#Confronting the Past

[meteorologistaustenlonek]

"I can report that my second time in the NCRM was less emotional — probably because I knew what to expect — but also because I was trying to see the exhibits through the eyes of my children. It did not take very long before one of my kids started asking the kinds of questions that make America’s history sound so stupid." My kids asked all of the questions I’d want them to ask, and they all started with “Why?” and frankly, I didn’t have a worthy response to any of their questions. I have had those questions for years myself. But I was proud of them for recognizing and voicing their concerns and asking about and appreciating the history on display. My kids get it and for that, I’m happy and proud."

[thebestbookrecommendations]

Book Recommendation:

A Flicker in the Dark - Stacy Willingham

Genres: Thriller, Mystery, Suspense

Keywords: Confronting the Past, Serial Killer, Female Lead, Louisiana, Family Drama

Length: Medium

Rating: 3.5/5

Find on Goodreads:

Find on StoryGraph:

[gampix]

Guilt.

[nancywheeeler]

hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.

[cursed-angelic-art]

I need to write about how Jun Wu's belief that everyone has the capacity for evil, if you just push them hard enough, torment them long enough, is directly contradicted by the entire story of tgcf, which posits that, actually everyone has the capacity for good. The misogynistic womanizer, the depraved cannibal, the man dead set on revenge, the one filled with envious resentment, are all able to do the right thing when it comes down to it. In a way, doing good is a surrender, it's giving up, it's as easy as falling asleep. And it's so much easier than letting the evils of your past dog your heels for hundreds of years. Isn't it such a release to change? To not be stuck in your old ways?

[lilianade-comics]

[Post AGIT] Dan gets his first job at a Nasty Burger

[an-established-butt-dent]

"What have they done to you,

Old friend."

Trapped in the fade, Solas comes face to face with the remnant of his spirit.

The Dread Wolf was his wisdom, mirror to his pride. In the wake of the wrathful Evanuris, it too, has succumbed to their taint.

Or, where I'm making wild plot speculations surrounding Solas trapped in the fade. while turning my brainrot into art pieces and gifs. I'M PACING MY ENCLOSURE. Looking for crumbs and scrabs of Veilguard. Please Bioware I'm begging, feed me. 😭

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[fusionsprunt]

me when my meteor-powered robot gf attempts to murder me 😳😳

[dizzybizz]

some doodles

[batbabydamian]

DC September 2024 Solicitations - Comics Featuring Damian! 🦇

THE BOY WONDER #5 of 5

9/4/24

Written by Juni Ba

Art and Cover by Juni Ba

Variant Cover: Lea Murawiec

The Robins have united to battle their way out of the stronghold of the Demon’s Head, but Damian cutting his family ties to Ra’s al Ghul isn’t just a matter of punching his way through ninjas. Could this fairy tale possibly have a happy ending? Or is the story of Damian Wayne an inescapable tragedy?

TRINITY SPECIAL: WORLD’S FINEST

9/4/24 

Written by Tom King

Art by Belen Ortega

Cover by Daniel Sampere

Variant covers: Belen Ortega, Chrissie Zullo (1:25), Saowee (1:50)

The world’s finest heroes of tomorrow are back for more! The daughter of Wonder Woman and the Super Sons return for more stories filled with laughs, action and awe-inspiring adventure. Can Lizzie survive Darkseid and his terrifying math? Will an innocent trip to the past for homework change the future? Are Damian and Jon’s barks worse than their bite? Find out in this collection of the latest back-up stories from the hit WONDER WOMAN series!

BATMAN AND ROBIN #13

9/11/24

Written by Joshua Williamson

Art by Juan Ferreyra

Cover by Simone Di Meo

Variant covers: Travis Mercer, Christian Ward (1:25)

Batman, Robin, and Bane must escape Dinosaur Island. But they are not alone! A dangerous presence has taken over and won’t let anyone leave the island alive! Can the father and son dynamic duo return to Gotham or will this be their last adventure together?!

DC VS. VAMPIRES: WORLD WAR V #2

9/11/24

Written by Matthew Rosenburg

Art and cover by Otto Schmidt

Variant Covers: Daniele Di Nicuolo (1:25), Caspar Wijngaard, Lucio Parrillo

The peace between vampires and heroes is wearing thin. Lois Lane will try and negotiate a way to maintain a truce, but with Damian’s relentless attacks on the vampire queen and her armies, the only thing that might be able to bring them together is a…Miracle.

*Bruno Redondo Variant Cover C appearance + chance of interior feature

NIGHTWING #118

9/18/24

Written by Tom Taylor

Art and cover by Bruno Redondo

Variant Covers: Bruno Redondo, Jamal Campbell, Tirso, Nicola Scott, Serg Acuna (1:25)

Embark on an exhilarating journey through the streets of Blüdhaven as we bid a heartfelt farewell to the dynamic duo of Tom Taylor and Bruno Redondo in the epic conclusion to their award-winning run. With Nightwing’s fear of heights overcome, he returns to Blüdhaven for one final face-off with Heartless and Tony Zucco. It’s the battle you’ve all been waiting for! And if we’ve learned anything from Nightwing these last couple of years, we know he never has to do it alone. One thing’s for certain though: Blüdhaven will never be the same after this!

WONDER WOMAN #13

9/18/24

Written by Tom King

Art and Cover by Tony S. Daniel

Variant Covers: Gleb Melnikov (1:25), Stanley "Artgerm" Lau, Phil Jimenez, Nicola Scott

ABSOLUTE POWER TIE-IN! Gamorra found! Wonder Woman and Robin have finally located Amanda Waller’s super jail holding the powerless heroes they once fought alongside. Can the new dynamic duo break them out before they become trapped themselves? An undercover ally may hold the key to everything!

ROBIN: SON OF BATMAN BY PATRICK GLEASON: THE DELUXE EDITION

11/5/24

Written by Patrick Gleason and Ray Fawkes

Art by Patrick Gleason, Scott Mcdaniel, Mick Gray, and others

Cover by Patrick Gleason

Damian Wayne died. But like most members of the al Ghul family, he didn’t stay dead. Now that he’s back and done some soul-searching, Damian has decided he has a lot to make up for—but he won’t have to do it alone. With a young assassin named Nobody and a gargantuan dragon bat named Goliath in tow, Damian’s year of atonement will take him across the globe and reunite him with friends, foes, and his own complicated family as he seeks to prove to everyone—himself, especially—that he is a worthy member of the Bat-Family. This deluxe edition features a brand-new cover by writer/artist Patrick Gleason, development sketches, and tons more behind-the-scenes material! Collecting DC Sneak Peek: Robin: Son of Batman #1, and Robin: Son of Batman #1-13.

[beybuniki]

my mind palace is bursting good thing it's so vivid so i dont even have to draw everything i just need these to remind myself of my silly scenarios

[ello0u0]

my new boss.. and roommate?! 🤍🍑

[s0fter-sin]

soapghost circus au

ghost’s an extreme motorcycle stunt performer - globe of death, riding on his back wheel along tightropes, that sort of thing

soap’s a fire breather/dancer. he’s a roaming performer; he just finds empty spaces or bored people and starts twirling

he pretends not to notice the way he always wanders towards a certain tent every night to watch a certain masked daredevil defy gravity. he thinks he's slick and that ghost won't notice him in the crowd, completely forgetting that he's carrying something that happens to be on fire

ghost couldn't miss him if he tried

one day off, soap's trialing fire whips; he loves the loud crack and the way the flame licks through the air and maybe he's a little too impatient to practice with non flaming whips first, even though he's never used one before

he's covered in soot and fine welts where the tip of the whip keeps flicking back up at him, cutting through his shirt and stinging his skin but he doesn't let that stop him. it starts to stick to him, damp with sweat and blood and he's quick to strip it off; throwing it to the side to keep practicing

when soap finally gets a few good cracks in a row and breaks to celebrate, he almost jumps out of his skin when he sees the masked rider leaning against a trailer watching him

of all the times he's wanted ghost to talk to him, this is not one of them

he wanted to impress him, dance for him with his flaming batons and be mesmerised by his fluidity and skill

not catch him filthy and struggling with something as basic as a whip

he's ready for ghost to ream him out for not having control over the whip - he's known throughout the circuit for expecting utter perfection in his routines - but when ghost finally does speak, it's only to ask if he's done for the day

soap falters for a moment. he wanted to get some consistency with the whip before he stopped, but he's starting to feel the hours of practice; muscles aching and skin blistered with minor burns

he says he is and ghost pushes off the trailer, nodding his head to make soap follow. he brings him back to his trailer and tells him to clean up then takes out his personal med kit to treat the grazes on soap's skin

soap's shocked; for all that he loves to watch ghost perform, they've never really talked before

part of why he joined the circus was so he wouldn't be a burden on anyone, the oldest in a family with too many mouths to feed and not even time to nurture, and here he is taking up ghost's valuable practice time bc he wasn't good enough to handle his own discipline. he tries to brush him off, downplaying the burns and tries to leave before half them can be treated but ghost just glares and orders him to sit back down

ghost does expect perfection from himself but it isn’t out of any malice or ego; it's bc he knows if he isn't perfect, he could very easily die. he’s picked a dangerous profession and he gives it the respect it deserves. there isn't any shame in being a novice or failing at something; he thinks there's a lot of beauty in having the courage to get back up again and again

so every day he watches soap practice and bullies him into his trailer to put him back together bc he knows he won't do it by himself

and every night soap wanders over to ghost's section of the fair grounds, in awe of his skill and wishing he could be worthy of the care he gives him

[fighting-naturalist]

"Insolence. Tell me what subversions you are a part of or I will bleed you dry."

[spongebob-connoisseur]

I can't fucking believe they pulled an M reference in SpongeBob