#Because that arc flips their positions again

[thyandrawrites]

Rereading bllk made me realize Reo and Nagi's dynamic encapsulates a lot of the themes of the story, and their conflict perfectly shows the clash between wanting to be good at soccer cause it's fun, and nurturing one's ego to become the best striker in the world.

Interestingly, Reo starts off as the one chasing the latter and Nagi the former, but their first loss in blue lock flips their positions around. Reo can't progress to a point where he devours his opponents in the 3v3 match because he's stuck playing a soccer that is meant to be fun, that plays by established rules. His role in the field is to balance out Chigiri and Kunigami's egos instead of chasing his own goals, just like how he relied on passing to Nagi to score in a pinch.

Reo is a team player, mostly setting up goals with his passes. Which isn't necessarily a bad thing, per se. Controlling the field in such a way is a skill that he shares with Niko, but as Niko's loss also shows, limiting yourself to assisting someone else's goals is a losing strategy in blue lock, where one awakening can turn the scores upside down in a matter of minutes. Yet, Reo plays it safe because up till then his ideal of soccer is driven by the promise he made to Nagi. Winning together. Becoming the best together. His one objective throughout the match isn't being the best in the field, or even winning the match, but simply winning Nagi back. His ego cannot grow because he becomes complacent in what used to work for them.

As Ego puts it, Reo refuses to face reality and chases his dream for the sake of chasing it, refusing to admit to his shortcomings and thus entering a mindset where he can grow from his loss.

And Nagi calls this out.

Nagi, who used to think he'd quit playing if he wasn't good enough to win, instead ends up growing through a loss. The only soccer he knew until then was the one he played with Reo, but he's able to face that it wasn't enough to win. Thus, he chooses to advance alone, recognizing that what he lacks to become best in the world and crown their promise is not a lack of teamwork, but a lack of ego. Nagi lost to Isagi on a 1v1 before than the match as a whole. So he chooses him because Isagi demonstrated his willingness to chase after monsters to devour and better his plays, aka the drive Nagi lacked, but also the drive that is at the heart of true egoism. While Isagi would not give up in the face of likely loss and instead made an awakening happen, Reo, despite being equally driven, ends up falling behind. And that's, I think, because Reo gets so stubborn about not letting go of the idea of soccer he had before joining blue lock. The soccer that had himself and Nagi as its core, the soccer that didn't need anything else to be effective (not Kuon's subterfuge, not Isagi's direct shot, just the two of them as they are):

But, and here's where it gets interesting, Nagi, the unmotivated slacker, evolves, and Reo, the driven one, does not. Why's that?

One could say it's because Reo's a sheltered rich boy who never encountered a challenge in his life, and is not equipped for it. That could be true, I suppose. It definitely plays a role, just like how new soccer is to him in general. But it's also a matter of themes!

What Reo doesn't account for is that what worked against weaker teams won't work against team Z, who is the bottom of the barrel, and basically starving. They're willing to take themselves apart and rebuild anew just to remain in the running, and that makes them better candidates for Ego's goals. Nagi is able to recognize this, at least to an extent. He instinctively gravitated towards Isagi, the player whose hunger is arguably the strongest, and who thus is the most driven to break and rebuild himself anew in every match.

Reo, on the other hand, is more businessman-like. He asses individual strengths and drives them out with his passes and his machinations. That's how he can capitalize on less strategic players like Nagi and Zantetsu, while simultaneously being the driving force of team V. At the same time, that's also why he doesn't see Isagi's weapons for what they are, at first, while Nagi does. Since Isagi is still failing to be consistent, Reo sees a mediocre player who can only shoot, but is lacking in every other department. Nagi, who is much more reliant on trusting his guts, sees the guy who predicted where the ball would go and preceded him there, and realizes Isagi's true assets. That is, the ability to create your own scoring possibility, even though at that point it was still in its larval state.

To Nagi, who until then only played by receiving passes and following his inspiration, Isagi is the puzzle piece he's lacking. Reo's playstyle is different because they've never faced an opponent they couldn't beat together. In that sense, Reo can't teach Nagi that hunger that drives his plays, only Isagi can. To Reo, Nagi is already a treasure as he is. But Nagi's ego sparked to life, and he has questions that Reo can't answer. So he follows Isagi instead, in an effort to answer them.

Misunderstandings enter the chat. Chaos ensues.

Keeping all that in mind, when Reo then accuses Nagi of having changed, it opens the floodgates. Of course, it's true that Nagi did. He evolved, and that's plain for everyone to see. But, and this is equally important, Reo did not. Reo remained the same, to a fault. In fact, he's preaching remaining the same as a virtue that Nagi's pissing on.

So then when Nagi retorts that "the one who's forgetting our promise is you", I think he's saying that Reo is not actively trying to become the best anymore, but only seeking a soccer that is "fun". A soccer like the stuff that worked for them pre-blue lock, pre this mass of starved egoists. But they already played that way, and lost to team Z, to Isagi. They stopped being the best in their stratum.

During the 3v3, Reo begins to understand the reason why Isagi is a good player, and his frustration grows the more the march goes on. But he's powerless to stop them from winning, and then he refuses to accept the loss, griping at Nagi for discarding him again. In other words, instead of using that frustration as fuel to spark an awakening, Reo let himself crash into that wall, and then still asked to advance not because of his skills on the field, but simply on accounts of what he'd contribute to the team. He doesn't believe in his own ego, but relies on being chosen. Unlike Chigiri, who evolved to face the challenge, Reo and Kunigami were regular players, and that's why they get left behind. For the same reason, they both grow as characters when they start incorporating egoism into their playstyles. Reo becomes a chameleon, Kunigami a cannon.

But in this moment? All Nagi sees is a Reo who is fine being average. Comparing that to their dream, he blows up at him for letting that be the end of his line, for implicitly going back on the promise to show Nagi a 'life more enthralling than any nap or game'. They didn't even beat the best players in blue lock, so how can Reo speak of being the best in the world?

Of course, to Reo, it's Nagi who betrayed it first by advancing without him. He always assumed they would cross that finish line together. But the story tells us, this is the mark between a "lump of talent" and someone who can aim at being the best striker. The latter makes his own plays, and doesn't rely on others to create his opening; but an average player is someone who hangs on to dreams without putting in the effort to challenge oneself, even after a defeat.

Reo "lost" to Isagi not because he's unskilled, as he surmised, but simply because he didn't cultivate that hunger. Until now. But this moment, this loss, is what sparks his ego in turn.

And thus, the series tells us, do you have what it takes to keep evolving, devouring other people's play styles and incorporating them in your own, or will you cower, collecting only broken dreams?

[justanotherghostwriter]

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[dipperscavern]

I wrote this quick little drabble for a fellow Cregan wife @entitled-fangirl but I wanted to share it with you to show you what I got cooking

Imaging riding his big cock for the first time. Probably your second time, the morning after your wedding night and you take it all lazy and slow because its new for you.

The second you slide down onto him and he bottoms out, your eyes roll back and you let out a long guttural moan.

Cregan going “Feels good, doesn’t it?” as he smiles at you because your eyes are rolling back into your head and you can barely breathe. His hands have an iron grip on your hips, helping you guide him slowly up and down on his length. You are squirming above him, loving the way his groin rubs on your clit.

“Feels different this way?” He says as he’s smiling from below you, knowing that you two just found your new favorite position.

Until a few minutes later when Cregan just has to touch you so he sits up and hugs you towards his chest, rubbing your back and moving his hips up into you, matching your thrusts and you cry out over and over again into his shoulder, biting it as you come around him.

You two discover that your favorite position is the lotus position/sitting cowgirl cause Cregan loves his woman on top of him, both of them knowing he can easily flip her over if he wants to but he lets her have the power over him

i’m frothing st the mouth biting my own tongue clawing at the walls

“Feels good, doesn’t it?” THE WAY HE KNEOS HOW GOOD YOU FEEL WND THE HANDS ON YOUR HIPS GUIDING YOUUUU ARRRRF ARF ARF ARC ARF ARF PLEASE I BEED IT I NEED IT NOW AND OHHH AND KNOWING HE COUKD FLIP U IF HE WANTED OHHHHHHGGGGRRRRR ARF ARF ARF

[kuni-is-daddy]

Scaramouche/Kuni NSFW Alphabet(Fem READER!)

Word count: 1.1k.

Today is my Birthday 📷🤠 I wonder what scara would give Y/N on their birthday. Something besides a 'nice vantage point' view I hope🤨💦

CW: Minors do not interact past the cut! this is a NSFW POST!

ScaraMasterlist🤪

A: Aftercare- after you first had intercourse you awoke to rather clean and organized room. Your clothes weren't on the floor and we're replaced with a fresh set by the edge of the bed with a note ontop. Scratching your eyes you flipped the note over and read a small 'Hurry up and go to the dining hall when your done.' So you did, smiling ear to ear gleefully, barely getting out the bed and falling on your butt from a sting in your lower body, and a variety of bite marks trailing up your thighs.

B: Body Part- your neck and cleavage. Scara loves to bite on your neck while stuffing you full. He's Moaning, biting and licking so passionately along your neck he could practically feel your heart beating through it. When you make out he can't help but quickly run his hands under your shirt and tug at your bra fabric hiding your boobs. "Mn..fuck your such a tease~" he mutters out.

C: Cum Shot- Scara is pretty possessive, and now that "He's indulging you more often." Besides a hickey he makes sure to coat you everywhere. Your face, fingertips and especially your boobs. Whenever you wake up in the morning and practically stumble into the bathroom your met with bite marks all over your chest. Taking a picture of you covered in his sticky load is his favorite way of claiming you.

D: Dirty Secret- Sometimes he'll take pictures of you and your fucked out expressions, Fresh tears and bite marks along your beautiful body drives him crazy, Especially after your covered in his sticky seed. When your out for a while or he's on missions and extremely needy, he'll seclude himself just to desperately fist his cock to the many pictures of you he's saved. "Hnh~ S-shit~ that's it, Such a good- mnh~ slut taking my cock so well."

E: Experience- Very little or even none, He didnt care for sex as he's so worked up over Inazuma and dottores constant nonsense. Hearing childe talk about 'Hot People he's seen' on trips nearly made scara push him off the boat entirely. You get the honor of being the only one touching his 'godly' body.

F: Favorite Position- face down. Ass up. He loves rubbing his hands along your back then trailing down your body towards your ass. With his smooth fingertips Its almost like a massage. Once he notices you sink into his touch and arc your back like a cat, he's immediately slapping your ass and gripping onto your hips to pull you closer. Grinning at your surprised moans.

G: Goofy- Scara is way too focused on getting himself or you off. But if you made a sly remark about how gentle he's being...he'd flip you over on your tummy, then smash your face into a pillow and call you a needy slut before fucking you rough.

H: Hair- He's a pretty boy, always keeping it trimmed. But since you have the 'honor' of touching him. He'll let you decide how you want it.

I: Intimacy- messy at the beginning. Since your his everything now scara didn't know how to react. He's never had a long lasting or any relationship like this before. Even with aftercare only your panted breathes and 'small talk' would fill the silence.

Walking through the forest or quiet paths always made scara feel at peace which is why he brought you with him. Not because he was bored. His tone would change completely from 'destroyer of nations and Lord sixth' To the blissful innocence he's had as kabukimono. The second you take the opportunity to interlock your hand with his he nearly goes bug eyed as if you Disturbed his peace. He'd Scoff and sigh as if your needy. So you pulled away with a slight frown and immediately he's grabbing tight on your hand. "I never said for you to let go, did I?" He implied and you immediately shook your head and held his hand again with a bright smile on your face while he tippee his hat and looked in another direction, hiding the rosey red blush coating his cheeks. After a couple of days out, scara would be the one holding your hand as soon as you get out the door for a date/ outing he's planned. Everso tightly and even wrapping his arm around your waist so your under his umbrella ((Or hat)) on rainy days.

J: Jack Off- He wouldn't need to unless he's oversees for a mission. He'd fuck you whenever he felt like it. In public, at home. It didn't matter. If you really insisted on waiting until you both got home he'd still pull you over to a alley and kiss you deeply at the very least.

K: Kinks- KUNI!!! CALL HIM KUNI and it practically drives him INSANE!! He loves how sweetly you say his name, either moaning or just calling out for him. You could try kabukimono but He'd get sensitive over it.

Degrading, "Your such a slut~ moaning and pleading for my cock. Want me to give it to you? Then give me more, let me hear more of your pathetic moans. How much do you want your master to fill you up?" Corruption, if it's your first time he'd give the most devilish smirk you've ever seen in your life it would give that weirdo doctor a run for his money. He gets to claim and stuff your pussy full , molding you to perfectly fit his cock and his alone. Breeding, oh for you to have his children. He'd kiss on your belly and abandon his fatui duty's without a second thought. He loves kids and once it was brought up He'd stop at nothing to fill you up with his seed. Just say the word.

L: Location- he prefers the bed, couch, anywhere in your shared home or his palace designated by the tsaritsa. His office however is a favorite of his so he can see you spread out for him and your body jolting back and forth while the desk creeks from his fast pace. But if he was really turned on like at his meeting with Kujou Kamaji..he'd have you stuff your mouth with his cock from under the desk and even pretending to "drop something" just to see your teary eyed face.

M: Motivation- That mouth of yours. Whenever you talk back it amuses him, even during arguments he'd always say things to get a reaction out of you and see what you could come up with just to shut you up later if he loves your answer. (Mention his mother or '3 betrayals' and he'll use you as much as he wants for the day.) Either starving you of an orgasm or deep throating his length and force you to swallow every drop of his cum. If you send a picture of you in black lingerie or any clothing he's bought recently, he'd make it a priority to fuck you as soon as he got home without a care in the world.. he probably left the door open🤭

N: No(turn offs)- Scara would love to try anything with you, either him being top or bottom he always found a way to dominate you or be a brat about it. So it didn't really matter what you did. But if theirs 1 things he didn't care for was wax play. The thought of possibly burning your skin with a mark like that gives him bad memory's.

O: Oral- he loves it. When he plunged 2 of his fingers inside of you and licked at your clit, you came all over his fingers and tongue. You apologized for being so messy but the first thing that came out his mouth was for you to sit on his face like a good girl.

P: Pace- it depends on the mood, he couldn't live watching you walking the next day without stumbling or your legs wobbling. But if it was a long day with fatui work or he hasn't seen you in weeks. It's slow and passionate. He missed feeling your beautiful body. He wanted to explore it just like your first time.

Q: Quickie- Down for it anytime, anywhere.

R: Risk- since he could have you give head right Infront of a colleague. He'd do it Infront of the tsaritsa for all he'd care.

S: Stamina- he's a puppet....and on top of that his 'Creator' is the electro archon. He could go for hours before Overheating 🤭🤭Turning into a sensitive moaning mess. But 'unfortunately' your a human. 2 Rounds minimum.

T: Toys- catching you playing with a toy in your room? He'd watch as you begged and cried from frustration for him to touch you because the toy wasn't enough. How pathetic of you to result to such things while he was away..

U: Unfair- He’s so unfair. he’s brought you to tears almost everytime you did it, he needs you to beg before cumming. Whenever he feels you reaching your climax he'd slow down just to hear you whimper. If you try to tease him he'd indulge it only until he got impatient. Grazing his tip on your folds before riding him? He'd slam you onto his shaft by grabbing your hips. Licking around the tip? As soon as you blink your deep throating his length.

V: Volume- Get as loud as you want, it'll only edge him on more to go faster, to degrade you more, to fuck you harder. As for him he'd mimic your moans just to make fun of you. "Oh shit...You Ah~ like my cock that much? Yes.. faster? Beg for it..cry louder baby~"

W: Wild Card- somnophilia. Only if you give him permission.. if you couldn't wait for him to come back from a mission and we're passed out in his bed he'd flip you over on your back, spread your legs and begin licking and biting at your thighs. When he has a wet dream he'd spare no time and have you waking up to him grunting and groaning in your ear while he folded you like a chair. Also.. electro play..when riding him he'd shock you to go faster instead of slapping your already red ass.

X: X-ray. how big🤨- 6- inches and thick. Grinding on him feels so good it's almost as if he's inside of you already~ making you wet and ache for it. When he shoves it deep inside you there's always a bulge, sometimes he'd even grab a marker and label your tummy. He'll stretch you farther next time.

Y: Yearning- if you want it bad he'll always comply. But ONLY if you want it bad. Keep begging, he needs to know you want It. If you dont beg he'll just swat you off like a bug. Or lazily take you.

Z: Zzz- he'd watch you fall asleep after gazing into his indigo eyes long enough. It was a weird yet comforting feeling as you both laid in bed. Your warm body against his. You'd even lay on his chest to his soft breathing making you rise uppp and downnn. It used to creep you out how he wouldnt breathe sometimes but you got use to it. He'd sit there just observing your body. Even trailing his thumb along your soft lips and cheeks.

-- FIC NOTE 🧍

For those confused on turn off 'Bad memory' with the wax play, I considered it for the 3rd 'Betrayal' When the child died from his illness and Kabukimono burned the house down and most likely buried the kid within it.

But this is all head cannons so I hope this is good food for thought with scara!!

"Didn't you post a scara alphabet before?"

Well yes thank you for remembering 😃☝️ The other one got flagged 🧍

[rollinouttahere-writes]

Lucky Break Chapter 3

Yandere Straw Hats x fem!Reader

4.5k words

Beginning / Previous / Next

I was really hoping to get Orange Town Arc wrapped up in this chapter, but it appears that writing for One Piece has given me Oda’s pacing.

How could this even be possible? How did a disembodied arm stab Zoro? You clung onto the cage Luffy was in, feeling nauseated at the sight. Unlike when he had cut Buggy, blood was immediately flowing from the wound. Zoro stumbled from the attack and reached behind him to try and remove the dagger, but the arm ripped it out and flew away.

You could only watch in abject horror as Buggy’s body floated until he was in an upright position. He laughed loudly at the confusion on your faces, “The Chop-Chop fruit is the name of the devil fruit I ate, so now I’m a person who can never be cut!” His body readily attached itself back together (and his clothes too somehow), all while he continued to cackle.

Another one of those weird fruit things? Are all of them this disturbing to witness? You hope you never have to see another person with these cursed abilities ever again. 

“A chop-chop person? Is he some kind of monster?” Luffy was, as per usual, not reacting to the given situation with anywhere near the severity required. 

You reached through the bars to swat at him, “You’re all rubbery! Are you a monster too?”

“No, I’m a rubber person, it’s different,” he says like you’re dumb and simply didn’t understand. Well, to be fair though, you didn’t understand a damn thing going on right now. Was your life always filled with such bizarre events? Surely this wouldn’t be so shocking if you had been used to such things.

Wait, there is way too much going on right now for you to be getting distracted like this, you look up only to see Zoro lifting the cannon, flipping it so that it’s aimed towards the other pirates. How he was able to casually lift that is beyond you, especially when taking his wound into account.

Nami rushed over and lit the already very short fuse. Buggy and co immediately panic at this, and are apparently so terrified that they forgot how to move because they just let it fire at them. The explosion was deafening from this short distance, and the wave of heat felt like it was burning your lungs. All you could do was try and shield your face with your arms, but it really didn’t help much.

“Come on, we need to get out of here,” Zoro shoved past you and grabbed the cage, putting all his strength into dragging it away. You can’t let him do this by himself when he’s so injured, he really shouldn’t be doing this at all, so you push it from the other side. It’s so heavy, you can’t imagine you’re really helping him all that much, but you don’t give up. 

Zoro is either in shock and can’t feel anything, or is a glutton for punishment because he continues to drag the cage further than you thought necessary. You’re not sure why, it’s not like those other guys are going to come after you. If there was anyone that survived the blast, there’s no way they’d be in any shape to give chase.

He finally called it quits in front of some abandoned pet store, immediately collapsing onto the ground upon letting go of the cage.

“Zoro!” You rushed over and knelt next to him. Instinctively, you reach into your bag for the first aid kit, but then freeze. What are you supposed to do with it? Slap some bandaids on the gaping wound? For all you know some of his organs were pierced, too. At the very least, he would need stitches, and you didn’t know how to do that.

“It’s fine, don’t worry about this. I’ll sleep it off,” Zoro placed his hand over yours, forcing you to put the kit back in your bag.

You looked at him incredulously, “Sleep it off?! You didn’t sprain an ankle or something, you got stabbed! You can’t sleep off a stab wound!” He must be delirious from blood loss, that’s the only explanation for how he’s this nonchalant.

“Quit worrying so much, I’ve slept off worse.”

“You’ve what?”

“Just quiet down so I can sleep,” he yawned and stretched out on the ground as if he were on a bed. His eyes flickered open again and back on you, “Can I have that back now if you’re done using it?”

“Have what?” Your hand reaches up to follow where his gaze is focused, landing on the fabric of the bandana, “Oh!” So you were right, it was his. You’re quick to untie it and return the bandana to its rightful owner.

“What’s with this weird dog? Why isn’t it moving?” Luffy was currently in a staring contest with a tiny white dog sitting in front of the store. The poor thing looked filthy. A stray, probably.

“That’s what you’re focused on right now? Seriously?!” You scolded him while gesturing at Zoro. What’s with this guy? How is he this laid back about everything going on around you? Were you the weird one here?

Luffy just tilted his head at you, further making you question if you were the odd one out, “What? He said he’ll be fine after he gets some sleep.” Zoro wordlessly nodded along with this sentiment from his (bloodied) spot on the ground, giving you an ‘I told you so’ look. 

It’s official. They’re both insane. Was it too late to listen to what Nami said and go your separate way? You hazard a glance back at Luffy, only to see the dog biting his hand and him screaming while trying to shake it off.

You… Would probably be better off on your own.

“So that’s where you three ran off to,” you whip around to see the sanest person you’ve met so far, Nami, watching you all with an amused grin. She strolled closer and dropped a large key onto the ground, “I figured you guys might want this.”

“The key!” You and Luffy shouted in unison. You pray it’s the correct one this time, but at least it won’t be your fault if it isn’t. Luffy goes to grab it, but can’t. Not because he can’t reach it or anything, but because the dog leapt forward and snatched it up first. He didn’t just pick it up, no. The damn thing swallowed it, much to everyone’s shock and horror. 

Luffy was the first to snap out of it. Surprise turned to anger as he grabbed the dog, yelling at him to spit it out, even though it was too late for that. 

Ah. Of course. This might as well happen.

Crestfallen over the realization of how strange the company you’re keeping really is, you look at Nami with what must have been an extremely exasperated expression. All she does is smirk, visibly taking joy in your palpable regret towards your life decisions. 

“Are you having fun helping your friends here?” Her tone was saccharin and her smile was conniving. 

Suddenly, your resolve hardens and spite bubbles to the surface. If she’s going to be like this, then you don’t want to let her in on how you’re really feeling. You won’t give her the satisfaction of being right. “Yes. I’m loving every second of it, thank you very much,” you huffed and looked away from her, hoping she didn’t see right through you. Nami snorted at your effort.

“Hey! You kids leave Chouchou alone!”

Everyone turns their attention to the new voice. It belongs to an old man wearing some crude attempt at armor. Who’s Chouchou? The dog?

“Who are you?”

“I’m Boodle, the mayor of this town,” he stated very matter of factly. You couldn’t help but take a look at your surroundings. He’s mayor of this town? A ghost town? You suppose that would make getting elected easier.

He stomped his way closer, sizing up all of you before his eyes settled on Zoro. His eyes shot wide open, “That’s a terrible wound you’ve got there, we need to get you to a doctor immediately! I take you young’uns had a run in with Buggy and his crew?” The old man knelt down and began to try and lift Zoro onto his feet. 

You pitched in and hooked his other arm over your shoulder. You’re not sure where you’re headed, but you assume it’s to wherever the doctor is. It’s surprising that there’s still a doctor here, but you suppose it’s not that much of a reach if the mayor is still lurking around.

He enters a nearby building, but it looks more like someone’s personal home than a doctor’s office. There also isn’t anyone in here. You follow the mayor’s lead into a bedroom and let Zoro lay down on one of the beds in there. You glance around and strain your ears, but you don’t see or hear anyone. You decide to ask, “So where’s the doctor at?”

“Oh, he’s not here,” Boodle didn’t pay you much mind, leaving the room to grab some supplies. He came back with a first aid kit and a glass of water. 

Zoro in the meantime had shuffled himself under the covers and waved his hand dismissively at Boodle, “I don’t need any of that, just let me get some sleep.” Within seconds of finishing the sentence he was out cold.

“When is the doctor coming back?” You pried.

“Not anytime soon, I imagine. Not while Buggy is still ‘round these parts.”

“Then why did we bring him here???” Talk about pointless, this was like going shopping in a store that’s out of stock.

“It’s better than leaving him on the street, young lady,” he explained. His eyes focused on the haphazardly placed bandages on your forehead, “Oh dear, it looks like you could stand to see a doctor, too.”

“What? The doctor that isn’t here?”

Boodle scowled at your response, muttering under his breath, “Kids these days and their sass.” He huffs and turns to the door, “I’m going to go talk to the others, you’re welcome to stay here and rest if you want.”

The mayor is quick to leave after that, so you focus your attention back on Zoro. He’s sound asleep, looking surprisingly peaceful despite the circumstances. Despite his insistence that all he needs is sleep, you’re not so convinced. You shake Zoro’s shoulder, but he doesn’t even flinch. The blood loss must have him in a very deep sleep right about now. Maybe you could treat him now? There’s probably no harm in that.

You pull the covers back and roll up his shirt to assess the wound. If you remember right, he got stabbed from behind, so you decide to roll him onto his side to look at that part of the injury, too. There’s blood everywhere, and also some dirt and debris around it. You’ll need to get this cleaned up so it doesn’t become infected. 

The bathroom should have what you need for that. You leave the room and try a couple of doors in the hallway before getting the right one. There’s a wash bin on the counter that you fill with warm water, and you snag a couple of rags on your way out of the room.

Zoro is exactly as you left him a moment ago, so you set to work on washing away the blood and dirt. His abdominal muscles twitch involuntarily from the action, but he didn’t wake. It was somewhat difficult to clean the wound due to the fact that it was still bleeding, but you got it good enough to move on to disinfecting it. 

Cracking open the kit, you rifle through it to find what you need. Your hand closes around a bottle and you pull it out to see what it is. Painkillers! You can’t help the relieved grin that spreads across your face. Finally, some relief for your splitting headache! Popping open the bottle, you shake out a couple of pills and use the water on the bedside table to take them. Zoro probably wouldn’t mind. You set a couple more on the table for Zoro to take, too. 

Next, you find a disinfectant and set to work on applying it. The sting of it was enough to rouse Zoro from his slumber. His arm shot out to try and shoo you away and he hissed, “Leave me alone, I’m trying to sleep.”

“I will when I’m done. We need to get this taken care of before it gets any worse. Here, I set out some painkillers for you,” you reached over and grabbed the pills and water cup, holding them out for him.

Zoro made no move to grab them, “I don’t need them, I feel fine.” 

“There’s no way that doesn’t hurt like hell. Quit acting like a tough guy and take the damn things!” You try to push them past his lips, but he wrenches his face away from you like a toddler avoiding taking medicine.

“Knock it off, woman! I’m fine! Just finish what you’re doing and leave me alone!” He grabbed the wrist of the hand that had the pills in it to stop you from trying. 

You scowled at his stubborn antics, but ultimately relented. If he was willing to let you dress the wound without a fight, you’ll take it, “Okay fine, sit up for me.”

This kind of a cut definitely called for stitches at the very least, but you weren’t qualified to do that. The best you could do was bandage it so it stays clean and doesn’t get any worse. You wad up a couple pieces of gauze to put on each side of his stab wound and wind some bandages around his waist to hold them in place.

“Is this too tight?”

Zoro rolled his eyes and grumbled, “It’s not, you worry too damn much.”

“Well excuse me for trying to help you and return the favor,” my god this guy was argumentative. 

“Return what favor?” He looked genuinely confused. It’s not entirely unbelievable that he’d forgotten about helping you before given everything that’s happened in such a short window of time.

“You’re the one that cleaned up this, remember?” You pointed at your head with your free hand. Granted, rinsing it with sea water was hardly an ideal treatment, but it’s the thought that counts.

“Oh, that,” Zoro averted his gaze. “It’s not a big deal, I didn’t do that much. Definitely didn’t harp on you as much as you’re harping on me.” The man apparently couldn’t go two seconds without complaining.

It was your turn to roll your eyes, “Still, I appreciate the effort and wanted to give you the same courtesy, even if you’re being a cranky bastard about it.” His protests of being called ‘a cranky bastard’ was cut off by you tying the bandages in a knot to keep them in place, “There, I’m done. Now you can go back to sleep.”

“Finally,” Zoro falls back onto the pillow dramatically and immediately goes back to snoring. You pull up the covers since he didn’t bother to before passing out again. He must be exhausted to be able to go to sleep so quickly.

There’s another bed in the room and you contemplate laying down in it, but then you hear a terribly loud roar outside. You spare a glance to Zoro, who is unresponsive, then rushed out of the room to see what was going on. That sounded an awful lot like the lion, Richie.

Throwing open the front door, you look around and see Luffy by himself. Nami and Boodle are nowhere in sight, but neither is Richie at least.

Luffy is frantically rocking the cage back and forth in what you think is an attempt to scootch away. When he sees you running towards him, he perks up, “Lucky! Help me out and move the cage!”

There’s no way in hell you can move that cage far enough to get him out of danger, but you think you have an idea, “I can’t do that, but there might be another way.”

He tilts his head curiously, “Another way? What do you- Hey! What are you doing?” He yelps as you reach through the bars to grab his ankle and pull it out.

“You’re made of rubber, so you can squeeze through these bars, right?” If he can stretch, he can squish too. At least, that’s what you’re guessing.

“That’s not how this works! I would’ve gotten out of here by now if I could do that!” Luffy was flailing indignantly, trying to get you to let go.

“Maybe you just needed some help? Work with me here, suck it in!” You grunted from the effort of trying to pull some wriggly rubber boy out of a cage. He wasn’t making this easy on you. His leg was stretching, but he wasn’t any closer to being out of the cage.

“Suck what in? You don’t make any sense!” Luffy was straight up whining at this point.

“Well, well, well, what do we have here?”

You shrieked and in your panic, let go of Luffy’s leg. You were so focused on helping Luffy that you hadn’t realized that Richie was now right here. So was that guy with the weird hair. When you let go of Luffy’s leg, it slingshotted back and over the cage, nailing the guy in the chest and sending him flying off of Richie.

“Oh! Good thinking Lucky! You got him good!” Luffy wasn’t even acknowledging the massive lion.

The other guy was coughing and gasping from the impact. Richie was paying him no mind and instead came over to you and licked your face. This successfully distracted you from the situation at hand. You cooed at the overgrown feline and gave him chin scritches.

The dog, Chouchou, was growling like mad. You hadn’t even noticed the small dog was still here before, having assumed it left with the others. 

The weird haired guy staggered onto his feet, visibly furious, “Richie! Quit cuddling up to that liar!”

Richie grumbled, but did listen. He meandered back in no particular hurry, looking unenthused about the whole ordeal.

The man cleared his throat, “I’ll make you all pay for what you did! I am Beast Tamer Mohji, and there isn’t a creature that I can’t tame! Observe!” To prove his point, he approached Chouchou, whose growling got louder with each step. Mohji crouched down and held out his hand to the dog, smirking confidently. 

As soon as he was close enough, the dog lunged forward and bit down hard on him. Mohji screamed and flailed his arm, trying to dislodge the angry dog. You, Luffy, and Richie watched this, all sharing an unimpressed look at the display.

When he did manage to free himself, Mohji took a minute to catch his breath before turning to face you guys again. “Anyways! We have unfinished business here! I’m not about to let anyone get away with disrespecting Captain Buggy!”

Oh, so he’s just gonna sweep that under the rug, huh?

He sicced Richie on you two. You screeched and leapt behind the cage. Why did he have to start acting like a proper lion now?! Richie put all his weight onto the cage, and it crumbled almost immediately.

Luffy cheered and jumped out of the way, dragging you along with him. He stretched and jumped up and down, thoroughly enjoying his newfound freedom. “Finally, now I can actually do something!” He charged at Richie and Mohji, winding up his arm to deliver a blow, but Richie reacts faster. He swipes at Luffy, and the hit quite literally sends him flying. Not just flying a few feet, no, it sent him hurtling through several buildings.

Your mouth was agape. Sure, he’s made of rubber, but how can anyone be okay after something like that?! Praying that Richie likes you enough to not give chase, you sprint towards the rubble, hoping that he’ll be okay.

Much to your relief, you aren’t pursued. Much to your horror, however, you find several buildings toppled from Luffy being thrown into them. When you finally reach the last destroyed house, you catch sight of Nami and Boodle gawking at it.

“What are you doing? Help me dig him out!” Not waiting for them to pitch in, you start pulling off fallen beams and tossing shingles behind you. You can see one of his feet poking out of the rubble.

“Lucky, I don’t think you need to, there isn’t a chance that he survived that,” Nami put her hand on your shoulder and gently tried to pull you away, but you just shrugged her off and continued to dig. You had to at least try!

Suddenly, the fallen building shifted on its own. Then Luffy sprung out of it, looking perfectly fine, if a bit dirty.

“What?! How can you still be standing after that?!” Boodle stepped back in shock from the sight and you could hear Nami gasping behind you. 

“I’m a rubber person! It’s gonna take a lot more than that to stop me,” Luffy declared proudly. He hopped down onto the ground and sprinted back towards where Richie and Mohji were. He sure is fast for someone who just went through what he did. All three of you followed after him, wanting to see where this was going. 

It wasn’t until just now that it dawned on you how strange it was that Mohji and Richie were even here. Didn’t they get hit by that cannon? If they’re okay, then does that mean the others are, too? Damn, how weak was that cannon? Maybe letting it hit Luffy wouldn’t have been that dangerous afterall. 

Up ahead, you catch sight of a rematch between Richie and Luffy. This time, Luffy was more prepared and dodged his attacks with ease. He then twisted his arms around several times over and grabbed the lion. As if Richie weighed nothing, Luffy flung him overhead and drove him into the ground. You couldn’t help but wince at the sight, pitying the lion even if he had previously attacked Luffy.

Mohji was also appalled at the treatment of his lion, but didn’t have time to do much since Luffy knocked him out in one hit.

Nami was horrified at the display. It seems she was as disturbed by Luffy’s powers as you were. “Pirates are insane, why would anyone ever want to associate with these freaks?” She mumbled more to herself than anyone. 

If Luffy heard her, he didn’t react to it. All he did was pick up a box of dog food that was laying on the ground and make his way back to where you guys were initially. 

Curious about what he was doing, you tagged along and could hear the other two not far behind. As you rounded the corner, you finally took notice of the active fire that was going on. That pet store you guys were by before had been set aflame since you’d last seen it. Did Mohji do this? Why? 

Chouchou was howling pitifully in front of it. He looked like he’d been roughed up, with claw marks all over him. You suddenly felt a lot less bad for Richie.

Luffy slowly approached the dog and set the dog food next to him, “That store was your treasure, right? It’s not much, but I was able to save this for you.” He reached out and patted the dog on the head, which Chouchou surprisingly tolerated this time around.

You aren’t completely sure what Luffy is talking about here, you feel like you’re missing an important piece of information. Still, you can’t help but be moved. Did he go out of his way to help the dog even after his previous issues with him? That’s oddly sweet.

Maybe these guys aren’t so bad afterall. Unhinged, yes, but at the very least they’re decent people. Perhaps you will stick around a while longer. 

It would appear that you weren’t the only one moved by the display. Boodle clutched the spear he was carrying tighter, looking like he was on the verge of tears, “I can’t believe I’ve let this get so out of hand. I’ve been a part of this town since it was founded forty years ago. I helped build it. Me and the townsfolk poured so much into this town only for some lowlife pirate to come by and try and take it all for himself.” He cleared his throat and looked off into the distance with a burning resolve, “I’m done letting this continue, this is ending here and now! I’m going to bring an end to his reign even if it kills me!”

Mayor Boodle raised his spear in the air and charged towards where Buggy and his crew were stationed. Nami called out after him, warning that this was a bad idea, but her pleas fell on deaf ears.

“Should we stop him?” You can’t imagine this is going to end well for him. This feels like watching someone’s grandpa go to war.

Neither of them were given a chance to answer. The deafening boom of a cannon going off cut through the air as several buildings toppled in its wake. Horrifyingly, one of them was the house Zoro was in. 

All of you were in a stunned silence. How many times were you going to see people get crushed in collapsing buildings today? What was this? A superhero movie?

… What’s a superhero movie? 

The remains of the building shuddered, then lifted, and you saw a green head of hair pop out. “Can’t get any damn sleep around here,” Zoro looked annoyed more than anything, as if you’d simply woken him up again and not like he’d just survived numerous events that should have been fatal

Luffy cackled, “Let’s go Zoro, we’re gonna kick that big nosed clown’s ass!”

“I don’t think Zoro’s in any shape to be ‘kicking ass’ right now.” Did Luffy forget about Zoro being stabbed?

Zoro, who was still working on climbing out of the rubble, groaned at this, “Didn’t I tell you that you worry too much? Quit fussing. I got some sleep, I’m fine.”

Does he think sleep is a cure-all? He must be able to tell that you’re going to argue with him, because as soon as he steps down, he takes off with Luffy in the same direction Boodle went. You called out after them, but they distinctly ignored you. 

“They’re a bunch of lunatics,” you muttered, staring at their rapidly retreating forms. 

Nami laughed, “Yeah, well they’re your lunatics, right?” 

“I guess so,” you admit. Even if they are insane, you can feel yourself becoming fond of them.

Both of you follow behind them at a light jog. They’re out of sight, but you’re sure you’ll be able to hear them soon enough. You’re not sure what you’re going to do when you get there, but you’ll just have to figure it out as you go along. 

[bestworstcase]

the perennial Tai Discourse is really interesting to track bc, speaking broadly, the two major camps are just:

those who focus primarily on ruby’s recollection of her childhood and relationship with her dad (and filter what yang says through that lens such that “i had to pick up the pieces and keep things together when i was five” gets diluted into “yang had responsibilities as a child”)

those who focus primarily on yang’s memories and her arc in v4 (and tend to just ignore or minimize the things ruby says that suggest a positive relationship with tai, in particular often just flat out disregarding how excited ruby is to spend time with or receive care packages from him)

when it’s like. yeah that’s. literally the point. that ruby and yang had profoundly different childhoods.

they’re half-sisters in a story about fairytales and only one of them had a decent dad. rwby is unsubtly interrogating the fairytale archetype of the Evil Stepmother/Dead Mother with raven (not dead, but absent) and summer (villain, presumed dead) and that archetype quite literally requires its counterpart archetype of the Neglectful Father who remarries and tacitly participates in the Evil Stepmother’s abuse of his child from his first wife

tai is as much an exploration of the fairytale Neglectful Father as raven is the Dead Mom and summer is the Evil Stepmother. that’s. a core aspect of the narrative surrounding the rose xiao long family.

the Dead Mom often reincarnates as a bird or tree or similar spirit to watch over her child; rwby turns this on its head by reimagining the Dead Mom as an absent one. raven watches over yang in her bird form because she is too afraid to be meaningfully present; she isn’t dead, but her absence in yang’s life is so complete that she might as well have been, and the fairytale tension between the Dead Mom’s death and her lingering presence is explored through these cramped and inadequate half-measures raven takes in trying to have it both ways.

the Evil Stepmother is a vehicle for making the fairytale heroine miserable; she has no identity nor any reason for her monstrous treatment of the child who is not her own. rwby, again, flips this over with the mystery of summer rose. who was she, really? did anyone know? she was a good stepmom—she loved yang like her own daughter—but now she’s gone. she left. she never came back. she lied. she joined salem. why? what expectations did she feel on her shoulders? what broke her? why did she do the things she did?

lastly, the Neglectful Father must either be a love-blind fool or a weak, contemptible man with no love or loyalty to his own blood; he forgets his motherless child at the behest of his new love. rwby turns this on its head too by rendering tai as a human being—messy, flawed, fully-realized. wicked stepsisters exist for the purpose of being spoiled by the Evil Stepmother in juxtaposition with her cruelty to the first child, who is kind and good because she remembers her mother’s lessons. the fairytale children of these archetypes function as repetitions of their mothers. rwby makes that the central conceit of its spin on the Neglectful Father: what if he loved both the Dead Mom and the Evil Stepmother so much and then both of them broke his heart in mirrored ways, leaving him a single father to both of their children? if he sees raven in yang and summer in ruby, how does that color his relationships with both girls? if you take away the Evil Stepmother but not her daughter, does the Neglectful Father remember his first child? or are people more complicated than that?

and with all three, the narrative engages with these one-dimensional archetypes by constructing complicated, multi-faceted characters on top of them; by tossing the simplistic moral didacticism of a fairytale and presuming, first, that everyone is trying their best, that bad choices can be made from good intentions, and that no one gets it right all the time, or even most of the time. love and profound dysfunction can coexist.

ruby and yang had very different childhoods. that’s the narrative foundation the whole rose xiao long family is built on, because they’re a deconstruction of the archetypal fairytale blended family.

[ikroah]

I have reached the breaking point, the point of no return, it’s very clear to see a fool like me will never, ever learn. I have reached the breaking point, I hear the drums of doom, I’m gonna flip my wig in one great big atomic boom! —“The Breaking Point,” Bobby Darin (1966)

It Keeps Right On a-Hurtin’ #27 - Ring-a-Ding-Ding VI

Collaborative Issue! Guest Artist: @sas-afras

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Read IKROAH on Archive of Our Own

Notes / Transcript:

Notes

Huge thanks to Monty over at @sas-afras for getting this one done! I handled the original layout and lettering, but the rest was all them. Layouts like this can seem simple and easy because of how straight-forward and repetitive they are, but when all you've got are a dozen and one reaction shots, every single one of those reaction shots needs to be as perfect as you can get them. And Monty did a hell of a job. Especially on the coloring! Monty, if you're reading this, you're a hell of a good colorist (on top of everything else). Thanks again!

Another note about this issue is that it, along with the previous one, were some of the most difficult to write in this whole damn comic so far. I really hate repeating in-game dialogue verbatim without good reason, but there's really not much else I could do here. It's a very necessary part of the story that is also literally a part in the game where your character is fixed in place listening to a monologue. I took some liberties, did some punch-up, not just for its own sake but to really drive home what I find most interesting and vital here about Mr. House as a character.

Anyway, Agnes is in trouble. And there's only one issue left in Volume 2! The next one closes out this arc of the story, at long last. Stay tuned.

Transcript

INT. LUCKY 38 BASEMENT. From an observation deck of sorts, AGNES SANDS watches several SECURITRON robots position themselves in a testing area, containing several sandbags, dummies, and makeshift fortifications. A voice booms from an unseen speaker.

MR. HOUSE: You're well familiar with my Securitron police force. But have you ever wondered: what exactly makes them the marquee option in perimeter security and pacification?

AGNES glances in the direction of the voice, uncomfortable.

MR. HOUSE: Well to start, the reinforced titanium alloy housing of each unit, which protects its electronic core, easily deflects small arms and shrapnel.

MR. HOUSE: As for its offensive capabilities, its X-25 gatling laser—produced to spec by Glastinghouse, Inc.—is deadly against soft targets at medium range.

SFX: BZZTZZTZZTZZTZZT

AGNES recoils as a red glow washes over her from the testing area.

MR. HOUSE: And then for close-range suppression or crowd control, the Securitron is also armed with a 9mm sub-machinegun.

SFX: DAKKA DAKKA DAKKA DAKKA DAKKA DAKKA

AGNES shuts her eyes, wincing from the crack of gunfire.

MR. HOUSE: These features have been sufficient for keeping the peace within Vegas, but with the NCR and Legion closing in on Hoover Dam, and sizing up my city like a piece of prize cake, more than ever we need to be prepared for, well...external conflict. Policing is one thing, but when geopolitical powers are involved, my Securitrons can only pose so much of a threat.

MR. HOUSE: That is...if they're forced to rely exclusively on their secondary weapons--as they have been, all this time!

AGNES looks upward, surprised.

MR. HOUSE: Remember, the Great War interrupted a pivotal moment for RobCo's work. Consequently, all extant Securitrons have been stuck, running on a mere Mark I operating system—the first production version of the OS—which has simply lacked the software drivers for the use of their primary weapons all this time!

AGNES looks around, as if HOUSE were in the room somewhere and she could find him, in a panic.

MR. HOUSE: The platinum chip, you see, was never just a token. At a time when industrial espionage ran rampant, it was minted as a high capacity, proprietary, and uniquely irreplicable data storage device. In a way, it's more like a computer chip. And now—with the data from the platinum chip finally installed onto my nextwork—it's time for a very crucial software update. Behold: the new Mark II Securitrons!

AGNES gawks downward at the testing area, eyes wide. Oh no.

MR. HOUSE: Their newly accessible M-235 Missile Launcher gives them the ability to engage ground and air targets at significantly longer ranges...

SFX: PSSSSSHHH KTHOOM THOOM THOOM THOOM

AGNES flinches, covering her face for protecting, and screams as explosions rip apart the testing area below.

MR. HOUSE: ...and their rapid-fire G-28 grenade launching system, another part of the Mark II, makes them much more powerful in close-range engagements as well.

SFX: THMP THMP THMP KRRSSH KRAKTK KABOOM

AGNES, nearly frozen, watches the bombardment with horror.

MR. HOUSE: It also includes rewritten drivers for the Securitrons' auto-repair systems—although always sophisticated, the new optimizations render them inexhaustible in even the most protracted and attritious of engagements. Altogether, the Mark II upgrade confers a 235% total increase in combat effectiveness per unit—and it's all because of you!

AGNES lowers her arm slowly, jaw slack, mortified.

MR. HOUSE: Vegas finally has an army—worthy to protect not just the city itself, but the best interests of all of mankind, at home and abroad. Which is to say: this simple display of might remains a mere teaser for what I can, and what I will, accomplish, in an illustrious new epoch.

AGNES sinks further into a paralytic terror.

MR. HOUSE: What we will accomplish, Agnes—should you accept my offer, of employment. Ah—but I digress. I'm certain that you've had a long day. You can rejoin Miss Cassidy in the presidential suite for the night, if you'd like to, as they say, "sleep on it."

MR. In fact...say for as long as you'd like. However long you may need, to think everything over. And you'll be very well provided for in the meantime, consider it a taste of what could be...should you make the right choice before you.

MR. HOUSE: That reminds me—I've already sent Victor to collect your belongings from the Vault 22 Hotel, so no need to exhaust yourself further by making that trip on your own, hm? There's much about your future to consider, Agnes—and I would like you to think of it as our future.

AGNES stares straight ahead with a deadened expression.

The testing area in the basement has been reduced to smithereens. Fires rage on the rubble of obliterated structures, gnarled steel, and collapsed walkways. The dummies have been dismembered entirely.

MR. HOUSE: ...Goodness, what a mass. With friends like these, I sure wouldn't envy my enemies.

MR. HOUSE: Wouldn't you agree?

[dutchdread]

Hi Dutch. Since you have answered many questions about Cloti, what is your thought about Zerith in Rebirth? I saw many people disappointed or having no hope for them but others said the devs are creating angst. Do you agree?

Hi, thanks for the question. Yeah, I understand being disappointed with the Zerith content in Rebirth. The developers spent a lot of time hyping up Zacks importance, not just with Remake but also with developer interviews and such. To have such a build-up and then have him relegated to just a few playable intermissions, to not get a Zack Aerith reunion, and depending on who you listen to to have him being brushed aside in favor of Cloud in regards to Aeriths affections, can understandably feel disheartening.

But really this is just a lack of understanding concerning story structure, to put it simply, Rebirth is EXTREMELY Zerith.

When reading Harry Potter I always knew that Snape was most likely going to end up a good guy, despite the seeming back and forths. And do you know which moment to me proved that he was a good guy? When he killed Dumbledore at the end of book 6. I knew then without a doubt that he was a good guy, because there was still one book to go, and it was obvious that that book would have the final ultimate reversal.

Rebirth didn't have a lot of Zerith pay-off, but if anything that's a good thing. If it did I would be worried about what would happen in part 3 to flip that pay-off on its head. Instead Zerith has gotten a lot of build-up that is now screaming to receive pay-off in part 3.

We have shots of Zack desperately trying to come back to Aerith. We have Aerith admitting she still has feelings for Zack. We have Aerith desperately trying to recreate her time with Zack. We have Tifa and Aerith talking about Zack. We have Aerith sensing Zacks touch in the cave of the GI. We have Aerith singing songs about meeting again. We have Aerith admitting to seeing Zack again in Cloud. We have Aerith instantly going to Zacks parents. We have Cloud talking about how Zack is head over heels for Aerith. We have Zack in Nibelheim talking to Cloud about their respective girlfriends

And the question you need to ask for all these things is "why?" Why would they include all these scenes if it's not getting a pay-off? Why show scenes of Aerith trying and failing to recreate her days with Zack interspersed with scenes of Zack trying to get back to her if that ultimately isn't of importance? Why show Zack positively contrasted with a negatively presented Cloud if the message you're trying to convey is that Zack has been replaced? Why show Zack to be an amazing guy if you want to end his arc with people being ok with him being rejected? Why make a themesong with the desire for meeting again at its core and have Zacks entire story in the game being about trying to reunite with Aerith if the point of that reunion is heartbreak?

The answer is that a writer wouldn't do those things, they make no sense. If you want your love story to feel positive then you need to disassemble the alternatives first. You need to show how the other pairings don't work, minimize their importance, or in some other way make it clear to the audience that the "main couple" coming together is the desirable outcome.

If you want to show that Aerith is getting over Zack you don't spend your limited screentime showing Aerith pining over Zack, you instead show how she's no longer occupying his mind as much. If you want to show Aerith getting over Zack you don't have her talking about still loving him, you instead have her talking about how she DID once, but that that was a long time ago. You don't end her arc with a date that remind the viewer of the existence of Zack, but one that is fully between Cloud and Aerith. If you want to show the compatibility of Cloud and Aerith then you don't make it so that everything goes wrong, you make it so that the dream date goes "DREAMY"!. And if you want to sell the idea that Aerith is over Zack and has come to the conclusion that she truly romantically loves Cloud then you DON'T place that confession right after said horrible date, with Zack scenes left right and center, a Cloud thats talking about you being "nakama", and Aerith dialogue that at best says she's not sure about what she feels, and at worst is a straight up friendzoning. If you want to replace a very positively portrayed romance then you will need the end all be all of chemistry and certainty in the new one, and talks about "well, I like you, but there is liking and then there's liking" is NOT a recipe for that.

In short, if you want to sell the idea that Cloud has truly replaced Zack in Aeriths heart and more importantly IN THE NARRATIVE, then you don't put emphasis on the existence of Aeriths feelings for Zack, and you don't put emphasis on Zacks feelings for Aerith. Those things all serve to maximize the connection between Aerith and Zack when what you need to do if you want to sell Clerith is minimize it. The reason being that this romance is in narrative conflict with the supposed Aerith Cloud romance, and the stronger the Aerith Zack connection is presented, the more extravagant the bond between Cloud and Aerith needs to be written for the story to make sense.

And that won't happen when you have Cloud deriding Aerith for the way she tries turning everything into a date the one moment, and then a scene showing Zack taking care of Aerith while in a coma the next. It doesn't happen when you show a scene of Cloud bonding with Tifa in one scene and almost kissing her, and then show Zack bonding with Aeriths mother in the next. It doesn't happen when you show Aerith failing to recreate her date with Zack and asking Cloud to find her in "her place", and then show Zack waiting for Aerith in "her place" the next.

All these things signal the same thing "Zack good for Aerith, Cloud bad".

You can extrapolate this idea beyond Rebirth of course. If Zack and Aerith isn't getting a pay-off what is the point of re-releasing Crisis Core before Rebirth? If the point is to show that Zack is no longer in the picture what is the point of showing off an entire game all about how important he and Aerith are to each other and about how desperate he is to get back to her? What is the point of showing that the bow Aerith is always wearing was gift from him. What is the point of her always wearing the clothes that she said she'd wear in anticipation of seeing him again. What is the point in bringing up the fact that she wrote Zack 89 letters and has been waiting for him for 5 years if Zack is replaceable in 2 weeks? What is the point of writing that Aeriths one wish is to spend more time with Zack if her literally spending time with a Zack stand-in isn't relevant? What is the point of writing it that Aerith didn't just see Zack in Cloud because they're similar...but because he's LITERALLY putting on a fake persona based on Zack, if Zacks presence in Clouds persona is irrelevant to Aeriths feelings regarding him?

If you want us to believe that Aerith likes Cloud for Cloud then these are all very questionable writing choices, especially when you also keep harping on about her wanting to get to know the real Cloud, which implies that she doesn't know him YET. It's not that you can't still have it so that Aerith does actually prefer Cloud despite all this, but if that's the case then you've failed as a writer because this would be VERY incoherent storytelling. If the writers want you to believe that Aerith has moved on from Zack, then they shouldn't and wouldn't have spend so much time showing Aerith not having moved on from Zack. Ultimately the question is one of focus, a story about Aerith falling in love with Cloud, and a story about moving on from Zack might look superficially similar, and entail the same basic events. But the difference is the focus. Is that focus on Cloud and what he means to Aerith? Or is the focus on Zack? In rebirth there is a heavy focus, not on the developing bond between Cloud and Aerith, those are limited almost exclusively to Tifa, but there is a heavy focus on Aeriths feelings in regards to Zack. There is no storytelling purpose to Aerith telling Cloud she still loves Zack 3/4ths of the way through her story if the focus of the story isn't Aeriths feelings for Zack, but her feelings for Cloud. If the writers wanted you to think Zack doesn't matter they wouldn't spend so much time hammering in the idea that Zack matters. These moments are all in service to Aerith and Zack, not Aerith and Cloud.

Even things like Zack discovering that Aerith has started developing feelings for Cloud only makes sense to include if the pay-off for that is them reuniting and him showing Aerith what love really is. So if we saw in Rebirth wasn't a "lack of Zerith", then what DID we see? Well, to reiterate what I said earlier:

If you want your love story to feel positive then you need to disassemble the alternatives first.

This is what we saw in Rebirth, Cloud and Aerith being disassembled, so that part 3 can get us to the pay-off. We see Cloud and Aerith bonding, yes, but it's ALWAYS contrasted with Tifa and Zack. If we have a scene where Aerith tries to engage Cloud in talks concerning food he will be shown to engage with the same discouraging passivity of the average woman on tinder, then that scene will invariably be followed by a similar scene with Tifa where he is enthusiastically trying to keep the conversation flowing. If we see a scene where Aerith is trying to get a certain energy from Cloud and failing, it won't be long till we see a scene of Zack having that same desired energy naturally.

In short, Rebirth was filled with scenes that "serve a purpose in the overall narrative". But the only way those scenes WOULD serve a purpose in the overall narrative, is if the overall narrative is: "Aerith is trying to get over Zack and is trying to move on through Cloud. But by doing so she discovers that it's just not the same. While Cloud helps Aerith move on and accept the past, he can never replace Zack". If the overall narrative is: "Aerith used to be pining over Zack, but now she has truly replaced Zack in her heart with Cloud and Zack is a relic of the past" then none of these scenes would make sense to include. You can also look at it like this, why didn't Rebirth have a Zerith Reunion scene? Because apparently that's too important of a scene to quickly tack on to the end of part 2. Nomura has already hinted at something very important to include in part 3 that wasn't in part 2, something that he thinks will make people very happy if done right. And I am pretty freaking confident that what he's talking about is the long-awaited Aerith - Zack reunion. And that is why this game is extremely favorable to Zerith, so be excited for part 3.

[svndaysaweek]

e^(iπ)+1=0 — {Feat. Minnie}

1.3k words

A/N: I've been studying math so hard that I came up with this... I don't know if all readers can understand this, so I recommend googling the inclined terms(which are mathematical ones). Also know that e^(iπ)+1=0 is the most beautiful formula in mathematics,,

p.s: Why is eˣ okay but e^(iπ)+1=0 not? Tumblr mysteries..

Tags: Math(?), Choking, Creampie, Loving Sex

******

Minnie is like the eˣ function to you. The way her consistency fills up your heart—eˣ differentiated is still eˣ—, her always positive character—its domain is always positive number—, her out-of-this-world beauty—e^(iπ)+1=0—, and–

The way her back forms an exponential arc in front of you.

"F-fuck,"

On her knees Minnie is taking your pounding, with her entire body. Her back arcs upward to meet you face to face, as she turns her head back to you and into a blissful kiss.

You draw the sin x graph with your tongue inside her mouth. Up and down, up and down, corresponding to her tongue that draws a cos x graph, intertwined with yours completely—but following the exact same period of 2π.

You push her down to the mattress, and now you can see the hyperbolic curve of her waist. You grab on the narrow valley of it and continue pounding.

What you are doing to Minnie is distorting the perfectness of her body, although it's your way of worshiping it. The circular dark orbs in her elliptical eyes disappear into her head.

You choke her from behind. The amount of air getting in her lungs converges to zero, while the pleasure diverges to infinity.

Her fingers dig into the mattress as you pace up. You feel her walls pulse like sin x. Instant grips and loosenings of her pussy indicate that she is now close. You contribute the last drop of your patience for her orgasm—the maximum, when the derivative of her pleasure hits the X axis.

"I'm cummi–"

Minnie cums with a scream silenced by your grip around her neck. You for a moment regret restraining her voice, but no. You can just make her cum again, again, and again.

You flip her around to face you and resume the race. The race of which finish line you all are aware of obviously.

You kiss her again, this time drawing infinity with your tongue. It of course doesn't mean that it'll last forever, but you feel like it lasts as long as eternity itself. Rather, it would mean the neverending high you two are sharing right now.

Integral. Integrity. You and Minnie in bed together can't be counted as two. Undivided pleasure travels your connected, shared body. No boundaries are found between you and Minnie as you are pulled into a tight hug by her. You can feel how smooth her skin is, how soft her breasts are like it's your body—forget about the breasts, maybe.

Actually, it sounds quite right because it is your body—it's been so long since you lost count how many times you two told each other "You're mine,". Minnie moaning beneath you is yours. Yours to savor, yours to please, yours only to love.

Yes, yours only, and vice versa. You two are bijective functions. Each of your factors matches each of hers, without duplicity.

Again, you're hers only. Minnie is here, taking your cock to define you, to differentiate you, to integrate you. Minnie is moaning underneath your body, to be your proof, to be your solution, to be your answer.

"Are you close, babe?"

You were just about to say that you were, but you are so predictable a problem—Minnie knows the exact formulae to use when dealing with you.

"I am,"

Go ahead, she eyes you. You crook your neck to nibble on her ear and whisper,

"I fucking love you, Minnie,"

The moment you cum inside her, you are sent out of this world. The real world means nothing to you. Imaginary sensations feel more real than the real ones. Like you're feeling the i itself—the imaginary number.

1×1=1. You and Minnie just can't get separated. When it comes to you two, it's not the concept of addition or subtraction. You two love each other so it's 1×1=1. When you two are away from each other, you're still one, because 1÷1=1. Being 2 means you and Minnie are two 1s, which makes you two different individuals—right now, and of course always, you'd disprove that proudly.

You already came about half a minute ago, but you don't pull out. You see Minnie's heaving back and it's perfectly symmetrical—her erector muscles being the perfect axis for it.

It's an even function —f(x)=f(-x)— that you get visual, psychological satisfaction from. That way you could split her perfectly into two halves.

Your hands softly rub on her back. She still is in the middle of recovery, as you can feel her bumping heartbeats on your palm.

"Y-you feel so warm, baby,"

Minnie slightly lifts her limp head from the bed and murmurs with such a low tone. You then pull out and lie down next to her. Turning your body to her side you brush her hair behind her ears. She looks at you and gives you a satisfied, satisfying smile that could literally melt anything, everything.

Minnie's hand comes up to touch your face and–

It hits your still hard dick and she looks at it.

"Wanna go for another round?"

Minnie asks you, sitting up and getting on your thighs. It's a question with only one answer, it's another function that defines you two—a constant function, no matter what she says your answer is yes, undeniably.

Minnie grabs it, strokes it softly, and you feel your lust being recharged. Seems like she doesn't even look for your answer, anyway.

"Holy–"

You're inside her. Right after insertion Minnie starts to ride you out fast. You can only gasp at the feeling of her already-fucked inside, which is what you do every fucking time. Minnie kneeling, each of her knees are next to your both sides as she waves her hip and waist on you.

"Ah, fuck… You can last longer, right?"

She again asks you a question, locking fingers with you. Just like before, your answer is undoubtedly yes. Minnie then brings your hands to her lower waist and leans down forward, completely relying her weight on you. She lets your head into her embrace and whispers into your ear.

"Warm me up again, baby."

Your hands go down to grab on her hips and you begin fucking her upward with pace. As soon as your thrusts start to fuck your previous cum deeper into her womanhood, she moans beautifully into your ear.

Her arms tighten around your head, but the only tightness you can recognize is that of what's around your cock. She nibbles on your ear. Hot breaths tickle your ear, and her teeth on it motivates you to go even faster, rougher, and harsher. That's what loving sex is to her, and of course, to you too.

Your right hand detaches from her ass and gets on the back of her head. Minnie then lifts her head slightly up to fall into a dirty kiss. This time, you review the whole session beforehand.

You are drawing sin x, cos x, and infinity randomly with your tongue. Her back begins to arc exponentially, so you strengthen your hand on her head to keep her body tangent to yours. Your fingers on her ass rubs on her another hole, to make her pleasure diverge to infinity.

And everything you're doing earns her uncontrolled scream of ecstasy, as if she's trying to make an auditory definition of orgasm.

She again closes in to lock lips with you, and soon she cums. On your still-moving cock she cums hard, and in your mouth she lets the orgasmic sound out. It travels through your body fast, reverberates in your skull, sending you over the edge in no time.

You push deep into her for the last time before violently cumming inside her again.

It's explosive, you would term it. Minnie's entire body reacts to every spurt you shoot inside her.

"Holy fuck…"

You let out a sigh of words.

"Baby, that was…"

On top of her lungs she says, only to pause for breathing.

That was awesome, yeah. You know that, because you feel just like her too.

You look into her eyes, and find the excellence itself, the perfect, absolute beauty—e^(iπ)+1=0 .

[edentimm]

Im sick and not working today, but i have animator brain rot & i still wanna talk animation. So lemme share some snippets of process for this rough animation

First thing, i do scribble pass. Everything in this post is animated in the rough animator ipad app!

The scribble pass is pure gesture, not stressing about mass or model or any of the fundamentals yet. Focusing solely on the idea and rough timing(and also what i find fun to draw, like expressions and smears)

(Like this smear haha)

Next i did the kick! I animated a loop of a single kick, but it felt a little boring.

To add some spice, i decided to keep it to 3 distinct kicks, & took the impact key and skewed it into 3 different positions. Then i skew adjusted the extreme pullback key to fix its arcs. And then from there it was just skewing the inbetweens to keep the anim smooth.

From here i took a run at the upper body. But i didn't like my first pass (you can see it faintly under the cylinder).

It was lacking depth, it felt boring and flat. I was having a hard time imagining the motion i wanted, so i simplified it down to a cylinder, which was much eaier (and faster) to wrap my head around. I wrote notes on the side, because i was working on this in short increments, and didn't want to forget when I'd pick it up again, hours later.

From there, i plot out my keys, and track my arcs.

I picked the elbow points as theyre the outer most points so they move the most, and are the easiest to make a big circle arc with. But i also keep in mind my arcs on the head and features as im flipping.

And then I'm sorely lacking the WIPs from then to the end, but this is what i ended up with:

I add a big antic before the smear, a small overshoot when the character hits the screen. Keeping them static except for the eyes and arm, and then another antic down.

I haven't fully finished the loop, its missing frames to get the character back in their seat. I'll eventually take it into toonboom to clean up and to fully finish the loop.

Hope this was at least an interesting read! I shared it on twitter a while back, and a few folks mentioned how nice it was to see the "ugly" side, the thinking sode, instead of beautiful polished work haha.

[thenewfuture]

Teruko a refreshing take with the Ultimate Lucky. Mostly because they actually do something with her luck that affects her character both positively and negatively. (Spoilers) Xander isn’t the first person who attempted to take her life and her backstory implies that it’s not her first time dealing with people like him. There are some parts of Teruko who genuinely wants to open up and make friends, but her distrust and paranoia overtakes her. Despair Time is about Teruko opening up again. (Con)

Yeah, that’s what makes her so interesting and compelling for a protagonist. We’ve never seen anything like this before. Usually protests are all like, “We’ll never commit murder and always be friends forever!”

But Teruko flips script and comes with, “Aye, woah, back up! I don’t trust you guys. You could kill be at any moment. Arms length motherfucker! We just met each other, who knows what’s going on in those brains of yours”

She has a genuine reason to feel this way and I’m sure as the story goes on she will eventually try and be able to trust people some more. It’s character arc. And I can’t wait to see how she progress later on down the line.

-Mod

[betweenlands]

oh there's soulstealer metaposting in the afterhours tag i NEED to add onto this. sorry for trendhopping (i am not sorry) but i do have thoughts

the thing that gets me about ahrs Legundo is. he's done this before. if i had a nickel for every time Legundo joined a server and decided to play the benevolent capitalist to get what he wants, i'd have two nickels -- and if i had a nickel for every time Legundo ended up catapulting himself into power by way of monopolizing netherwart, i'd have at least two nickels. the thing about Legundo really is that, as generally friendly and helpful and usually trustworthy as he is, the guy knows people.

now, this not being Legundo's first time playing the politics game means he's pretty ready for heavy resistance, especially when it comes to the whole "taking souls" thing. and normally -- normally -- he would have some sort of narrative foil keeping him in check. in Dominion, that was Viking mildly terrorizing him for fun, generally throwing him off his A game. back in Scenario, that usually took the form of Forge and the other Scenario members generally assuming he was up to no good. in Deceit, that took the form of all the other Deceit members being able to match that energy -- especially Loony.

when there's someone who knows Legundo and is able to somewhat counterbalance his energy, he generally doesn't end up with a total monopoly, because it's more interesting to him if he has competition. but right now, at this exact moment in time for After Hours? there is nobody prepared to deal with Legundo. nobody who's in a position to effectively sabotage him, nobody who just existentially scares him the way Viking does, he's almost totally unchecked.

and the part that gets me is that nobody knows this. Legundo's a genuinely really nice person, especially out of character. he does not give off the impression that he's someone you need to worry about, and he hasn't really factored into the souls arc too hard even though he's rapidly amassing a collection to rival Kaboodle's. he's just the local (p)harmacy owner, he doesn't seem like too much of a threat, he's the kind of guy where you can move his house, flip it upside down, and all he's going to do in retribution is use your villagers sometimes. Nominal might be able to somewhat keep him in check -- he and Viking butted heads pretty spectacularly on TwitchCon SMP, effectively acting as foils to each other -- but i don't have high hopes.

see, again. Legundo has done this before. Legundo knows exactly what he is doing and he's got about as much prior experience as Branzy does in getting people to do things for him (which is to say. a lot). and yeah, Loony's on the server now, but that leads to another fifty-fifty, because Loony and Legundo work terrifyingly well together when they're on the same page.

so, coinflip. heads, Loony's able to keep Legundo in check and the server's a little safer and Kaboodle, perceived biggest threat, goes back to being the actual biggest threat. tails, Loony and Legundo end up working together, and so far whenever that's happened it's ended up with a pretty heavy bodycount, because Legundo seems almost uniquely capable of enabling Loony in this regard.

i worry for people's souls on this server. it is not because of Kaboodle. (although then again, Legundo's perfectly trustworthy. he's not going to throw around his weight and puppeteer people like Kab does; he's careful, he's thoughtful, he's really only holding onto those souls for safekeeping. you can trust him.)

[ravenalla]

Please correct me if I’m wrong but from what I know Helluva Boss is written by only three people right? That being Viv, Brandon, and Adam. And while I’m sure ideas are bounced around here and there with the team, the way this season is going is begging for an actual writers room with more experienced people. Not saying those three don’t have any experience, but it’s clear they don’t know how to mesh the comedy and serious moments together well at this point. Part of writing is knowing when you need to omit stuff because it doesn’t fit the tone or story progession that you have established, even if you very badly want to include it. The writing for Helluva Boss in contrast feels they are forgoing any sense of coherence so they can stuff in whatever they like even if it goes against previously established plot points and try desperately to get to you pity these awful characters instead of letting them learn from their mistakes and grow as people naturally. Again, if this had stayed a dark comedy, that would have been passable, but now they are trying to tell a serialized dramatic story with arcs and emotion, and it’s just failing because that is not these writers expertise. This is complete speculation, but I wouldn’t be surprised if Viv’s aversion to any form of criticism is affecting it.

How many times must we see something terrible happen to Stolas because the show wants you to keep crying and pitying over without having these characters actually navigating it themselves? How many times will Blitz acknowledge he’s an awful person but not actively try to change his behavior in anyway and revert to the exact same character the next episode? How many times will Moxxie have to learn confidence because it’s the only arc they can think to do with him while Millie is a walking prop and Loona flip flops between liking her dad and physically abusing him for no reason? To the people who keep saying “just wait the shows not over yet!” we are basically halfway through season 2, there is no damn reason why Millie shouldn’t have had ANYTHING on her own yet or why Blitz and Stolas should be repeating the same “uwu he doesn’t love me” scene over and over again. If you give us what should be moments of character development but never actual show it through their actions or behaviors after the fact, it’s not character development at all, it’s cheap scenes you threw in cause you wanted the guise of something serious without actually taking the screentime to commit to it. And yes, the Stolas Blitzo stuff is probably going to pay off eventually, but it’s annoying for the audience to watch this will they won’t they game in almost every single episode just waiting for when the characters will finally change or have at least SOME type of acknowledgement of all they’ve been through instead of just keeping the status quo of another “Stolas looks sadly at his phone,” “Blitzo doesn’t really care about him until there’s one millisecond showing maybe he does 🥺.” Unless your a hardcore shipper, people won’t stick around with that forever.

The show wants to have world-building, quirky characters who are bad people, tons of villains, funny sex jokes, emotional investment, and a complicated romance, but there’s a reason lots of media fails when it tries to be everything at once. The Stolitz plot behind every episode now is sabotaging parts of the show that promised wacky demon assassin adventures, and the less serious moments like the Loona doctor B plot in turn ruins the atmosphere of the dramatic scenes associated with the Stolitz plot. They wanted to show a serious abusive arranged relationship through Stella, but they also wanted her to have be a campy bad guy so Stolas could have a reason to cheat on her so he wouldn’t look like the bad guy. This leaves us with confusing contradictions like Stella written as being legit mad about him cheating and wanting him dead while hinting at them having at least a positive public image as a family once through the background paintings, to suddenly her not having ever cared about him and seeking him out “cause she likes tormenting him” while she also now didn’t want him killed I guess because she’s opposed to the divorce because the Goetia want them together??, but then wanting him killed AGAIN after even though the Goetia probably always wanted that guy alive and her brother has to come in for no reason to make her look like an absolute dumbass.

Same with Loona. They try to give her development with Blitz, but they never do anything with it and by the next episode she’ll be beating the shit out of him again. “She’s a moody teenager!” She’s a woman in her twenties and I don’t care about her sometimes finding appreciation for her dad when she’ll just kick him in the nuts right after because physical abuse against a spouse is serious but with a daughter it’s funny I guess. And again, the entire argument fans have to justify this constant loop of creating and forgetting about character development is “just wait they probably have a plan.” Nah bro I’m pretty sure they just still wanted to throw edgy dark comedy in there and to do that they had to ignore any positive character changes it seemed like happened until a future episode specifically is written to continue that arc. Also the world building and class system in general is just bad when they actually choose to acknowledge it, which is rarely. It’s still so unclear whether hellhounds are seen as actually sentient autonomous people or pets, and it just makes scenes with Loona super weird sometimes. Same with imps, for an apparent underclass they sure seem to be able to go wherever they want and do whatever they want without too much trouble, and until the latest episode we’ve never seen any imp discrimination be a major factor besides comments from Stolas (which we are now choosing to ignore because Stolas can’t be a bigot that has to learn to be a better person, Stolas is perfect 🙃)

Yikes this got longer than I meant it to but overall Helluva Boss just could really benefit from some more inputs in the writing, not just ideas for story or jokes but someone who actually knows how to properly balance and structure this kind of stuff into an episode. As is it feels very disjointed, especially this season. I don’t think this show would ever be perfectly for me, just because I don’t find the humor at all funny and that’s kind of what makes the show, but at the very least it’d be nice if the actual plots and world these characters navigate was fun to watch, but most of the time it’s just not anymore, because you don’t get to actually see most characters interact or what their relationships are, and if you do they hardly ever change from what they were until suddenly it’s relevant for the plot. Blitz is uncomfortable around Stolas and is tired about being treated like a play thing, wait no now he’s turned on by Stolas’s flirting even though we’ve never seen that before and this is right after they literally had a huge fight, wait nevermind now Blitz doesn’t care again. Moxxie is always weak and sensitive when an episode is about him but suddenly super strong and has no problems killing in any other episode (“We’re not going up there just to massacre we need clients! -S1E3, exactly what he and Millie do to an entire audience of innocent bystanders in the Cherub episode and they don’t care). Stolas is super perverted and sees Blitz as an object, wait nevermind we’re just gonna change his entire fucking backstory so his behavior will look justified even though that man would literally have to be a the dumbest person in Hell to not see Blitz did not care and was actively repulsed by him all throughout season 1, yet continued to act that way to his supposed “first friend” because..he thought it was a sexy game or something they were playing? Even as a retcon for an excuse it’s still bad. Helluva Boss has no rules it sticks to, no jokes or character behaviors it refrains from even if it harms the quality, it’s just a badly written fanfic with pretty animation.

[caligvlasaqvarivm]

God I had the shittest brain blast, absolute monster of ideas, and something that can help us define the trolls because of shitty clone genetics.

First, do the dancestors food into the ultimate self due to how troll genetics work? If so who is the dominate or does it form into someone a balance of the two? Like Karkat (angry and passionate)/ Kankri (knowledable and verbose) combine into the Sufferer or someone close to that?

Second, is Mituna’s brain damage the reason why for Sollux’s dullaity motif, specifically his psiionic troll bipolar brain? If so does that mean Skaia make each and every dancestor the opposite in terms of character development? Meenah’s a bitch so fef is kind? Kurloz’s belief where ignored so Gamzee is both oblivious (pre-supor) and visibly fantatical (post supor)? It seems like with Mituna and Sollux it’s more Sollux need to learn to deal with his disorder which Mituna couldn’t because his friends couldn’t/didn’t want to help him

Finally, from each pair of dancestors being opposites of what their character needs to become yet at the same time lacks, can we figure out their sgrub quest? Meenah needed to learn how to become empress and not such a huge glubbing bitch( which she failed) and Feferi, if left alone, becomes the empress, a direct result of no one challenging her on her ideal of kindness and compassion towards the lowbloods (another reason for nepeta to become so important in her life). The vantas’s seem destined for revolution it’s just that the coin flip of Alternia and Beforus determines if they are successful or not.

Last thing I want to add what the fuck does troll fanfiction mean because who exactly is writing it, because it’s kinda shit ngl. The beforans? Alternians? One of the Sekrets? Piexes?

Just going in order again:

The dancestors are wholly separate individuals from the Alternian trolls, and are therefore not a part of each Alternian trolls' ultimate selfhood. There is theoretically an ultimate Cronus and ultimate Eridan, and these are 100% discrete from each other with zero overlap. The Alternian ancestors (aka signless, disciple, etc.) are full-on just the Dancestors placed in different circumstances, who therefore grew up to be different people. Kankri always had it in him to become the Signless, he just failed to do so in his original session.

Skaia didn't "make" anyone do anything. Each person is their own individual with their own individual struggles, flaws, and arc. The A1 trolls often mirror their A2 counterparts, in Watsonian terms, because of genetic resemblance and similar cultural positions, and, in Doylist terms, because it makes solid narrative sense to have them serve as foils for their descendants, which necessarily requires them to be similar, with key opposite traits or circumstances. If there's anyone to blame here, it's the author for wanting to employ literary devices like foils and irony.

Moreover, I think you're missing many details about the trolls - for example, Gamzee has always been a staunch believer in his faith, Kurloz's belief is also something his friends are aware of, and Feferi has always been a kind of a casteist jackass (I wouldn't necessarily call her "kind" toward the lowbloods when it's clear that a Beforus under her rule still very much had casteism, royalty, and oppressed the lowbloods). It's a bit hard to discuss these things if we aren't on the same page.

At the end of the day, for any character who doesn't outright say what their SBURB/SGRUB quest was, we can only speculate. There's no way to know "for sure," and, in fact, no indication that Hussie even necessarily came up with any, as that entire part of the story was truncated because such details were unnecessary: it can be assumed every troll had a personal quest, since that's how the game works, and it can be assumed that they all basically failed said quest to varying degrees, because their comprehensive failures are what spur on much of the plot. No other details are necessary, and as such, were neither written nor alluded to (and Hussie outright says that this is the case for their entry artifacts). It's fun to speculate, but in terms of discussing the canon, there's nothing there to discuss.

I also have no idea what you're referring to re: troll fanfiction. Meulin canonically writes RPF about her friends, Hussie has referred to Mindfang's diary as being an explicit riff on overly flowery, sexual fanfiction, and has also in-universe called Doc Scratch's recounting of the ancestors' lives that. IDK what else you might be thinking of.

[dangerpronebuddie]

(Hold onto your hoola hoops, folks, I wrote this at 2am after a paper that fought me tooth and nail, so if it makes no sense I'm sorry 😁)

Okay. I can't stop thinking we're in for some Eddie whump. (The whumper in me says we're overdue pero ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯ that's beside the point). Anyway. The foreshadowing has been in the making since 4x14, and with them discussing that arc so much, I can't help feeling like they'll bring up something about it. (Under the cut, cause this gets a bit long)

This show doesn't often leave storylines open, so addressing the will again is inevitable. But what would prompt it? Eddie thinks Buck understands it (he doesn't), so why would they need to bring it up again?

They promoted Chris/ Gavin along with the main cast. No other kids were. So why?

You could argue the 7x01 storyline was the reason behind it, but I don't think that line is completely done. The premieres usually foreshadow some events through the season. Bringing up Shannon not only gives new viewers a glimpse into the Diaz boys and their trauma, it sets up something they'll revisit. She's been mentioned a few times throughout the season, and having her be a part of the guilt storyline makes perfect sense and is absolutely beautiful.

Eddie still holds this guilt about their relationship. All these if onlys. He's come a long way in his healing and growth, but it isn't linear, and that loss will never completely heal. He's still looking for that magic, that deep love he had (and still has) for her. He can't move past the guilt he feels about it all.

A coma dream of his own, or some kind of hallucinations, would be the perfect way to get him to forgive himself. How we get there? I'm not 100% sure. But I have some ideas!

1. Trapped dads (thank Anna)

@lover-of-mine can explain it so much better, but we've been rooting for this for ages. We thought they were going to drown Buck this season, but it doesn't look like they're going that way. So, we thought about flipping the scenario. Eddie is the one gravely injured, not Buck. Aborted confession? Possibly! Buck being the sole parent while Eddie is in the hospital? Absolutely. It would bring about so many possibilities. Eddie wouldn't confess to Buck as he was dying, he wouldn't make Buck carry that. But Buck might confess to Eddie as Eddie is dying so he knows he'll die loved. When he saves Eddie (desperate CPR when???) they have to live with what was said in the moment. Even better if Eddie is in a coma afterwards. Bonus points if they're still in their relationships through it all. Mutual pining anyone? Buck will be taking care of Chris in the midst of it all, possibly revealing to T and M that the will exists. The season ends with Eddie awake and healing, knowing how Buck feels. He of course won't say anything because they're still dating other people. Allows for a LOT of pining through s8.

2. Hallucinations (thanks Saturn)

I hadn't really considered this possibility, but @steadfastsaturnsrings brought up a great idea. I tried to find out the specific episode that takes place in the desert, but as far as I've found, they haven't specified. I'm assuming 7x07. Since 7x07 is Ghost of a Second Chance, Shannon could be appearing in that one. And if 7x07 is the one in the desert, then there's a lot of possibilities there too. Heatstroke or snake bite... either could cause hallucinations. Since the writer for 7x07 is likely Taylor Wong (wrote 6x15) then some Eddie and Shannon angst is definitely possible. Any way we look at this, the will could factor in. Eddie can't care for Chris, so Buck steps in. I think something happening in the desert could add some visions focused around his service and we get some very Eddie Begins type scenes that maybe show more positive calls between Eddie and Shannon. We could also possibly get a callback to 6x15 and Eddie's fear of dying alone (and having Buck there with him would prove him wrong. Wishful thinking).

3. God only knows

He gets trapped in a collapsed building? T involved? Sinkhole? Some kind of blood loss? We don't know! But I do know that Juan Carlos Coto usually writes huge episodes for Bobby, Eddie, and Buck (3x09, 4x05, 5x13, 5x16, 6x10 just to name a few). And since he's writing 7x08, which is titled Step Nine, the guilt and Shannon could happen there too. I mentioned in another post (which I can't find, naturally) that Step Nine in AA means making amends, no matter what. So, while Bobby is likely making amends with Amir, Eddie is making amends with himself, Shannon, and his guilt surrounding it. (There's a possible firepilot storyline there, depending on how 7x06 goes but I won't get into that rn).

Any way it goes, Shannon appearing, especially appearing older, will show Eddie all those if onlys he's been dwelling on. It will show him how different his life could've been (parallel to 6x11) and it will show him he hasn't failed. He has nothing to feel guilty about. He's not going to find what he had with Shannon. But he can find something just as deep and meaningful. And it's something Shannon (his subconscious) has to show him. Something he has to figure out on his own, like he usually does. No outside force is going to push him past it, no matter how hard he tries.

Perhaps in that dream/ hallucination, he'll realize he's not a commitment phobe, he's not a failure, he's not a sinner doomed to hell. He's human, and he's found love he's not allowing himself to feel.

Feelings realization (or more acceptance of those feelings) and some delicious pining is imminent. How we get to it? I'm not sure. They usually repeat kinds of injuries so I'm leaning more towards trapping him somewhere, but I love the idea of a snake bite. It's happening to someone, based on the fact they had dangerous reptiles on set (or a prop for it). Any way it happens, it'll be amazing, especially if this happens with it.

[typellblog]

Tsubasa Cat - An Analysis

In an interesting move for a post theoretically about Hanekawa I am prompted rather unsubtly by the text to begin with Hitagi. Specifically, her first date with Araragi.

In the anime, this is the last TV episode, and all things considered it’s not an unreasonable place to finish. This story, to some extent, is not about Araragi, but about Araragi’s relationship with Hitagi. She is important to every other arc (besides, perhaps, Nadeko Snake, which is interesting in its own right, but I digress). 

What I like about this scene is how it’s mirrored – it starts with Hitagi’s stumbling attempts at asking Araragi on a date, and ends with her stumbling attempts at asking him for a kiss. During the torturous (to Araragi) car ride with Hitagi’s father, she talks about – as if at random – Araragi’s studies, Kanbaru, and her father. During the second half, when they’re alone, she makes it clear that this was a deliberate showcase of all of the things that she has – everything she can offer to Araragi as his girlfriend.

This transition is accomplished through the midpoint of Araragi’s conversation with her father, which begins awkwardly and then veers into the heartfelt – ‘take care of my daughter’ is at first uttered as a joke and then once again more seriously when the conversation ends.

It gives us another perspective on Hitagi, telling us that the only people she felt comfortable speaking her mind to were people she didn’t mind being hated by, and people who would never hate her. We see that Araragi started as the first and became the second. But just as Hitagi’s father underrates his importance to her, seeing himself as in the first rather than the second category, so does Araragi. He feels uncomfortable being given the credit for helping Hitagi open up to others. He wasn’t the one who did it, after all. She just went ahead and saved herself. It didn’t need to be him, specifically. Anyone could have been there for her.

As Hitagi’s father points out, however, that alone is enough. The simple fact that he was there for her is enough to earn her gratitude. There’s nothing wrong with that.

And it’s with that in mind that we move outside, to see the stars.

This is also one of the few things that Hitagi can give to Araragi. Not the stars themselves of course, not even the specific location outside the observatory, but rather the memory. It’s a memory of a time that her family was still together. A memory that was reclaimed from the Weight Crab in no small part thanks to Araragi himself.

When Araragi is asked in the car what he loves about her, he’s too nervous to answer. When he flips the question back on her, she answers smoothly, ironically. It’s a total defeat.

When Araragi is asked now, he answers easily. Everything. Everything that she’s shown him tonight, he accepts. When he asks her again in response, she gives the same answer, but in this context, we realise she was being dead serious earlier.

It’s the kind of response that fits Hitagi’s specific brand of brashness paired with vulnerability. It’s the kind of recontextualization that fits this series. And as an affirmation of their love for one another it’s an appropriate jumping-off point for what Araragi is about to go through in this arc.

But before we get to that, I want to note that the way this arc is reliant on previously established events that we haven’t actually read about yet is quite aberrant.

The difference positions Hanekawa differently from the other characters. She’s not someone that Araragi meets because of oddity problems, she’s someone he’s known for a while already. Unlike the other characters, she’s stable - doesn’t need fixing. Her oddity problem has already been resolved, and she slips comfortably into the role of supporting character from before she’s even introduced.

If Araragi’s developing relationship with Senjougahara is the throughline of Bakemonogatari, then his relationship with Hanekawa is its dark reflection. She appears in every arc, but never gets involved directly, never changes as a result. She tells him this. I never change. It’s a lie.

On a narrative level as well as a personal one Hanekawa is sidelined, ignored, taken for granted, and it is essentially this failure to address her that feeds the Sawari Neko.

It’s an interestingly contradictory oddity. As its name suggests, it ‘meddles’, doing things for the host that they in some way needed but didn’t have the desire to act on. It was triggered by the act of picking it up from the side of the road and giving it a proper burial. It could easily be ignored, but ignoring things like that is not in the nature of Hanekawa Tsubasa. She sweats the small stuff, she does things that are expected of anyone but nobody actually does, she projects the image of an ‘ordinary’ person, and in doing so comes off as more extraordinary than anyone else.

She goes out of her way to help the cat, and the cat goes out of its way to help her, because for all her kindness and compassion she doesn’t reserve any for herself.

The ability of the Sawari Neko is energy drain. It’s the inverse of her usually supportive nature, the selfish ability to take from others in order to make herself feel better.

Since we’ve mentioned how the oddity’s quirks informs Hanekawa’s own issues, let’s continue with the classics and talk about the characteristic Monogatari twist. You see, Araragi tells us, the typical twist with these cat monsters is the reveal that there was no cat monster. A virtuous woman acts strangely at night, becoming a harlot and wandering the streets. She must be possessed! Entrapped by a monster! No, she’s just doing that on her own. The idea that she couldn’t possibly want to do that is your own assumption – how well do you really know her?

This is a theme that has been explored in Bakemonogatari already, with the case of Kanbaru Suruga. She was afflicted by a devil, yes, but the devil only gave her the ability to achieve desires that she actually held. Hanekawa’s case is an expansion of this – the monster is in a very real sense part of Hanekawa herself. But we understand this already. There is no need to belabor the point that Tsubasa Hanekawa is, herself, gaining some benefit by the cat’s actions. This is how oddities work. They arise for a reason.

And thus, the twist of the previous cat incident, the one that we haven’t actually seen yet, is skipped over. Or rather, it is told to us directly. Hanekawa faces a terrible family situation. Her parents aren’t really her parents. Her overwhelming stress from this causes the cat to assault others, including those same parents. 

Instead of this, we get a new, more dramatic twist. The cause of the stress this time was not her parents, as Araragi assumes. It was her feelings towards him.

Stress is a curious thing. The word must come up a dozen times in these few episodes – I can still hear the drawl of Oshino’s voice as he pronounces the English loanword.

For my money, the most interesting portrayal of Hanekawa’s stress here is seen in the opening for this arc. Or should I say both openings? There’s a photo version as well as the more usual animated one this time.

I would say the theme here in the first one is ‘wandering’ – we’re given names of different countries for each shot of Hanekawa walking around. A reference to her plans to travel after graduation, I suppose. But the pictured locations aren’t actually different – all washed through the same grey filter, all seemingly Naoetsu rather than overseas. Hanekawa’s post-graduation plans are paralleled with her habit of walking around town on holidays to avoid her parents.

It’s another view of something that seems to Araragi quite impressive and unconventional. Perhaps she simply does not know where to go, would rather be anywhere but here. If her walks are a way of avoiding one source of stress, her parents, then her travel might be pegged as a way of avoiding the other – Araragi himself.

The fear of being trapped is heightened in the second rendition. Now we see her actually running from something, hands grasping to pull her back, strapped motionlessly to a set of train tracks.

The thing I’m most curious about, though, are the opening and ending shots of her standing on the bridge, long hair trailing to either side. Different versions of Hanekawa – the second is the cat – but the same solemn expression. It’s enough to make us doubt that they’re separate characters at all, and indeed that’s the point. We’re shown not just Kuro Hanekawa, but Kuro as Hanekawa.

Kuro Hanekawa is an interesting character.

She can’t lie because she’s too direct and unthinking to bother. Contrast regular Hanekawa’s assertion that she doesn’t lie – one that’s patently untrue. To her, keeping up appearances and responding in a way consistent with her ‘normal’ persona is more honest and upstanding than revealing her true feelings. To be reductive, if Kuro tells the truth because she’s to dumb to lie, the Hanekawa lies because she’s too smart, too socially conscious to be honest.

Kuro in her lack of regard for societal norms can be considered a manifestation of Hanekawa’s stress, but she doesn’t embody it. She, herself, is easily able to fess up to her master’s (note the reference to her as a different person) feelings. She is indifferent towards humans, not actively hostile. Her random energy drain attacks were done to relieve stress, but Araragi’s alternative method of Shinobu is also perfectly acceptable to her. Not only do their vibes and behaviour differ, but so are their personalities and priorities – the cat is functionally a different person.

In this light, the anime’s portrayal of their dialogue is interesting. During this scene he initially refuses to believe what the cat is saying, his idealized perception of Hanekawa preventing him from recognizing her hidden emotions. He mistakes her refusal to show any sort of outward jealousy for her incapability of doing so.

But look at how the ghostly presence of regular Hanekawa reaches out to Araragi along with Kuro’s words. See how Araragi gently addresses her rather than Kuro – Kuro as Hanekawa instead of either Kuro or Hanekawa. Later his perceptions shift, Kuro’s dialogue delivered through reused frames of Hanekawa talking to him in the classroom, Hanekawa’s mannerisms like the mysterious opaque glasses recontextualized in Kuro’s paws – Hanekawa as Kuro. It becomes clear that Kuro is merely giving voice to things that Hanekawa really does feel.

As such, he’s able to give a genuine answer, saying that he loves Hitagi. Kuro Hanekawa, for her part, is not particularly surprised or bothered, simply moving to her next step in the plan to relieve her master’s stress.

She tries to kill him.

Once again building on Kanbaru’s arc, Araragi is forced to seriously consider dying in order to solve the problem. Hanekawa is someone he owes a great debt to. Would it really be that bad? Yes!

Hitagi would kill Hanekawa. Here we have the same excuse as Kanbaru’s case. I don’t want to say it’s wrong, she absolutely would, but the point lies more in what it represents. Her feelings for him. Everything that he promised to give to her. It’s not actually an ideal resolution of the situation, even if we accept that his life is as cheap as he makes it out to be. Because something that cheap can only be traded for one person’s happiness. Everyone else who cares about him (including Hanekawa) would be worse off for it.

The real solution is to ask for help. This has been partially demonstrated already, on the hunt for Shinobu. Hanekawa rubs it in, with her little lie about vampire fascination. None of the girls he met him him because they were brainwashed, they agreed because they care about him. They are each people that Araragi has to one extent or another participated in saving. Oshino Meme says that people can only save themselves, but Araragi doesn’t share that opinion when it comes down to it.

He believes firmly that Hanekawa saved him. Just by being there, a person can drag you out of the deepest and darkest of depths. Araragi has done the same for several others. So, isn’t it alright to ask for help oneself? To not feel as though you’re being a burden on others, but can instead rely on them equally?

This is the realization he came to, the root behind Shinobu’s disappearance. Kuro Hanekawa says he was getting too used to oddities, too friendly with them, not respecting their power and legend enough. He was treating Shinobu as a child, hardly feeling as if he had the right to even speak to her. Thus, she disappeared, until he called her back. Until he relied on her.

She, the ur-example of the people he has been risking his life to help, as well as the source of his vampiric abilities that enable him to do so.

As of our current position in the story, we don’t know what caused their current relationship. But we do know that as an oddity capable of draining the life from others, even the selfish Meddlecat is handily outclassed by a vampire. And yet Shinobu willingly stops draining when requested. Araragi willingly gives her his own blood. If the cat is Hanekawa cut loose, free from social standards and bothersome human emotions, then what does being afflicted by a vampire mean to Araragi exactly?

Hanekawa ends this arc by falling asleep, returned once again to her regular state. But as she crosses the thin line between dreams and reality, she lets some unfiltered thoughts slip out.

You have to shape up. The impersonal framing of debts doesn’t represent Araragi’s true feelings. Just as ‘not wanting Hanekawa to exploit his debt to her’ wasn’t the real reason why he rejects her, ‘I care more about my debt to you than remaining friends’ is a really awkward way of him saying he just wants to help her. He struggles to admit this because, I think, of his belief he can’t really save anyone. He’s almost embarrassed to admit he’s trying.

In the end, though, he can’t take the same lackadaisical attitude as Oshino Meme. He can’t help but get involved in others’ personal issues, to put people’s wellbeing over the most effective way of resolving a situation, even if that person happens to be an oddity themselves.

However – is this really such a bad way of handling things? Araragi blurs the line between oddity and human, but he’s been getting half-decent at walking that tightrope lately. Knowing this, Oshino leaves town, trusting Araragi to handle both Shinobu’s disappearance and Hanekawa’s transformation.

Oshino himself – his lackadaisical attitude is ultimately just an attitude. His actions reveal a certain level of sympathy for Araragi’s priorities. His fees, his manipulations, his harsh words, all show a certain awkwardness on his part. He has an inability to be honest and act directly, one that balances out his true deep propensity for helping others.

Thus ends Bakemonogatari, a story about coming to terms with the monsters hidden in the darkness of the world. “For example, in my own shadow.” Araragi adds. Whatever being afflicted by a vampire means to him, it’s something he has to learn to live alongside with, not ignore.

Thus ends Bakemonogatari, but I’m looking forward to writing about the rest of the series very much as well. Took a stupid amount of time to muster up the mental energy for this one, but hopefully I can work a bit faster next time (I always say this and its never true lmao)