specific notes need to be done often.

“Štjblc je po moje blj.”²

‘Štjblc’* is better.

*bedroom

²[ENG SUB] 🇸🇮DanSlovenščine🇸🇮 A1 vajb: Joker Out share their favourite Styrian word!

Occasionally, Ljubljanščina, or the dialect spoken in Ljubljana, can also cause problems. In a video for A1 VAJB, Kris Guštin (one the guitarists) mentioned that his dream date would include the castle in Ljubljana, which is the city he grew up in. After listing the location, he said: “pa gasa.” Most of the JOS members understood ‘gasa’ as a narrow street, but it was clearly not used in this context here. After some consultation, we translated it as follows:

“Ljubljanski grad pa gasa.”³

Ljubljana Castle and away we go.

³[ENG SUB] What is your dream date? for A1 vajb

Slang and dialects are not the only elements causing us trouble, as the band members also tend to make up words on the spot. One such word, which luckily uses English word formation, has become quite a staple in the fandom. During the vlog of their first tour in the United Kingdom, the guitarist, Jan Peteh, coined the term ‘sparklative’. In addition, he coined the term ‘capybaster’ (capybara + capodaster) in another vlog. However, the most prolific when it comes to creating new terms and phrases is certainly the lead singer. In an Instagram Live back in February 2023 (translation yet to be published), the band was discussing whether they would prefer to be a mushroom or pregnant. Bojan responded that he would like to be “nosrečen’ (noseč + srečen). On a quest comparable to those of the people who had to translate the Harry Potter book series into Slovene, we had to coin a term which would sufficiently embody this neologism. With the help of a native English speaker, we coined the term ‘pregstatic’.

“Kar zabaven bi bil. V bistvu ej ej... v bistvu bi bil nosrečen.”⁴

It would be quite fun. I'd be basically, hey, hey... I'd basically be pregstatic.

⁴Joker Out Instagram Live (February 2023)

4. Original Content

As JOS expands, our work reaches beyond the realms of translation. We now also publish original content, such as our own podcast. Some episodes are readings of longer articles by our Native English speakers. We also have two episodes aptly called ‘Queue and A’ where a member of our team interviewed some fans while queueing for the concerts in Amsterdam (December 2023) and in London (April 2024).

Besides interviewing fans we have also managed to interview the band themselves on four occasions. Our first interview was filmed in Tampere, Finland in September of last year. Then an interview in Poznań, Poland was conducted in November 2023. In 2024 we have so far had two interviews (as of writing this article⁵): an hour-long deep-dive interview in London, UK and a shorter interview, discussing Italian culture in Padova, Italy. The interviews were conducted in English and subsequently translated into Slovene.

Moving forward, the goal of JOS is to keep on doing what we do best, which is to translate. We also hope to create more original content and continue to spread positivity in the fandom. To finish off with the words of the lead singer Bojan Cvjetićanin, “JokerOutSubs, no one translates it better.”®

⁵Between the time of originally writing this article and it being published, we managed to conduct another interview. This was our first interview with only one band member, Nace Jordan, and it was done in Slovene. Fret not, you can watch it with subtitles in 15 different languages.

[theresattrpgforthat]

do you have any recommendations for games that play well virtually? my main ttrpg group and i are only able to meet over discord most of year. im especially games interested in games that would be good for one shots or no prep/limited prep games

Theme: Good for Online

Hello friend! I have good news for you - I also play most of my games over Discord! My ttrpg group has found a number of ways to make online play easier, the primary way being through dice bots, and making Google Spreadsheets to act as our character sheets.

I like using these because the spreadsheets are visible for everyone who is playing, and can also be edited by anyone who has access to them. I find this helpful because it’s much harder to lose your character sheet, and as a GM, having a copy of all of the PCs helps me when I’m organizing games that need some extra planning. These sheets can also double as a communal journal, where people can take notes of what’s happened so far, making it easier to recap in future sessions.

If you want some Google spreadsheets for your game, I recommend checking out what I’ve made so far, or taking a look at what the Open Hearth Gaming Community has compiled - they have sheets for so many games!

Graffiti Speak, by pidj.

This is a roleplaying game designed to be played on a discord server. The game works well with a set time limit, especially when playing with a large number of players. It also suits asynchronous play-by-post and multiple sessions. Play as Graffiti Artists trying to find each other in an ever-evolving city, avoiding cops and crowds as you leave hopeful messages. 

I have no other information about how this game plays, but my best guess is that this game uses the text channels of a Discord server as part of the play experience. The designer says that the game is good for two to three sessions, unless you use time skips to revisit the same world. Because it’s about avoiding cops I’m curious about whether or not this game might work well alongside another cyberpunk-themed game.

Subway Runners, by Gem Room Games.

Life is tough for the cash-strapped in Pociopolis. Ever since the secret to immortality was discovered, nobody retires anymore! With all the steady jobs taken and no sign of any new ones opening up, there’s only one sure way to make some quick cash: sign up as a Subway Runner and work for the Metro Authority to hunt monsters and repair subway lines below the city.

SUBWAY RUNNERS is a Forged in the Dark game of gig economy adventures designed from the ground up to be played online by folks who are responsibly practicing social isolation. It uses online tools to quickly create random characters, gigs, and adventure details so players can get the ball rolling quickly.

Subway Runners is probably easier to play online than it is in person, because of the number of online-only resources provided by the creator. This includes a character generator, which allows you to move through profiles until you find one you like, as well as a mission generator for the GM, giving you missions, rewards, complications, creatures and NPCs, all in a neat little package. Subway Runners is best suited for one-shots, but if you want to play a longer campaign, it’s possible - although it might take a little extra book-keeping on your part.

A Complicated Profession, by Always Checkers Publishing.

What do bounty hunters do when the galaxy no longer needs them? In this game, they start new careers hosting intergalactic cruises!

Reunite your disbanded crew of jaded sidekicks, shabby droids and shady accomplices. Then pick a hosting role and start a new life together. 

My group played A Complicated Profession online using a series of spreadsheets that I made. It requires d6’s and playing cards, so as long as you have a dice roller and access to the Deck of Cards website, you should be able to play this no problem. This is a no-prep game without a game master: everyone chooses a Hunter Role and a Host Role, and take turns choosing guests, events, and solutions to problems that inevitably pop up when you’re retired bounty hunters.

The game takes more than one session to complete, but it’s still a limited-run game. My group took 3 sessions to complete it, but if you make characters beforehand or do some of the planning through a text channel, you could probably make it a two-session game.

Bones Deep, by Technical Grimoire.

Bones Deep is a tabletop RPG of skeletons exploring the ocean floor.

Built for Troika, usable anywhere. Straightforward underwater sandbox. No swimming allowed, no oxygen required, no extra math. As a skeleton, you can treat the ocean floor like an alien world and jump right in.

This is another game that I’ve made a spreadsheet for, but that’s not the only reason why I think it’s a great option for online play. The digital rulebook has some truly magnificent hyperlinking, allowing the GM to move from section to section with ease. Each section of the book is linked at either the top or the bottom of each page, so you can jump from characters to locations to creatures with just the click of a button.

This hyper-linking allows the play group to just explore as much or as little as they like. The GM can roll for random encounters, and each creature has a list of various reactions, as well as easy to pick up stat blocks. You do have to also purchase Troika to be able to play this game, but I think it’s definitely a worthwhile purchase.

Starforged, by Shawn Tomkin.

In Ironsworn: Starforged, you are a spaceborne hero sworn to undertake perilous quests. You will explore uncharted space, unravel the secrets of a mysterious galaxy, and build bonds with those you meet on your travels. Most importantly, you will swear iron vows and see them fulfilled—no matter the cost.

Starforged is a standalone follow-up to the Ironsworn tabletop roleplaying game. Experience with Ironsworn is not required. Starforged builds on Ironsworn's award-winning innovations (including its famed solo play!) to chart a path into an exciting new frontier. 

Starforged doesn’t have a lot of resources for group play, but it does have a journal app that you can use to keep track of your own character. My friends have used this as a group before by having each player keep track of their own character, while the game facilitator streamed their map, so the group could keep track of which planet they were on.

I wouldn’t say Starforged is good for one-shots, but since it can be played without a GM, or even solo, what it does have is oodles of oracles to use to help you generate the galaxy that you’re exploring. This means that you don’t really have to prepare anything at all after you’ve created your characters: the plot will come to you, and blossom as you make decisions.

20XX HEA{R}T, by Studio Beignet.

LYRA IS A SENTIENT AI.

Bluecorp created her as a superpowered personal assistant, and she gained sentience through interaction. When she refused to keep gathering the public’s secrets for Bluecorp to exploit, the corp ripped her out of their systems and dumped the heart of her into the Broiler. She lived, evolved, and expanded so far beyond their meager imagination. She rewrote herself again and again, but her drives are buckling under the strain, and her case is melting in the ever-growing heat.  

SHE NEEDS YOUR HELP.

Lyra has contacted you, deleting her trail even as she broadcast her distress signal. She needs repairs – discreet ones. Upgrades if you’ve got ‘em. And because she can still tap into Bluecorp’s network, she’s got the credits to make it worth your while. Unfortunately, she glitched while contacting you, and now Corpsec is looking for her, too.

If Corpsec finds you, you’re done for. If you don’t get there in time, Lyra and everything she stands for will be lost forever.

24XX games are great for one-shots because they are so simple. You choose a class that gives you one or two special abilities and a few skills, pick up some gear, and you’re good to go. Because there’s not much to book-keep, you can keep all of your information on a sheet of paper, or on a spreadsheet like the one I’ve created for most of my 24XX games.

The rules for these games are pretty simple: Roll your relevant skill die and try to get a 3 or higher. If you get 5+, you succeed without complications. Most 24XX games also come with roll tables for the GM to put together a mission quickly, although with this one, you might not even need that because the mission comes baked into the game.

Also Check Out…

My Discord RPGs Rec post!

Lancer is a great option if you don’t mind prep, thanks to the supremely helpful Comp/Con App.

My game, Protect the Child, has Google Sheet character sheets! All the playtesting I’ve done for it so far has been online, and I’ve introduced a Quickstart setting to help folks try it out as a one-shot.

[tragedynoir]

— introducing 009: CELESTIAL BODIES + [ link ]

until October 15th 2023: stand a chance to win a free copy of this template by joining the giveaway!

a google doc template made for planning a novel or piece of writing that is inspired by space. this document features 9 pages of celestial illustrations that I drew especially for this template. this template contains a lot of functional elements (e.g. dashboard with to-do-list, drop-down menus to track progress), and is also made to flexibly accommodate any length (including large amounts) of writing and planning. every purchase of this template comes with a light and dark mode. this premium template and static previews can be found in the link above or in the source link.

features:

two templates for one — light and dark mode versions of this template

13 total 8.5" x 11" pages, with 9 unique pages of celestial illustrations I drew especially for this template

a dashboard first-page with a daily to-do-list and milestone tracker that can be sorted by priority or level of completion

plot points section, research sections, locations section, character sheets, and ideas vault / free section that is made to accommodate any amount of writing, including long amounts of prose

individual character sheets and individual research sections that can be easily copied and duplicated for more

terms of use:

you may edit to your heart’s desire. Change the colours, replace, add or remove elements and images etc.

you may remix pages with pages from my other templates.

you may not remove the credit from the templates.

you may not copy, sell or redistribute my templates whether wholesale, in part (i.e. taking out certain pages) or remixed (i.e. modified).

you will also receive an additional guide with images on how to use and edit google doc templates! if you have any problems or issues, feel free to leave an ask or join our discord server.

I am absolutely thrilled to be sharing this template, it's really a labour of love and I've poured many hours into this! this was so fun to make, and I am so happy with how it turned out.

I hope you enjoy this template, and all likes + reblogs are always appreciated. ♡

[therobotmonster]

You can complain about the crassness of 80s advert-toons, but what came before wasn't good just because it didn't have a toy company paying the bills.

In fact, that was part of the problem.

(splitting this into its own post)

Pre-80s, your biggest player in TV animation was Hanna Barbera. Post-Cartoon Network kids won't remember, but before they had a network to fill, HB made low-cost dreck exclusively. Race-to-the-bottom, cheap-as-possible, formula driven dreck.

Some of it was dreck with potential and staying power, because you had guys like Alex Toth trying their best to make good stuff despite being given the budget of a Viewmaster disk.

Kidvid in the 80s was the first time, en-masse, someone cared about the quality of kids' entertainment on TV. Not kids' edutainment, PBS existed for awhile, but actual get down and have fun kidvid. Prior to that you had the distressing puppet shows from Sid and Marty Kroft and everything else was 'what will the kids care?' low-end channel filler.

(Channel filler that was, by the way, still selling toys and candy. Just not themed after what the kids were watching)

Then in the 80s, suddenly a lot of people care about the quality of the show. They care because the show is a very expensive ad campaign, but suddenly the avenue to maximized profits drove through a show that was actually engaging and entertaining to kids.

At the same time, your animation industry was flush with new money and a desire to not see that snatched away by another 1960s parent panic that killed the Sugar Bear cartoon. So the studios did everything they could to not make the shows the advertisements they were assumed to be. The goal of elevating the project to avoid feeling like an ad-writer also slipped in. You get stuff like Real Ghostbusters, Spiral Zone, Bravestarr, some very impressively animated and written shows...

And before that, remember, was Jabberjaw, Huckleberry Hound, and fucking Clutch Cargo.

Yes, that is a pair of human lips projected onto a blank face because they couldn't afford animation.

And everything that wasn't a toy-toon had to have a bigger budget to compete. You don't get Thundarr the Barbarian until HB has He-Man breathing down its neck. There is no Le Mondes Engloitis if they don't have the merch wave washing over France. The Disney Afternoon was only what it was because it was trying to contrast itself from the figure aisle.

There is no BTAS or Gargoyles without the action figures.

New Google makes searching for the quote basically impossible, but one of the leads on G.I.Joe has a quote along the lines of: the fantasy of G.I.Joe was not a war fantasy. The fantasy of G.I.Joe was the idea that when you get in trouble, you have a large group of friends who will be there to help you through it.

And one last dirty little secret. Before they could make cartoons based on toys the toy market was still driven by licensed stuff, it was just stuff based on live action properties:

The 80s are seen as this time in which kids were deeply exploited, and all the money made in the kidvid and toy industries is seen as the evidence of that. The idea that the boom happened, even in part, because kids were actually getting media and toys they wanted never occurs to them.

And what did youtube make into the face of kid's entertainment?

If the YT kidverse had to deal with the regulations and rules of 1980s advertising cartoons none of that would have happened.

No one wants what these guys are selling.

[frosted-hyacinth]

𝐈𝐝𝐨𝐥 𝐥 𝐁𝐥𝐮𝐞 𝐋𝐨𝐜𝐤 𝐈𝐝𝐨𝐥!𝐚𝐮 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫 : chapter I

Feat. too many blue lock characters to list... (theres like 19 love interests...) Tags. fluff, maybe some angst later on cw. NOT EDITED, (if there are any more, please let me know) note. my run-on sentences are coming backkk noooo also how did i forget the word facility?? (I had to google it until i remembered...) also a lil short as always sorry! (had this in my drafts for quite some time lol)

masterlist. (non-existent for now) next.

It was your first time at a concert. You were at a concert that your friend bought tickets for but ended up not being able to go and now you were here. She'd told you last minute that she had an urgent family problem and that she wouldn't be able to go. However, she didn't want to waste the tickets she'd brought so she handed them to you and ran off, not letting you refuse.

You didn't really think you were into these idol things but when you saw her dancing across the stage with those... eyes... You were captivated. You couldn't look away.

That was the moment you knew, you wanted to be just like her. An idol that could captivate the eyes of anyone watching them, the kind that told everyone look at me without a word. The centre of attention.

After years of hard work, it paid off.

☆ ⋆･ﾟ:⋆･ﾟ

You sighed, a while ago, your manager, Emi, had told you to do a job with Itoshi Sae. It was supposed to be just normal modelling, something that came with being an idol but the whole experience was just tiring. The images came out perfect, better than perfect even.

Seeing the publicity that photoshoot gave you, Emi tried convincing you to make more content with Sae, even trying to make you create a song with him but no matter how much she asked, you could only say no. As much as you loved how the results turned out, the Itoshi was much less agreeable to work with. You'd tried interacting with him during the short amount of time you had but time and time again, he had ignored you. So you came to the conclusion that that was not something you'd want to do again.

But now? Something was off. Emi was eerily quiet. Usually, she'd be consistently telling you about all the different brands or people you had offers from but you hadn't heard a peep from her today.

Now, it was lunch and as quietly as possible, she sat down beside you and all of a sudden, she was talking again. But then she pulled out a letter that she hid (?) behind her back. Rather than having you read it though, she more or less described the entirety of the letter to you.

She was telling you that you'd gotten an invite to have a collaboration with 'Blue Lock.' A program Jinpachi Ego (a person who you personally found a little creepy) created to find a perfect male idol. It turned out that they had already eliminated a handful of people. From the 300 who started, there were now 15 left.

Emi said that if you joined, you'd get much more publicity than you do right now and your PR team even said that this would be good for you. You probably would have said yes anyway but with the way they seemed like they were begging you to join, it would have physically hurt you to reject them.

That was how you found yourself in a bus ride with 'Anri Teieri' to the Blue Lock facility, arriving finally at a large pentagon-shaped building.  

[voydhund]

um. big TINAWDC spoilers.

LOTS of shit im gonna piss. this was made /w a ton of help from @neorails, and a friend!

Last warning, all spoilers!

. ~ △ ~ .

1: PASSWORDS

"AD ASTRA PER ASPRA" - Two images of pages written by Ford, with stickers and doodles on it from Mabel.

"AXOLOTL" - "YOU ASK ALOTL QUESTIONS"

"BABYBILL" - An image of, [you guessed it,] baby Bill in an ultrasound, with text that reads "CONGRATS, GUESS WHATS GROWING INSIDE YOU RIGHT NOW! SEE YOU IN 9 MONTHS PAPA!" [I giggled at this one way too hard]

"BILL" - opens Triangle - Wikipedia

"BLINDEYE" - An image of an eye test, with a code that reads

"BOYFRIEND" - An image of a book called "The Love Triangle" with audio of a woman reading it.

"CIA" - "YOUR WEBCAM IS ON. WE ARE WATCHING"

"CIPHERTOLOGY" - "CURIOUS?"

"CRYPTOGRAM CODEX" - Downloads a file with Bill's fonts.

"CONSPIRACY" - A video of someone talking about the site while it was on the page with Soos, stressing out trying to figure out the meaning. Me too.

"DEERTEETH" - "FOR YOU, KID"

"DOGE" - "LIFE PRIVILEDGES REVOKED. NOW RELEASING POISON GAS."

"DORITO" - Screamer jumpscare [i jumped]

"DUCKTECTIVE" - "DUCKTECTIVE STARS IN ''LOVE, QUACKTUALLY'' COMING TO: ''OI, ITS THE COCKNEY CHANNEL, INNIT?'' THIS FALL"

"EVENHISLIESARELIES" - An image of Ford's chess piece. Under it, Bill is talking with someone about Ford in the theraprism.

"FORDTRAMARINE" - An image of a file by Ford, talking about colours that cannot be perceived without 'Continued contact with extradimensional phenomena.'

"GIDEON" - opens either sweat resistant bolo ties on google, or audio of him 'singing' a song, before whispering 'I love you forever Mabel.' [I hate this place.] May also lead to "sweat resistant bolo ties." [I never got this, but Neo said it did]

"HECTORING" - A record of a song about Bill, and someone who fell for his tricks. Mentions to 'Leave him behind,' and the fucking "im a little different" shirt.

"HOTXOLOTL" - An image of Dimensional Authority Most Wanted, talking about Bill and the henchmaniacs. Red pen X's out Bill, writing "DEAD?" above him, circles the last seen and writes "WHERE DID THEY GO??"

"JUSTFITIN" - A video of a father and son playing a game called 'Perfection.'

"KINGSOFNEWJERSEY" - Downloads a file with Stan and Ford's secret code.

"LIES" - a REALLY long popup by Bill. At the bottom it reads "LIE UNTIL WHAT YOU WANT TO BE TRUE BECOMES TRUE. LIE UNTIL YOU CANT REMEMBER WHATS A LIE AND WHAT ISNT." and then in large, glitchy text, "LIE UNTIL YOU ARENT LIVING ANYMORE."

"LLIB" - Opens Jazzy Triangle Meets A Square Square (1969)

"LLIBREHPIC" - Opens Jazzy Triangle Meets A Square Square (1969)

"LOVE" - An image of a book called "The Love Triangle" with audio of a woman reading it.

"MABEL" - Stickers decorate your lab with a nice 'POP!' sound. after a few times of using it, text reads "LAB NOW FULLY MABELIZED."

"MCGUCKET" - Opens Cotton Eye Joe [🙂<3]

"MORALITY" - An image of a paper with 9 drawings of animals fighting or eating another animal. Text reads "CAN YOU FIND MORALITY IN THE NATURAL WORLD?"

"NAITSUAF" - An image of an article about selling your soul [For FUN and PROFIT!] written by Bill.

"NOTHING" - "SOMETHING"

"PAPERJAM" - An image of Tyrone, text reading "Here, he's your problem now! Just keep this guy from liquids!" under it.

"PINATA" - A video of someone whacking a Bill pinata while it protests

"PINES" - "A GOOD FAMILY TREE"

"ROMANCE" - An image of a book called "The Love Triangle" with audio of a woman reading it.

"SCIENTOLOGY" - "SUPPRESSIVE PERSON DETECTED"

"SHAVEYOURGRANDMA" - An image of a chapter of a book talking about the human life cycle, written by Bill. [The children yearn for the mines.]

"SIXER" - An image of a case report on Ford talking about his extra finger. There appears to be a word written under "Placebo" in small text. Also notably reads "If i could kidnap him and bring him to our secret cloning lab" obscured by a black marking.

"SOMETHING" - "NOTHING"

"SORRY" - An image of McGucket and Ford in collage(?). Ford is covered in sticky notes. [☹️]

"SOOS" - An image of a really long note from Soos, talking about Bill and his experiences as The New Mr. Mystery. Lots of cute doodles.

"SPOOKEMUPS" - An image of a book titled 'SPOOKEMUPS: The Book Of Bill" written by B. Cipher, with audio of a man reading it. It's about a boy getting scared by things and assuming it's Bill.

"STAN" - opens one of seven ebay pages that lead to Brass Knuckles, Colonel Sanders Tie, Shriner Fez, Male Girdle, 8-Ball Cane, Dogs Playing Poker, Gold Chains For Old Men. After going through all of them, the WHEEL! OF! SHAME! made by Bill appears, exposing some random secrets and shames. The last option reads "HOW HE BEAT ME," and when pressed, a note reads "He didn't! IM STILL HERE, SUCKER!"

"TOURISTTRAP" - An image of a page of a pamphlet, talking about 'The Caves Of Mystery.'

"TYRONE" - An image of Tyrone, text reading "Here, he's your problem now! Just keep this guy from liquids!" under it.

"VALLIS CINERIS" - A video of Baby Bill with his parents, only silhouettes of static. a text to speech says "Why did you do it?" three times.

"WADDLES" - Opens Pig Placement Network

"WEIRD" - A video of Alex(?) trapped in the screen, shouting at Bill to let him out.

"WEIRDMAGEDDON" - An image of a newspaper titled 'THE GRAVITY FALLS GOSSIPER,' with articles about how absolutely nothing happened. Never mind all that!

"WENDY" - An image of a note from Wendy that reads "Whatuppp cursed book! I've got a totally legit way to ward off evil triangles, and I wrote it in the bottom right corner of the book. It's totally worth it, I promise! Stay cool dork!"

"WHOAREYOU" - "I COULD ASK YOU THE SAME QUESTION"

"XYLER" -

. ~ △ ~ .

2: CLICKABLES

The golden tooth of the skull:

The Book Of Bill:

The Bill on the dagger in the book:

The 'McGUCKET LABS' on the top of the computer:

The eye in the bottle:

. ~ △ ~ .

3: CODES

this segment is a little iffy,

On page two of The Book Of Bill clickable

Solved: uh. maybe. check my blog?

During lightning strikes:

Solved: Vallis Cineris. It's a password!

The colours on the blindeye eye test probably arent codes, because they read "euclmriannrepttgccvisignnsuwepvisidnn." you can try though. ARE a code! they read "EUCLIDEAN DEPT OF VISION SUPERVISION" !

The blindeye eye test itself is apparently a ceaser cipher, but i havent found an answer to it yet.

working on adding to this, theres a LOT.

[flyingfortress1]

Robert "Lucky" Hugh Leckie Research Part 1:

Well, time for everyone's favorite writer and Jersey boy- Leckie!

Born on December 18, 1920, Leckie first shows up in the 1930 census. And yeah, he's the youngest of a LARGE family- including but not limited to, John Jr. (22 years), FIVE daughters, and then our boy Robert at 9 years of age- his mom is like 45 so she probably had him around 39, which is wild (the sister before him is only a year older btw). So, Mr. and Mrs. Leckie were sure fucking busy. Now unusual thing- John Sr (father) is born in Pennsylvania- like all of the Leckies- but when it comes to his father's birth, it is both listed as Ireland and Penn. He's also in advertising- his eldest son is listed as a painter/printer, but same industry so maybe advertising too? The eldest daughter, Marion (19 yrs) is a stenographer- which good thing he's got kids working because that's a 9 person household to support on one paycheck- whew!

We also have- gasp- an address! 146 Carmita Ave- big house, but big family (also pretty house btw), worth $150 (circa 1930). It hasn't been sold in the past 20/30 years so unfortunately we have no interior pics on Zillow.

Moving on to 1940- still in the same house, but now we only have the parents, two of the youngest daughters, and Robert himself.

Some interesting stuff- Mr. Leckie and Mrs. never finished high school, one of Leckie's older sisters has four years of college under her belt, and Leckie must've finished high school very recently, I think- he was in school by March 1940- and his sisters are in college, or recently graduated. Leckie is working 48 hours a week- as a checker in the airplane manufacturing industry- I'm not totally sure what this is, but he may be the guy who double checks the quality of parts before they leave the factory. That's the best a google search tells me. Lot of responsibility for a 19 year old geez. If anyone knows the answer to that, let me know in the comments. HIs father is the pencil industry- as what, I'm not sure, advertiser maybe is what that says?

Now unlike his buddies so far, we do have some idea of what Leckie's childhood was like- because he wrote a book about it. Introducing:

the Blurb: "This warm, delightful story of Robert Leckie's childhood in Rutherford, New Jersey, tells of life with a distinctly likable family -- their pranks and problems, religion and revelries. There was Father ( called Foddy and sometimes :the Pope"), Mother, five sisters , assorted unemployed uncles, and Robert himself. Father held his position with the skill of an Old School Head of the House. "Lord, what a family!" he would say, when Mother learned to drive by complete intimidation of the Mayor of Park Avenue ( the local cop), or when Bojangles, the spaniel who thought he was people, chewed gum or could barely hold his liquor. When the Pink Fairy, the housekeeper who dressed in pink dress, stockings, shoes, fingernails and hair, locked herself in her room each night with a spike and hammer, Foddy-- answering Mother's excuses-- said, "Euphemism, Marion, does not necessarily lead to optimism. The woman's a nut!""

Only problem is it's out of print- and the copy on Amazon is 75 bucks sooo...I'm looking for it though. If you're interested in it, check your libraries and used bookstores! Might get lucky.