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#Because he was already a hero with emilie
gothamcityneedsme · 2 years
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if i wrote an ML fic, and im not allowed to write an ML fic, it would be an agreste superhero au where gabriel with the butterfly miraculous and emile with the cat miraculous are fighting marinette and an undecided holder of the peacock miraculous. idk what marinette and co's dream would be but yeah. emilie would get killed in the crossfire of an amok and adrien would get the cat miraculous afterwards
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buggachat · 7 months
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Honestly I think my take on the "Chat Noir was not there in the final battle" comes down to the fact that I kind of just don't think a satisfying final battle between Chat Noir and Monarch was actually possible.
I read a lot of fic, for example, and I've read the scenario play out a lot of times in a ton of ways and I've never been fully convinced of it tbh (and not because they weren't great fic!!). It seems just completely traumatic for Adrien in a way that the scenario inherently cannot properly focus on, because it's all happening in the middle of an action scene and Adrien is too busy being Mid-Battle to properly have a cathartic breakdown about it all. I mean, Chat Blanc already showed us what would happen if he did have a breakdown mid-battle (and why wouldn't he?). And though it'd be fun to have a big triumphant moment of him defeating his abusive father, Adrien simply isn't a character who would find that scenario triumphant, or cathartic, or anything other than viscerally traumatic.
Also, I agree that it's unfair that Chat Noir was not present— like it was unfairly tilted in Ladybug's favor— but I don't think it'd be fair if he was present, either. Because Marinette is, in fact, the main character. The main character whose character arc is primarily focused on her finding her footing as a hero and discovering all the responsibilities that come with that power (as opposed to Adrien, whose character arc is moreso about freedom and identity). And let's face it, in a fight between Ladybug and Chat Noir and Monarch, nobody would be focused on Ladybug at all. It's not about her. It's not her fight. She'd just be there as moral support and an extra set of hands, which really doesn't work for her character arc at all and is completely unfair to her!
Basically, it would just be Chat Noir temporarily acting as the main character and having the worst time of his life in the most un-cathartic battle for him possible left completely traumatized with Ladybug in the background awkwardly trying to comfort him after the fact? And then the season ends? And then the next season presumably goes back to Ladybug being the main character? After a time-skip to the new school year? It's just an ending that I feel like is a lot better in theory than actually on paper. And you can probably make an argument for ways that it could be made to work, where it would enhance Ladybug's story in a meaningful way where she still feels like the main character, and would somehow be triumphant for Chat Noir despite it probably being the worst moment of his life, and somehow not make the rest of the series following feel like bonus content as opposed to a continuation of the story...... but, I dunno. I think it's a lot easier said than done.
The fact of the matter is, I've always been waaayyyy more interested in how the aftermath of Gabriel's defeat affects Adrien than the battle itself. Post-Hawkmoth defeat is one of my favorite types of fic for a reason, and it's because the aftermath can be so juicy, especially for Adrien as a character. I think whether or not Adrien is actually there in the battle itself has always been kind of irrelevant to me, because no matter how Gabriel is defeated, his defeat will have immense repercussions on Adrien's life going forward. And the way they did it, Marinette is now a part of it in a more active way, too. Which is good for her character!
( Also, if he was there to triumphantly defeat Gabriel, would that mean he would just.... watch his father die? of cataclysm? a-and.... nathalie would just.... die, too? so he'd have three dead parents after all that? who he watched all die (or, in emilie's case, saw her corpse)? or is this a scenario where MONARCH BEATS CHAT NOIR and still makes the wish? is that cathartic? for Adrien to lose to Gabriel? Frankly, I loved seeing Gimmi and The Wish, it's been teased for so long that I was expecting it, and I loved the fact that Nathalie got to live as her narrative reward for coming to her senses and trying to murder Gabriel with a crossbow. I like that we got to watch a full season of Gabriel painfully dying to a cataclysm— poetically inflicted on him by Adrien, but of Gabriel's own doing. I like that Nathalie has presumably adopted Adrien after having an arc of her trying to be a parent to him once she realized nobody else would, that's so much more interesting than any other alternative. I just don't see how all of these things, some of my favorite things that season 5 gave, can still all exist at once with Chat Noir present in the final battle in any way that's satisfying. )
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adrinoir · 11 months
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The Miraculous Movie was different than the series…and that’s okay!
I watched the movie this morning and loved it! I think it’s important to talk about the changes that were made and what impact they had.
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How the characters were rewritten
There definitely was a difference in how the characters were written in the movie, and some of the redevelopment of characters was really good!
Gabriel was by far the one who had the best redevelopment of his personality. Gabriel in the series is awful, as we all know.
In the series, he barely gives a shit about his own son, like there is absolutely nothing redeemable about his character. In every “what if” episode and the season 5 finale, Gabriel does not show any regret to hurting people, including his own son.
However, in the movie, Gabriel actually makes a better attempt to communicate with Adrien and, most importantly, feels strong regret when he hurt his son. He cries; he feels remorse for destroying Paris and injuring Adrien in the process. He hugs Adrien (along with the spirit of Emilie 🥹) and decides to stop being Hawk Moth. It was beautifully done. He got a redemption arc that he never got in the series. I know I personally felt so good watching that and seeing the relationship between him and Adrien being repaired.
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Marinette was her usual clumsy self, but was written as having no friends at school because she embarrasses herself so much. In a way, it makes more sense than her being so popular like she is in the series. Kids in high school can be pretty judgy and ruthless. So it makes sense for the “clumsy girl” to be made fun of and judged by people who don’t know her well.
Adrien was different in a lot of ways. He wasn’t shown running to school to gain freedom. He wasn’t introduced as being a super model who’s friends with Chloe. Instead, he’s already going to the school, he’s already friends with Nino, and he happens to run into Marinette at the library. He doesn’t have that same chemistry with Marinette as he does in the series which is a bit odd that they took that away, but it does make sense that he’d turn her down when she asked him to the ball, since he loves Ladybug. In the movie, he very clearly sees Marinette as just a friend and it’s shown that he’s building a friendship with her without him developing a crush. It’s different but still wholesome, especially when he shows her the old family photo to her. Plus, it evens it out well since Ladybug obviously turns Cat Noir away but they’re still building up their bond, too. They both get turned down.
It was ehhh that Adrien was a bit too cocky at times as Cat Noir, but overall, his goofiness and self confidence is still pretty on brand for him. He was still very encouraging towards Ladybug but not overly flirtatious, pushing her to her limits. Instead, it was them lightly teasing each other and then playfully fighting. And, speaking of the playful fighting, their bond was stronger in the movie seeing as how they were shown spending more time together off duty and that they were treated as equals.
In the show, Cat Noir is automatically made sidekick and left in the dark about everything. But in the movie, he gets to meet Master Fu in disguise alongside Ladybug. Sure, he didn’t help Master Fu with his cane like he did in the series, but that didn’t matter since the lore was changed.
Alya was less annoying in the movie. Sorry. Don’t get me wrong, I love Alya in the series, but she’s so over the top at times with how obsessed she is over the heroes, blogging, and filming things for her blog. In the movie, she was toned down a lot and I liked that. It was also cute that Nino had a crush on her and just her, not Marinette first. Unlike the series, he wasn’t on that pipeline of guys who fell for Marinette since that pipeline doesn’t exist in the movie.
Tom was made out to be an embarrassment for Marinette which is honestly more realistic for a teenager. Most teenagers get pretty embarrassed by their parents, especially when they still treat them very childlike. And, I like that he went out to the fair to look for her since he heard there was danger. Marinette’s parents don’t usually go out to look for her or make sure she’s in her room when there’s danger afoot. So, I appreciate that they made Tom do that since he obviously loves Marinette a lot.
The rewriting of (some of) the lore
As I had mentioned in my previous section, the lore was rewritten, too. Instead of Master Fu being the one to pick Marinette and Adrien simply because they helped him, the kwamis sense that Marinette and Adrien are the right people to be Ladybug and Cat Noir. That was a much better way to write that, in my opinion.
Hawk Moth got ahold of the butterfly miraculous by mistake. That part wasn’t changed but also, it didn’t need to be.
The change of plot
The plot was very simple. It didn’t have a whole lot of crazy, in depth details like the show’s does. So, anyone who has never watched the show can easily understand and absorb what’s going on (I will be forcing my boyfriend to watch it with me since he’s never seen the show lol).
I like that it was very clear cut and easy to understand while still being intense and meaningful. It still summarizes a lot of what the series entails while fixing some issues in the plot development.
They didn’t doddle with Hawk Moth like they do in the show. He was a successful villain in his second attempt but then realized he should stop when he hurt his own son in the process.
Also, there was a reveal. It was a wee bit underwhelming, but I still think it was done well! It was a moment with just Marinette and Adrien alone, as it should be. And, it was cutesy and heartfelt. The fact that Marinette dressed like Ladybug for the ball (cutest dress ever imo) and Adrien dressed like Cat Noir was so cute. That’s what a lot of the fandom has been asking for and written about in fanfics, I feel like.
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The romance between these two is most important. They didn’t need Kagami and Luka as 2nd love interests to throw things off track. Yes, I like these characters in the show, but they weren’t needed in the plot.
The music
I love musicals. I was a bit of a theater kid in high school, plus I’m obsessed with music lol. So, yes, I’m a bit biased when I say I love that they made this a musical.
I personally loved the music. I can tell a lot of good effort was put into it and I’ve already been listening to the songs on my Spotify. The song between Ladybug and Cat Noir in the theater “Now I See” and Cat Noir jumping on the clouds (literally, on cloud nine) singing “My Lady” was absolutely adorable and super romantic, which, as we know, is a big part of the show.
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Even Gabriel’s song “Chaos Will Reign Today” was amazing! It conveyed a lot of emotion and turns into one of those dramatic villain songs. Keith Silverstein is clearly talented enough to sing for his own character and he did it well.
My only nitpick is that Marinette’s singer, Lou, has a very different voice than Christina Vee. So, Marinette sounds very different, much more mature-sounding when she sings and it kinda catches you off guard. I’m surprised they didn’t have Christina sing for her, but there must’ve been a reason why she didn’t. But, SQVARE sounded similar enough to Bryce Papenbrook when he sung for Cat Noir which i absolutely love.
Conclusion
I personally give this movie a 10/10 just because it made me smile the whole time, and it’s such a feel good movie. I’ll happily watch it again and listen to the soundtrack, especially on a day when I’m feeling down. It wasn’t perfect in every aspect, but it was perfect in a simple, heartwarming sense and that it can be watched by everyone, not only people who watch the series.
I understand if it made you cringe or you were moreso looking for a continuation of the series not a retelling. But, I prefer some simplicity which is a big part of what made me like it. Like I said, I know it wasn’t absolute perfection, but it was so frickin adorable and I can’t help but smile.
There’s a lot of differences but also plenty of similarities between the movie and the show. But understand they’re not meant to be the same and that’s okay! I don’t think the movie was horrible for most of the changes it made. In fact, I think most of them made sense and made it a bit more realistic (as I explained).
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futuremrsreid · 1 year
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Redemption (S.R.)
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Summary: When Spencer risks his life on a case and doesn't want to see how dangerous it was, reader tries to talk some sense into him. It results in a lot of yelling and some other things.
A/N: So..... smutty angst, as promised <3 I hurt myself while writing this. Enjoy.
Content Warning: Smut (18+), very very mildly dubious consent, a bit of dark Spencer but he's just traumatized, angst, sad, dominant Spencer, kinda sub reader
Word Count: 4,1k
I was pissed. Actually, pissed didn’t even begin to describe the rage I felt at that moment. 
We were currently in Florida, hunting another psychopathic bastard as always. Everything was fine and under control, up until the moment Dr. Spencer fucking Reid decided it would be a good idea to drive to the unsubs location alone because he was “closest to him” and because we “didn’t have time” and nearly got himself killed in the process. Luke and I had arrived just in time to prevent disaster, but Spencer still got a few bruises on his face. 
I was furious and let him feel it by yelling at him while he was getting checked out in the ambulance. But like always, my yelling resulted in his yelling. We went at it for a couple of minutes but Emily put a stop to it before it got really bad, concerned about the reporters at the scene who already started to take a few pictures of us.
:keep reading:
We didn’t talk or look at each other for the rest of the case. Emily let Spencer get away with it because everything turned out fine, but I was not feeling gracious. 
When Garcia informed us that there was a storm that would delay our flight for the next couple of hours, Emily decided that we should just spend another night in the city and fly back in the morning. We all drove back to the hotel and when we arrived, I was on Spencer's heels all the way from the car to his room. He didn’t even try to stop me, he knew there was no point to it.
“That was so fucking irresponsible, Spencer! What were you thinking”, I started to yell as soon as I had closed the door behind me. I wanted to say “stupid” instead of “irresponsible” but decided against it. I wanted him to understand that he can’t do shit like this, and not insult him.
“It worked out fine, y/n. I don’t understand why you’re getting yourself worked up over this!” He rubbed his hand over the side of his face, clearly done listening to me.
“It only worked out fine because Luke broke like every rule you can break in traffic to get to the scene as fast as possible!”
“Oh right, Luke, my hero. I should go thank him, don’t you think?” he chuckled humorlessly and rolled his eyes.
“Maybe! He’s the reason you’re not dead.” I tried lowering my voice. This wasn’t our first fight, and I have learned in the past that screaming won’t help.
“I would have been fine! I had it under control, y/n. God, just leave me alone”, he spat and I felt a stabbing in my chest at the way he didn’t want to see how much danger he put himself in.
This wasn’t the first time he risked his life like that and I hated it. All of us hated it. Spencer seemed drawn to dangerous situations, it had been that way when I joined the team and from stories the others told me, it had been this way before that.
When I met Spencer, he was freshly out of Prison. They hired me together with Matt after Agent Walker died. The first time I saw him, I knew I had to befriend him. What I didn’t know was how easy it would be and how much easier it would be to fall in love with him. 
I tried to push it down, to get rid of it, scared that it would ruin everything, but there was no way of falling out of love with him, which made the situation even harder. Spencer didn’t seem to realize how much he hurt me whenever he risked his life like this. I wasn’t even sure he realized how much I cared about him. 
“I’m not going to leave until you admit that you were wrong.” 
“Well, this is going to be a long night then, because that’s never gonna happen.” He turned and walked away from me, removing his suit jacket and draping it over one of the chairs in his room. I sighed.
“Spencer, you need to stop risking your life like this. You're gonna get yourself killed”, I pleaded, but it fell on deaf ears. I tried to get him to look at me, but he avoided my eyes. “Please. I can’t lose you and especially not like that.”
“The day will come when you and the rest of the team realize that this is exactly the way it is supposed to end for me. Dying in the field would be an honorable death. It’s the only redemption I will ever get.” 
“What?”, I breathed and my heart stopped for a moment, “What do you mean, Spencer?”
“I meant what I said.” 
“Redemption? What redemption, Spence? You don’t need any, you haven’t done anything wrong.” I was confused and hurt by the way he said it. It sounded almost suicidal. 
“Yes, I have. I have done horrible things in my life, y/n. I will never be able to make up for them.” 
“You don’t have to! Everyone makes mistakes. You are a good person Spencer. You’re kind and gentle, you saved hundreds of lives in your career, you don’t need to make up for anything.” I tried to get through to him, but it was like I was hitting a wall.
“Prison changed me, it turned me into a different man. I’m not nearly as gentle or kind as I used to be.”
“I don’t know you any other way. I almost can’t imagine you being even more gentle than you are now. I don’t think anyone can be.”
“I was though”, he countered almost immediately, still unable to look at me, “I think you would have liked the man I was. He was gentler, kinder, and more deserving of you than I could ever be now.” He didn’t even sound sad when he said it, almost like he had accepted his truth from the moment he met me. 
“You know, you talk about yourself like you are the worst man in the world”, I said in an accusatory tone.
“Am I not?”, Spencer scoffed, raising his voice slightly while going on, “We hunt terrible men every day but in the end, how different am I from them? What makes me a good man and them a bad one, y/n?” He was almost yelling now, stunning me for a moment too long. When I didn’t reply, he turned to finally look at me. “Tell me y/n, what is it about me that convinces you I’m not every bit as bad as them?” The desperate look on his face made me take a step toward him but for every step I took, he stepped two back.
“Spencer, I-” My voice faltered and I didn’t know what to say. I knew he wasn’t anything like them but I wasn’t able to find any words that would convince him. When my mouth stayed open but no words left it, he took my silence as an invitation to go on.
“I almost killed Cat Adams, did JJ ever tell you that?” He spat, walking over to me and pushing me back until I hit the wall. 
“I put my hands around her throat and choked her until she was clawing at my wrists. And I didn’t stop then”, he moved even closer to me and I was unable to move away, the words leaving his mouth freezing me into place, “I told her that I was going to kill her and I meant it. I would have strangled her if JJ hadn’t pulled me off her.” He moved even closer, his voice dropping to a whisper. “Her eyes were filled with fear, and you know what? I enjoyed it, y/n. I loved the way I scared her, the way she struggled for her life against me.”
He leaned in and I felt his breath ghost over my ear when he said the last words of his cruel monologue. “So tell me, y/n. Tell me how different I am from those men.”
He stayed where he was, his hands at his side and his mouth grazing my ear. He was trying to intimidate me with his speech and to be honest, he would have convinced me if it hadn’t been for the way his nose brushed against my hair, inhaling my scent like he was convinced this was the last chance he ever had to commit it to memory. 
“You can’t scare me with your words, Spencer. If you want me to believe how terrible of a person you are, you’re gonna have to show me because I will never believe it otherwise.” He probably calculated every possible outcome of this situation, but when he pulled back to look at me, I knew that he didn’t expect me to respond like this.
“Cat Adams is a monster who had you tortured and assaulted. She kidnapped your mother. Do you really expect me to feel bad for her? I never even met her. If you want to scare me away, you’re gonna have to do better than that.” 
There was a long moment of silence where we just watched each other. I thought I managed to break through to him for a second, but Spencer was on a mission to make me despise him, and he was determined to make it happen. His eyes darkened and he straightened up, towering over me.
I felt a sliver of doubt about my faith in him at that moment and he must have seen it cross my eyes because when I lifted a hand to push him back, he harshly grabbed my wrist and spun me around, using his body to push me against the wall. My arm was twisted behind my back and when I started to struggle out of pure instinct he took my other wrist in his hand and held both my arms behind my back, resulting in me being pushed more into the hard surface, my cheek flush against the wall.
When the shock had left me, I opened my mouth to ask him what the fuck he was doing, but Spencer was faster than me. He took his other hand and held it over my mouth.
“Do you believe me now?”, he whispered in my ear and I felt my pulse quickening. “You are so fucking naive y/n and honestly, you’re a little stupid too. What the fuck makes you think I would never hurt you, huh? You don’t know me.” 
It was those last words that took me back to reality because I did know him. I knew the way he brought everyone on the team their favorite food when they were sad. I knew the way his voice got an octave higher when he started talking about something that excited him. 
I knew the way he recited his favorite poems when I struggled to go to sleep after a tough case.
He won't hurt me. 
He would never hurt me.
He would never do something like this.
So, against every instinct in my body, I tried to calm my heart down and closed my eyes. I tried to speak but his hand on my mouth didn’t let me so I jerked my head back and stunned him with my sudden movement long enough to say a few words I knew he definitely didn't want to hear.
“You are all talk Spencer Reid. You would never hurt me and we both know that”, my voice was louder than I had expected and I felt his hand tighten around my wrists, “You can push me against the wall and insult me and tell me the terrible things you could do to me all you want but we both know that you would never lay a hand on me without my permission and you would never hurt someone who didn’t deserve it.”
His hand loosened and I used this opportunity to free myself of his grip and turn around. He was angry that his plan didn’t work and I saw his hands twitch with restraint, but I wasn’t scared of him. 
He had just proved to me that he was the man I knew he was.
“You’re not an abuser, you’re not a rapist-”
“Shut up.”
“- and you’re not a murderer. That’s what makes you different Spencer.”
“I said shut up!”, he yelled and I did the only thing I knew to do in response to that. I yelled back.
“Or what, Spencer? Are you gonna pin me against the wall and put your hand against my mouth again like the bad person you are, huh?” Spencer got angrier and more frustrated with every word I was saying but I was determined to speak my mind, “You’re gonna shut me up like the scary man you are, Dr. Reid? You’re gonna-” But I didn’t get further than that because in a heartbeat he forced me back against the wall again with his hands on both my cheeks and his lips pressed against mine.
He pulled back, “Please y/n, please shut up”, and the desperate tone in his voice awakened something primal in me.
“If you want me to shut up, you’re gonna have to make me because I will never stop trying to convince you that you are a good man, Spencer.” When he didn’t say anything I went on. “You are kind and gentle and-” 
He kissed me again, and this time I kissed him back until I wasn’t able to breathe anymore. His kisses wandered to my neck then.
“You say I am a good man, but you don’t know the things I thought about doing to you”, he bit the skin on my neck then and I gasped, which seemed to spur him on further, “I want to pin you down and fuck you until you’re crying. I want to make you feel so good that you can’t take it anymore.”
His kisses moved up my neck and to my ear. “ I want to break you into a thousand pieces and put you back together again. I want to ruin you for everyone else, I want to lock you in so that no man can ever look at you again and at the same moment I want to show you off to the entire world because you are the best thing in my life. I want to take you and make you mine”, he cried out, holding my hips in a bruising grip.
“Then take me, Spencer. Take me, break me, ruin me, I don’t care. I am already yours. I have been yours since the moment I met you.” He looked me in the eyes then, searching for any lies, any doubt, and when he didn’t find any, he kissed me another time.
“Say it again”, he demanded and let his hands travel down my body.
“I am yours, Spencer.”
“Again.” His hands roughly shoved up my skirt, his breath warm on my neck.
“I’m yours.” When his hand brushed against the damp panties I was wearing, I sucked in a breath.
“Again.” 
“I’m yours, Spencer. Only yours. Now please do something.” My plea seemed to finally push him over the edge because a second later he was moving the cotton aside and his fingers met wet skin.
He told me “Again.” over and over again, but the longer his fingers were moving inside of me, and the louder the sounds of my pleasure got, the more his demanding turned into begging and it wasn’t until I felt my orgasm wash over me, that he stopped our back and forth to press his lips against mine once more. 
My legs were trembling when he removed his hand from my cunt and the way he looked at me while bringing the same fingers that were inside of me moments ago to my lips didn’t help steady them.
He didn’t need to say anything, I knew exactly what he wanted. I don’t think he was quite prepared for the sight before him when my lips accepted his fingers and my tongue swirled around them though, because Spencer's eyes became even more feral at it.
“Fuck.” He removed his fingers and in only a few seconds removed my shirt, took off my bra, and had my skirt on the floor. I tried taking off his clothes too, but when my fingers started to unbutton his shirt, he gripped my wrists and walked me over to the bed. 
“If I had known that our fight would end in us having sex, I would have waited until we had something better available than a cheap hotel bed”, I breathed out a laugh. I figured he’d laugh as well but he returned a soft “Do you want to stop?”
“God no, but this bed is gonna squeak really loudly”, and this time I was met with a laugh. He didn’t interrupt when I started another attempt to undress him. When I was done with his shirt he finally raised his hands to touch me again and my whole body shivered when his palms made contact with my breasts. Feeling my erect nipples on his skin must have awoken yet another thing in him because the next thing I knew he was throwing me onto the bed. I didn’t even have time for a shocked gasp before he was on me, pinning my wrists down on the mattress.
“You know when I told you I want to ruin you”, he said while letting his hands travel down my body to grip the waistband of my panties, “I really did mean it.” And with that, he ripped the cotton apart and threw it to the side.
He continued to deny me any time for a reaction when he grabbed my thighs and pulled me towards him. His hips took their very rightful place between my thighs and pressed against me. 
We both moaned when his covered bulge pressed against wet and hot skin.
“Beg me to fuck you, y/n.” I think he was expecting me to hesitate, but I was desperate for him to touch me.
“Please fuck me, Spencer,” I moaned and ran my nails down his back.
“Huh, I thought you would put up more of a fight, to be honest.” He sounded disappointed, but his eyes told me that he was relieved I wanted this just as much as he did.
“Do you want me to?”, I still asked, wanting to give him everything he yearned for. 
“Another time. I think we dragged this out long enough for today”, he said and with that, he took off his underwear and I got to see all of him for the first time. I knew he would be beautiful, and it applied to any part of him, but I couldn’t fully conceal my shock at the length of him. 
And that smug bastard smirked. “Don’t worry darling, we'll make it fit.”
And with that, he moved back between my thighs and lined himself up with my entrance. I expected him to at least try and tease me a little but he started to push inside me immediately. 
We locked eyes while we both felt inch after inch of him sink inside of me. It was intense, erotic and so intimate that I felt the urge to look away. He must have felt it too, because when he was fully buried inside of me, his lips pressed against mine in a bruising way.
When he started to move and his lips started their way down to my jaw and neck, I completely lost it, moans and whimpers flowing from my mouth in a volume that even surprised myself. Spencer thrust harder and deeper the louder I became.
“I know you were worried about the bed being too loud, but I’m pretty sure your moans are covering that sound up pretty successfully, angel”, he panted with a labored breath and heat rose to my cheeks. I was trying to remember if any of our coworkers shared any walls with Spencers' room, but he was literally fucking me stupid so I just removed a hand from his back and bit down on my fingers, hoping no one has heard yet. When Spencer saw, he slowed down. He reached down the side of the bed and lifted up my torn panties, and then proceeded to remove my finger from my mouth to push the cotton in its place. “There, now you won't have to hurt your finger”, and with that, he picked up a brutal pace again.
He was muffling his own moans by pressing his mouth onto my shoulder, no doubt leaving behind a dozen of hickeys. He was losing it, I could feel it in the way he pushed his fingers into my hips and the muscles in his back tensing. I wasn’t doing much better, my thighs were trembling and my panties were barely concealing my noises anymore. The room smelt like sweat and sex, Spencer’s skin was hot on mine and I never felt more whole in my life. I could feel my orgasm building inside of me.
“Touch yourself for me, angel. I want you to come with me.” I didn’t hesitate and started rubbing circles over my clit. It only took a few moments until my orgasm washed over my entire body and Spencer quickly ripped my gag from my mouth to kiss me. My thighs and cunt clenching around him, pulling him into me as deep as humanly possible, must have pushed him over the edge because after a few more strokes he stilled at my deepest point and came.
He released my lips from his and put his forehead on mine so we could both catch our breaths. It was quiet for a few minutes. I could feel his cum dripping out of me between our bodies and spared a quick thought to the poor person that would have to clean these sheets. I couldn’t bring myself to care though, not with the way he kissed my skin and nuzzled his face into my neck. I moved a hand to his hair to run my fingers through it, the strands curling once again from sweat wetting them.
“Tell me again.” He spoke so softly I almost didn’t hear, and I’m not sure I was supposed to. It took me a moment to realize what he meant but when I did, I moved my mouth to whisper in his ear.
“I’m yours, Spencer. As long as you’ll have me.”
“Forever then?”, he pulled away to look at me, but before I could answer, there was a knock at the door.
“Ayo Spencer, are you and y/n still fighting? We decided to go to a bar a few blocks away, but you’re only allowed to come if you don’t put us all in a pissy mood”, Luke's voice seeped through the door. I could feel Spencer trying to come up with a reply but before he had a chance, I spoke up.
“Actually, Luke, we’re still in the middle of fighting and I don’t think you want either of us there with you right now.” I tried to sound mad and I must have been convincing enough because even Spencer furrowed his brows at the tone in my voice. I smiled at him and trailed a hand up his arm to reassure him that I was just putting up a show.
“Well, okay just… Try to remember you two are friends and don’t actually want to kill each other”, he replied almost nervously. Damn, we must have really worried the team with our fight this time.
When we heard his footsteps moving away, Spencer started to detangle us from each other. He was still inside of me and when he pulled out, I sighed at the empty feeling it left behind.
“I’m gonna get something to clean you up.” He tried to stand up but he didn’t get very far before I pulled him back. I held his face in my hands and made sure he was looking at me when I said the words I know he desperately needed to hear.
“Forever.”
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railingsofsorrow · 22 days
Text
you're worth fighting for
summary: sequel to old habits or... in which there's an angry love confession between exes
pairings: emily prentiss x f!bau!reader
warnings/content: heated arguments; language; discussion about a breakup; weapons; mentions of an altercation with an unsub that involves a gun; Angst!; suggestive content (no smut); grammar errors? I proofread this at 2am
a/n: the part 2 some of you asked for. this WILL have a part 3 so don't kill me. be patient.
navi
masterpost
cm masterlist
[part 1] [part 3]
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“why would you do that?” you bursted inside her office. everyone had left already, it was late, the jet ride itself was tiring because you had to stare at emily in front of you since it was the only seat left. you just wanted to lay down in your bed and rot honestly. but you couldn't do that without letting your anger out first.
emily had pushed you out of the way as the unsub aimed at you. he fired at her. it hit her arm, grazed it, actually, but still. she took a bullet for you and you were about to fucking steal that gun from him and shot him in the head for that. you were so mad, but your rage was directed at the wrong person and you would think about that tonight as you laid in bed, not now. because now, she needed to hear it.
“why would you get in front of me—”
emily barely looked up from the pile of files in her desk. “because there was a gun being pointed at you?”
“yeah, well, I had it handled!” you jabbed through gritted teeth.
she nodded, turning around to put something inside her bag. she had the audacity of getting her stuff ready to go home while you were furiously trying to talk to her. “sure. yeah. your idea was to take off your bulletproof vest like a damn martyr and go for a conversation? that guy was reckless and unpredictable, do you think that would've worked?”
you rubbed a hand against your face. “oh, I'm sorry I didn't listen to an order of my unit chief and now your ego is bruised, emily.”
that seemed to have an affected on her because it was the first time she reacted other than being completely blank since you walked inside her office.
her dark brown eyes narrowed at you, “my ego— that's not about me. you could've seriously gotten hurt. you could have gotten shot!” she scolded you as you raised a brow in response.
“well, I didn't because you pushed me out of the way with your fucking hero complex, so thank you.”
emily sighed in the way you knew she was tired of that conversation and she would do anything to appease you to get out of the situation. “what's gotten into you?”
you bit your inner cheek so hard that the metallic taste of blood reached your tongue. “nothing, emily.” you said with a resigned tone. already tired of being in the same room as her. “have a good night.”
the sound of her heels echoed through the room as you were about to leave.
“that wasn't about my ego.” you halted, hand wavering at the doorknob. “it had nothing to do with me, but if you had gotten hurt under my watch I would've never—”
“so it is about you in a way.”
emily brushed her hair back with both hands as she did when she was frustrated. “what do you want me to do? not care about you?”
you swallowed the urge to scream in her face, instead, you leveled your voice into a calm tone.
“i wish you cared before. I wish you cared when I was at your door begging you for a reasonable explanation for being dumped. that's what I fucking wanted, emily. I wanted you to choose me. but you picked paris and you picked london and you picked fucking interpol—”
and none of that was fair. she didn't choose paris. she didn't choose to be pulled into doyle's maddening scheme. but you weren't being exactly reasonable right now. you weren't mad at her but at the things that contributed to take her away from you. the things that took away the woman you loved.
her eyes widened slightly, lips parting in astonishment. she probably wasn't expecting to be cornered like that.
“god i just wished that for once you'd choose me.”
“i do.” she said, voice faltering. “I did.”
you shook your head “no, you didn't. you left every time. that's choosing me?”
“i thought I was protecting you.” she said, taking a step further into your space. you watched warily as she did it. a month ago she wouldn't as much as look you in the eye, but something changed these last few weeks.
something in her snapped. after the short conversation both of you had in that cold night, she couldn't get what you said out of her mind. emily made a lot of mistakes in her life, she would revisit them constantly as some form of punishment and the worst of those was letting you go. that was the worst thing she could have done, because it took a part of her away. she didn't felt whole anymore. it completely shattered her. but that was her choice, she had to deal with it. she had to work with you and watch as you laughed with your coworkers but only spared her a close lipped smile now.
it was easier this way, wasn't it?
no. it fucking wasn't. and emily was so tired of being selfless. she was done trying to play the hero, she just wanted to get the girl, was that too hard to ask?
“i made the terrible mistake of pushing you away and I regret that every single day since then.” she paused as you studied her closely, trying to decide whether or not she was being truthful. “i'd take a thousand bullets for you and there are no versions of any universe in which I'd let you get hurt because I can't bear the thought of losing you. so this?” she mentioned at her bandaged upper arm. “this is nothing.”
this was the moment where you'd rather emily just nod her head and let you walk out. she was good at doing that, she wasn't good at fighting, she was the type of person to avoid arguments.
you weren't ready for her to fight back.
“if you want to blame me for saving you, fine. do that. but I won't stop because I love you and I won't stand to see you in danger and do nothing about it.”
“you what?” you blinked up at her, feeling your heart beat hard against your ribcage.
emily itched to touch you, but she contained herself. “i love you.” she said instead, gaze falling to your lips and then moving up to lock her eyes into yours again.
now was the time she was supposed to profile your micro expressions and conclude your emotions. that didn't happen. emily couldn't focus on anything besides your closed distance and your perfume and you.
you exhaled slowly, taking a step back but was promptly cornered by the door. “you can't say that.”
“why not?”
“you're not supposed to say that.” emily frowned as you stepped aside and started pacing around the room.
“and why not?”
“because, emily!” you hollered with a certain desperation in your tone and she couldn't be more confused on what you were talking about. “you—you're not supposed to admit that out loud. you can't—” your eyes ran around her office in search for something that you seemed to find in her desk. “you can't have a picture of us in your desk. or call me sweetheart when you think I'm hurt in the field and you certainly can't say you love me six months after breaking up with me!”
“but I do!” emily exclaimed to match your raised tone of voice. “i never stopped. and I'm done trying to hide it.”
“why are you doing this now?” you questioned with batted breath.
“it's not too late for us,” emily raised her hand to gently touch yours. her touch burned you and you wanted to just bury yourself in her arms for good. that was how you felt safe. “i want to fix what I messed up, please tell me it's not too late for that.”
you stared into her eyes, drowning in the brown that took you to burned leaves in autumn season. eye contact. that was a form for you two to communicate through roundtable meetings, in the field and literally any outings between the team. it was affectionate. loving. intimate.
you were never a fan of eye contact before emily. it felt uncomfortable with other people, almost violating. but with emily it was... comforting. her way of telling you she was there and that she understood you.
she truly did. she still does. and that's scary because that meant you wouldn't be able to move on or if you even wanted to.
you had convinced yourself that emily was the love of your life and that she was the one you wanted to spend the rest of your life with. she was it to you. but she crashed that reality by giving you a poor excuse before leaving for london and slammed the door in your face as you went back demanding a truthful explanation.
you don't know if you wanted to go back there and have your heart crushed by her again.
“i have a date tomorrow.”
maybe it was better to play it safe this time.
“what?” her face fell. “with who?”
“it doesn't matter.” you squeezed her hand and let it fall to her side as you withdrew yours, taking a deep breath. “i'm going home. you should too. get some rest.” your eyes lingered on her arm. “and take care of that arm.”
“is this you telling me we don't have a chance?” emily tilted her head, her chest clenching with the painful reality. missing the warmth of your hand on hers.
you held onto the doorknob until your knuckles turned white.
“i don't know, emily.”
“then don't go.” emily croaked out, pleading. “give me a chance. give us a chance. I promise you I will try to fix everything and I won't let you down again.”
your lips tugged downwards. “i don't want you to fix everything, emily. I want you to start communicating and trusting me.” you paused, sadness and longing pulling at your heartstrings. “look, we can start being friends again. that's all I can offer you right now.”
she nodded, the spark in her eyes hiding behind the hurt. but there was determination in her gaze, you didn't know the reason behind it.
“that's—that's great. okay. I-hm, I hope you have fun tomorrow?” you raised a brow at her, doubtful, and she huffed out a chuckle. “this is me trying.”
you smiled, opening the door and shaking your head. “okay, prentiss.” you turned to her before leaving, a teasing glint as some sort of peace offering. “in that case, I'm sorry I snapped earlier. I was out of line. I... I'm thankful for what you did.” for saving me.
emily brushed you off and went back to fixing her desk. organising files, placing pens and pencils vertically. she was nervous.
“you would've done the same.”
“yes, I would.” you answered without a second thought. you would take a bullet for her and she would be mad about it but she would forgive you eventually, because though both of you might be hardheaded and argue like two dragons fuming when things don't go your way, you're not strong enough to be mad at each other for a long period of time.
“the craziest thing about me?” emily repeated your question during your game of twenty questions. it started as simple questions like her favourite season and your favourite color but then it came the wine and a few shots of a good whisky she had kept in her apartment and all innocent inquiries became drunk stupid questions. like the one you just asked her.
“yes, em.” you winced at the strong taste of whisky down your throat as you took another shot. maybe that should be the last one... “the craziest thing 'bout you. what am I gettin' myself into. what should I be prepared for, ya know... these kind of stuff.” you clarified as if you didn't know her for a long time already. you knew her as friends, coworkers. but now she was your girlfriend.
“you,” she pointed at you with a lazy smile and you felt like kissing her whole flushed face from how adorable she was being. “you should definitely be” hiccup. “prepared for the emotional baggage I carry and... and the— oh!” her eyes lit up as she recalled something. you fondly stared as she crawled towards you and placed her hands in your naked thighs, a giddy smile stretching over her lips.
you couldn't help it, you kissed her this time.
“craziest thing about me is that—” she hummed in satisfaction as you kissed down her neck. “i, mhm... I don't give up easily. yeah, I'm... oh, you're gonna be the death of me.”
you chuckled into her neck, rubbing her cheek lovingly. “okay, finish your sentence. you're...”
“i'm very,” her eyes met yours and she smiled biting her lip. “very hardheaded. so if, one day, you get tired of me—”
you snorted, “never happening.”
“... you should probably know that, if we have the slightest chance, I'll fight for you.” your eyes softened at that. she was definitely drunk and you wondered if she would even remember that in the morning. she cupped your face, gaze lingering at your mouth as if she was trying to figure something out and your lips had all the answers. when she looked up, there was a spark of determination and a bit of joy too. “you're worth fighting for.”
you giggled like a schoolgirl, feeling dizzy due to the amount of alcohol you've had the whole night. yeah, you should definitely stop. or the next words will be you admitting you're falling in love for her.
“okay, em.” you drawled out as she lifted your chin, tugging your lip between her teeth softly. your eyes dropping shut. “then do it. fight for me.”
see, the thing about emily prentiss was that she was stubborn. when she got something in her head, she would work for it until she got it. if she saw that she had even a small chance in her favour, she would pursue it.
and if something was worth fighting for, or in that case, someone, there was really no other option. she would move heaven and earth to get you back. because you were worth it.
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taglist: @ravensbug ; @lez-talk1 ; @chiefemilyprentiss ; @snoopyaah
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slutforsilverfoxes · 9 months
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ok i dont know if you do requests or not but this is just something thats been ricocheting around in my head for days and i need to get it out before my brain completely rots. whether or not you want to write it is up to you i just really needed to share this with a hotch lover.
nonbau!reader knowing that the team have a really tough local case their all working overtime on and deciding to try to cheer them up and destress them a bit so she spend a few hours cooking this amazing delicious meal because she knows they'll probably just get takeout. so she swings by the bau around 6ish with the food and the whole team flock around her and around hugging her and thanking her and immediately digging in.
hotch notices from his office and comes down looking way grouchier than normal and hes like "excuse me we have a case to work on im not sure why youre all standing around when theres work to be done. and r why are you here distracting my team they need to focus" before going back into his office and the team is shook bc aaron has NEVER spoken to you like that before. and youre highkey offended like ?? i spent hours of my time doing a nice thing and im getting bitched at like im his subordinate??
but then you slam your purse down on jjs desk, take your earrings out and put your hair up in a ponytail and youre like "give me 15 minutes and ill have that attitude sorted put no problem." before marching away into hotchs office locking the door and drawing the shades and derek and emily are crying laughing cause they know exactly whats about to happen but reid is confused like ??? is she gonna fight with him? why did she put her hair up? whats so funny? and pen and jj have to explain that you went up there to give him a bj and hes just like?!?! AT WORK?!?? and rossi is just watching the shenanigans unfold like 🤭🤭
and you do eventually come back down from his office wiping your mouth on the back of your hand and your hair is significantly more ruffled than before and hotch looks subdued and even a little embarrassed and he just mutters a quiet apology to the team before grabbing a plate of the food you brought (which is actually his favorite meal of yours) before kissing you and thanking you for coming to see him.
My oh my, do I love the way your mind works 😈 Thank you for this request (& for your patience as I took 84 years to write it)! I hope you enjoy 🖤
Pairing: Aaron Hotchner x wife!reader
(-indicates reader's texts)
__________
A rapid series of buzzes on the table beside you has you pulling your attention away from the sizable dent you’ve made in the stack of thesis papers to be graded for your class. You exchange your favorite pen for your phone, unlocking the screen to find several texts from your closest friend sent in quick succession:
5:49pm SOS
5:49pm (Save Our Stomachs)
5:50pm Pls we’ve been going in circles on this case and he’s in a Mood
You can’t help but smile at the he in question, your stoic, stalwart husband- and your friend’s unit chief. You fire back a response:
-5:50pm Em :( Is he holed up in his office?
5:50pm You know it
-5:51pm Classic 🙄 Lucky for youuuu I’m already making dinner for my favorite people!
The oven timer beeps as if to punctuate your statement, and you rise from your spot at the kitchen table while typing out another message.
-5:51pm Scratch that- it’s ready. Be there asap rocky
-5:51pm Be brave little soldier 🫡
5:53pm You’re my fucking hero
You gather enough plates and cutlery to dish up dinner to the team of agents, then pack them up alongside the foil-covered Pyrex container fresh out of the oven. Deciding against changing out of your yoga pants and your boyfriend’s old law school t-shirt, you pluck the pencil out of your bun that was holding your hair up and toss it onto the table, snag your keys, and make your way out to the car.
The drive into the city is a relatively short one, given that most of the traffic is heading in the opposite direction at this time on a Friday evening. You navigate your way into the parking garage, then head upstairs with your precious cargo.
“Evening, Mrs. Hotchner,” your favorite security guard greets you as you step out of the elevator, and you flash him a smile with a greeting in return. “Come grab a plate when you’re done your rounds,” you call over your shoulder, and his answering grin tells you he’ll be patrolling the floor a little faster than usual tonight.
Four heads pop up from their desks at the sound of the glass double doors opening, shoulders sagging with relief when they spot your bright smile and the telltale bag in your hand that means dinner is served. Derek’s quick to jump up and help you with the heavy container as Emily, Spencer, and JJ follow the two of you into the round table room, animatedly filling you in on their day. JJ’s fingers fly across her screen, and Penelope is rounding the doorway from the back hallway by the time you make it upstairs and start setting up, arms outstretched to pull you into a hug while declaring, “You’re my favorite Hotchner, did you know that?”
“We both know I come second to Jack,” you joke, and Emily lets out a happy groan as she digs into her meal, professing, “You’re at least tied now.”
A pair of solid hands lands on your shoulders from behind, and you feel the familiar scratchiness of Dave’s beard pressing kisses to your cheeks in greeting. “What would we do without you?”
With a laugh, you turn to offer him a helping and answer, “Simply perish.”
Your heart swells as the team settles down around the table enjoying the home cooked meal, but there’s one very obvious absence. A glance at your husband’s office reveals the door is still closed, the room dark save for a glow through the open blinds that you know is from his little desk lamp. Deciding to give him a few more minutes of solitude before barging in and demanding that he take a break to eat, you join your friends at the table to tell them about the senior prank your students recently pulled in an attempt to give their minds a reprieve from their current case.
“I bet you Morgan did stuff like that all the time,” JJ accuses amid catching her breath from laughing at the story about the two chickens released on the top floor, cleverly labeled one and three.
Derek smiles back, ready to take credit, but Emily cuts in with, “A psychological prank like that sounds more like something Spence would do.”
“C’mon now, pretty boy wouldn’t want to inconvenience his teacher,” Derek teases, eliciting a pout from the youngest of the team who counters with, “Hey, I won that prank war against-”
“What’s going on here?”
A hush falls over the room at the sound of Aaron’s voice, the question itself seemingly innocent but its intention clearly to reprimand. Five pairs of eyes drop downward, leaving only you and Dave making eye contact, the older man mouthing an empathetic, Busted, in your direction.
Unbothered, you swivel in your chair to meet your husband’s gaze with a cherubic smile, your voice positively dripping in honey. “Mom’s feeding the kids because Dad forgot that sustenance is important for your brain and body. Now c’mon, take a break and-”
“Does it seem like I have time for that right now?”
Your eyebrows shoot up at his tone, and you drop the teasing lilt to your voice. “Aar, I just wanted you guys to-”
“Go home, Y/N, please,” he requests quietly, pressing his thumb and forefinger to the bridge of his nose with a soft exhale. “We can’t afford to be distracted right now. Everybody finish up and get back to work.” He turns on his heel and returns to his office without so much as a hello or goodbye or thank you, my love, for being so thoughtful and taking care of us directed your way.
Once his footfalls have receded, the entire group releases a collective breath as if they’ve just escaped being chewed out by the principal- at your expense. When you turn back around, you’re met with expressions of shock that reflect your own, like the kids literally just witnessed their dad being mean to their mom for the first time.
“You know how Aaron gets with a case,” Dave tries to soothe your ruffled feathers, and JJ jumps in with, “I’m sure he didn’t mean to come off like that, Y/N, he’s just-”
“Stressed?” you finish her thought for her. You rise abruptly from your chair, dropping your purse on the table with a resounding thud before digging through it to find a spare hair tie. “I know he is. And I also know my husband did not just say that to my face,” you grumble under your breath, combing your fingers through your hair to pull it into a quick ponytail while continuing your tirade. “After I spent hours making a meal between doing my own work? No sir, uh uh, SSA Hotchner. That man needs to relax.”
Spencer leans over to Derek while you carry on quietly cursing their boss for his attitude and asks, “Should we be concerned?”
Derek lets out a snicker before answering, “Maybe for Hotch’s di-”
“Dignity!” JJ cuts in with a sharp look at her colleague, trying and failing to suppress her own smile.
You pause in the doorway, squaring your shoulders before turning back to the team to say, “You guys eat. Enjoy. I’ll take care of your boss.”
“Yes, ma’am,” Emily snorts out, clearly amused. Laughter, applause, and a distinct wolf whistle courtesy of Derek follow you down the carpeted walkway to your husband’s office.
-----(Read Behind Closed Doors here!)-----
When you return to the round table room several not-so-subtle minutes later, you’re greeted by a bunch of giddy smiles, a knowing look from Rossi, and Spencer’s pink-tinged cheek since he’s refusing to make eye contact with you. “All better,” you announce proudly, dropping into a chair before tugging the hair tie from your now slightly tangled locks and combing your fingers through a few persistent knots. “Everybody good and full?”
“Some more than oth-”
You cut your sharp gaze over to Derek and he mimes zipping his mouth shut, a smirk still playing at his lips.
“What he means to say,” Pen huffs, slapping his shoulder, “is thank you so much for dinner, sweetie.”
“It was my pleasure,” you answer genuinely. “You know I love taking care of you guys.”
“And we’re very lucky you do,” your husband’s baritone voice rumbles from the doorway behind you. You turn to find a sufficiently chastened Aaron entering the room, and you offer him your cheek when he places his hands on your shoulders and bends to press a kiss to your smiling face. “I, uh, just wanted to apologize for my earlier-”
“Temper tantrum?” you offer, and Aaron squeezes your shoulders in warning before continuing, “Outburst. I let the stress of the case get the best of me and neglected my duties to prioritize the health of this team. Luckily, my darling wife is always there to make up for my shortcomings.”
You catch your best friend’s eye and shoot her an exaggerated wink at your husband’s word choice, forcing Emily to cover up a laugh with a cough. Aaron’s hand slides over to the nape of your neck, and you know you’re in for it once this case is over.
And you wouldn’t have it any other way.
__________
AH tags 🖤 @gothwifehotchner @iyv-ray24 @mrs-ssa-hotch @criminalskies @callm3c0nfus3d
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tumblingxelian · 1 month
Text
Chloe & Heroism
Chloe Bourgeois as a hero early on is a premise that often evokes either questions, like "How" and "Why". Or expectations that she is either already on a path to self improvement, or will be forced onto within a short timeframe.
These are not bad questions and the former definitely are necessary to consider for a story. However the expectations I tend to feel a bit murkier and while I have no issue with how some authors handle this topic.
I want to outline why I think you could do a good "Hero Chloe" story before she gets character development, but first, house cleaning!
1: I have not watched and largely ignore everything post season 3, so don't bother bringing up Derision. Remember, season 1 Kim was afraid of spiders.
2: In canon. Chloe only revealed her ID publicly because her abusive mother she is obsessed with pleasing (who killed her the day before) chose a girl other than her to take to New York & then tore her to shreds in front of everyone. 
With all that in mind let's examine where Chloe's values and understanding of the world comes from and how she perceives them! 
1 - Media/Social Media 
This would be a mixed bag, because on one hand they have Mighty Majesta comics that try to instill good values, but also shows built around lying to and humiliating people are evidently popular television and the internet seems similar in regards to pranking VS trying not to be terrible. So she's gonna get mixed signals at best. 
2 - Her family & Circle 
This is where 90% of the problems come from. Of the important adults in her life, her father, mother, Gabriel and Nathalie are all varying shades of corrupt, abusive, cruel and ruthless, while the lesser evils like Jean and Emilie are largely consigned to the role of enablers. 
Worse still, even if we ignore the emotional abuse, neglect and other elements that led to her both having trauma and her trauma response manifesting in aggression. We still have issues like Andre, during the brief periods he bothered to parent, explicitly teaching Chloe that, Stealing, extortion and threats are all appropriate ways to succeed in life.
IE, she isn't compromising her morality when she does these things, she is very much doing what she is taught was right at least consciously. This isn't helped by a 24/7 Audrey impression as Audrey deems being in her vicinity as reason enough to hurt people unless she deems them useful. 
Long story short, the values and people she was brought up around are all explicitly some shade of bad, or enabler, or outright teaching her to harm others. 
3 - Societies & Class 
However, we know from season 2 that Chloe is not entirely unaware that there are issues with this. Because while she spends much time boasting of how she's beloved and brilliant, when stripped of that and exposed to someone she trusts she is entirely willing to confess that she knows everyone hates her and that she feels she has no worth. She may not be able to articulate why or how this came about but she knows something is wrong. 
Despite this, school is not the best place to figure this out, especially for someone who obviously struggles with social cues and the like. The teachers run the gamut from indifferent and unpleasant, to extremely gentle and accommodating, to simply not wanting any form of drama and usually caving to whoever makes the most noise and none of them have the authority to do much outside of class hours. 
The class is not significantly better, because students like Kim and Alix can and do casually throw around snark or do pranks and at worst only get brief bursts of anger while Chloe's garner a more intense response. This is because her relationship with the class and motives are varying shades of different, but for someone with issues reading social cues, it's just going to seem like a confusing double standard. 
We can also see all this demonstrated in her relationship with Adrien, as Chloe clearly takes the lead in their relationship in Origins and outlines her logic behind the pranks, but is then surprised when Adrien seems to turn against her. What's more, it seems Chloe is aware that Adrien is more gentle/naive than her given she tried to educate him on these matters & turns to him for comfort and protection at times, while seeing no inherent contradiction between her expectations for their relationship and how she treats others.
Adrien does not help matters with seeming indifference to how she treats staff. 
Thus, while she knows 'something' is terribly wrong, actually being able to understand it and work through it is another matter. 
4 - Chloe's Conclusion 
So, what is the conclusion Chloe comes to in order to square all of these circles when she isn't just in full denial mode? The answer is quite simple and even demonstrated in the show itself, playing one's role. 
IE, Chloe the mayor and style queen's daughter is different to Chloe the hotel owner's daughter and we see this in her being able to stamp down on her usual instincts and slap on a customer service role when Jagged Stone enters the hotel and guide her father into doing the same. VS how she conducts herself during a class election, IE explicitly threatening and extorting people, to how she conducts herself day by day with her Audrey impersonation. 
A separate example and way she'd view this for others would be that Marinette the baker's daughter of course has to be nice and sweet and giving because that is how customer service roles work, while Marinette the aspiring fashion designer or would be class president is sneakier and will lay traps so people trying to steal from her are sabotaged. This isn't wrong, this is how she expects people to behave when in these circumstances and roles. 
Final Conclusion 
Which is why Chloe could easily play the role of a successful hero, because she would not be "Chloe Bourgeois, mayor's daughter, hotel heiress and Style Queen's daughter" as Queen Bee, she would just be Queen Bee, a superhero.
They have wonderfully defined roles that would be easy for her to pick up & follow through on: assure the public, save people from danger, protect allies, defeat monsters, all things Chloe was shown doing very well when chosen as a Miraculous Holder. 
I think that eventually the contrast in how she is received as Queen Bee VS Chloe Bourgeois would start grinding on each other and bleeding through both sides of the mask. 
But the infectious nature of empathy and a larger support network that don't have the worst impression of her would give Chloe the room she needs to explore and grow.
If she is too snippy as a hero, or shows a ruthless side, these won't be taken in the context of "Chloe that person I dislike" but "Queen Bee my ally" and can allow for more honest and even handed reactions that give her the necessary breathing room to grow and change. 
So yeah, I think season 1 Chloe could have, under the right circumstances, done a great job as a hero be it Queen Bee or another hero even before any outside circumstances or internal changes might have forced her to chart a new course in life.
Provided the role of Chloe and the role of hero do not intersect and become one almost immediately, because in that case it gets a lot harder for her. 
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remidyal · 29 days
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So I'm going to start speculating a little about future D20 seasons, just because we're running out of JY and thinking about that makes me sad.
My guess is that we're getting another four side quests, plus the replays of the Time Quangle live shows, before whenever the next IH season is (probably jan or feb 2025). From Dropout's production schedule, most likely at least two, probably three, and maybe all four are either already filmed or filming presently. The strikes may have disrupted this somewhat, however.
We know the names of two from the 5th anniversary video; we also know from the JY FAQ for a fact that one of these two, called "Never Stop Blowing Up" is next.
In the last few years this has been the slot for a campaign not GMed by Brennan or Aabria; I'm going to actually guess that there's a decent chance Brennan also won't be a player though I'm not at all sure of the timing with paternity leave and all. What the season is from that title could be a lot of things, though social media stars or stuntpeople have been guesses I've enjoyed. I think this is going to be a new setting, rather than something set in a preexisting universe, but I could be wrong there and there's been speculation that it might be something Starstruck (in which case I WOULD expect Brennan at the table).
GM possibilities for this or any other season even just from among people who have played on D20 before are too widespread to even do a complete list; highlights who have played on but haven't GMed for D20 and who I understand have experience (and would be excited to see) include but certainly aren't limited to Jasper, Ify, and Anjali from various side quests. Among the IH, Siobhan has made it fairly clear that she's not interested in GMing. I don't know if Ally has experience or not but they would obviously run something wild and I'd be here for it. Lou I believe has DMed home games but not actual plays; I'm uncertain if he'd be interested in running for a show, but I'd certainly watch if he did. Emily and especially Murph have a ton of experience as well but I think NADDPOD is kind of too much for Murph at least to GM outside that. Zac is low-key the IH I think is the most likely to end up GMing a season; rotating heroes is a thing, of course, but I don't think the workload there is as high as NADDPOD's.
We also know a Dungeons and Drag Queens 2 is coming at some point. The most likely format for this is a straightforward sequel with Brennan GMing for either the same four players or four different Queens, but I would actually love to see one of the players from the prior run step into the GM seat if any of them have gotten deeply into the hobby in the meantime. If they swap Brennan out for another DM here, this would maybe be the one season where I'd be delighted for it to be Murph, simply for the makeup possibilities. (One possibility is simply that he wears Cody Walsh cosplay for the season.)
I also think (or maybe I'm just trying to speak into existence) that we will get another 10-episode Aabria-GMed season this year, probably as the lead-in right before the next IH season for the third time running. Burrow's End and ACoFaF are both out of this world, stellar seasons to me (MiMa is... complicated by how much I want the property it's mocking to fade from memory, but that isn't its fault or hers) and I want to see what she does next.
Last, probably between D&DQ2 and that 10-episode season if that happens, we'll probably have another 4-6 episode original. If Brennan DMs D&DQ2 and Never Stop Blowing Up, this will probably be someone else; otherwise, not much to go off of.
It's possible that the live shows end up filling in one of these slots and are treated as a season until themselves, but I think they're going to be released not all in a row but rather to fill weeks between seasons. This might just be a greedy hope on my part, though! I do hope Brennan sits out at least one season, and I'd love it if the person who GMs who isn't Aabria or Brennan is someone who's done less prominent projects. (I'm actually talking myself into really rooting for a Zac-GMed season, though Ify's been my main hope for a long while.)
One thing that does seem to have shifted lately, specifically in Dropout's marketing - in the past, they were always extremely secretive about seasons past the currently airing one until it was complete, with the names not even known until the release of the season trailers. This changed a little when they teased Matt Mercer gming a season (which turned out to be RavWar) during Never After's airing; it's changed much more in the last two seasons, with a teaser for Junior Year coming out before Burrow's End had even started airing and with the names of multiple seasons being given in advance. It wouldn't surprise me if we continue getting little seeds for future seasons as we move forward.
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familyagrestefanblog · 9 months
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I can only hope the new Paris special won't force Marinette/ Toxinelle into the role of the "chaotic baddest bitch" for superficial praise and keeping Adrien/ Griffe Noire as nothing but her unconditional support again and the "good" one. Because literally from the way the powers of Ladybug and Chat Noir work that's bullshit and the MUCH weaker story premise character wise.
Toxinelle has no offensive powers. She can be as smart as she wants in this scenario her powers are needed for AFTER the Butterfly akumatized someone to save the city, so she can prevent said saving from happening.
Griffe Noire would be required to first nuke the city so the butterfly can react to something and that means alternative Adrien/ Griffe Noire would - the longer all that went on - have needed to let go of all morality he once had and agree to become the moster of the two so SHE can remain level headed and get the Butterfly from the hero.
That's still alot of pressure and burden on Toxinelle's shoulders, being the one who has to be the light at the end of the tunnel for both of them to get their happy ending in a better world. But for the love of God, Adrien throwing out his humanity and only holding onto her and his dead mother
If this is to be believed:
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Is ALOT worse and fitting as the conflict's heart piece.
I can only hope the special will be reasonable enough that Toxinelle will be the lesser evil of ShadyClaw and not waste so much story potential for another round of "Chloé the awful bitch". There is so much more interesting stuff you can do with Marinette than that, especially in the Toxinelle field.
Already as Ladybug Marinette showcases extremely dangerous anti-hero tendencies where she becomes so strategic that everyone involved stops being human beings or mattering in the moment because she needs to get something important done.
Most crucial examples are how Emilie Agreste's dead body was used as a mere inhuman tool by her in "Recreation" to defeat her insane husband, by cataclysming the lift and letting it crash down on Emilie to force Gabriel to stand still. Only though that Marinette then barely gave Gabriel enough time to throw the lift sideways and he only managed to save himself and Emilie from being crushed in the nick of time.
Or you know, all of Marinette's horrifying plan in "Destruction" that put several life in danger by sending Monarque to helpless civilians (even to ANNOY HIM) and Chat Noir was literally turned into a non-human object served on a silver plate to Monarque. He couldn't move an inch like a human is to be expected or even BREATH while Monarque went to grab for his throat while Marinette herself stood save and sound in the back because all she actually thought about in that plan were the Kwamis and herself (not even bringing up how fucked up it was to not even let Chat Noir know that her plan involves him having to possibly live with having cataclysmed a person.)
Everyone else MONARQUE had to keep save in her plan by not being the awful and sadistic monster they thought him to be. Tolerating all kinds of disrespectful bullshit and not using any Second chance or other miraculous powers besides voyage, or for the lols quartering Chat Noir's statue for example in a second's notice.
Marinette's plan in "Destruction" was horrifying and impossibly irresponsible in how she instinctively dehumanized everyone but herself and the Kwamis in it without noticing it and 100% relied on MONARQUE to be a decent and reasonable enough person underneath so she could get away with the insane endangerment and dehumanization of everyone but herself (especially Chat Noir).
Her final battle with Monarque had Marinette come back to this questionable morality when she pulled a low-blow anti hero move by dragging the dead spouse of the villain further into the fight, and risking to take any human dignity away from Emilie's remainings - who never wanted any of this being done in her name - by making it GABRIEL'S job to save and preserve her from Bug Noire.
Marinette 100% has some serious anti-hero tendencies in how she dehumanizes people sometimes as side-effect of her strategic mind and when she's either to caught up in her head or she thinks her goal justifies the means.
Jfc, quit the bullshit and let Toxinelle be the escalation of that side of Marinette because she and Adrien know their identities this time around - truly THEM against the world - and she's stuck in a position where Adrien was forced to let go of his humanity and other emotional attachments for their cause, is way too far gone by now and she has to make sure they actually win so all of this wasn't for nothing.
Give me a Marinette/ Toxinelle who made it out of her having been bullied alot worse and that's how she got into this, but by now she deep down fully regrets ever having started this and wished with every inch of her heart she could stop
but she knows she herself already hardly could live with herself after all this so she would never ask Adrien/ Griffe Noire to let go of the only hope he has at this point and live with the fact that he became an actual monster to preserve HER humanity, so she can save them both with the wish.
A Toxinelle who believes they already went too far to possibly go back and because of that she detaches herself from morality in the way it happened in "Recreation" with Emilie because in her (and Adrien's) mind they only have to win and everything will be okay again.
Adrien won't be a monster anymore and will return all together to the boy she once loved - and only still behaves like around Marinette or while thinking of his mother - and Paris, it's citizens, the entire world and THEMSELVES wont remember anymore what happened or that Toxinelle and Griffe Noire ever did any of this to them.
Give me TAHT Marinette/ Toxinelle please. For the love of GOD.
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the-moral-of-the-rose · 3 months
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If anybody wanted to write a crossover between L.M. Montgomery's books, here is a little help with the ages of the characters (@no-where-near-hero maybe it will be a tiny help for your fanfic):
Anne Shirley - born on 5th of March 1865
Gilbert Blythe - born in 1862 or 1863
James Matthew "Jem" Blythe - born in July 1893
Walter Cuthbert Blythe - born in 1894
Anne "Nan" and Diana "Di" Blythe - born in 1896
Shirley Blythe - born in 1888*
Bertha Marilla "Rilla" Blythe - born in 1900*
Gerald "Jerry" Meredith - born 1894
Faith Meredith - born 1895
Una Meredith - born 1896
Thomas Carlyle "Carl" Meredith - born 1897
Jims Anderson - born in August of 1914
Emily Byrd Starr - born on 19th of May 1888
Ilse Burnley - born in 1888 (probably)
Perry Miller - born in 1887
Frederick "Teddy" Kent - 1887 or 1888
Dean Priest - born in 1865
Patricia "Pat" Gardiner - born in 1913
Rachel "Rue" Gardiner - born in 1919
Winnifred "Winnie" Gardiner - born in 1910
Sidney "Sid" Gardiner - born in 1912
Joseph"Joe" Gardiner - born in 1908
Hilary Gordon - born in 1911
Elizabeth "Bets" Wilcox - born in 1913
David Kirk - born around 1893
Jane Stuart - born in May 1918 or 1919
Valancy Stirling* - born 1883**
Barney Snaith - born 1877**
Cecilia "Cissy" - born 1886**
Olive Stirling - born 1884**
Gay Penhallow - born in 1904***
Nan Penhallow - born in 1904***
Roger Dark - born in 1890***
Donna Dark - born between 1894 and 1896***
Virginia Powell - born between 1894 and 1896***
Peter Penhallow - born between 1888 and 1890***
Margaret Penhallow - born 1872***
Brian Dark - born 1916***
Hugh Dark - born in 1887***
Joscelyn Penhallow: born between 1889-1892***
*In both Anne of Ingleside and Rainbow Valley Shirley is two years older than Rilla. But in Rilla of Ingleside, he turns eighteen few months before Rilla... it is pure chaos. Rilla was supposed to be nearly fourteen, according to the RV, in 1914, but she is nearly fifteen in RoI. So I apologize, but I had a lot of trouble here...
**The Blue Castle is the most difficult to place in time. It is set several years before it was published, and in my own opinion: before Tangled Web and Pat of Silver Bush. Why? Because of this reference: "This was before the day of bobs and was regarded as a wild, unheard-of proceeding—unless you had typhoid." (The Blue Castle). Bobs were already "in fashion" at the beginning of Pat of Silver Bush (so, in 1919, when Pat was six years old: it was said that Winnie wanted to have her hair bobbed) and in Tangled Web (which is set in 1922). Yet, the cars, motorboats and movie theaters were a rather common occurence in The Blue Castle's times. But... there might be an explanation. Valancy doesn't live on PEI, which might have been a little "behind" the rest of Canada, as far as modern technology went. It is my own personal opinion, but I think that it might be set just before the war, at the same time as the end Emily's Quest. I know that the clothes seem more "modern" in TBC, but Emily wore "a little sport suit" and dress that was described as followed "there was so little of it". Teddy and Perry both had cars, as sone of Ilse's cousins. I would say that the Blue Castle book might be set around 1912-1913. Still, the timeline is extremely elusive. Please, let me know, dear Blue Castle Book Club's members, what is your opinion? I think I have read some amazing discussion about TBC's timeline a long time ago, but if I remember correctly, everyone was certain that this novel was set post WWI (me included, until this very moment when I tried to place Pat and Tangled Web and remembered the "bob" quote). So I choose 1912 as the beginning of TBC, when Valancy was twenty-nine.
*** the ages of characters in Tangled Web:
"They were first cousins, who were born the same day and married the same day,--Donna to her own second cousin, Barry Dark, and Virginia to Edmond Powell--two weeks before they had left for Valcartier. Edmond Powell had died of pneumonia in the training camp, but Barry Dark had his crowded hour of glorious life somewhere in France." (Tangled Web).
"Virginia Powell, whose husband had been dead eight years and who was young and tolerably beautiful" (Tangled Web).
"Valcartier, Quebec was the primary training base for the First Canadian Contingent in 1914."
- from: https://www.warmuseum.ca/firstworldwar/history/going-to-war/canada-enters-the-war/training-at-valcartier/
So, from this I assumed that Virginia's husband died in 1914 (so Tangled Web is set in 1922-23). Gay is 18 at the beginning, so she would be born in 1904. If Donna and Virginia were 18-20 when they got married, they would be 26-28 (so still "young"). at the beginning. Peter was 14 when Donna was 8, so he'd be 32-34 at the beginning of the book (same age or a bit older than Roger). Hugh was 35 at the beginning. I guess Joscelyn was a bit younger- most of LMM's heroines are at least two years younger than their love interest. I'd say she might have been 20-23 when she got married, so she'd be around 30-33 at the beginning of the book. I would say Brian is about six years old - he doesn't seem to attend school yet, but is big enough to be sent to the harbour. Margaret Penhallow was about fifty at the beginning of the book.
So sorry that this post was rather long, but it was a great fun to write (even if it took me A LOT of time). Thank you for reading. Please, let me know if you agree. Any feedback will be very welcome!
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fillingthescrapbook · 4 months
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Let's Talk About: Fantasy High Junior Year and Stress Tested
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Brennan Lee Mulligan is an evil son of a genius.
I have been waiting for this episode forever--like, a whole week--and it did not disappoint. Starting with a return to assembly. Confirming the conspiracy that the Rat Grinders were setting them up.
Side note: I really do think the Rat Grinders are working for something or someone who is (or who are) also meddling with Interim Emergency Back-Up Principal Grix.
The mandatory drug testing at school that IMMEDIATELY netted the kid who called out Aguefort Academy becoming a police state in freshman year was a deliberate choice that I feel like Brennan, knowing how easily distracted his Intrepid Heroes can be, planted for the viewers to pick up on. And unleashing this after a "speech" from Agent Clark that ended with an extra distracting "until doppelgangers burn your nest!"? Yeah, I smell Brennanigans.
Quick break: I just want to say that Murph plays Riz's paranoia so well. Ally's quick moves to shenanigans is on another level. And Zac immediately taking a stress token for Gorgug feels extremely correct. That said, I feel like there should be a mechanic where Gorgug gets stressed so much that he channels the tokens into a rage that impresses Porter.
Also: the rolling graphics on the left side of the screen, for the tracks that our intrepid heroes are rolling for, look so cool. The stress levels on the right look great too, but they are stressing me out.
Now; I am really liking Yolanda Badgood, the cleric professor. I am not liking, however, the fact that Brennan is making her so likeable. And so friendly. And so helpful. Because I am now fearing for her life.
Emily's bits about Fig not knowing where to go rings differently for me, having seen the pre-season interview where she admitted that she wanted to play a new character. That she wanted to keep the happy ending Fig already got in Sophomore Year. I have to confess: I also actually really like this new aimless track for Fig, and it's showing in Emily's gameplay how she is also realizing new things about her character as Brennan showers her with more choices to make.
The one bad thing about the downtime episode, in my opinion, is that the time we spend with each character feels so little. Especially with how much time is passing in game time. I wanted to see more of Adaine's relationship with her sister, and maybe see a friendship blossom with Oishyn. But Siobhan is, rightfully, concerned about Adaine's finances so she has to prioritize her job and her academics. I needed Gorgug and Riz to get more updates about Frosty Fair before it happened--but, obviously, the had personal stuff they needed to deal with first…and Frosty Fair is already happening next episode--
Honestly: Brennan did a wonderful job with the down times for everyone. And every member of the Intrepid Heroes utilized their down time well.
I just wanted more because I'm very greedy and I love these characters to bits.
Speaking of bits:
With two Nat20s in a row, I would say that Gorgug really is the greatest wizard of our time.
"Get your best pair of Badidas and we'll see what that body does" is an s-tier Brennan-liner.
Riz using the celestial spy stuff he got from his dad is AMAZING.
And Brennan is enjoying handing out the stress tokens too much. Zacky even points it out.
Can't wait for next week!
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This one guy I talked to on AO3 said that Emilie shouldn't be brought back because Adrien has already moved on from her death, but I'm not so sure about that. Other people think she should be revived so she can be her own character and not just someone else's sad backstory, and so Adrien has one good parent, of course. What do you think?
I think that it depends on the story you want to tell. There are cases to be made for bringing her back and cases to be made for letting her die. In the context of canon, I find not bringing her back to be fing stupid because it makes everything feel pointless. We obviously don't know the wish yet, but why let Gabe make the wish at all if he's not going to restore Emilie? Making a different wish isn't him being a good guy at the end. It's still him playing god, he's just now using his god powers to abandon his son for no logical reason. What loving father happily leaves his son an orphan???
Yeah, Gabriel saved Nathalie. I don't care. Nathalie chose to use the peacock to support Gabriel in his plan to terrorize Paris. That wasn't some noble sacrifice on her part! She didn't deserve to be saved any more than Gabriel did. Of the three dying/dead parental figures (I really don't know Emilie's status) Emilie is the only one who was never tempted by the dark side if we ignore the uncomfortable implications of how they got the peacock in the first place/Adrien's childhood isolation and just embrace the canon narrative that Emilie was a good and loving mother who was Too Pure For This World.
Meanwhile, Nathalie was a terrible mother figure! She supported Gabriel's awful treatment of Adrien for four seasons and then spent all of season five gently prodding Gabriel to change/tell Adrien the truth while leaving Adrien completely in the dark to everything that was happening. If Gabriel hasn't won, then Adrien would have lost both his father and Nathalie who knew that they were dying, but never gave Adrien a chance to say goodbye because Nathalie never stopped putting Gabriel first in almost every way that mattered. Adrien still doesn't know that he could have been allowed say goodbye to his father because Gabriel's death was entirely predictable.
Along similar lines, I don't think that Nathalie was wrong to undo Gabriel's senticommands, but it is deeply messed up that she was happily doing it in secret and never once considered giving Adrien a chance to consent. A loving parent should find the idea of controlling their child deeply upsetting. She should have been tempted to tell Adrien the truth, especially since she knew that she was dying, but we never see her consider that.
She also does nothing to get Adrien's slave collar away from Gabriel or to stop Gabriel from terrorizing Paris even though we have a scene where she literally pins Gabriel to a table. Her turn to "good" did nothing but maintain the status quo because she continued to support Gabriel in all the ways that truly matter. She never really protects Adrien. She does not deserve to be Adrien's new mother. #BringEmilieBack!!!
All of that is assuming that Gabriel's wish saved Nathalie while sacrificing himself and Emilie. If so, then that is literally the most boring way to go about letting the wish happen. You could have just as easily had Gabriel lose and have Ladybug know a way to save Nathalie via Guardian magic. The end result would have been the same.
If Gabriel had chosen to give up on the wish entirely? Then Emilie not coming back would be a satisfying ending. I personally really like Gabriel being defeated and the heroes then bringing Emilie back. Very much a spite move for me, plus it's a nice way to lessen the sting of Gabriel's defeat. Adrien losing his father, but gaining his mother feels really satisfying to me, especially if Emilie gets to serve Gabriel divorce papers. Got your wish, old man. Now suffer for it.
No matter the case, saying that Emilie shouldn't be brought back because Adrien has moved on is bad logic as it implies that Emilie is only worth bringing back if Adrien say he wants her back, as if she's a beloved childhood toy that someone broke long ago. It also implies that Adrien wouldn't want her back just because he's accepted her loss. Those are two very different things. Imo, one of the show's failings is the fact that Adrien is denied the right to grieve as if that makes him a better person. A better show would show healthy grief vs unhealthy grief (Adrien vs Gabe). She's been gone less than a year when the story starts. Everyone processes grief different, but that's really fast to move on from the death of a parent.
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Why Gabriel doesn’t deserve a redemption - the Hypocrisy of the Writers - Miraculous Season 5 Finale spoilers Ahead.
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If you have seen the finale then you already know what happens to Gabriel . He dies but gets remembered as a hero and his reputation was unscratched. The writers have the audacity to say a teenage girl will never become a better person because her actions are unforgivable but they go ahead and redeem Gabriel Agreste - a literal terrorist and abuser - who has done a lot worse. This post will explain why Gabriel doesn’t deserve a redemption arc and how his character feels ruined. 
Part 1 - Gabriels crimes and why the writers think they are justifiable. Triggers of Child abuse and terrorism
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This man has committed atrocious crimes of which the most obvious was child abuse. Mainly towards Adrien. The writers think due to Gabe losing his wife - it is justified why he neglects Adrien - it is a sign of grief. That he spends every day terrorizing Paris because he wants Emelie back to complete Adrien's family. They say he does all he does because he cares about his son. While this was the case during seasons 1-4 , his character changes in season 5. He no longer does it for Emily and Adrien but for power. He abuses Adrien even more this season by trapping him in a room and separating him from Marinette.
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However his Character is ruined in the season 5 finale. He wishes Emily and Natalie to live and pleads with Marinette to make sure Adrien remembers him as a good father. That's not her burden to carry or her responsibility . Gabriel had the audacity to ask the girl he traumatised to keep every crime he has committed a secret from his own son ! Despite everything Gabriel has done to Marinette - she finds out he was Hawkmoth - she still forgives him and helps build a statue of Gabe in his honor. The writers think Gabriel deserves redemption because he did show remorse for what he did to Adrien and cried when he watched Emilie's tapes.  But Adrien wasn’t his only victim and child abuse wasn’t his only crime. Gabriel never showed remorse for what he put Marinette through (he knows she's a ladybug .) He never apologized for separating her from Adrien or for the trauma he inflicted on her as Ladybug. Even when Ladybug gave her a chance , he blew it by paralyzing her. 
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He is also an international terrorist who primarily targets children. He threatened to kill Alya’s family and murdered many Parisians in Strike Back but still gets remembered as a hero. Even in the final fight , he says he doesn’t care about the innocent victims he hurted. He never felt bad about what he did. It gives kids a bad message. While I think Gabe dying in Emily's place isn’t a bad idea , the fact that Gabriel gets away with his crimes and is celebrated as a savior is disgusting. At the very least , he shouldn’t be presented as a good man and should be remembered as the villain and a terrorist. It’s a slap in the face for all his victims. The fact that all of Gabriel's other crimes are forgiven just because he felt remorse for one is sickening.
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Especially in Season 5 , where the writer makes Gabe to be sympathetic by having his relationship with Emelie mirrors Adrienette’s relationship because he and Marinette both came from humble backgrounds. That's why the writers think Gabe is redeemable ,  because he and Marinette are similar and both care for Adrien. The fact he basically got what he wanted and is being remembered as a savior is so unfair to Marinette and Adrien. Sure he died , but Emelie came back or he reunited with her (depending if you think it was Amelie or Emelie). Therefore , Gabe doesn’t deserve redemption because he never proved himself or felt remorse for most of his crimes. He manipulated Marinette till the very end into thinking he was a good person when in reality , he doesn't care about anyone except for himself , Adrien , Natalie and Emelie.
Part 2 - Obvious hypocrisy
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It is no secret that Thomas dislikes Chloe. However in Season 5 he has taken his hate for her way too far that he sacrificed good writing to bash her character and hurt her fans.  He repeatedly says on his twitter Chloe will never become a better person because she is a bully and has done too many unforgivable acts. Surprisingly , in season 5 episode 26 , they go ahead and redeem Gabriel - a terrorist , child abuser , groomer and manipulator - who has arguably done so much worse. I don’t mind if the writers don’t give Chloe a redemption arc , not all characters need a redemption but it feels hypocritical saying a teenage bully is irredeemable but an adult terrorist is sympathetic. Especially of how rushed and badly written Gabriel's redemption arc is.
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So when Chloe does something evil , the writers say she in irredeemable and deserves every bit of Karma but when Gabriel does something worse , the writers justify what he has done because of his sympathetic motive and give him a redemption story. This disgusts me because it is shown time and time again that Gabriel likes to use Chloe in his heinous plans. Three episodes ago Gabriel was manipulating and grooming Chloe into joining his side. Gabriel is partly to blame for Chloe's worst crimes , he enabled her and put the ideas in her head. But the writers act like Chloe is more in the wrong than Gabriel when he is clearly more guilty than she is !! They act like it is OK for Gabriel to manipulate and akumatize Chloe because it's for the sake of getting his wife back. Chloe is not a good person , but it is unfair how she is the only character to face consequences when Characters worse than her are getting rewarded and receive happy endings !! Chloe is disowned by her father and sent to live with her abuser while Gabriel reunites with Emelie (depending on which sister you think it was at the pool party) and is celebrated as a saviour. Gabriel being more moral in the eyes of the writers than a misguided teenager - who also is one of his main victims - is sickening.  Therefore Gabriel redemption isn’t deserved because it shows the double standards the writers have for Chloe. 
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To conclude - Gabriel's character in the Season 5 finale is basically ruined. Gabriel receiving a redemption is an example of bad writing and feels rushed. He only felt remorse for what he did to Adrien but never felt bad for terrorizing Paris or using Chloe. He never apologized to Marinette for separating her from Adrien or for other crimes he did. His redemption feels Hypocritical compared to the character of Chloe - who was one of Gabriel's main targets. Hopefully in season 6 , Adrien finds out about what happened and Paris receives the justice they deserve. However if you like what they did with his character , that is perfectly fine . I’m not saying you are not allowed to dislike Gabriel. This is just my opinion . Feel free to disagree :) . Please stay respectful.
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gogandmagog · 2 months
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Do you think you can expound on what you meant by LMM showing her hand/Dean being condemned by cat aversion? I was skimming the Emily tag and came across your post. Just curious!
I’m sooo cracking up and embarrassed right now, because while I do fr believe that... I’m not exactly sure I can wholly defend it. Or even remotely ask anyone else to consider getting onboard with that kind of intense inferring. But I’m going to do my best to have a go at it (🥴) and attempt to explain where my head was at with all that, while also letting it be a lesson to myself to not just be out here saying things sometimes, lol.
Also as a small sidenote: I tried to find the post you might be referencing, and I’m all but certain it must’ve been a very old conversation with @no-where-new-hero, but it must’ve also predated my searchable tagging practices because alas, I cannot find it. So… I’m already sorry-in-advance if I veer off into unrelated areas or miss the ‘ask’ mark completely. But I think you mean that at some point I said Maud “showed her hand” early in the Emily series by having Dean Priest say that he wouldn’t keep a cat. I’ll double check, but I think his exact quote is: “I like cats but I never keep one.”
Which, to a casual reader... doesn’t mean a whole lot. Yet when I look back at this, as a non-casual reader, after many re-reads and a little bit of Maud experience, I do kind of now recognise that as a tell. At least it’s a proper LMM red flag. Especially when we experience and feel the depth of cat symbolism and heavy-handed cat presence in the Emily series. And of Emily. How Emily is repeatedly and often assigned a cat-like nature + appearance in the narrative and by other characters in the book. She’s told at school that she has cat ears, and she’s even nicknamed “puss” by Cousin Jimmy. Emily’s Wind Woman purrs. It’s everywhere in Emily. If we advance even a bit further, into broad and ancient symbolism, we can also reflect on timeless and universal cat symbolism… the cat alignment with femininity. The same way dogs are aligned and representative of masculinity.
So when we consider all of this and juxtapose Dean’s statement against Montgomery’s men that did get their girls, I think it speaks even louder. Teddy had Smoke and Buttercup. Barney had Good Luck and Banjo. Cats are so important to Maud and her stories that she has Gilbert (the son of a cat lady, eventual owner of the First Mate, and saviour of Ingleside housecat the Shrimp) mention them in his finally-accepted proposal to Anne. He says, “I dream of a home with a hearth-fire in it, a cat and dog, the footsteps of friends—and you!” (Which P.S. is even a veeeery interesting order, in my veeeery-stretched opinion. A cat, then a dog. The feminine before the masculine. You before me, Gilbert says.)
To me... Emily is the cat that Dean will never keep. Much later, when their engagement is dissolving, he says, “… Perhaps that is why I couldn’t keep you.” Which is lowkey full circle. (If you squint.)
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sweetcloverheart · 7 months
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What did they say about Gabriel in the interview? (Also is this different from the episode commentary?)
(I am talking about the commentary - specifically the final two episodes. I just refer to it as an interview because that's how I saw it. Here's the link of the translation if you want to read it yourself - https://www.tumblr.com/little-mari-on-a-roof/732920291246882816/along-with-finally-airing-the-season-5-finale)
Spoilers (and salt below)! Readers beware and all that!
Apparently - Gabriel is supposed to be seen as a hero at the end of the day. His backstabbing Maribug and getting the wish are him "Finally mourning Emilie and giving up power out of love for his son" according to the writers since he and Marinette "have the same wish for Adrien to be happy" 🤦‍♀️ (Oh but it's fine since it's "still Marinette's victory" despite losing to her main villain since she got him to "lay down his weapons" (which she absolutely didn't but whatever)). Also, apparently the woman in the last episode next to Nathalie is Amelie, which also means Gabriel didn't use it to revive Emelie and "chose to die with her since he couldn't live without her", which means we spent 5 seasons watching him tormenting all of Paris and his own son for nothing. Gabriel won for no reason other than a twist no one wanted (except the writing team). Nothing actually mattered in the end! Ain't that just something!
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Oh and bonus - Adrien not being part of the final fight was planned from the very beginning (The writers really wanted the Bugnoire VS Monarch fight, so they had to get rid of Chat instead of...anything besides that), so there was never going to be a confrontation between Adrien and his dad. And the writers said that they "already discussed/covered what they wanted to" with Gabriel in Season 5, so no Adrien finding out the truth or any sort of backlash/consequence to the main villain wining and rewriting all of reality to fit his personal whims. We're just moving on to Lilamoth and whatever circus they're going to pull out for S6!
Doesn't this make you feel like you dedication to the series was properly rewarded! Don't you just feel all sorts of narrative satisfied and fulfilled!
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starsmuse · 2 years
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neverafter premiere night so here are some thoughts!
emily axford is truly godsent. the relationship she and ally have already crafted between ylfa and timothy, the way she plays this congested prepubescent girl, her backstory scene; god, the entirety of her backstory scene was SO good, though, i don’t know why i’m surprised. emily axford has never been anything shy of perfection and she won’t start now in a season where her ability to act really needs to shine through. also the fact that she’s playing a barbarian, i am so glad i guessed correctly because it’s going to be so fun to watch her play one especially with how they’ve set it up.
lou fucking wilson. i love everything about his character, his backstory which i LOVE that they left for last. this season seems to be one for double intros and he and zac are going to be incredible together i KNOW it. i made a few guesses as to who would be what class and NOTHING could have prepared me for him being a warlock to his stepmother, the way they’re interweaving the fairytales is brilliant i am truly so excited.
zac oyama… i love him with the entirety of my being but i couldn’t help but feel slightly underwhelmed with his backstory scene, like no way he’s just some random little cat that can speak? surely there’s more to him! i love the almost-brotherly relationship pib and pinocchio seem to have but i do have a theory i’ll run by you all: we all know in the disney retelling of cinderella, stepmother has a black cat named lucifer, i wonder if pib is another patron of pinocchio’s stepmother or maybe a familiar of hers sent to watch over pinocchio and ensure he isn’t messing things up. JUST A THOUGHT! if not, i’m genuinely very excited to get more backstory out of this character.
opening the show on siobhan’s introduction was obviously the way to go considering how beautifully she executed her scene. the briars… god, the briars. i have no issue with reading and listening to body horror and brennan painted a vivid word picture with his narration for her, it was all so good. i constantly complain about the intrepid heroes never having a ranger and they’ve finally got one and it’s the damsel princess, i absolutely adore that. i also love that rosamund still has that bit of naivety to her considering in her mind she’s still eighteen and she probably lived a pretty sheltered life all things considered. her simply knowing that there’s a prince out there looking for her and that he is her true love, i can’t wait to see what kind of spin brennan is going to put on this curse and inevitably what kind of curveball he’s going to throw siobhan/rosamund.
murph is playing this vapid and vain prince so well, but i cannot wait to see when he actually gets into this fighting that prince gerard seems to turn his nose up at. the scenes with princess elody were bordering on heartbreaking but still fully leaning into embarrassing on the prince’s part, i have an inkling as to why he’s regressing back into his frog form, as should most, but all in all i think this is going to be a pretty silly character, very cody-esque, one that i’m very excited to see and watch grow nonetheless. also, the whole exchange between prince gerard and princess rosamund, i hadn’t realized how little i’d seen murph and siobhan’s characters interact in previous seasons until i got a full and uninterrupted conversation between the two of them when their characters met and now it’s truly all i want to have them be silly little cousins fighting to protect each other.
finally, the person, the myth, the legend: ally beardsley. i hadn’t really though about how important mother goose would be to the plot as a whole until about a week before today because i know that mother goose is not only a writer of fairytales but the writer of the fairytales, so i really, really enjoyed a lot of timothy’s exposition and how much he cares for children—like ylfa—now that he’s lost his own. like i said before i am thoroughly endeared by the relationship ally and emily have already built between the two of them, and i cannot wait to watch it grow and i’m really excited to see what ally does with this character and where they go.
brennan hasn’t answered any of the questions that were asked about if this season is going to be similar to acoc in terms of lethality or if the pcs have created secondary characters, so i think it’s safe to say we should definitely be cautious considering there are no clerics in this party, but all in all i’m shaking with excitement and the thought of the rest of this season we’ve got like seventeen episodes to go and i think they’re going to be SO much fun.
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