@yeonban said: ❛ Oi, Seiroku. Where do you think you're going? ❜ Soma's voice resounds through the halls, having followed the other inside the building sheltering their wounded, and he sounds almost incredulous at Seiroku's presence here, on his way to the injured, as though in spite of his profession, he wasn't supposed to be. ❛ You won't find anyone in there. They're all off for the day, you know. ❜ The statement isn't exactly accurate, there are still one or two medics tending to the severely wounded, but he'd made sure the shifts would be evenly distributed so that they, too, would get to indulge in the rarity of the festival.
Those shifts, however, did not include Seiroku, and Soma planned to keep it that way. ❛ And that goes for you, too. Quit trying to work and go enjoy the festival. ❜ It's baffling that he even has to say this, and he'd have most assuredly penned the doctor as a workaholic if not for the growing confusion in the air. The general had meant to leave after delivering the comment, body already half-turned towards the entrance, but he remains silently staring at Seiroku instead, and after a moment longer he turns to face the other once again. ❛ ...You do know there's a festival happening today... don't you? ❜
The place felt more like a ghost town than somewhere a large band resided with the empty streets and hallways as Seiroku made his usual path to the medical wing. (Strange – the idea of a usual path.) It made Soma’s voice all the more audible and engulfing when he called out as the black dog came to a halt mid-stride. Had the tone been any different he might have been concerned. But it sounded confused and astounded, which in turn only made him confused as he turned around to face the general with a puzzled expression. What was he doing? The same thing he usually did. But why was it suddenly causing this reaction today?
“…Off for the day?” His brows furrow – and the implication that he should KNOW this makes him frown slightly. Why would he know this? SHOULD he have known this? He could always make the excuse that he wasn’t sure if it applied to him yet it would hardly be effective given how involved he’d become. At least the matter of a day off explained the emptiness to some degree. It was vexing to him as a strategist to not know this fact though.
His confusion only deepens at the grand general’s next sentences. The nice thing was that the man in front of him tended to be quite expressive which made it easy to read. But on the other hand, such clear expressions only rub salt into the wound of his own ignorance.
“ Fest..ival…? “ The word comes out almost like two separate words, the explanation for everything delivered upon him like a hammer striking metal. That’s why the day was off and everyone was gone. It wasn’t just a day off, but a rare occasion. Shock settled clearly onto his features in response to this news.
It is a rare event in which Seiroku is thrown entirely off his rhythm. He almost always remained composed and calm even in the most chaotic moments, polite and mannered regardless of another’s behavior or actions. But now it feels like he has been thrown into the middle of a whirlpool with nothing to hold onto. White hot embarrassment erupts into a raging fire in his chest, ears turning a bright shade of red, a red that started to creep forwards to his cheeks. (And the stark contrast between all white clothes and long black hair did nothing to hide the red – if anything, it simply made its appearance all the more noticeable. The face veil certainly didn’t help hide anything.) It was one thing to be outmaneuvered as a strategist or be caught by surprise from something unexpected. He could handle that with his signature calm or with quick reflexes and adjustments, and even admire or appreciate and acknowledge someone else’s skill. It was another matter to be because he didn’t know something. Especially when everyone else seemed to.
Should he have known? He can’t remember ever going to a bushi festival. Had he ever been to one? There were no memories – if he had, then the void from the surgeries must have eaten that memory, but he’s certain he’s never been to one.
There is nowhere to hide. Not when Soma is staring at him so intently, the confusion and then genuine shock seeming to have held the general in place to look at him. It’s mortifying. Seiroku can’t remember the last time he’d felt so ignorant and embarrassed, especially in front of someone else. Maybe when he was still receiving his education and messed an answer up. It’s disgusting and appalling how small his embarrassment makes him feel. It makes him angry with himself to want to hide, though nothing but his embarrassment shows on his face. No wonder Soma had been so baffled by him being here.
“ I- “ Silver tongue fails him as he uncharacteristically struggles to speak, and it feels like he’s burning from embarrassment. “ No. “ Seiroku finally admits. The fact this memory would be preserved in that damn black crystal too- “ I wasn’t aware…I’ve never been to a festival. “ That much was a truth. He’d been too focused on education, and then if there had been one in his old band, he’d probably been forced to work through it. And naturally he hadn’t attended any since joining the obsidian eight or even prior to that when he’d turned his back on the bushi life. His head turns to stare at the wall as if it was suddenly very interesting; anything to try to soothe the wounds of embarrassment.
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Are mantis and crab forklift certified
I think at heart they are, but both are far too strangely shaped and large to traditionally operate a forklift
But I could definitely see them operating one by perhaps by some sort of other means if the opportunity became available.
But sadly my boys just don’t have access to the custom fitted forklifts they would like 😔
Dreaming about pulling up in their whip
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That sneak peek in the Featherington house with Portia, Prudence and Philippa is simultaneously so funny and actually quite sad. Sad because these girls really have no idea what they’re doing. They’ve just been thrust into marriages and now they’re expected to produce an heir although no one really explained to them how it’s done. It makes me excited to see how the portrayal of young girls in that society will be shown this season and I’m hoping we’ll get a few good scenes.
Funny because you know that the moment Colin and Pen get their hands on each other, they’ll just win that baby race without even trying, just by being their charming, extremely horny self. And I’ll just sit there applauding their dedication
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So I've seen some discussion about the way Mammon talks in 24-11, and how some think Asmo forced Mammon to speak this way while others think it might be because of a issue with the translation. And since I speak some Japanese, I figured I'd break down what's actually going on here
If you don't want to read through the Japanese grammar explanation, just skip to the last section, but for everyone else I'll try to break it all down. Just keep in mind that I'll simplify some things to (hopefully) make it easier to understand for those that don't speak Japanese
Right away, here's the dialogue above in the Japanese version + written in Romaji for those that can't read Japanese:
understanding sentence-ending particles
(not really relevant to Mammon's dialogue itself, but I think it'll help make the function of 「です」 ('desu') and 「ます」 ('masu') in the next section a little clearer)
Sentence-ending particles serve to indicate the overall tone a sentence is meant to have. There are a few of them and each one gives the meaning of the sentence a different nuance
The two easiest examples to understand this concept are probably the following:
the 「か」 ('ka') particle
basically just a spoken question mark;
turns any sentence into a proper question
the 「ね」 ('ne') particle
literally functions the same way as 'isn't it'
ちょっと寒い。 ('chotto samui')
-> It's a little cold.
ちょっと寒いか。 ('chotto samui ka')
-> Is it a little cold?
ちょっと寒いね。 ('chotto samui ne')
-> Bit cold, innit? It's a little cold, isn't it?
the auxilary verbs 「です」 ('desu') and 「ます」 ('masu')
Similarly to the sentence-ending particles, these two change the tone of the sentence and are placed at the end. Both make the sentence polite, and depending on what the sentence ends with, you use one or the other. If it ends in a verb, you add 「ます」 ('masu') at the very end, and if it ends in anything else you use 「です」 ('desu')—you cannot use both back to back
Which finally brings us back to Mammon's dialogue
As you can see, he goes a little overboard. Since 「やり直す」 ('yari naosu'; 'to redo') is a verb, the first use of 「ます」 ('masu') is correct, but everything after that is just overkill and wrong but it sounds very cute
(The way Mammon speaks here actually reminds me of how half of my classmates used to speak the first few weeks of uni lol)
But yeah, it's definitely not Asmo forcing Mammon to speak differntly since all of the brothers are talking more politely. And given that they're all under Asmo's charm and serving him, it makes sense that they'd adopt a similar manner of speaking as Barbatos. It's just that Mammon is the King of Casual Speech™, dancing gracefully between 'still acceptable' and 'straight up rude' more or less gracefully at least, so obviously he'd struggle with switching to a more butler-like speech style
It's the same with Beel actually. He's usually the type to just cut straight to the point, which is why he also slightly messed up when speaking politely. To me the original Japanese version reads more like a cute little joke that's in line with both their character, that unfortunately got lost in translation since English just doesn't have an equivalent
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[ WEEPING ROSEMARY ] ✦ TAA-DAHH! It's been a year since the demo first came out, and since the full game is still in the making...
To celebrate the year, I decided to give the sacrificial offering of my senior thesis PDF of 55 pages of game progress / art / characters !!
If you want to download, here is the [ link ] !!
And because people on twitter voted on it, below will be some of progress that has been made towards the final & such:
Will give a heads up, that some things are censored out & hidden, either through color or black silhouettes! As well as not ALL progression being shown here. This is so not everything is spoiled to you all, so when the full game is released, the gameplay is not ruined.
Character ✦ Progress
Map ✦ Progress
Assets / UI & CG ✦ Progress
Writing ✦ Progress
With now everything shown, I hope you guys enjoy and have lots of fun with what I've shown!
Progress has been slow for me the past three months since I've recently taken up a new job that I'm starting to finally settle myself into, so hoping that means more days of productivity!!
I don't know the date of when I'll be able to release the full game, but I want to say thank you to everyone who have been so patient and kind! I'll be doing my best!!
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