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#Bardic course
ofbloodandfaith · 9 months
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BOD - BARDIC COURSE
I have decided to study the Bardic course of the British Order of Druids just to get some structure into my personal practice.
I will be using this Tumblr as a diary/ journal of the course as I go along.
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bacchuschucklefuck · 2 months
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Just found your class swap au and I have absolutely fallen in love! I'd love to hear basically everything about it! Especially like what subclasses they might be!
Also the art is so so so good!!! They're all so expressive!!! Ahhhhh!!! I'm just here screaming as I look at they over and over again!!!
thank you I'm glad ur enjoying ur time here! we don't got everything in place yet (bc that requires like, writing lol) but I do have some ideas of subclasses if that's what ur looking for here. riz I'm thinking college of whispers -> college of lore, gorgug's domain of peace -> domain of twilight, fabian I think starts out as phantom rogue and then swashbuckling rogue + some levels in ranger? kristen I think starts out with wild magic idk if she'd move away from that. maybe lunar sorcery? fig is currently either path of the giant or totem warrior but I imagine she will also pick up at least two more classes (paladin definitely one of them which lol. lmao). adaine I'm thinking battlesmith -> armorer + some levels in fighter. that's about it for now
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flashhwing · 1 year
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I love seeing everyone post screenshots of Astarion where he's wearing the drow armor in dark colors and then going to my own game where he's wearing the bard tunic in white. we are having fundamentally different experiences of this character
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raspberry-arev · 2 years
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Hello! I made something, woo! <3 The thing that keeps me going through these trying times is currently D&D. Therefore: Nick and Charlie as D&D characters!! 
So far I got only the two of them, but I have an entire list of further ideas in my notes and I swear to heck if school/mental illness stops me from creating them all, I will ... throw something
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gabrielisdead · 1 year
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I'm like 🤏 this close to make Victor Frankenstein as a half high elf with a wizard-druid multiclass build in bg3
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besotted-with-austen · 5 months
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Jane Austen: so, you go to Mr Collins' house and Elizabeth is there alone. She welcomes you politely, but she looks---troubled.
Colonel Fitzwilliam: and of course she does, after everything I said to her-
Fitzwilliam Darcy: do I sense if she is mad at me specifically or it is just her headache?
Jane Austen: roll an Investigation Check.
Fitzwilliam Darcy: *grimacing* it's a three.
Jane Austen: just her headache.
Caroline Bingley: *derisively* she only looks like she wants to stab you, Darcy.
Fitzwilliam Darcy: *shrugs* I guess I am too nervous to really give her a proper look.
Jane Austen: what do you do next?
Fitzwilliam Darcy: well, I-I tell her, "In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."
Jane Austen: Elizabeth blushes. She is absolutely stunned.
Georgiana Darcy: that is good, right? Right?
Fitzwilliam Darcy: I tell her that even if her family is--not ideal-
Charles Bingley: *making a face*
Caroline Bingley: *playfully disgusted frown* and I made my character romance you?
Fitzwilliam Darcy: -and I might be acting impulsively, I just have to let her know that I love her. That's it.
**Silence**
Jane Austen: *smacks her lips* okay-
Charles Bingley: *histerical laughter* I don't like the way you said it-
Colonel Fitzwilliam: it's an immediate natural one, yes? Please tell me it's immediate.
Georgiana Darcy: shhhh!
Jane Austen: give me a Persuasion Check-let me tell you, you have to roll very high.
Fitzwilliam Darcy: figures-very well-
Fitzwilliam Darcy: *beat*
Fitzwilliam Darcy: *flatly* natural one.
Colonel Fitzwilliam: JUSTICE!
Jane Austen: *claps her hands* you make your grand love confession, but Elizabeth stops you and immediately rejects you.
Fitzwilliam Darcy: ouch.
Jane Austen: she tells you that she could never marry the person that hurt her sister and destroyed Wickham's future-
Fitzwilliam Darcy: *dawning horror* I had forgotten they had talked, fuck-
Jane Austen: and, finally-
Charles Bingley: there is more? He is already dead-
Jane Austen: Elizabeth looks at you dead in the eye and says: "From the very beginning—from the first moment, I may almost say—of my acquaintance with you, your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry."
Fitzwilliam Darcy: damn.
Caroline Bingley: *dying of laughter under the table*
Charles Bingley: I do not know if I can resurrect you after that.
Georgiana Darcy: I knew it, I should have given you Bardic Inspiration-
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villadiodatis · 7 months
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The Bad Kids are level 11!
As of this episode, the Bad Kids have leveled up! I didn't note their level 10 updates, but here's a level 11 breakdown.
Adaine: Wizard 11. She gets a level 6 spell. She can also now prepare 15 spells per day.
Fabian: Fighter 6/Bard 5 (was Bard 4). His bardic inspiration goes from a d6 to a d8 and recharges on a short rest. He also gets a level 3 spell + 2 level 3 spell slots.
Fig: Bard 9/Warlock 2 (was Bard 8). Her Song of Rest (extra healing on a short rest) goes from a d6 to a d8. She also gets a level 5 spell + 1 level 5 spell slot + a second level 4 spell slot.
Gorgug: Barbarian 6/Artificer 5 (was Barb 7/Artificer 3). He loses Feral Instinct, which gave him advantage on initiative and protected him against being surprised. He took an ability score improvement, bringing his intelligence from 14 to 16 (+2 to +3), and now has a +3 bonus to a healing or damage roll (acid, fire, necrotic, or poison) of spells he casts. (EDIT: @paralulzy pointed out he also gets access to 2nd level spells and 2 2nd-level spell slots!) He can now prepare 5 spells total.
Kristen: Cleric 11. Her Destroy Undead can now take down creatures up to CR2, and she has level 6 spells. Some of the biggest ones here will be Heroes Feast and Sunbeam, but there are some other very cool spells. She can also now prepare 16 spells per day.
Riz: Rogue 11. This is a big one, and we've already seen a benefit of it--Riz is now Murph-proof, with Reliable Talent. He can treat a roll of 9 or below on the die as a 10 for any ability check he's proficient in. This covers (as far as I know) Arcana, Insight, Investigation, Persuasion, and Stealth.
And of course everyone's HP went up. See you next level!
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thegreencarousel · 1 year
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I was very much vomiting, screaming and crying when they showed Xenk’s traumatic origin story so of course I have to draw a self-indulgent Edgin using his bardic abilities to sing some dreamless and restful sleep for Xenk OnO
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Watched the new D&D movie and the main character is pretty clearly supposed to be a bard (wacky, witty, giant lute slung over his back), but they got rid of bardic music effects for being really silly and got rid of the casting so the party's sorcerer could have 'spellcaster' as his hat (the druid got a similar treatment but at least they expanded what wildshape could do in compensation).
Except at that point the bard doesn't have a lot of in-class features anymore, so to keep this dude relevant he just ended up as the 'plan guy' and face, and in combat he mostly runs around dodging explosions. If he attacks someone, it's by whacking them on the head from behind, because that's the only way a noncombat guy like him can still plausibly contribute to fights.
But of course, 'evasive ambusher with many out-of-combat skills, including musical performance' is already a D&D class. And I am really amused by the thought of hundreds of D&D newbies asking how to play the funny movie bard and getting told they should consider being rogues.
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bloodiedrogue · 1 year
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WHERE'S YOUR PATIENCE? (7)
SUMMARY: You and Astarion finally have the conversation. Among other things.
PAIRING: Astarion & Female Reader
WORD COUNT: 5,912
WARNINGS: 18+ sexual content, teasing, little bit of hand stuff, vaginal sex, CONSENT IS SEXY, mentions of past sexual/physical trauma, potential spoilers for acts 1/2.
AUTHOR'S NOTE: Say thank you to the 2 bottles of Corona and the tequila shot I took to loosen up my brain enough to write this smut. I couldn't have done it without them. (And also my bardic inspiration @imgoingtofreakoutnow)
CHAPTER LIST / MASTERLIST / NEXT CHAPTER
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The weeks following feel like an uphill battle —a never-ending course of constant information and action all tied into one long work month. Without warning, you find yourself overwhelmingly annoyed with the pace of it all. Not to mention the unwavering guilt, knowing that if you’re not fighting hordes of Absolute cultists or doing research on how to rip the Illithid out of your head, your time is essentially wasted.
Or at least, that’s what it feels like. 
Considering the severity of everything, even when you’re resting from a long day's work, you always find your mind wandering. Picking apart texts from old books you’ve found during infiltration missions. Oftentimes late at night when Astarion’s come back from feeding, you spend a lot of your time together relaying said thoughts. Using the late-night silence to fuel the drive that’s been missing throughout the day. 
By the time you get to the Inn within the Shadowlands, you’re surprised he’s not sick of you for it. Nowadays, just the mere thought of your own voice makes you want to rip off your ears, and although you know it’s crucial that you discuss things like this, you know there are other things that are important too. 
Like your shared confession. And your promise to talk of the past when you were both ready. 
Since that night you haven’t asked him about it. With everything happening so quick, it’s been pushed to the back of your mind —lost amongst the clutter of thoughts that you’re often forced to leave behind. Deep down, you imagine he’s somewhat in the same boat but still, there’s even more guilt that surfaces. Filling both sides of the spectrum like an overflowing glass of water —so much so that by the time you’re gifted a proper night’s rest in an actual bed you’re already too tired to care. 
As soon as you enter the Inn after your journey through the cursed shadows of the forest you head straight to the bar, barely batting an eye at the barkeep who looks you up and down, horrified by the state of your dress.
“Whiskey, please.”
“And… whatever else you got back there that doesn’t taste of fermentation.” 
You turn to see Astarion already standing beside you, moving his hand to the small of your back to usher you into one of the stools. Immediately, you oblige with a sigh, blinking back sleep as you rest your bloodied elbows on the countertop, earning yourself a look of annoyance that Astarion squashes with an unfriendly scowl, showcasing his canine teeth. 
If you weren’t so exhausted you probably would’ve laughed at such a sight, but considering you are, you instead let out a soft hum and down your whiskey when it’s placed in front of you, signalling for another. 
“I see you’ve already decided how you’re going to spend your night off.” 
Nodding your head, you barely register his words, slumping your damp forehead down against the counter with a groan. “How the fuck are we even alive?” 
It’s a fair question when you take into account all that you’ve been through. All the puzzles and battles and endless expectations to now save all of Baldur’s Gate just to get these damned Illithids out of your head. 
At this rate, you and everyone else should’ve been dead ages ago. Either murdered and looted for your tadpoles and their powers or already turned into tentacle-faced beasts. Not sitting next to Astarion, covered in blood, sweat and tears, wondering how the hell you’re supposed to keep going. How you’re meant to keep this unrealistic momentum of burnout over and over and—
He runs his palm along the base of your spine, drawing his fingers up and down as he takes a sip of his drink. “Hells if I know, darling.”
Feeling a bit delirious, you laugh and raise your head to look between him and the new drink in front of you. “We should’ve been dead by now.” 
“You? Perhaps. Me?” He pauses to dig his digits into your aching neck, making your head fall forward again in delight. “Well, I have far too much to do after all of this is over.” 
“Yeah, like what?”
When he doesn’t answer right away you remember the conversation. That moment by the fire where you kissed and confessed and told each other you’d talk about it. Immediately it fills you with anxiety, clouding your features with a worried brow and frowning lips as you crane your neck to the side. 
When you look at him you notice he’s not really there. His eyes sit in their normal position, staring back but there’s nothing. Not a thought or feeling; just two empty voids surrounded by bloodied dissociation. 
It pulls at your heartstrings far too much —makes you let out a breath and raise your frame to slip off the stool and move to hug him. Despite the lack of attention, he manages to follow suit as it happens, wrapping his arms around your neck as you burrow into his chest, once again sighing, wondering if you should apologize and offer your ear or merely forget the exchange entirely. 
Before you can even think to do either he’s standing up, keeping his hold as he grabs your other whiskey and proceeds to drink it down, barely batting an eye. 
Raising your brow at him, you feel his fingers dig into your neck again, rubbing rough circles that have you resting your forehead against his chest, trying to form any semblance of a thought. 
It makes him laugh and raise his hand to your hair, running his fingers through the roots. “Let’s get cleaned up.” 
You’re already off and climbing the stairs before you’re able to answer. Pushing through the pain that radiates through your calves with every step. Leaning against him with tired eyes that eventually open up when the door creaks open in front you of. 
Somehow you managed to earn yourself a private room. One that’s actually clean with a real bed and a tub —all of which almost have you in tears. 
“Nice of them to give us some privacy, hm?” Astarion smirks down at you as he speaks, watching as you roll your eyes and finally pull yourself away, reaching for the clasps of your leather vest. Like the rest of you, it’s coated in a thick layer of dirt and blood. All of it dried and coming off in disgusting clumps that have you scrunching up your face. Brushing off the top few clasps, you try not to focus on the way it feels against your fingers. How it collects under your nails as you narrow your eyes, struggling to get the damned thing off.
It makes him scoff and pull you back in, pushing your hands aside to undo the first clasp. “I feel as though I recall a time where you claimed to be patient?” 
As he moves down to the next one you shake your head and look away. “Emotionally, yes. Physically I—“
“I’d say you’re far more patient in that regard, actually.”
For a second you’re not sure what he means but then it hits you. He means sex. Physical intimacy. A line of which you hadn’t yet crossed due to several things. The main being your lack of conversation —your lack of focus to a promise you both said you wouldn't break. 
Obviously, the lack of time hasn’t helped either, but as you stand there, watching his fingers pull apart your top layer, you find yourself visibly frustrated. Angry at yourself for not taking the time to offer the piece of yourself you desperately want. 
After that night it was always your intention to go first. To tell him all about your past in order to open the floodgates. You figured if you were brave enough to do it —to be the one to bite the bullet— maybe he’d inevitably follow. 
But then life got in the way and now nearly five weeks later it suddenly feels like you’re stuck in this limbo. One where you’re dancing on the edge, teetering with bated breath. Wondering if maybe the time is right. 
As his hands move further and further you find yourself fighting your imagination. Brushing off the feelings that start to surface as you stare down at his hands, watching their delicate ministrations. 
It’s apparent then that he's no stranger to the art of undress. As his fingers twist and turn to work the clasps apart, you have to stop yourself from giving in to temptation, knowing that it’s wrong. Remembering the promise you made.
Moving your hand to stop him, you clear your throat and watch his eyes. Noticing the way they filter through the air to eventually focus on you, blinking as if he wasn’t there to begin with. 
“Can we talk now? Maybe?”
His hands sit against your leathers, gripping the metal with tightened fingers that still somehow manage to pale from their hold despite his complexion. “Course.”
Running your fingers along his knuckles, you slowly wrap your fists around them, bringing them up toward your mouth to place soft kisses despite the mess of battle that lingers. Then you drag him further into the room, placing him on the edge of the bed. 
“Do you know who Beshaba is?” you ask, plain and simple, unsure how else to start the conversation of your past as you sit beside him.
“The deity?”
You nod, slowly, letting your gaze anxiously fall to your lap. “I grew up in one of her churches after my parents died. Learned everything I know about the world from a priestess named Hessa.”
As you try your best to further collect your thoughts, Astarion leans in, narrowing his eyes at the way your hands start to shake against your thigh.
“Is she the one in your dream?” he asks.  
Without hesitation, you nod. “They thrive on infliction,” you explain after, watching him frown. Taking in the way his demeanour changes without warning to become something you’re not quite sure you've seen before. “Their doctrine revolves around fear. If you don’t participate you’re expected to endure only pain and misfortune.”
You remember growing up underneath all these women, listening to their cautionary tales of Beshaba’s terror. It instilled fear in you from the get-go —taught you that the only way to endure the horrors of this life was to devote yourself to her. To offer everything you could in exchange for peace, so you did. Unwaveringly so. 
“As a child, I grew up listening to these women scare everyone for the sake of their goddess.” You pause to swallow, feeling the memories of Hessa’s knife each time you later disobeyed, slice across your skin. “Then, as an adult, I followed the cycle.”
“Willingly?”
You shrug your shoulders. “At first.” 
You remember as soon as you were old enough you were sent out to recruit. To trick the minds of all the simple folk, weaving fabricated tales of disasters that were carried out by Beshaba’s hand. It was difficult to do. Seeing all those ruined minds come crawling to you for salvation —begging for forgiveness in the form of eternal loyalty. 
Thankfully though, it grew old pretty quickly. The formula of travelling Faerûn, following the endless calamity and blaming it on the lack of faith was enough to pull you out of the fog. As each day passed, it became increasingly hard to pretend your faith was still intact, so you formulated a plan. 
“When we arrived in Baldur’s Gate I tried to leave. In the middle of the night I abandoned my sisters —tried to run and never look back but…”
There’s a moment where your mouth just closes, trailing from the memories of your story; straying solely to the image of Hessa. To her hands and face each time she broke you apart and put you back together. 
Without even trying you can feel her next to you, whispering her teachings in your ear —touching your scars with calloused hands. Her voice still has that icy hold on you even when you’re far away, keeping you still as she forces you down to kneel on the stone floor and await your punishment. 
A punishment you’ll always feel you deserve. Even now that you’ve well and truly denounced the faith. Deep down you still feel the guilt of your exit. The pain of having to carry the trauma of an existence you never had the choice of living. To this day, it still eats away through the scars that line your stomach. Boring lines of betrayal across your skin.
The last thing you want to do is cry, but as the reminder of such abuse continues to penetrate your mind you find the tears falling anyway. Collecting at the edges of your eyes so quickly that you’re forced to close them in order to reset your vision.
As you do you feel Astarion wrapping himself completely around you. Pulling you into his chest with heavy hands that feel nothing like hers. Reminding you that you’re safe. That you’re here with him and nobody else. 
“Is this wretched woman still stationed in Baldur’s?” 
You feel his fingers on your chin, pulling your face up so that he can see you when you nod, holding back tears. 
“Good. Then our destinations align.” 
His voice sounds different. Instead of the usual softness or flirtation, it’s spoken through clenched teeth that strain against his throat, somehow feeling almost like a threat. An unspoken but well-articulated phrase of warning that has you sniffing and wiping your eyes. “What do you mean?” 
At first, you figure he’s talking about the Illithid. The urgent need to get to Baldur’s Gate before time runs out. But then you’re ripped back to reality —to the moments where he’s briefly mentioned his desire to return home. To finish whatever business he has after this timely journey is over. 
“The person who sent the hunter—“
He practically spits out his name. Cazador Szarr. A man you’re unfortunately well aware of given his reputation. 
After arriving in Baldur’s Gate it was common knowledge to avoid him and his property. As awful as your church was about promoting the misfortunes of others, they made it very clear not to get involved. According to them, he was an unholy man —one that could never fully be understood due to the obvious seclusion of his person.
To this day, you've always wondered what lies behind those doors of his. What sinister things he was up to throughout the years. 
However, when you look at Astarion —when you see the way his rage suddenly seems to know no bounds, you know it’s bad. Worse than bad considering Astarion hardly ever gets angry. Sure, annoyance and frustration often come out but anger —real anger— never does.  
“When you told me that you wished I didn’t know what it felt like, I didn’t realize how similar our experiences were.” His fingers rub rough circles into your flesh, distracting his mind as he lets out a breath and continues. “I didn’t know the level of your pain.”
“I didn’t tell you.”
“I know.”
His voice cracks. Your heart breaks. Then, both of you sit in another wave of silence, letting the words previously spoken sit at your feet as you stare at one another, trying to gauge what happens next.
You don’t anticipate his hands moving to his armour. Nor do you retain any sense of restraint when you reach to follow them, both of you working to pry it off before he pulls his tunic over his head. 
Despite being on the road together for so long you’ve never seen him bare like this. So open and willing to prove to you that he's here. With you, here’s here and ready to share whatever you think you need. 
Embarrassingly, it makes you want to cry all over again, reaching for his face. Feeling that familiar coolness beneath your touch as he turns to rest both hands on your hips again.
“It’s been so long since I’ve willingly wanted this.”
“This?” You look at him confused.
“To be intimate.” His fingers tighten around your flesh, digging into the plush ever so slightly. “To share the act of sex with another rather than exploit it.”
There’s a small smile that creeps through then. An inkling of hope for the vampire’s happiness as you inch in closer, placing the softest kiss you can muster to his cheek. “But you’re nervous?”
“Terribly,” he admits with a heavy breath. “In the span of 200 years I’ve bed countless men and women —all of them willing. All of them happy to have enjoyed my body only to end up at death’s door.”
It’s a lot to take in —the admittance of his faults. As soon as the first detail is uttered it’s as if the floodgates open and he’s telling you everything. From the moment he was turned and forced to crawl from his grave to the years that followed luring person after person into the Szarr home for a master so cruel you immediately wish to kill him. 
“I spent so long under that bastard’s thumb that… I don’t even know who I am anymore. How I’m meant to be now that I’ve attained even the slightest bit of freedom.” 
You understand how he feels. Perhaps the levels are different but deep within there’s always been this nagging feeling of how you’re supposed to live your life. How you feel as though you should be travelling the world in search of a new purpose rather than once again fulfilling someone else’s. 
But then you remember what’s at stake. And how even someone else’s fate can affect your livelihood. Then it’s as if the cycle repeats itself, constantly reminding you that if you don’t participate then that’s the end. Your freedom is null just as Astarion’s, leaving you to wonder what’s the point of it all.
“I think people like you and I are just meant to live.” Your hands move up to touch his hair. Carefully, you grip his curls between your fingers, pressing the pads into his skull as you run them down, hearing him sigh. “To enjoy what little time we have.”
“Little?” He raises his brow with a smirk. “Darling, I’m immortal.”
“True but you could still become a Mind-flayer like the rest of us.”
“Fair point.”
He seems calmer now. The usual persona of his overbearing personality coming through, making you grin. 
Instead of tightly wound he’s relaxed under your hold, practically melting against your touch as he lowers himself to rest on your shoulder. As he does, you end up catching a glimpse of his back, fully seeing Cazador’s work in the form of rough, red etchings that coat his entire spine. 
You have to force yourself not to ask about them until he’s ready, tightening the hold you have around his head as you riddle his face in kisses, letting your lips linger against his temple as you close your eyes. 
“They’re not as bad as they look,” he says then, somehow reading your mind. 
As painful as it is to admit, you know he’s right. Compared to other scars you’ve seen his look undeniably perfect. The way they paint the image of what looks to be some sort of sigil against his pale flesh. Despite the violence endured to create such a piece, it’s obvious that there was care put in too. A meticulous hand working away with the precision of someone borderline obsessed. 
If it wasn’t the result of abuse you could even call it beautiful. But since it’s not, you only continue to hold him, gripping his face for dear life, wondering what kind of pain he had to suffer to earn such a massive reminder of his ownership. 
“Do you know what it is?”
He lifts his head, looking at you like he’s seeking the answer himself. “A brand I’m guessing. Not that I can tell. Unlike you I can’t use a mirror. Nor can I very well reach to trace the damned thing myself.” 
Your fingers twitch at his words, feeling the temptation to touch them grow as you remember your own scars. In terms of appearance, they’re much more rigid. Three jagged lines that cover the middle of your stomach, making sure you remember. Ensuring your mind that every day you live on this earth —every new moment spent thinking that you’re worthy of whatever this is between you— that you’ll never be normal. 
The moment they dug that first knife into your gut you were marked for life. Branded just like him. 
Swallowing hard you force yourself to slip away from his grasp, watching the confusion that erupts before the understanding starts as you shakily discard your leather layer and throw your tunic over your head. 
It takes everything in you not to put it back on when you see the look on Astarion’s face. How it studies you with knitted brows and a clenched jaw that makes you want to hold him again.
“Mine are just… lines. They don’t mean anything.” As you motion to the thick slashes that have been carved over countless times you catch his gaze twitching upward, taking in the exhaustion.
“She did this?”
After you nod you feel his hand move forward, ever so gently grazing the top of the centre line with curiosity. “How many times?”
“I don’t remember.”
“But you remember how it felt?”
You press your lips together, breathing through your nose. Sucking in the Inn’s dusty air before blowing it out as you nod, forcing back the memory. Pushing through the pain as your tadpole squirms, asking to let him in. 
Like all the other feelings you’ve shared as of late, it’s been so long since you’ve felt his presence like this. Even with the Illithid’s constant use outside of each other, when he calls out to you it’s completely different. The movement behind your eye doesn’t feel like an annoyance. It feels like a call. A tingle of hope that has you answering before you can even question what it is he might want. 
When you answer there’s a warmth that hits your skin. Enveloping you completely, you feel the aching of the heat carry through your extremities, cascading down in anxious pools that have you breathing rather hard. Closing your eyes, you see the image of Astarion’s hands in front of you. Slowly he wiggles his fingers and turns his palms, taking in the fact that he’s safely under the sun, despite what he is. 
You realize then that this is the first memory he has of freedom. Of a life where he truly believes the tether’s been severed. All the thoughts inside his mind are full of nerves. Building anxieties of the past and the future being interrupted by a present he never thought was possible. 
It’s a memory that stirs you to move. To guide his hands to your waist as you crawl into his lap and grab his chin. 
Touching his skin you feel that same warmth flow through to your core. Letting it take over all the thoughts of scarring and owners and the lives you’ve both lived to get to this point, it takes away your breath. Pulls from you the needs of anything but him. 
In this moment, none of it matters anymore. Every experience is nothing more than a dimming shadow compared to the sensation of his breath wafting over your face as you angle your head down to look at him.
“Do you want this?”
His tongue darts out to line his lips. His hunger growing at the sight of you —at the feeling of you moulded to him like melting wax just cool enough to touch. “Yes.”
“So it’s okay if I—“
There’s a hand in your hair before you can finish, forcing you down to his mouth. It’s rough at first but quickly softens once he’s got you where he wants you. Firmly set atop his thighs and in his grasp. Allowing him enough access to reach up and touch the edge of your neck, his thumb lingering towards the centre to press a soft touch —reminding you that you have to breathe. That the usage of your lungs is no longer second nature but something you actively have to think about through the open-mouthed kisses that work to take it all away. 
Your head dizzies at the feeling. All at once your vision blurs while your hands begin to roam, stretching over skin and bone, eventually hitting raised scars that make you kiss him even harder, knowing it’s what he needs. What he deserves after countless years of loveless encounters. After touches, empty of anything resembling the adoration you wish to offer him.  
While laying waste to his bruising lips, you clumsily slide down his lap so that you’re standing on the ground, tucked between his open legs and bending forward. 
Confused, you feel his face twist against your own, prompting you to pull away and lower yourself further, letting your knees gently come in contact with the floor. 
“I was enjoying you where you were,” he muses then, cocking his head to focus on the way your hands begin to slide up over his knees, resting on each outer thigh. 
“And now you’ll enjoy me over here.” You smirk.
“Cheeky pup.” 
“The cheekiest.” 
After that, you shuffle closer and reach for his belt, keeping eye contact every step of the way to make sure you aren’t stepping over any boundaries. 
The last thing you’d want is to make him feel uncomfortable —to feel used in all the ways he used to experience. So you combat all that by checking in; offering him subtle glances every time you take the next step. 
You can tell immediately that he’s appreciative. Whenever he nods there’s a faint smile that sits across his lips, offering you approval as your fingers knock against the metal clasp of his belt, shakily moving to open it up.
At some point he ends up doing it himself, leaning forward to kiss your forehead and laugh at the nerves that render your fingers useless. Nerves that only spread when you stare up at his face while his hands busily move the strap aside.
After tossing his belt aside he doesn’t let you go further. Instead, he drags you further between his legs, leaning down to cup your cheeks and kiss you all over again.
It’s distracting, to say the least. The feeling of his lips moving in tandem with your own as he reaches around to rid you of your bra with two quick swipes, leaving you just as bare as him. 
It sends a shiver down your spine that makes him smirk, his upper lip quirking against yours before he gently bites down making you groan. 
“Can’t let you be the only one with a view,” he mutters against you, making you awkwardly laugh as you watch his gaze lower to your naked chest. “Can I, pet?”
“No, I suppose not.” 
Your voice sounds anything but confident as his hands continue their descent, matching your previous desires when they linger at your belt, waiting for you to give him the okay. 
When you do he makes quick work, unclasping the belt with skillful hands before lightly smacking your ass, signalling you to stand before he carefully slides the rest of it down, thumbing the edges of your legs. 
You have to force yourself not to cry out right then and there, feeling overwhelmed by the soft touch of his fingers. How they barely graze the outer parts of your already parting thighs, stopping at your knees when he looks up at you with a smirk.
“You seem nervous, darling.” 
Rolling your eyes, you shove an open palm to his chest, pushing him back against the bed with a scoff. One that makes him laugh and watch as you kick off the remainder of the fabric, trying to appear brave. Something that proves to be harder than you anticipate when he swiftly follows suit, giving you a show of your own in the form of freshly exposed skin you’ve only ever imagined in the deepest corners of your mind. 
In almost an instant, the fabric slips away, revealing more of him than you possibly could’ve expected, making your mind wander as the building arousal between your thighs twitches with desire. Telling you that you need this. 
You open your mouth to ask for more only to be yanked upon his lap causing a yelp to fall from your lips that makes you both laugh. 
“You really are a marvel, aren’t you?”
With a smile, his eyes scan your naked frame. Up and down and back, they linger at every part as if he’s studying you for future use. Taking mental notes with each passing freckle or scar that lines the length of bare skin. “I mean truly, look at you.” 
As he speaks, one hand runs along your neck —over your shoulder and down your arm until it’s resting at your thigh, gripping you tight. “I’m not sure what God out there decided to make you but remind me to give them my utmost thanks after this is over.”
When he leans in you have to force yourself not to nervously laugh at his praise, once again feeling his lips find refuge on your own, driving you to take things further. Encouraging you to make him feel as good as he deserves. 
This time though, instead of asking for approval with a glance you do so with a touch, reaching down to grip the end of his length with gentle hands that make him moan. Ever so quietly, the second you hear it you immediately strengthen your hold, using your free hand to grip his shoulder as you work him slowly, noticing him push. Feeling the subtle arc of his hips buck against your hand, wanting more.
For a moment you think about doing it. Letting your hand tighten further while you pick up the pace. It’d be easy. Nothing more than a simple readjustment but something mischievous stops you from doing it. 
Remembering that night at the grove —the one where he relentlessly teased just to get a rise out of you— you find yourself smirking and pulling away, gripping his shoulder even tighter to keep him in place.
Almost immediately, he knows exactly what you’re doing. He can feel it in the way you languidly pull at his cock, barely holding on with each stroke. 
“You think you’re clever, do you?”
You quirk your brow and bite your lip, massaging the apex of his shoulder. “I have to be if I’m going to be hanging around you.”
Furthering his torment, you then tighten your grip for a couple more pumps before returning to your previous pace, eliciting a hiss of disapproval that has him gripping both your hips and maneuvering you to sit against his right thigh. 
“Oh really?” 
Pushing up into your core, Astarion shifts you back and forth with his hands, making your breath catch inside your throat once you realize what you’ve done. How you’ve instantly set yourself up for a failure you know he’ll only revel in winning.
Considering he’s more than capable of making you fluster solely with words, you should’ve expected this —saw it coming from a mile away. 
Continuing your ministrations as lazily as possible, he barely registers them as he glides your folds against his leg. Holding you down, he manages to apply the perfect amount of pressure to build the tension, making you press your lips tightly together, forcing back any sound that might be deemed a loss. 
Even though it’s anything but a competition. A detail that’s reminded once he maneuvers one of his hands to cup your sex, rubbing rough circles into your clit. 
It makes you lose all semblance of thought, forgetting the hold you have on his cock as you shakily reach for his other shoulder, steadying yourself against him. 
“Doesn’t it feel nice when you give in?” 
Despite the context, there’s surprisingly no snark to his words. No sarcasm or bite —just genuine thought. A question so true to its word that all you can do is pant through the building pleasure and nod; letting him raise you off his leg and station himself at your entrance. 
It fills your mind to the brim with needs and wants you never thought you’d feel again. Having been subjected to abuse and then forced upon a journey you’re still not sure you’re ready for, the thought of attachments like this never once crossed your mind. 
Even after everything you’d been through, you never thought Astarion was capable of such tenderness —of loving care and safekeeping. Of gentle touches that run across your aching skin as he looks at you and you at him, both of you deciding it’s okay. 
As soon as it’s given, he’s sliding into you. Painfully slow, he uses the approval to grant you access to your shared pleasure, pushing through the tightness just as you open your mouth.
“Feel alright?”
Your fingers press against his neck as they slide up to cup his chin so you can pull your foreheads together. “More than alright.”
Through an unsteady breath, he laughs and guides you further down, allowing you both to savour the sensation for a moment before pulling back out again. 
As soon as he’s missing you’re already longing for more. Desperate for the fill of his cock, prompting a whine to escape; earning yourself a tut. 
“Remember patience?”
You do. More than anything in this moment you remember your claim and how foolish it was to think he wouldn’t forget it. 
“I recall you saying—"
“Astarion, please.” 
You’re not sure if it’s the anguish in your voice or the squirming of your hips that does it, but almost instantly he’s giving in. Once again offering you exactly what you need in the form of a push and pull so viscerally satisfying you’re left slumped against his chest, keeping hold of his neck. Forcing his hand to grip the back of your head to see the way he ruts inside of you. 
It’s a sight that’s almost too much. One that makes you moan and close your eyes, allowing him to move your face to his. At which point you’re on the precipice of ruin. Both body and mind becoming a mess of everything and nothing, forcing your breath to falter. 
You can tell Astarion’s in the same boat, struggling to maintain his starting pace the longer you mindlessly grind against him, unable to contribute much of anything else.
Together, the two of you try to move in unison, pushing and pushing —inhaling and exhaling. Anything you can do to share the burden of the building pleasure that grows and grows until—
When it hits, it feels better than you imagined. Deep within there’s a blooming that unfolds, petal by petal, opening to reveal unholy tremors that make you release a heavy plume of air through your closed lips. 
Gripping you close, you can feel Astarion follow quickly behind, twitching inside before he inevitably spills out, making both of you groan and fall back onto the bed in a fit of nervous laughter before he cheekily suggests you make use of the tub. 
-
TAGLIST: @poohxlove @gaiasmight @sassy-stupid @novarex @v-gremlin @sapphiccloud @lipstickghoulie @kuroitsukyo@jjfchk@idiotsatan@bluestuesday@bloopthebat@art-by-greenie@heneralmoon@sukunababe@dreamingaboutyousworld@ranfithegood@haniscrying@liadamerondjarin@the-lake-is-calling@marina-and-the-memes@rookieoftheyear@zraloci-cpr@kaetmo@snickerdoodle-daydream@wowowwild@d1anna@raswiet@conniesbbymama@venus-wrts@demonicthorns@kihten@deadglamsheep@sanscas@spammypasta@leighsartworks216@rose-gold-blue@p1ssmagg0t@hellish-writes@ghostinvenus@otayz@sexysquatch@sleepyeclair@colorful-anxieties@alina-exe@ilana-the-lasagna@lillifer@girlwiththepapatattoo@y2cade@acelin-ginsberg@pinkuranium@catrad0rable@scarletrosesposts@qwnamidala@itsrosebabe@bunnyperi@queenofcarrotflowers-s@tatumadams20@spkyxszn@chlort@f3v3rs@awkwardwookie@joy-the-reader@warm-milk-with-honey-blog@vertigocrime@iyis@wildpiper@pebblethestone@tillywasneverhere@bex-03@kaetmo@revemiya@staticspouse@itzagothamcitysiren@djarinsmixtape@when-the-night-came@epicy0n@bababahannah@sleepyred1703@lotus-99@lofcompass@r4d10h34d5@vampninjaz@itsmekalou@offbrandhand@yikes-buddy@konenichi
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lizaoverlord · 11 months
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POV you're trying to do an ability check in Dungeons and Dragons. Our DnD party can give each other a lot of buffs that can be added to your dice rolls.
Our tiefling cleric Nora and dark elf warlock Deimos both being able to cast the Guidance spell is often pretty funny to me. ❤❤ So I drew a little comic for it. Deimos just wants to show off, and he wants Nora to back off haha.
But of course Bardic inspiration is the best! 🎵
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mooreaux · 8 months
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Silly questions ahoy. Sorry not sorry.
Who fell first, Deirdre or Gale?
Who fell harder?
Were there any things outside of the main romance plot beats that they had to overcome?
Do they have a Big Waterdhavian Wedding?
Well here is a real time pic of them realizing simultaneously that they were already neck deep in a romance without having clocked it up until that very moment
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So much more rambling under the cut!
Deirdre and Gale started off as respectful colleagues. He had his little ‘o wow a warlock huh’ and she had her little ‘yeah what of it wizard boy?’ Both incredibly polite about it of course. They gravitated to one another immediately because they are both well read and spoken and kinda looked at the rest of their companions like
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So in actuality they buddied up and then got teased relentlessly for being like an old married couple when neither one of them was even in the realm of romantic attraction. Gale because…. Bomb In Chest. And Deirdre having an internal incredibly well hidden behind bardic shenanigans PTSD nightmare from the horrors she witnessed during her imprisonment in Menzoberranzan.
It was only when they started sharing their magic; the weave scene, and the pic above with Dede sharing some fey vibes, that they started to shift from platonic to romantic. I would say Gale fell a little harder and faster because he just seems like that kind of person to me? Like he knows all the reasons he shouldn’t and that kinda unconsciously eggs him on even more. I’d say the crisis with Mystra’s order thru Elminster pushed them both into taking the step of actually admitting feelings tho. Dede couldn’t stand the thought of losing him. Especially to himself.
As for the last two questions… yeah. Gale’s big grand gestures got them into a bit of hot water during and post game. His constant need to prove himself worried Deirdre a lot about his self worth beyond what he could do for her. She had to go through a lot of talks with him to let him know he was enough. Just him. As he was. No magic or pageantry even tho she loves that about him too.
And of course, Dede has a TON of intimacy issues. A lot was done to her without her consent thru her life. Tadpole being the most recent offense. So she doesn’t really like surprises and has a hard time letting people in. Which is funny considering how bright and bombastic her personality is. She uses it mainly to cover the hurt. Not to say she isn’t well adjusted. She spent many many years with her patron working thru the stuff the lolthsworn drow did to her. Tadpole just kinda inflamed the wound again.
So yeah! I think it was actually several years before he even proposed. And several more after that until they got married. But the wedding was HUGE. Her family is gigantic and they have a wide social circle with the folk of Waterdeep, and Baldur’s Gate, and the Druid Grove which they still frequently visited. Gale went above and beyond constructing a castle out of flowers just for the occasion (dedes Patron helped).
Thank u so much for the ask Harding! I love my gnome gal (and i luv urs too)
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thelostgirl21 · 2 months
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Somehow, I don't think I've ever truly taken the time to appreciate just how sort of... ridiculous Radovid's introduction scene is?
Not Radovid himself, he's adorable!
But it does make you wonder...
How often does King Vizimir just... randomly yell his name at the top of his lungs like that to get his attention, and then, just... basically lets him carry on, because turns out he didn't want anything from him?
He's like: "Nah, don't worry about it, 'bro! I just felt like loudly shouting your name in a crowd rather than simply telling Dijkstra that I'd decided you'd be leading the 'Princess Ciri finding efforts' from now on! Just reminding him of how adorable you are, you know? Look Dijkstra? Isn't he adorable? That's my baby brother with his little bottle making cute little "whoo! " sounds right there..."
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Because, you know, once Radovid realises that his brother is calling him, he makes literally no effort to go see him, either!
I know he's playing dumb/drunk, but still!
"What's that?! Oh, okay! It's just Vizimir trying to locate me. Whoo!"
WHAT *IS* THAT?!
It's like a parent at a children's party suddenly going "SAMUEL!".
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Child: *Stops playing to look at their parent.* "What?!"
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Parent: "Oh, no worry, honey! I just wanted to make sure you hadn't run off, drowned in the pool, got kidnapped or something! But I see you've got your grape juice bottle and are having fun with your friends, everything's fine! Go on!" Child: "Yay!"
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I mean, you might reasonably expect King Vizimir to shout Radovid's name in a crowd like that to get his attention so he can motion to him to come over, and then introduce him to someone he's never met before.
Which, on a meta level, is technically what he's doing: introducing Radovid to the audience.
But in Universe?!?!
It's Dijkstra. Dijkstra knows who the crown prince of Redania is, Vizimir! You could've just told him, and he'd have gotten it! No need to get all dramatic about it!
TL;DR: King Vizimir is a ridiculous drama queen that loves showing off his pet baby brother every chance he gets!
And Radovid's gotten so used to it by now, that he's totally stopped attempting to figure out what his big brother wants when he calls him.
What if it's not just Vizimir, though, and Radovid just has that reputation for constantly getting himself into trouble if left unsupervised for too long.
So, people at court have a habit of periodically shouting his name; just to get him to manifest himself in large crowds, or crawl out of whatever hole or tight space he's crammed himself into, make eye contact, and locate him.
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Therefore, in my new personal headcanon, there's now a scene at the Thanedd Ball that pretty much goes:
- Dijkstra: "RADOVID!" - Philippa: *walking over to him* "I think I saw him leave earlier with his royal security detail. He's probably sniffed out the bard's scent..." - Dijkstra: "Oh, good! You made sure those guards understood their assignment, right?" Philippa: "Of course!"
***Meanwhile, in the nearby woods.***
- Captain of the guards: "RADOVID!" - Other guard: "It's no use sir, we've lost him! " - Captain: "Gods damnit! Dijkstra won't be pleased..." - Radovid: *having already put plenty of distance between them, on his way to go see Jaskier* "Whoo!"
It's a good thing Philippa wasn't with them, or what might have happened would have been something closer to:
- Philippa: "Don't worry! I've got this!" *in whispering tones* "Sabrina was right. Valdo Marx's compositions are far superior to Jask -" - Radovid: *instantly traveling across space and time to appear right before her* "Valdo Marx has NOTHING on Jaskier! His sublime ethereal melodies, and the poetry of his lyrics, elevate the bardic arts to -" - Philippa: "Oh. Look. There he is!"
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autistichalsin · 1 month
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Gameplay changes I'd make to BG3 if I was in charge:
(Under a read more bc this is an insanely long list)
Ability to make party changes without going back to camp; I.E. "hey Lae'zel, go back to camp and tell Karlach to come here."
Able to see companion approval at all times even if they're not in the party
Able to make checks with any character, not just Tav. You used to be able to do this to an extent by having other characters do conversations, but when they made it so Tav was prioritized back in patch 6, they changed it so that even if you click with another companion, it switches to Tav. Ideally they would fix it so that if the conversation triggers automatically, it prioritizes Tav, and if you deliberately start a conversation with another companion, it recognizes that you wanted that.
Better item sorting. "Most recent" actually sorts by when you acquired the item.
Ability to text search for an item if you know its name.
Ability to mark an item as a favorite so you don't accidentally sell it/drop it/send it back to camp.
Quest items don't count against your weight total.
Quest items that are no longer relevant are no longer marked as quest items.
Either allow for character leveling past 12 (Even if class leveling is limited to 12) or adjust the difficulty across the board so you scale more evenly. Act 1 becomes a bit easier, act 2 remains about the same, act 3 becomes a lot harder. I should not hit the level cap early in act 3.
Alternatively, at least give a reward in lieu of XP when you hit the level cap. Items, gold, a points system that lets you use excess XP to buy additional spell slots/wilshape charges/rage charges/bardic inspiration, something.
Story mode; battles are disabled, allowing you to solely explore and focus on the story elements.
Dark Urge as a companion.
Ability to change who your unfortunate murder victim is, outside of Alfira and Quill. Maybe it's Zevlor, or Rolan, or Kagha.
More recruitable evil companions. Kagha, Wulbren, and Ethel are a good start.
Halsin recruitable in act 1 or at least no later than the start of act 2.
More reactivity for story developments after act 1, particularly in act 3 when it drops to little comments here or there.
More reactivity for Dark Urge story elements in particular, especially everything related to the Orin fight.
Ability to fast travel to quest-related markers.
Ability to hook up your companions. Let me smooch Halsin but hook up Karlach and Wyll, or let me romance Wyll while hooking up Halsin and Astarion!
Change point and click lines for characters to reflect story developments (resist Durge should sound less unhinged, Lae'zel shouldn't reference Vlaakith after turning away from her, etc)
Let your love interest answer questions about you during the love dryad test. You can select the right answers beforehand, and then they'll answer right or wrong depending on a bit of approval and a bit of luck/dice rolling. Halsin, of course, will automatically know you fear krakens.
Fighting Gortash at the coronation is actually an option that doesn't break the bridges and doesn't disable fast travel into Wyrm's Rock once he's defeated.
Give the gnomes the ability to fix Karlach's engine, or at least work on a prototype.
Option to speed up or entirely skip enemy turns, coming back to you and giving you a brief recap of who was hit and for how much damage/what status effects. This would make the courtyard, in particular, less of a slog. I should not be able to finish my turn, take a pee break, and come back to the enemies still attacking.
Ability to make it more clear what your relationship with Halsin is in a polymance- keep it as a one night stand/physical relationship, make it a poly romance with your other partner as your nesting partner, or even make it a throuple. Similarly, if the latter, add scenes of your partners getting to know each other better, kissing, etc.
Don't tie so many plot events to long rests while stressing that the player needs to hurry to avoid ceremorphosis. Either drop the facade that there is a rush, or make these plot developments happen outside of camp.
Consequences for using tadpoles beyond one (possibly two as of patch 7) dice rolls. Make it so using too many will cause you to squid, no matter what.
Ideally, bring back the plot that was teased in act 1, where instead of being the Emperor, you Dream Guardian was your tadpole, trying to seduce you to let it take over.
Better balancing for Rangers at higher levels, as as it is now, you basically have to multiclass them to get any decent use out of them. After level 5 any additional levels spent on Ranger are wasted.
Improve Eldritch Knight and Arcane Trickster to use the class's standard stat instead of int or wis for their spells.
All wildshape attacks minus three of the four myrmidons should count as unarmed for the purposes of tavern brawler and other similar things that buff unarmed attacks working.
Make the Emperor/Orpheus a fully autonomous party member, allowing you to give them equipment (and allowing them to use potions/spells they didn't already have on hand) during the final battle.
Fix pathfinding for characters you don't control, and especially fix them automatically jumping back to the other side of a gap just because you had to switch to a character who wouldn't make the jump before.
Improve Fly so that it is better than Jump outside of like 2-3 levels.
Some kind of enemy-rush mode where you see how long you can last against all the bosses in the game would be amazing.
Ability to either return to the city and finish up some quests before the epilogue.
New game plus.
Origin Halsin and Minthara.
The game does a better job of remembering that Halsin isn't tadpoled, and also does a better job of not always assuming that if you're in a poly relationship with him, you want the other partner prioritized for literally every scene.
Resist scene for Minthara and Halsin.
Recruitable Aylin and Isobel. Ideally, you can also romance them and become their third.
Dye preview, as well as clothing and armor previews.
Armor scales in weight with your size, so the same armor put on a small character will weigh less than the same armor on a large character, allowing little characters more options.
Druids automatically revert to human form for cutscenes, then return to wildshape after without losing a charge.
Orin can kidnap any character, including your romanced companion, but to compensate, there are less steps needed to access the Temple of Bhaal.
The kidnapped companion is not guaranteed to be unharmed even if you save them; depending on how long you took, they might have been badly tortured and receive a status debuff that lasts several days.
Faith-leap trial is fixed so that you can actually solve it without either a guide or cheesing it.
Let Wyll dump Mizora as a patron, then become an Archfey warlock with Thaniel and Oliver as his patrons. Wyll then becomes a nature defender.
More autonomy for Wyll in his quest. You can't make the pivotal choices of his story arc for him, and instead, your ability to convince him is tied to dice rolls that have a DC scaled to your approval, like for SH.
Able to take Scratch and Owlbear home in the epilogue, instead of only being able to send Owlbear with SH, Halsin, or you if romanced to either.
Let Karlach stay in the House of Hope if Hope lived, allowing her to live in Avernus without having to constantly fight and fear Zariel.
More interesting Speak With Animals conversations. They drop dramatically after act 1, and by act 3 there are very few times I use the spell anymore, just to talk to the kitties.
Able to cast certain spells (I.E. Hero's Feast) on all recruited characters, not just those in the active party.
54. Fix the morality system for Paladin oaths so that it's more clear what actions will break your oath ahead of time.
55. Give players more chances to fix things if a character turns temporarily hostile. I shouldn't lose a vendor, quest, etc for good because of a failed persuasion roll. There should be one more chance to fix it.
56. More deities for players to choose from; if not for Clerics, at least add more at the Stormshore Tabernacle. Ideally, allow even other classes to talk about having a favored deity, as most in the Realms do, and it would be interesting to, for example, be a Ranger, worship Mielikki, and have dialogue with Halsin, Jaheira, and Minsc.
57. Act 3 gets more unique music instead of largely reusing tunes from acts 1 and 2.
58. More companions so that every race and every class has representation.
59. Elves act more elven. Halsin and Astarion can have conversations in Elvish. Arnell is not confused by Shadowheart choosing her own name.
60. Free healing by Halsin. He is a world-renowned healer and would be great to see him use it more. Also, more shown of him researching medical conditions, helping sick/injured civilians in Baldur's Gate, etc.
61. The Shadow Curse breaks as soon as Ketheric dies or Thaniel and Oiver are reunited, whichever comes later, so the player can see the lands not influenced by the curse. Move the cutscene that plays on leaving the lands to this point, just without the bit of the party leaving the land.
62. Ability to save Art Cullagh so he won't die shortly after the game ends.
63. After you defend Halsin's portal, you get to play a side-quest where Halsin fights through the Shadowfell, finds Thaniel, and fights his way back. OR, you can delegate the portal defense to your other party members, and join Halsin in the Shadowfell to help him find Thaniel.
64. Introduce a weather system and a day/night system.
65. When you knock out a character using non-lethal attacks, the character is actually treated as alive, letting it be used outside of Minthara, Minsc, and Alfira.
66. Scene of Withers telling the players who he really is. Dark Urge players can become Withers' Chosen after they reject Bhaal, while Tav and non-Shadowheart Origins can be it from earlier on, maybe a scene early in act 2, and Shadowheart can be it after turning from Shar.
67. The Dark Urge's Urge manifests in battle, causing them to sometimes waste an action torturing a victim who's already been downed, or to turn hostile on allied characters.
68. More references to the Dark Urge being chronically ill as a result of their brain injury- this is brought up periodically in act 1 and then dropped for the most part. This could even lead to scenes of romanced characters comforting them when they have a headache or fainting spells.
69. More intra-party conflicts besides SH and Lae'zel, and the possible Halsin-Minthara ultimatum. Let the evil characters get angry at Gale for wasting magical items and try to kick him out.
70. Implement the Halsin-Minthara ultimatum, but don't make it an ultimatum; instead Halsin simply signals his intention to leave, and if you want him instead of Minthara, you bring up sending her away. Also make it clear that the Absolute still hunts Halsin for what happened in the Grove and for fighting Ketheric 100 years ago, showing that even without a tadpole, he has stakes in this too. Also make it clearer that Minthara is severely triggering his past trauma with all her pro-slavery talk, possibly causing him to gain a status debuff if he's near her. That way people will stop demonizing Halsin there will be more of a feeling of balance in the ultimatum.
71. Ability to rescue children (particularly the orphaned ones in act 3) and bring them back to camp for Halsin and/or Jaheira to mother.
72. When you're in the final battle, the companions who aren't fighting at your side are instead on a sidequest evacuating the city and fighting the midnflayers who are terrorizing the citizens. Alternatively, just for this one battle, you can bring all your recruited companions with you (it would certainly help make that courtyard fight more balanced if you aren't using invisibility potions).
73. Platonic paths get just as much weight as romantic ones. You can become Karlach's best friend forever and go on friendly outings with her. You can train with Lae'zel. Etc.
74. Setting for romance/sexual encoutners/offers to be turned off entirely.
75. Explorer difficulty allows you to multiclass still.
76. More quests for evil players.
77. Every romanceable character has at least one action that will cause them to break up with you, and every companion has one that will cause them to leave the party (outside of sinking approval to -40).
78. Option to turn on a "confirm action" button, so that accidentally clicking on an item in red that's right next to a communal use item doesn't get you aggro'd.
79. Optional choice to add in random encounters.
80. Reintroduce class-specific tadpole powers from Early Access.
81. Ability to help people in the city more; you can offer refugees shelter at your camp, feed or pay all beggars, etc. Telling the rich they suck for not helping is great but I want to be able to do more.
82. Sidequest for that Druid who's trying to save the dying tree in Baldur's Gate, ideally with special Halsin and Jaheira interactions.
83. More conversations like the one with Halsin and Jaheira in act 2, where controlling a character lets you talk to another and unlock special dialogues you don't otherwise get.
84. The circus is now a proper carnival, including magic-fueled rides, treatos, and a tunnel of love. Also, the Bhaalists are trying to interfere with the rides and get people killed, which you have to stop.
85. You have the option to tell owlbear cub that you don't want to give him the potion to make him grow faster because he deserves to stay a cub and grow naturally.
86. You can give companions little gifts, like SH with the night orchid. You can give Halsin his pipe back.
87. You can choose to join a companion in the endgame even if you haven't romanced them. You can move to Halsin's commune or keep Astarion company in the Underdark.
88. Ability to evict companions from your camp at any time, with a corresponding chewing out from the companions who stayed unless you have a really good reason for it.
89. Bring back the datamined bits where companions who left your party would later show up in the courtyard battle, tadpoled (if not already) and under the Absolute's control. (Maybe with a scene showing how it happened, including the tadpoling for Halsin and Jaheira who wouldn't have been infected before).
90. Bring back the datamined scenes from the morphic pool where the netherbrain would make the party have hallucinations corresponding to their insecurities. Including the option to comfort them after, especially your romanced partner.
91. Optional ability to cook meals yourself, maybe with a little cooking minigame like Pokemon has. Different foods can give you different status benefits the next day.
92. Ability to travel back to any act at any time before the final point of no return.
93. Act 1's point of no return is either entering the Underdark or the Mountain Pass, or entering the Shadow-Cursed Lands, but not either entering the Shadow-Cursed Lands from the Underdark or entering the Mountain Pass.
94. A gardening mechanic for edible plants and such would be fun, so you could have a steady supply of camp supplies and certain alchemy ingredients. Especially mushrooms since Minthara literally has her own mushroom farm.
95. Camp library so you can keep all your books, notes, and letters in one space to read without cluttering up your traveller's chest.
96. Alternatively, there are multiple traveller's chests for different items. Armors and weapons in one, scrolls, potions and other magical items in another, food and alchemy supplies in another, etc.
97. Ability to take care of and comfort characters who've been poisoned, infected with contagion, etc.
98. Let Halsin, SH, and the player cuddle more animals.
99. Every class gets a unique camp follower a la the Oathbreaker Knight.
100. Vendor of common things (animal speaking potions, some alchemy ingredients, camp supplies) in camp for the whole game.
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0dde11eth · 2 years
Text
Jaskier finally convinced geralt to go a bardic festival with him. Unfortunately they end up separated because jaskier has to sign in for the competition and they don't allow guests backstage.
And of course jaskier is herded out a different door than the one he entered. So they lose track of eachother, and they didn't think of having a designated spot to meet up.
Cue geralt searching all over oxenfurt for jaskier. He gets desperate enough to start asking around for help to look for jaskier. Unfortunately he's geralt, aka the ultimate himbo. So he tries to describe jaskier instead of using his famous name.
"Have you seen a bard around here?"
"He's very colorfully dressed"
"Hes Carrying an instrument"
"Has a hat with a feather in it"
"This tall, brunette, blue eyes"
"He's flamboyant, talks loudly"
"Sings alot, likes to rhyme"
"Hates valdo marx"
Everyone he talks to looks at him blankly, and is like... "that doesn't narrow it down. At all"
(Jaskier just says "you see my witcher?" and is pointed in the right direction immediately)
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flowercrowngods · 1 year
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Suggesting/Requesting Eddie having a crush on the valiant knight Steve Dustin goes on about, not realizing it's Steve "the Hair" Harrington and the way he reacts when he realizes they're the same dude. Cue adjustment period.
hi! first of all thank you for the prompt 🥰 i slipped and kinda decided to take your ‘valiant knight Steve’ quite literally and made this a medieval/regency au with knight steve and bard eddie, kinda enemies to lovers. it totally got out of hand, so this is part 1, with all my apologies to your original prompt 🤍🌷
Eddie smiles as the fields and forest that surround Hawkins come into view, kissed by the early afternoon sun with more affection and richness than the city probably deserves. It looks different this time of year, the green seems deeper than he left it, and nostalgia paints him a picture of glory and welcome that would make any traveller linger at the sight. 
He knows it’s only the magic of coming home, the thrill of having been gone so long that he needs to learn his town a-new, and the curiosity of a poet that makes his heart beat faster; but it’s his life’s blood to embrace all of that. So he spurs on his trusty horse to make it home even just a minute sooner. 
The people’s reactions to his arrival come in multitudes, though Eddie can respect the healthy dose of mistrust with which they regard him. He has made a name for himself after all, a bard more than a jester these days, but most people don’t tend to forget the pretty face they chased out of the city on multiple occasions. 
He lifts his head in greeting as he passes the elderly Wheelers as they’re tending to the flowers lining their windows, and grins with glee at both the disapproving scoff and the wary nod he gets in return. 
He’s in good spirits. Great spirits, in fact, the sun shining down on him, welcoming him and lighting familiar paths for him to tread again after years of absence. Hawkins will see his glory, his success, his victory, and it will pale in jealousy and regret. They cannot chase him away this time, not with the title of royal bard and winner of the bardic competition three years in a row. 
If his travels have taught him anything, it’s that he is pettiness acts as a wonderful motivation.
Of course, he shall also see his friends again. One of his saddlebags is half full with their letters that have accumulated over the years, all of which Eddie has kept for reasons of muse and a heart entirely too soft for his own good.
Most of all, though, even more than proving his worth and success to his city and its people, it is curiosity that brings him home. 
Dustin and his friends have been mentioning a most valiant knight, waxing poetic about his glorious deeds and his kinder heart — or, as poetic as they get, which is hardly at all. Which consequently made Eddie write no less than five ballads about the stories they told him, three of which have made it into songs yet, one of which he was made to play in every tavern on his long journey back to Hawkins and to Princess Nancy herself on more than one occasion.
The Knightmærs, as he calls his little collection of poeterey, his pride and joy about a man he has yet to meet. Tales about maidens saved and brothers defeated, hearts stolen and retrieved with the gentlest gestures, and children protected against the evils of night, expecting naught but friendship. And friendship he got. 
If Eddie’s heart picks up yet another notch at the thought of meeting this knight as the familiar city walls tower before him, he allows it for a second before announcing himself to the guards. They looked wary upon his approach and blanch now as they hear his name; Eddie does not hide his laughter this time and preens as he is told to ride on. 
“Oh, Hawkins, old friend,” he mutters under his breath, not even bothering to hide his smile. “You and I shall have so much fun, shan’t we?” 
~*~
He barely makes it to the home he has been sharing with his uncle since the ripe age of twelve with minimal fuss, unsaddling his horse and guiding her to the trough, when he hears it. 
“Eddie!”
Halting in his motions the currycomb, he looks up from the rusty brown that shines red like embers in the sun and spots Dustin racing down the street towards him. 
He lowers the comb and steps around his horse, grinning at his rapidly approaching friend. 
“Why, good day to you, young traveller, what brings you to my humble abode?” 
Dustin doesn’t falter in his approach, doesn’t even slow down, and Eddie braces himself for impact. Years of experience have made him quite practiced in handling tackle-hugs, but Dustin has grown quite a bit since he last saw him, and they both stumble backwards when Dustin’s arms wrap around Eddie in a way that seems to press all air out of his lungs. Eddie laughs as he hugs his friend back with as much ferocity. 
“I’ve missed you! I was writing to you this morning when I remembered you said you’d come this week. I didn’t think it would be today!” 
“I came as soon as I could. Such is the Munson way, or did you forget?” 
Dustin shakes his head and finally lets go, though Eddie yearns for another hug. It’s been too long. The boy has grown. He’s hardly a boy anymore, though he shall always remain as such in Eddie’s heart. He smiles and ruffles Dustin’s locks, realising with a pang that they’re almost of a height now. 
An ache like homesickness settles in his gut and wears on his heart heavily. 
“What is it? What’s wrong?” 
“Nothing,” he shakes his head, smoothing out the curls he’s put in disarray. “It’s just been too long. And I’ve missed you, too. You’ve grown quite a bit since last we talked.” 
“I have!” And he looks so proud of it, too, preening a little under Eddie’s faux scrutiny, and it’s what makes him pull Dustin against his chest again. 
Eddie continues taking care of his horse, feeding her, combing through her mane, making sure she has as much comfort as he can provide after their long days of travel. Dustin sits on the fence and watches him tend to her, feeding her the occasional apple when he thinks Eddie isn’t looking. He hides his smile and pretends not to see. 
God, but he has missed his friend. 
Their twosomeness is rudely and entirely too quickly interrupted by Lord Harrington of all people, who hurries down the street in search of Dustin. 
Eddie never did like the lord and his pompous appearance coupled with his rude personality. He always acted like a prince among men, subject to many a jest in Eddie’s younger days. On one memorable occasion, Eddie managed to steal the lord’s clothes and swap them with his own, making him walk about in linen rags and torn-up trousers. 
Days later, all of his lute strings ripped just as he was getting ready to play at the tavern, and he never messed with Harrington again — even though there was a parcel three days later with new lute strings and his old clothes he had made the lord wear. No note attached to it, because Lords didn’t stoop down to converse with lowly peasants even for revenge. 
So, seeing Harrington now on the very first day of his being back, it sours Eddie’s face and his humour. 
“Why, Lord Harrington,” he speaks before the man can get a word in. “To what do I owe the displeasure of seeing you here? Have you suffered a fall from grace yet, or was it a hit in the head that left you disoriented, bringing you to my humble abode?” 
Harrington frowns at him, though Eddie deems to detect confusion more than distaste. 
And then he has the audacity of not even answering to Eddie’s ruse, simply ignoring him and instead turning around to Dustin. 
“Dustin, Master Clarke is expecting you. I will not cover for you once more.” 
“But—“ 
“Spare me,” Harrington says, hands on his hips now, and Eddie is starting to feel defensive over Dustin. How dare his lordship come and steal his best friend away when he hasn’t even been home for an hour yet? 
Before he can get so much as a word in, however, Dustin is already jumping from his perch on the fence and trudging towards Harrington, rounding the man and leading the way up the hill towards the castle. 
“I’ll come back later, Eddie,” Dustin says over his shoulder, and then he is gone, rounded the corner, out of his sight. 
Harrington, however, lingers. Eddie raises his eyebrows in question and challenge, and the Lord scoffs a little. It’s like he wants to say something — but what could it be? What could Lord Harrington have to say to him, years after they last saw each other? 
He does look stunning, Eddie has to admit with a grudge against his self and his integrity. The golden light of the afternoon sun catches in his hair, likening it to strands of gold that kings and queens pay alchemists across the world to procure. Eddie, for a moment, feels like he has found it in Lord Harrington’s hair and the skin of his face, but he quickly snaps out of it, cutting off that particular train of thought before it can run away form him. 
“I hear you are a bard of great renown these days.” 
The words catch him off his guard, for Eddie was sure that the Lord would not attempt to converse. Yet it seems that propriety still has a tight grip on him. 
Does Harrington like his ballads, his plays, his poetry and sonnets? Has he heard them? Or has he heard of them? Has word travelled across the countries, telling of Eddie the Bard and his brave-hearted muse his soul yearns for and his quill bleeds for?
Eddie is not sure which option thrills him more, but whichever one it is, it makes him smile, feeling quite bashful and yet proud. 
“So you hear,” he says, approaching the stiff Lord. “What exactly is it that you hear, my Lord?” 
He swallows, following Eddie’s steps with his eyes, turning his head when the bard circles him slowly. “I hear you sing of beasts slain and brothers banished, a knight at the heart of your ballads.” Eddie smiles at that, knowing that Harrington has at least heard of two of his Knightmærs. I hear it sounds like mockery, the knight but an object of your hyperbolic fascination and flowery imagination, his pain and bravery nothing to you.” 
He stops dead in his tracks, his feet planted right before Harrington. The Lord looks like he is taking personal offence to his works, and it irritates the bard. 
“And what, Lord Harrington, would you know of fascination, pain and bravery? I cannot imagine you have faced a lot of hardship in your life, and the only acts of bravery you had to chance upon were mislead in the name of false honour.” 
“False honour,” Harrington repeats, his words like poison, sharp and dangerous as the sword’s blade at his hip. “You would know something about that, I imagine, telling stories of which you have no idea. Immortalising glory where there should be sympathy.” 
Eddie studies him, the frown between his brows, the hard line of his jaw, set and calmed to keep more words from spilling. Imposing, this Lord is. A sight for sore eyes even in his  purely misplaced anger. 
Eddie huffs, his eyes travelling between the Lord’s where they are standing so impossibly close. 
“Sympathy,” he repeats. “Nobody, my Lord, wants a ballad of sympathy. It is glory that the people seek!” He steps back from Harrington, gesturing with his arms as he dramatically recounts the lessons he has learned over the years, passionate for his craft. “Glory, heroism, heartbreak and love! Yearning and longing and deeds of an aching heart, that is what the people want to hear. That is what deserves to be immortalised in art, in poetry, in song! I shall forgive you for being so painfully unaware of this, my Lord, but I shall not stand to be in your company much longer, calling my work lacking or a mockery when it is borne out of nothing but loyalty, fascination and love.” 
They are close again, because Harrington did not step back when Eddie approached him once more, his feet planted like a tree, fierce and strong and unbudging. 
It is intoxicating, though Eddie blames half of it on the passion and the rage, on the bravery that possessed him to send the Lord away, or the fierceness with which he came to his muse’s defence. 
Harrington swallows again, his eyes wandering over Eddie’s face once more, lingering at his lips, both their jaws set in determination and perhaps a sudden tension.  
“Forgive me for insulting you with my company,” he speaks at last, his voice nothing but a rasp. “You will find there is an irony to your words soon. I shall not rob you of that discovery. I ask you do not take it out on our mutual friends when you do, Munson.” 
And with one last glance, Harrington turns on his heel and hurries up the hill, too, leaving Eddie puzzled and quite dazed upon the lingering warmth of their close proximity. 
When did Harrington become so handsome? There was a fire in his eyes that Eddie got to witness for just the blink of an eye, but he wonders where that comes from, what it means, and what other secrets he holds. 
Perhaps, if he cannot meet his muse, the knight Dustin has only ever referred to as Steve, Harrington might serve to inspire a ballad or two himself.
~*~
Harrington catches his eyes on more than one occasion over the next days. Eddie is invited to the castle to play for Princess Chrissy, though she greets him like an old friend and makes him sit close to her at the banquet. Right beside Harrington, who merely nods at Eddie, his fists clenched as Chrissy asks the bard about one of his ballads — the one about the valiant knight slaying a horde of monsters to keep the kingdom’s children safe. 
The Lord must really hate Eddie’s work. It fills him with spiteful glee, for some reason, and he makes sure to play and recite all of his Knightmærs that night. Harrington excuses himself when Eddie hasn’t even made it halfway through his songs, and he doesn’t return that night. 
He takes personal offence now and vows to make the Lord’s life as difficult as he can. 
But still there is no sign of Steve. 
Eddie is starting to get frustrated. 
He was supposed to be here, stand tall and proud with a smile on his face upon seeing Eddie, sweep him off his feet, make him swoon, dare Eddie to fall in love with the face long after the name. 
His mood is sour, and only sours further when Harrington rounds the corner and stumbles upon Eddie who is tuning his lute for tonight’s banquet. The annual royal tournament is set for the next morning, so everyone is in a good mood. 
Well, everyone except Eddie. And Lord Harrington, by the look on his face. 
“Munson,” he says, straightening before he bows his head in greeting. “Forgive me, I was looking for some quiet. I shall look somewhere else.” 
And, somehow, that is enough to snap his patience that was already wearing thin. “Why can you not stand being in my presence, sir?” he asks, rising from his seat. “Does it disgust you so to be around mere peasants?” 
Harrington looks taken aback, shock and confusion clear on his face before a frown takes its place and washes away all further emotions. 
“It is not your presence that bothers me, nor the nature of your birth.”
“And yet you leave every time I so much as strum a tune, Lord Harrington, ready to throw both caution and propriety to the winds. Leaving me to wonder what it is that I have done to deserve such treatment.” 
Eddie finds himself walking closer and closer to the Lord, coming to a stop not one foot before him. He is drawn in by his presence, his charm as alluring as his cold silence. Everything about Lord Harrington intrigues him, horrified as he is to admit it. But with Steve not around to catch his eye and captivate his heart and mind alike, he simply has to find inspiration elsewhere. 
And the way Harrington’s face is taken over by a dangerous expression is the most inspiring, alluring thing he has seen in a while, even though it is directed at him. 
“How can you have the audacity to feign confusion over my disdain, bard,” he hisses, and Eddie shivers slightly. Harrington does not even have the sense to step back, staying right where he is, so close, so improper. “How can you pretend it is not my life you have taken and made your own, singing songs and telling stories, making into nothing but a jaunty tale recited by drunkards with no regard to the blood it was written in.” 
Eddie blinks, not quite catching up with the point Harrington is making. 
“What—“ 
“You sing your ballads, your histories, your Knightmærs like you know what they mean. Making a mockery of me, stealing from me every chance to tell my tale in my own voice, in my own tempo. Entire kingdoms will know before I will have had the chance to wake up from a nightmare, and they sing about it, sing about pain they did not have the misfortune to suffer, sing with a smile, with booming voices because you make them. And yet the only one without a voice remains the one who slew the beast.” 
Lord Harrington speaks to him as though he takes offence at the content of Eddie’s ballads, offence at the reality of their background. But what right does he have to take offence when his songs are based on heroic deeds, recounted to him first hand by his very best friend. What right does Harrington have to question the truth behind them? 
“If it is a matter of truth that concerns you, let me reassure you, my Lord, that all of my ballads are based on true events. I ask that you do not call me a liar, no matter how great your dislike of my craft.” 
“It is not a liar that I call you, but rather a thief.” 
Eddie gasps, offended now. “What do you suggest I have stolen, then?” 
“A person’s right to their own story. To their own nightmares. A man's right to flee from the horrors he lived through, acquainting every tavern in this kingdom and the next with his horrific and desperate deeds.” 
“How dare you call his deeds horrific,” Eddie hisses now, feeling protective over his knight. “How dare you accuse me of ill intent when every word out of my quill is written with nothing but love and admiration.” 
“For whom?” Harrington challenges, disdainful and cold. “Only for yourself, your vanity, your overgrown sense of artistic ambition.”
“No,” he shakes his head, hands clenched into fists as he finds himself incredibly close to Lord Harrington, their faces only inches apart now. “It is love for this person I have never met, whom my dear friend has told me about. A man who has kept me awake at night as I was pouring over letter after letter, hoping he should be well. It is a love so strong it has to be turned into art, into song, love that should be sung in every voice of the kingdom.” He scoffs, stepping back to catch his breath. “I do not expect you to know such a love when all you have in your cold heart is disdain for all things beautiful. You would never know bravery if it looked you in the face, you would never know love if it was the very fabric that makes this world. It would slip through your fingers, my Lord, for you would be busy yearning for the day your life found its meaning.” 
He is seething, heaving breaths, out of control over the words tumbling out of his mouth. Insulted in his pride and his muse, offended, hurt. Confused, still, as to why the Lord hates his songs with such vigour. 
“Is that your opinion of me?” Harrington whispers, though even in that toneless voice of his lies so much that Eddie cannot begin to decipher. 
“Yes,” he whispers back, the fight leaving him now, the very air sucked out of the room they share. “I believe I made that clear just now.” 
Harrington takes one step closer once more, but Eddie does not budge. 
“Then I suggest you forget that knight of yours,” he says, quiet and final. “And forget the idea you have of love. To love someone is not to turn his nightmares into song. To love someone is not to look him in the eye and insult his very existence even further. You love yourself, your craft, your mind. But you do not love him. You would not recognise him if he shared the same breath as you.” 
Eddie huffs, just barely able to stop himself from rolling his eyes. “And what makes you so sure of that, Lord Harrington?” 
A smile twitches his lips, though there is no mirth, no glee. “You have just proven it to me, Mr Munson.” He takes a step back and evades Eddie’s eyes. “I believe you should return to the fest now. Good night.” 
And with that, he turns around and leaves. 
Eddie finds himself rooted to the ground, air returning to the room now but still he is unable to catch his breath, staring ahead as he is. 
Words echo in his mind as the picture paints itself and a horrible, horrible realisation dawns on him. 
You will find there is an irony to your words soon. 
How can you pretend it is not my life you have taken and made your own?
But you do not love him. You would not recognise him if he shared the same breath as you.
You have just proven it to me, Mr Munson.
But… There is no way. There is no way that Dustin’s friend, Dustin’s knight and protector, his saviour, Steve, should be the same as Lord Harrington with his careful, quiet, disdainfully quirked eyebrow. 
Except, Lord Harrington collected Dustin from Eddie’s home, speaking with him in a tone filled with such familiarity, they cannot be mistaken as anything but friends. 
And Lord Harrington had listened with such rapt attention when Eddie played his jaunty tunes and the well-known classics at the banquet days ago, looking like he enjoyed Eddie’s play. His face had only soured when people started requesting his newer original songs, his fists clenched upon the opening chords of The Knight and His Nightmare, leaving the hall altogether when people requested more. 
You sing your ballads, your histories, your Knightmærs like you know what they mean. 
Eddie’s heart falls when he realises what he has done. How blind he was to the frowns and the tension, how deaf to the hints and insinuations, how ignorant he was of the pain he inflicted on Lord Harrington. Lord Steven Harrington. Steve. 
His Steve. And yet not his at all.
He falls back onto the bench, dazed, as the weight of his realisation settles inside his chest. 
onwards to part 2
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