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bon2bonn · 11 months

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Weathering your Storm

° The winds are howling

With summer break around the corner , it's just one weekend . What could go wrong ?, Well........ , Seb , Lewis and Daniel are about to find out.

*The start of the 22!23! Grid!AU !

*requests and questions are open so don't be shy ! ✨

2022!F1 grid X female!driver!reader

Sebastian vettel , Daniel Ricciardo, Lewis Hamilton X female!driver!reader.

Words count : around 1.4k

Warnings : grammar, cursing,sad girl hours, mercedes slander(not really), McLaren, I'm missing up the timeline but it's fun , not proof read nor edited .

leaving the media pen brought y/n relief as she's finally able to stretch her legs and get some fresh air away from the bustling reporters asking the same questions over and over again and buzzing teams finishing interviews and packaging garages after the race .

She avoided her team's garage like a plague , having to witness as the engineers pushed her car back in was more than too much for her to handle , so she opted for walking around trying to clear her mind before it goes on to a spiral.

Spotting Sebastian's green team shirt alongside Lewis and chatting among themselves down the pit wall she made a beeline for them . "Hello gentlemen . seb, Lewie " she greats them cheerfully as she gave each one a hug as they congratulate her before settling back beside Seb as he nudged her shoulder teasing " p3 , not so bad huh? " causing her to smile bashfully at him , Lewis pumped his fist with her's " great driving out there " , "thank you " she said with a beaming smile " yeah those last 3 lap were from hell , Sainz almost got my ass " both looked amused at her ranting post race as she always dragged them to listen , not like they were complaining as they adored how she went on giving them her full review with them giving her input here and there .

after a while of catching up they noticed how uncharacteristically quite she got while looking around searching for something or rather someone but before they could ask she perked up as Danny barged over lifting her in a tight hug shaking her around while exclaiming loudly "demon spawn!" And she returned the hug letting out a loud "Ricky Martin!" The other just stood there used to their antics same as everyone around them as they love to tease (bully) eachother around the paddock .

She turned to Danny giving him a wide grin" you're right on time , I was about to send out searching party " he nudged her shoulder " awww , I didn't know you'd miss my charming personality and handsome face that much " she scoffed at him " as if " he stepped back hand on his heart dramatically whining " you've wounded my delicate heart !" That got him a kick in the shin from her before she grinned back at him " stop with you theatrics , I have a great idea , we should start our own F1 support group !" mildly amused he threw her a wide grin " I'm all in baby , but what for?" So she looked at the other two drivers maintaining her wide grin as she lowered her voice to avoid any preying ears "well , mainly for you , Mick and Seb , but I'll be needing it too . my lovely team pulled a McLaren because guess who's mercedes dropping during the summer break ? , to give you a hint it's not Lewis" .

The three of them stood still staring at her as if she'd grown a second head , Danny was the first to snap out laughing "nice one mate ! That Almost got me" after a moment of silence Sebastian signals to him and he immediately reached to cover her ears as he cursed loudly "that's fucking bullshit , why the fuck would they ?" As she just stood there waiting for him to finish , Lewis just stared at her bewildered " what do you mean they are dropping you ? They can't do that , you're competing for the championship in that tin can excuse of a car incase they've forgotten about the standings ! Hell ! We both got a contract till 24 _ 25 they can't just drop it".

she just shrugged " well , they sure can and already did so ....." Danny's eyes couldn't get wider "what?!" So she gave them a nonchalant hand wave "starting from tonight I'm officially an unemployed F1 driver , they bought my contract and sent me out the door" Lewis interrupted " but Toto...." Only for her to shake her head " he sat me down along with the team management , PR and legal team which explains why they were lurking around lately , and both my lawyer and Manager out of nowhere and went on about the team and the drivers , how the last two years were great for the team bonding building a solid foundation and all of the usual pe-race briefing no big deal right ? , He went on talking about my contract which was odd because I knew wouldn't be up till 24 at least with great possiblity of extension , and how I have a promising future in the sport but not with them and I honestly just zoned out after that ,up until they gave me an offer out of of guilt or pity I guess to drive for Williams alongside Albon " that got Danny's attention "what about Russell?" So she whispered to him to subtly hold both Lewis and seb back as they both were close to marching over mercedes demanding answers after her declaring " they finalized singing him today for the next three seasons so starting from SPA he'll be driving full time for mercedes , that's net even the worst part , apparently they were discussing the position since the beginning of the previous season but they wanted me out with the least PR damages so now is the best chance to do so after most teams got their seats confirmed for next season so here I am " .

"Wait so you're telling me that everyone knew except us ? " she shrugged "pretty much, yeah " , "bono?" , " He knew" , " sussie?" , "Nodding "yup" , "James?" , "Uhuh , he was all in for the change" , "fucking hell!", "Exactly" she shrugged " they even decided they won't even announce any of it till Spa " . Daniel whistled in astonishment " wait until Nando hear about this " causing them to grimace only thinking what he'd possibly do " oh he already know ! Found him this morning cornering Toto in the garage , don't know what he said but by the time I got him he was done , talking about too many witnesses " , that got seb to realize as he voiced out concerned " that's why he seemed so cryptic , well more than usual, he asked me to get ready to head out to Brackley headquarters for some urgent business had to talk him out of it " she snorted" Don't be so sure , He asked me to join too right before quali so I reckon that talk didn't do much , Kimi is in it too so .... Yeah ".

Silence overtook them as their somber faces took her demeanor in , her now fidgeting fingers , tense shoulders , and strained smile , seb stepped up giving her a tight hug whispering " are you okay?" And she reciprocated with a strained voice " yeah , it's just didn't hit me yet so I would give it two to three days to fully set in but right now, everything is shitty and I want to cry but I'm too angry to cry so now I'm hungry , I want ice cream ". That earned her a sympathetic smile from Lewis as he pulled her next " I known darling , let's grab our things and I promise you we'll get you as much of ice cream as you want okay? ", " Okay , but I'm not going there , I can't , they're taking down my name and number off of everything" she let out with a small voice as he sighed heavily "already!? They couldn't wait?" Shaking his head while heading up to their drivers rooms .

Danny put his arm around her shoulders swaying them as he reminded " it might be so shitty and as bad as it seems , but we've got you okay? You'll find us there whenever you need us , you're stuck with us for good , and if you wanna burn down you know what , you know where ........." Seb snapped. " no one is burning anything!" Only for him to carry on pretending to whisper " we won't tell him " causing her to let a loud giggles at how serious Daniel was and how seb was trying to tell him off of it ." Just know you won't be alone in this".

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muniimyg · 12 days

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⋆𐙚₊˚⊹ bbydaddy!jk (16) ⋆𐙚₊˚⊹ debrief ! + kimi's note

hi !

i've gotten a few asks in my inbox regarding part 16 that (i feel) lean towards negativity @ babydaddy!oc.

as much as i appreciate interactions,, it surprised me with how it (my work) was received. i understand that everyone has their own opinions, but some of the asks come off more as a vent/hateful pov,,

and listen,,, i get that this is a fanfic LOL

but the reason i'm making this a post is that, truthfully, i don't want to (individually) answer these asks. i've spent the past few days reflecting on the feedback i was given and the chapter itself... i've concluded that i’m all abt conversation (!!!) but don’t think these asks lead the ones i want to have on my blog. i also don't want to share them because i feel that these opinions undermine the experience of other readers who enjoyed and resonate with the chapter.

at the same time, i also don’t want them to go unaddressed because these are real ppl who spent time and sent thoughts in. one way or another, i believe my work resonated with u and the most i could ever really ask for as a writer is to write something that makes people feel.

so to those anons that sent in these asks, i want u to know i that i’ve let your thoughts sit with me and i think you made good points. in that same sense, i want to defend my work and explain a few things..

context:

full bbydaddy timeline (as of 16)

bbydaddy was originally meant to be a one time scenario

upon request, i extended the series multiple times

since the series extended,, in terms of plot,, i took as an opportunity to dig deeper into their dynamic (as a family, as lovers, and as individuals)

one: bbydaddy!jk and bbydaddy!oc's lore

first and foremost,,, there are no sides.

there are layers to their relationship. both characters go through and process differently. oc's experiences should not be invalidated just because her emotions are voiced 'wrong.' the career and the depth of it can and should be looked from different point of views. though i didn't write it in, i personally pictured oc to be the eldest daughter in her household. the constant need to be the best is a natural feeling for her and isn't necessarily seen as a flaw through jk's eyes. if anything, she believes in him more than he believes in himself. in her pov,, that's how she loves him. she wants more for him because she believes he deserves more and that he's worth more. it wasn't meant to be a 'greedy' attribute but i understand where it initially comes off as that.

all in all, i think this is one of my very few fics where i picked her flaws on purpose and wrote some in by accident. as a writer, i thought this brought more authenticity in her character as well as sparked the ongoing questions of; what does it really mean to love someone and how much of yourself can you give until there's nothing left? and when there's nothing left; what then? do you pick the pieces together? do you learn and move forward or do you stay where you are and feel it. feel everything and drown in it so you don't miss a thing?

i think oc's character dives into those concepts really well. initially, as i read the asks and 'reviews' on oc,, i felt bad for her (LOL) because truly... she's so misunderstood.

as for jk... i think that man is delusional to the core. but !!! that's my error. i think in the beginning,, bbydaddy jk has this... douche-ness in him that really captures and captivates their dynamic. over time, as the story goes on, you see how fragile he actually is and how pathetic he can get. him proposing to oc was 1) bad timing 2) inconsiderate since he was definitely in his own headspace for thinking and putting his feelings first 3) jus for the drama. LOL !

all in all, i don't think jk did anything wrong (neither did oc) i jus think their relationship is the sole definition of timeless but untimely.

two: asks and anons

please don’t send in asks that bring negative vibes. if u don’t like a character (it’s ok to feel frustrated and all) u can jus move on. no need to send in 'fuck her' if its not in an ironic way 😭 be mindful and remember ur manners. jus cos u’re on anon doesn’t mean u’re held any less accountable !

if u have nothing nice to say,, don’t say it at all. i may not be ur fave writer and this may not be ur fave character or fic ….

and that’s ok.

u are probably not my fave reader anyway 😝

i am not the only smau writer on this app or fic writer at that. i'd encourage u to branch out and find new writers if my characters frusterate u so much (ToT)"

i love receiving silly asks and heartfelt ones even more so when they’re abt my plot and are positive notes regarding my writing! i look forward to those because they remind me of my growth and make me feel appreciated. these fics and smau i make take time btw. like... lots! unfortunately, i'm not talented enough to wake up and write a fic all the way through the end in 1-3 sittings. i need like 5 business days to figure out which jk pic i'm using bro

anon will be turned off for my peace of mind (for now). ikkk it's annoying bc most of u guys are so kind and sweet ,, but it feels like every time i turn it back on,, ppl get ballsy and like srsly???

i am scared of balls

three: kimi's note

at the end of the day, i’m jus a girl writing a silly little story in her free time!

did u catch that? in my free time. the time i put into sitting down, writing, fixing and pacing plots, etc; are all unpaid. i do this because i want to share my creativity and delusions. with that, as a fic writer, i understand and have accepted that there are times when i should feed into the audience/readers' expectations and needs...

and that’s exactly it.

i get to pick and choose what to feed into, what i give out, and what i keep.

with being on tumblr for 4yrs, i've seen so many fic writers leave bitter notes because of how nasty their asks inbox gets. (thankfully, mine is nothing like that) i will not let my inbox become that. i refuse to let my blog and fics burn me out.

i’ve grown so much as a writer over the years. i'm so proud of myself too. yet, i am aware and understand that i am still continuing to learn abt what boundaries i need/have when it comes to my work. i am learning what that means with my social media presence. i am learning how to not let passive/negative asks bother me. i am learning.

if u've been following me long enough, u know how often i take breaks to take care of my mental health, school/work schedule, and maintain/improve my quality of fics.

to be honest, i was really hurt and discouraged when anons gave their 2 cents with my break idea. i posted that to communicate where my headspace was and to have received entitled and inconsiderate responses really threw me off. although, i understand it may not be that serious to the ones that sent it in and i (probably am) overreacting,, i would still like to put it out in the universe that i am not okay with receiving responses like those. please think before you send in. some things are better left unsaid and often unnecessary as it makes me feel like i'm jus a content machine or smt.

and in case u forgot—

i am a real human with feelings (sometimes with too many).

i'm thankful to have realized and accepted my (known) boundaries. i'm grateful for the confidence and security i have with my wonderful readers and work, knowing that i'm worth the wait.

i know i can and will be taking all the breaks i want. i will binge/content dump all i want. i will take 2 weeks if i want.

through all of this,, i promise to do my best and be better in the future !

if u read everything,, thank u. i wanted to say everything from a place of love and reflection,, so i appreciate u taking the time to understand me. i hope i continue to be a writer u look forward to.

promise ! i'll make u proud ૮₍ ˃ ⤙ ˂ ₎ა

all the love,

kimi ♡

#ask muni #🌟: kimi yaps #HAHAHAHA #AIGHT I CAN MOVE ON NOW #THATS OFF MY CHEST #MEOWWWWWWWW

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yakichoufd · 1 month

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So reading these comics without having the full context (aka how Scott killed Xavier (I know briefly how it happened but that's not enough to follow that story well imo)). So my review won't be fair unfortunately.

I found most of the main cast super unfair to Scott in general. They are full of assumptions and decided he is a horrible person that no ones can save (or that's the vibe I got even if some characters say they want to help (but do nothing for that LOL)). I am not convinced about how horrible adult Scott is too. Especially knowing he was under the phoenix's power when he killed Xavier and he keeps repeating he was not fully conscious of his actions then, it is super unfair that no ones listen to him. The only bright side of these comics is young Scott. I really enjoyed reading him and how he handle learning everyone will hate him in the future. It is super tough but he handle it well. But over all, I did not really enjoy the story...I like some complexity of it, but I am not convinced about the foundation of the plot or how some characters are written. There are very interesting points, but overall I think some parts are clumsy and not easy to get if you didn't read 1426257 x-men comics beforehand haha! There is one scene where young Scott meets Alex and it is really a super cute reunion (which make me very sad Alex doesn't try to reach out his own timeline Scott) so I will cherish that small scene dearly! But the art is absolutely gorgeous! A true joy to look at each page!

#scott summers #cyclops #x men

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arandomnerd810 · 3 months

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personal TADC character analysis

uh warning this is long lol

autism time let’s go (/not in a negative way i have autism) stretches hands * I’ll go in order of the character episodes cause why not we have it (see below) i’ll put periods but it will just be to make it more readable not to be intimidating lolll

btw im completely open to interpretations of characters changing throughout the series this is just for fun

Gooseworx has said this series is mostly focused on characters rather than lore, and from what we know, i truly believe it. I don’t think any of the current characters will abstract because of this.

(I put a version of this in the glitch inn discord theory thing so if you recognize it that’s why)

Pomni: we already know her deal pretty well, as we’ve already had her episode. uuuh if anyone’s going to do something important lore wise it will probably be her as she’s the main character but can’t rlly tell what that may be. to review ep 2 though she’s an outcast who has felt like she was nothing and is a logical thinker.

(Kinger and Zooble will there their focus episode but i put it in order of who was revealed to be the ep 3 focus first)

Zooble: From their design (the entire motif is it can be changed at any time) and the fact she doesn’t know his gender, we’re dealing with some pretty clear identity issues. Friends with Gangle seems cool excited for next episode to learn more about them!

Kinger: One of the most interesting characters so far. I feel like we will get to learn more about abstraction though Queenie, the X-ed out door that looks like a female version of him. If i had to guess, since Gooseworx said they were not siblings, they were a couple. (Also judging by his age and the fact he could have been married, he may have been a father yeowch imagine that) I can see the common theory of the insect collection implying he was a coder before getting trapped, but i could also see him being some random guy who just likes bugs lol. He seems like really sweet guy behind his constant anxiety and disassociating.

Gangle: (My faveorite human rn) Her mask design can be interpreted in a lot of ways but it’s clear that the happy mask isn’t her real personality. My take on it rn is she doesn’t wana bother people with her stuff so she pretends she’s happy? She seems easily embarrassed and def has self esteem lower than the last circle of hell. What’s interesting though is she’s willing to stand up for herself from time to time, even though she’s easily shot down after.

Ragatha: Waaaay too nice for her own good. Also probably has self esteem lower than the last circle of hell and bases her self worth of others approval. Though she’s been here the second longest, she seems a lot more normal than Kinger. Makes me question how long apart their introductions have been. Probably copes via escapism.

Jax: I can see why everyone is very interested in him cause me too. He seems like the only fourth wall breaky guy (unless you count Caine cause of his intro at the pilot)which is rlly interesting how did he figure out more than everyone else? what’s with the keys? i have no clue lmao. He’s an asshole who makes the best of his situation by torturing everyone else. At the end of the day though, he’s a human and was sad at kaufmo’s abstraction but he probably isolates himself so it would probably be the same for anyone

but waAitTt a moment

that’s 6 humans but Gooseworx said we would look into 7 (cause of the “other” part) in her twitter post talking about the character focus timeline so we know our fav character won’t be left behind ⁉️⁉️⁉️ I hear you not asking well my dear hypothetical person, who better to fill the 7th character than Caine?

Why you did not ask? Too bad i’m info dumping. First, he’s the main antagonist and alongside Pomni, the commercial face (or lack their of haha teeth and eye joke) of the series. he’s an important character and loved by many. (and hated equally if not more aside the point lmaooo)

Yes, gooseworx can lie about stuff but I think she’s smarter than to lead this heavy into Caine depth/ angst territory if there wasn’t going to be anything On top of that, the entire purpose of the timeline post was so we know our faveorite characters weren’t getting treated poorly. It’s unlike for a character based show to suddenly drop such a major character for some random other guy were introduced to later or smth. i mean cmon there’s three episodes after all the humans at least one of them has to be focused on my boy.

Caine: I believe he really does have good intentions and wants to help but just does not understand people at all. This means he’s like an anxiety disorder; it wants to help, solves some issues but creates 500 more. Judging by the Tumblr post, loneliness may play a big part in what’s to come? I’ve always had a feeling his front was extremely fake and his VA saying “breaks keyfable” (an act that pretends it’s true) supports that theory. Episode two gives some insecurity vibes when Zooble didn’t want to go on the adventure. I find that pretty interesting cause he didn’t care at all if people went on the gloink adventure or not. Maybe he puts some adventures over others and he could have been proud of the candy adventure cause more time and care was put into it and he made a new AI. Why did he blue screen? i feel like he could have some blockages on what he can say built in though im not sure why he was blocked then if he even was. one of the biggest questions i have ab him currently tbh. what’s with him grabbing his cane like that in ep 2? if i had to guess simply be nervous = that? His VA also knows some depth to him even though his focus episode is likely going to be at least one of the last 3 episodes, which they have not gotten to recording yet. You know what this means Caine angst solidarity club? Sad Caine so more fan angst appetizers before the main cannon feast let’s friccin go‼️‼️⁉️⁉️

(try to guess my fav impossible /j)

#glitch productions #tadc #the amazing digital circus #tadc caine #tadc pomni #tadc gangle #tadc zooble #tadc kinger #tadc ragatha #tadc jax

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yuri-is-online · 4 months

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Okay so Trey in the Blotpocalypse timeline or where Yutu comes from also Overblotted right??

And I like to imagine he became an extreme sadist or really really evil once he overbloted, and his Yutu does NOT buy the stories of Trey being actually a very chill and “I don’t want problems, don’t involve me with whatever shenanigans you have” guy.

And when goes to the timeline of now he just.

“Wait, this guy fr??? I saw this guy overbloted and being a sadist maniac, the FUCK you mean he is just the son of the baker”

¬‿¬ you read my mind camrastuff. Overblot Trey is a sadistic bastard, and his children are three of his favorite people to pick on... because yeah the original idea for Trey! Yutu passed peer review, and Furubatsu was kind enough to give us the names Yutres and Yushi for the other two triplets. You will regret giving me this power because I am going to use it to hurt you ψ(｀∇´)ψ

notes: they/them used for Yuu, for context on the fyuuture kid au can be found here and here. This post is heavier on the angst than the other Yutu posts and contains references to gore, depression, and major character death. Please engage responsibly.

They grew up associating home with violets.

Yuu would always keep a few plants on their bedroom windowsill, but the violets spilled all over the house. "They remind me of your father." They would always say, with a gentle look in their eyes that turns sad when they reach for the memories that just aren't there. As the triplets grow, they take turns caring for them so Yuu can rest and wonder about what that man was like and how Yuu came to associate him with the flowers. Yutres is the one who brings up their association with newlyweds and wonders if they were planning a wedding.

"There would be a record of it if they got married." Yushi says it like she's searched for the license already, and knowing his sister like he does Yutu is pretty sure she has. Yutres pulls her blanket around herself in embarrassment and Yutu finds himself speaking up before she can feel any worse.

"She was just saying it's romantic." Yutu doesn't like fighting with his sisters. He likes it even less when they fight with each other, everyone who isn't the two of them says it's because he's the oldest. That he has an instinctive need to protect them as their big brother, . "A lot of the things they say about dad are very romantic." Yushi rolls her eyes, but doesn't disagree. Domestic is the word Yutu would prefer to use for how Yuu talks about his father. They think about him most when they're cooking or taking care of him and his siblings. It's not enough to give him a clear picture of the man, but it's enough to feel like he might have loved him. He's willing to go with what Yushi theorized after looking far harder than he or Yutres, that Yuu ran away from home and settled down with their dad, only for him to die and ruin the good future they were trying to build with each other. It does nothing to dissuade Yutres from seeing it as romantic, or Yushi from blaming him for all their problems. Yutu refuses to take sides, forever the peacemaker destined to drown his own opinion under the weight of not wanting to make anyone mad. Deep down though, he doesn't care about what his dad was like. He just wishes someone was there to help, to make things less financially strained so he could play a sport at school and maybe make some friends.

When he meets his father he takes it all back. He wishes he never met the man at all.

Yutu per tradition is the oldest sibling, Yutres is the second born and Yushi the third. I like to think they have darker colored hair since Trey's green hair is rather dark, their eyes are "normal" for Yuu's world but turn yellow when they arrive in Twisted Wonderland. Yutres inherits Trey's height and poor eyesight, and she's deeply insecure about both due to the large amount of bullying she received growing up. Yutu is also tall, just not as tall as his sister while Yushi is at least a half foot shorter than her siblings and enjoys complaining about it. She accuses her siblings of stealing her height in the womb, but says it's ok because she got all the brains.

The kids grew up extremely poor. Three kids on a single parent's salary is no joke, Yuu was deeply stressed for a lot of their younger years. None of the fyuuture kids like Yuu's home town but the triplets especially hated it there. They felt like animals in a zoo or cast members of a freak show with how acceptable it was to point and stare at them. When they moved away once Yuu managed to secure a place with a better middle school for them to attend they were ecstatic. It was a nice change of pace to just be bullied for being poor.

They spent a lot of time as children playing made up games with each other, a lot of them revolved around cooking since Yuu seemed to really like doing that. They used to run pretend restaurants, or ice cream parlors, or cafes, anything that served food really. They always colored the menus together and asked Yuu to give them good reviews (5 stars for the babies obviously, yuu has a bunch of them in a folder somewhere they look at when things get rough)

I really like the idea of Trey being with a Yuu who has a vague interest in candy making? Because it's a similar interest to baking but still very different and I really like the idea of one of the triplets being interested in it. As the three get older, Yutu and Yutres learn as much about cooking and baking as they can, from Yuu, from the internet and the local library while Yushi applies herself more to experimenting with making things like taffy and caramel. She convinces her siblings to sell their product on the down low at school to bring in some money they can hopefully use to start a business someday. She's the most business minded of the three of them, Yutu privately thinks she has the biggest personality in an effort to make up for being the shortest.

The three of them are obviously major sweet tooths, but they disagree about what desert is best. Yutu loves custards and ice creams, Yutres thinks cake is best especially if it's fluffy, and Yushi likes things made with jams and candied fruits. It made trying to do something for their birthday a nightmare until Yuu realized they all loved hot chocolate and was able to convince them to have a "tea party" for their birthday where they got copious amounts of hot chocolate and some homemade cookies. It's a memory they all treasure and recreate when they arrive in Twisted Wonderland.

That arrival is much easier on the three of them than it is on a lot of the other Yutus. It helps having two other siblings you're deeply connected to when learning you're from another world, your parent is dying from a curse, and that magic is real but only two of you have it. NRC has ceased to be a boys only or even a mage's only school at this point, but it's still hurts for Yutres to learn that her siblings have something special about them while she's still just her. Crewel takes her aside to speak with her as the ceremony goes on without him, asking her if she thinks poorly of Yuu for just being themselves and Yutres can't fathom why she would do that. "Because that's what you're doing to yourself. Your siblings won't love you any less and you won't be of any less help. You are your parent's child after all." Something that Crewel sees as being made all the more true when two first year Heartslabyul students burst through the door and start whining for their sister to do their make up.

Yutres draws a Spade on Yutu to represent a knight's spear, because she thinks of her brother as someone who wants to protect people, and she's deeply grateful for all of the times he's stuck up for her. Yushi gets a diamond because Yutres thinks her sister is very classy and well put together, "diamonds are a girl's best friend or something" is how she words it, but that trademark Clover smirk is there to suggest there's more to it than that. She settles in to Ramshackle almost immediately after meeting the ghosts, who are overjoyed to have another Yuu in their happy haunt.

Heartslabyul suits her siblings well enough. Yutu thinks all these rules are exhausting but he tries his best to do his best so as not to rock the boat. Yushi is more or less the same, but she sort of wants to become Dorm Leader so she can throw a bunch of Unbirthday Parties because those sound fun. The lack of fresh food available to cook with is a drag sure, but she's sure she can at least find some good teas to serve... she just feels like the people around her could use some hope and she drags Yutu into figuring out how to find it.

That journey is long, at the end of it are six known phantoms wreaking havoc on their father's world and one that so few people know about they aren't sure he exists. At some point, all three triplets join a mission to the Queendom and debriefed by S.T.Y.X. about the phantom that roams there.

"Your quest is not to kill the Queen or her mini boss level minions." Idia is a strange person, Yutu can tell he's on the same page as his sisters without bothering to look. "You're just there as support for the front line mages and to get a realistic idea of what they're fighting against." He lets his hands fall to his sides and drops eye contact, chewing on his lower lip as he hesitates. Finally he takes a deep breath and turns towards the display, flicking through footage of the various monsters he had been talking about earlier. "A phantom is a husk using what's left of an overblotted mage to find and feed off of new magic sources. They can get very creative in how they do that." He focuses on a video of the Phantom Hatter, enlarging it so the triplets can get an uncomfortable look at it's facial features and know why Idia was struggling to talk to them. The monster is tall, with glasses and a top hat that would be sort of comical if he wasn't overseeing a table filled with rotting cakes and pastires for a party attended by corpses in varying states of decay. "This one talks. Don't listen to a word it says."

Trey has lines during lessons and in various other places suggesting he could never obey the Queen, and since Riddle is more Queen now than himself Trey has a degree of independence when compared to the other card soldiers. The S.T.Y.X. staff classify him as a rogue phantom and highly dangerous. He can talk, he uses his unique magic to make people confused about their surroundings, to mimic the voices of their loved ones and lure them towards packs of monsters where he'll watch silently as they die. He's picky about who he "invites" to his mad tea party, it's difficult to get a drone close enough to his base to analyze who the victims are.

Idia was vehemently against sending the Clover triplets anywhere near an area that the Hatter could be. That's beyond cruel to them and extremely dangerous, he just knows that Trey will find them and that it won't go well. Phantoms corrupt the natural instinct of the person they're feeding off of, and while Idia thinks Trey was always a sketchy bastard he knows that he was a domestic one too. If there's enough of him left to recognize his children... his worries are soothed by Ortho promising to keep an eye on them and the fact the mission isn't in Trey's usual territory.

It doesn't help. A familiar sees the strange looking children and speeds off to fetch its master. The Phantom Hatter doesn't show himself immediately, he watches, waits for everyone to relax just a little bit before he strikes, chasing everyone into one of the Queendom's many hedge mazes and isolating them from one another. The stress causes Yushi to discover her unique magic as she desperately tries to feel for her siblings, she is able to form a brief telepathic connection with someone she knows and see things as they are. She can tell that Yutu and Yutres are in danger, and decides to run for her brother first. She's sure he'll be half way to their sister by the time she finds him, he's the oldest. He always knows what to do. And while she's right she's also wrong, by the time she finds Yutu he's already found Yutres, but someone else has too. The Hatter doesn't blink. He doesn't breathe either she notices, but her sister still shrinks back, pulling an injured Yutu closer to her.

"Well that's just rude." It's not a voice they've heard before, but he's somehow so familiar. Like they heard this voice before, sometime long ago, whispered into the warmth that existed before they were torn from this world to be born in another one. "I'm just trying to say hello." Yushi doesn't think he's noticed her yet, she focuses on holding her breath and looking for a way out. Yutres maintains eye contact with the monster as she applies a potion to Yutu's wound and prays, to who or what she doesn't know, that he heals. "Have we met before? You seem awfully familiar." The monster summons bones up from the ground, closing in around the triplets and knocking Yushi out of hiding as the phantom looks over his shoulder to tip his hat and wink. It's an opening Yutres immediately takes, throwing Yutu behind her and jumping to hit at the monster's rib cage, landing a blow that causes a sickening crunch.

"RUN!" Yushi screams, she thinks she grabs her sister and brother's hands and drags them on instinct and adrenaline back to the base camp until a senior smites down the phantom the Hatter had mimic her sister and takes an unconscious Yutu to the medical tent.

Ortho tries to track down Yutres, but he's unsuccessful. It's months later when Idia finally thinks to send drones to check what's left of the Clover family bakery and finally finds her body. She's been laid in a children's bed, covered with a blanket. He can't tell if what's left of Trey couldn't bear to look at his dead daughter or if the phantom thought he was just putting her to sleep. It's too much even for Idia, he personally retrieves her and helps the surviving kids plan the funeral. It's not the first time he's felt responsible for getting someone's child killed, but it's the most personal.

Yutu's numb. Yushi is looking to him for guidance, and he doesn't know what to say to comfort her or to make it better. They're missing a part of themselves and are much too quick to agree to Idia's plan to send them back in time, their parents are the last thing on their minds they just want their sister back. When Yushi arrives in the Queendom she's able to tell where everyone is and go searching for them. When Yutu arrives at NRC he's terrified he's lost his only remaining sister, and that's before he has to deal with his dad.

Trey is a freak, but he's a domesticated freak. A domesticated freak who is deeply in denial about being in love with you or anything other than normal. He appreciates that Riddle feels comfortable enough to invite you to Heartsabyul, whether it's for a casual tea or for an Unbirthday party since it saves him the trouble of having to do it himself and you're always so eager to help... but then Yutu arrives and suddenly your attentions are a bit split. You still come around for the parties, but casual teas are becoming less and less. He tries to tease you about it, asking where else you're going to get your cakes from and that's when you mention it. "Oh Yutu bakes a lot and he's really good at it. I always feel bad for bothering you so, it's nice to not have to do it so much anymore." Oh? Well isn't that just cute, Trey isn't bothered by this at all. He might not think there's a difference between something bought from a store or something "made with love" but he certainly thinks there's a difference between him and another guy. And he wants you to choose him.

Yutu is terrified of his father. He still has nightmares of what happened to Yutres, and he's afraid he's lost Yushi now too. No one had much to say about Trey in the future, most all of his friends were either dead or phantoms and while Grandpa Crewel was enthusiastic in describing his interest in science he didn't give them much backstory. Idia never spoke poorly of him, and tried to impress on him that what killed his sister was a monster using his dad's magic and not actually his dad but when that thing kills your sister...

He doesn't know what to make of him. Trey's extremely chill so long as no one is causing trouble, he convinces himself to keep an eye on the Phantom Hatter, but he doesn't see any signs of that. The guy is really weird about teeth, and definitely in denial about his feelings for his parent but he is, weirdly enough, closer to that word Yutu would have associated with him before he came to Twisted Wonderland than he is anything that would describe that monster. He's domestic, a guy who looks like he'd be more at home in socks and sandals than surrounded by corpses. He overworks himself and takes naps on the Guest Room couch, he confesses that he was hoping to join some sort of cooking club but settled for the science one, and the way he looks at Yuu when he thinks no one is looking is so soft Yutu wants to choke. Idia's original warning, that a phantom isn't a person anymore and that the monster will do anything to convince you otherwise. But what would his sisters think if he ever thought about forgiving him?

"Is there a specific reason you wanted to grow violets?" Trey tries to keep his voice down, but Yutu still starts when he hears him. He didn't jump 10 feet in the air this time, so he likes to think he's making progress, though towards what he doesn't know. Yutu looks at the flowers, Trey can't see his eyes, but his grip on the watering can is tense. "Not judging, just curious." He tries to soothe him in the same tone of voice he would one of his younger siblings, and it does seem to work somewhat. "I really like them myself."

"My sister..." Yutu chokes on what sounds like a half sob, and Trey immediately regrets trying to help. "My sister really liked them she... she always thought they were romantic." The past tense catches Trey's attention immediately and something in him aches, he couldn't imagine what it would be like to lose one of his own siblings and he does talk about them a lot... was he being insensitive? Did he hurt Yutu by reminding him of his sister?

"Are they?" He isolates a few particularly well tended blooms and snips them to add to his basket next to Riddle's strawberries. "I'm not really good with those sorts of things." Yutu snorts, and Trey can't help but feel slighted somehow. "To me they just taste good."

"They taste good?" Yutu squeaks. He sounds indignant and Trey just shrugs.

"Yeah, candied flowers are really popular in the Queendom of Roses. I really like candied violets, ha when I was a kid I didn't realize you needed to cook them first and my parents had to stop me from eating them off the ground." There's quiet for a moment, Trey wonders if he's pushed it too far but Yutu's mouth finally lets out a small noise before he breaks into loud peels of laughter that sound like a weight is lifting off of Yutu's shoulders.

The first thing Yutu thinks when he hears about his father eating flowers is how Yushi tried to do the same thing when she was little. The second is how funny Yutres had thought that was, how she had smiled and laughed and Yutu cannot keep himself from laughing as well. How did this man become that creature? Did the loss of his home hit him that hard? Yutu doesn't know, but he's not afraid anymore. Some of his tension lifts, Yuu tells Trey during one of their hang outs that he's started speaking about his sisters more and that they now know he's a triplet (trey: wow those poor parents yuu: i know right? i could never). He starts getting into lighthearted (from his perspective anyway) spats with Trey over who can bake better. Trey says he has no complaints because he doesn't have to make as much for Unbirthday Party's now but ooooooh he'll be so upset if you say you think Yutu is better than him. If that was the case why's the little shit so interested in listening to what he has to say huh? And how did he pick up on Trey's feelings enough to reassure him he's got nothing to worry about?

The truth about Yutu is revealed during another monster attack. It happens during a science club trip to Crane Port, the sky grows eerily dark, and Yutu tenses out of instinct. Everyone else is confused, is it going to rain? And why is Yutu sprinting away from the group like a bloodhound with a scent? Rook is the one to give chase, Trey tagging along begrudgingly determined to keep the two of them from causing more trouble. But a bunch of trouble is exactly what they find, a monster that resembles an undead, overblotted version of Yuu is thrashing about as a group of... mages they don't recognize attack them. Trey and Rook prepare to help when Yuu notices them and their eyes narrow onto Trey and two of the unfamiliar looking mages absolutely lose it.

Yutu's disguise is knocked off, and Yushi was never wearing one to begin with so it's difficult to deny the similarity between the two now that Trey has a look at them. It's the eyes that he notices first, yellow just like his but bereft of glasses. Yuu's story about Yutu being a triplet rings dully in his mind as the fake Yuu fades from view, banished back to wherever it came from and Trey closes his eyes to do some math.

"There's one of you missing." It's not the statement they're expecting clearly, all justifications for their existence die on their tongues as they exchange a painful glance. Yushi was able to use her magic to see some of what Yutu's life was like at NRC, and she warmed up to what she saw of her dad much faster than Yutu did. Yutu doesn't want to be the one to tell Trey he killed their sister, but he also doesn't want to push that burden onto Yushi so he steels himself, and explains his story. Trey listens and he thinks. He's silent, arms folded as Yutu stumbles through his story before he interrupts his grief by pulling both of his children into his arms. He's a big guy, but they're big kids and he can barely get his arms around them both but he still feels empty.

Trey hates doing work he isn't responsible for, but he loves his family and doesn't see them as constant work. Three children? That Yuu was forced to raise by themselves? Unacceptable, the closer he has been getting to Yuu the more plans he's made for the future he wants with them. He knows what he wanted for these kids, and none of it is what they're describing. Trey might not want to be the best of all time, but he still wants to be the best he can be. Changing the future sounds like a big ask, something that Trey Clover should see as none of his business and easy to ignore. But it's not, it's different when it's his own family. If Idia thinks he's scary now just wait until three Clovers show up on his doorstep demanding he get in their party and stop the apocalypse. Four technically if you count yourself, something they really hope you do.

#<3 asks #twisted wonderland x reader #twst x reader #trey clover x reader #trey clover x yuu

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laurabenanti · 1 year

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Duplicate Frame Deletion: A Likely Unnecessary Tutorial

So… you updated to MacOS Sonoma, and–while it is amazing in many regards for photoshop things–it is a dang bummer and mood killer if you use MPV. However, after slamming my head into a wall trying to change the code on my own, I realized there is a much, much simpler solution to this.

In this tutorial, I will be showing you all how to delete duplicate frames from your gifs, with two options:

duplicate finder

within photoshop

Under the cut because pictures are a visual learner’s best friend!

A quick note:

MPV is odd with this. I’ve not had to do this on 4k capping, but have had to on anything under that. I don’t know the full reasoning, but it mostly looks to be something with the way it is reading frame rate. I know it’s in the code, but could not pinpoint it myself, and these were the only tricks that worked. If you find a better solution, please let me know! It has been rough, otherwise.

Step 1: Cap in MPV as normal

Now, this may be obvious, but make your caps in MPV. For a full tutorial on this, I highly recommend this one by kylos. The only difference between our software and their suggestion is going to be using the newest version of MPV (.0.36 at the time of this), and not the older. This is because there is an issue with MacOS Sonoma and older versions of MPV that prevent it from opening for… Some reason.

Step 2: Make sure you have your caps

I recommend moving your caps to whatever folder you like for your own ease of use. My biggest rec is to have it in its own folder, with no older folders within the folder. Not really a requirement, but in my mind, it makes the process faster (only true depending on number of files in other folders). You should have something like this (I am doing a scene from TWOT, as it’s one I’ve tested this method on a few times in several instances):

Once there, it’s time for the line split. I recommend option 1 the most (it’s faster, IMO), but again, this is a two option thing.

Option 1: Duplicate File Finder

So, duplicate finders are what they sound like. They are pieces of software that can be used to scan your device (or specific sections of said device), for duplicate files. It does not matter the title of the file, if the system reads it as a copy, it will find it.

There are a number of varieties for this, paid and free. I will not lie, the one I use is a paid version, because I had a huge issue with duplicate files taking up space when I moved to a new device. This also helps a lot with cloud file keeping, in my opinion. But that is beside the point.

This is Duplicate File Finder Pro, which I got for other reasons, but has been very useful since this became an issue. The free version is sufficient for removing duplicate files found in folders, and that is why I still suggest it. You only need to get the pro if you have other intentions.

Now, onto the next step…

Step 3: Drag and drop the folder

With our folder full of caps, we simply drag and drop it into the application to begin.

Step 4: Click “Find duplicates” and watch the pretty graph roll.

Step 5: Select the duplicate images

You can see here it found the duplicates.

Now, I could go through by hand and click them, but… that’s a lot of time I don’t want to waste. I let it auto select them instead (you can tweak the settings for auto-select, but this is not that tutorial).

Step 6: Select review & remove, complete!

Wham bam! You’re completely set and good to go. Gif as normal~ (all final results at bottom)

Now, of course, maybe you don’t want a duplicate remover. Understandable, so what then? Well…

Option 2: Photoshop & the Changing Frame rate

So, this one is a little more technical. I suggest basic giffing and Photoshop knowledge before attempting.

Step 3: Import folder as you normally would

I believe this works as it would for import video, but I don’t want to say that and be wrong. But load your files in and you’ll be here:

Now create video timeline, make frames from layers, yada yada (kylos’ guide is very good with this if you need help, it’s the same that was linked at the beginning of this). You’ll now be here:

And the actual part of the tutorial you all came here for...

Step 4: Change the frame rate

So, in the bottom, next to the mountains for zooming in on the timeline, you’ll see it reads “30.00 fps.” We need to change this to 60. How? Easy! Click the three lines circled here:

Then click “Set Timeline Frame Rate…”

A little box will pop up, change the 30 to 15 (dropdown or typing, it works the same) and click “OK.”

Your timeline will now be cut in half for length. That’s OKAY. DO NOT PANIC.

(Optional) Step 5: Double Checking

Click play on your gif, and you’ll notice it is no longer duplicate framed! To verify, let’s convert back to frames, just to see…

And it did, success! So make the rest of your gif as normal.

Your final results for the gif will be the following, with the gifs all labeled on what option was taken (or not). These were cropped for uploading and sharpened because of how I am. No coloring applied.

If anything was confusing, please don't hesitate to reach out! I'm happy to help in any way I can on this. My ask is always open. Happy Giffing!

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mattivoda · 9 months

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This post isn’t targeted towards this person in particular but I see this same sort of tiktok come up on my timeline every couple of months and it feels me with a very specific RAGE because of how wrong it is about the core message of this show.

For those who don’t know, the music from the TikTok comes from the musical The Last Five Years, made by Jason Robert Brown. It originally opened in Chicago in 2001, then making its way to Broadway in 2002 after great reviews from critics and audiences.

the elevator pitch of the show is simple; a writer exploding with success (Jamie) and a struggling actress (Kathy) and the rise and fall of their marriage.

Normally this would be a pretty basic musical, right? However the true genius comes from one key part of its storytelling: the order at which the story is shown to you.

Jamie performs his side of the story in chronological order, from the start of the relationship ending with their divorce. Kathy, however, tells her story flipped; starting with their divorce and ending when Kathy first meets Jamie.

The two actors almost never interact on-stage, singing solo songs for every single song except for the act one ending song The Next Ten Minutes, where Jamie proposes and the two marry.

Now you might be asking: why is this important to the story? and which character was supposed to be the “bad guy” in the marriage?

If you delve into the story and look at the way the story depicts both characters’ perspectives on what happened then an obvious fact becomes clear:

Jamie is an asshole and was the main problem in the marriage. You aren’t, and never were supposed to side with him.

Throughout the show, Jamie is shown to be obsessed with his own fame, gloating about how he seems to only be able to exponentially succeed in his writing. His obsession makes him blind to the struggles of his wife, even going as far as deluding himself into thinking his wife’s struggles is simply her being jealous of his success. By the end of the show, Jamie cheats on Kathy and proceeds to blame her for not allowing him privacy.

THAT’S why the storytelling of The Last Five Years is so compelling. By only showing these characters seperate from each other, it forces us to become familiar with Jamie and Kathy as individuals rather than a couple. It allows us to see Jamie’s douchebaggery up-close and personal, with the entire first act highlighting this glaring detail and allowing us to see the consequences of this as his marriage devolve in the second act. Just the simple fact that Jamie’s story is chronological creates a beautiful dichotomy between Kathy’s frustrations, sadness and abandonment and Jamie’s cocky, happy-go-lucky success story.

Before I finish writing this and go to bed, i’d like to say I don’t blame those who hold this view for thinking this about The Last Five Years for one reason only; the only way they got to see it was the movie version.

the film adaption of The Last Five Years (2014) decided that the reason the musical worked was because “interesting timeline go brrr” and decided to keep the original timeline, but instead had both characters constantly interacting.

Instead of having this abstract deconstruction of these two characters, with both Kathy and Jamie monologuing their personal thoughts and emotions separately, they mash together and create this weird, realistic depiction of a breakup. The performances from Anna Kendrick and Jeremy Jordan were amazing, don’t get me wrong, but these choices in the adaption rip the emotion and soul out of its inspiration and sell the corpse for $20 a viewing.

Jamie and Kathy’s marriage is a cautionary tale about what happens when you don’t listen and understand your partner. It is not a desperate attempt of a composer to appear in the right about his marriage and it shouldn’t be a sloppy retelling of a failed marriage with a quirky form of storytelling. Please please PLEASE if you agree with this original TikTok’s message just know you are so UNBELIEVABLY wrong.

tldr; you are not supposed to side with Jamie!!!! he is in the wrong!!!! that’s the whole point of the musical!!!!! don’t watch the movie it sucks and is innacurate!!!!!!! RAHHHHHHHHHHHH

#musicals #broadway #the last five years #anna kendrick #jeremy jordan #jason robert brown #music #theatre #art #essay #relationships #marriage #divorcedlife

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bg3ficreviews · 6 months

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The Wilted Dreams of Baldur's Gate series - BG3 Fic Review

Review by Apollo (@apollo-stories)

Good news, dear readers, after taking it outside and fighting the other reviewers in a Wendy’s parking lot, I have won the rights to review this wonderful collection with our favourite vampire, Astarion.

Wilted Dreams Of Baldur’s Gate is a seven-part collection examining Astarion and Tav’s relationship across the game and post-canon written by author emicha on AO3. You can also find emicha here on Tumblr at @wilteddreamsofbaldursgate.

There’s something for everyone in this series with some fluffy slice of life here, a little angst there, and a generous portion of smut. The series beautifully explores the ups and downs of a relationship between two traumatised individuals trying to find healing and hope.

A note from the BG3FicReviews team: As always, mind the tags! Our review is continued below the fold due to the NSFW nature of the content in some of these works.

This incredible virtual photography of our favourite vampire spawn was taken by @astarielx over on Twitter. Shared here with her permission.

This collection reminds me of a Studio Ghibli movie. If you’d like, you can read it once and enjoy it for the warmth and romance of the domestic, mundane life. That said, However it speaks to the talent of the way the author has that they have managed to create a story that feels so effortlessly natural, yet still includes weight and depth to both the characters and the plot is truly remarkable.

The series begins with You, Blinding Like The Sun.

We dive into Astarion’s feelings and conflict in the early days of his relationship with Tav. The feelings are new, and difficult to manage. We can see some initial comparisons with Cazador here as Astarion sees Tav as some perfect being he cannot hope to emulate, someone superior to him. He creates his own power imbalance because he doesn’t know any other option. Astarion has been shoved into the sunlight both literally and figuratively. Overwhelmed by the situation he finds himself in, his immediate response is to lash out.

As their journey progresses, however, this balance shifts. The author shows the reader the imperfections in both characters and how their relationship adjusts around those personal flaws.

Astarion decides that Tav is someone he wants to have alongside him through the blinding difficulty and the imperfections. It’s a wonderful beginning to a well-rounded relationship.

The following two works - Steady Hands, Frame My Love and A Gift That Keeps On Giving - focus on the developing relationship between Astarion and Tav. More specifically, the author demonstrates how the pair navigate complicated situations together.

The reader sees Astarion’s flaws and Tav’s love for him because of them (rather than in spite of them), with Astarion mirroring the sentiment about the ever imperfect Tav.

You can also see Astarion’s healing with the way he views Tav. There is little focus on appearance, more on the smaller inflections and imperfect edges. After Astarion was used for his good looks so many times, this is a refreshing contrast. The reader can see this in several of the works; as the relationship develops, we can see how they prioritise each other over appearances every time.

This collection was surprisingly relaxing to read. The work Darling, Mind if I Enjoy Myself? is a lovely smutty treat with no small amount of teasing and fluff. It’s easy enough to enjoy for the smut alone, but a deeper read reveals the depth of their affections for one another and just how much the pair enjoy being together. They are in love, and every moment is drawn out as they relish every moment.

Starlit Skirts is the end of the timeline of this series, but it is not the final story. It’s a beautifully sweet climax, with a lovely surprise at the end.

The sixth work in the series, The Scent of Missing Buttons, is actually a prequel to the previous five, and touches on the night Astarion was taken by the nautiloid.

In the prequel, the author shows us Astarion’s life as Cazador’s spawn. Astarion’s trauma is made manifest, reflecting how deeply he has been dehumanised, even to himself, to the point that he scolds himself for not grovelling enough in front of his abuser and tormentor. We are introduced to a version of Astarion that has been shattered into a thousand different pieces over the past two centuries.

Once you’ve read The Scent of Missing Buttons, the entire story unfurls like a flower in bloom. The writer has sewn links and connections into each work like the pearls on a wedding dress, and you can enjoy finding each Easter egg on your re-read (which I highly recommend). For example, you’ll find a change in sentence structure and shorter paragraph length in The Scent of Missing Buttons. It reflect Astarion’s dissociation and disconnection while under Cazador’s command, his mind numb, focusing only on what is necessary to his survival. In contrast, once Astarion meets Tav, the author’s writing becomes increasingly descriptive and poetic as Astarion starts to see the world with new eyes. The Author’s work is a fascinating example of how even something as simple as formatting and sentence structure can convey depth and nuance.

As a character, Astarion is remarkably malleable, and I’ve yet to find an interpretation of him that I don’t enjoy. His journey towards a healthy romance with Tav makes for a beautiful story with a great deal of depth, akin to a thousand fragile threads linking together with the strength of steel and creating a beautiful tapestry of their love for one another.

With the work’s excellent depiction of Astarion’s struggle to survive, his panic in a new relationship and the active choice he makes to choose loving Tav over fearing Cazador, I would happily read each chapter again and again.

Not to be outdone with the already excellent six works I've already mentioned, emicha has now added a seventh work (published only a few days ago) that I have yet to read, namely Springtime Caresses. If it is anything like its predecessors, I absolutely can't wait to sink my teeth into it.

We have included a snippet of the first work in the series below for your enjoyment. As always, please remember to support the author's work with comments and kudos. 🫶

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You, Blinding Like the Sun

He despises you.

From the moment Astarion first laid eyes upon you—confident, selfless little elf, blinding like the sun—he has despised you. You with your dazzling golden eyes, the sweet flush on the tip of your pointy ears. Your artfully arranged hair, kissed by the sun to make it shine like fine silk. The cute little freckles sprinkled all over your unmarred skin—skin that has never been touched by undesired hands. You who lived long enough to choose a name for yourself—to make a name for yourself.

How he despises all of it.

The way you win anyone over with nothing but an honest smile; the sheer purpose in your every step. That nasty confidence of yours that isn't some skill you ever needed to acquire because, to you, it comes all-natural, of course—you were born with it. Astarion can tell it's true because he’s spent two centuries mimicking the behaviour of people just like you.

And he despises you for it.

Before you were even born, the gods have bestowed their gifts on you, and here you are, not even knowing what power you hold, how very blessed you are. You wouldn’t even care if you knew, because the fact of the matter is that you have no need for gods nor gifts nor skills. Not when people gravitate towards you as if you have hung the stars. And how dreadfully inviting you always are, so very accommodating.

You can find the entire series here on AO3.

Review edited by Aivu (@aivuthedragon).

#bg3 #bg3 fanfic #bg3 fanfic review #astarion #astarion ancunin #bg3 fic reviews #bg3 smut

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the-gayest-show · 2 months

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The Haunting of Wells House/Best of Luck Review/Analysis

NEW EPISODES AGAIN YIPPEE YIPPEE YIPPEE

The Haunting of Wells House:

I love a fun episode to get my mind off the angst of Operation Birthday Take back!

The gag of this being a paranormal TV show were so great! So many minor things I loved like the "Paranormal Pursuit" show title they keep saying. Literally cracked me up the way they were saying it.

I also adore the interview gags, you cannot tell me this ain't so fitting for both of them!

"My local paper called my performance of Ebenezer Scrooge 'Not as bad as it could've been'" 😭

Her expression is golden.

Also the reference to that one painting from Cosmo and Wanda was a nice touch (I mean they already had The Scream up there before this)

(The original is called American Gothic, I had no idea! I knew the art piece generally but didn't know the name till I googled and it and suddenly boom that's the name. AND it's from the 1930s! Ain't that cool stuff!)

Jorgan reappearance! We haven't seen you in like. A bit. I'm pretty sure not since the fairy testing thing but I could be wrong. "Father Jorgan" I love how Wanda and Cosmo literally summon him for the sole purpose of "exorcising" a ghost fairy. Funniest shit on Earth fr. Bro was NOT built for the "Father" role. HE LITERALLY GETS "DA RULES" OUT INSTEAD OF A BIBLE IM CRYINNGGGGGGGGGGGGGG

Also why does bro just have like so many cassette tapes? Are they all cursed? Are more fairies trapped in tapes or something? And it's a LARGE collection. WHY DO YOU HAVE THAT MANY TAPES JORGAN WH-

Overall, this episode was fun as hell and I ADORED Hazel and her dad's dynamic together. Tbh it's so cute! Hazel is so enthusiastic about hunting for the apartment ghost with her dad it's so wholesome 🥺 I honestly love the father/daughter duo sm an episodic adventure episode is so nice. Also the TV segment thing was awesome af, enjoyed that a lot. I feel like it's probably in reference to Buzzfeed Unsolved or something.

Best of Luck:

Ohhhhh boy, Dev is back again! And it is NOT looking good! I found this episode to be kinda heartbreaking for many reasons. This entire episode essentially revolves around Dev wanting to make "rule breaking" wishes (eg. win the tournament and that t-shirt) but Peri (being normal about Da Rules) tells him he can't (because he can't) and Dev and Peri have a little fight in which Peri seems to quit. I find that looking back, he might've been crying?

Bro's got tears rolling down his face and everything!

And then he gets replaced with Minecraft Steve Foop Irep, who retains the cube shape he was born in (is this a glimpse into a potential timeline where Peri would've been a sphere?), and really hates his name change unlike his normal fairy counterpart.

HE SAYS HE'S MORE ATTRACTIVE 😭 If only he knew that Peri was a Tumblr sexy man and he.... isn't.

Anyway, Dev literally uses the anti-fairy powers of not giving a fuck about the rules to essentially wish his way into winning the stupid prize, while giving Hazel bad luck (which she manages to get past using good luck charms) and making her lose the tournament.

Important thing, let's talk about that scene after Dev wins. He's expecting Hazel to be upset about losing, like... really upset. When she's not that upset and takes losing normally, he lashes out at her.

He WANTS her to react like how he's been reacting to the thought of losing the competition. I think this is still a reaction to his dad being neglectful at the party (and he very likely hasn't stopped being absentee since then). He's projecting his own emotions, and rejecting Hazel's attempts to be nice.

"I don't need your caring and understanding, Hinkle!" (This is also a sign of Dev's detachment from Hazel, since he reverts back to the "everything but calling her Hazel" bit)

He's more happier with physical things rather than emotional. He seems to avoid the emotional wishes, likely a coping mechanism for the neglect, opting to use the rule free wishes of Irep to wish for money, love from some classmate (who he's never been shown to love back in any way before this), to be the King of America (bro really invented monarchy for a monarchy-less country. Crazy.).

And then he literally wishes for Cosmo and Wanda to be nothing! To kill them essentially! I think that's driven by Dev's idea that having two fairies is better than one (a concept I remember being battled on with Remy Buxaplenty and his one fairy), even if it isn't and they're all still bound to the same rules, and by some motivation to get back at Hazel, likely another projection of his feelings.

Just before the mini battle ends, Dev exclaims that he's "finally going to get everything [he's] ever wanted" and that they're ruining it for him. I think, deep down, Dev really wants his dad's affection. I've mentioned this before in the review I did for the Take back episode, but he seemed so devastated about the lack of attention from his father then and even way back from scavenger hunt episode when Dev and Hazel first bonded with each other. Personally, I think Dev was likely going to use Irep (and his ability to basically with whatever, in Dev's eyes) to wish his father could be different. I think that was the real goal, and all the physical stuff was for show and very surface level wishing.

Dev's rejection of Hazel eventually gets to Hazel herself, where she chucks the shirt at him and says "Fine! Take the dumb shirt! I hope it was worth it." Hazel is probably very much done with Dev for the time being, because she tried to reach out to him but she could see he doesn't want any of it.

Let's spawn in the question of Peri. Peri technically should act as a father figure or some kind of parental figure in this case, but he's defo been screwed over by the council for giving him this boy with issues and seems to resent him for constantly not listening when Peri says that some things are against the rules, which is why he temporarily takes a break. I know someone on a discord server pointed out that Peri isn't really bonded with Dev yet, and that really rings true.

You can see this when Peri pretty much ignores his godkid in favour of his parents (which I guess contextually could be described as just being wrapped up in convo, but knowing his track record it's likely the former). THE KID WAS SITTING RIGHT THERE! SAD! Peri, to me at least, doesn't seem like he's emotionally equipped for the job of truly being there for Dev. Cosmo and Wanda seemed way better at this in OG FOP, where they constantly looked out for Timmy, even if he was a bit of a brat at times. But Peri really does care, even a little, as evidenced by the fact that he was jealously watching over Dev while he was gone. He wanted him to call Peri back. I wonder if Peri will figure out how to adjust to being a more parental figures than he hoped, because for now it seems he's thinking about this more as a job than an actual child he has to take care of. I hope he'll improve that aspect of himself, especially concerning the finale.

NOW ON TO THINGS I NOTICED!

AYOOOOOO FLIPPED GENDER ROLES OF THE KNITTING AND READING NEWSPAPER LETS GOOOOOOOOO

It's also kinda weird to me that they sorta fly up and come out of the box at Hazel's school after this. It gave me the vibes of "we're living inside the box" but they aren't? Wasn't that their home? Anyways.

I said it once and will say it again: Irep is built like Minecraft Steve. You can't change my mind.

Mr Guzman is so happy at the new nickname lol. He's got that 😎 expression.

JORGAN YOU ARE BACK AGAIN. DOUBLE WHAMMY RETURN. TWO EPISODES IN ROW, KEEP UP THAT STREAK DAWG!

I guess there's a fairy HR too? And I thought the DMV was bad enough. Placing my bets on a fairy godparent union now.

Overall this episode had a lot for me to ponder on and now I wonder what Dev's gonna do with the information about anti-fairies he's gonna collect (how the fuck are the o-pears gonna know shit about this anyway). One of the episodes is Irep and Dev taking over fairy world, so I guess minecraft Steve is gonna make a reappearance, plus Dev will likely try to take over Fairy World with the same vulnerable-ish state he's in. I LOVE the plot thickening! FUCK YEAH BITCHES WE GETTING LORE

#posts #fop a new wish #my reviews #got that nice sobered up analysis let's gooooooooo #also I put an alt description for the images bc I was bored. this might be recurring but may not. we'll see!

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zahri-melitor · 25 days

Note

What spreadsheet app/program do you use to log comics? Asking for recommendations

As I’m only using it for ‘a convenient cell-based table structure’, I keep mine in Google Sheets as it’s easiest to check and update from my phone; but I may have done the design work in Excel or Calc and transferred it over (something I often do).

Design was homebrew, but I looked at a number of different people’s own tracking sheets while I was building mine. Some people prioritise sorting which characters appear in the comics; some people prioritise building a combined timeline; some look at how trades are collected; mine have a focus on ‘what issues were published when’.

This is my main sheet which is has been built and expanded over time for different purposes. It is most useful for checking what I’m reading is lining up and contains a lot of notes on stories, crossovers and things that I might want to look up later. I also have separate post-Crisis reading lists for a number of characters I keep track of for collecting all their appearances. In contrast, this is my New 52 specific sheet that is more focused on when titles start and finish and the pattern of cancellations and new titles being spun up in title churn than on specific issues; that’s because the numbering system is highly predictable.

The most important questions are:

1. Why do you want to track your comics? Is it just ‘I’ve read this’? Is it what titles are out there and which you've read? Is it ticking off a reading list?

2. If you go back to the sheet later what information do you want check about that comic: is it ‘I’ve read this’ or ‘is this part of an event’ or ‘who wrote this’ or ‘when did their costume change’ or ‘who was in this issue’ or ‘was a timeline marker mentioned (weddings, birthdays, ages, school years)’ or it contains specific quotes/panels you like talking about?

3. What is the minimum information you want to record? You cannot expect to write a full review of every issue, so what is the most important thing to know? What is the laziest option that still meets your requirements?

4. How do you organise your reading? Is it a single title at a time? Is a chronological period? Are you following a character reading list? Is it by order of events in the comics or by publication date?

All of these help shape what design you want.

A quick roundup of a few hits of other people's tracking that I've referenced before for my own purposes:

@bitimdrake's New Earth/Post Crisis Reading Order

@silverwhittlingknife's Dick and Tim Reading Guide

@clay-cuttlefish's The Complete Question Reading List

@kiragecko's DC Sidekick Timeline (For Fanfic)

(I also have a number of others stashed away but I cannot find public tumblr links for them and often I just have them as copies, so I won't link them)

#reading dc comics #if you want to drop your own links here I am 100% fine with that #the more the merrier (and the more details I can coo over)#I am pretty certain I have androxys' sheet squirrelled away as a duplicate for instance

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wen-kexing-apologist · 1 year

Text

On the Subject of Pat 2.0

Hello! It’s your resident 25 year old working their first job out of grad school with no family in the area and a friend group that is comprised mostly of people older than them here to talk about "Pat" Phakphum Tangwatthana another resident 25 year old working his first job out of grad school with no family in the area and a friend group that is comprised mostly of people older than him.

I have seen some confusion or distaste around Pat and Pat’s storyline in the most recent episode, and I understand the criticism around the editing needing to be tighter, but I do just want to talk about my own perceptions of Pat and why I didn’t need any more explicit explanations for his behavior than we already got.

It’s essay time :D

Pat and his emotions in Episode 9:

We start the episode on Pat’s point of view, cutting back to the previous evening and establishing Pat’s level of inebriation

Gif from @pharawee

Everything is ghosting and blurry and it is very clear that Pat was out of his head if not out of his body when he was having fun with Jeng on the dance floor. This is evidence enough as far as I am concerned that Pat had absolutely zero knowledge of Jeng’s dance floor confession. But what he does remember is learning Jeng is queer. Which as we are all aware, rocks his fucking world.

Now, I wrote in my previous timeline that narratively, Pat has never had the time to contemplate the sexuality of his boss. At the very beginning, he spills glass jelly on Jeng’s shoe and meets a kind and very attractive man, and then he just simps over this very Lorge Man for awhile while Jeng is actively trying to manage a crush on an employee because he understands would be a huge HR Violation if he were to try to pursue that thread. But Pat has been flirting hard, in ways that are obvious if you are queer and able to identify them, but less so if you are straight and don’t automatically look at the level of familiarity as flirting. However, we have to look at when, where, and how Pat and Jeng break their professionalism and where they maintain it.

Pat only initiates the break in professionalism when he is drunk and/or out of the office. His criticisms of Jeng he gives in the review? Drunk. His commentary about how when he first met Jeng he was nice and he is having a hard time reconciling that Jeng with micromanaging boss Jeng? Drunk. Hanging all over him and tugging at his shirt? Drunk. Hanging all over him and tugging at his shirt round 2? Drunk.

The rest Jeng initiates. He engineers the dinner in his office, he asks Pat to come over on Sunday to work, he suggests Pat get ready at his apartment, he suggests he and Pat share a hotel room, he asks Pat to accompany him to the furniture store, he calls the video of drunk!Pat cute, he asks Pat to go on the restaurant tour with him.

So, from this we know that Pat is aware enough of the office gossip and when in control of his mental faculties, is able to temper his feelings towards Jeng while at work. And that Jeng has been simping hard from the beginning, and Pat has been reciprocating the energy whenever Jeng starts the interaction.

But we also know that Pat has a difficult time handling his other emotions, especially while at work. Partially because he is young, partially because he is exploited, partially because he is almost certainly spending a lot of his time focusing on a) not having a meltdown and b) not hitting on his boss in front of his coworkers.

Anyway, the timeline of Pat’s immediate emotions around Jeng’s sexuality confession I have previously outlined so just keep that in mind while I continue to ramble about Pat in this episode.

Pat learns Jeng is gay, freaks out about it because Jeng is fully aware of everything Pat has been doing, and Pat is fully aware that Jeng has been intentionally flirting with him this whole time. Spirals about it in his dreams the whole night and wakes up hungover and having an existential crisis about what the fuck comes next for him.

He takes the day off, tries to give himself some space to think, process, reassess, and figure out his next steps. But instead…his Mom is in town, and in his kitchen, cooking him breakfast.

What is she doing here? He doesn’t know, it’s a surprise, and a good surprise because we know he has a good relationship to his parents, and you can tell that from the way he interacts with his mother. But a mother is going to mother, so she’s going to comment on his eating habits, and he’s going to lie about how often he eats instant noodles, and she’s going to check in on his health, having seen him absolutely plastered the previous evening, and she is going to ask about the very kind and handsome man that helped Pat home and made sure he was safe.

And she’s going to say a passing comment about Pat being a burden to his friend.

Which, looking at Pat’s face here, was not really what he wants to be hearing at this particular moment. Not when he is trying to get Jeng out of his head, not when he is trying to create space to figure out what he is feeling about that entire situation, the reality that he could have what he wants, the understanding that Jeng has been wise to Pat’s attraction to him this whole time. Not when he got in to that whole situation with Jeng last night because he was trying to distract himself from being sad about breaking up with Put. His parents live in another country, they have no idea what is going on in his life, his mother sees her son was out with a nice man and so has no reason to suspect something would have been wrong. So she stumbles right in to one of Pat’s sore spots.

“Where did you meet him?” she asks and Pat’s goes:

If anyone needs a live action shocked pikachu face, look no further. He knows he cannot tell her. He knows what it would sound like, what it would seem like, how inappropriate it would appear for him to say “I met him at work” and even more so if he has to say “that is my boss.”

He’s had the realization that Jeng is gay, and therefore that a relationship between Jeng and Pat is possible, and he is now having the realization of just how bad it would appear to literally anyone on the outside. Even now, even before they are dating, when they are just coworkers and friends, his mother knowing that he was out, late at night, that drunk around his boss??? Absolutely not. Pat recognizes that and quickly shifts the focus of the conversation away from Jeng, asking his mother about a doctor’s appointment she is supposed to be getting to.

Another outfit, and another day has passed. Pat is staring at the stuffed tiger that he got on his furniture -date- shopping trip with Jeng. A stuffed animal that he has been using as a replacement for the shark stuffed animal that he had when he was with Put and that Put has used to manipulate Pat into talking to him and into considering re-entering into a relationship with him. This tiger here is serving as both a reminder of Put, the fact that Pat was unable to love Put because of his feelings for Jeng, and as a reminder of Jeng, whose sexuality, level of availability, and messy HR potentiality are all front and center in Pat’s mind. So he hides the tiger away in a drawer where he doesn’t have to look at it, so that he isn’t faced with a constant reminder of the personal crises in his life, because he is young, and his parents are here, and he’s never experienced this particular combination of emotions before, and to talk to his parents about his dilemma he would have to explain this situation to his parents and I don’t think Pat believes he can talk to anyone about it. Because all of his friends besides Ae are friends from work, Jaab is Jeng’s brother, Jen and Jaab are going through it and Jen is quitting, Kanon was on the production team and Kanon is married to Ae so whatever Pat says to Ae may get back to Kanon pretty quickly. Chot is fully incorporated into the office life and is fully aware of what is going on (and in fact may think Pat and Jeng are much further ahead in their relationship than they are) but Pat thinks he’s being sly about his feelings for Jeng, and Chot being directly in the office rather than on an outside production team is not going to be a draw to talking about his feelings for his boss.

Meanwhile, Jeng is approaching the other queer in the office to ask if Chot has seen Pat cause he hasn’t been in the office in a few days and realizes that Pat is taking days off without even

notifying him. Readers, I do not need to show you Chot’s face throughout all of this. Chot is 150% convinced that Jeng and Pat are in the middle of a lover’s quarrel. I need a Chot live reaction to finding out that Pat and Jeng haven’t fucked yet, and a gravestone for Chot when he learns that Pat thought Jeng was straight.

Alright, so, Jeng is in his sad boy hours clearly pining after Pat in the office in front of Chot, but pushes that all back down in order to perform his necessary duties as a boss. Jeng too, is trying to keep control of his emotions, but will end up losing his grip of them and having an utter break down.

But this is not about Jeng, this is about Pat

Pat’s Mom is here, but she’s settled in, and Pat’s off work, so maybe now he has time to try to process some of his emotions?

Nope! Dad appears!

And what? Another surprise! Another parent coming to stay at his house without warning, and for what reason?

…

Oh.

Oh shit.

Pat has completely lost track of the passage of time. Which hey, works for Ae going from 0 to 30 weeks out of nowhere. Why does his Dad come to Thailand around this time every year?

It’s almost Pat’s birthday, and Pat has completely forgotten. This man has been juggling all of his work, a ton of his coworkers assignments, MLM schemes (the only mlm Pat is interested in is…nevermind), the Forge project, The Forge commercial shoot, leading the commercial shoot, his relationship with Put, his breakup with Put, navigating remaining professional in a workspace with his recent ex when emotions are still raw, and his mounting feelings for actually gay actually single hot boss man. On top of that, Pat is living alone, surviving off of ramen noodles, and (iirc) waiting to see if he makes it past the probationary period and is actually going to be allowed to stay on as an employee when that window is over. Jen is an adult, and not one Pat knows very well, Chot has his shit together and is engaged, Ae and Kanon are adults, married, and soon-to-be-parents, and Jaab is his age but is just as much if not more of a hot mess than Pat is. Pat gets convinced to go on that restaurant tour by Ae and their other friend, but those two are straight and therefore will not get what Pat is spiraling about after finding out Jeng is gay. So where can Pat go? Who can he turn to for advice? Who is going to have the time and the understanding and the patience to help him navigate all of these rising pressures?

Well, we get a good indication, of where that is heading because Pat’s dad takes one look at Pat’s utter shock at realizing that he has forgotten his own birthday and states:

Life must be pretty hard lately. His father is in the know, he’s gettin’ wise, gettin’ with it. It’s a great dynamic of Pat pretending to be fine for the sake of his mother, and then having no ability to hide from his father because the initial shock of the realization meant he wasn’t able to mask his emotional state.

He burns his ramen noodles, his father cooks for him. Gives him vegetables. Calls it like it is in Pat’s life even though he doesn’t have the full context.

Pat returns to work, and Chot starts doing his gay fairy godmother deal, vague-posting about what he thinks Pat’s problem is through the lens of his own issues. He knows Pat is young, and Pat is coming out of a relationship, and that Pat does not have a lot of guidance on the whole Being Gay in Thailand thing, despite being pretty comfortable in his sexuality and navigating his relationship with Put pretty maturely, if we’re honest. Chot is reaching out, Chot is extending the hand, Chot is trying to turn the tide of their relationship from just work friends to friends who can rely on one another in their personal life.

Now, Pat has been dissociating for the entire conversation thus far, because realizing he has forgotten his birthday because he’s been so caught up in everything has started his death spiral. When Jeng came out he tripped into it and was gripping at the edge of his remaining sanity by trying to give himself time and space to work through his emotions, but the arrival of his father and the understanding that he has not been thinking about himself for however long is what starts this final (and ultimately unsuccessful) attempt at managing his emotional state.

But Chot’s admission that being gay is hard for Krit, snaps Pat out of it a little bit, and we get Pat’s “At least he’s straightforward with showing you that he loves you” and now…Pat has not been paying a whole lot of attention to what Chot was saying, so this is either Pat being very good at processing information while dissociating, and/or Pat picking up on the part of the story that is most relevant to him and attaching his own frustrations with his current situation to it.

“At least he is straightforward with showing you that he loves you”

Okay, so let’s explore who this is about. That’s right. It’s about literally every possible romantic pursuit of his in the last few weeks/months. Put, MLM guy, and Jeng.

On the Put end of things, Put left Pat two years prior, valuing his job over his relationship with Pat while simultaneously struggling with his own queerness. When Pat and Put get back together, Pat pours his whole heart and soul into trying to make the relationship work. Because he needs it to work. Because he’s in love with his boss and he can’t be in love with his boss because that way madness (and job loss) lies. We do see moments of them being lovey-dovey, we see moments of flirtation, but the show is extremely intentional about showing that Pat and Put’s relationship is not a happy one. Put ignores Pat over dinner, that dinner scene where Put is mostly focused on his cellphone is dimly and cooly lit, with the tiniest smidge of warmth behind Pat and nothing anywhere close to Put.

They make out in a hotel and Pat asks if Put likes him, and Put does not give him an answer, he just flips the question back around on Pat. Pat doesn’t answer either, not at first, he just kisses Put, and then realizes that it doesn’t feel the way it used to, and whatever feelings he may have had for Put before are no longer there. Because he is in love with his boss. So he leaves Put and goes to the party to seek out the person he wants to be around/with. When Pat breaks up with Put he calls him out on his attempts to manipulate him. So Pat is sad about the break up, sure, and he is allowed to be. But he is also reconciling here with the fact that Put never showed interest in him, unless and until Pat was threatening to leave.

Then we get MLM guy, who is very forward in his interest with Pat. Pat is picking up what MLM guy is putting down (he thinks), and gets all excited about the prospect of having another Hot Tall Boi to channel his energy into so that he isn’t left to think about Jeng or Put’s return to Thailand. Pat is excited for the “date” and is devastated when it turns out this man wasn’t interested in him at all, he just wants him to join a multilevel marketing scheme. After which Pat is harassed at work and hounded by this man until he is literally threatened. So now Pat has to grapple also with the knowledge that the one person who seemed to be obviously, openly interested in him, was just using those emotions to get something out of him. Yet another manipulation. On the Jeng end of things, Jeng is forced to be subtle about his love for Pat by nature of the power imbalance inherent in a boss and employee relationship. Jeng has been intentionally engineering his romantic advances to have as much plausible deniability as possible. Which means, Pat, thinking that Jeng is straight, has not picked up on them. Or rather has convinced himself that Jeng wasn’t being intentional about making moves. If Jeng had been more obvious, had pursued him the way that Pat is used to being pursued, that is, more explicitly, if Jeng had even been more obviously queer, then Pat would have known immediately. But Pat has a luxury that Jeng and even Put do not, which is that him being clockable will not ruin his whole life the way that Put and Jeng as famous, prominent people would run the gauntlet if that information were to get out. Put says it himself in Episode 8: “A famous person like you might not be able to come out a lot, right?”

Jeng isn’t clockable as queer to the average person, and as Pat has been actively trying not to read into things, and has been trying to rein in his own horniness for Jeng, Jeng isn’t clockable to him either. SO…all of this to say that Pat feels that Put was not straightforward with their love, and that Jeng has been disguising all of his attempts at wooing Pat under a safety blanket of work. So Pat is feeling primarily hurt, lied to, and betrayed.

So, what we end up getting with Jeng is…manipulation. He has manipulated every situation to get Pat and him alone together, while at the same time not clueing Pat in to the fact that is what he was doing. While additionally not clueing Pat in to the fact he is gay. While also not clueing Pat into the fact that he’s Jaab’s brother until Pat literally walks into the middle of an interaction between Jaab and Jeng. While also not initially clueing Pat in to the fact he is Pat’s boss even after Jeng realized.

The past two people that Pat has been interested in have manipulated him over and over again.

His coworkers have manipulated him over and over again.

How else is Pat supposed to see Jeng not being explicit about his feelings? He’s being manipulated once again by Jeng not saying anything.

Chot lets Pat know that he can talk to him about anything, and Pat says “it’s ok, it’ll pass”.

Why is that relevant? CAUSE OF PARALLELS THAT COME LATER.

Anyway, Pat is giving an explicit invitation to talk about his feelings, and he brushes it off. Because Chot is an office friend in his office where his boss who he is having feelings about works, and Pat is very much oblivious to the fact that any gay within a 20 mile radius can see what is going on between Pat and Jeng. So he thinks he can’t be honest. Because that puts him and Jeng both in a sticky situation.

So he puts on a brave face, because he thinks that he can, because Jeng isn’t supposed to be in the office today. Because Chot told Pat that Jeng was out and Chot was covering. (Yet another reason why Pat may not want to talk to Chot about Jeng, Chot is literally acting as his boss right now). Because the thoughts Pat is having, the feelings that he is having, they are manageable so long as Pat does not have to face Jeng…

Except Jeng appears. On a day that he is most definitely not supposed to be here. They are at working, they are at work. Jeng does exactly what Pat has just indirectly told Chot he wishes someone would do.

He pulls a “boyfriend” and gives his jacket to his freezing love interest.

Now, is this something Jeng would do in the office? I fucking hope not. But currently, Jeng and Pat are sitting in the back of a dark room, with literally all the other queer people in the office. This is a safe space, this is a shelter. It’s why and how Jeng and Pat’s closeness has progressed in the most recent episodes. Because they have been away from the physical office space, around the straight and sometimes homophobic coworkers, and instead, on set with literally every gay boy known to Man. Jeng knows Chot knows, Jeng knows Jaab knows, having realized that Pat had no idea that he was gay, Jeng has decided he has been approaching things wrong, and gets bolder.

But, Pat has a) still not processed everything, b) is still oblivious to the fact that everyone around him knows exactly what is happening, c) is in the office, and d) is in the office with JENG who Pat was explicitly told would not be there. So you can imagine the stress he is under, and you can imagine with his track-record of manipulative men, that he is thinking very much that Jeng is playing with his emotions.

Because Jeng is playing with his emotions. Not intentionally. But Pat himself has never experienced this particular set of challenges before and Jeng is always on the brain. Pat’s emotional state is out of whack and it is at least 50% Jeng’s fault. Pat, again very maturely, hands that token of affection off to Chot, so that it will seem like nothing. So that it will read as nothing to anyone around him. Because Pat doesn’t know that they know.

Pat, who has still not had the opportunity to get the time and space that he needs from Jeng, because his parents are in town on an extended stay, because he had to go back to work eventually, because Jeng is now right there, once again does the mature thing, and walks away from the situation. He makes space.

Jeng follows after him, which again, makes it extremely obvious that Jeng is acting inappropriately close to Pat. But Jeng knows everyone in the room knows, which is why he can get away with it. But Pat just wants to be alone and Jeng is not letting him.

They retreat to an isolated corner. Where they have one of the juiciest conversations to date:

Jeng: “Did I make you uncomfortable in any way?’

Pat: “No, I’m just tired,”

Jeng: “Is it my fault?”

Pat: “No,”

Jeng: “I’m sorry”

Pat: “Why are you saying sorry to me, when I said it wasn’t your fault?”

Jeng: “You didn’t answer my text, ever since that day”

Pat: “Mr. Jeng, could you stop texting me? If it’s not work related. Don’t invite me to go eat. Don’t drop me off at home.”

And Pat says all of this without making eye contact with Jeng. When he finally does look up? He can see how devastated Jeng looks.

It confuses him in fact, to see this strong of an emotional reaction to Pat drawing these boundaries. Because, while Pat has not explicitly stated this yet, he thinks Jeng is fucking with him. This reaction is running very counter to what Pat is anticipating from this conversation.

So he has to say something else to fill the silence, and to soften the blow:

“Uh…I want to thank you. Thank you for everything. But please don’t do it again. Especially in front of everyone.”

“I can’t say no.”

And I take this two ways coming from Pat. First that Jeng being his boss puts Pat in the terrible situation of potentially not feeling comfortable saying no to Jeng. Because Jeng has power over Pat, even though we all know (or I at least hope based on this entire show so far) that Jeng is not the type of person that would take a personal vendetta out on Pat for rejecting his advances in the office”

Which is why I want to take a secondary lens to this conversation, and read that “I can’t say no” line as a double entendre. Jeng has let Pat know he is gay, Pat has placed all of their interactions into the context of that new information, Pat has realized that Jeng has been pursuing him this whole time. Pat realizes there may be reciprocated feelings involved. Pat tells Chot indirectly that he wants someone to be straightforward in their love. Jeng gives him the jacket. Pat has now been offered a much more clear admission from Jeng about his interest. Pat has feelings for Jeng. Pat has very strong feelings for Jeng. Pat hangs off of Jeng at every given opportunity the second he is out of his head. If Jeng pursues him, if Jeng is genuinely interested in him, if these feelings he has are reciprocated, and Jeng does not give Pat space. Pat will give in to his feelings and they will start an incredibly inappropriate workplace relationship.

Pat can’t say no because Jeng is his boss, and Pat can’t say no because he’s been DTF from the moment he laid his eyes on Jeng.

And again, I argue that Pat has actually been navigating this entire situation incredibly maturely. He removes himself from situations where he may be seen engaging in inappropriate workplace relations, and sets firm boundaries around what type of contact he and Jeng can have.

Pat tries to leave, Jeng pulls him back, wraps him in a hug, and does the thing Pat wishes people would do and is straightforward in his love for Pat:

Gif from @bellepark

Now here is where shit gets fun (read: terrible) for Pat emotionally. Because, ya know, he hasn’t already been dealing with enough shit. Pat sees Jeng: handsome, rich, successful, talented and cannot possibly fathom a reality where Jeng is actually in to him, a 25 year old in his first job, no wealth, no successful business ventures, who is feeling very much like the is untalented because of Chris’ mom on the commercial set. Jeng is everything, Jeng has everything, what could Pat possibly offer?

Gif from @bellepark

It legitimately does not compute. It is far, far simpler for Pat to assume that Jeng is fucking with him, toying with his emotions, possibly even trying to get Pat to admit to feelings so he can turn around and have him fired.

And If it is true that Jeng likes him, then how much has Jeng’s crush impacted his ability to accurately critique Pat? Was Pat only told that he was doing a good job by Jeng because Jeng had a crush? Was Pat given the commercial spot because Jeng had a crush? Is Pat even good at anything or does Jeng just want to fuck him and is therefore elevating his positions in order to leverage Pat’s growing importance to get Pat to do what he wants?

Pat has spent too much time lately being manipulated and being bullied and that is where he is coming from in his interaction with Jeng here. He is young, he does not understand what Jeng could possibly, legitimately want in a relationship with him, and if he lets himself believe that it makes sense for them to be together, then he will not be able to stop himself from getting in to a very dicey HR situation.

Jeng goes home, has a #hotgirlmeltdown and this is where I bring up the parallel that Pat told Chot “It’ll pass” and unfortunately for me Gaga has made it so that when I screenshot I get a black screen so I can’t capture the translation there. But I will just write it down:

“I can handle it…I think I can…I’m fine,”

It reminds me of Pat saying “it’s okay, it’ll pass”

Both of them are lying, but Pat was detached from his feelings when he lied whereas Jeng is consumed by his.

But this is not about Jeng, this is about Pat so we are gonna cut to Jen’s going away party.

Pat is wearing the same outfit as when Jeng confessed and Pat rejected Jeng so we know that Pat is coming in to this party riding a massive emotional wave, and trying to temper that storm. Because he doesn’t have time to process that right now, because this is Jen’s party, and because Ae sees Jen sulking and hands Pat the responsibility of talking with him:

Pat is gonna have to compartmentalize whatever feelings he is having to go handle Jen’s emotional state.

The significant beats I picked up on in this conversation with Jen are the following:

Pat saying he wished he had a home in another province to go back to

Jen saying it is a safe zone for him

Pat having the reality of being able to run away from his problems immediately crushed by Jen saying that he cannot pursue his dreams back home because everything is in Bangkok

Pat having the reality of being able to run away from his problems crushed again when Jen says “Well, everything is here and look at how bad it is”

Jen brushes off his own feelings and asks Pat how he is doing, and here is the crucial part. Huge shout out to @lurkingshan for pointing this out in a conversation we had last night. Jen is quitting. Jen is no longer a coworker to Pat. Pat has someone who is gay, who is no longer going to be involved in company business, and who is moving home to another province and therefore Pat can feel comfortable being honest because Jen is about to become very detached from his world.

“I don’t know, I’m very confused,” Pat says. And this is the first time he has voiced an emotion since he told Jeng he was sad about his break up with Put.

“Is it Mr. Jeng?”

Pat has his shit rocked by Jen asking him about Jeng so casually, like it is no big deal, like he is In The Know. Pat has really been operating under the assumption that no one could tell he had a crush on Jeng.

“These two brothers are the same” Jen gets it. Jen is telling Pat he gets it, and he’s telling Pat that neither Jeng nor Pat have been slick.

“I don’t know, it’s like he’s playing with my feelings,”

And I know this line may be a point of confusion for some people, because we know that Jeng is being sincere. We know, as an audience, how much of a fucking simp Jeng is for Pat. Jeng would crawl on his hands and knees for Pat. Jeng would almost certainly renounce his family and his title and his wealth for Pat. And if we didn’t get that from the last eight episodes, we are explicitly told how much Jeng likes Pat immediately before this scene. Pat consumed every waking thought in Jeng’s head. WE know this. Pat does not.

Pat thinks Jeng is playing with his feelings because of what I outline earlier re: all the manipulation Pat has been through recently with MLM guy, with Put, and with the situations Jeng has manipulated to get them alone together.

Pat believes Jeng is too good to be true, because he’s moved past the stage in the office job where he was so burnt out, stressed out, and exploited that every piece of constructive criticism felt like a personal attack. Pat isn’t angry at his workplace anymore, and therefore isn’t channeling his rage at Jeng anymore, and therefore isn’t focusing on Jeng’s flaws anymore, and as a result thinks Jeng reciprocating Pat’s feelings is too good to be true. Also because Pat doesn’t trust himself. Pat doesn’t see the parts of himself that Jeng sees. Pat doesn’t know why Jeng would like hin because Pat doesn’t understand the ways in which Pat brings life and joy and play in to Jeng’s otherwise extremely serious, almost entirely work-related life.

But Jen will not let Pat have that. Jen is older, Jen is wiser, Jen is an outside, relatively neutral third party where Pat and Jeng are concerned (Jaab is a whole ‘nother story). Jen can understand where and how Jeng and Pat are good for each other, and as a result he is quick to tell Pat not to sell himself short.

And he gives one of the most important pieces of advice that he can give to Pat is that if Jeng truly likes him, he’d find a way to tell Pat.

This singular piece of advice is going to save their relationship I tell you.

Whatever hope, whatever resolve that Pat has to navigate this storm. To figure out if Jeng actually likes him, if Jeng will do something that convinces Pat that he’s serious is crushed the instant Chot tells Pat that Jeng resigned.

Now, those of us in the workforce should be screaming “FUCK YEAH!” because Jeng is taking the responsible adult route by stepping away from his role as boss. Which, if Pat and Jeng were to get together would eliminate any conflict of interest, and if Pat and Jeng weren’t to get together would eliminate any fears Pat would have about Jeng a) harassing him b) firing him or c) retaliating for Pat’s previous rejection.

But…to Pat?! Well, he’s just ruined Jeng’s life. Jeng quit his job, from the company that he built. Pat understands that between Jeng’s position and Pat’s position, Pat is by far the more replaceable of the two. This is Jeng’s family’s company. Pat has realized that he fucked up. Pat is realizing that Jeng is not overstepping boundaries because he is trying to harass Pat, but because he has genuine feelings because the second Pat said to keep it work-only Jeng up and fucking left so that Pat wouldn’t have to worry about seeing him around.

Pat is thinking, Pat is contemplating, Pat is dissociating, and as he goes to wander like a zombie back to his house at the end of the day, SURPRISE Happy Birthday, Pat! Mr. Jeng baked you a cake!

AND THIS IS A LOT TO PROCESS CONSIDERING THAT PAT FORGOT HIS OWN BIRTHDAY! But Jeng remembered, and Jeng made something for him. I would love to go on and on and on and on about the lighting in this scene, but this write up is, as usual, far far longer than I anticipated, and a lot of the lighting details were covered in this phenomenal post by @istanchan

So we are just gonna go with the major take away from this scene. The flame is ignited between Pat and Jeng, Jeng is out of focus, and when Pat blows out the candles, extinguishing the flame, Jeng comes in to focus. Pat is now forced to face his feelings about Jeng, in a way he has been desperately trying to suppress for however long of a time frame this episode covers.

Pat goes home, yet again dissociating because the second that he reattaches his consciousness to his body he knows its fucking over.

And at this point, Pat has exhausted all avenues. He tried to get over his initial crush on Jeng by dating Put, and realized that he was not actually interested in that relationship. He tried to give himself distance and time to process his emotions immediately following the coming out incident, and was interrupted by his mother, he tried to brush off his feelings in the hope that they would pass, he returned to work and tried to get back into the groove of things under the safe assumption that Jeng would not be there, only to have Jeng show up. He asked Jeng to keep their interactions work related only to have Jeng hug him and tell him he really likes him, he started to have a conversation about his feelings with the only person who would understand, who is about to leave the province, and he maybe is feeling a bit better, and certainly more resolved. We can tell that also in the way that Pat approaches Jeng’s office after his talk with Jen, only to have the rug pulled out from under him with the update that Jeng has resigned.

He has tried and tried and tried to get over Jeng. He has tried and tried and tried to convince himself that Jeng can’t actually possibly like him back. This man has tried. And he can’t take it anymore. He sits down, his parents sing him happy birthday, they immediately pick up on the fact that Pat isn’t doing well, and they ask the fateful question:

And this is the first time Pat has really had to sit and process everything. This is the point where he settles down, both exhausted and having exhausted all other options…and everything hits at once.

“This is the year I forgot my own birthday” my life has been so busy and chaotic I have fully lost track of time (starting a new job, being exploited at new job, getting new boss, getting micromanaged by new boss, being hate crimed at work by my coworkers, best friend gets pregnant, working to get Forge client secured, trying to do 90% of the labor in a one sided relationship with Put, filming Forge commercial and trying to convince the Forge people that he is competent)

“I even forgot that you’d come back to see me every year,” I am a bad child for forgetting my parents would come to visit.

“It’s like I focused on everything except myself,” I have been avoiding my own feelings and focusing on others (i have been suppressing my feelings for Jeng, I have been trying to put those feelings elsewhere, I poured all my energy in to work and in to the MLM guy and in to Put)

“But I don’t know how to deal with this feeling,” I have tried fucking everything I know to manage my emotional state, which I know is already a weak spot of mine and something I am actively working on and nothing I have tried has brought me even remotely close to working through these emotions.

His parents immediately jump in to help, but the problem is Pat without context is not making a ton of sense, and the only thing they really have to latch on to is “I don’t know how to deal with this feeling” and his parents give him a hard truth.

“You can’t escape anywhere.”

It was something that Pat started to realize in his conversation with Jen, when he told Jen he wished he had a house to escape to, and Jen reminded him that he could have no dreams there. But Jen is heartbroken and fleeing from the bad things in his life, so it hits a little different when Pat’s parents, who he loves, who seem to generally have their lives together, who are divorced but still clearly get along, who love and care for one another despite no longer being married, and who are emotionally very mature, and shining examples to Pat of how to navigate emotional turmoil look right at him and say “you can’t escape this feeling,”

And Pat has a breakdown.

Which, in my opinion, makes complete and total sense and is incredibly justified considering everything that he has been through in recent months. Everything that he has been trying to navigate and manage while he is alone in another country, away from his family, with no friends to talk to because of the ways they are connected to him.

And doesn’t it just suck that you finally have the people who have supported you all your life look right at you and be unable to do anything but hold you through your tears. Physically he has support, but there is no way out of these emotions but through them.

This is the release, and he still has a lot of shit to sort out, but he’s had a good cry and he’s ready to press on. He goes shopping with Ae, and while he does still seem distracted, he is doing better, he is participating in conversation rather than fully dissociating, he is teasing her (“can i have that cake?”) so he is moving more towards a point of equilibrium. Ae has her baby, makes him an uncle, and that is enough to shake Pat out of the depression spiral he has been in because look at the amazing miracle of life he has just witnessed.

He returns home from another chaotic and exhausting evening (helping his bestie deliver her baby on the back of a bus #casual) and finds a package waiting for him.

An incredibly well utilized in-universe ad, of a snack Pat mentioned he liked once, in passing, months ago to Jeng. Jeng has always paid attention to Pat, and I don’t know how much attention Pat has allowed himself to pay to Jeng that would get him to realize that. It’s the aspect of this whole thing that Pat has not been ready or willing to acknowledge. Because the second he realizes that Jeng is gay, the depth of Jeng’s engagement and focus on Pat becomes a lot more clear.

Pat find the happy birthday note from Jeng and collapses on to the bed surrounded by the snacks to think about things.

To think, in particular, about what Jen said about Jeng finding ways to show he cares if he is serious.

It cuts to Jeng, who is being driven to the brink of madness, who has been trying to maintain distance, but needs more than life itself to let Pat know that he is serious. It has been days, days at least since he has last spoken to Pat, and he cannot stop thinking about the final thing Pat said to him “Why do you like me, it doesn’t make sense,”

Jeng sends this message

And the episode ends before we see Pat get that text. I am very excited to see his reaction when he reads that, surrounded by wasabi peas.

Now, maybe I am way way overanalyzing all of this because I will always come to Pat’s defense, maybe I am trying to convince people that if you just follow the lines and the lights and the body language everything you need to understand Pat is right there because there are so many parts of Pat that live in me, (though many that don’t), maybe I am blind to where the gaps in this episode rest when it comes to how they wrote Pat’s story, but I didn’t need more explicitly stated moments for Pat leading up to this breakdown because, well…

It makes sense to me.

(thank you to anyone who made it to the end, I recognize this is a long post even for me, haha oopsie. I would be unsurprised if I hit 10 hours total of work on this post between screen-shotting, double checking scenes, and writing it)

#step by step #step by step the series #step by step analysis post #step by step meta #step by step discussion #jengpat #manben #ben bunyapol #man trisanu #dee hup house #jeng x pat #gonna have to start getting an editor on my posts or something to tone them down #damn #at least y'all are well trained in reading lots of text a la fanfiction style #maybe i can fool you in to reading this whole thing

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alexanderwales · 4 months

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Book Review: Metropolitan Man

[content warning: sexual violence]

It's been 10 years since I wrote Metropolitan Man, and last night I read it for the first time in almost that long. Since writing it, I've written over 4 million words, and hopefully, grown as a writer. I've also forgotten parts of the story, so was looking at it with as fresh of eyes as possible. These are my overall thoughts.

I should say, before I start, that I've read tons of comments and discussion on this story over the years. I don't know how many of these thoughts are my own, or how much I've internalized things that people have said.

Writing Style

There were lots of changes I thought about making while reading, but people hate change, and this story is about ten years past when I wanted to be making editing passes on it. In many places I kept thinking of little extras I would add, things that would make the dialogue pop a little more, or provide characterization. I had this idea for a line where I describe Lois typing out two letters like she was letting loose with both barrels of a shotgun. There's dialogue to clean just a bit more, a few places where words are repeated or something is just a bit awkward, and where it could have been tighter or more clear.

The biggest thing that stood out to me was how little time got spent on scene setting and how short some of the snippets were, just five paragraphs to get a scene across before we're onto the next thing. I might have webserial brainrot, but those are definitely places where today I would give a little more breathing room and maybe use the same amount of words to describe something in a more oblique and stronger way. One that stood out as a clear example was a private investigator going home with Jimmy Olsen even though she was done pumping him for information, which could have been twice as long and benefitted from it. Another was a brief little thing about a Superman spotter on the roof, where I'd now describe everything he was doing, and only get to the conclusion of "he was a Superman spotter" at the end of the section to let the reader have this mini mystery of what they're being shown and why.

I would describe things more if I was writing this today, trying to get those nicely tight and evocative descriptions and ditch the stuff like "she wore a white blouse", but I often feel that way about stuff that I'm revising from last week, so it's not surprising.

The plot is very tight, which is good. I tend to prefer my plots tight, but it takes work, and webserials aren't conducive to it because it's difficult to know when you're writing a scene whether it's really pulling its weight as far as moving things forward. The initial idea for MM was to move as cleanly as possible through a series of events: Superman -> Superman is invincible -> Superman is Clark Kent -> Clark Kent grew up in Smallville -> the ship is in Smallville -> the ship has a Kryptonite power source -> Kryptonite can kill Superman -> Superman is dead. The only thing that would make it any faster would be if we dropped the Lois Lane subplot, but that's like half the novel.

Superman is OOC

I've gotten tons and tons of comments on this story over the years. If I hated myself, I would go back through my email and count them up, but there are some death threats and "kill yourself"s in there, and I prefer not to reread them. The major thing that people hate is the ending, which I don't care to talk about, but the other major thing is that Superman isn't Superman.

In this, I largely agree, but then, I'm pretty sure I've always agreed. That said, Superman has had a ton of interpretations over the years, and there's a wide range of acceptable behavior from "a Superman", even if we're not counting the really out there variations like Red Son or some of the alternate timelines.

... but I still would probably make him more like a canon Superman if I had to do it all over.

There are a few things that raise red flags at the beginning, which is where I think they're inexpertly placed. Superman takes Lois off the roof and flies her around, making her very afraid, and this is fine, I think, a misunderstanding that might be stronger if we got his insight into what was happening before we got hers to help bridge some of the disconnect there and characterize them both better. But there's a little note after that, where Clark makes a joke about "Superman's girlfriend Lois Lane" that I think is a HUGE red flag, and which probably comes too early in the story. It would be better as a joke someone else made that Clark laughs along with, which raises the red flag to half mast.

The other major moment I would change is when the bombs start going off. Superman pulls back, unsure whether he's actually immune to mustard gas, and I think this is one of the moments that most goes against the character of Superman. Canon Superman would just say "welp, guess I gotta find out whether I'm immune to mustard gas in a hurry". Superman making the argument that he doesn't know the bounds of his powers and so should exercise caution reads as either cowardice or as him being way too bitten by the rationality bug.

This would then obviously have to change the plot of that section a bit, because in the novel as it stands right now, Superman is convinced by Lois Lane that he can't just sit on the sidelines for game theory reasons. Better to either scrap that section or have Lois convince Superman that for game theory reasons he should offer to have testing carried out against him in a way that doesn't harm civilians, which canon Superman might submit to if it saved lives. Then the rest of the plot can proceed as normal, because Superman is immune to everything and that's the whole plot beat anyway.

I'd definitely clean up some of Superman/Clark's dialogue to nail the character voice better, but I don't think it's that bad, and it's mostly a few places where the wording is off. I think in particular the points where he's feeling anger go too far, and are not how someone internally conflicted about the anger might talk.

And then, oh yeah, Superman punches a guy's head clean off, which I think is the biggest sticking point for most people.

I've thought about that scene a lot. I personally like it. But if I were ever trying to sell this story to DC, it's one of the things I would almost certainly change. Superman doesn't kill, except in that one movie that came out just before this story was published where Superman snapped a guy's neck.

The change I am most happy/comfortable with is that Whitman, the governor whose children were [REDACTED], is the one to kill Calhoun. This happens just outside the courthouse with Superman watching and not intervening in the slightest, or maybe catching the bullets as they go through Calhoun so no bypassers get hit.

I don't know, as I type it out, it doesn't have the same weight to it. It's not cool. It's not a watershed moment. Maybe there's a plot thread to pull there, where Superman has tacitly endorsed other vigilantes, and it would be a great time to pull in other mundane street-level heroes ... but that's an entirely different story at that point.

Another option is for Superman to simply fly off with Calhoun and put him away, but that lacks punch too, and gets talky, and ... it's about the rage, right? The feeling of injustice, not just at Calhoun, but at the entire world, and it's not just an unhappy side effect that there's blood everywhere, all over the clamoring press, that's part of the point.

Social Justice

I really enjoy how wide-ranging the novel is, and how many things it touches on. Good job me. There was a line I had completely forgotten about where Lois asks "Why doesn't Superman stop abortions?" that I had completely forgotten I had ever written, and which brought a big smile to my face (but no wonder some Superman fans hate this story).

There are a few other things that I raise my eyebrow at a little bit, at least sitting here in 2024. There's a particular line that Superman gives when talking about this whitewashed mural of the past they're walking by, and he says "It's easy to forget that slavery ever happened, you know?" Now, I will grant you that this is a part of a conversation where he's saying that maybe he should have been a better student of history, and is saying this as a white guy in 1934, but I wanted him or someone else to tear that statement apart. It never really happens.

"It's easy to forget that slavery ever happened [if you and your people have not been affected by slavery]". The novel takes place ~70 years after the end of the Civil War, which means that when Clark was growing up there would have been freed slaves who were in their fifties, probably many of them in Kansas, though Smallville is (notably) small. I don't know, it wouldn't have been historically accurate for them to have a discussion of privilege, but there's way more meat on that bone, and it's all left as subtext.

Also probably the case that if I were writing it now, I would pay more attention to race in general, but that I'm less sure on, because it would mean some major structural changes to be done well. There's a single black guy in the whole thing, who is barely a character and has no speaking lines: the farmhand Ma Kent has before he gets lured away with the promise of being an actor. I have never felt that any novel needs racial balance to it, but if you're going to be talking about slavery and whether Superman would have done anything about it, you start to make black people look like props, which is not a good look.

I mean look, I think it's fine for a given story to not actually take a stance on political issues or have a diverse cast, but this story goes from abortion to the Equal Rights Amendment to Prohibition to Nazis to the death penalty, and then despite being set in 1934 sort of talks around the subject of how shitty race relations were. As a white guy, I never feel comfortable talking about race, but I think it would have been appropriate to have here in more than the cursory way it was handled. But the cast is just not that large, and the way that modern Superman stories handle that is usually making Jimmy Olsen black and then not actually talking about the fact that he's black so it's just a palette swap, which I don't think would work here, especially since Jimmy is such a bit character, and also it's 1934.

Sexual Violence

Alright, I will say it: there's too much sexual violence.

Chapter 7 is when the two Whitman kids get kidnapped. Their driver gets his throat slit, the boy gets dismembered, and the girl gets raped. I knew it was coming and I was still horrified by it.

I would not remove this part. I would foreshadow it better with a few scenes with Calhoun, the brutes, etc., and I might change some of the details to be a bit less awful and gruesome, but I don't think I would remove it. There are a few core ideas here that I think all work:

The better class of criminal has left the city now, and all that are left are the worst of the worst, the people who will not respond to incentives or symbols or rational thought.

If you cannot strike at Superman's physical self, you strike at his mind instead, and one of the ways to do that is psychic damage. In Calhoun's case, this is irrational, a pure desire to hurt Superman in any way possible while his empire collapses.

The amount of evil in the world is enormous. The pain and suffering cannot be comprehended. I love what Superman says, that this isn't really unique, that these things happen to children all the time. He's upset about not being able to save them, but they're a drop in the bucket.

I think you have to be careful with sexual violence, whether it's depicted or hinted at or just briefly mentioned. There are tons of people who are not on board with that in their media, and even of those who are on board, it has to be handled carefully and can feel very cheap, as though you're just going to the worst and most transgressive thing you can think of for the shock value. People will see it as lazy and trivializing and making entertainment out of this horrible thing.

I think the world is shit. I think terrible things happen. I have always felt both oppressed by the weight of evil in the world and powerless to stop it. I think that's the thing that I'm gesturing at here, and it feels weird to me that sexual violence would get put on a pedestal as the one thing too horrible to mention, even though we're mentioning all the most horrible things.

How do Superman comics and shows and movies deal with this? My impression is that they don't. Surely Superman must be stopping rapes from happening, but I cannot think of a single time I've seen it happen. I'm actually having trouble thinking of a time it was implied to happen. I think this is probably a good idea on the part of the people who make these bits of media, but it's absolutely not realistic if you're thinking about how Superman would operate in the "real world". Sexual violence happens, child abuse happens, and I guess we just sort of assume that these things are dealt with by Superman off-screen.

Though ... I mean it impacts the characters, right? Does Superman not have a trauma response? Does he have a superpower where he can bottle it all up? He's definitely too late to stop certain crimes, and he definitely can't make things better for some of the victims, and I guess in the comics when he shows up to a burning building he generally has a 100% success rate and people come out with only minor injuries, but ... alright, this is definitely the sort of thing that led me to write this fic in the first place.

It's a question that the fic doesn't have an answer for: how do you go on living when you know that there's so much evil in the world?

I think dialing that particular scene back is, maybe, fine. But it's the sort of thing that would feel like I was being less authentic in a way, as though I wanted to grapple with the big questions but not that one, wanted to consider ethics and morality but silo myself away from things that actually are on my mind. I see the point of blunting that scene, and I rebel against it because I don't want to be blunted, I want to be sharp.

I would, however, remove a lot of the earlier references, or blunt those, because they didn't need to be sharp. There are, before the Whitman stuff, about five references to sexual violence, and maybe even just using "sexual violence" would be enough, rather than "rape". One of these references is to what crimes Superman is statistically most likely to stop, another is to a plot to besmirch his name, both can be massaged or they can go.

I don't know if I think about these things differently because time has passed or I've had a bunch of discussions about these issues, or whether it's just having the outside view. It's weird to think about what a conversation with myself would look like, if we were working on the story together.

Retrospective

I understand why Superman fans sometimes hate this story. There's the Superman OOC stuff, sure, but there are also a lot of questions about Superman that apply to canon equally well, and people hate that. Superman is a fantasy, maybe the ultimate comic book fantasy. He stops crimes and bullets bounce off him! You're not supposed to think about his stance on abortion rights. You're not supposed to look at the Clark Kent mask and say 'huh, that's strange'. I mean it's media, you can do whatever the hell you want, but if Superman is a fantasy, then there are a lot of questions that are fantasy-ruining.

I stand by the story as written about 80%, which is higher than I thought it would be, though there are certain things that I stand by more than others. There are certain structural changes and many line-by-line changes, and I'm glad that I didn't have the story open in edit mode, because it would have taken me three times as long to read and when I hit "save changes" people would grumble about archives or bad changes or whatever, because you can't please people.

About five years ago, I started writing A Common Sense Guide to Doing the Most Good, which was meant as a companion piece to MM. It ended up being all mechanics, no plot, and the plot that I wanted it to have was divorced from the center questions it wanted to answer. It didn't feel as grand, I guess, and the cats were out of their bags a little too quickly.

One of the Answers that MM gives is that the thing you should do in the face of overwhelming evil is to grind relentlessly, grind until your bones are scraping the grindstone and there's nothing left of yourself. The story does not believe this answer, but it's one of the places I ended up ten years ago, and am still sort of at now. The other answer is to live as best you can, be aware of the evil and do what you can against it without letting the idea of it (or the battle against it) consume your soul.

When I was finished reading, I kind of wanted to write an uncritical Superman comic. Something where Superman can be as his most loyal fans see him, someone who is Good and doesn't often have to grapple with what Good means, where the thorny edges of moral quandaries never come to light and the hero is always there in the nick of time. Where Clark Kent is a bold and noble expression of humanity rather than a deception and a mask. Maybe I will go do that.

#fanfic #metropolitan man #book review

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edutainer2022 · 6 months

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I don't speak music at all, that's the one part of education that always eluded me, despite several deliberate attempts. But I do vaguely remember the (rather unsuccessful) attempts to teach me the piano and the bonding time it was with my Dad. So here's a little thing about Uncle Scott, the piano and a little someone, who's struggling with practice. It's set in a future timeline, where absolutely nothing hurts. Virgil gets to walk in at the very end.

PIANO PRACTICE

Over the years, it had become a well-established and dearly welcome staple of his working hours at the desk - the soft paino music filling the lounge and soaring up to the library balcony, soothing and clearing his mind, usually, while he reviewed stockmarket numbers or filed IR reports for the GDF. This day was no different. Except the familiar notes of "Für Elise" stammered and halted on each try, mostly due to the fact the figures playing them were so small and not yet as well-practiced (virtuoso, the word was virtuoso) as his brother's. That would come in time, no doubt.

A piano key let out a helpless keen as a tiny fist bumped it a little too hard in frustration, as if giving Beethoven a Tracy fix. Scott smiled to himself, saved a file and decided it was high time for a little break. With that he stepped from the desk and closer to the piano. Huge brown eyes were looking up at him, close to tears, brows pinched in a too familiar frown.

"I can't play right, Uncle Scott! Ugh!"

He lowered himself carefully on the edge of the piano bench next to the exasperated six year old, trying his best to appear serious.

"Would you show me what the problem is, sweetie? Maybe we can work it out?"

Chocolate eyes went saucer wide.

"You can play, Uncle Scott?!"

He had to chuckle at that.

"Nowhere as good as your Daddy can. And not as good as you do. But I'll see what I can do. Show me!"

As much as their Mom once did with Scott, Virgil long had given up trying to keep Jeffy* Jr. seated long enough for piano lessons. And little Scarlett was more interested in following her brother into the breakneck adventures of the day (many of which were responsible for Scott's more recent streaks of grey). Virgil had something to mutter about apples and trees on the subject. But his own eldest - Lucy* - was quite obviously a natural. Attentive, persistent and perceptive with sound from a very early age. And sometimes too hard on herself.

Tiny fingers were striking the keys quite deftly, but there were still hitches. Scott shifted his posture to face the keyboard and offered his left hand to provide the span. Virgil's eyes on his little daughter's face shot up in awe and a bit of indignation.

"I's not fair, Uncle Scott! Your hands are HUGE!"

There was a dramatic gesture to illustrate just how huge. Scott was openly laughing at that point.

"Good! You can rely on me, because I'm bigger, for now. Your teeny tiny left hand can rest, and your right hand can practice. Don't think about it, just follow what feels right. I've got you!"

"Okay. Thank you, Uncle Scott!"

He was rewarded with a kiss on the cheek and the music resumed.

Virgil debated interrupting the impromptu music lesson, as he was about to enter the lounge from the hangars, but thought better of it. They'd work on Lucy's technique later, after dinner, maybe, once the stampeding hordes of kids (and some of their parents) were pacified and settled for the evening. For the moment, a holo recording was sent to the family group chats. One to the chat for "Things Scott doesn't need to know and worry about". Another one to the kids' chat, because Jeffy and Skye could always use fresh blackmail material on their Dad as well as extra reasons to adore him.

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** I have this bosom headcanon, that (once Scott gets into a headspace to perceive a happy future for himself) Scott and Virgil have a pact - whoever has a son first, gets "Jeff", whoever has a daughter first, gets "Lucy".

#thunderbirds are go #scott tracy #scott tracy is a good uncle #lots of thinly veiled oc's #virgil tracy #methinks i have astronomy #my fic

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saezurumurmurs · 6 months

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A BL Platform For Everyone

NB: Please reblog this for visibility!

A little over two years ago, me and my BL crew were in our little chat sharing recommendations.

Cat had an impressive spread sheet, Marcie and I had iCloud Notes, and it was pretty much chaos.

I looked at it and said out loud, "There has to be a better way for us to keep track of our reads and share recommendations. There has to be right?"

Cat said she wished someone would build a BL app with everything already there. Me, a developer of almost thirty years, paused while a floodlight (not a light bulb) went off in my head.

“Well I could maybe build one… cause like, I build stuff. How would that be?”

By the end of the conversation Cat had invited me to build an app for BL.

Four weeks later, in late February of 2022, digitaljuicy.com was online.

In the last couple of years, I’ve been listening to the fandom, paying attention to feedback, poured over analytics, read your responses to the Reader’s Survey and continued to craft a platform with all this in mind.

What I have been building is 100% for us... there is nothing but BL and it is an attempt to encompass ALL of BL. Not just the bits and pieces.

But for two years I've been struggling. Struggling in many ways, but specifically to get what I wanted out of the platform. I tried and failed so many times.

In September of 2022 I tried to raise venture capital to build the platform I wanted for us. I pitched it to accelerators and true blue venture capital.

Juicy is what is called 'pre-seed'. Which means were still so new and evolving, under-resourced and while there was interest, there was no joy. No funding was raised.

In December 2023, I realised it was time to rethink Juicy. i have been on the deepest dive for months rebuilding Juicy from the ground up and preparing the framework for the mobile app.

I’ve built something I want to use… and wild, I’m building it and using it as a fan at the same time. I'm at the point where it's impossible not to want to share.

And what kind of platform do I mean? At its most basic level:

You can track your reads, watches and plays

You can review and recommend the titles to the community, your friends, strangers on Twitter, your friend you're trying to corrupt outside the fandom. Your poison.

Timelines for you, for titles, for episodes, chapters… just about everything. I mean everything: The creators, the publishers, the studios, the actors... you can leave reviews and status posts on EVERYTHING. No algorithms, no force feeding... just discovery, recommendations and honest reviews by this community about our community and the industry we feed.

Collections! Lists of stuff you're reading, dropped, want to read, want to buy, love or hate, all pretty and organised and shareable..

A growing database resource of titles, tagged up to its eyeballs with a minutiae of data.. with reading an streaming links and anything else we find that we think is relevant.

But it is also a lot more than this.

I wanted it to be more than what it was. I want to turn Juicy into a mobile app, add some more functionality and more specifically, platform all of BL for its non-Asian fandom.

We get left out of so much, I feel like we need our own thing.

I don’t know about ya’ll, but I was tired of being banned on social media for sharing content. How you gonna ban me for saying a 2D fictional character needs to be shot with shite and strung with cobweb? But they did… and I know it’s not just me.

What about the creators? How do they interface with the non-Japanese or non-Korean fandoms? On which misogynistic hell site?

What about the publishers and merchandisers? What about the little Etsy sellers? Why does BL have to hidden away in the databases of mangaupdates, anisearch and anilist? Why does every single manga tracker out there seem to have pitiful listings for BL?

Is it because we’re a female or queer audience?

Look at this lil video I made:

youtube

Either way, I’ve long felt it’s time for us to do our own thing. So I’ve been building it. Pixel by pixel. Feature by feature on my own.

Juicy has been a small chat group, but I’m the only developer. We’ve always been clear about what we wanted to build: A platform for the fandom, the creators, the publishers, the merchandisers… my goal is a one-stop platform for BL and I am damn close to presenting this new iteration.

This was and remains the core of what I’m building: The largest English platform for BL on the planet. The functionality is one thing, but building a database like that is not a one-person job.

So now I need your help.

First to keep the servers online, so I can continue to build and develop and finally, finally release the mobile app. I can't tell you how much I want that.

I’m close to pushing the new Juicy 3.0 out, and I’m very in love with the work I’ve done since December. It’s a new look, and it works 1000 times better than the previous iterations of Juicy.

I just have hit a wall financially, and need your help and support to get it over the line.

Juicy's ass is fat and I been carrying her mostly alone for two solid years.

I’m going to launch a Kickstarter for this project in a bit so I can hire another developer to help with the trickier bits and fine tune the mobile app, but for now, I felt a Patreon would at least help us keep the servers up and maybe, just maybe allow us to afford a few crucial bits that will elevate your experience as a user.

And because I’m a developer, and I can do some pretty kinky shit with APIs and such, if you support this Patreon campaign, you will get some nice feature perks on the platform automagically. You won’t have to pay again to access these perks in-app later.

As many perks as I can cook up anyway, not the least of which will be access to some of the nicer functions and features I’ve already built into the platform.

When the mobile app launches, you will get it first and for free! Plus we’ve been talking about a lot of other ways we can make the platform fun beyond what I've done already.

I plan to monetise the platform in various ways, but in a profit sharing model. You contribute to the database, you contribute content, you get a share of whatever the platform makes. This is already built into the system. This will be open to anyone willing, but to Patrons first.

Finally, I'm limiting the number of people who can subscribe via Patreon to 1000 people. Once we hit that number, the rolls will be closed to new membership, and everyone directed to the platform to pay for any services or merchandise.

My goal for this group of Patrons is that you become an exclusive and tightly knit inner circle.

My hope is that you will help me actively shape what Juicy will become. Your votes and say will carry weight. Your feature requests considered and if possible implemented first.

You will get access to exclusive merchandise, exclusive giveaways and promos (like free stuff), and exclusive programming from the team.

With your help we will produce an exclusive podcast for Patrons only discussing all things BL and Juicy (honestly our conversations are generally wild and hilarious... it will be a rollick for sure), along with other content for Patrons only. We've even planned watch parties and other fun shit... I swear, we want you all to be our greatest ambassadors so we are planning as many treats as we can.

Your access on the platform will be specific to your Patreon subscription and your treatment will be VIP for the life of your subscription.

Finally, the way my auADHD are set up, I have no interest in the dramas of the BL fandom, so this is never going to be about gatekeeping access to anything. It’s about making more access possible. You can help bring us all together and make us stronger as a group.

So do you think Digital Juicy sounds like something you’d like in on?

Okute Sea

Saezuru Murmurs

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