#But for the canon it’s so important to me

[n4rval]

the way his words are so carefully curated, not only for the sake of precision, but so it fits a rhythm that is breathable for a slow speaker.

to say exactly what he means in a short sentence, with recurring pauses and a clear pronounciation. to prefer periods(.) over commas(,).

not to be needlessly verbose – much the opposite; because this vocabulary serves the purpose of clarity, organization and to hold the attention of the listener.

[tossawary]

I think one of the keys to non-canon and rarepair relationships for me in fanfiction is that you have to respect the relationships that are already there. Not like in a "you have to do the canon relationships and then break them up first" way, because you can definitely make it so that the canon relationship in question never happened OR was never romantic or sexual if you want. But in a basic characterization issue kind of way.

For example, when I wrote a Shang Qinghua / Yue Qingyuan fic, I was looking at the ways to make that work given the Qijiu and Moshang situations. And I ended up making it so that Qijiu either never had or never fully developed any romantic or sexual feelings in this AU, but they're still inseparable as friends / brothers / platonic soulmates of a kind. You CAN'T write a Yue Qingyuan who doesn't care about Shen Jiu. It's just not on the table in terms of characterization.

(I mean, you could, I suppose, but then it's a case of, "Who the fuck even is this guy anymore? You undid his whole backstory and now he's a completely different person." I do think you can write interesting AU stories focused on character development in which Yue Qingyuan learns to move on after post-canon or in which perhaps Shen Jiu's treatment of Luo Binghe becomes an actual breaking point for their relationship, but even if things somehow get REAL BAD between him and Shen Jiu, I don't really think Yue Qingyuan will ever be able to stop caring completely.)

Likewise, I made it so that Moshang never fell into the master-servant situationship, and ended up as cooperative enemies / distant allies of sorts. But Shang Qinghua still thinks Mobei-Jun is sexy. That's his ideal guy! Airplane Bro still being a little weird about his favorite character is not really negotiable to me, even if he's in love with someone else. He has eyes! He can still look at other men disrespectfully! He just doesn't act on his attraction.

Like, you can totally just sidestep any romantic / sexual feelings and make it so they never existed, in order to pursue your pairing of choice. But you cannot easily deny, in my opinion, the basic fact of a character caring on a basic level about someone important to them. I think it gives weird "you're only allowed to care about your romantic partner / no friends allowed" vibes to just completely cut off all other relationships. There's not a hard line between "love-triangle-fixing polyamory" and "completely isolated from even friendships because maintaining friendships with exes is cheating somehow monogamy" as options here.

[melrosing]

the thing that annoys me the most about the bullying claim among the stark sisters is that they talk about how much it affects Arya that she thinks she’s ugly and such and like she does, but she’s so much more worried about being “bad” she killed a boy. She’s also going through poverty and war and starving and being introduced to cults/bands of “justice” by murder

but nooooo she totally is more affected by being called horse face despite being compared to SOOOOOO MANY PRETTY PEOPLE AND THAT MEANS SHES GOOD (never mind that good looking=good person should NOT BE YOUR BASIS)

I think most people, and especially girls, know exactly how it feels to worry about your appearance and feel ugly and unattractive, and I get that this is a particular pain for Arya, who apparently has never been called pretty except by her dad one time in AGOT, in an offhanded comparison to her aunt Lyanna. I don't think attractiveness is the most important thing to validate in any child, but I do think that it is good and nice to affirm to your child that they have their own beauty, so that they can then negotiate their relationship with that word from a safer place in adulthood.

It's not about telling your child they don't look a certain way (e.g. no good telling Brienne she's a normal height and her nose is hardly crooked at all), but that the way they look is something unique to them and something they should take pride in, regardless of what others say. Like I think it's an OOC moment in the show, but I think it's sweet when Olenna tells Brienne she looks 'marvellous' or something. She's not saying 'you look like bella hadid', she's saying 'I love the way you look!' to a woman who has received nothing but insults (despite looking like fuckin. Gwendoline Christie lmao). that is nice. it's not the most important compliment anyone can receive, but it embraces divergence as positive.

as it goes though, Arya is a pretty girl and it's just weird that the adults found countless compliments for Sansa and none for Arya. and that's why I find it so bizarre that everyone wants to pin Arya's self-esteem issues on Sansa, a prepubescent child!! like, would Arya have taken these insults so hard if Cat had stepped in and said 'don't listen, you're a lovely girl and your father says you look just like your aunt Lyanna! sansa i am telling you off for calling people names'. children are always going to call each other mean names! it is one thing that is practically guaranteed to happen in any sibling relationship, and anyone who says otherwise is an only child or lying.

but it is much harder for a child to manage that hurt if they're getting called those names, and society seems to be reifying to truth of them at every turn! Septa Mordane is calling her ugly! Cat is calling her a mess! Ned has never complimented her till AGOT! etc! she has never received a compliment before! so how on earth can you say 'and Arya's self-esteem issues can all be traced back to the playground bickering between she and Sansa and Jeyne' when Arya is obviously getting the same message from what seem like far more authoritative sources! is it not worse that those sources are all complimenting Sansa all the time and never Arya? does that not make it worse when Sansa acts like a child about it? like!!

and yeah I agree that there are other more painful insecurities Arya is struggling with. I do think at least part of the reason that this argument keeps coming up in fandom is that people keep trying to claim that Arya's story is similar to Brienne's, in that she IS ugly according to society's standards and that's ok! which isn't true, Arya is canonically a pretty kid with a dirty face and unbrushed hair. that's all it is. so if we could just accept that, there'd be no excuse for the insistence that this is an important aspect of Arya's story.

because it isn't. like im sorry but the ugly duckling means nothing when there are plenty of people who don't grow up to be swans. they get called ugly as children, and they get called ugly as adults. look at Brienne: she has suffered far, far worse prejudice as a result of her appearance in childhood, and she doesn't get the catharsis of growing up pretty to show them all how wrong they were. Brienne has been treated like a fucking monster for how she looks, all of her life. this is a character for whom her appearance IS actually an important theme, and it will be meaningful to see her realise it's a strength, and find love etc. I'm sorry but Arya growing up to be beautiful doesn't mean shit to me lol. I fully accept it's canon, but it is not a meaningful story beat, in a story with people like Tyrion, Brienne and Sam. Arya's story has so many more fascinating themes about identity, trauma, justice, war, friendship and family. if Arya was pretty all along, why should I care?

[acourtofthought]

My husband finally put into words for me something that has been the main problem with this whole Anti Gwynriel because of Gwyn's past narrative.

According to Anti's, it's not ok to ship Gwyn with Az because she's not healed enough and hasn't shown that she's ready for a relationship.

According to Anti's, fanart of Gwynriel in provocative positions are not appropriate because it's disrespectful to Gwyn due to her SA, that she needs to first give verbal consent before we're allowed to imagine what a HEA for Gwynriel might look like.

And at first, it almost feels like a gotcha for them because you question whether you're disrespecting real survivors by saying, "she doesn't need to give consent for us to ship them since it's a book." This statement is true, I don't think readers should be forced to abide by real world morals when it comes to possible paths a characters arc might take, however it makes you pause for a moment to question whether what you're saying is disrespectful to those who have been victims.

But he actually flipped that entire thing on it's head when he said, "if the issue is about consent, then why is only being applied to a SA victim? Shouldn't consent be applied to everyone?"

It was kind of a lightbulb moment for me because those Anti's never vocalize how it's wrong for people to ship Eris & Az, Mor & Emerie, Vassa & Lucien (SA victim), Lucien, Jurian & Vassa, the LoA & Helion (because at this point they are not a consenting pair), Nesta & Eris. There are a bunch of non canon, non consent ships in this series and nobody has an issue with those. Nobody takes up the crusade arguing that it's wrong for people in the fandom to imagine those pairings together or drawing fanart of them in NSFW positions. Most of the time they're celebrated but has Emerie consented to having a sexual relationship with Mor? All she did was call her beautiful and Feyre had done the same in ACOMAF. Why do they never call out fanart of that pairing? Or Neris after Nesta harshly rejected him? Where Eris is currently suffering torture at the hands of Beron and we've got no clue as to his sexual preference. Also, Elain only consented to a fully clothed kiss in the bonus (remember, she grew up with human morals which she still holds fast too, she didn't jump right into bed with Graysen), we have no evidence she wanted more yet there's plenty of NSFW E/riel artwork out there and I'm betting some existed before SF, before she even consented to a kiss.

The only time I've ever heard anyone argue for consent or argue against NSFW art is in relation to Az and Gwyn and the message they're sending is that only female characters who have been SA need to give consent before fans should be shipping them.

That's when the shipping agenda makes itself known because if no other non-canon / non-consenting pairing disturbs them to the point they need to create post after post surrounding how wrong people are for shipping them, then it's clear to see that it's only Gwyn being shipped with Az that they take issue with and when only E/riels make these arguments, it seems highly suspect.

Gwyn's SA is irrelevant in terms of consent because EVERYONE should have consent before engaging in physical acts with others no matter their past. However, Gwyn's SA should not be the weight dragging her character down, the scarlet letter on her chest that means the fandom isn't allowed to give her the same treatment that all other characters receive. Where we're free to imagine and create fanart / fanfiction / headcanons (even the NSFW variety) for any pairing that we desire, regardless of their past or preference, even those who have never expressed romantic interest towards one another, except for Gwyn.

Consent in the actual book will be important but consent having already been given in our imaginations so we can imagine possibilities beyond what is currently written is the right of any reader.

[rubberduckyrye]

Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.

It's about how Gonta is treated by the fandom.

As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.

You all need to stop being ableist towards Gonta.

I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.

But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.

This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.

First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.

There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.

Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.

This is further clarified here:

It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...

It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.

He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?

Because Gonta is a young man.

Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)

I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.

To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.

But.

You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.

This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.

So again, ask yourself this: Why are you treating this young adult like he's a toddler?

[livrere-green]

ATLA x Omegaverse AU

Part 1 | Part 2

I've been thinking about an omegaverse atla au a lot recently, so I'm gonna vent about it cuz it's getting tiring just to have it spiralling in my head ngl

So, the only thing that I need to mention now it's that the standard age at which someone presents is around 13 to 14 years old. Knowing that, lets talk about the main characters.

Aang (12) would be unpresented by the time of the show. Also, I don't believe that being the avatar makes him an alpha perse. I mean, there's a possibility he presents as one (but he could also be a beta), and it wouldn't have anything to do with his avatar status (historically there could be a higher rate of avatars being alphas/betas, but there are some important exceptions... iykwim). Well, I think he'd present at age 13 almost 14.

Katara (14) is one of the characters that confuses me the most in this aspect, but just to add fuel to her fury and her personality, I'll make her an omega, not the kind that rejects her nature but the kind that embraces it and doesn't see it as something that makes her inferior or helpless. Katara would fight against the life society wants to impose on her in the same way she does in canon, maybe even more. She would resent the people who doesn't respect her because of her gender (just make it double), and at some point, she'd get frustrated about it, but she would think that hating herself would mean letting them win. About her presentation, there's two option: 1. She presented some months before they found Aang, 2. She presented during the first months they were traveling to the NWT (in this case, I think the ideal place would've been Kyoshi Island, because there's people able to take care of her there).

Sokka (15) would be an alpha, he probably presented after Hakoda left (14), he fits the type and the stereotypical personality at the beginning of the show. But I think he would get over it sooner rather than later and he would learnt to respect and don't underestimate betas and omegas just based on their nature. Also, I think that Sokka would scent the Gaang to protect them and particularly to cover Katara's scent as they travel or run away from trouble.

Toph (12) would be unpresented by the time of the show. She'd present as an alpha some time after the end of the war (13). There's not a lot to explain here (talking about her at that age, except for the fact that even during her time with the Gaang, she probably hated Sokka's essence, just as an early hint about her gender). I consider that there's a lot to discuss about her as an adult and how she managed her relationships, but that's a discussion for another time.

Zuko (16) would be an omega, and also a late bloomer, probably presented a couple of years after his banishment (15).. Zuko would be determined to hide his true nature under any circumstances, letting only his Uncle know about it. Ozai would've been informed that his son is a beta, which was already a disappointment for the Royal Family (historically alphas), but it wasn't nearly as negative as being reduced to be treated as an omega. Zuko would end up causing himself a lot of damage in order to disguise as a beta, either by using too many suppressants or other medications, or even hurting himself physically and mentally. He would stop hiding he's an omega after joining the Gaang but It'll be complicated, since he'd be distressed all the time and even Aang and Toph would be able to notice (their senses are not totally develop, so it'll be kinda alarming).

Suki (15) would be a beta, presented at 14. In her case, the characteristics of its gender would be especially helpful to mediate conflict or get out of it. The scent of a beta has calming effects in both alphas and omegas, so she would use it with her friends, or even in battle, to make her opponents lose focus, particularly if their driven by rage. The fans are particularly helpful for that.

Azula (14) would present early as an alpha (12/13). At that age, one of the traits she would manifest the most is assuming the position of head of the pact with her friends, she'd probably scent them with the intention of establishing superiority and control over them. In this context, Mai would be a beta and Ty Lee an omega or a beta as well.

That's all for now, I still have some things in mind for this, but I'll share that later, and if you have questions, I'll be happy to answer!

[elsa-fogen]

what do you think about the fact that al likes doodling?

i have a head canon that he has some sort of scrapbook or sketchbook full of little doodles of things going on at the hotel and just in his life, I feel like he would draw really stick-figureish (is that a word?) but I read a fic that depicted it as the same art style as an Invader-Zim obsessed scene girl and I could not stop cackling.

I also feel like he would either guard it with his life from everyone (exception to Rosie, of course) or just not bother to tell anyone and one day they just find him doodling schoolgirl style, kicking his legs in the air, LMAO NEW THOUGHT WHAT IF CHARLIE OR LUCIFER FOUND IT

OH! OH! Now that you mentioned it - i LOVE that about him! I just absolutely ADORE little thing he made for the add in the first episode. And i love this fact because 1) he's the first character i like that likes to draw canonically (okay maybe also toothless from httyd?) 2) Me and Alastor share so many similarities, and even drawing???? This just makes me love him even more (i'm sure we would hate each other irl tho AHAHHAHAHA or maybe not, idk)

SO, SINCE ME AND AL ARE SO SIMILAR, I'M GONNA PROJECT ON HIM MY DRAWING HABITS >:3c Forgive me this one, i usualy don't do that, i usualy project characters on myself haha

He DOES have sketchbooks just to draw, and they are ORGANISED. He's numbers every sketchbook and counts every drawing in them since the first one. He also has two numbers for each page - through one sketchbook and through them all. He has over 300 of sketchbooks by now (I have less, only 56). They are stashed somewhere in a very safe place.

Every sketchbook has a date of first and last drawing. Also amount of drawings. It looks like: NOTEBOOK 253 (number of sketchbook, also he doesn't call them sketchbooks) 03.06.1978-05.07.1978 (dates while it was active) 119 (amount of drawings) 29961-30080 (which numbers of drawings are in this sketchbook) He would cound something else, but he's just too busy to spend time on it. He can remember something thinking about what he was drawing in that period and vice versa

He used to draw at overlords meetings, pissing off Carmila and everyone else, because it looked like he hadn't listened to them, so Carmila banned drawing at overlords meetings (Alastor is still angry about it)

But he doesn't progress too much - most of his progress was made through first 10-20 sketchbooks, now he only has slight style changes sometimes when he feels like it

Tho he's really proud of his current skill and used to think that he's literally the best (used to get angry when reminded that it's not true) (now he kinda knows, but still likes his own drawings, doesn't accept criticism and doesn't try to purposely improve)

He likes showing his drawings to people, he knows and if he does, you have to say that it's literally So Cool, show enthusiasm turning pages and say that everything is just amazing. If you don't, he'll be OFFENDED. He also can leave a sketchbook opened on a page with a drawing he likes the most, and it's like a sign "NOTICE THAT I'M DRAWING AND SAY THAT YOU LIKE IT"

If he considers you a friend (well not like Rosie, but at least like Charlie), he'll be showing you his drawings regularly (and you have to be enthusiastic about it!!!!!!) He has showed it to Charlie, but somehow her enthusiasm is... too much. She's too patronising about it. He also shows his things to Husk, he knows that Husk is annoyed and doesn't give a shit, and he just enjoys his annoyance. He also shows his drawings to Niffty and she gives him Just Right amount and vibe of enthusiasm. (He sometimes draws something for her fanfiction if he likes something enough and enjoys Niffty's reaction (she explodes from happiness)). BUT!!!!! He never shows anything to Mimzy. Because she's like, person from the real life, and he feels like she would laugh at it. To Rosie he shows only things he considers his best and her opinion is the most important to him. He can even forgive her criticism (wouldn't take it tho) (she never critisizes him and absolutely ADORES his drawings). Angel kinda likes his drawings, but isn't enthusiastic about them enough

He doesn't take requests (Angel tried "draw me like one of your french girls" shit, Alastor never did (also his ass did not get the reference and he was like "i dont??? have??? any french girls????")) (Vox also tried to make Alastor draw something for him, Alastor was just "that's interesting, i'll think about it" and never thought of it again)

SOME OF HIS DRWINGS TURNED OUT TO BE PROPHECIES but he notices that only when something happens and then he goes back to his old sketchbooks and accidentally finds it. They are just coincidenses tho, but it's fun and Alastor makes a big deal from it and screams to Rosie like "I PREDICTED THAT SHIT 27 YEARS AGO" when finds out. (it's how i predicted many plot points from SU and literally TOH hunter's possession before the show even was a thing JHJDFJHFGJFDHKH i wonder if i predicted something from Hazbin, i need to look through my sketchbooks now)

If you dare to mess with his drawings and vandalise them... oh... you better pray to whatever god you belive in to make your sufferings be enough to redeem your sins and go to heven.

[alittlebitofloveliness]

In defence of Steve Randle

Listen guys, Steve Randle gets a lot of hate in this fandom and as much as it pains me, it's valid. Everyone has their own interpretation of the source material, and fandom is supposed to be fun, so it is absolutely valid and ok to hate or love any character you want. You can hate Steve for many reasons or for no reason at all! This is fandom! That's ok! The story is for you interpret and love and play with and hate on to your hearts content. HOWEVER, to say that Steve Randle isn't an important character to the novel is simply not true, and to say that he hates Ponyboy requires ignoring or downplaying some pretty key moments of the book. This is especially true for those of you who love Dally but hate Steve, because Steve gets a lot of hate for being kind of a dickhead (which lbr, a lot of seventeen years old are, especially to their friend's little siblings) while Dally gets less for doing a lot worse (harassing Cherry, jumping kids, etc). This isn't to say that either character is better- they're both great, nuanced characters who have done bad things, but the fandoms attitudes towards them when they share a lot of characteristics is really telling. Even Ponyboy's narration about them is pretty similar- Pony doesn't particularly like Steve, and he was canonically scared of Dally, but they're both members of his gang and he doesn't hate either of them. You don't have to like Steve as a character, just like you don't have to like Dally or Darry or Tim Shepard or even Ponyboy, but he is important- and he doesn't hate Ponyboy, nor does Ponyboy hate him.

A really important moment in the book is when Ponyboy and Johnny defend Dally after he harasses Cherry and Marcia.

"Dally's okay," Johnny said defensively, and I nodded. You take up for your buddies, no matter what they do. When you're a gang, you stick up for the members. If you don't stickup for them, stick together, make like brothers, it isn't a gang any more. It's a pack. A snarling, distrustful, bickering pack like the Socs in their social clubs or the street gangs in New York or the wolves in the timber."

This line here is super important. Pony and Johnny were willing to defend Dally after he sexually harrassed Cherry and Marcia- soc girls who they clearly liked and were intimidated by- in the name of being a good friend, because that is what's important to them and their gang. If they're willing to do it in this context for Dally, you'd best believe they'd do the same for Steve, and him for them. Steve can and will rag on Ponyboy within the gang, but he'd never dream of bad mouthing him to anyone else. Dependability is important to the gang, and Steve would never publicly shit talk Pony, and vice verca. Regardless of their squabbles within the gang, at the end of the day they've got each others backs. They're buddies. We see evidence of this at the end of the book, when Pony grabs the bottle and threatens the socs with it.

"You really would have used that bottle, wouldn't you?" Two-Bit had been watching from the storedoorway. "Steve and me were backing you, but I guess we didn't need to. You'd have really cut them up, huh?"

The important thing here is that along with Two-bit, Steve was backing Ponyboy, no questions asked. Sure most of it boils down to Pony being a member of the gang and that deep rooted loyalty to one another, but the context for this scene is that Ponyboy was sitting on Steve's car waiting for Steve and Two to stop flirting with some girls. The three of them were hanging out- without Darry, without Sodapop. It's their school lunch break. We know Ponyboy has middle class friend's at school, or that he could've spent time in the school library. It was a deliberate choice to hang out with Two and Steve. He wasn't forced into it. Canonically, Steve and Ponyboy hang out. Never alone, but they're decent enough friends to hang out together in a group. Doesn't everyone have friends like that? I do. This isn't the only textual instance either where they hang out without the entire gang being present. Early on, Pony offhandedly mentions that sometimes Steve and Soda will buy him pop and teach him about cars if he hangs around the DX.

"I had walked down to the DX station to get a bottle of pop and to see Steve and Soda, because they'll always buy me a couple of bottles and let me help work on the cars."

He could've just said Soda's name here but he didn't. Steve buys Pony pepsi and teaches him about cars, even though he gets annoyed with him when Soda invites him to hang around with them too often. And honestly, who wouldn't? I'd be annoyed if my best friend always invited her little brother along with us, even if I liked the kid. Wouldn't you?

Now, we do need to address the elephant in the room. I'm talking of course, about this quote;

"I'd never tell Soda, because he really likes Steve a lot, but sometimes I can't stand Steve Randle. I mean it. Sometimes I hate him."

I feel like very often people forget the context this quote comes from, and so it's magnitude is blown way out of proportion. Ponyboy has just been jumped and then immediately scolded by his brother who constantly makes him feel foolish and unwanted. He's already scared, embarassed, and defensive and then Steve goes and makes him feel even more unwanted. Of course he wants to lash out. Of COURSE he feels like he hates Steve in that moment. I did even reading it. But Ponyboy doesn't truly hate Steve. This moment is PEAK fourteen year old having a rough night energy, it's not truly representative of Steve as a character or of Ponyboy's feelings towards him. In truth, Steve actually kind of likes Ponyboy and is at very least protective over him. This is evidence by the previous quotes, but also when Ponyboy comes back from Windrixville, and is worried about the state placing him in foster care;

"'No, [Ponyboy said] 'they ain't goin' to put us in a boys' home.' 'Don't worry about it,' Steve said, cocksure that he and Sodapop could handle anything that came up. 'They don't do things like that to heroes.'"

It's subtle, and not immediately obvious to the traumatized fourteen year old who is used to Steve's cocky nature, but this is both a reassurance and a very bold claim. Not only is Steve trying to look out for Ponyboy the way the rest of the gang models- by treating him like a kid, letting the 'adults' worry about grown up issues in a misguided attempt to protect Pony- he is also throwing in his lot to make sure nothing does happen. Based on this quote and the rest of Steve's characterization throughout the book its not hard to infer that Steve would fight tooth and nail to make sure Ponyboy stays safe with his family. Sure, part of it is gang loyalty, part of it is his devotion to soda, but part of it is because he and Ponyboy are buddies in their own right, no matter how much they fight. They are friends- and Steve is an incredibly important character for many reasons, but particularly to add depth to Pony's character, to the bond between the Curtis gang, and to highlight how the Curtis gang differs from the other gangs in Tulsa. Steve is just as much an outsider as the rest of the gang, and it's disingenuous to say otherwise no matter how much you may hate him as a character.

[spotsandsocks]

20 Questions for Fic Writers

Tagged by @tizniz @diazsdimples @wikiangela @hippolotamus @bi-buckrights @exhuastedpigeon Thank you lovelies 💖

How many works do you have on ao3?

89 that’s not too shabby is it. Three years of writing this summer.

What's your total ao3 word count?

902,255 that is quite a few words isn’t it.

What fandoms do you write for?

911

Top five fics by kudos:

If You Break It 3.2k Chris overhears a something and gets upset, then he tells Buck who gets upset too.

They say the Truth will set you free 2.3K Buck get a dose of something at work and gets emotional and chatty

Could Have Should Have Would Have 3.2k an unexpected“I love you” but it’s too late. Isn’t it?

Just Ask 1.7K Eddie's having thoughts, he wants to touch. Buck's ok with that, all Eddie has to do is ask.

Looking from the outside 2.4K TWhat happens when everyone you meet thinks you’re married to your perfectly platonic best friend. Most of these are quite old now, I think I’ve written some just as good or even better but fics don’t seem to get as much kudos these days

Do you respond to comments?

yes everyone is really important to me

What is the fic you wrote with the angstiest ending?

No fics really end angsty round here but this one’s pretty emotional along the way.

Alone With Your Thoughts Buck gets very badly hurt (for plot reasons) and trying hard to stay alive he realises he’s not as alone as he thought.

What's the fic you wrote with the happiest ending?

See above! All happy can’t choose the happiest.

Do you get hate on fics?

Not yet- think I’m too small to get noticed maybe!

Do you write smut?

Um yes I certainly do 😏 and quite well I like to think 😉 in fact an example will be popping along in FIF shortly

Craziest crossover:

Nope - now AUs is a different story

Have you ever had a fic stolen?

Not that I know of! Can’t imagine anyone noticing my fics enough to steal them

Have you ever had a fic translate

Someone asked to once but who knows!

Have you ever cowritten a fic before?

Nope

All time favourite ship?

Gotta be buddie hasnt it. They just inspire me

What's a wip you want to finish but doubt you ever will?

All of my wips languish right now and are crying out for attention but I fully intend to finish them all. I do!

What are your writing strengths?

Not sure?! I think my more canon style fics are quite consistent with the characters in the show. Think that I’m pretty good with a complicated plot but you tell me?? I like the way I can wrap a bit of humor around the more tense bits too.

What are your writing weaknesses?

Long sentences? An over enthusiasm for the comma? Too long? Poor tagging?

Thoughts on dialogue in another language?

Maybe controversial but I’m not a huge fan of eddie using Spanish terms of endearment in fics. If he ever does it in show I’ll feel better about it, but it doesn’t actually feel very him, apart from that I don’t mind

First fandom you wrote in?

911

Favourite fic you've written?

How can I chose!! But these old chestnuts I’ve gone on about before but I, very proud of them actually

The Lost and The Found werewolf/shifter au

Good Knight Sweet Prince Prince/knight au

Tied To You From The Start smutty paranormal shenanigans

And obviously dragonriders au… see FIF post shortly

Thanks for tags you lovely lovely people you’re all so so talented I adore you you make my days so much brighter ☀️💜☀️

@rogerzsteven @hoodie-buck @thekristen999 @loserdiaz @weewootruck

@shipperqueen6 @stagefoureddiediaz @underwaterninja13 @steadfastsaturnsrings @daffi-990

@bidisasterevankinard @bekkachaos @elvensorceress @rainbow-nerdss @honestlydarkprincess

@saybiwithme @loveyouanyway @lover-of-mine @watchyourbuck @jesuisici33

@monsterrae1 @eddiebabygirldiaz @shortsighted-owl @fiona-fififi @the-likesofus

[flower-boi16]

”you want everything to be spelt out to you!” “The show doesn’t need to explicitly spell it out for you!” “You can just infer it!”

This is the exact same defense I always get whenever I argue with Viv fans when I criticize Viv’s piss-poor writing. And the thing is this IS true; shows don't need to explicitly spell things out to the audience, as there are conclusions that the viewer can draw on their own without having to be explicitly told by the text, usually by the text giving direct hints to that explanation.

The problem is that Viv fans' definition of inferring isn't "drawing conclusions on our own with direct explicit hints given from the text that is the canon explanation the story wants you to come to" it's "making shit up to try and explain and/or justify Viv's terrible writing".

There are three times where I got this defense when arguing with HH/HB fans all three times I lost several brain cells in the process.

The first time was in a discord server where I posted an HB episode tier list and put Truth Seekers in C tier (the mediocre one). One of users commented on this and I explained my reasoning why I thought the episode was meh. One of these reasons was the plot hole of why the Dhorks didn't send the footage they already had to the government.

The user then countered that with "how do you know didn't send that old footage?". Well, the reason why I know that is because the episode gives no actual indication that they sent it, and when I said that the user countered that with "because there was also no indication that they didn't send the footage". And then after that the argument spiraled into both of us repeating the same counterarguments over and over again.

The user says that it's logical for the audience to assume they sent the footage because it's the logical thing to do cuz why would they keep it. Which, ok, you can assume that they did send the footage but there's no indication of that within the story. This does not change the fact that this is an unanswered question that the story itself didn't answer, did they or did they not send the footage?

That's a pretty important question to answer and the show can't just leave it there. And then the user tells me "you don't need to be told, Its in your face how they act". There is no way to infer if they did send the footage because the story gives a SINGLE hint that they do, and the story DOES need to say if it they sent it or not.

This is not inferring. This is making shit up to explain Viv's writing for her. Did they or did they not send the footage? This is a big question that the episode does not answer even though this is a major plot hole and it can't just leave it hanging there for fans to just guess. The episode gave no indication that they sent the footage, so I have no reason to believe that they did. You can't infer ANYTHING from this.

This explanation is simply something made up, not a conclusion that's given direct hints from the show. If the next never said it happened, it did not fucking happen. This assumption is literally just headcanon.

The next argument was from an ask I got calling me media literate for my point about how fans shouldn't have to create fan theories to explain Viv's writing for her and Viv should explain her world-building herself. It stated that the explanation for why sinners are confined to the pride ring (making the exterminations more efficient/easier) is the clear explanation that the show doesn't have to spell out because 1) The show says that there are annual exterminations which aren't viable without the confinement and 2) Lucifer gets control over which ring his subjects go to.

Both of these explanations suck, here's why.

The exterminations simply being there does not explain the confinement. Also, this explanation doesn't work to begin with as I've talked about before

Lucifer having control over where he sends his subjects to doesn't inherently explain why he sends them to the pride ring specifically.

The "sinners are confined to the pride ring to make exterminations easier" was a fan theory created by the fans to explain this because the show itself didn't bother giving an answer. That's bad world-building.

The show itself needs to explain these things rather than having fans create explanations for it. There isn't any way to infer that because the show never once gives any hints that this is the reason. And, like I said before, the explanation doesn't even work anyway.

There is no way to infer why the sinners are confined to the pride ring at all, this explanation is once again a headcanon. But when I pointed this out, the anon said that I just want everything spelled out for me.

The third and final instance of this is with our good ol friend truffhollowell. Ya know, the person who's been going around on Hazbin critical posts spouting nothing but complete bullshit.

This argument was under this post about why Vaggie's turn around made 0 sense. In the post truff tried countering my argument with "uuuuh, actually, not all murderers are heartless monsters!" even though that is explicitly what the exorcists are shown to be.

They then go around and say that Vaggie could've been thinking "how could a child end up in hell" and she realizes Heaven's corrupt systems and develops her own identity (at least that's what I remember them saying since they deleted all of their replies once they lost the argument lmao)....even though there is NO indication within the show that this is what's happening.

This is not inferring. This is just a headcanon. But truff says that you CAN infer it because...child murder is bad...

...umm...WHY TF WOULD THE EXORCISTS GIVE A SHIT IF CHILD MURDER WAS BAD IF THAT CHILD IS A FUCKING SINNER????? And THEN they hit me with that same fucking claim of "oh, you want shows to spell things out for you!".

Ya, well, guess what, I can't infer any of this because that's not what's happening. This is not what's happening in the scene, this is just a headcanon truff made up.

There's more to their arguments than just that but that was the general point they were making.

I'm so sick of always getting this stupid-ass defense because NO, I DON'T want everything spelled out for me, I want things to actually make sense. I'm looking at specifically what the text itself is saying, the information that it gives out and what's happening within the show.

Not your headcanon you made up to explain Viv's terrible writing. None of these explanations are people infering things based on direct evidence from the show. They are just headcanons/theories with nothing in the text hinting towards it.

So, to anyone who is going to give me the "you can just infer it yourself!" excuse to defend these shows whenever I criticize them...

Shut the fuck up.

[ellaphnt]

Saw ur Toshiro post, and I absolutely agree that Toshiro's outburst will be a stepping stone for both um an Laios to grow and that the buildup was because Shuro didn't want to ruin situation he was still trying to figure out. But the funniest thing is, afaik, Laios and Falin are *also Foreigners* for quite far away. Their country is simply Scandinavian/northern Europe themed. I don't think we see any long-lived races in their flash backs (baring the dead man buying a ring of elves?). And both Falin and Laois definitly are the equivalent of nobility/Local chiefs kids. But instead of being send out with all their assistants and guards, Laios ran away and suffered in the army and then on his own in a caravan , and Falin was send to a Magial School full of other races and people. They both had time to 'adjust' to the wider world (and still carry a bit of home-grown uh...prejudice (mountain people)). So when they met Shuro both of them were well used to meeting people not from their Country. Toshiro not being either from the tiny Island or the nearby lands simply didn't mesh with how they had adapted to behave. Plus, obviously, Laios textual Autism. But I feel like Laios could totally have figured it out if he had met people from Shuros island before who would have told him, he does after all know how to behave around Dwarves and such, who also have quite diffrent culturual norms. Sorry for the ramble xD Good Toshiro post!

Hi hi! I’m really glad you’re adding onto my silly brain thoughts hehe - I’m super happy to hear yours, especially since they make me think more! Warning this is going to be long, talking about dungeon meshi is just a lot of fun.

When I said foreigner, I should have clarified that that I meant he’s a stranger to the CULTURE. A good chunk of the people in the island are not native to it! But culturally, they have the social background to fit in. They didn’t all come from the same place, yes, but they grew up in European-esque cultures and interacted to some extent with other races. Even Kabru and Rin are not foreign to this type of culture because they grew up with Western/European socialization.

Gonna elaborate bc I think it’s fascinating: From what we know about the Eastern islands, the worldview is very very different. In the Adventurer’s Bible where Kabru talks to Hien, they talk about how the East defines “humans” as “tallmen”, and oni/ogres were the only “other”. In the post-canon snippet where Toshiro talks to Falin, he even refers to Eastern thinking as “backward” due to the lack of long-lived races. Because of his delayed exposure to other races, and because the worldview is far more different than the one the Toudens experienced, that’s where I make the statement that he had more to adjust to.

I’ll also note, the fact that the Toudens are subjectively more adjusted to seeing and accommodating other races makes Laios’ statement that Toshiro “had an odd appearance” an even more bizarre thing to say. And although we can assume Toshiro also has his biases, we don’t see them highlighted like other characters have had (to my knowledge). So it makes it seem like he was more thoughtful/careful towards other races from the get-go, despite his lack of knowledge. His main issues were always with other tallmen, just like Laios.

It’s good to point out that the Toudens are outcasts in their own right. Both of them went through a really hard time, and it changed them. Laios’ cycle of failures and giving up and being bullied are especially important to characterizing his relationship with his sister and his disinterest in humanity and lack of close friends. Falin at least had Marcille. Both Laios and Toshiro have reasons they’re inexperienced in friendship, but one of them stated it in the story and the other didn’t. There’s more misconception about Toshiro’s character than Laios’. So my post was to talk about that one a bit.

ALSO OOO I COMPLETELY FORGOT but I WAS going to mention how both the Toudens and Toshiro came from families of influence! Thank you for bringing it up! Laios and Toshiro diverge from that upbringing, while making Toshiro and Falin a little more similar. This goes into another whole thing where Laios and Toshiro parallel (and foils?) each other but that’s too long of a discussion. Just as long is how this divergence distinguishes the Touden siblings (too many people have said their only difference is gender..)

Lastly, yes, Laios does need more exposure to Eastern people and Eastern culture to get a grasp on it. He really wants to learn! It’s just that Shuro isn’t his encyclopedia and until he gets that chance, he will make ignorant takes. I can think of two more that will occur in the main narrative alone. (but like Toshiro said, Laios has no malicious intent, that’s what makes it all the more complicated)

While there’s good conversation to be had about the fight from a ND vs NT POV, I’ve seen SO much discussion about Toshiro possibly being read as autistic too, and neurodivergent individuals who can relate to his experience. Often it comes as an intersection between both being autistic and being a poc. I think it brings even more nuance to the narrative. Plus I’m just glad there’s people who can relate to him. He’s meant to be relatable! His problem with Laios is just as much a character flaw as it is human.

Hope this post was a thoughtful response to yours, I tried to tackle everything you mentioned! Thank you sm for the ask :D

Edit: for the sake of context, here’s the og post that’s being referred to!

[quitealotofsodapop]

So if Wukong didn't know MK was playing superhero, why was he able to be caught by Spider Queen? The answer is clear. He took the younger cubs down to see the parade. That way, he could be closer to the fireworks, and his kids are entertained. He ended up being caught up in the initial attack and discovered MK playing hero while trying to evacuate the cubs away from the angry spider lady trying to turn people into spider zombies.

Wukong is not happy, but at this point there are far more important things to deal with. He orders MK to get his siblings somewhere safe while he handles Spider Queen. When MK protests, he tells him that MK's arachnophobia would only get in the way, and he is still Sun Wukong, the gods be damned Great Sage Equal To Heaven and the Monkey King. He isn't so far into his retirement that he can't put an upstart little princess in her place.

The plan backfires and Wukong gets captured by LBD and Spider Queen, of course, but hey, the Noodle Crew gets to meet MK's siblings! Sandy babysits them while they're in Heaven trying to get the stuff. All they know of it is that MK's mom was caught by the Spider Queen, they don't know yet exactly who his parent is. Not until much later when Wukong and DBK break out of their bonds and save them.

"Holy shit, is that Sun Wukong!?" ;Probably Tang

"Mom!" :MK

"MOM!?" :Literally eveyone

After all is said and dine Wukong makes good on his promise of a long talk, or rather lecture, and MK is grounded.

"I CANNOT BELIEVE YOU WOULD BE SO RECKLESS! Xiaotian, your father an I taught you better than this! What were you thinking!?"

"But when you were my age you were at war with Heaven, though!"

"And look what that got me! Thrown in a furnace and pinned under a mountain for 500 years! What you did was stupid and reckless. What if you'd gotten hurt!? Your still mortal, MK!"

Referencing.

Yesss. Wukong canonically adores New Years, and I def agree that love extends to the cubs too.

Wukong does a "surprise" visit to Megapolis to show the younger cubs the New Years Parade + check up on his eldest while MK is helping Pigsy with the foodtruck. Likely all in glamours, but MK 100% gets an embarassing visit from his mom at work. The Noodle shop gang tease him endlessly about it.

Then cue the Spider Queen's invasion, and Wukong giving MK the cubs to watch for the moment while he Kings Up. MK doesn't want his mom to go in his condition, but Wukong is still The Monkey King, and has no idea that his son has been superhero-ing for the past couple of months.

The gang all meet up on Sandy's airship, and the kiddos glamours all drop from stress. This is where the gang confirms (they had suspiscions) that MK is a disguised demon - they dont mind since thats sadly common in human-dominated cities. MK specifically being a monkey demon gets Tang asking questions though.

Red Son shows up and has a brain-fart mid-plan when he recognises who "Noodle Boy" actually is;

Red Son: "Xiaotian!? I haven't seen you since we were calves! This explains so much!"

MK, nervous sweating: "Not now dude! My mom got captured by the Spider Queen, and my dad is MIA right now."

Red Son: "Ah but of course. Seems we have the same predicament then. No fear, I have a plan to defeat the Spider Queen and save our respective parents."

Tang, panic-nerding: "MK, how do you know Red Son!?"

MK, flash of SWK-esque anger: "NOT NOW."

The gang get to the Celestial Realm and retrieve what they need to make the antidote - though not without attracting the attention of a certain hound that just realised her fave monkey is here.

MK, petting the dog: "I'm sorry Quan. I can't play right now! I'm saving the city."

Xiaotian Quan: (*sad whine!*)

Meanwhile at the Spider Mech; DBK has finally met his little brother/enemy once again. DBK in his anger, yells about Sun Wukong's "little-thief successor MK" ruining so many of his family's attempts at gaining power, and Wukong just blanks;

Wukong, scary parent voice: "Xiaotian has been doing what!?"

DBK: "The Little Thief is Xiaotian!?"

DBK would also shout at Wukong for putting himself in danger in his condition, but quiets when he learns that Macaque is missing. Tieshan had seemed worried since DBK got back (infact, maybe its why she decided to free him), and everyone knows that the shadow monkey wouldn't leave his mate without reason. When LBD arrives, DBK and Wukong immediate get a chill up their spines. They both know that she's somehow involved with Mac's disappearance... DBK has his super-saiyan moment of worried-anger and frees both himself and his xiandi so that they can find their reckless kids.

The Noodle Shop gang (+ Red Son and the cubs) bust on through with the spider-venom antidote and manage to subdue the Spider Queen with their combined forces.

Tang is about to fanboy at the sight of Sun Wukong in the flesh when MK and the cubs yell something that shatters his preconceptions.

MK & the cubs: "Mom!" "Mama!"

Noodle Shop Gang: "MOM?!?"

Wukong, swarmed by baby monkeys: "Thank Nuwa you're all ok!" (*hugs them all tight*)

Wukong: (*suddenly bonks MK on head with a sandal*)

Wukong: "And you! How dare you not tell me that you've been fighting demons this whole time! You told me you were only getting a job for mortal experience!"

MK: "But mom! I did get a job! I've been using my spare time trying to figure out what happened to dad!"

Wukong: "Which I specifically told you Not to do!! Your father has gotten himself tangled up with a very dangerous witch and I'm not letting you run into one of her traps!"

Noddle Shop Gang + DB fam: (*standing at a safe distance from the yelling*)

Tang, dizzy with excitement: "Anyone else feel like they're in a fantasy right now?"

Mei: "Hm, not really. I knew Xiaotian since we were pups. My grunkle Ao Lie is the same dragon-horse from the stories."

Tang: "Excuse me!?"

Erlang shows up on Earth asking Wukong tf just happened - his third eye showed him the chaos in the Celestial Realm and Lao Tzu is pissed for his missing pills and Furnace. But he immediately leaves when he sees tje carnage of a saved mortal city + Sun Wukong. (Erlang: "Ah. Say no more.")

[iersei]

okay. let's talk about black terry jr.

-

TL;DR: terry jr is black. that is something that should not be erased. regardless of your access to or willingness to search for the canon material that confirms this, you should not be depicting him as white. whitewashing terry by refusing to think of him as black creates an unsafe space for our black community members, and you should re-examine your personal biases if you choose to insist on continuing to see terry as white.

-

terry jr is black. point-blank. and if terry jr is canonically black, then he should be depicted as such.

i will concede that it is something that you might not spot if you listen through the podcast casually. it's something that i didn't know was actually official in any capacity until recently. and i would like to note that i do not have and have never had access to the dndads patreon. i have not listened to any of the teen talks in full (even the ones released to the public. it's just not my jam.), and any information or spitballing contained within is something that i have either been told second-hand or am completely unaware of. i also didn't look at the official poster (the "everything is alright" poster) that depicted both terry jr and samantha as black.

but the fact of the matter remains that terry jr and samantha are black and have been acknowledged as such within the source material.

once again, i myself didn't seek this information out enough to know it was official canon. so then why have i always depicted them as black anyway?

well when i started engaging with the fandom, i saw what was being presented to me in the fandom was overwhelmingly that terry was indeed black or at least popularly interpreted to be black. and my first and only thought was that that was nice. so i decided to roll with it.

if i really wanted to check if that was canon and it being canon was important to me, i could always have asked around. i could've sought out information from official sources. because if they were black and i just missed it in some way, i would've wanted to check myself. especially because doing so would lead to whitewashing.

but i didn't feel the need to do that because i think that just the added racial diversity was really cool to see on its own.

for argument's sake, there is still the possibility that you'd think it is simply just popular fanon. let's say you chose to not check for yourself whether or not he was canonically black. or let's say that, for whatever reason, you think that what is available isn't enough to sufficiently deem him canonically black. so let's discuss why terry should still be depicted as black even if it was "just" fanon and there were no official artworks to go off of.

i am not of the opinion that fanon in general should be taken as gospel. in fact, there are quite a few things within dndads fanon itself that i personally disagree with and choose not to engage with. the reason why this interpretation in particular is a sore spot is the question of why, after seeing the popular portrayal and recognizing the ability to create racial diversity in a space where a good amount of appearances and identities can be up for interpretation, someone would still choose to depict him as white.

why do you choose to depict him as white? do you have any personal biases that make you think that he would or should be white? do you think that it is unimportant or inconsequential to not depict him as a person of color?

what would be so compelling about making him white that you would choose to go against this interpretation? why is it so important that you continue to see him as white?

who are you ignoring in the process?

i do not think it is deliberately malicious to initially think that terry jr is white. it is the unfortunate truth that white tends to be considered the default. but it begins to rub me the wrong way when anyone chooses to stick with that idea when presented with any evidence or argument to the contrary.

though i will admit that i am not black, i am still a person of color. and i think that creating a fandom space where we can highlight, create, and celebrate racial variety means creating a space where people of color feel safer. and because i would like to uplift the black fandom member who tried to voice their own personal take on this matter, i would like to link back to [this post from vivalapersistence] as the reason why i felt compelled to talk about this in the first place.

i don't want to talk over him, but i want to point out his statement that having this kind of solid representation is important and means something to him as a black person in this community. erasing terry as black means that you would be, intentionally or not, erasing and silencing black voices. it takes away that element of representation within the fandom and does real harm to the black people within when you decide that that representation isn't important. there are real racial connotations to the argument here, and it's frankly a little callous to pretend like there's not.

so maybe let's be nice to the BIPOC in our community spaces, okay?

and i want to make it clear right now. if you want to discuss what i say here, you can discuss this with me.

[mezzy303]

The new one piece chapter has me spiraling sdjkfshf so here's a theory that crossed my mind and is becoming more plausible the more I think about it

Spoilers (obviously) under the cut

The tl;dr is: What if the world of One Piece has always had rising sea levels/sinking land? What if these natural events happen in an 800 year cycle? What if there was way more land (like the real world) before the formation of the World Govt?

I'm not gonna get into the details of why that is bc that is a different mind boggling discussion and it isn't really important here. But if there's always been that threat, it would explain so much about the Void Century and the True History.

As many people have already pointed out, the threat of the world sinking into the ocean explains why Noah was needed. It's a giant ship half the size of Fishmen Island that was meant to be raised to the surface, likely for the inevitable future where there's virtually no land above water. It could be that threat never happened at the end of the Void Century so Noah wasn't needed, but what if it did happen? This would suggest a huge event happened that caused sea levels to rise 800 years ago.

This ties into my next point, that the Great Kingdom was part of land that is now underwater. We've already seen that there's underwater ruins from Jinbe's cover story where Wadatsumi was throwing ruins onto an island, one such ruin being a poneglyph, meaning that kingdom (maybe the land that island was once part of) was either part of the Great Kingdom itself or allied with it. So it wouldn't be a stretch to consider that the Great Kingdom is also currently below the ocean. It would also have made it easier for the World Govt to completely erase the Kingdom from existence, since it was already underwater and inaccessible to most people other than Fishmen. I can't recall if any ruins that are Void Century old have been canonically shown, which would mean either they've been completely destroyed with nothing left, or the areas have been continuously lived in and renovated, or they're in the ocean and the majority of structures currently on land is younger than the Void Century AKA people moved to higher lands when sea levels rose. It could be all the above too! If the Great Kingdom was at risk of sinking, then Noah might have been meant to carry their displaced citizens.

If those during the Void Century knew sea levels would soon rise, it might have been the reason for all the turmoil that started the Great War. Conflicts over limited resources, about who will live and who will die, general fear and anxiety, things like that. The 20 kingdoms that eventually formed the World Govt might have been suspicious about how the Great Kingdom was using their resources and went to war with them. Maybe they were threatened by how much power the Great Kingdom had as they prepared for the natural disaster (ie. the ancient weapons and Noah; from what we know from Egghead, technology was incredibly advanced at the time). Maybe it was just all boiled down to wanting control over a terrifying situation.

If the land sinking into the ocean is a natural phenomenon, then Joy Boy's apology to the Fishmen and mentioning of his return would mean that the event would happen again. Maybe it happens in an 800 year cycle, which explains why Joy Boy (and those sea kings in the Fishmen Arc) knew that Noah was still needed and how he knew exactly when he'd return. It also explains why Rayleigh warned that if he told Robin about the Void Century when the Strawhats first arrived at Sabaody, she "wouldn't be able to do anything about it as she was then." I think I've always assumed this had to do with the formation of the World Govt and how to dismantle it, but it might actually be about how the world is sinking and through following the poneglyphs, one would find the way to save those in danger of being displaced. The Ohara scholars had discovered this, and now Vegapunk is continuing their legacy by making this info public.

And as I'm writing this, I'm realizing that if sea levels rise/land sinks in an 800 year cycle, this might be the "true history" of the world, or at least part of it considering Joy Boy's story made the Roger's Pirates laugh. But it certainly is important and relevant as the wikia site describes! But why would the World Govt try to hide this? I'm not entirely sure. Maybe for the sake of having control over information and thus having power over the world, but there could be so many other reasons. There's hints throughout the story that suggest they're still preparing for a world with almost no land though, such as the Tequila Wolf bridge that's supposed to connect islands together, and the fact that the founding monarchs moved their families to Mary Geoise on the Red Line. Law also stated in Punk Hazard that the Govt has been researching growth hormones to turn humans into giant soldiers, and they've been doing this for centuries. It's possible that the research was really for the capability to walk through parts of the ocean when there's no longer any land above water.

Anyway my brain is fried thinking about all these things lol. There's so many other factors to consider but I'll save that for a later time when I get more sleep sjdkfhsdk

[writer-of-random-things]

On the Nature of Holmes & Watson (& Trevor)

This was meant to be a meta, but in reality it's probably just going to be a rambly wall of text and emotions. Oh well.

Something that always captivated me about the ACD canon was how...special Holmes and Watson were. They were unique in their commonality, their casualness. The Holmes stories had served as the blueprint of the modern detective genre in itself--I had expected a sidekick. What I had not expected was the way the sidekick and detective came to be; to be remembered as one of the greatest friendships in literary history.

There is something so inexplicably beautiful about a lost, lonely, war-weary veteran returning to a city of thousands. A 'cesspool' of a city, he calls it; and yet somehow, in some way, he manages to find a enigmatic, strange person that needed Watson as much as he did him. In STUD, Watson mentioned how he spent his days before meeting Holmes wasting his days, idling about from hotel room to hotel room. After all the war and trauma, only followed by the banality and blandness of living in a city that is thronging with distant people, I can't help but think how much Watson and Holmes saved each other. Yes, over the course of their many adventures, they have saved the other's life many times. But I like to think that they saved each other from themselves; from the loneliness and the struggles they faced. Watson finally had something to do with his life again through accompanying Holmes and chronicling his exploits. Holmes finally had something he could project his ideas off of, somebody that could appreciate and constantly be in awe of his talents. Somebody that could help him when needed, and sit in comfortable silence or conversation; someone to make him not alone.

This is very important for Holmes. I suppose anybody who read the ACD canon already knows this already. But for all we know, the last friend Holmes had was Victor Trevor, who was just alone as he was. And Trevor left to work on a tea plantation in Nepal after the events of 'The Gloria Scott' (...I don't know why Conan Doyle made him do that. Is it because the British like tea so much?). The point is, Holmes was alone again. The great detective, who often liked to present his ideas as if he was an monologuing actor, was alone on the stage, with no one in the audience to clap for him. Then Watson came along, and Holmes became a prominent detective; but more importantly, he gained a lifelong friend.

At the end of the day, that's why I keep returning to the Holmes stories. Yes, Sherlock Holmes is brilliant; yes, the cases are intriguing and I love Victorian literature so much that I would've probably read it even if I wasn't invested in the characters. But at the heart of every case is the friendship between these lost, lonely men, who somehow found each other in a city of millions and made the best of it. The ACD canon is as much about mystery as it is human connection. I can't properly express it, but wherever the stories take place--on the windy hills of Dartmoor, the countryside of Reigate, or the crackling fire of Baker Street--Holmes and Watson will always be there, side by side. We see this, in every adaptation since.

They are truly the fixed point in a changing age, and I love them for it.

[cosmicjoke]

Do you think that Levi has abandonment issues/fears and worries about being a burden to others? I don't know if these count as social anxiety, but there are a few scenes in the anime that I think of as social anxiety.

One of them is in the 3Season when Eren says "little old man" while swinging a fist at Historia's mutated father. I heard Yams say about that scene that Levi thought "I wonder if this is how they see me". I think he was offended.

And what makes me think that he has abandonment or being left behind issues is that both years later when he asks Kenny why he left him, and in the manga when Levi is injured and clinging to the sides and trying to walk and Armin tells him that he shouldn't get up because he's injured, Levi says "if I lie on that thing any longer, you guys will completely forget that I exist". I think this dialog was changed in the anime.

And later on, when the others are fighting, Levi looks at his injured knee and talks about being a burden to them.

I'm sure there are a few more scenes like that but I don't remember them now. But when we add them up, I think it's probably Levi's worry that he's a burden to others in any way, that people might abandon him because he's not good enough. I think it's because of the childhood trauma of Kenny abandoning him as a child. Child Levi was there thinking that Kenny had left him because he wasn't good enough.

I also me too think that Levi doesn't care whether other people like him or not, but on the other hand, I think that he believes that he is worthy of their love by trying to prove that he is a successful person, a useful person in the eyes of the people he cares about. But first of all this is my opinion. Canonically this may not be the case in reality. But I think he cares a little bit about what people think about him. I can say this both for Eren's example and for his height. I think he might be a little insecure about his looks.

I do think Levi has abandonment issues, yes. That's a little different than what I was talking specifically about, which is whether Levi is concerned with coming across as "likable" to others, and adjusting his behavior to make himself seem more likable in social settings. I don't think Levi cares much about that, just like I don't think he cares if he gets any sort of praise or recognition for his heroic acts. He's a hero precisely because he doesn't engage in acts of heroism for himself, but entirely for others.

But I do think Kenny’s abandonment of Levi certainly had an impact on Levi’s sense of self-worth, in the sense that, he taught him that strength was the most important thing, the only thing that mattered, even.  But then he abandoned him, and in doing so, sent Levi the message that there was something inherently lacking in him that caused that abandonment. 

Levi was strong, he’d fulfilled the requirements for Kenny’s approval, but still he was denied it. 

So it had to be something else, something else wrong with Levi that made Kenny leave.  His mere existence wasn’t enough to make him worthy in Kenny’s eyes.  I think that plays into Levi’s belief that if he has nothing to give, then his own life isn’t worth anything, which is what I think the scene between him and Armin on the ship implies. Levi sees himself as a weapon to be wielded. That's where his sense of self-worth lies, and if he isn't able to be used as a weapon, or a tool, if others aren't able to utilize him to their own benefit, then I think Levi feels his own life holds very little value.

Again, because he fulfilled all of Kenny’s requirements, he lived up to Kenny’s standards of being strong, and it still wasn’t enough.  There was something more he needed to be or do in order for his own life to have worth.  Simply being who he was wasn’t enough.  I think when he discovered that he could use his strength to help people, he also began to believe that his ability to give that strength defined his self-worth.  He felt he himself wasn’t enough for other people to value or love, not on his own. It didn’t matter what defined his core personality, it didn’t matter what sort of person he was.  But if he could give people something, if he could offer them something, then maybe that was where his value lay. 

So Levi's sense of self-worth is wrapped up in his ability to help others.

But I think it's also important to understand that a desire to find a purpose for himself, or a sense of worth in himself, isn’t what drives him to help people, isn't what created that desire in Levi. 

What drives him to help people, to be a “hero”, is an innate generosity in him, the sense that, because he has something that no one else does, his exceptional strength, it should be given freely to them.  Isayama spoke about this, and I don't have the direct quote on hand, but he said something along the lines of how, if Levi didn't have his great strength, that would make him just an ordinary man, and he wouldn't be responsible for others. But he does have his great strength, and Levi has the sort of innately compassionate and generous personality that won't allow for him to feel okay with the idea of having something others don't and not sharing it. That has nothing to do with his strength, or even with his belief that in order to be loved, he needs to be useful. It has to do with who Levi is, what type of person he is. That’s what makes him a “slave” to his strength, or a slave to being a hero.  His genuine belief that the possession of that strength makes him responsible for others.  The genuine belief that, if you have something to give, you should give it.

It would be the same as someone who has food, and when they see someone who doesn’t, they feel obligated to give their food to that person, even if it means starving themselves.  Levi feels obligated to share what he has.  He’s a slave to that obligation.  He gives, even when giving what he has is detrimental to himself. 

When I say Levi is a slave to that, that’s what I mean.  He can’t escape his natural compassion. Similarly, I think, to the way Eren, on an opposing end, couldn't escape his natural dissatisfaction with the world and thirst for upheaval and violence.

It’s why Levi’s attempts to keep his distance from others, to avoid the pain of losing people, never works, because Levi just naturally cares about people, in general, even people he doesn’t know well, or at all.  He’s chained down by that natural compassion.  He’s a “slave” to it, in the sense that he can’t break free from it.  He can’t escape it.  No matter how hard he tries, it always drags him back in, and he can’t ever ignore someone in need.  He can’t turn away from that.  That’s being a slave to heroism. That's what Kenny means when he asks Levi, "What are you, a hero?". 

That's why I constantly talk about how selfless Levi is, and the tragedy inherent to that selflessness. He doesn't help people because he wants to feel better about himself, or because he wants recognition, seeking attention as a means to boost his ego or social standing, or even because he wants to be loved. He helps people because of a genuine and pure desire for them to be okay, and feeling with his strength that he has the means to help, he in turn feels he owes it to them to help.  Again, that feeling exists in him because he’s an inherently empathetic person. He has a great ability to connect with other people’s feelings, on a fundamental level.  So it's important to understand that it isn't Levi's strength that makes him compassionate, or his strength which makes him a hero. It's his heart. Whether he was strong or not, he would still care about people, he would still wish to help people. Kenny believed one could only be compassionate if they were strong, but it's not the ability to help that makes one compassionate, it's the desire. And with Levi, we see that demonstrated at the very end, as he, wheelchair-bond, is still doing his best to better people's lives, and it's got nothing to do with his strength.

Where his sense of self-worth ties into that, and how that self-worth impacted by this feeling of obligation, is that, in his view, his only worth is in his ability to give, in him having something to give, and if he doesn’t, then his life is worthless.  That’s also what makes him a tragic figure.  He doesn’t realize that his innate empathy and compassion alone make him a worthwhile person.  That it makes him an exceptionally good person, even, and certainly one deserving of love.  He believes that the mere desire on his part to help isn’t enough to mark him out as a person of worth.  He believes that the only thing that would mark him out as such would be him actually being able to help.  This is also part of why it weighs so heavily on Levi when he fails to save lives or protect others.  Because he views that as a failing on his part to give what he has.  It comes into direct conflict with his innate generosity, his natural inclination to give.  It registers to him as fundamentally wrong, having this strength, and not being able to use it to the benefit of others.  It’s why Levi struggled for so long to understand what his strength was even for, because it never seemed right to him that it would only be for himself.

A good comparison to make, in terms of contrast, is between Levi and Reiner, for example. Reiner wanted to be "recognized" as a hero, and he committed horrific acts toward that end, in the hopes of being made an honorary Marleyan, to be hailed as a hero back home. But Levi doesn't want to be "recognized" as a hero, and he never did. He just feels compelled to heroism because he has something other people don't.  Like he’s the custodian of that strength, the keeper of it, but that strength is meant for others, not himself.  This flies directly in the face of what Kenny taught Levi.  Kenny taught Levi that his strength should only be used for his own survival.  That his strength belonged to him and should only benefit him.  That’s why I always say Kenny can’t be credited with Levi’s compassion and kindness.  Levi came to the conclusion that his strength could be used to help others all on his own.  Nobody taught him that.  And his innate compassion and generosity renders him incapable of justifying to himself sitting idly by while others are in need.  That’s why we see Levi so anxious and restless, for example, during the plan to capture Annie in Trost, or again, when he was bedridden before the final battle, but refused to stay there.  That’s where his issues of self-worth tie into his ability to help. He feels it's his duty and responsibility to help, regardless of the consequences to himself, regardless of his actual ability to do so.  We see this most clearly demonstrated during the “Battle of Heaven and Earth”, of course, and why he calls himself a "burden" when he's taken out of the fight with his ruined knee.  Levi is literally half-dead, and he still fights with everything he has, doing himself further, untold harm in the process, eventually sacrificing his body completely, which is how he ends up in a wheelchair at the end.  That’s true selflessness. 

I talk about this in regards to Furlan and Isabel, too. Levi would have had an easier time surviving Underground on his own. Helping Furlan and Isabel would have just meant an added burden to his already struggling existence, two extra mouths to feed, two other people to look out for.  Levi didn't need them. But he helped them anyway, because he's a selfless person. And again, this isn't something he was taught. He was taught the opposite. That's why I talk so much about Levi's nature, and how his goodness is inherent to his nature.

I said this before, but people always say Levi is a slave to his strength, or a slave to being a hero, because he feels he has to use his strength to help people.  But he only feels like he has to use it to help people in the first place because of his natural empathy and compassion.  So really, it would be more accurate to say Levi is a slave to his empathy and compassion. 

I think Levi does carry some insecurities too, about his height, and, as I said, about his social awkwardness. Kenny called him a "midget" and made some other, derogatory remarks about his height, so we can extrapolate from that that Kenny likely made a habit of verbally abusing Levi in that regard, and Levi probably developed insecurities about his height as a result. And yes, I think the scene where Eren calls Rod Reiss a "little old man", and Levi's feelings regarding that, is indicative of an insecurity on his part. So Levi definitely isn't immune to feeling insecure or self-conscious about certain perceived faults of his, or perceived unattractive qualities. I just don't think we ever see those specific insecurities ever have an actual impact on his actions or behavior in general. He doesn't try to please people, or to gain their approval by acting in ways he thinks will ingratiate him. His low sense of self-worth, though, or his belief that he isn't of value if he isn't able to use his strength to help others, is definitely something we see affect him all the time. I think Levi feels, if he isn't useful in some way, if he isn't able to give something to others, than his life is forfeit and he may as well not even exist.