#Also anything mob related he’s not really in

[clownsuu]

Hey, uhm, hope I'm not bothering you today. I'll just drop this here. It's the continuation of what I wrote form the Mob Au. Hope you like it.

https://archiveofourown.org/works/47292106/chapters/119165542

That's all. Goodbye. Have a nice day.

oH SHID ITS THE FIC HELL Y E A H-

[hannieehaee]

Svt ot13 having to break up with their s/o for the sake of the group and their public image?

having to break up bc of their career (but not really)

content: established relationship, potential break up, public scrutiny, angst (no sad ending though ofc), etc.

wc: 804

a/n: i switched this up a bit to how they'd react to controversy about your relationship since i hate writing unresolved angst or angst with sad endings oops sorry </3

masterlist

seungcheol -

im sawrryyy his ass is far too stubborn to break up a relationship just bc his label wants him to. he also would not care what the tabloids are saying. he'd maybe consider it if it was affecting you, but ultimately he'd rather go on hiatus or just put up with the scrutiny rather than actually break up.

jeonghan -

he'd never admit to a relationship publicly no matter how damning the evidence was. would just completely ignore the subject and throw subtle lies about it. wouldnt even have to consider breaking up with you bc he wouldnt even acknowledge any backlash from your relationship at all lol.

joshua -

kinda odd to write about him considering ... anyways i think he would do the same as hannie and just not acknowledge the damage a relationship would do to his public image. i mean. if he finally found someone who he feels strongly enough about to let into his messy life why would he ever consider ending it? he'd feel affected by it, though, knowing the scrutiny would also fall on you.

jun -

he might bring up the controversy very subtly during a live or maybe one day straight up make a statement about it but never actually let it go further than that. he seems super private with his family, so if your relationship were to begin causing public uproar he'd just tighten the reigns on his privacy a bit more.

soonyoung -

just annoyed and frustrated about it. would try and subtly scold the media (and carats a little bit) about it on one of his private weverse lives. if the situation got too intense, though, he'd just opt for hybe putting out some type of statement denying the relationship in order to protect you from public opinion as much as be could.

wonwoo -

he's so nice and understanding and never blames fans for anything (even though sometimes he 100% should *cough* the mobbings *cough*) so he wouldnt blame anyone for their emotions towards his relationship. would consult with you and give you an out if you felt like you couldnt handle the situation (even though it absolutely broke his heart to even consider breaking up) but when you denied him he'd simply opt for putting up with the negative press and just continue to love you as privately as he could.

jihoon -

only one who gives me the vibes that he might actually try and break up with you just bc he loves you too much to put you through all this unwarranted hate all bc of his public image. butttt would not survive the heartbreak he felt at breaking up with someone he clearly still loved and would run back into your arms within the month.

seokmin -

just complete emotional turmoil. he wouldnt wanna break up, but if you did, he'd do it just for you. he also wouldnt wanna deny your relationship bc he'd feel like that'd be disrespectful to you. anddd he also would not wanna confirm your relationship since that'd just add extra hate to you. he'd opt to do anything you chose, making you his main priority.

mingyu -

his ass would NAWWWTTT care if people thought badly of him being in a relationship. he'd keep it as private as he could, but would never even entertain the thought of breaking up when dispatch suddenly got a hold of your relationship and the situation blew up. very nonchalant about it all, feeling too confident in your love to think anything could ever drive the two of you apart.

minghao -

gives me the vibes that he might just opt for making the usual statement idols always make of 'x idol is seeing x idol with warm feelings' or whatever the fuck they usually write. other than that he would still keep the relationship very on the down low and never allow public opinion to affect his emotions towards you.

seungkwan -

would take a very logical and professional approach to it by immediately denying any relationship and claiming the two of you are friends lol. he's so friendly with everyone it'd be very believable. wouldn't have it in him to break up a personal relationship over his career thoughhhh he's just too full of love to do that.

vernon -

yet another member to just absolutely ignore anything going on and straight up not care for any public reaction about it. wanna send trucks? wanna write articles about him? he's not even gonna see them.

chan -

would feel insanelyyyy bad that he ever put you in the limelight in such a negative light. would also feel embarrassed and annoyed at the fact that merely being with you would become such a scandal. in the end, he'd also just opt to ignoring the situation and denying the relationship in order to preserve your peace.

[stylesharrys]

All That You Are | Prologue [Mafiarry]

An arranged marriage is set, and Y/N has no say in the matter.

A/N: okay, here you are, the start of mob! Harry all the way from Patreon. This has been so special to me as it’s been brought back from the past (we’re talking 5 years ago) and turned into what it is now! In this series, Gem is younger than Harry. I really hope you love this series as much as I loved writing it

WC: 1.1k

//

Giovanni Saccaro sips on his scotch in his parlour. His grey, wispy hair is combed back, his balding head glinting under the orange hues of the wall lights. His son sits beside him, twenty and full of life and excitement.

Bruno’s always teased Giovanni for the lack of hair on his head, promised that when he becomes Capo of the Californian Famiglia, he wouldn’t lose his looks and hair as his Father had.

Opposite them, across the dark oak desk, Stefano Dellucci leans back in his chair. He’s a few years younger than Saccaro and his hair isn’t balding just yet. Flown in from New York, he’s got a proposition to secure power and strength in his Famiglia.

There’s a glimmer of excitement in Dellucci’s eyes as he clasps his hands over his middle and relaxes further into his chair.

He shouldn’t be this relaxed in such a situation. He should be on his toes, ready for anything. His step-son sits beside him, dark brown locks ungodly waves on his head and his face is void of emotion, but there’s a wicked hint of a smirk that tugs on the corners of his pink lips.

Harry Styles-Dellucci, twenty-two-years-old and soon to be Capo of the New York Famiglia. Clad in a black Armani suit, his thick legs are spread wide and a menacing glint flickers in his eyes as Giovanni begins to lean forward and speak.

“It’s unexpected for me to receive a visit from the Dellucci’s. I don’t remember the last time New York and California met without there being a bloodbath,” he sips his scotch, “Tell me why this shouldn’t end the same way.”

Stefano fights back the urge to scoff but Harry doesn’t hide the way he rolls his eyes. Jeff stands by the door, warm brown eyes, that are anything but, drilling holes into Giovanni’s head and his hand rests on his gun holster beneath his suit vest.

Giovanni’s guard, Gomez, does the same from beside him. He reaches a hand to his side, a silent order to remain calm, to not cause a scene, and Gomez removes his hand from under the lapel of his suit blazer.

“There’s no need for hostility, Giovanni. We come in peace, to form an alliance of sorts,” Dellucci grins.

Giovanni sits back and squints, but waves his hand to continue. Harry has to bite back a scoff. The man acts as though he’s doing Stefano a favour by hearing him out, but in reality, Harry is about to be the one to save both their asses.

“And what did you have in mind?” Giovanni asks, somewhat interested.

Stefano’s lips twitch. “I understand you have a young daughter, almost of age to marry, but I hear you’re also yet to find her a husband.” Harry hates how disgusting Stefano sounds about the matter.

He isn’t entirely innocent, though. When he found out he’d have a trial of taking over as Capo, he jumped at the chance to rule and finally be away from his stepfather. But becoming Capo also means holding larger responsibilities, and to keep up appearances, he needs a wife.

A young, unscathed wife.

“And what makes you think I’d want to marry her off to some traitor by blood,” Giovanni seethes, his poisonous words doing nothing to phase Harry, even if it is direct disrespect toward his dead father.

Stefano raises a hand.

“Now, Saccaro, we all know what my son's relation to the English ensures us. People have come to terms with his blood heritage and it only secures our alliances with London, who are also allied with the Portuguese and Russians. Be wise with what you say next.”

It’s been no secret about Harry’s background and family. That his biological father was of English heritage and a mobster in an arranged marriage with an Italian woman to form allies between London and Italy.

Many view Harry as the poster child for a traitor, though others view him as one of the most powerful and dangerous Made Men out there. Harry has connections to the Portuguese, the English, Russians and Italian, all of which are just from being born.

No other Famiglia has connections quite like him, and the Saccaro’s should consider themselves honoured to be given this type of consideration.

Giovanni hums, a finger on his lips as though he’s deep in thought. Bruno squints his eyes as though anything he says will have an impact on Giovanni’s decision. Harry glances at his father, who looks like he might just burst if Saccaro turns him down.

He sinks back into his seat and smirks to himself. He knows the type of man Giovanni is, he’s heard the rumours. Late nights at the whoreclubs while his wife sleeps, blissfully aware but thankful he isn’t touching her instead.

Giovanni is a man that craves power and respect. And if he thinks this deal will give him that, there’s no reason for him to turn it down.

“She’s not even 18. I won’t whore her off until she’s of proper age,” Giovanni speaks and if Harry didn’t know better, he’d probably think he actually cared for his daughter, and not that the longer he waits, the more she’d be worth.

But he does know better. So much better.

“But she is of innocence, yes? There will be blood on the sheets,” Stefano asks, as though asking of her virginity is the most appropriate question for a father.

Harry can’t help but smirk at the idea. Having a woman completely bound to him, to respect him and please him only.

Harry has slept with enough women to know how to use his dick, but something about taking a woman’s innocence and making her completely his has his cock twinging in his pants.

Giovanni scoffs, Bruno’s grin thickening. Like father, like son. “Of course. She’s never even spoken with a man outside of this family and her guard, Gomez. I raised a respectful young woman, not a dirty whore,” he raises his head.

You mean your wife raised a respectful young woman, Harry thinks.

Stefano nods his head.

“Very well. We can turn her birthday into the engagement party two months from now, allow them to meet and that gives us time to plan the wedding and discuss further arrangements.”

Giovanni nods. “Three years. When she’s 21, she may be wed.”

Harry sits back in his seat, cocky grin on his lips and he’s eager to get a look at his fiancé. He watches as his father and Giovanni reach across the table, their hands meeting in a firm shake and just like that, it’s sealed.

Y/N Saccaro will be his wife.

//

okkk so this is just the prologue, a little warmer up for you guys as the next parts of this series are something like 20k words long each! next part is scheduled for next week! please please leave some feedback on this series, it truly means so much to hear what you guys think!

[llamagoddessofficial]

Hello hello! This is Relating to the prison au and the idea suddenly came to me but how would it differ if the mc was a a lot younger like an intern? I tried searching more if it was even allowed to be a med student intern in a prison but I dunno I just thought it was a neat idea, like if she appeared like an optimistic platonic younger sister more than a romantic interest? Aaaa sorry English isn't my first language I hope the idea got through ^^'

I want to congratulate you, anon... you're the first person in a long time to ask something related to prison au that has never been asked before!

Sans: Unfortunately, he'll be even worse. More manipulative, more possessive... more evil. With an older Mc he might see her as easy to manipulate, but he still absolutely views her as her own person- he'd do bad stuff but he (at least) would still respect her opinions and choices. When she's young, he does not respect her opinions and choices. She's just a kid who doesn't know better, someone who needs him to make the big decisions on her behalf.

The worst part is, once he attaches, he sees her like a little sister. It really fucks up his mind- all of those messy, dark, painful feelings about Papyrus, all that unresolved grief from losing one younger sibling... he doesn't care what happens to anyone. Or anything. So long as he doesn't lose any more family.

He's kind to her; oh-so-kind, a sweet and goofy older brother figure who makes terrible puns and chats to her for hours about her favourite videogames. But he's a terrifying empty creature, and he's absolutely going to use her youth and inexperience to his advantage, to make her trust him more than everyone else. Nothing is off the table.

Red: Red adores her. Much like Sans, he ends up in something of a 'big brother' role- the difference is that Red's connection with her is a lot healthier and gentler, with a decent amount of friendly 'fighting' (tossing harmless insults at each other). He turns into a different person around her; he minds his language somewhat, he manages his temper better, although he teases her his teasing never has any venom and he'll drop jokes that upset her. He was built to be a big brother, and he misses his Papyrus a lot- it feels good to have a bond like that with someone again.

(Speaking of Papyrus- he loves Mc too. He sees the effect she has on Red and he absolutely wants to encourage the positive growth. Also... he always wanted a younger sibling.)

Red makes jokes about giving her contraband or getting her in trouble, and her presence in his life has put her firmly on the inmate no-touch list. Red may be a criminal, and he may associate with people who have done terrible things... but he reserves the worst of the worst punishments for those who hurt kids, and his family. Let alone both.

She's been adopted by the mob.

Skull: Skull's intense feelings about Mc in the prison aus aren't really specifically romantic or platonic in the first place. It's his Soul crying out for love and connection after so long alone. They're just Skull Feelings- so a platonic Mc would see the same degree of insanity, desperation and clinginess from our darling cannibal as her older nurse counterpart.

But... I think he would be a bit better with her, overall. Mc being noticeably younger, in his eyes, makes her more 'fragile'- both emotionally and physically. That nagging thought of i need to be careful and responsible would centre him a little more, make him more aware, gentle and slow. In the same way he wouldn't want to frighten a small child, he doesn't want to frighten her; he moves like hes trying not to spook away a small animal. He'd be better at smiling.

... He would still get moments where he can't help himself. Moments where he snaps out of restraints and grabs her, moments where he attacks other staff for getting too close to her. But he tries.

[sissylittlefeather]

Viva Las Vegas

A mafia!Elvis AU Story

A/N: This was a request that threw me for a loop. I didn't know anything about the mafia. But after watching Casino and talking to my husband, I think I did this one okay and I had an absolute blast writing it! Hopefully it's exactly what it's supposed to be and you all enjoy it!

Warnings: SO MUCH SMUT AND VIOLENCE 18+ NO MINORS, kissing, cussing, fingering, oral sex (both receiving), p in v sex, unprotected sex, swallowing, ejaculation, creampie, ALSO GUN VIOLENCE

Word count: ~6.2k (it takes a lot of storytelling)

In 1973 after the Aloha Special, Elvis decided he had had enough of the colonel and his life in Vegas. He didn't want to leave Vegas per se, but he wanted to try something different.

Thats when he bought a casino and entered the world you'd been trying to get out of for a decade: the world of corrupt casino bosses and the mafia back east.

You hate your father. He owns one of the casinos in Vegas, which means he's in neck deep with the mafia. All of the casinos are tied up with the mob somewhere. Some are from New York, some in Chicago, and a few in other cities around the Midwest.

The casino Elvis buys is New York mafia and it doesn't take him long to get wrapped in their web. Despite his rock star status, he loves it and is eager to do odd jobs for the bosses here and there and earn their trust. Before too long, he's one of their most trusted lieutenants. And by 75, he's his own kind of boss in Las Vegas. The mafia game is new in Vegas, but Elvis is on the forefront, creating his own family of Memphis guys to help him enforce the dealings of his casino.

Your father owns a Chicago mafia casino. And although there's not really beef between the two in their individual cities, the battle over who reigns supreme in Vegas rages. Elvis dives headfirst into this feud and is quick to figure out who the enemy is: your father.

This is not a problem in the beginning. You've sworn up and down that you'll marry a nice man and get out of this bullshit. You're tired of people you know ending up buried in the desert. You'll never get involved with a mafia boss. It's just not in the cards for you.

And then 1975 rolls around and you attend an event put on by the gaming commission to thank the casino owners for their contribution to the city of Las Vegas. You wonder if they have any idea how dangerous it is to have all these men in one room together. Still, you're not there with any of them. You're there on the arm of a senator. He's sweet and naive, and a little bit dumb, but at least he doesn't kill people in his spare time. Your father is disappointed, but the work you're doing with the senator might pay off, so he doesn't try to stop you.

That's when you meet Elvis. You catch his eye across the room and hold his gaze for a few seconds. You know who he is, but you're not eager to know him any better than you already do, so you look away. Still, you feel eyes on you and you look back in his direction to find that he's still staring at you. You look away again to try to convey your disinterest, but when you look back a third time, he's left his date and is walking towards you.

"Oh fuck." You whisper under your breath and roll your eyes. You walk away from the senator toward the bar in an effort to dodge Elvis. But somehow he catches up to you.

"I'd offer to buy you a drink, but you already have one." When you turn to face him, he's taller than you expect.

"Also they're free."

"True. Can I offer you something in gold and diamonds instead?" He smirks and you have to stop yourself from rolling your eyes again.

"I only wear white gold."

"Noted. What's your name."

"I'm y/n. Y/f/n y/l/n."

"Y/l/n? Any relation to Marco y/l/n?"

"He's my father."

"Oh."

"Yeah, so I suggest you move along, soldier. I know who you work for."

"Now hold on, I'm not a soldier. I own my own outfit these days."

"Good for you. I'm still not interested." You go to walk away from him and he grabs your arm and pulls you close to him.

"Oh, I think you are, doll. You wouldn't be so keen on runnin' away if you weren't." Your proximity to him allows you to notice the scent of him. He's all cologne, cigarillos, and peppermint. It's an intoxicating blend and there's something about the way his eyes sparkle that draws you in.

You were a fan of him when you were younger and he was still starring in movies. He's 40 now and he's grown into his maturity in a way no one expected. He carries more weight than he has before, but somehow that makes him more attractive. Like he's a whole man now and he knows what a woman wants.

"Say I was interested. It's not like you'd be allowed anywhere near me. If you don't want to end up in a hole in the desert, I suggest you go back to your date."

"Your father doesn't scare me, honey. All I heard was that you're interested." In a move bold enough to shock you, he leans in and kisses your cheek.

"I can't believe you just did that."

"You're a beautiful girl. Might be worth a hole in the desert." No one has ever pursued you with such fervor. You hate to admit it, but it's turning you on quite a bit.

"Okay, I'm interested. What's your plan now?" He smiles and wraps his hand around your waist.

"Come with me, sugar."

He leads you through the party back to the door that goes into the kitchen.

"Where are we going?"

"You'll see."

He takes you into the pantry where they store the dry goods. It's bigger than a closet, so there's space for both of you. As soon as the door closes, he kisses you, one hand on the back of your head and the other on your lower back, pulling your body in close to his. You kiss him back and melt into his embrace. You know you should stop him, but you don't. He pulls back and looks into your eyes.

"Just how interested are you?" His hand moves to your breast, where he squeezes gently and then slides down to your core, easily finding your clit through your dress.

"I'm interested, daddy. But you better make it worthwhile."

"Mmmm sugar, don't you worry about that. Daddy'll take good care of ya." He gets on his knees and pushes your dress up to your hips. Sliding your panties down your legs, he moves back up to your center, pressing his mouth to you. You gasp a little at the sensation. He slides two fingers inside you to pump in and out while he licks your clit. He makes circles over and around it with his tongue and you moan and put your fingers in his hair. He continues to lap at you as he fucks you with his hand. You feel your orgasm coming to slam into you and your walls tighten around his fingers.

"Let go, baby. Cum for daddy." As soon as he says it, your climax hits and the pleasure washes over you like waves crashing on a beach. He licks you through your orgasm and then backs away slowly. He stands back up and turns you to face away from him. Whispering in your ear, he unbuckles his belt and drops his pants just enough for his cock to bounce free.

"You want daddy to fuck you, sugar?

"Mmmhmmm yes please daddy." You whimper and moan as he lines himself up with your entrance from behind. Then, he holds your hips as he slides into you and picks up a steady rhythm of pounding you. He's balls deep inside you when someone opens the door. He slams it shut with his hand and hollers, "Occupied!"

You giggle a little and he laughs too. Through the whole episode, though, he doesn't stop fucking you. He holds your hips and slams into you over and over again until it feels like you just can't stand it anymore. You cum hard on his dick and he pulls out just in time and pumps his cock a few times to shoot his seed all over your ass.

"Fuck yes, sugar, fuck!"

When he's finished, he finds a napkin to clean you up and then pulls your panties back to where they belong. He slaps your ass before he pulls your dress back down. "Mmm. I want you to belong to me."

"I'm not sure that's possible. You know who my father is."

"I don't give a damn who your father is."

"Well, I don't want you dead. This was fun, but that's all it was."

"We'll see, sugar." He leans in and kisses you deeply one last time. Then, you both make your way out of the closet and back to your respective dates at the party.

But for the rest of the night, you catch him looking at you from across the room.

You've never hated your father more.

******

Three days later a box arrives at your suite. Your parents have the penthouse, but your living area is nothing to sneeze at. You've got three full bedrooms, a kitchen, two bathrooms, and a large space for entertaining complete with a bar. You're no stranger to luxury.

So when you open the box and even you are shocked, you know this is an impressive gift. You lift out a large, ornate jewelry box and open it carefully. The whole thing is packed to the brim with white gold and diamonds. Necklaces, earrings, bracelets, and rings you suspect to the tune of roughly a million dollars. There's a card inside as well, so you open the envelope and pull it out gently. A necklace falls into your lap when you go to read it. The card is blank except for a single line:

"This one makes you mine. -EP"

You hold it up to examine it. It's smaller than some of the others, but the whole thing is coated in little diamonds. The letters "TLC" surround a lightning bolt and hang on a white gold chain. You look back down at the box of jewelry on the table in front of you. If you accept this gift, you're opening the door to a dangerous situation for both of you. Is he worth it? There's a part of you screaming yes, but you also swore to never get involved with a mob boss. And now you're considering your father's biggest rival? No. You decide to call him and thank him, but graciously tell him no.

"Hello?" Of course he doesn't answer the phone. It's obviously one of his guys.

"I need to speak to Elvis please."

"I'm sure you do. You and every other broad in this town."

"Tell him it's Sugar and I just want to thank him for the gift." You can tell he sets down the receiver and you hear mumbling in the background. After a few more seconds, the phone is picked up again.

"Hi, Sugar. Sounds like you got my present?" His voice is warm and sensual and you're almost hypnotized by it. You shake your head a little to bring yourself back down to earth.

"I did. And it's very sweet, thank you. But-"

"No."

"No?"

"You're not sending it back. It's yours."

"Elvis, I can't keep this."

"You will. And you'll have dinner with me tonight."

"Elvis, no I-"

"I'll pick you up at 8."

"You can't come here."

"So meet me on the corner outside. Wear something pretty and don't forget your necklace. I'll see you at 8." There's a click and the line goes dead. You look at the receiver and slam it down on the dialer. He's impossible.

******

At 7:30, you sit on your bed staring at the dress you picked out. It's tight and short and covered with black rhinestones. Are you actually going to do this? You'd be lying if you said you didn't want to see him again, but there's so much at risk. Your hair and makeup are done and all you need to do is get dressed and put on your jewelry. You look at the clock again and bite the inside of your cheek.

"Fuck it."

You stand up and slide the dress on. It fits you like a glove and won't do much to keep him from liking you. Neither will the black strappy heels you pull on. You go to the jewelry box and put on a pair of large diamond earrings, a bracelet, and several rings. You stand there holding the TLC necklace and stare at yourself in the mirror. Going to dinner with him is one thing. Wearing the necklace that claims you as his own is totally different. But you're not sure what he might do if you show up without it. At 7:53, you throw the necklace around your neck, grab your purse, and head for the door. You stand on the corner for less than thirty seconds before a long black limousine pulls up and the window rolls down.

"You waitin' for someone?" Elvis gives you a mischievous smile.

"Maybe."

"Hi Sugar. Come on." A guy pops out of the car and opens the door for you to slide in next to Elvis. As you settle on the seat, Elvis reaches across and fondles the necklace where it sits on your chest.

"It looks good on ya." You feel your cheeks get warm.

"I wasn't sure I wanted to wear it."

"And yet, here you are. You're in love with me, Sugar."

"You seem pretty sure of yourself."

"Because I'm in love with you."

"You literally met me once."

"That's all it takes when your souls are aligned like ours are." He leans forward and captures your lips in a deep kiss. You begin to make out heavily. As your tongues move against each other, the passion overwhelms you and you crawl on top of him to straddle him. You continue to kiss and his hands run over your body hungrily. Eventually, he grabs your ass with both hands and pulls you in against him, his hardness pressing into you between your legs.

"How far is the restaurant?" You whisper breathily.

"Far enough." He lets you unbuckle his belt and get his pants open enough to pull his cock out. You hike your skirt up to reveal that you aren't wearing panties.

"Sugar, you're gonna kill me." He holds your hips, lining you up with him, and then drops you down on his dick. You roll your hips against him and fuck him deeply. He grunts and grabs your neck to pull you into a kiss. You both know that you don't have much time, so you move on him quickly. He lifts his hips a little and his cock rubs perfectly against your g-spot. Without warning, you cum hard on him and the intense pleasure runs through you like fire.

"Mmm." He grunts and you know he's getting close too, so you back up off of him and drop to your knees on the floor of the limo. You put your hands on his thighs and pull his cock deep into your throat. "Dear god, woman."

You bounce up and down on him for a few more seconds before his hips buck and he fills your throat with his warm release. You swallow it all down and then run your tongue around his uncut tip. When you pull back off of him and sit on his lap, he grabs your chin and kisses your lips gently.

"Sugar, you're mine and you know it."

"I am." He kisses you again.

"I love you."

"I love you too."

The car stops and you both make yourselves presentable before the door opens. You head into the restaurant together and never look back.

******

You spend the next few weeks together pretty much 24/7. Periodically, he disappears to take care of business, but for the most part you're either talking, sleeping, or fucking. You really hope that your parents don't notice that you haven't been home except to grab a suitcase since you left for dinner that night. This is the happiest you've ever been in your life and at the beginning of the fourth week Elvis walks into his suite after some business and asks you to come sit with him on the couch. You do as he asks, but you're starting to get a little worried because he seems really serious.

"What is it, baby?" You settle in close to him but he moves away from you to look into your face.

"Sugar, I've never felt like this about a woman. I truly believe our souls were meant to be together. I want you to marry me." He pulls a box from his pocket and opens it to reveal an enormous emerald-cut three-stone diamond ring of no less than 14 carats.

"Wow. Elvis, I- wow."

"What do ya say, Sugar?"

"Elvis, I want nothing more than to marry you. But I don't think I can. The only reason we've made it this long is because my father doesn't know."

He slams the box down on the coffee table and stands up, pacing.

"Damn it, Sugar, I told you I don't give a fuck about your father! Let him find out!" You stand up too and raise your voice to match his.

"Do you think I want him to kill you?!"

"You don't believe I can defend myself?! Is that what you think of me?!" He kicks over an end table, sending the things on it flying. "I'm a man, y/n! This is what I do!" He puts his foot on the coffee table and pulls the gun from his boot, dropping it on the table with a thud. He rips his jacket off and pulls the two guns out of his shoulder holster, tossing them on the table too. He pulls the guns from his waistband holsters and adds them to the pile.

You watch as he does all of this. You've seen your father do almost the same exact thing at the end of a long day. You feel the tears well up in your eyes and you want to scream. How did you end up here, so in love with a man who is in this world? If you marry him, you'll never escape. You'll get married in the mafia, raise your kids in the mafia, and watch your husband die in the mafia. It's all too much and the tears start pouring down your cheeks.

He realizes you're crying and puts his hands on his hips, trying to avoid softening, but he can't.

"Now, Sugar, what's all that about?"

"N-nothing." You sob and he walks over to you and wraps you in his arms. He strokes your hair and you cry on him.

"Come on, out with it." You burrow your face into his chest and yell.

"I don't want you to die!" He looks up at the ceiling and sighs deeply.

"Sugar, I don't have any plans on dyin' any time soon." You look up into his face and he uses his thumbs to wipe the tears from your cheeks.

"You don't know that."

"No. I guess I don't. But I know this. I love you right now and I want to marry you right now. And if I die, then I die, but I'm alive now and I want you to be my wife while I am." He leans down to kiss you softly on the cheek. You push away from him and he sighs again deeply. "Sugar, please."

You turn and look at him. Then, you snatch the ring box off of the table. He's afraid you're going to throw it at him, but you don't. Instead, you open it and take the ring out. You jam it onto your ring finger and purse your lips.

"Okay. Yes."

"Yes?" A smile spreads across his face.

"Yes." You walk over to him and jump on him and he catches you, spinning you around. He kisses you deeply and then carries you into the bedroom. You both laugh as he takes your clothes off and you fall into each other again.

******

What you don't know is that your father has noticed your absence. He sent out some of his favorite soldiers to locate you and they did. They call him to let him know where you are.

"She's with Elvis?"

"Yeah, boss. Looks like she's been there a while."

"I guess we have some business to take care of. Bring her back here."

"Understood."

Your father hangs up the phone after hearing about your location. Then he turns and throws the phone at the wall.

******

You're lying naked in Elvis's arms when there's a loud knock on the front door. He immediately gets up and dresses quickly. One of the things he's learned is how to assess a threat and this feels like something bad.

"Stay here, Sugar." He goes in the living room and puts all his guns back where they belong on his person. There's another loud knock.

"We know she's in there! Open the fucking door!" He looks at you standing in the doorway in one of his shirts. He walks over to you and hands you one of his pistols. Then, he kisses your forehead and cups your cheek in his hand.

"Stay in here. This might get ugly."

"Those men are my cousins. Maybe I should just go with them."

"Is that what you want? They won't let you come back to me." Your eyes flick between his while you think. The decision you make right now will define your future. Do you stay with the man you love? Or do you go with your family and forfeit your chance at happiness with him but make sure he stays alive? You know which one he would want you to choose. The cold metal of your engagement ring becomes heavy on your finger. You can't live without him.

"Donny got in a fight when he was younger and doesn't see very well out of his left eye. Use that if you can. I love you." You kiss him deeply on the lips and then take the pistol in the room and shut the door. You find some pants and put on your shoes in case you have to make a run for it. Then you sit on the bed with the pistol in your hand and listen.

Elvis opens the door carefully. He's got a loaded gun in his hand behind his back. The two men saunter into the room.

"Where is she?"

"Who?"

"You know who. Marco sent us to get her."

"You can give her to us the easy way or we can take her. It's up to you."

The sound of your cousins' voices is not hard to hear. Donny is the big booming one. The higher-pitched whiny one is Nick. They're both a little older than you, but you try very hard not to remember them as kids.

"You're not taking her." Elvis looks toward the door. They must've already dispensed of the guards he keeps out there day and night.

"Hard way it is, then." You hear the sounds of a scuffle as Donny lunges toward Elvis. You open the door silently and peek into the room. Elvis fires a shot at Donny, but he's a moving target, so he misses. Donny wrestles the gun away from him and gets him on his knees with his hands behind his back. Nicky stands in front of him with a gun pointed in his face.

"Tell us where she is and we'll take her and go. We're not lookin' to start a war over this bitch. Her daddy just wants her back."

"Fuck you and her daddy."

As the conversation happens, you slip off your shoes and walk silently into the room with the pistol in your hand. It takes Donny a minute to register that you're there, so his warning comes too late.

"Look out Nick!"

When he turns to face you, you have the pistol cocked and pointed at his head.

"Oh, come on now, y/n. You're not gonna shoot me."

"You know I know how to." It's true. Your father had a gun in your hand as soon as you were old enough to hold it. Your marksmanship is solid.

"Just come home with us. You don't need this fucker."

"Don't talk about him like that." You shake your head and then Donny chimes in from across the room.

"Just grab her, Nick. We don't have time for this." Nick nods and makes like he's going to grab you. Without thinking, you pull the trigger. Again, your marksmanship is spot on.

Once you shoot Nick, Donny is so caught off guard that Elvis is able to slip away from him. He grabs his loaded gun from the floor where he dropped it earlier, turns, and shoots Donny in the head.

Your gun falls to the floor and you drop to your knees shaking. You've never shot a person before, much less a family member. Elvis rushes to you and catches you just before you pass out.

******

When you come to, you're in a car. You turn and see Elvis in the drivers seat.

"You alright, Sugar?"

"Yeah. Did I really shoot Nick?"

"You did."

"Fuck." You're overcome with nausea and you start to shake again. Elvis notices how pale you are and pulls the car over on the side of the deserted highway you're on. You stumble out of the car and vomit in the dirt. It doesn't take long for him to be by your side, holding your hair back and humming a soothing melody. When he can tell that you're finished, he scoops you up like a baby and carries you to the backseat of the car. He slides in next to you and holds you close to his chest. You're too shocked to even cry. That'll come later.

"Nicky was a real asshole. He shot my first boyfriend- buried him in the desert- because he took my virginity. Pretty sure my father just wanted him beat up, but Nicky was always taking things too far. He would've killed you too."

"I believe you, Sugar. You did what you had to do."

"I did. And I'm not sorry. I probably should be, but I'm not." He lifts your chin and looks into your eyes.

"Welcome to the mafia, Sugar." You nod slowly and lean back into his chest. You sit like this for another half hour, with him still stroking your hair and humming. Eventually, you sit up.

"Okay. I think I'm okay. Where are we going?"

"One of my guys owns a motel out here. It's safe. We'll stay there until I can figure out the next step. I have an idea, but I'll need to do some business to work it out."

"I trust you." He kisses your forehead and then you both get out and get back in the front of the car. Once you're settled, he grabs your hand and holds it in his lap. The future is cloudy for both of you, but at least you're together.

******

You're at the motel for three weeks in the desert. Overall, you're doing okay except for the nightmares. But Elvis is always there to take care of you, whether you're screaming, crying, or throwing punches. It doesn't take long for you to sink back into your routine of talking, sleeping, and fucking.

Elvis makes business calls and even goes to a couple of meetings in town. Every time he leaves, you're a basket case until he returns. You sit in the bed with a loaded pistol in your lap just waiting. But every time he comes back unscathed. It helps that his men are all over the motel and they accompany him any time he goes into Vegas. The only thing you argue about is who needs the most protection when you're apart. He wants you to have the bulk of the security and you argue that he's in much more danger in the city. He always wins, though, and you end up with a better protection detail than the president.

At the end of the three weeks, Elvis comes to you with an assignment.

"I need you to get dressed. We're going into Vegas."

"For what?! How should I dress?"

"Well, I've got a little business deal to solidify and then we're celebrating. So wear something nice. Maybe something white."

"White?"

"Yeah. Just in case." You have no idea what he could possibly be talking about, but you follow instructions and pick out the only white dress in your bag. It's a long-sleeved mini dress with a deep v-neck that shows off your cleavage nicely. You put it on with your white patent leather boots. When he sees you, he looks you up and down and whistles.

"Will this work?"

"Sugar, it's already working." He grabs you and pulls you to him, kissing your neck down to your breasts.

"Mmm you want to take it off of me?"

"Like you wouldn't believe. But we have somewhere to be soon. Later I'll rip it off with my teeth." He nibbles your breast a little and growls. Then he turns and grabs a briefcase, puts his jacket on over his guns, and walks you to the door.

You settle in the back of the limousine with him and giggle a little. He looks at you with an incredulous look.

"Sugar, what's got you tickled?"

"I was thinking about the first time we were in the limo together."

"And you didn't have any panties on?" He turns to look at you, his eyes darkened with lust.

"I'm not wearing any tonight either."

"Mmmm." He shakes his head and grunts. Then he runs his hand up your thigh to your center to verify what you've said. It's true. "Sugar, you sure know what daddy likes."

He gets on his knees in front of you on the floor of the limo and yanks you to the edge of the seat. He spreads your legs and pushes your dress up over your hips. Dragging his tongue up your thigh, he presses one finger into you.

"Mmmm yes daddy." You moan as he works his hand on you.

"You want daddy to eat this pussy?"

"Yes please." You answer breathlessly and put your fingers in his hair. He smiles at how eager you are and moves his mouth to your center. His tongue begins its familiar pattern over and around your clit. He's learned your body and knows exactly what you like. He knows how you squirm when he runs his tongue directly over you hard and how you moan when he pushes his tongue into your slit. He knows when to flatten his tongue and move his head side to side and when to tighten his tongue to a point and lick up either side. He does all of those things and more and it's only a little while before you cum hard in his mouth and he licks you through it, the electricity of your orgasm running through you to your fingertips and back again. He kisses your clit one last time, pulls your skirt down, and then sits up next to you on the seat, wiping his mouth with his hand. You're just about to crawl on top of him when the car pulls to a stop. He leans over and kisses you.

"I can wait, Sugar." He pats your knee and the door opens for you to get out. Your breath catches.

You're at your father's casino.

"Elvis! What are we doing here?! He will kill you!"

"No, he won't. I've arranged a business meeting through both of our lawyers. And his board of directors."

"How did you work that out?"

"It's a long story. Come on." In a gesture bold enough to make your heart jump, he pats your bottom to encourage you to walk. When you get inside, you head to a meeting room. Your father is seated at the head of the table with several men around him. They're in boring, relatively cheap suits, though, so you suspect they're truly businessmen and not mobsters. You notice your father's mouth pop open a little when he sees you and Elvis walk into the room, but he quickly rearranges his face. His jaw flexes, but that's the only indicator of his feelings. Elvis shakes his hand and smiles warmly and then takes the seat at the other end of the table. The meeting begins with the discussion of business. As it turns out, Elvis has opened a shell corporation and then used it to negotiate a purchase of your father's casino. Now you see why he's so angry. Without knowing it, your father has allowed his biggest rival to buy his prized casino. He made a pretty good chunk of change in the meantime, but now Elvis and his connections to the New York mob will run Vegas.

After the business is settled, Elvis dismisses the business men so that it's just you, him, and your father in the room.

Your father glares at him.

"I should kill you for this disrespect."

"I wouldn't try it. I have more men in this town now than anyone else. You wouldn't make it to the sidewalk." Your father swallows deeply. He knows he's beaten, so he turns to you.

"I'm going home to Chicago. You're coming with me. Your mother misses you." There's a small pang in your heart at the thought of your mother. Elvis puts his arm around your waist and pulls you to him protectively. His grip steadies you and you feel more confident than you have since you walked into the casino.

"No, I'm not. I'm sorry about mother, but I'm not going back to Chicago." Your father's anger flares up again and he reaches for one of his guns. But Elvis beats him to the punch.

"Here's the deal, Mr. Y/l/n. I bought your casino. And I'm gonna marry your daughter. You can accept that and leave, or I can shoot you right here, right now. It's up to you." Your father looks between the two of you and then down at the gun Elvis has pointed at him. He spits at you and throws his gun on the table. Then, he turns on his heel and walks out of the room. Elvis turns to you and pulls you into a passionate kiss.

"I can't believe that just happened." You shake your head incredulously.

"It did, Sugar. Now. I already asked the question and you already said yes. All that's left to decide is when and I say tonight is as good a night as any."

"That's why I'm wearing white!"

"What do you say, Sugar?" You nod your head excitedly and throw your arms around his neck.

You manage to make it in and out of a chapel without anyone noticing who you are. And you've got a slew of bodyguards with you anyway.

You barely make it the short ride to the casino before you've got your hands in his pants. Instead, you make it to the elevator and he hits the stop button while you yank his pants down and drop to your knees in front of him. You hold the base of his cock with one hand and lick a slow circle around the tip. Then you run your tongue along the bottom of the shaft and tease him a little.

"Goddamn, Sugar." He weaves his fingers into your hair as you pull him deep into your throat. He holds your head still and begins to thrust into your mouth, making your eyes water. Suddenly, he stops and tries to pull away from you. "Mmmm. Daddy wants to fuck you, Sugar, and if you don't stop I won't be able to."

You back off of him and stand up. He pushes your back against the wall and lines his cock up with your entrance. Then, he bends his knees a little and pushes into you like he's done so many times before. But this time, he's your husband.

"Hey." You grab his face and look into his eyes. "Don't pull out this time."

"You sure, Sugar?"

"We're married, aren't we?" He kisses your mouth, your cheek, your neck, and then your mouth again. You didn't know he would be so excited, but he is. The prospect of another child is something that's excited him since he met you. He begins to pump in and out of you deeply.

"God, I love you, Sugar."

He pounds into you rhythmically for a few more minutes before you feel him shudder into you.

"Oh fuckkk yes." He yells as he fills you with his warmth for the first time, but certainly not the last. He stays inside you for a while, kissing your neck. Then, he slowly pulls out and starts the elevator again as you adjust your skirt and he puts himself away. When the doors slide open, the men posted there nod to him. One of them says, "Congratulations, Mr. and Mrs. Presley." And you giggle. You're Mrs. Presley.

He scoops you into his arms and carries you across the threshold. You've finally accepted that the mafia will be your life forever. But as long as it's a life with him, you couldn't care less.

******

Share your thoughts! I love to hear from you! 🩷🩷🩷

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Taglist:

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[writingquestionsanswered]

i'm writing a fantasy book and i have a lot of sort of nameless guards and soldiers in it. like i have these higher ranking soldiers who are named and relevant and they all have a team of nameless guards with them pretty much always. in my first draft i've often found that it gets kind of annoying when i constantly have to repeat "one of the guards" and "the other guard" and "the remaining guard" and phrases like that. at the same time i don't want to start giving them all names since they're not that relevant individually and it's a fantasy so there's already some words and names to remember so i don't want to bog it down with ones that aren't all that important. sorry this is so long but essentially do you have any advice or ideas on how to differentiate between nameless guards without being too repetitive and without introducing a bunch of new names?

Repetitive Reference of Background Character Group

"Background characters" (aka "tertiary characters") are a fundamental part of storytelling. They populate the worlds of our stories, giving them depth and authenticity, and often they perform necessary but minor functions like driving our character's bus, locking their cell door in a dungeon, or delivering drinks to their table with a timely joke during an awkward dinner date.

When we have recurring background characters, such as a nameless mob of guards or lackeys surrounding a more important character, it can feel like they're being overused... especially when you have to use a generalized term like "the guard" to refer to them all.

There are a few things you can do to dial it back, but first, here's an example paragraph we can play with:

"Bring us the prisoner," Sir Bellamy said, gesturing to one of the guards. A trio of guards left the room and returned a moment later with Lord Peckham in tow. He was forced to kneel, and Sir Bellamy responded with a sneering grin before waving the guards away. "Do you know why you're here?" he asked, delighted when he saw Lord Peckham shiver with fear. Several guards pointed and snickered. One of the guards nudged him with the toe of his boot. "Answer 'im already!" "I... I confess... I do not know." A few of the guards hissed in disbelief. "Truly?" Sir Bellamy asked, his voice dazzling with amusement as he traded looks with the head of his guard. "Could you really be so unaware of the goings on in your own household?" The guard to Lord Peckham's right slapped the back of his head to prompt him to answer. "I do not know of what you speak," he answered, voice shaking.

This example features seven references to the background guard group, which is a lot. Let's see what we can do with that...

1 - Try to Eliminate Some Uses - When we have a recurring group of background characters, it can be tempting to constantly refer to them when they're on the page. We want to remind the reader they are there, but this often translates in a lot of unnecessary references. So, the first thing you'll want to do is see if you can go through and eliminate some of the uses. For example:

"Bring us the prisoner," Sir Bellamy said, gesturing to one of the guards. A trio of guards left the room and returned a moment later with Lord Peckham in tow. He was forced to kneel, and Sir Bellamy responded with a sneering grin before waving the guards away.

We can easily eliminate two of the three references here. If a trio of guards leaves the room when Bellamy says, "Bring us the prisoner," it's not necessary to clarify that this question is directed to the guards. If he says, "Bring us the prisoner," and a trio of guards leaves the room and returns a moment later with said prisoner, it's obvious that's who the order was directed toward. Also, waving the guards away is a throw away action. It doesn't accomplish anything important because it doesn't really matter where the guards are in relation to Lord Bellamy in this scene. And, it's also mentioned later that there are guards on either side of him, so it's a confusing action anyway.

2 - Don't Be Afraid of Naming the Occasional Background Character - While we never want to go overboard with characters in a story, it's really more that we don't want to load up our story with unnecessary characters. But if you have a recurring background character, such as a teacher, a few people in a group of high school friends, or a few soldiers in a group of city guards, it actually works to your benefit to give two or three proper names. Not only does this cut down on the generalized references, but it also adds depth and authenticity to the group instead of letting them be a completely nameless, faceless mass of people. And when these characters are named because they occasionally say or do things that matter, they're not unnecessary. They serve a purpose. And this is fairly common in genre fiction, especially in fantasy. For example, there are over 400 named characters in George R.R. Martin's book A Game of Thrones. Many of these characters are just background folks who occasionally say or do things that matter in the story.

So, back to our example, we have the following two lines:

One of the guards nudged him with the toe of his boot. "Answer 'im already!"

And

Sir Bellamy asked, his voice dazzling with amusement as he traded looks with the head of his guard.

What if we gave the head of guard a name? Let's call him Sir Hugh.

So, now it is Sir Hugh who nudged the prisoner with his boot, and who Sir Bellamy trades a look with.

3 - Adopt a Few Sensory Nicknames - In addition to actually naming two or three people in the group, you can give one or two a "sensory name," or in other words a name that relates to a sensory feature about them (how they look, sound, smell, etc.) as a way of helping differentiate a character without actually naming them. So, let's say that among Sir Bellamy's guards there's strapping redhead, so let's refer to him as "Big Red." Since this nickname comes with mental imagery, it's easy to remember.

Now, let's re-write the excerpt using all of the above:

"Bring us the prisoner," Sir Bellamy boomed. A trio of guards left the room and returned a moment later with Lord Peckham in tow. He was forced to kneel, and Sir Bellamy responded with a sneering grin. "Do you know why you're here?" he asked, delighted when he saw Lord Peckham shiver with fear. Several guards pointed and snickered. Sir Hugh nudged him with the toe of his boot. "Answer 'im already!" "I... I confess... I do not know." A few of the guards hissed in disbelief. "Truly?" Sir Bellamy asked, his voice dazzling with amusement as he traded looks with Sir Hugh. "Could you really be so unaware of the goings on in your own household?" Big Red slapped the back of Lord Peckham's head to prompt him to answer. "I do not know of what you speak," he answered, voice shaking.

Five of seven instances of "the guard" have been eliminated.

I hope that helps!

•••••••••••••••••••••••••••••••••

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[blixabargelds]

hi! can I ask why some many people think that Roman has an ed? not a criticism, just genuinely curious cause I never noticed any signs!

i first started thinking it from day one for no reason other than i hc lots of my faves with eds because i love angst and have suffered with eating disorders therefore i like to project/ find it easy to write etc haha but over the course of the show there’s been lots of things tbh.

very early on in the show we see him bodychecking pinching his stomach etc he looks unhappy with his body. he’s very rarely seen eating anything other than fruit, frequently at tables he’s the only one not eating. this gifset is a really good show of that.

the roy’s in general all seem to have poor relationships with food, which has been confirmed in the recently released script books (“the summer of competitive eating disorders”), but roman especially has several fraught memories relating to food (being forced to eat chocolate cake (dog food?), getting beaten for ordering lobster, “if you wanted roast chicken and i wanted steak we always had chicken, i would fucking tantrum because i never had steak, i never won.”)

i think kieran did irreparable damage with this interview (he’s so smart, this was also over a year ago, before the scripts released anything canon).

roman’s relationship to his body is consistently distant and negative (he’s not a real person). he was, as far as we know, the only one who got hit by logan. he’s the shortest, he was sent away to military school which is notoriously regimented and harsh on the body, he was shoved into a cage, he was beaten, and depending on your reading into it there’s also plenty of hints that he might have been sexually abused in some way. he’s seen as the weak dog. he’s constantly treated as such.

i think having control over food is a way he could take control over a body that’s never felt like his, that no one else has ever respected so why should he? i don’t think it’s all about being thin, although we definitely see signs of him being obsessed with his image. he was never going to be the biggest, the manliest, but he could be in control. an eating disorder could be his private thing, the thing he could do well at, no one knows how strong he’s actually being by denying what his body needs. that’s impressive, okay? that counts for something, surely.

he seeks comfort in harm, he doesn’t know what his dad means when he asks if he even made contact, he’d already forgotten, promise. he asks to be degraded, he jumps into a mob asking to be hurt, he needs it, he’s been taking beatings his whole life, he speaks this language. he’s got the gift of the gab when it comes to destroying himself. he’s hurt and he’s hurting but he chose it, he’s got control. he has.

[shihalyfie]

It's a loaded topic that I generally try not to bring up much because of the various controversies surrounding it, and a few years ago, I was hesitant to mention this in public because there was no way to frame it in a way that didn't sound like a hate post. (That, and admittedly, I probably was not in the right mental frame to handle it well back then; a lot of things have changed in the last few years.) But now this has been on record and even alluded to via official sources, and I don't see a point in being touchy about it anymore, so here's something I really wish more people would understand when they talk about tri., Kizuna, and 02TB:

Between tri. and Kizuna/02TB, almost the entire production system was overhauled, and there are almost no key staff members in common.

I know it's tempting to treat "Toei" like it's some kind of monolith, but it's very important to remember that any stylistic differences in approach or concept between tri. and Kizuna/02TB aren't just because of answering critical reception, but also because almost the entire production system was scooped out and redone from scratch. The one key member they have in common is Kizuna/02TB producer Kinoshita, who was brought onto tri. as late as part 5 and has explicitly stated that he wasn't involved on its story.

The reason this overhaul happened also wasn't just because of something like "people didn't like tri. (in terms of story content)". For one, tri. was subject to a lot of troubled production behind the scenes -- and I'm not making this up, it's on record that they ran out of budget halfway through and had to rewrite the rest of the plot. But another important thing that may not be as clear to people who only learned about it after the fact is that tri. was a downright PR disaster at the time it was going on, such as:

The infamous "nade-nade" incident (ask anyone who was present during the tri. announcement and they'll probably be able to tell you the details)

The director openly saying things like the fact he deliberately does not look at the source material when making adaptations because he sees it as too limiting, accompanied by a number of other inflammatory statements in magazines, etc. suggesting that he probably had never seen the original Adventure to begin with and saw it as a series he needed to make as more "mature", even to the point of rejecting character-accurate scripts for it (that said, it is very important to remember that a series is far more than just one staff member, and there are other staff members who did say they watched it and clearly did their research, so the point I'm making is that the director's attitude naturally made a lot of people in the audience very angry and is a big reason he started currying a bad industry reputation during and even after tri.'s run)

Magazine interviews with staff members and other Q&As generally being so vague and unwilling to answer questions clearly that it got people upset (for example, when a social media campaign soliciting questions for a Q&A session was held for a screening of part 6, it was said to be "suspiciously" too dark to actually answer the questions)

So when you see discussion about tri. being controversial because of "contradictions in the setting" or whatnot, it's not people getting petty about characterization, it's because the production system for tri. managed to make a ton of public relations decisions that unilaterally pissed a ton of people off, so having contradictions in the lore and characterization came off as being due to carelessness and negligence more than anything.

Right now, the series has been over for more than five years, so I'm not bringing all of this up because I want to start an angry mob against the series or anything (I myself have a lot of favorite things that had clearly troubled production issues and controversial statements from staff members, so I'm not saying this alone should be grounds to evaluate a series). The point I'm making is that I see way too many people talking like tri. and Kizuna/02TB were made under the same mentality by a vaguely-defined concept of "Toei" and that any differences in approach are from some bizarre hypocrisy where they keep contradicting themselves. What happened here was that they saw the public relations fallout, realized it wasn't a good idea to continue getting people mad, and completely overhauled everything with entirely different people and an entirely different approach -- and the fact they did not do a similar complete overhaul between Kizuna and 02TB is conversely why they share more in common.

[queenoftheantz]

Top 5 Anime/Manga characters of all time and why?

oh wow hmmm....

Completely subjectively:

Oikawa Tooru (haikyuu!!)

Oikawa... he is just yknow. My Character. But I also often in my daily life have a little Oikawa in my head reminding me that my passion is my passion because it's fun and I love it. That talent and skill are intertwined but also not static or pre-determined, that I might not be as good as I think I should be, and I might never be, but if I don't try I definitely won't. Maybe I will reach my goal today, or tomorrow, or in 30 years. And I can do it at the pace and path that suits me. He speaks of all this AS WELL as the very bitter feelings that preceeds these revelations. I also really love his focus on facilitating others, of reaching potential together, of trust and faith in his team and their in him!

2. Marcille Donato (Dungeon Meshi)

Oh Marcille. (Manga spoilers here) Marcille started out so silly and to be honest? Annoying? Girly and anxious and squemish. But then you realise that these parts are absolutely true, but she is also determined and loyal and scared and unafraid and skilled. The firly and squemish becomes charming in contrast to her being excited to experience death and morally ambigious enough to use ancient magic or become a dungeon lord. And then you learn even more about her and her family, the way she grew up and how she probably is... pretty young, considering everything. The knowledge and life experience of someone being 40 maybe, but with the brain to handle it of a 19 year old... she is so afraid for everyone to die away and yet she cant help but love people! Isn't that lovely!? And as someone very afraid to lose my parents I really really feel for her relationship with her father. I think Marcille was a character who really illustrates the progression of tone in Dungeon meshi, represents the themes of the story so well, and really grew on me. Also gay. hi.

3. Shinji Ikari (Neon Genesis Evangelion)

I know people don't like this guy but he shaped me so much as a teen. I think his journey through lacking self-esteem and depression and self hatred is both fascinating, nuanced and in the end, encouraging! Imagine being offered to join humanity all as one, never feel rejected or alone again and then DESPITE all he has gone through, chosing to be yourself after all! And frankly I love that the show lets him be cowardly and weak and unsympathetic, it makes him more real and make his strong moments stronger. Also gay. hi

4. Mob (Mob psycho 100)

Mobs story is more low key, but I also enjoy a story about a young boy who FIRST has to find the motivation to improve himself, and THEN has to realise that improving yourself and being a good person does not necessarily mean to surpress any negative or strong emotions. Once again, a story about acceoting yourself, even the sides you have a hard time controlling and find off-putting or scary. And I think Mob gets to realise this in a silly and gently way!

5. Abe takaya (ookiku furikabutte)

Oh Abe. It's that one page. When he is explaining to Sakeaguchi his backstory with Haruna, and he is talking about it so casually, it's no big deal, but you can tell. "Everyone is afraid of pain". It makes my heart clench every time. It's his control-issues, his fast felling into caring about Mihashi as a person, but then slowly realising what that actually means. It's him being shocked by the smile, it's him doing anything to win, it's him not realising how mean he is. In a different story Abe would have been a bully. But fortunately for him Momoe and the team and Mihashi himself are not putting up with any of it and he slowly and also gently improves himself. I gotta catch up with oofuri. (also gay. hi)

Shout outs to: Hinata Shoyo (of course), Mihashi Ren (also of course), Edward Elric, Sophie (Howls moving castle movie), Reigen (im not immune), Tamaki (ohshc, sometimes i just think about him and hes so charming and fun and i relate), Kanamori (Keep your hands off Eizouken!, shes just. so cool. It's a fun show but every time shes on screen im blushing a bit shes just! Wow!), and the straight college student from one of my fave BL's who has to go on a personal journey to accept that he actually likes a man who's bigger and taller than him and has a big ass. Shoutouts to him too.

[giddyfenix]

Forever and always

“Joel, what does this mean for us? Are we together forever?” Etho had asked.

“Forever and always,” Joel had replied, cheeky smile pulling at the corner of his lips.

“Forever,” Etho had agreed, and he didn’t know yet how much he’d mean it.

—

Etho didn’t know, going into Limited Life, what would be of him and Joel. They had lived together and they had died together. They had made each other promises, and they had cared.

By the time they died, neither had brought up the loaded question: what comes after?

Nothing, Etho realized. Nothing, was the answer. 

Etho wasn’t intending to target Joel as his enemy because of it, not after everything they’d been through together and everything they’d done together, but it sort of happened before Etho had time to realize what he was doing, and suddenly each time he opened his mouth, he was trying to get Joel’s attention, or blaming him for something, or bringing him up in unrelated conversations, because when he’d said forever and always, he’d meant it. It was bitterness mixed with uncertainty, colliding and forming something that wasn't quite anger, but was just close enough to blur the line.

It might’ve helped, perhaps, if Joel hadn't also decided to target him.

Etho should've expected it. He knew Joel by then, so when Joel came up to him and said, “Can’t believe you replaced me with a cow, Etho!” not having expected it was all on him.

“He keeps me company at least,” Etho said. A joke, though perhaps not. It was up to Joel.

And then Joel said he was planning to settle down on the ocean with Jimmy, and things were clear, but Etho didn’t want to see, and that was on him, too.

“Oh, so you’re going to make a boat with a new friend, hey, Joel? I thought we were the boat boys,” he joked. He wasn’t sure where they stood with each other. Maybe they were on different teams, but that didn’t necessarily make them enemies, was his thought process.

Joel shot the cow, and cleared it up for him.

"Anything precious you get is getting sniped out now,” Etho said then, and it was so far from anything they'd ever said to each other before that Etho almost stopped mid-way through, but he only had to hear Joel giggling, mocking him, and no hesitancy made it through at all.

I will follow you forever, Etho wanted to say. Like we promised.

He’d meant it when he said it back then. He meant it as they shared resources back in the Relation, and as they hunted down Pearl, and as they died together in the lava. A promise was a promise. 

And really, he was keeping his promise when, only a few days after Joel had confirmed their new status as enemies, Etho pulled him into his mob farm just to mess with him. They were on opposite teams, on opposite ends of the map, and pulling him closer, regardless of how or why or when, was making good on his promise. It was almost a shame that the mob farm still wasn’t done by then. Etho was kind of hoping he’d slip through the middle openings, into the actually dangerous part of the farm. 

Joel said, “Etho, I’m three hours and twenty three minutes away from yellow. I will kill myself to get to that point to come back and kill you.”

Their friends laughed and cheered. They mocked Joel, and they mocked Etho, but none of them knew that Joel wasn’t joking, and none of them knew that Etho was counting on it. Together forever, was their promise. And what was more intimate than death?

And maybe it was that realization that made him focus all his efforts during the green hunts. 

Forever, he’d promised Joel. Forever, forever. Even as enemies. Maybe especially as such.

“I’ve got him hooked!”

Forever.

“Off you go, Joel!” he screamed, giddy and elated as he pushed Joel off his own base, off to his demise. 

Forever. 

“I fell!” 

He landed on Joel’s water. Together forever.

“You saved me! You saved me Joel!”

Forever, forever, forever.

“So now I can kill you!”

After all, Etho had never been one to break his promises.

[azullumi]

the minecraft experience with them — various characters ☆彡

summary — in the world wherein the blocks are square, the sun is square, the moon is square, everything is square, how will they live and survive?

characters — kaveh, zhongli, childe, tighnari, cyno, wanderer, alhaitham, ayato (w/ gender neutral reader)

tags — fluff, modern, just some headcanons i thought of while playing minecraft; headcanons

word count — 1137

a/n — god my heart is melting seeing my friends act like couples in minecraft.

KAVEH — It’s obvious, guys, come on. He focuses on arts and the beauty of architecture and would most definitely take on the role of the builder and the designer of the world. He’s the type to build the most beautiful and extravagant house, create an underground base, and have a fully functional and pretty home that it feels literally out of the world. He consumes a lot of resources though and would spend more time gathering the things that he needs more than the time he spent on building. He’s the primary reason why the forests are bald in your world because of the amount of wooden logs he needed. There was also the time wherein a creeper came to his home and blew it up, ultimately destroying it, and he was in despair. Alternatively, if you threaten to destroy his base, hell will break loose.

ZHONGLI — The most efficient and lucky miner of all, as well as the gatherer of materials and resources. He’s the type of player to immediately venture out and look for a cave with a wooden pickaxe on hand. Nobody complains though because he’s extremely lucky at finding ores and getting the things you need early-game. Progress is easily made with him on your side because of how fast he can mine things and because of that, it feels like he’s an expert on the game even when he doesn’t play that much nor has any prior experience. Oftentimes, he’ll immediately find diamonds but doesn’t have the appropriate pickaxe to mine it but it’s not a problem however as he’ll find another one so easily. ‘I came looking for coal but found diamonds instead’ type of beat.

CHILDE — An all-rounder. He can be the miner, he can be the explorer, he can be the gatherer, he can be the farmer, and most especially, he can be the fighter. We don’t talk about his building skills though, this man would build a 5x5 house made out of wood and call it a base then reasons that this is much more effective and saves your resources. Well, whatever makes him happy, I guess. He often accompanies you wherever you go especially when you go mining as he’ll protect you from the mobs. He’s the kind of person to believe that placing a bed on nether and sleeping on it will give you a huge buff. He’s the adventurous type of player, the reckless and careless kind, and is the reason why keep inventory is switched to true.

TIGHNARI — FOOD. FOOD. RESOURCES. FARM. ANIMALS. FOOD. Food is the essence of life and is really crucial in the game. He’s in charge of anything related to farming and alike. You’ll find dozens of chests fully stacked with food and animal products, especially bread and baked potatoes. He’s the main supplier and giver of food, as well as, potions in your world. He’s the type who loves collecting flowers and has his home decorated with plants and vines because it looks pleasant and not like anyone complains because it looks good. He’s also the builder type and just one look at a reference picture for his builds, he knows how it is done even without watching a tutorial. Definitely doesn’t like spiders because of the way it looks and how it can climb up structures and invade your home.

CYNO — The fighter and bodyguard to the farm. He’ll take on the role of the protector as he protects the base and farm from creepers that threaten to approach, blow up, and destroy any form of hardwork and kill annoying skeletons that shoot at you from afar and hide underneath the shade of the tree to avoid being burnt and dying. He often uses the weapon, Trident, and would go even at the ends of the world just to attain it (since it’s a rare drop). He does whatever he is asked to and would often go explore to gather materials or get what is needed. He occasionally finds lush caves and would tell you about it, asking you to come to these specific coordinates if you can. You won’t need Iron Golems and anything to protect your home when you have Cyno.

WANDERER — Just like his name suggests, man is the player incarnation of Dora the Explorer and would rather focus on looking for those rare and hard-to-find biomes than settling in on one place. He takes days just for adventuring and sometimes it can last up to weeks or months in-game. He goes out to venture and seeks for strongholds, mansions, and villages, then once he’s satisfied, he’ll come back with good loot and hard-to-get items on hand. He pulls an uno-reverse card on enemies and would raid them, blowing up mansions and taking everything that he can. He knows how to come back to your base or wherever he came from though no matter how far it is. You really don’t have to worry about him getting lost since he understands how coordinates work and if you don’t, he’ll make fun of you for it but will teach you afterwards.

ALHAITHAM — An explorer and expert in gathering. He has tons of materials stored in his chests that he doesn’t use and only chooses to fight when he needs to but he somehow has his character on a fully enchanted diamond armor with enchanted tools, either iron or diamond. You need a stack of clay? He has it, it’s on the chest on the third column at the top. How about some cactus or snowballs? He has quite a lot of those. He also has a collection of leaf blocks and vines that you might like as decorations of your home. Of course, since he has those unnecessary things, he also has a ton of importance that are often really hard to get and find, especially the slimes. Because of this, farming and gathering wasn’t something you’ll have to think of when you play with him.

KAMISATO AYATO — Exploration? Mining? Fighting? Gathering? Farming? Building? Whatever you mention, he knows how to do it and is even good at it. He immediately becomes an expert on the game from the very first few times of playing, saying that it’s just like life itself with some weird mobs and a square world. However, he only gathers and collects precious and rare materials and items that, majority of the time, he ends up not using. He would never touch copper because he thinks that it has no use— it’s true though. He doesn’t do a lot of work and wouldn’t invest that much time in doing such trivial things and tasks so his base is mediocre, not big nor small, only made for functional and competent use, and his chests are filled with only items that are needed for late-game.

— navigation | masterlist

[gartenofbanny]

So I watched Helluva Boss S2E6 "Oops" and let me tell you, it's better than Unhappy Campers, but it's also pretty mediocre too. So let's start off with the things I did like

Pros

Fizzarolli and Asmodeus's relationship

Fizzarolli and Ozzie's relationship is pretty adorable to look at, unlike Stolas and Blitzo's. They actually bounce off each other pretty well and are actually cute. Dick jokes aside.

I also like how Fizzarolli is sort of an advisor to Asmodeus's business related things, telling him what he needs to do for the day, and I also like how he tries to hide how other demons are starting to question whether or not their relationship is entirely lustful or actually romantic.

Asmodeus is very protective of Fizzarolli and respects whatever decision he makes. This is what Stolitz wants to be lmao.

Anyway, that's really the only thing I liked about this episode, now onto what I don't like

Cons

The intelligence of the characters

Most of the characters shown on screen are just dumb for the sake of moving the plot along.

Fizzarolli says he won't raise attention but then decides to raise attention in the Greed Ring where there are theives, bank robbers, and mob bosses.

Asmodeus, despite being one of the Seven Princes of Hell doesn't want to read a fucking contract. I get that he's impatient, but he's one of the Seven Princes and he's had to sign a contract AT LEAST ONCE in his centuries of living.

Striker and Crimson are just..they get distracted in a song where Fizzarolli is intentionally distracting them. I know Crimson is dumb as hell, but Striker and the rest of Crimson's mob? How am I supposed to take these antagonists seriously when they're stupid as hell?

Stolas

Stolas really had no reason being here since why isn't he in the hospital recovering from his injuries? How fast can demons regenerate if it has only been a week since Western Energy? That just removes even more tension even more for when certain characters take injuries because they can just heal from them at most a week later.

Stolas serves ZERO purpose to the plot. He barely does anything throughout this episode. Instead, he just gets all giddy at the sight of a stack of papers. He also says "get fucked little one" and I'm over here like YOU DID NOTHING SHUT UP.

In my opinion, they should've just let Asmodeus answer the phone call alone and read through the contract off-screen. Or have Asmodeus kill the lawyer and search for Fizzarolli while wandering around the Greed Ring.

The entire lawyer scene was pointless anyway because Asmodeus killed the lawyer in the end.

The Backstory

The backstory between Fizzarolli and Blitzo was...eh. I didn't really feel anything while watching the backstory because it was pretty predictable. While I was surprised that Blitzo admits that it was his fault (because when's the last time Blitzo took accountability)

I just could not feel sad for the life of me. And then, when Blitzo tries explaining, he's just interrupted. I'll get to the tonal shift of this episode later, but Blitzo says, "You have no idea what I lost in that fire". So Blitzo's mom died, and I'm wondering was Blitzo even aware that Fizzarolli was alive or not?

Because in Fizzarolli's perspective, Blitzo did see him but just ignored him. Not to mention, Blitzo somehow didn't acknowledge the fire when he bumped into Wally Wackford.

I'm damn sure Wally Wackford was screaming. Even then, Blitzo should've heard the flames go off, Blitzo should've seen the light of the fire in his peripheral vision, but he doesn't acknowledge it.

Blitzo's mom

Yeah, I'm counting this as a con. I don't feel bad that Tilla died because WE DON'T KNOW ANYTHING ABOUT HER. She's the same as Moxxie's mom but with a name.

Are the mothers of male characters just supposed to fucking die? At least we got to see Moxxie's mom on screen. We never even saw Tilla in the first place aside from some fucking portraits.

Is this supposed to make me feel bad for Blitzo because he caused the fire, and I'm pretty sure Fizzarolli also had a good relationship with her, yet we never see his reaction to the death of Tilla either. Just Blitzo's and, to an extent, Barbie Wire's. Speaking of

Barbie Wire

Yeah, Barbie Wire wasn't really mentioned at all throughout this entire episode, not even in the flashback.

In the storyboard she did appear, but in the final version she just doesn't make an appearance for some reason. Vivziepop does not give a shit about their female characters

Fizzarolli forgiving Blitzo

Fizzarolli forgave Blitzo way too quickly in this episode. It doesn't make any sense that Fizzarolli forgave Blitzo, but Barbie Wire doesn't. Even though Barbie Wire has still been in contact with Blitzo.

Turns out Fizzarolli and Blitzo's hatred for each other was just a huge misunderstanding. Someone or something has prevented them from coming into contact with one another. They both keep saying, "But they told me" or "I never told them that" and who the hell is "they"? Just leaving out information for no reason at all.

Fizzarolli says, "It's hard to forgive you. It's been 15 years," but then he proceeds to forgive Blitzo near the end of the episode.

That's not how forgiveness works. Forgiveness takes time to go into effect it doesn't just happen when you hear a sob story.

Personally, I wouldn't have mind if FizArolli forgave Blitzo but not in the same episode where they're the main focused of an episode for the first time.

Convenient shit

Stuff just happens because it happens in this episode. Blitzo is at Greed because he wants breakfast and just so happens to meet Fizzarolli despite the fact that Crimson is still around.

Striker and Crimson coincidentally meet and are conveniently near Fizzarolli and Blitzo, allowing the two to get kidnapped.

A goon conveniently has anger issues and kills a large amount of his own crew allowing Blitzo and Fizz to escape

Striker and Fizzarolli are conveniently behind fucking gasoline WHY IS THERE PERFECTLY GOOD GASOLINE IN A DUMP?!

Fizzarolli's arms conveniently malfunction, so he can't escape the flames, so Blitzo has to save him.

It's just convenient stuff just so the plot can move along.

Tone issues

Can't be a Helluva Boss episode without tone issues. I don't feel like listing the examples because there are A LOT, but one major example I will put is Crimson blackmailing Asmodeus and at the end of it, one of his goons don't know how to hang up a phone or to stop a video.

This series can not have a serious scene if it saved its life.

Conclusion

I would comment on how Striker is just mischaracterized again through Blitzo calling him a supremacist or how the antagonists overall in this episode are dumb as hell. Or how this episode raises even more questions

But I believe those two deserve blogs by themselves. Anyway, thank you all for reading, and I hope you all have a nice day! ❤️

And I give this episode a 3.1/10

[halfmoth-halfman]

📝just a lil soap drabble? maybe something mafia au related?

ALSO HAPPY 3K LETS GO YOU FREAKING DESERVE THIS!!!! your writing is so awesome and I’ve really enjoyed seeing you grow throughout all this <333

oooo fun!! i need to write for soap more tbh so thank you for this!! also i know this is mafia/mob!au but all of my drabbles thus far have been x reader so i'm gonna stick to that i hope that's okay!!💜

📝 drabble - john "soap" mactavish

You didn’t really know your date–some friend of a friend of a friend who you’d only ever interacted with at social gatherings. He seemed nice enough, perhaps a little self-important, so when he asked you out at your best friend’s birthday party, you’d said yes.  You’ve never regretted something so much in your life. He takes you to some fancy club filled with people whose clothes are worth more than your year’s salary–a place where he’s supposedly a big deal. The facade of niceness melts as soon as you get to the bar; he’s rude, talkative, and touchy. You push him off more than enough times, rolling your eyes at the insults he throws back at you. He has enough of your “attitude” an hour in, iron grip around your wrist as he all but drags you outside and around the back.  That’s as far as he gets as the handsome server on his smoke break catches sight of you and lays your date flat on his ass with one punch. “Y’alright, hen?” he asks, concerned blue eyes aimed at you. “I am now,” you say in thanks. “I’ll have someone take care of him,” he scoffs down at your former date, lying uselessly on the ground. “Wanna go back inside? Whatever y’want, it’s on the house.”  You give him a generous once-over, boldly admiring the tight fit of his uniform and the shaggy mohawk that you’d love to run your fingers through. “Anything I want?” He smirks, stepping over your former date to lay a hand against your lower back and leaning down close to purr into your ear. “Anything an’ more.”

[equallyshaw]

The friend group | little lion au - au masterlist. - also the nicknames for them are in good fun lol

☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎

liona 'lion' kai ovekchin: russian mob boss - more on her here.

orange cat

studying fashion and minoring in marketing at nyu

1/3 of greenwhich village roommates

only child (+ younger half sister - sasha from moms ex fiance)

geno malkin worshiper

scorpio

part time nanny and part time barista/book shop clerk at an historic bookshop/coffee house

avid reader

huge star wars fan

used to have a crush on david..before her and chris got together..😚

tolerates hockey, big alex o fan if you didn't know

huge traveler

hamptons lovaaaaa

☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎

rainn spencer: miss grump

liona's bff

second half

partner in crime always

1/3 of Greenwich village roommates

secretly has a thing for jack.

early supporter of #Hoveckhin

social work student at NYU, with a minor in Womens Studies

thinks of alex as a father figure because she does not have the best relationship with her own father, as her parents are divorced.

alum of Georgetown prep

works at a local coffee shop, and a record store on the weekend.

pisces

incredibly creative and extremely smart

middle child (syndrome) of three, with two brothers.

avid reader and painter

coffee connoisseur

☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎

chris briney: trust fund kid

liona's ex and friend

columbia student, grad in 2025. (year early)

got accepted into harvard, attended one semester before transferring to new york.

oldest of 2, has a younger sister

aries

still is in love with liona..

is incredibly close to alex still

huge fan of the capitals

grew up next to liona, next door

studying political science and international relations

lives with gavin off-campus

enjoys playing the guitar, writing and reading

tea addict

used to be: grumpy bf x sunshine gf or black cat x orange cat

☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎

gavin casalegno: top dog

golden retriever

closest to chris

columbia student

studying anthropology

bisexual

virgo

avid movie watcher/goer

youngest of four, with one brother and two sisters

night owl

down for a good time, always.

☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎

sean kaufman: shakespeare

1/3 (part time) greenwich roommates

originally got into princeton but declared to go to nyu

studies playwriting with a minor in musical theater

cancer

oldest of 3, has 2 sisters

first generation student

first generation, parents are both from asia

has Korean citizenship through parents

musical goer (will bring lion every. single. time.)

huge traveler (along with gavin)

has had a crush on rain for years (but once he saw the ending to liona and chris he decided to not pursue anything)

second half of liona, male version of her (we'll see that soon!)

will drag her out of bed at obscene hours to dance, bake and ofcourse, get some pizza

coffee addict (connoisseur)

☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎

david iacono: pink whitney

went to georgetown prep with the group

year older than the group

reunited in london, summer 2025 before he moves back to the states

studied liberal arts at university of cambridge

only child

liona and him were close because they did musicals and plays together at school + in the community

moves to nyc to pursue his masters at columbia

golden retriever energy

had a crush on liona during highschool but then once her and chris got together, he pushed it away

avid fan of the capitals

literally starstruck of alex but not geno (lmao)

really likes luke when he meets him when they get back from europe in the Hamptons

the two of them get along really well

along with sean, the two of them get liona out and about always

loves to do photography

☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎

+ ensemble members.

jack hughes: frat president

follows luke around like a lost puppy when he joins luke and liona for stuff with the group

shy af (ironic lol)

really likes rainn

him and gavin get on really well

gavin brings jack out of his shell, and the two are thick as thieves

down for a good time, always.

middle child syndrome ofc

dylan duke: the slut (not literally lmao)

summer buddies with the group when everybody visits michigan

ring leader for the michigan trips (that now include the friend group)

him + david = pink whitney lovers

karaoke fanatic

# 2 fan of Hoveckchin (behind rainn & just because he likes the ship name, has to enunciate HO)

quinn hughes: the dictator

keeps everybody in line during the summers (doesn't need unnecessary injuries or drama)

they call him the dictator because of it

enjoys the friend group, thinks they are all sound people and glad luke has a good group when he's in jersey and people away from the league

treats lion like his little sister

+

ethan edwards

nico hischier

Alex holtz

Rutger mcgroarty

adam fantilli

simon nemec

andrei svechnikov (her russian brat)

+ more ofc

☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎☀︎

hope you all enjoyed!!!

[spnfanficpond]

Weekly Pond Newsletter

There may not be a newsletter next week, so keep an eye on our calendar (links at the bottom) for anything that comes up! To ask forgiveness for missing a week, have a nice Jensen gif:

Old Business:

Fic Highlight - We did another fic highlight! It's a Destiel Russian mob AU that both fluffy and bloody as hell. Click here for our review!

SPN Rewatch: Fanfic Edition - We had a great chat yesterday about the episodes 2.05 Simon Said and 2.06 No Exit! Click here to access the Archive and read what we discussed in the episode docs!

Last week's #TweetFicTues prompts were -

New Business:

Fishing For Treasures - Next weekend is FFT weekend at the @fanficocean! May's theme is Pairings (especially Rarepairs)! Be sure to head over there next weekend and see what wild and wonderful rare pairings people have come up with outside of the SPN fandom!

Sun Spin Stageit - Next weekend Michae Rosenbaum and his partner in music will be performing for a virtual audience on Friday at 8pm EDT. Click here for info and to buy tickets!

Question for YOU - We are considering starting up something akin to the Angel Fish Awards, but where writers tell us about awesome comments they've received on their fics! Admin Michelle spent some time during her chat yesterday bandying about different names, but didn't come up with anything that really spoke to her. Angel Turtle Awards? Ninja Angel Turtle Awards? Raphael Awards? (Because, you know, he was a TMNT and an archangel.) What do you guys think? Let us know in replies and reblogs!

(Divider by @glygriffe!)

That's all for this week! To see all Pond events, and also other SPN-related things like conventions and online concerts, check out our Google calendar! Click here for a static view in Eastern US/Canada time (desktop only, no mobile app access, sadly), and click here to add our calendar to your own Google calendar! We try to keep it as up-to-date as possible. If there's something you want to see on the calendar that's not there (maybe a convention we missed, cast birthdays, or something similar), send us an ASK and let us know!

Hope you have a great week! - From your Admins and Manta Rays, @manawhaat, @mrswhozeewhatsis, @mariekoukie6661, @thoughtslikeaminefield, and @heavenssexiestangel!

[glubby-guppiez]

*Random TMNT 2012 (mainly side characters) hc's bcuz hyperfixation

*(this is the best divider to ever exist btw)

*TW's and stuff: Spoilers for TMNT 2012 ofc, mentions of gender dysphoria and trans related insecurity, transphobia, accidental arson, bullying, manipulation, ptsd, also the tone of the headcanons shift randomly also also typing quirk

*Chris Bradford is trans. )(e did a full transition, he did hormones, voice training, top and bottom surgery, a few different surgeries to make him look/feel more masculine, all the bells and whistles, even went the extra mile to do procedures to hide his surgery scars. )(e's closeted and does about everything in his power to make sure no one even question that he was assigned female at birth because he's scared of his social image of being the great macho man, Chris Bradford, crumbling.

*Leo mainly or solely uses fandom and fanfic socials like Wattpad, AO3, Amino, Tumblr, and maybe Twitter. She mainly interacts with Space )(eroes and Crognard The Barbarian fan posts and shows a special interest in gender swap aus.

*Later on, post show with Muckman's help the mutants are actually able to freely walk around humans without them completely flipping out and starting a mob to witch hunt after them.

*Speaking of walking around humans, Napoleon and the frogs down in Louisiana are considered local urban legend and humans get really excited when they spot the frogs in the woods.

*Dr. Rockwell is a very big coffee enjoyer and used to secretly steal coffee from the nearby shops around the mighty mutanimals hideout and on the rare occasion when someone caught him and called him out he would always use the excuse of the shops being owned by big corporations.

*Don Visioso is a deadbeat father of 5. )(e also has had multiple wives and many divorces.

*Mondo Gecko will call people posers if he's jealous enough of them.

*Ivan Steranko is also trans but has only had hrt and face masculinizing surgery and refuses to get top and bottom surgery.

*Anton Zeck is incredibly smart and performed extremely well in high school and even got free scholarships for how well he did.

*Shinigami is a big video game nerd and will geek out if anyone mentions one of the games she plays.

*The reason Anton hated the mutant name Mikey gave him at first is because it either sounds a lot like or straight up is a nickname old bullies of him gave in order to make fun of him.

*Premutation, Chris acts transphobic towards Xever (despite Xever being cis) out of jealousy and insecurity.

*Baxter Stockman is either a gay aroace trans mspec nonbinary man or a cishet ally. No in-between.

*Mini April cluster!!!:

*April has a deep love for literature and writes poetry in her spare time.

*She almost burned down the culinary class in her school once.

*She's questioning aroace.

*She felt extra empathy for Muckman because he reminded her of Kirby a little bit.

*She likes to hide stickers around the lair whenever has them on her person.

*She thoroughly enjoys having long conversations with each of the individual turtles. (It's her favorite way to spend time with anyone tbh)

*April does eventually take some time to properly learn Japanese and becomes pretty decent at speaking and reading it.

*)(er and Donnie often like to geek out together whenever they find anything new about aliens (both species they haven't seen yet and ones they know well like the kraang).

*End of the mini April cluster!!!

*Kirby O'Neil is a pretty decent cook. That man can make a mean chicken stew.

*Shinigami actually owns multiple cats. 2 ragdoll, 1 sphinx, 1 Persian, and 3 British shorthairs (I could name them all, but I don't wanna). Also, the majority of them are black cats. She feeds strays, too.

*The last headcanon is much to Karai's dismay because she is somewhat allergic. She gets headaches, her skin gets slightly irritated and she gets the sniffles if she's around cats for too long.

*Casey's younger sister wants to be a hair stylist when she grows up, so Jones let's her do his hair every once in a while and he flexes it to every one at the lair like: "Oh? My hair? Yeah, my sister did it for me. Pretty metal, what she did with it, right?"

*Tigerclaw is the only Foot Clan member to not bully Baxter Stockman.

*Someone manipulated and lied to Alopex in order to make her hate and hunt down her brother.

*After season 4, Baxter Stockman leaves New York and takes over Stockman Industries. (If you're unaware of what that is, it's on billboards that the turtles pass throughout the show the most notable appearance being in the ending scene of the final season 4 episode, 'Owari'.)

*Slash deep down still misses The Newtralizer.

*Leatherhead kind of freaks out (apologies for the bad wording) when someone fully wraps their arms around his neck when hugging him because it reminds him of the restraints the Kraang put him in.

*Pigeon Pete learns how to bake so he can make his own bread.

*The turtles get a Wii (or whatever the universes equivalent is).

*Mondo Gecko gets an old Xbox and plays Tony )(awk games, Bully, and Twisted Metal on it.

*Ivan and Anton actually move out to New Jersey post show.

*Alr, that's all for now, toodles!!!