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#*pins red string to corkboard* its all connected
hermitcrimes · 7 months
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xB's crimes of episode 2
Grand theft equine
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doctorwhoisadhd · 6 months
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i still cant believe no one else in my family liked everything everywhere all at once all that much. like they all thought it was good but like. i was sitting there feeling like my ribs had been peeled open to expose every soft vulnerable organ in my body
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dateamonster · 5 months
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when im at the arg themed drag show and its intermission so im struggling to connect to the wifi with my shitty phone so i can look up the url which was composed from seven the characters that were visible for .5 seconds during the last performance written on the dancers upper thigh in lipstick to unlock a secret video that when played backwards will give me the location of the second act (which will be essential to the overall lore) but i keep bumping into that stupid guy at the bar whos writing out all the clues on cocktail napkins and pinning them to a corkboard connected with red string
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anim-ttrpgs · 7 months
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The Review Copy of Eureka: Investigative Urban Fantasy
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Guess what is coming soon at the time of writing this? The review copy of Eureka: Investigative Urban Fantasy!
This represents the first official pre-release release of a version of Eureka: Investigative Urban Fantasy that doesn’t look like an unformatted mess!
Don’t get me wrong, the version of Eureka you get for just $5 on our patreon is plenty readable, but in its current unformatted state the page count is hugely bloated, there’s a lot of blank space, and the flavor text is all just shoved under the body text with notes denoting it as such. Plus, it’s all just black text on a white background without much in the way of aesthetic besides the occasional snoop to break things up.
Well not anymore! The copy we are going to be sending to reviewers and rpg news outlets is going to be a test-run of our actual intended aesthetic for the finalized rulebook, that of a bunch of conspiracy and investigation notes pinned to a corkboard with red string connecting them!
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(The text within the images you’re seeing here is slightly outdated because these are just mock-ups, the text in the actual review copy will be much cleaner thanks to some excellent copy-editing help we have been getting.)
Due to time constraints and being behind on deadlines, plus not having the Kickstarter money to pay for additional art yet, this version will not showcase the full scope of the intended aesthetic, but it will at least give you a pretty good idea of what we’re going for.
The final version is going to have a wider variety in the paper scraps so as to more efficiently use the space available, plus a bunch of different “styles” for the side text, which will help denote whether it is a rules clarification, an example, a bit of flavor text, etc—plus a whole Kickstarter campaign worth of art from theblackwarden, qsy, and chaospyromancy! The Kickstarter campaign is launching April 10th, 2024, and we are going to need about $3,000 to meet our base goal and $33,000 to meet all of our many stretch goals, so if you want a more stylish and artistic rulebook, please give what you can to our Kickstarter campaign in April!
We are gonna be sending this version of the rulebook to tons and tons of TTRPG personalities and news outlets within the next couple of weeks in hopes of an honest review or two that will help get Eureka on people's radar beyond the modest following we have here on Tumblr. If you are one such personality or news outlet, and you want to recieve access to the free review copy to read and write about, please do not hesitate to contact us, even if you only have a very small following! You can find our contact info on out website or just contact us right here on tumblr!
Check out our Kickstarter page for the best accumulation of info on what Eureka: investigative Urban Fantasy even is! The Kickstarter campaign launches April 10th 2024!
Check out our Patreon to get the whole prerelease rulebook + multiple adventure modules and pieces of short fiction for a subscription of only $5!
If you wanna try before you buy, check out our website for more information on Eureka as well as a download link to the free demo version!
Interested in actually playing this game, and many others, with the developers? Check out A.N.I.M.'s TTRPG Book Club, a club of nearly 100 members at the time of writing this where we regularly nominate, vote on, and then play indie TTRPGs! At the time of writing this, we are playing Eureka: Investigative Urban Fantasy, and sign-ups are closed for actually playing it, but you can still join in to pick up a PDF club copy of the rulebook to read and follow along with discussion, and sit in on and observe sessions! There is no schedule obligation for joining this club, as we keep things very flexible by assigning multiple GMs with different timeslots each round, to try and accomodate everyone! This round, we had over thirty people sign up, and were able to fit in all but one! Here is the invite link! See you there!
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sixosix · 9 months
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Sorry to bust down the door again so soon but I have returned! With more thoughts (trademarked)
(Also?? The fact I’m apparently being name dropped in reblogs?? WILD)
Akagi’s art made me go back and reread that specific scene where T!Reader keeps talking about kissing Lyney. (Beautiful art btw <3 I would ask out T!Reader on a date. She has two hands-). And although I didn’t realize it before, it felt like an interesting reversal of the normal interactions with them? Not to mention a couple of Lyney’s responses have me wanting to shake this man and demand his secrets. The magic man can’t hide them forever.
“It would’ve been easier if we hated each other, huh?” He traces his thumb over your lip, looking forlorn. “I wouldn’t have hesitated to protect my status as a Fatuus the moment you came back out of thin air.”
MAGIC MAN I DEMAND YOUR HIDDEN MEANINGS!!! Do you mean as seeing her as a threat? Physically?? Status wise?? Could it be the fact that even if you both hated each other she might still be able to read you like a book? Is it the fact she could have been a threat to Father’s favor of you as heir even if you don’t want it because last you knew, she did?? I know hating each other would have made it easier to dispose of someone who was once family but I can’t land on one solid reasoning behind this sentence. My brain ain’t big enough for this chief.
Lyney slumps against the wall, defeated. “Don’t just say that, Y/N. You can’t go around saying that.”
My heart goes out to this man. I know you talked previously in a different ask about the who knows about who’s feelings, but I don’t think you mentioned lyney’s perspective! Just that it was ours to interpret. So this line made me wonder- does he genuinely think reader doesn’t love him? That he needs to pull every trick in the book and plan 12 steps ahead just to slowly connect with her and have a chance? Because this definitely gave me that feeling. My take after my reread of the scene was that he felt like she was just being impulsive because of the alcohol with no real meaning behind it. He wants it to be real so bad, wants it to have those words be genuine but doesn’t think so. That he wants her to stop saying that because he knows(falsely but shh) that it isn’t true. And also because like Akagi said Furina really do be testing him but again shhhhhh.
Watch me stand at a cork board with red string trying to figure everything out.
(Also- I realized in my attempt to keep my last ask short I left out parts of my explanation of why I thought of the crack theory. Whoops. Maybe I’ll expand on that a different day.)
HI DEADMAN AETHER ANON!! you sent another ask about not signing off but i knew right away it was you LMFAOO
akagis art means SOOO much to me. its like someone looking into my head and drawing it out—its so wild. i cant believe we have a Thawed Artist !!! and the fact that akagi has a version of reader that we are all so in love with … THATS INSANE. we all dropped to our knees when akagi posted that art of drunk thawed!reader
LMFAOOO YOU LOOKING INTO IT. but i think you know what he means already… hihihi… stupid magic man always saying the most cryptic things
i said its up to your interpretation but u caught on what i was trying to imply! lyney didn’t believe a single thing. or a single kiss on his jaw for the matter LMFAOO who could blame him though? the reader he knows would run at the slightest wrong move—imagine how he felt having her all over him, demanding just kiss me, and its only because shes drunk. This poor man. he needs a hug. from a sober reader, preferably.
THE CORK BOARD LMFAOOO honestly, whenever u send me these asks im already imagining that. im imagining the anon pfp with a shirt of a deadman aether pinning red strings all over a corkboard
THANK U FOR STOPPING BY AGAIN ❤️❤️❤️❤️ WE ADORE YOUR ASKS
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notedchampagne · 11 months
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That's true great thing about anonymity is the not knowing I find when used correctly makes the world a little sillier. But no not all of them are me I'm a bit more couth than that-TG
FASCINATING. its like im pinning these anon messages up on a corkboard and connecting red string thanks tattoo guy
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titan-god-helios · 1 year
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curiosity//understanding things with autism
so ive heard the same from a lot of others with autism, but having the need to know why is so dysfunctional a lot of the time i wont put my phone down and eat my dinner quickly until youve actually given me a reason other than screaming and insults to the parts of myself im proudest of i wont follow a rule (properly) unless i know why it exists and why it is beneficial to follow that rule in the first place i wont just walk over to speak with you the first time you ask, i gotta know why i wont go upstairs to help you with something if i have no idea what "something" is it just feels like an automatic response to everything and in certain situations its terrible i always want to know why something happened, i want to know why someone feels like shit i want to know all the little details so i can pin them on my mental corkboard and connect the dots with red string so i can fully and properly understand an event or a problem and how to fix it or deal with it in its entirety but a ton of the time thats insensitive and thanks to my inability to express myself clearly on the spot it comes out as cold or obsessive or guilt-trippy depending on a number of things slowly, im getting better at just accepting that sometimes people need time and they dont want to be asked whywhywhywhy, or even that its not worth sacrificing my mental health for people who wont try and understand and stop and explain calmly instead of screaming "because i said so" in my face and snatching my rights away from me as punishment for not complying also, on the topic of autism, my introception is FUCKED dudes and im so fucking tired goodnight world <3
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astrangeghost · 3 years
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14 [If you could live anywhere, where would you live?], 31 [Whats your favourite type of cake?], 32 [Whats your 3rd favourite animal?]
OoOO OKAY SO!!!! 14.) In one of those sitcom big city apartments, with big living rooms and just way to large to be an actual apartment you know? Each room would have a different theme, a different color painted onto the walls.. It'd be on the top floor, because when is the sitcom apartment not on the top floor, annnd because of how many rooms and themes it had I'd live with you an all of our friends! 31.) Uh uh I like most all kinds of cake but!! Mmn Birthday cheesecake : ) 32.) Bunnies!!!!!!!!
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podcastbigbang · 3 years
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[ID: A promo graphic for the Magnus Archives Fanfic "You have made a home inside of me" by Christin M Kay. The graphic is a digital rendering of a corkboard with photos of the character Elias Bouchard, Timothy Stoker, Sasha James, Gertrude Robinson, and Martin Blackwood. The images are made to look like polaroid photographs and all apart from Gertrude are digital drawings by Pocketsizedquasar, who is credited in the bottom left corner. In addition, there are various post-its with handwritten notes, two scraps of text in another handwriting, a printout of Martin's Statement from episode MAG040 "Human Remains", a teabag, and a map of Millbank with four locations circled in red pinned to the board. Everything is connected by red string, implying connections drawn. There is a small spider dangling next to Elias's photograph. /End ID]
You have made a home inside of me
Podcast: The Magnus Archives
Rating: T+
Martin Blackwood/Jonathan "Jon" Sims | The Archivist, Tim Stoker/Sasha James (not 100% sure yet if romantic or qpr)
Martin staggers with exhaustion as he grabs a broom and starts to sweep the floor of the Archives. For a moment Jon’s heart hurts worse than his wounds.
“Martin, we’ll hire a cleaning crew for that,” Jon rasps. “You should go home.”
Martin stops sweeping and stares at Jon. His broad shoulders slump and he suddenly looks much smaller and frail.
“I can’t,” is all he says.
Oh. Right. This is Martin’s home for the moment. There is no other place for him to go. He had to give up his flat shortly after moving into the Archives. Jon imagines that even now Martin would not be keen to return to the place he was trapped in for two weeks. Jon still feels like that is his fault. The guilt sits cumbersome at the top of his throat, coating it like tough, bitter molasses, refusing to be swallowed down, no matter how often he clears his throat. On days like today, it keeps on pressing down, caulking his oesophagus until Jon isn’t quite sure how to breathe anymore. He survived bloodthirsty worms just to now be suffocated by the defeat in Martin’s eyes.
“I have a guest room,” he hears the words tumble out of his mouth. “It’s small, but it has a pull out in it.”
Martin continues to stare like he isn’t quite sure what Jon is hinting at.
“You could come stay in my flat for a while.”
AUTHOR
@martinbelovedblackwood
Manon, 24, deadly afraid of accidentally sending my dissertation supervisor my latest fanfic chapter and of uploading my thesis about bisexual vampires to ao3
BETAS
@spacestationdaedalus
@pocketsizedquasar
What up I’m Sahar (they/them) I’m 21 and I never fucking learned how to be normal about Manon’s fics
ARTISTS
@jawbonemage
Doc or Fig! High schooler who definitely had enough free time to commit to this stress-free. Big fan of pomegranates.
@fricklefracklefloof
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LOVELY, DARK, AND DEEP CHAPTER 10
PLEASE HEED THE CONTENT WARNINGS!!! this chapter features Evil Scientist Lady and her Fucked Up WorldView a LOT, and there are also some Major Plot Events that involve Violence. i will put a summary in the end notes if you decide at any point that this particular chapter is too much - that's super valid! i will also mention here that no main characters are going to die in this story and no one dies in this chapter either.
huge huge thanks to @flamingfawkes for beta’ing!
CW: extreme disregard for human life, mentioned human and animal cruelty, toxic workplace environment, violence (both imagined and actual, mildly graphic), gun mention, minor blood, death threats, extremely unethical character, unethical science, stalking
chapter 1 // chapter 2 // chapter 3 // chapter 4 // chapter 5 // chapter 6 // chapter 7 // chapter 8 // chapter 9 // read it on ao3!
“This is the same result we’ve gotten the last twenty times -”
“I don’t care, Steven, run it again!”
Steven sighs, punching at the keyboard to run the statistical analysis sequence again. “This is ridiculous! I’ve run this sequence so many times it feels like my eyes are going to bleed. Why can’t we just turn in the results we have and -”
“Because she’ll behead us,” James snaps, “and then she’ll destroy our reputations and our families and they’ll get no severance. I have three young children at home, Steven, I need this money.” Steven softens a little, fingers running smoothly over the keys as he combs the data again. Next to him, James has a computer screen full of frame-by-frame stills of what little data they recovered from the probe before it was destroyed; Penny across the room is surrounded by ancient texts a mile high and at least three laptops.
“Why is she so interested in this, anyway?”
“It’s beyond me. Since when do we question the whims of what we’re told to do?”
Steven squints at the screen, pushing his chair back and rubbing at his eyes. “If I have to stare at these numbers for one more second, my brain is going to explode. I feel like my eyeballs are going to melt out of my skull. I wanna scream.”
James pulls up another image, staring at the blurry image of the merman before him. Steven pushes away from his own screen and squints at James’s. The merman in the photo looks young, not much older than his kid brother, but they don’t know anything about the lifespan of these creatures. He looks confused, squinting at the camera. As James flicks through the stills, the merman transitions from confused to angry to enraged, and then he attacks.
“He’s not happy about the camera.”
“Would you be happy about someone spying on you and your family?” James says, switching to the next still.
“I wouldn’t be happy if I thought someone was doing anything we do in this lab to me or my family.” James elbows Steven, but luckily no one else seems to have heard.
“This lab isn’t the most ethical place I’ve ever worked, but it pays the bills,” James mutters. “And we’re not even in the experimentation lab. We just do data analysis. We’re removed from the situation.”
Are we? Steven wonders. He sees James reach out and touch the framed picture of his daughters, and keeps his mouth shut. He turns back to his computer, watching the little spinning color wheel of his mouse as the program calculates the same numbers again and again. The results come up identical to the previous ones, and Steven clicks “Run Program” again wordlessly.
They work in silence for a while, the three of them, broken only by James’s muttering and the occasional thud of one of Penny’s books and the clicks of keyboards and mice. If they weren’t so reliant on technology, Steven thinks, there would be an enormous corkboard spanning three of the four walls, covered in pushpins and handwriting and red string connecting images. He debates actually building one, if only to increase the levity in the room, but decides against it.
He’s seen people punished or fired or who-knows-what-else for far less, after all.
Instead, after his program tells him for the twenty-third time that his results are the same (and didn’t someone say insanity is doing the same thing over and over and expecting different results?), Steven scrubs at his eyes with the heels of his palms and opens the data entry window. Maybe the problem with the results has to do with the entry of the data; did he input something wrong? It’s possible . . .
Here he goes again, he supposes. He stands up, stretches, and leans back to crack some vertebrae. “I’m gonna grab a coffee, take a short screen break, and go back to the beginning. Maybe there’s something in the input that I missed. You want anything?”
James groans, thunking his head against the desk. “I want something with enough caffeine to kill three elephants, please.” Steven nods, looking over at Penny. She shakes her head, and he heads for the shitty coffee machine a few doors down.
Several floors below, a young woman pulls her lab goggles up to rest on top of her head with her perfectly-pinned protocol-compliant bun. “The latest round of tests is completely done, ma’am. I think you’ll find the efficacy . . . striking.”
She takes the clipboard, glossy perfectly-painted nails pinching the sheets of thin paper and flicking between them. “I’m afraid I don’t do so well with the scientific side of things - Kathleen, was it? Explain this to me, would you?”
“Certainly, ma’am. As you know, the kill time for the most effective neurotoxin currently available, tetrodotoxin, varies from thirty minutes to four hours. Average time for symptoms to manifest is seventeen minutes, and from there the symptoms progress through tingling of the lips and tongue, headache, vomiting, muscle weakness, ataxia, et cetera. Death occurs as a result of respiratory or heart failure, and the poison is nearly undetectable if you do not specifically test for it.”
“The untraceability is a plus, but that is far too wide a range of times, and too slow a time even at its fastest.”
“Of course, ma’am, but as far as naturally-occurring marine poisons go - actually, as far as naturally-occurring poisons go, full stop - it is the most effective. Until now, that is.”
“Oh? What are your findings?”
“Which trials would you like to start with, ma’am?”
“The human trials, Kathleen. The only ones that matter. I hardly intend to go around killing mice and hoping that no one traces their deaths to a novel neurotoxin.” She laughs airily, and Kathleen nods along.
“Certainly, ma’am. The most recent data points indicate an average efficacy time of thirteen minutes for our compound neurotoxin, with a full range between nine and seventeen minutes passing before subject death. Subjects began to show symptoms around five minutes, give or take twenty-five seconds.”
“And those symptoms were?”
Kathleen flips through the document. “Seizures, vital organ failure, blindness, painful muscle spasms, suffocation from the inside out.”
She hums, tapping a manicured finger against the report. “Well, Kathleen, that is certainly impressive, especially for a preliminary human subject trial. These results . . . I must say, they are not nearly as disappointing as I anticipated when I came down here.”
“Ma’am?”
“How long have you worked for this company, Kathleen?”
“Almost five years, ma’am, but I’ve always been an assistant. This is my first time as lead researcher and biochemist on a project, ever since you . . . laid off the previous lead researcher.”
“Kathleen, let me be frank. These results are not what I hoped for. The efficacy time and symptom onset times are both far too long for my liking, and the range of efficacy time is too broad. By all accounts, I should consider this a failure.” Kathleen swallows, but remains poised. “However, you’ve managed to shave off a considerable amount of time from the tetrodotoxin readings. The range of symptom onset time is an acceptable breadth, and your results are far beyond anything your predecessor ever accomplished for me. This is truly impressive, all things considered.”
“Thank you, ma’am. How should I proceed?”
“I want the efficacy doubled - tripled - I want it upped by anywhere between four and five hundred percent. I want the pain increased, too. Feel free to increase your requests for test subjects, but get me the results I want. You said the original tetrodotoxin was untraceable?”
“That’s correct, ma’am.”
“Can you keep that feature intact?”
“As of right now, it is intact, ma’am. I will endeavor to keep it so in future experiments.”
“That’s what I like to hear. Welcome to your new position as head of this research division. Don’t let me down.” She holds out a slender hand, and Kathleen takes it, trying not to seem too eager.
“I won’t, ma’am.”
“How soon can you start this experiment up again?”
“The cleaners should be finished by tomorrow morning, ma’am, and I can tweak chemical formulas until then.”
“Excellent.” Her watch beeps, and she lifts it, pursing her bright lips as she examines the message she’s just received. “If you’ll excuse me, I have another matter to attend to. Someone will drop off your master access key for Lab Three within the hour.”
She steps into the elevator and lifts her watch up to her face, swiping through the messages from her secretary. One finger reaches out to press the button for the digital analysis labs floor, and the other taps away at her watch.
When she steps off the elevator, her secretary is waiting. “Ma’am.”
“What do they have for me?”
“Unclear. They said it was something they wanted to report directly to you and you alone, but it seems to be something big.”
“Hopefully it’s a big step in the right direction, or they’ll be taking a big step out of a job.” She relishes in the way the employees she passes all unfailingly flinch and then snap to perfect attention when they hear the sharp echo of her heels against the floor. She lifts her head and walks faster, striking the tiles with her heels like a gavel, sharp and precise against a judge’s desk.
The computer labs are disorganized when she enters, but there is a string of promising-looking numbers on the main display monitor. There is a woman surrounded by books and a man pulling up photos on his computer, and there is a third man standing in front of her like a toy soldier. She focuses on that one.
“I hear you have news for me? Make it swift, and make it good.”
He swallows, hard, and her eyes idly trace the line of his throat. If he disappoints her, perhaps she will drive her heel through it, to make an example of him. That would be far too messy; perhaps his dominant hand will do.
“I have narrowed down the location of the missing net, ma’am. I believe it to have washed up somewhere around these general GPS coordinates.” He fiddles with a remote in his hand, and the image on the screen changes. It shows an aerial satellite view of a secluded strip of beach, framed by rocky cliffs with larger rocks studded out into the open water. “It should have washed up somewhere in this one-point-three-seven-mile strip of beach. The whole area is property of one Doctor Thomas Sanders.”
She snarls. “That man. He won’t let us on that beach willingly until hell freezes over.”
The other man, the one scanning through photo stills and video footage, jumps up, knocking his chair backwards. “I found something!”
She turns towards him, and his excitement freezes and sputters into something much more controlled and terrified. “Show me.” He clicks something and pulls up video footage from one of their surveillance drones, zooming in on a particular patch of ocean along the stretch of Sanders’ beach. Her eyes widen when she sees what he’d noticed - a hump of red-and-white tail arcing above the waves before a pattern of ripples streaks off towards the cliff. He pauses the footage, rewinds it, uses a laser pointer to show an opening concealed in the cliff face.
“There’s some kind of grotto in there, hidden by the cliff. It’s on Sanders’ property, he has to know it’s there. And it looks like the merman from the destroyed drone knows it’s there too. Which means -”
“That must be where he’s keeping them.” Something burns in her chest, brilliant and terrifying and all-encapsulating, like wildfire. “We’ve found them, at long last.”
“What would you have me do?” her secretary asks. “I can arrange for a recovery squad at your earliest possible convenience, ma’am.”
“Assemble the squad, but do not have them move out. They will wait for my orders. When they go, you are to go with them.” Her secretary nods, once, sharp and sure. “Dispatch a crew to Lab One and clear it out. I want it prepped for containment, vivisection, chemical tests - the works. Get at least three tanks set up and one strap-down human table.”
“A human table, ma’am?”
“Yes. We have to deal with Sanders once and for all to ensure that he does not ruin any future experiments.”
“Will we be taking him as well?”
She hums thoughtfully. “No. Pull up the file we have on his known associate?”
A few swift clicks and flicks and a photo appears on the large screen: a young man with brown-and-purple hair, sleeves rolled up, carefully lowering a perfectly viable specimen into the ocean and letting it go, like some kind of fool. “His doctoral student, ma’am. The longest one he’s ever kept - this one has been with him a few years.”
“Excellent. When you raid the lab, take him.”
“Should we kill Sanders?”
“No. Rough him up a little, but leave him alive. Taking his protégé and leaving him alone, helpless to rescue him, will be the highest form of torture for such an insufferable person. The agony will eat him alive until his dying day.”
Her secretary nods, taking the notes down dutifully. The other employees look vaguely horrified, but she pays them no mind. No sacrifice is too great to be made in the name of progress, and anyone who thinks otherwise is a weakling who will never get anywhere in life.
She refuses to be one of those weaklings.
*~*~*~*~*
Logan wakes up confused.
He’s warm, warmer than he thinks he’s ever been in his whole life. When he stirs, he moves farther than he meant to - he must not be underwater. That’s enough to send a jolt of concern through his sleep-addled brain. Why isn’t he underwater? Why was he sleeping if he was above the surface? There’s no way his dad is here, and Roman hates surfacing, where are they? Where is he? But he’s so comfortable . . .
Someone shifts beside him, an arm draping across his waist, and Logan forces his eyes open. He shifts his lower half, confused when two things move instead of one, and there are layers upon layers of thin, flat, soft things wrapping around him. What is happening?
Slowly, slowly, his mind clears, and he remembers the events of last night. He grew legs - he was a human, once, before he was mer - he couldn’t sleep underwater with Dad and Roman - Virgil was teaching him to walk - Virgil put “clothes” on him - Virgil was embarrassed that he didn’t have those “clothes” on him - Virgil took him out of the lab to sleep - Virgil agreed to cuddle him since his pod couldn’t -
Logan feels the strange burning in his face again as he shifts. He can’t see well in this new human form, but when things are close enough to his face they’re relatively clear. And Virgil, still sleeping, is close enough that Logan can smell him - he smells like salt water mixed with something sharp and something sweet and something else that Logan can’t quite identify but finds addicting nonetheless. Sunlight streams in and pools around Virgil’s face, illuminating the tangled mess of hair spread around him and flopping into his face, the small puddle of water leaking out from his open mouth onto the soft thing he’s resting his head on, the way his chest moves slowly with every breath. His arm is wrapped around Logan, pulling him close. Logan thinks he might explode if he focuses on this any more, so he rolls from his side to his back as carefully as he can, not wanting to wake Virgil. Virgil tightens his arm around Logan and mutters something indecipherable in his sleep, but he doesn’t wake.
Rather than focusing on his very confusing feelings for the very pretty man next to him, Logan focuses on what he can see of the room around him. He makes a list in his mind of things that he plans to ask Virgil about later today, including:
1: There are many draws attached to the small, smooth cliffs surrounding them. How do they stay there?
2: There are lots of “clothes” scattered all around the floor, and there were several on the bed, too. Is that normal for humans?
3: Last night, Virgil did something that made the room light up with trapped sunlight! How did he do that?
4: How did Virgil get ice to stay in those big frozen sheets in such a warm place to let the sunlight in?
5: How did Virgil make ice into that weird shape that he filled with water and drank last night?
6: How did Virgil get the water to come into this place?
7: Do all humans have a specific area set aside for sleeping? Logan and his pod usually just sleep wherever they can, but Virgil seems to have this soft slab set aside with all of these soft things to be comfortable and sleep in every night. Is this a Human Thing or strictly a Virgil Thing?
Logan looks out through the sheet of ice that protects Virgil’s area from the outside and gasps. He can’t see well, but there’s a glittering expanse of blue that shifts and moves and oh, is that the ocean?
He’s spent his whole life (well, his whole remembered life, anyways) in the ocean, and he’s seen some truly wondrous things. He travels around the world with his pod, he knows the ocean is big, but seeing it spread out like this is . . . awe-inspiring. Logan has never seen the ocean like this, and now that he has he doesn’t think he can ever not see it like this again. It’s like a perfect sheet of sea-glass, rippling and unbroken but dynamic in a way that he never really gets a sense of when he’s beneath it.
He knows that there are waves, of course. There are smaller swells out on the open ocean, and larger ones when the Second Goddess dips her fingers down from the Upper Ocean and swirls the storms to a thundering burst. There are waves along the shoreline, ones that he frolics in with Roman and batter him against the shoreline. There are waves created when he or his pod members surface. But watching the movement of the ocean from up here is . . .
Even with his imperfect vision, he is completely at a loss for words as he stares at the ocean.
Eventually, Virgil stirs next to him, and Logan turns away from the ocean to stare at him. Virgil is close to him, arms wrapped tightly around him, face pressed against him. Logan’s eyesight is not great, but Virgil is close enough that he can pick out little details of his face. There are brown face scales scattered all over him, but they seem to cluster on his nose and his cheeks. Logan has wanted to touch them for a substantial amount of time, and he can’t stop himself from gently settling the tips of his fingers over Virgil’s cheek.
His face doesn’t feel like Logan was expecting. The scales don’t give texture to his face the way that Logan’s do; the skin is smooth and flat. There are little bumps all over, but the brown scales aren’t raised off the skin like Logan expected. He lets his fingers trail along Virgil’s face. His bone structure seems to be exceedingly similar to Logan’s, at least in regards to his head. Logan’s finger rests gently on the curve of bone under Virgil’s eye, and Virgil exhales warm breath onto his palm.
Logan wonders what it would be like to have this for longer than just his recovery period. He wonders what it would be like to wake up next to Virgil all the time, to get to run his hands over Virgil’s face and arms and chest and examine the differences between their anatomy. He wonders what it would be like to learn to walk without falling over, and he feels a sharp, unexpected twinge in his chest as he realizes that getting better at walking means no more closeness to Virgil.
His chest feels strange, like there’s a school of small fish swarming around and tickling his insides and making him feel all foamy, like the froth churned up by a windswept sea. He feels like he does when he’s underwater - free, weightless, mobile, limited by nothing except his own imagination. He feels unstoppable.
Virgil makes a sudden, sharp inhale, blinking his eyes open slowly. Logan thinks that, perhaps, he might not appreciate being studied unknowingly - he hadn’t appreciated Virgil doing it, before he understood what was happening, when all he knew was the loss of his pod aching like a scraped-out seashell. As Virgil wakes up, Logan shifts, turning his gaze to the rest of the room.
Virgil makes a sleepy grumbling noise, opening one eye. Logan chances another quick glance at him, and when his eye slides open Logan is struck by its beauty. He doesn’t get much of a chance to admire it, however, before Virgil is jolting backwards like Logan’s struck him with lightning. Logan is confused, reaching out and gently touching his shoulder. “Virgil?”
“Wassat?! Wait . . . L’gan?”
“It is me,” Logan says softly. “Are - are you upset with me?”
Virgil yawns, jaw dropping to his chest, revealing a flash of teeth and a soft pink tongue. (Logan wants to lick it. Why does Logan want to lick it? Why is Logan thinking about Virgil’s tongue licking his tongue - why is Logan thinking about Virgil - what in the Seven Oceans is happening to him.) “Wh - no, no, ‘m okay, I just - woke up, forgot I had you with me, got confused about another person in my bed.” Before Logan can start to feel bad, Virgil adds, “S’okay if it’s you, though,” and the foamy, floaty feeling is back.
“Did you sleep well?”
Virgil laughs, low and rumbling, and Logan can feel it in his fingers where he touches Virgil’s skin. “I never sleep well.” He sits up, and the fabric of his pajamas shifts to let Logan see stretches of soft, supple skin that he usually doesn’t. Logan wants to touch it. He very determinedly keeps his hand on Virgil’s shoulder. “Gotta admit, though, last night was . . . better than usual.”
This appears to be the point where Virgil first notices their position - pressed together, arm slung over Logan, basically cuddling the way that Logan normally would with his pod. (No tangle with his pod has ever felt this . . . electric, this charged, this important to Logan before.) His face flares a brilliant red, and he shifts like he wants to move away but -
“I’m sorry,” Virgil says. “Am I making you uncomfortable?”
“No!” Logan blurts out. Virgil blinks at him a little, and maybe he was a little overly enthusiastic, but - “I sleep in a tangle with Dad and Roman all the time. I have extreme difficulty sleeping without contact with someone else. It . . . helped me greatly.”
“Oh,” Virgil says, face turning redder still, smiling shyly. “That - makes me feel better. Thanks, Lo.”
Logan smiles, and Virgil smiles too, reaching up to gently move a piece of hair away from his face. Logan thinks that, as far as deaths go, his chest exploding (which seems to be getting more and more likely every fifteen seconds he spends in Virgil’s presence, only accelerated by all this skin-on-skin contact they’re having right now) seems to be the most pleasurable.
Virgil opens his mouth to say something, but whatever it was is interrupted by a Ping! noise from across the room. “What is that?” Logan asks. Virgil, sadly, untangles himself from Logan and the blankets, sliding out of bed and heading over to one of the other structures in the room (what did he call it last night? Dex?) and picking up a flat glowing rectangle.
“Is everything alright?”
“What? Yeah, yeah, I - Thomas sent me a text, it’s a little weird.”
“What is a text?”
“It’s a kind of human messaging system, it allows us to communicate when we’re far away from each other.”
“Like a pod call?” “Kind of? I’ll explain more later, I promise, I just - I gotta go down to the lab real quick.”
“I’ll come with -”
“No!” Virgil snaps. Logan flinches, and Virgil softens, crossing the room and gently touching his shoulder. “Hey, no, Logan, I’m sorry. I didn’t mean to snap at you. I just - this message, there’s something off. I think something might be wrong, and I don’t want to put you in any unnecessary danger. Just - wait here, okay? Wait in my room, where it’s safe. It’s probably nothing, he’s probably fine, but on the off chance that he’s not, I want you to stay hidden safely up here.”
Logan isn’t sure why this makes his face heat up slightly, but it does. “Okay. I accept your apology, and I . . . trust you.”
Virgil smiles, soft and heartwarming, and Logan is beginning to give more credence to his “chest explosion is fine, actually” theory. “Wait for me here, okay? I’ll be right back. I promise.”
He leaves, shutting the door firmly behind him, and the foamy feeling in Logan’s chest dissipates a little. He can’t quite put his finger on it, but there’s something . . . off. If Logan didn’t know better, he’d think that he was sensing a predator approaching.
But that can’t be right, he isn’t underwater. His danger senses are likely just overreacting to his disappointment at Virgil’s absence.
. . . Right?
*~*~*~*~*
Thomas is beginning to regret letting Roman and Patton (specifically, Roman) out of the large tank before finishing his first coffee of the morning.
“I want some!” Roman complains.
“Do you even know what it is?” Thomas says. Roman pouts sulkily at him.
“. . . No,” he mutters, rolling his eyes. Thomas gives him the deadpan, no-nonsense, I-am-your-direct-superior-take-the-damn-samples-Virgil stare that he has perfected over the past few years. Roman wilts a little more, and Thomas feels slightly bad.
“It’s called coffee,” he says. “It’s a hot drink that lots of people have in the morning. Some people drink it plain, and some people add things to it to change the way it tastes. It helps me wake up more and get focused to start my day, and sometimes I drink it late at night to help keep me awake.”
Roman looks less like a kicked puppy and more like Logan, eyes wide and curious. “I want some!”
Thomas, taking a sip of his own two-seconds-of-cream-five-cubes-of-sugar coffee, nearly spits it out. He looks at Roman, eyes the very sharp, very detachable, very toxic spines covering his body, and says, “No.”
Roman’s demeanor changes entirely, switching from “curious toddler” to “toddler about to throw a temper tantrum” in a heartbeat. “Why not?!”
“Because when people drink coffee without being used to it, sometimes it makes them a little crazy.”
“I’m not crazy!”
“Do I need to recount to you how many times you’ve threatened me and my assistant since we met you?” Thomas says, raising an eyebrow. “I’m not giving you coffee until I know I can trust you not to stab me with your poisonous spines that cover your entire body and can be fired at people.”
Roman pouts more, dropping under the water and letting out a gratingly harmonious string of mer that Thomas is pretty sure translates to Roman bitching about the coffee situation to his dad. Based on the pattern of Patton’s response, he’s pretty sure Patton is laughing at Roman.
More sulky chalkboard-violin music, and then Roman resurfaces grumpily. “Dad agrees with you and says no consuming strange human foods.”
“Did he laugh at you?”
Roman squints suspiciously at him. “You can’t speak our language.”
“Yeah, but I know what it sounds like when a dad laughs at his kid.” Roman, continuing to pout, sinks back into the tank, presumably to sulk some more. Thomas takes another very long sip of coffee that is definitely too hot for his mouth and turns back to his desk.
Virgil should definitely be awake and in the lab at this point. The samples he’s supposed to be analyzing are sitting in their little tubes, each neatly labelled with locations and dates and times and what, specifically, Virgil is supposed to be looking for. Thomas considers going upstairs and waking up Virgil, who’s almost never been late for work in this way, but he decides against it. Virgil is upstairs with Logan, and Thomas knows that there’s something building between them. He’s not sure how advisable that something is, but he trusts Virgil to make his own decisions.
Besides, he could probably use some practice. His water sample analysis skills are pretty rusty, he’s had Virgil doing them for years. “Virgil, you owe me big time for what I’m doing for you.” He carefully shifts the samples over to his own desk, slides his earbuds in, picks up a pipette, and gets to work analyzing the bacterial and algal concentrations for any abnormalities.
Thomas accomplishes about forty-five minutes’ worth of work before Roman interrupts him by flicking water at him and soaking the back of his neck. “Hey!”
“I tried your name, but your little ear bug things were keeping you from hearing me,” Roman says smugly. Thomas, not for the first time, considers retreating to the closet and throwing beakers until he feels better.
“Can I help you?”
“Dad wants to go hunting and bring back breakfast, but we can’t leave without you.”
“Are you not going hunting?”
“I’m going to stay here and observe you,” Roman says.
Thomas blinks. “Do I . . . need observing?”
“How do I know you won’t sell us out to your little human friends the second you get a chance? If I’m here, I can stop you. Plus, what if you do something to Logan while we’re not here to protect him? No, no, I’m staying right where I am and you can’t make me leave.” His spines ripple; Thomas steps closer to a whiteboard in case he needs to duck.
“I’m not going to do that, and I don’t want you to stab me.”
“Still! I’m staying here! Also, Dad’s bigger than me, and he’s a better hunter cause he’s faster and he’s been hunting longer.
“Does he need something to help him carry all those fish?” Thomas asks. Roman opens his mouth like he’s going to say something snarky, pauses, and stops.
“I . . . usually we just eat what we catch when we catch it. We make a pile of prey and take turns guarding it while the other two hunt. Then we make a sacrifice to the Seven Mother Goddesses and eat what’s left.”
After some debate, Thomas is able to fashion a sling of sorts from some waterproof tarps and leftover anchor rope to tie around Patton’s body. “You can put the fish in this pouch and carry them back here. Will you be able to navigate your way back to the grotto?”
“He will,” Roman says. “Dad knows more about the ocean than any human possibly could.” Another discordant song from the tank, chastising, and Roman huffs. “Dad wants me to reassure you that he’ll be fine.”
Patton settles into the mobile tank easily, and Thomas gets him down to the grotto leading towards the sea. “When you come back, let out one of your pod calls and Virgil or I will come and collect you and your catch. Take as much time as you need, okay?”
Patton reaches up and gently pats Thomas’s arm with one large, damp hand, and Thomas takes that to mean an agreement. “Alright, off you go.” There’s a whoosh and a rush of water as it flows from the tank into the grotto in a clean arc, carrying Patton with it. Thomas waits for a moment, letting Patton disappear into the open ocean, before returning to the laboratory.
Roman, for the most part, ignores Thomas. He asks the occasional question, which Thomas tries to answer in a way that he’ll understand, and leans over the edge of his touch tank, eyes guarded. Every time Thomas sneaks a glance, when he thinks Roman isn’t looking, his expression is wide-eyed and wondrous, like Logan’s usually are, but the moment he realizes Thomas is watching him his entire face closes up like a clamshell.
Thomas wonders what it’ll take to get Roman to trust him, trust Virgil, trust any human. Granted, he doesn’t know Roman’s history with humans, but he and Patton are both fairly scarred, and Thomas might not know the whole story but he’d bet a not-insignificant amount of his monthly income that the giant starburst scar taking up the majority of Patton’s chest isn’t the result of a clash with a marine creature.
He works quietly, fielding the occasional question, keeping one ear on the grotto tunnel for Patton’s return. He’s not sure how long he expected Patton to be gone, but he hears movement in the grotto tunnel far sooner than he’d expected.
“Thomas, what’s -”
“Shhhh,” Thomas says. He stands up, pushing away from his desk, but before he can say anything else, there’s a flood of movement coming from the tunnel. Bodies pour into the lab, swift and strong and carrying weapons that they immediately train on Thomas and Roman.
“What is this?” Roman snaps, bristling. He sounds betrayed, like he thinks Thomas is behind this. Thomas picks up a heavy glass beaker, fully prepared to shatter it upside someone’s skull if necessary, but something heavy and hard strikes the back of his skull and he feels his knees crumple. Roman cries out, and Thomas struggles to push himself up. A hand fists itself in his hair and yanks him upright, sharply. Thomas exhales sharply through his teeth, but before he can start struggling, something cool and round rests against the back of his neck, shutting him up and shutting his brain down.
Roman is puffed up like a hedgehog, apparently fully prepared to defend Thomas despite his strong and inherent mistrust. Before he can begin to attack, Thomas hears the click-click-click of shoes on the hard stone floor. Whoever’s holding his head yanks him back again, and he is forced to watch as a woman walks into his laboratory.
(It sounds like the beginning of a bad joke - a sick, horrible, twisted joke.)
She has black heels, black tights, a black pencil skirt, a black blazer, and a blood-red blouse. Her hair is scraped back into a tight bun, pulled so taut it must hurt, and is held in place with a pitch black stick. She carries a - clipboard? tablet? Unclear - held against her chest, and there’s a sleek silver weapon in her right hand.
“The one from the video?” she asks.
“Affirmative, ma’am,” says the person holding Thomas’s head. The woman nods, lifting her weapon, and fires at Roman. Thomas tries to scream a warning, earning himself another painful yank from his captor, but the projectile lodges itself in Roman’s shoulder anyway.
It isn’t a bullet, but something that looks like a small syringe. Roman swats it out of his shoulder, swaying a little, but it doesn’t stop him from swiping at the - mercenary, they must be - who tries to grab him with his elbow spines. The woman frowns, lifts the weapon - some kind of tranquilizer gun? - and fires again.
Roman screams, inhuman and animal, and tears the newest dart from his arm, throwing himself out of his tank and clinging to the nearest mercenary. His teeth tear into the man’s shoulder, spines piercing through his camouflage clothing and flooding him with neurotoxin. The man collapses against the concrete, alive but unconscious, and Roman snarls at the next man as though daring him to approach. He sways, weakened but awake, and bares his teeth.
“Of course,” the woman says, tapping something on her tablet. “His naturally produced neurotoxin must be providing him with some level of natural resistance. Unexpected, but not a limitation.”
It takes three more tranquilizer darts before Roman finally slumps down into his tank, unconscious. The mercenaries look hesitant to approach him, but the woman reaches for her tablet and they scramble to action at once.
“No - no, stop, let him go, he’s not an animal for you to cart off to your lab -” Thomas starts. The man holding him knees him sharply in the back and he cries out, coughing.
They wrap Roman in thick leather bands, roughly shoving his spines flat and binding them against his skin so that he can’t attack them again. The woman nods, once, short and sharp, and they drag Roman away, letting his head bang mercilessly on the ground. Thomas catches a glimpse of a logo - emblazoned on the back of the jackets, on the back of the woman’s tablet, on the side of her tranquilizer gun - and commits it to memory. He’s going to need it, if he gets out of here alive.
“- your phone,” the woman says, and oh, when did she get in front of him.
“My what?”
His mouth runs dry as she places the tranquilizer gun under his chin, barrel pressing against his throat, and tips his chin up. “I said, give me your phone.”
Thomas blinks. “My - the desk. It’s on the desk.”
She sets her tablet down, picks up his phone, and shoves it in his face. “Open it.”
“I - wh -”
“Unlock your phone, Dr. Sanders. Must I repeat myself a third time?” She rolls her eyes. “Doctorates are wasted on people like you.”
Thomas numbly punches in his passcode, and she swipes through to his messages app, frowning before turning the screen towards his face to reveal a message thread with Virgil. “Is this your assistant?”
Thomas glares at her, he’s not going to give her what she wants, he’s not going to just give her Virgil but then the - gun, it must be a gun, what else would they be holding against his neck like this - pushes into him harder, and it’s probably bruising, and he can’t get himself killed here because then he definitely won’t be able to take care of Virgil and -
“Yes,” Thomas says, hating himself for giving in so easily. “What do you -”
She turns away from him, nails clicking against his phone screen as she sends a text message - to Virgil, presumably, and that makes his heart sink like a stone - before dropping it on the floor and stepping on it to shatter it. “I have a message for you.”
“A - what?”
“Did they really hit you that hard, or were you this stupid before we came here?” she says coldly, picking up the tablet again and tapping at the screen. Thomas groans as the man yanks him to his feet, shoving him onto his chair and pulling a roll of duct tape out of one of his multiple pants pockets. He tapes Thomas’s wrists and ankles to the chair, keeping his weapon trained on Thomas’s temple at all times, before pressing it roughly against his head and gripping his hair again.
The woman sets the tablet on his lab table, and the screen flickers to life, and then there’s a woman in front of a dark black backdrop, smiling at him like a cat who’s caught a canary. “Thomas Sanders. How long I’ve waited for this day.”
Thomas recognizes her. He knows he recognizes her. She used to be his classmate, before . . .
His head hurts, so badly that he can barely keep his eyes open, and the memory slips away. “You . . . why are you doing this?”
“Why? Because I am a real scientist, unlike you. You refuse to do what is necessary, what must be done for the progression of the species. The sacrifice of some worthless animals is necessary for humanity to reach its zenith. You would really hinder the entire human race for the preservation of lower life forms?”
“Wh - I -”
“You think that ‘preserving the ecosystem’ and ‘keeping animals alive’ makes you a good scientist, but it makes you weak. You are weak, Thomas Sanders, and if the world was left in the hands of people like you, the human race as we know it would die out in a few centuries. Fortunately, there are people like me, who understand what must be done.”
“Caring about other people and things - it doesn’t - it doesn’t make you weak,” Thomas says, chest heaving, and the woman just laughs.
“One of many logical fallacies to which you subscribe, Thomas. They really gave you a doctorate? Of course caring makes you weak. All emotions make you weak. They corrupt your data and make your experiments worthless. You must be ruthless. You must be willing to do whatever it takes to pursue your goals and achieve the height of success. But no.” She rolls her eyes, face hardening, twirling a pen in her fingers. “You insist on ethics and principles and letting emotions cloud your judgement, and that makes you a failure as a scientist. It makes you weak. Your attachments will be your downfall.”
Thomas’s eyes slide shut, head pounding, and the man behind him yanks at his hair so sharply that he knows some has been ripped out. He forces his eyes open in time to see a smile slide across the woman’s face like a knife, teeth gleaming white as sun-bleached bone.
“You won’t - get away with this,” Thomas manages. He grinds his teeth together and curls his hands into fists, digging his nails into his palms to keep himself awake. “If you leave me alive -” Thomas, stop talking, why are you reminding her that she has the option to fucking kill you “- I will not rest until I find you. I’ll - you can’t -”
“You’ll what, Thomas? If you call the police, you’ll expose those creatures you’re so intent on protecting to the world. Are you really willing to take that chance?” Before Thomas can even begin formulating a response, she steamrolls him. “It doesn’t matter. Even if you were, I’m going to take some . . . insurance, shall we say.”
“Why not just kill me?” Thomas spits. Excellent idea, Doc, poke the murderous lady with a stick like a god damn hornet’s nest, the tiny Virgil in his brain hisses. Her smile, somehow, only widens, and that’s . . . that can’t be good, can it? Smiles are supposed to be good! They’re supposed to make you happy, but all Thomas feels is creeping dread and pain, so much pain, and -
Yeah. He’s . . . pretty sure he has a concussion.
“Because if I kill you, you get to take the easy way out. Your suffering will end. But unlike you, I don’t put limits on my science. I know how to cause you the maximum amount of pain.”
Thomas eyes the toxin gun, but the on-screen woman just laughs. “Not yet, Thomas. We need something from you, first.”
“You already took Roman,” Thomas says. “What more can you possibly take from me?”
“You named it? You’re even weaker than I thought.”
“He told me his name, he’s not an it, he’s not a thing for you to play with and - and I -”
There’s a strange sinking feeling in Thomas’s chest as the woman onscreen laughs. “I knew you were emotional, Thomas, but I can’t believe this! It looks like I’ll have more hanging over your head than you thought.”
“You -”
“Say, Tommy-boy, have you heard from your precious little assistant recently?”
Thomas’s entire body flushes ice-cold and then white-hot, immediately struggling against his duct tape bindings despite the man tearing at his hair and shoving the gun into his neck and snapping at him to shut up, shut up, shut the fuck up before I do something we’re both gonna regret -
“Don’t you touch him!” Thomas snaps. “If you hurt him, I swear to God -”
“You’re not in a position to be making demands, and if you don’t calm down, I’ll paint your boring little lab bright red.” Thomas freezes, holding his entire body tensed like electricity is running through his blood.
There are footsteps on the stairs. “Doc? I got your text, what’s -”
“Virgil, run!” Thomas chokes. Virgil comes around the corner, holding his phone, staring at the screen in confusion. He looks up, eyes widening in horror as he takes in the scene.
“You know what to do,” the woman onscreen says. The other woman lifts her tranquilizer gun, and Thomas is sure that he’s screaming, his mouth is open and sound is coming out but his blood is rushing through his ears and his heart is pounding like waves against a boat in rough sea and he can’t - he can’t -
Virgil turns to run, but the tranquilizer dart hits in him the back of the neck and he collapses like a sack of bricks. The woman lowers her gun and jerks her head at the two remaining conscious, unoccupied mercenaries, who step forward and grab Virgil.
“Let him go!” Thomas screams, and his throat feels raw and his chest feels raw and his wrists are rubbed raw and his soul feels hollow and raw, like he’s been scraped out with a jagged piece of metal and only an empty shell remains. Virgil’s head lolls against his chest as they drag him down the grotto tunnel, and Thomas struggles and screams and stares after them until Virgil is out of sight.
His face is damp, and his eyes are burning, and he isn’t sure if it’s blood from his head wound or tears or some strange, morbid mixture of both.
“The greatest torture of which I can conceive,” the woman onscreen says, and it takes him a moment to realize that oh, she’s talking to me, “is to leave you alive, knowing that your precious little protégé is with me, and that there is nothing you can do about it.” She leans forward, and any trace of a smile is gone. “If you try to come after me, I will kill him. If you call the authorities, I will kill him. I already found you, Thomas. Don’t think I’m not watching. If I catch so much as a whiff of you planning something, his blood will be on your hands. Do you understand me?”
Thomas, numb and shocked, can’t even respond. “Knock him out and bring the specimens back to me,” the woman onscreen says.
“Yes, ma’am.”
He doesn’t even feel the tranquilizer dart hit his neck, but he welcomes the sweeping darkness.
(Summary: Evil Scientist Lady has been spying on Thomas and she finds the entrance to the grotto where our mer friends have been hiding. She sends her assistant and several armed thugs to invade the lab, they drug Roman with tranquilizers and kidnap him. Thomas gets knocked around a lot and is mocked for being an ethical scientist and caring about people by Evil Scientist Lady and she gloats at him through Evil Facetime before kidnapping Virgil in the same way they did Roman, knocking Thomas unconscious, and leaving him tied to his lab chair. During this whole scene, Patton is out in the open ocean hunting and Logan is safely hidden in Virgil's room.)
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catsvrsdogscatswin · 4 years
Text
V8 Theory
Okay I’m about to be that one meme of the crazy-looking guy explaining a red string diagram on a corkboard, BUT-
Volume 8. So, uh, after the ending of Volume 7 my sister and I kinda looked at each other and went...are they seriously going with this? Salem and her army rocking up at the good guys’ doorstep NOW? In what’s very clearly a midpoint or slightly-after-midpoint of the series? When the good guys have no plan or tools to stop or even detour her? No buildup on how they’d figure that out? No nothing?
It reeks of either bad writing or a plot twist. 
SO, with that in mind, we fervently pinned our hopes on plot twist. Sure CRWBY drops the ball sometimes, as all writers do, but this? This is big, and I cannot believe that someone in the studio did not raise Serious Concerns if CRWBY proposed some out-of-nowhere deus ex machina. 
With the information currently at our disposal, we have concluded that the good guys are basically fucked. Immortal Big Bad at their doorstep with an army, Ruby’s silver eyes proved or at least hinted to be completely ineffective against her, the leader of the government defense has gone mad, gang separated, one Relic lost and the other inaccessible. The only way they could really survive this scenario is to retreat, and it goes against every single one of their characters to just...walk out on an entire city full of people and leave them to the Grimm.
So, and here we come to crazy-man-with-string-diagram, we were thinking the gang has Ozpin make them time travel. How far back or how they do it, we weren’t sure, but realistically speaking, time travel seems to be the only way, with the information we currently have available, that they can “fix” this situation. I shall list our points.
1. Ozpin’s cane was stated to be able to “store time” in the V3 commentary. Granted, this ability may have been scrapped with other early concepts, but Ozpin also mentions in V5 that his cane has “other abilities,” and possession of it seems to be important to him for reasons beyond mere sentiment. Oscar also asks him how to fix this situation in the V7 finale, which may be foreshadowing.
2. Time traveling is a sticky concept to introduce, as it may serve as a fix-all scenario and thus introduce plot holes, but the phrasing was “store time,” indicating both a limit and a need to do so. If we assume this concept has remained, its likely that there is a limit to how far back Ozpin can go, or how much time he can store, and that he must be in possession of his cane to do any of it. This would explain why his time-travel ability was not used to fix the Fall of Beacon: he didn’t have his cane until multiple months after the event, which would mean that he can’t go back that far, and, if they do use this ability in V8, why he can’t do it again for such-and-so amount of time: he’s used all the time stored in his cane.
3. V7 seemed oddly fragmented, and has been stated to be more connected to V8 than most RWBY volumes are to each other. With the time-travel theory, this would be achieved by V8 covering events in V7 over again from a slightly different angle, possibly repeatedly, and filling out the odd scenes and missing portions.
4. CRWBY announced that V8 will take place over several days. While it is theoretically possible to stretch all these days out with fight scenes and long conversations (and shorter episodes), V8 is also stated to be longer than normal. If the gang time-travels, they could experience the same few days multiple times, which would stretch the season time out much farther.
5. The teaser clip of Yang and the others on a motorbike seems to take place in Atlas or Mantle, which is undamaged, and is stated to occur in an early episode. Given as the last thing we see is Salem arriving at the gates of Atlas with an army, this is a very odd switch in tone and narration. If the gang had fled Atlas, they would hardly be in a good mood, knowing they had left the citizens there to the army of Grimm and a mad dictator, and if they somehow managed to fight Salem off, there would have been severe casualties and a mad dictator would still be in charge. If, on the other hand, the gang had traveled through time to return to the starting point-ish of their time in Atlas, their mood would be decidedly more optimistic.
6. Clover’s death. While this wasn’t badly written in and of itself, the implicit psychological damage it would do to Qrow, who had spent most of the volume experiencing character growth and friendly interactions for the first time ever, seems to invalidate all CRWBY’s hard work at giving him a friend (or love interest). You don’t build someone up just to tear them down in one single season: from a narrative standpoint, its needlessly cruel and poorly executed. And whether they intended for Clover and Qrow to have canonically romantic overtones or no, CRWBY would definitely be aware that the fans would pick up on their dynamic, and CRWBY has already proven themselves perceptive enough to avoid the bury-your-gays trope. If time was reversed and Clover lived, the drama would be averted and they could make this decision with impunity.
7. Yang, Oscar, Jaune, and Ren is an odd conglomeration of people to be in one isolated group, as they were in the V8 teaser clip, which may be explained by the fact that Ozpin could only send a select amount of people back in time and they were chosen for this purpose because Reasons. (Maybe Ren for levelheadedness, Yang for critical second-guessing, Oscar because he’s Ozpin’s host, and Jaune for battery pack...and strategy too I guess. IDK.) This would also slot in with the mutters of “Ruby being Yang’s antagonist this season,” as Ruby may act against what time-traveler Yang needs her to do or think.
8. Ren was acting super weird in V7, which may be explained by the fact he’s one of the time-travel dudes and he’s getting deja vu or those weird transitional moments are the result of time divergencies. I’ll admit that this one is shaky but you have to admit that he has been acting really off, plus those whiteout flashes and slow-motions don’t just happen on their own.
Anyways if they actually do decide to do time travel you can catch me screaming that Saturday at anyone unfortunate enough to be near me. Yes that includes you guys.
V8 CH1 Update: Guess its time for clown makeup then, boys.
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