How I would connect certain movie dialogues with specific astrological placements
Keep in mind that I am still a beginner, so these may or may not resonate.
I am the rightful owner of the content of this post and any kind of plagiarism will not be tolerated.
"pyaar dosti hai, agar wo meri sabse acchi dost nhi ban sakti toh mei usse kabhi pyaar hi nhi kar sakta"
Translation
"Love is friendship. If she can't be my best friend, then I can never love her."
Venus in Aquarius or the 11th house.
Moon in Libra or Aquarius.
Why? Because these placements suggest a strong desire for genuine understanding and friendship in their relationships.
"Tusi ja rahe ho, tusi na jao"
Translation
"you are leaving, please don't go"
Venus in Pisces
Moon in cancer or strong 4th house influence
The moon in cancer can give attachment to the person you love and cause difficulties in letting them go. Venus in Pisces makes a person extremely devotional towards the person they love, hence making them extremely attached.
"MERE HISAAB SE TOH DHARM EK HI KAAM KARTA HAI, YA TOH WOH INSAAN KO BEBAS BANATA HAI, YA AATANKWAADI."
Translation
"In my opinion, religion only does one thing: it either makes a person helpless or a ter*orist."
Ketu in 9th house
Saturn in 9th house
sun in Aquarius
These placements indicate that the native will question religious beliefs and be critical of the customs or traditions.
"Jab zindagi ek bar mili hai toh do bar kyun soche."
Translation
"when you only live once, why think twice?"
Mars in Aries or Sagittarius
jupiter in the 1st house
Sun in Leo or Sagittarius
These placements can make someone really courageous, bold, spontaneous and optimistic. They will not second guess themselves or doubt their decisions because they fully believe in themselves.
"Zindagi jeene ke do hi tarike hote hai - Ek jo ho raha hai hone do, bardaasht karte jao, ya phir zimmedari uthao usse badalne ki."
Translation
"There are only two ways to live life: either let things happen and keep enduring, or take responsibility to change them."
Saturn in 1st or 10th house
sun in Capricorn
and mars in Aries or Scorpio
These placements make a person action oriented, creates a strong sense of responsibility, authority and taking charge. These placements make a person disciplined in achieving their goals.
"Success ke piche mat bhago. Kabil bano kabil. Kamyabi toh sali jhak maar ke peeche ayegi."
Translation
"Don’t chase success. Become capable, truly capable. Success will come running after you."
Saturn in 10th house
jupiter in Capricorn
and mars in Virgo
All these placements focus on self improvement through hard work and sufficient efforts. Mars in Virgo makes perfectionists through constantly improving their abilities.
"Haar tab hoti hai, jab haar man li jaye"
Translation
"Defeat only occurs when one chooses to accept it."
Saturn in 1st house or strong Saturn influence
Mars in Capricorn
Sun in leo
Pluto in the 1st house
People with these placements are resilient, determined and do not accept defeat easily. They are focused on winning and transforming.
Let me know if you liked it or not
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Obsessive Roo
By the 1920s, Roo's managed to scrape up enough energy to give herself a temporary human form. She's got some business to sort out, and some cults to tempt. Unfortunately for her, a rather interesting man catches her attention. He leads her out to the woods, and just as Roo feels a spike in malevolent energy, stabs her in the neck.
Roo can't help but laugh as her body fades away. What a twist! This is the most interesting thing that's happened in centuries.
She watches this man, and the rest of his murders. This human just radiates evil; she loves it!
Which is why she chooses him. She can't wait until she's released, so he can finally be hers. Though, his little 'stunt' did set everything back another century or so. He's been waiting all this time, poor thing.
In the meantime, Roo's successfully managed to keep bad influences (i.e. people stealing Alastor's attention and making him feel safe) away from her deer. Like that Vox demon, who had the gall to try and drive a wedge between her and Alastor. As if her darling would've wanted a relationship with him anyways. Better to let Alastor assume the demon betrayed him, though, just in case to save him the drama.
And, finally, everything's in place- Roo's escape is imminent. She just has to tie up a few loose ends. Namely, that silly Hotel project her darling foolishly signed onto. (The amount of angelic energy around the building is enough to make her sick. It's almost like he's trying to get rid of her- ha!)
Oh, there's also that little deal he got himself caught up in. Who the fuck is Lilith to take Roo's property like that? 'Queen of Hell' won't mean much once she's finally free.
(And, no, Alastor's not aware of Roo in this AU. Even so, he can't help but notice the eyes that follow him everywhere... except in the hotel.)
Alastor probably would be flattered to know that such an entity is so interested in him- a powerful one, at that! It's just the whole 'being owned' thing that kinda ruins it for him. What's all that power worth if he's not at liberty to use it himself?
As for Lilith, she could have Al's soul for one of two reasons. 1) She wants to barter with Roo, who would probably pay a hefty price to have her deer in her grasp. Or 2), she knows of Roo's obsession (felt it the moment she met Alastor; real disturbing stuff) and keeps his soul to prevent Roo from getting it.
Lilith protects her people, and since there aren't many angels in Hell, the best protection Alastor can hope for is the Queen herself. She doesn't know what he did to gain Roo's attention, but it was a mistake. And she's simply not cruel enough to leave him to his fate.
👀
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I wanted to talk about some Cradle stuff so I pulled this put of my drafts and polished it up a bit. This came out of my own musings as well as a conversation on reddit regarding what childhood and early sacred arts looks like for different people in the world.
We see a lot of different people with different types of paths but we don't know much about most of them or how children choose them. In some circumstances
For some Paths, it's obviously a question of tradition, while others are more utility, and more are products of ambition. But what does advancement look like when those things are absent?
As I organized my thoughts I ended up making some categories of what different upbringings with the sacred arts might look like.
The Traditional
This encompasses many of the Paths we see in Cradle. These are the well trodden and firmly established "Paths of the Clan". Here is your White Fox, your Grasping Sky, your Blackflame, your Stellar Spear. These are paths that the vast majority of the clan or family follow in unison.
Tradition and competition for resources weigh heavily on these paths. A path of light and dreams doesn't necessarily lend towards farming, but the Wei still overwhelmingly practice the White Fox. Every person on the path becomes a capable combatant under this method, and they might need to be.
Children start following this Path at Copper and follow it the rest of their lives.
The Lesser Clan
This is the path of clans like the Redflower, but also applies to smaller families as well. These paths bridge the gap between Tradition and Utility. The family path is not so heavily tied to the concept of honor or combat. Its a path that serves a purpose, and it's a purpose that you are born to. This is the path of "my father and his father before him." The path of "sixth generation farmer" and "my daughter will take over the family business." Whatever the parents do, the child can expect to do as well.
This path also starts at Copper.
The Great Clan
We see this in the Akura and the Arelius. These clans have resources and knowledge and their people follow a variety of Paths. There is likely an influence towards one type of path or another, purely due to there being more resources and knowledge regarding that type of madra.
Its hard to know how a path starts in these families—how much influence a parent takes over the path of the child. This is the path of options. A child here might delay starting their path until they have chosen the perfect one. A child might have the perfect path chosen for them and begin working towards it from a young age. A child might choose to develop their own path.
The age and level of advancement that a child is when they actually start on their Path could be highly variable, especially given the possibility of advancing through the lower realms via elixir rather than cycling.
The Mighty Sect
These are schools such as the Cloud Hammer or Jade Eyes. They have strength and resources and a specific Path that they teach, but they are not one family or clan. Prospective students are drawn from other families through a variety of processes. Its likely that some students' parents pay for them to learn from the sect, or else deal in favors to get their child admittance. Its likely that there is some sort of admission process in which children prove their worth to join the sect.
Its unclear regarding the age of admission for these schools. Perhaps they only take pure Coppers, or perhaps any artist below Jade or even Gold whose core can be converted to the path.
The Pathless
This is the path of Mu Enkai. Poor individuals with no resources or training that don't follow any real path. They harvest whatever aura is either most plentiful or most related to the work they are likely to be doing. Techniques are rough and not necessarily even frequently used. Remnant for advancement to Gold is likely a matter of opportunity more than anything else.
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The rest of my ideas are only partially supported by direct text, and some of them are entirely the result of unsupported theory crafting and worldbuilding.
The Worker
These are people who know what they want to do, and choose a path that will get them there. Writers on Dream Paths, gardeners on Life paths, builders on Earth paths. These are the children that know that they want to be when they grow up and follow a path that helps them with that. Just like in real life, not many kids actually know what they want to do at the age of six and then happily stick with it.
The Ambivalent
This one is similar but different to the Pathless. Where a poor peasant might be denied the resources to advance beyond lowgold, there are probably a large number of people, particularly living in large cities, that just don't care. They are going to work jobs and live their lives in a way that the sacred arts don't really impact. They probably advance to lowgold like a child being pushed through high school. Maybe they select an aura type as a child based on their favorite color. Maybe they select a remnant based on the appeal of possible goldsigns. It doesn't really matter, they don't care, the sacred arts are merely an afterthought in their lives.
The Modern Middle Class
These are the Cradle Suburbanites. People that live in towns and cities big enough that they don't really have to worry about sacred arts battles for the most part. Their parents work at jobs and bring home scales and buy their children elixirs. The child advances based mostly on elixirs until they reach peak Jade, and are old enough to pick a remnant from the remnant store. Maybe they stop there, or maybe they advance, but they are old enough to choose for themselves at that point.
The Educated
This is the advanced form of Suburbanite. These kids go to modern style schools for the sacred arts. The school provides elixirs and training. The students are taught principles of madra and technique fundamentals. They have homework and quizzes and tests with practicals. When they get older they start to specialize and begin working more directly with the types of madra they want. The school library has information that the children can use to craft their own paths, or manuals from common paths for the children to choose from. The school provides a selection of remnants for the children to advance with and high level classes to help integrate remnants with the goal of advancement to Highgold at minimum before graduation.
The Village
These are children that grow up in small poor villages that don't have many resources or much knowledge and that aren't actively being oppressed by more advanced artists. There's not really a big push for advancement or any competition over it. Children might talk with different relatives, neighbors, and family friends before choosing a direction that sounds interesting. While not a Path persay, they do get taught little lessons on techniques and receive advice from the adults around them.
The Tutored
Inspired by Oz's childhood, these children are taught the fundamentals of the sacred arts by tutors. This can apply to a wide range of economic statuses, from the children of Lords with private tutors, down to village or city children whose parents pay the cost demanded by tutors of their status. Education is a blend of custom directed learning for the child and a direct passing of the knowledge of the tutor.
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i have so many thoughts rotating around in my mind, but i'll never be over just how thoughtful jiyan is. he prioritizes the safety and wellbeing of the soldiers under his command above all else, even extending that kindness beyond the battlefield. it's not enough for them to just be physically healthy, but mentally as well. burnout is just another path to hasten others towards despair
soldiers aren't pawns that are easily expendable. they're people, human beings with others who matter to them and lives to continue living once they leave the battlefield. the best soldier, in jiyan's eyes, is the one that's allowed to live a fulfilling life and make the most of the time they have. duty is important, yes, but being a soldier isn't all that these people are
love is such a strong motivator that it can't be overlooked. as bil.l wit.hers once sung, "we all need somebody to lean on". the bonds we share with others are vital in making us who we are and jiyan recognizes that. it's why he has no problem, just like in one of his character stories, ensuring soldiers get time to be away from the battlefield to go home or even take on expenses himself to cover important surgeries and hospital visits for their loved ones
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I think one thing we need to address in the US if we want to de-stigmatize multi-generational households that include ADULTS from multiple generations, is that parents need to learn how to have adult relationships with their offspring.
Should my daughter deign to live with me when she's an adult she will not be my some vassal that has to obey my household rules. She graduates into being a peer in setting and managing the boundaries, cleanliness and appearance of our home.
Too many parents want to have relationships with grown ass adults in which the parents maintain control and authority, and in which they leverage money and history to get their way from an adult who, very reasonably, wants to be able to make choices and have influence. And then those parents wonder why their kids keep their distance!
But then people act like I've lost it because I let my 5 year old pick the color of paint in her room- a room I seldom spend time in except to take care of her, and a room in which I want her to be comfortable and happy.
I'm not gonna let her choose a paint color for the kitchen right now, because she's capricious and bad at negotiating so we can pick a color we all like. But when she's an adult, if she's still living here? Why shouldn't she get to influence her environment?
People like to have agency. We limit the agency of children because they make choices without the full ability to understand the results (sorry baby, you are gonna get vaccinated for pollio even if you don't like it. You don't understand pollio).
But limiting an adults choices in their own home, just because you don't think that home should be a real home for them because it's just for you, is kind of an asshole move, to me.
No need to argue with me if you disagree. You can have your own opinion.
But I couldn't treat my kid that way, and I have seen enough to know that not every parent treats their adult children like permanently incompetent interlopers.
I didn't just buy this house for ME. I bought it for MY FAMILY. My baby is my family, and she will be no matter how old she gets.
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