So... you're basically letting Chloe get away with everything? Her family is leaving and she is going to therapy with them, but none of that are consequences. She willingly sided with Hawkmoth and is basically getting no consequences. Looks like you are following the same logic as the show.
Another way the imbalance between the sides hurts the story is that it cheapens the impact of the Kingsguard twins. Erryk gets to express his views on screen, we know why he picked Rhaenyra, because he has become familiar with Aegon's debauchery and has come to loathe it. But what of Arryk? Why is he such a ride or die for Aegon? We don't know because god forbid the show allows someone to say something positive about Aegon. He is willing to kill his own twin for Aegon, but why? Because they have to hit the same plot beats as the book, but, with the show's characterisation and framing, it doesn't make sense or hit as hard.
If Arryk has no good reason for siding with the greens, it impugns on his character, reducing him to an uninteresting rule-follower. Why is it a tragedy if he dies then? He must have picked Aegon because he is a no-good misogynist who can't stand to see a girlboss win. Erryk gets up and demonstrates his regard for Rhaenyra, asking for forgiveness for committing suicide. His devotion to her is palpable. He is also the one who steals Viserys' crown for her, another mark of affection, a tremendous gift. For better or worse, he actually believes in a cause. It is Erryk's tragedy. Instead of being an equal, his brother is abridged to an antagonist. Rhaenyra is shocked by Erryk's gesture, she does not want him to die, but who will mourn Arryk? The writers won't allow the greens to mourn their own fallen to each other, let alone someone else - they still call Jaehaerys "the boy" or "the child".
September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.
Moral dilemmas! Sans is able to talk about what happened in the lab with Papyrus and make some peace with it, but talking about it with other people is a different story.
(And it’s a long long day, and we’ve come a long long way
And it’s a long long long way back - [x] )
It will never stop being funny to me that the Titan's Tower incident between Jason and Tim happened right after fucking Jericho did the exact same thing but was way, WAY scarier about it.
JERICHO repeatedly attacks them, endangers civilians, possesses multiple people, is out of his head with rage and sorrow at feeling expendable and feeling like teen vigilantism was what got him and Donna killed. Hell he even shoots Bart through the leg, which fucks him up so bad he has to go through unanesthetized surgery and that trauma prompts a whole ass character growth spurt! Jericho both while possessing Slade and when they fight him in Raven's mind trap thing is like seriously bad news! He's playing for keeps and intent on really hurting them! It takes a full team effort over multiple comics to trap the guy
Then fucking JASON sneaks in ever so carefully, knocks a few of them out, feels a bit bad about even doing that, and has like a waffle house parking lot fist fight with Tim in a party city Robin costume. And what's he do afterwards? He just fucking leaves and never bothers them again! He doesn't wanna kill any of them! He's just a sad wet sack who doesn't know what he's doing with himself
The Teen Titans really do gather around Timmy after their fight lookin at that wall like, "Fucking seriously?? This is the second time this week!"