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#But it will also hurt like hell
amethystina · 1 year
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So I just found a document in the "Yo Han's POV" folder of Who Holds the Devil that I don't remember making
And when I open it, it's just two sentences in an otherwise empty document. Which are:
"Ga On loved Yoon Soo Hyun too much, and Yo Han not enough. If at all."
... and now I kind of want to sue myself for emotional damages.
What the hell, me? Why did you leave that there? For me to stumble over? RUDE.
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ancient-reverie · 7 months
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a moment of silence for all us disabled ones who had to watch each of their friends move on with their lives without you and get jobs, go to school, have partners come and go, get engaged and move house etc.
shout out to my fellow struggling people who are still sitting in the same bedroom they grew up in. the ones who can't get a job, can't make new friends, can't find a partner or partners, can't move house and can't go to school.
I hope one day we can all find someone to at least sit with us in our rooms. I see you and I understand... and I'm sorry we can't be that person for each other
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lazylittledragon · 8 months
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did somebody say dadkarios
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poorly-drawn-mdzs · 8 months
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Laios's three Boy Best Friends. And yes, they hate him.
#dungeon meshi#laios touden#toshiro nakamoto#chilchuck tims#kabru#BF in this context could be boyfriend or best friend. The line is so blurry.#Chilchuck less so but whatever is going on between Shuro and Laios & Kabru and Laios is giving strong:#“dude if you were a girl I'd date the hell out of you”. And from the genderswap extra's that sentiment is canon for BOTH.#This was made prior to the translation of the Laios & Kabru & Shuro restaurant date comic and honestly I am just feeling vindicated.#I don't even know what to call this dynamic other than a situationship. There is so much going on between all of them.#Even on a purely platonic reading - the miscommunication and male yearning for friendship hurt so bad.#When we got the Big Hug scene in the epilogue arc I was whooping and hollering! Pure catharsis moment!#I also don't like hugs very much so I really felt it went Shuro ('hates being touched') went in for the bear hug.#Do not get me started on the agony of 'always lying' Kabru telling the truth (I just wanted to be friends)#and 'always believes' Laios thinking it's another lie and brushing him off.#I am once again supporting dungeon meshi day by posting art. Please watch dungeon meshi.#obligatory edit because I’m tired: YES. Chilchuck cares for Laios and him admitting it was a huge part of his arc#YES he is more just fed up with him that actually hating him.#I needed a third guy to be canonically done with his ass for the THREE WEED SMOKING GIRLFRIENDS reference
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vnachtfalterv · 8 days
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More Frater Imperator angst bc I am a monster😭
Aether picks up Copia, who is sitting miserably on the floor. The ghoul is worried and asks his former Papa what's on his mind.
Just a little sketch that came to my mind because I love Copia and would love to pick him up, put him in my pocket and protect him from everyone😖
He is just a little guy and needs some comfort!😭
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star--nymph · 3 months
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I think people forget with Cullen, and characters like Cullen, that indoctrination is a thing. We're lucky to live in an age where we have a surplus of access to resources that allow us to think critically on the structures around us, to the point where we overlook that most people won't and haven't. Cullen was raised in a backwater village where the main educators and leaders were Templars. He was likely taught scripture by Chantry Sisters, he possibly learned to read and write through them. From the day he was born, he was being taught to love and obey the Chantry with out question--and the Chantry teaches that Templars are a force of good.
So I ask you, how the hell was Cullen, at eight or thirteen years old, going to learn about the crimes of Templars? How was he going to unlearn propaganda that was fed him to him every day by people he respected and possibly loved? How was he supposed to be aware that this idolized image of Templars being the saviors of the people and even mages was a lie?
And then he gets shipped off, happily, to be trained a Templar. Again, he's put into this position where he's fed nothing but propaganda. He doesn't get a real taste of the Order being corrupted until he's out in Kinloch and he's not sure what the hell to do because what he's seeing isn't jiving with what he's been taught for nearly two decades. So yeah, he tries to justify it, he tries to have his cake and eat it too by reasoning that mages should be treated like people but also the Order wouldn't lie to him, so they must be right to act like this. The Maker always had a plan, right?
If Cullen had been lucky, maybe he could have realized earlier on that the Order was abusing mages, that he had been tricked, he could have gotten out and unlearned the bigotry that was planted inside him.
But then BAM! the Broken Circle happened and I don't see how no one gets how perfect this is for the Order? They now have a templar that is so traumatized by mages, he will literally do and say anything to justify their abuses because now? Now he's afraid.
And remember, after Origins, Cullen becomes so erratic, he has to be sent off to a Chantry to 'even him out'--where he was more than likely manipulated even further by the Chantry to be this blood thirsty agent for them. When he's shipped to Kirkwall, they could have not delivered to Meredith a better second in command.
So yeah, is it really surprising that he says shit like 'mages aren't people like you and me' when we meet him in Kirkwall? Man is sleep depraved by the looks of him, swallowing all Meredith's frenzied rhetoric on blood mages, he's seeing for himself the damage these mages are doing, he's isolated from his family, he has no actual friends, and he's living with C-PTSD among other issues. Even under the best of conditions, none of what he says or does in DA2 is surprising when you put it all together.
And yet, the man still had enough of that idealistic child left in him to realize see that Meredith was going off the deep end and that he should be protecting the mages. That's text. That's in World of Thedas. The reason why Cullen is able to turn on Meredith in the end is because he was able to see, even clouded by his fear and hatred, that what she was doing was wrong.
And all this isn't to excuse Cullen's wrongs. It's weird how every time someone brings up Cullen's history, it's assumed that it's just a justification for his actions. It's not, it's an an explanation. Cullen was a victim of the Order that became an abuser, a tool, and he is responsible for his actions.
But the thing is, by DAI, Cullen is well aware of his sins and he actively works to better himself by leaving the Order and getting off lyrium (which for most people is a death sentence). People can argue all day about whether or not Cullen's arc in DAI redeems him or was satisfying, or if he did enough to 'prove' that he was sorry or--good god--does he deserve redemption in the first place (which is such a Catholic way of looking at shit by the way; no one 'deserves' redemption; you do it to be better or you fucking don't) but the fact is that Cullen says that he wants to be better, that he sees the Order as--at the very least--flawed.
That, yes, he's still unlearning all the bigotry he held as a younger man and he's ashamed that he was like that to begin with.
You can hate him all you like, and whatever, but Cullen's story--intentionally or not--is about a man born into an oppressive society, raised to uphold its beliefs, used and abused by it, and then awakening to those lies and trying to free himself from those beliefs so he could be a better person.
And sometimes I genuinely wonder if the reason so many people hate Cullen is because they themselves might have dealt with something similar in our own oppressive society where they also had to unlearn harmful bigotry and maybe, just maybe, he hits too close to home.
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lloydfrontera · 2 months
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'lloyd is very weak now and needs to marry so he'll have someone to protect him'- lloyd has the only grandmaster on the world following him around like a puppy. he has the most terrifying motherfucker on the world wrapped around his little finger. he has the one person in the world who can hit an absolute in the head and get away with it swearing in his heart to protect him no matter the cost over and over again.
lloyd made javier watch him die twice right in front of him just to keep him alive. there is no power on existence that could make javier allow anyone or anything to even think about harming lloyd again.
lloyd is fine
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Relativity Falls is one of my favorite aus of all time and I feel like there’s not nearly enough art of it as there should be so enjoy
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royalarchivist · 7 months
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I say this in the kindest way possible, but I think this style of prose is more appropriate for a personal account rather than an update account. I have no idea who's being talked about half the time. 🥲
[ Tumblr meme via @mikaikaika ]
#QSMP#Philza#Edited#Phil#Let me know if this needs an additional tag#I don't think this necessitates a discourse or neg tag or whatever because I'm being silly but I'm happy to add one if folks need it#I won't post this one on Twitter I don't think because I genuinely don't want to hurt anyone's feelings#but. I feel very strongly about this. It's not helpful#I say this as a fan and as a professional writer (who also worked in the Marketing and Communications field for far too long)#The prose is nice! It's very whimsical and they're having fun! But I don't think it's appropriate for an updates account#I recently turned off notifications for QsmpEN and I'm considering muting them because half the updates just aren't helpful to me#I want to be able to speed read through the update thread I don't want to spend an additional 30 seconds trying to decipher who's who#I don't like posting complaints so I tried to make it a funny complaint#because I do think feedback is good! And I know I'm not the only one who feels this way#but at the same time: these update writers ARE volunteers#(As a side note -- I personally think anyone running a large social media account should be paid)#(I did that for a few years and it was hell. I can't imagine doing that and NOT getting paid for it)#But anyways#They're all volunteers so I don't actually wanna go all pitchforks and torches on them (which I wouldn't do anyways even if they WERE paid)#I'm just venting my frustrations in what is (hopefully) a funny way#but you're welcome to disagree! That's ok too#Portfolio
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sampilled · 22 days
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the difference between sam and dean's hell arcs is that dean went to super prison and sam went to some psycho's basement
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bread-wizards · 16 days
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Love Laudna wanting Orym to be the one to cut her down if need be because she feels he can make hard choices, and Travis like "uh hello? What about Chetney? You want to put Orym through that anguish? I am right here" like damn, he right tho
#chet is 400+. his relationship with grief is very different from orym who is 6 years into being a widow and being retraumatised each day#chetney is big picture#he doesnt have that same level of responsibility for the others safety and protection that someone like orym has#not to say he doesnt care. he very much does. its just different#for him sometimes caring means putting your dog down when they are suffering#orym would see having to hurt his friends as a personal failing#like how he saw himself dying as a failure#i do find it funny whenever the team is like 'what if i hurt one of you when i lose control? i couldnt live with myself :('#'anyway orym i want you to kill me on purpose'#and orym just like :/ because what is he going to do? say no?#set boundaries and take his own future mental state into account?#nope. if it helps the others then he will commit an unforgivable act and barely be able to live with the guilt after#love that the halfling has been weaponised#this sounds sarcastic. i mean it. its juicy storytelling#the hells need to take chetney into account more. this man is pop pop. he cares in the way a dad friend would#gentle and sweet at times. an empathetic listener#but also willing to smack the shit out of you if you do some fuckshit#he would be so gentle with taking them out#would immortalize them through his woodwork after to remember them#critical role#cr3#orym#chetney#text post#4sd spoilers#my posts#idk if thats a needed tag#sorry for my wall of text tags but i ramble
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aether-weather · 8 months
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manifesting summer rn (it's 18 degrees)
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many-gay-magpies · 3 months
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god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.
charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.
edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.
the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).
i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.
#this might be a lot of run-on sentences and me repeating itself because its 2 am rn (sidenote how the HELL did it get that late last i chec#-ed it was like 11???) but i hope u enjoy anyway 👍#magpie thoughts#dead boy detectives#ik before watching the show i saw a lot of people were annoyed by charles and crystal's relationship and thought it felt forced and like#-​they had no romantic chemistry#but honestly. having watched the show. i don't see that at all?#like maybe it's just me being aspec and not getting what ''romantic chemistry'' even IS but like. they were people. they were two fucked up#-people that happened to be attracted to each other and they hooked up when both of them were in low places and agreed to not go any furthe#-after. but beyond all of that they are FRIENDS and they STAY friends and like. they just felt like PEOPLE#the way they were written and the way the actors ACTED IT felt like ten times better to me than the dozens of pinacle romances i've seen in#-other tv shows#(and also i gotta say i love the other CASUALNESS with which sex was mentioned in the early episodes. it wasnt made out to be this big thin#-that only happens when tied to romance; it was just a THING. theyre both hot and in different circumstances they totally would have had se#-about it (and eventually they did but thats besides the point). that's it)#they're people. this is a show full of ghosts and demons and witches and crows-turned-into-boys but they are all fundamentally just PEOPLE#beautiful and fucked up human beings that feel attraction and hurt and fear and love in a million different ways.#AUGH i love this show so much#paineland#payneland#crystal palace#charles rowland#edwin payne#niko sasaki#dead boy detective netflix#dbda
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lazylittledragon · 2 months
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Question about tattoos, if that's alright! If not, please feel free to ignore this. I have four tattoos, but none were handpokes. I've always been curious about getting one done, perhaps across my hand. Is it truly so painless as you described in the comic? Can you find a professional artist willing to do them? I had one tell me that none would, which was disappointing. Thank you for your time ❤️
based on my experience - YES. it was maybe 2/10 pain for me, it hurt less than getting my ears pierced. it takes a long time and you can kind of feel your skin like. popping. which is a bit weird. i can't say anything about the most painful areas for tattoos but to compare, i have one on my inner bicep next to one of my more painful machine tattoos and i hardly felt the handpoke at all.
you can ABSOLUTELY find professional handpoke artists!!! the idea that you can only get them in someone's dirty basement is outdated, most handpoke artists work in studios and they can be just as clean and professional as machine tattoos. also you can have a nice nap which you don't usually get with most tattoos
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hitlikehammers · 2 months
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Steddie Post S4: If All That's Left of Steve in the Final Battle is Ashes—
...are they REALLY JUST ashes? 🔥 
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The final battle—like the last part of the very final battle—ends with shattering, and with dust.
It starts, the first bad dream and the first bloody nose and the first Code Red on the radios: well, that’s three months into something, for the first time in Eddie’s sorry-ass-but-honestly-actually-since-almost-not-having-any-life-at-all-any-more-and-miraculously-making-it-through-a-night-then-a-week-then-a-month-then-rehab-then-chronic-pain-then-more-friends-than-he’d-ever-had-before-and-frankly-in-the-beginning-more-than-he-could-count-plus-three-new-mother-figures-and-two-maybe-three-extra-maybe-father-figures-plus-one-friend-of-Dorothy-who’s-the-platonic-soulmate-of-maybe-the-love-of-Eddie’s-not-actually-still-sorry-ass-life: he’s about three months into something wild and reeling in his chest, brushing hands and lingering looks and flushed cheeks and little secret smiles ducked in toward shoulders or behind stray curls, or falling asleep pressed arm-to-arm only to wake up in one lap or another, and the whole of it’s shameless and intentional and giddy somewhere low in Eddie’s belly because it’s not uncertain, it’s honestly just fucking bashful, it’s shy and it’s the both of them wordlessly leaning into it, careful but sure, and almost all the more buoyant for it.
It’s three months in, and when they step up to that last battle—that final turn, do-or-die—maybe Steve pulls him behind a truck Eddie doesn’t even know the owner of, where it came from or why it’s there; but maybe Steve pulls him behind and draws him close without a word and kisses him relentless, drags his teeth and draws a little blood for the force and leaves them both raw, and panting, and desperate: it couldn’t really go any other way, like this—here.
Now.
“Live through this,” Steve had breathed against his angry red lips, hard enough that it stung; “so we can pick up where we left off.”
“I will if you will,” Eddie had shot back, defiant; still begging.
And Steve had kissed him again, and Eddie’d watched as Steve walked away with the lightest smear of Eddie’s blood on his lower lip as he’d spoken:
“I’ll hold you to it.”
And they’d parted, to do their fucking jobs, to play their fucking roles. They’re come back together, ready to take the final boss down as a unit, and Eddie remembers that he’d felt hopeful, he’d felt so fucking relieved because this was it. They were gonna nail it, all for one, and—
So it might be near the end, actually—they may have almost done it, finished the job and killed every last bit of this hellscape, every beast big and small, crushed what’s left of the husk of Vecna orchestrating it all: it might happen near the end. Or maybe just shy of the beginning. Somewhere in the middle.
All Eddie knows is that it happens. There’s light, and people floating in the air and then more light, dragged back down by the same lightning-spark power, and it’s back and it’s forth and when it hits anyone, Supergirl pulls them back to the ground and fights back harder, her face blood red dripping to her neck, her teeth bared all wrath and fury, and then—
Then there’s something that shoots different, hits Steve and he doesn’t float. It looks different, so it probably is different, and he doesn’t float when it hits him.
And so: Eddie holds to the bargain.
But Steve.
Steve…Steve Harrington, with the bitchiest glare and the brightest smile and the goofiest laugh and the biggest fucking heart, the bravest of all of them and the best part of Eddie’s whole soul—
Steve gets hit, and disappears from the world in nothing but a cloud of dust.
No one tries to shush Eddie, when he screams, when he wails and sobs; drops to his knees and fucking howls.
No one tries to stop him when he crawls to the space that held his whole heart, and now lies empty, save a dusting of something almost shiny, coarse to the touch but fine to the naked eye, hard to distinguish from the dirt on sight alone—is that him? Is that his Sweetheart, all that’s left of him—
Eddie thinks maybe they try to stop him halfway through the way he starts frantically sweeping, scooping up the ash and filling every pocket he has with as much as he can. He vaguely feels a hand on his shoulder, maybe the sound of his name, but it’s all white noise because Eddie’s picking up the pieces of his heart, here, Eddie’s trying like hell to hold on to something of the man he loves and anyone who doesn’t like it, or thinks he’s crazy, or wants to rush him, ask him to leave any little pouch in any layer of his clothes unfilled, less than overflowing with all that remains?
Fuck them. Fuck them all. Because Eddie kept his side of the deal.
Live through this.
I will if you will.
And now he has to live with the way his Stevie…didn’t.
——
The rest of the Party sticks together after it’s done. Dustin is inconsolable, Erica and Max scowl in each other’s direction but not really…at each other. Mike’s having a weird…frenzy response, denying Steve’s dead at all and demanding Lucas help him get El to look for him, he has to be somewhere, he has be saveable like Max, like Eddie. Robin’s fucking catatonic—the real adults take most of the burden, trying to figure out who to call, because Steve’s their only casualty, the beating heart at the center of all this and it’s gone, no wonder they’re breaking—
The Party stays together. Eddie falls back on what he knows.
He runs.
Specifically: he runs home, carefully though, he can’t jostle his pockets, and he knows exactly where he’s looking when he gets to his room, crawls to the farthest corner of his closet in this still-weird-to-be-so-big bedroom after the trailer: and he finds it.
His mom’s old little hope chest.
There are a million little fake velvet pouches inside, a couple pieces of actual jewelry kept in an empty film canister, and then a smaller jewelry box type thing meant for a dresser or something: Eddie doesn’t think he can fill the hope chest.
But the rest…
He starts with the jewelry box, since it’s already empty, carefully cups his palms to fill it with the precious dust until the lid doesn’t close.
Then he sorts the pouches, puts aside the ones that don’t pull tight enough shut for his liking. The rest…those will be temporary. He’ll find a better home for the ashes soon, but for now they’re safe, and all that’s left is…
The film canister is special.
It’s stupid and plastic and like every other fucking black-and grey tube thingy that smells like vinegar on the inside of you hold it up too close. But this one—
He’s always gotten a little teary-eyed to think that this was the one his mother kept.
Because he’d poked a hole through the rough little peak in the top of the lid with a fork, took a piece of thread from the junk drawer and made himself a necklace to match the one she had and she’d smiled at him so bright, poked another hole next to his, and threaded his string-chain through the back of the lid so it’d close up tight, to keep all your most secret prized possessions, my sugarbean and he had. For years.
Now it held what was left of her jewels, mostly cheap stuff with sentimental worth he couldn’t calculate—but now he has to take the faulty pouches and give the jewelry a new home.
Now he’s never had something more prized and precious to keep.
He finds fishing line in Wayne’s stuff, stronger than the thread worn and aged over a decade and a half, swaps it out with the string. Covers the inside with electrical tape to make sure nothing can sneak out of the holes, even so.
And then he fills it. Last of the ashes, and it all only just fits but the lid pops on perfect.
Then he pulls it over his head, and lies down on his bed.
And fucking sobs when the canister falls to settle right over his heart.
——
Some of the kids try to coax him out, argue grief is better shared or whatever, but Eddie’s deaf to the knocking, the way they try to yell at his window—not even cracked open, he won’t risk a rogue bird or a stray breeze disturbing all he has left of his, his—
The kids go away, eventually.
Wayne finds out through the grapevine what’s happened—he comes into Eddie’s room and holds him even if Eddie doesn’t want it, doesn’t ask. He’s grateful, though, even if he doesn’t say it, and Wayne sheds more than one tear; he’d been warming quick to Steve, called him son.
That wasn’t something Wayne did lightly. Not that anything Wayne did was done lightly.
However many days pass, Eddie doesn’t keep track. He wakes and runs to the little box on his dresser, just to make sure it’s safe, clutching the film tube around his neck while he does, weighing it desperately until he can be sure the bulk of the ashes are undisturbed. The rest of his time is spent lying in his bed and rolling the little canister across his fingers, taking off all his rings so he can just…touch it. Be close to whatever lifeless pieces of Steve—and likewise, then: pieces of Eddie—remain anywhere at all. He passes the hours like that, largely. Sometimes he thinks he’s hungry, like his stomach aches in that pang kind of way, but thinking of eating in a world where Steve doesn’t breathe makes him sick every time, so he doesn’t follow through. Wayne pesters him to at least drink something, so he sometimes shuffles to the bathroom, or the kitchen, drinks from the sink because glasses are for people who make plans for the future, who intend to drink things over the course of a lifetime, a life maybe with a purpose, a purpose that—
Eddie throws himself back into bed again, every time. Presses his film-canister-talisman tight to his sternum until the hurt of the pressure blurs with bigger hurts, and ultimately blurs into black.
Until one day, he opens his eyes. And after he’s done with the subtle disappointment that he had to, that morning came at all; when he gets up and checks the box?
The lid’s flipped off.
And there’s a tiny pile of dusty ash, glittering next to it, when there’s no light in the room to even catch it.
Eddie’s heart drops, then seizes in his chest.
What the fuck. What the fuck.
No one comes in but Wayne, and he just pokes his head in. Nothing can get in, either, unless…but they closed all the gates, there is no Upside Down anymore—
Eddie’s hands are shaking as he tries to brush the little pile into his hands, pulse tripping when the thinks of what it is, inside his hands, and he carefully lets it sift back into the jewelry box, tries to judge if any’s been lost, closes the top when he starts breathing too heavy, when his anxiety threatens to make the situation worse as he tries to bend down and see the furniture at surface level, find any precious speck of—
Not a speck. Not a…mote.
The escaped ashes were on top of something, though. Something Eddie’s never seen before. About the size of a notecard but, kinda like…ancient, weathered; that yellowed look you can never fake just right, traced alone with…some kind of calligraphy out of fucking Camelot or some shit, metallic gold in script:
I cannot let you burn me up, nor can I resist you. No mere human can stand in a fire and not be consumed.  
The…fuck?
Eddie tries to squint, because the text is weirdly positioned; it does look like something’s worn off, and some of what’s actually there is brighter, bolder than the rest, and then there’s a whole other style, almost backward, like a mirror-image of handwriting, and Eddie lifts the card up to the mirror instinctively, only to see…
There’s writing on the other side.
Eddie’s breath catches when he recognizes the handwriting. Small, and more words than should be able to fit but…it fits. It’s dried blood in color, and Eddie’s not convinced it’s just a color for how it’s a little raised and flaky, but it doesn’t come off when Eddie touches it, traces it because the cramped little letters, tall and short all mixed and mismatched, so familiar, so tight in Eddie’s chest—
It’s…Eddie…
Eddie’s eyes skim the first few lines in Steve’s handwriting, and he cannot fucking breathe—
Hey, wow, that’s some crazy shit there on the other side of this piece of paper, my gran says it’s a warning even if I don’t personally get it, but I’m pretty sure it’s enchanted? The paper, I mean. The warning’s probably about being too close to…this, without being prepared. But that’s, whatever. Point is, I don’t think I can make new enchanted paper, so here’s the deal: First, thanks for grabbing the ashes? I didn’t actually expect anyone to do that. I hope it was intentional, like that you weren’t sweeping or the ash got stuck in your shoes or something, because intentional will make the rest of this way easier (hopefully, or like, maybe), and if you’re a part of the bigger Hawkins fuckery it’ll be way easier to believe at the least so, fingers crossed I guess but: I’m kind of a phoenix? Firebird? Thing? It’s a bloodline “curse” but especially since the, umm, incidents with the Lab I’ve been thinking maybe it’s actually kinda cool? Like insurance. But the extra fucked up thing is that someone has to grab the ashes without being, like, told to. Free will or some bullshit. And apparently we’re not a very spontaneously likable bunch of dungeons-and-dipshit-type creatures, because not many of us even get to re-birth ourselves. Because of the ash…thing. But you! You did that! And now I can do the rebirth thing! Which I hope is okay. There are a lot of, like, bond-type things that go along with the person who ‘cares selflessly to gather ash unbidden’—I think that’s what makes someone more than a ‘mere human’ consumed by the Fire and they won’t get burned, they’ll be…well, if they wanted. Bond-stuff. Not important. I’m not gonna hold you to any of that shit, like, nothing you don’t want to happen will happen because of this, I 100% promise. Except maybe I’ll do some over the top gestures of gratitude—and on the off chance you already know me, at all? Over-the-top is kinda how I do most feelings, so. Should not be a surprise. Only thing I will ask, and if it’s too much no worries, the whole resurrection shebang was a gamble from the get-go but, if you can just keep this pile of ashes safe for a little bit? It takes longer to heal based on how old you are when you, y’know. Kick it. So…yeah. I never learned how to come back as a baby because that sounded weird. Quicker, but weird. I only learned the slower way so I can just…come back how I left, like no time passed. But if you can keep the ashes safe until then that’d be totally cool. Anyway, thanks, whoever you are. Kinda owe you my life, here. I’ll show you the appreciation you deserve when I’m, you know. Not-ashes. Once I have opposable thumbs again and stuff. But really. Thank you. See you soon, hopefully (if that’s cool, I mean, I can get out of your hair ASAP too if you’d rather, just say so soon as I pop up)— ~SH
Eddie…falls to the floor at some point, nearly ripping the note, no: no, actually, he should have decimated it, macerated it the with the way his hands clench and his tears have fallen and made not a single mark: enchanted paper.
Ashes that…maybe are Steve?
That maybe mean Steve could come…will come back?
Eddie really can’t breathe, now, and when the black swallows everything, he’s still on the fucking floor.
——
When next he comes-to, Eddie splashes water on his face after he checks on the jewelry box, reads the letter again, clutches the ash-filled pendant in his hand as he drinks, considers eating—no.
No, not yet. His stomach’s still unsteady. His chest is swollen, pressed with something like hope for the impossible because what the fuck, first and foremost, but then, then…
There was a horrorscape under his feet for years before it came for him personally, before he almost died at its hands once, and then again by proxy when, when it took his…
His maybe-love-of-his-life-and-also-possibly-something-like-a-phoenix-who-might-be-coming-back-to-Eddie-which-would-mean-Eddie-could-keep-breathing-and-his-heart-would-be-returned-to-his-chest-by-the-hands-of-the-man-he-loves-because-he-thinks-it-died-with-Steve-but-if-Steve-isn’t-dead—
He basically almost died again when…maybe his Steve—who Eddie fully acknowledges at this point he’s absolutely fucking gone on with his whole heart and soul, because there’s no other real explanation for his total and complete shutdown as a human for the sake of Steve’s loss—when his Stevie died, but maybe didn’t.
But then now, now maybe…
Maybe the impossible could be something that saved them, saved him, instead of something that only sought to ruin.
Eddie doesn’t think he can believe he’s that lucky.
But it’s easier to entertain the possibility, than to continue just…knowing Steve died before Eddie could acknowledge with his everything that he—certified cynic and self-deceiving dumbass Edward Elliot Munson—was ass-over-ankles in love; and more than that: before he could tell Steve as much, because of anyone Eddie’s ever met, Steve Harrington deserves to know how impossible it is not to; how ineffably much he is loved.
“Hey,” Eddie ultimately finds himself curled up back in his bed again, clutching his film canister to his chest, tight enough to leave an impression on his skin.
He wants it to. Right over the way his heart slams against his ribs. He wants a bruise. He wants a scar. He wants inviolable proof.
“Umm, so I don’t know if this is real,” Eddie’s eyes flicker to the jewelry box of ashes, the strange potentially-enchanted note on his dresser; “or if it is, how this works?”
This apparently being talking to the cobbled together film-pendant around his neck, he…he’s so fucked, isn’t he, this is insane—
But it’s not like that’s ever stopped him before.
And before never had love in the mix. So.
“If you can hear me,” Eddie runs his thumb around the circumference of the cap, over and over; “I pretty fucking sure I’m in love with you,” and it’s maybe fucked up, how it feels as nervewracking to say it to a plastic canister of ashes as he imagines it’d feel looking into those stupidly-wide amber eyes, but yep: said plastic ash-pendant’d be fucking bouncing with his heartbeat if he wasn’t holding it so tight to the furious drumming of his pulse.
“I know it’s fast? But,” and Eddie swallows, shakes his head for reasons that are maybe about dispelling the idea that anything’s too fast or too much in the life they’ve led, one where more might be possible, where a future might still exist beyond all possibilities, all hope except for the fragile frail thing in Eddie’s chest written in blood red, in Steve’s hand on Eddie’s fucking bones:
“I don’t think losing someone hurts like this if your heart’s not in it all the way,” and that’s, that is…
That’s the crux of it, isn’t it. His heart is the heart of it.
“Sorry, about that, if you,” Eddie swallows, sour around the idea that maybe, even if the impossible’s possible, this part, where he feels like this, is just…maybe not too far but in the wrong direction.
But he wants to believe. He wants to think Steve saw something pointing in this direction when he told him to survive, so they could have, so they could finish, so they—them, together—could…
“Yeah.”
Eddie’s voice is hoarse enough to hurt, now, so he lifts his little film canister to his lips and presses them hard, sure: it’s weirdly warm against his mouth, held too close to his chest for too long.
Not long enough. Not close enough.
“Be careful about taking care of yourself, about, coming back and,” Eddie grips his pendant of ashes back tight to the center of his sternum;
“I’ll watch over it, watch over you,” he promises; “long as you need.”
And he breathes, holding the canister close before he brings it back to his mouth again and whispers to it like it matters, or…just in case it matters:
“Come back to me,” his words come out in a shudder, all trembling; “I’m just a mere human, maybe less than,” and that’s true, that is so fucking true but:
“But you already consume me,” Eddie speaks it honest, and kisses the rim of the cap— if there’s any chance of getting in, it’s there:
“So burn me up, as much as you need to,” and Eddie means it, he fucking means it with everything he is; “just,” and his voice cracks, and he shoves the canister back tight to his shaking heart when the first tear falls on it, covers it with both hands and cups it safe and damn-near painful as he whispers to whatever might listen:
“If any of this is real,” he barely fucking breathes: “please come back.”
He loses the battle for consciousness to his tears, but awake or asleep: he doesn’t once let go of the pendant pressed to his heart.
——
Eddie’s warm. Like, fell asleep in the sunlight, swaddled in a blanket, embraced and held and wrapped up in pure comfort warm.
“You’re more than a mere human,” a voice exhales right behind his ear: also warm, also comfort, also fucking impossible and he turns, frantic and even more so when he feels the lack of his film canister against his chest, and he tries to scramble for it but he’s…he’s held the whole time in strong arms that he knows, same as he knew that voice, same as it’s clear that he’s warm because he’s wrapped up in a body, tangled from the legs up with, with—
“How,” Eddie barely speaks, more mouths as that chest lifts, those lungs fill, that mouth curls warm and sweet and his Steve is watching him, those eyes so alive and then those strong hands are reaching for him, cupping Eddie’s cheeks and marveling like Eddie’s the wonder, here, like Steve isn’t lying in his arms like a full-on fucking miracle.
“You offered burning, and pledged your heart unasked,” Steve says it in this…this way that is exactly that simple, and exponentially more profound.
“That is some lore shit,” Eddie breathes out almost on instinct because…that’s some lore shit.
And Steve—Steve, his Stevie, wrapped around him and moving and breathing and being and definitely one-hundred-percent naked but that is totally irrelevant right this moment because Steve—
Steve laughs at him, soft and fond and god, god but Eddie thought he’d lost it. He was so sure, and his heart was so broken but now Steve’s heart is strong against his skin and Eddie can, he can…
Eddie can fucking breathe.
“I don’t think anyone expects our kind to be…cared about, like that,” Steve shrugs a little, and Eddie wants to protest because Steve Harrington isn’t only cared about, he is adored, and fuck anyone who says different, who so much as thinks otherwise—he wants to push the point, but Steve’s eyes are so intent, so saturated with feeling.
And fuck, but Eddie missed those eyes.
“Speeds the whole re-personing thing up, apparently,” Steve’s smile is a little wider before he shakes his head with a cute little toss of that hair.
“Old magic things,” he dismisses; “for later,” and then he draws Eddie back down close to his chest and snuggles him in so, so close.
“Tired,” Steve sighs a little into Eddie’s mess of curls; “and you need taking care of.”
And it’s…out of everything, the protective certainty in those last words are maybe the most unshakable proof that settles in Eddie’s chest and reminds the still-reluctant, still-too-scared parts of Eddie’s heart to commit and start back to beating because: only Steve Harrington is protective…quite like this.
“You’re really here?” Eddie whispers, wondering and hesitant all at the same time.
“Thanks to you,” Steve kisses Eddie soft, sure: taste strangely of smoke and cinnamon but underneath—all Steve.
His Steve.
He folds into Steve’s chest and just, fucking, clings.
“So fast,” Eddie mouths against Steve’s skin, because the heartbeat under his lips is almost indecipherable, one beat to the next. “And you’re so warm, are you,” Eddie props his chin up and looks up at Steve, anxious and flooding with worry before he sees Steve’s smile, still sweet and steady.
“Bird,” Steve drums his fingers against Eddie’s forearm, lightning quick; “fire bird, so,” and the heat makes sense then, too, as Steve wraps him up again tighter and sighs, satisfied as he envelopes Eddie’s frame.
“Also extra energy, I think,” Eddie listens to Steve’s words around his heartbeat through his chest; “like, I couldn’t make it past your kitchen but, I don’t know how I know it, but I know I can give some of it to you while it’s settling.”
Magic. Steve. Can share his phoenix magic. To take care of Eddie. Immediately after coming back from the fucking grave.
On brand, Eddie guesses. Jesus fuck.
“I am pretty damn positive I’m in love you with you, too, by the way,” Steve shakes Eddie back to his body, to the moment, to the soft sure way he breathes those words and kisses Eddie’s temple like Eddie’s pulse doesn’t trip around the sentence, the sentiment.
“Also thank you, for,” Steve adds, and drops another kiss while Eddie reels, floats in the moment of hearing the words, of knowing for sure, of feeling it: “for loving me, somehow, enough to,” and Eddie can imagine where that’s headed, the way Steve says somehow like an unthinkable thing.
And there will be none of that, so he stops it and kisses hard, wet, open-mouthed at the center of Steve’s chest, over his bird-flutter heartbeat.
“It broke me,” Eddie breathes there, cracked open and still raw; “I already mostly figured but,” and his voice breaks, and Steve pulls him closer, so warm, and the bird-heart-flutter feels more like full broad wings, majestic, almost embracing and ensuring Eddie of all things is safe, and kept.
And warm.
Fuck if Eddie doesn’t fall into the feeling, full body; whole heart and soul.
“If there was any question whether I already loved you with everything, the way I fell apart,” and Eddie just moans a little because there aren’t…he doesn’t have words for it at all, he—
“Let me put you back together?” Steve murmurs low in a way that’s so soft and gentle but trembles the marrow inside Eddie’s bones.
Timeless. Endless.
Eddie kisses Steve’s chest again and hopes Steve knows that means yes, and please, and forever.
Unequivocally.
“Could we maybe talk about that, um, bond stuff, that the letter…” Eddie eventually speaks muffled into the hair on Steve’s pecs, after soaking in the heat and pulse and realness of him.
“I meant it,” Steve murmurs straight into Eddie’s skin; “I’m not holding you to—”
“I want you to.”
Eddie did not for a second think or feel otherwise, from the moment he saw the words, before he even started to believe at all: his mind was filled with possibilities by those words. His chest was…
“You…” Steve nudges Eddie’s head up from his chest and studies his face, reads something in his eyes before his breath catches, this time; before his bird-pulse skips, something light and giddy against Eddie’s weight and Steve huffs, disbelieving but…maybe happy for it.
Maybe…maybe overjoyed, even.
“Yeah,” Steve breathes, and leans to kiss Eddie full on the lips again, consuming: familiar for it.
“Yeah we can talk about that. But later.”
And then he settles Eddie back against him and wraps him in his bare skin, the still-radiant warmth.
“Now you sleep, and when you wake up, I feed you, you shower, you put on new clothes,” Eddie wrinkles his nose, doesn’t even know how many days it’s been since he cared for those things; abandons any shame for it when Steve feels him recoil and presses him closer, chuckles once and nuzzles his hair;
“Then I feed you again, and then,” Steve kisses his head once, and then twice, and then three times and Eddie feels it tingle through his goddamn veins like a vow, filled up with promise when Steve whispers, so alive:
“Then, we can talk.”
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For @klausinamarink, who requested '"I cannot let you burn me up, nor can I resist you. No mere human can stand in a fire and not be consumed.”' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST and also for @steddie-week for the Day Seven prompt 'Free Space'
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✨permanent tag list: OPEN (lmk if you want to be added/removed): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690 @nerdyglassescheeseychick @swimmingbirdrunningrock @goodolefashionedloverboi @sanctumdemunson @theheadlessphilosopher @lawrencebshoggoth @mensch-anthropos-human @micheledawn1975 @lumoschildextra @dotdot-wierdlife @imhereforthelolzdontyellatme @grtwdsmwhr @eddie-munson-addict
divider credits here
ao3 link here ✨
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causeimanartist · 20 days
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Got to meet Zeno (Hunter's VA) at Anime Magic
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