DC Metro Transitional Bathroom
Example of a small transitional 3/4 white tile and marble tile marble floor and black floor corner shower design with beaded inset cabinets, green cabinets, an undermount sink, marble countertops, a hinged shower door, white countertops, a two-piece toilet and multicolored walls
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Powder Room in Omaha
Inspiration for a small contemporary powder room remodel with flat-panel cabinets, dark wood cabinets, a two-piece toilet, pink walls, solid surface countertops and white countertops
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Transitional Family Room - Home Bar
Mid-sized transitional enclosed carpeted family room photo with a bar, beige walls, a ribbon fireplace and a wall-mounted tv
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Painting by @0xvj
Contemporary Abstract Art
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Fluted columns of light double as pedestals in Klaus Reymann's playful and sophisticated wall treatment. The objects displayed appear to float - as do the glasses and bottles in the backlit bar recess. The Josef Hoffmann fabric on the wall forms a harmonious surround for the classic Viennese lines of the table and chairs.
Rooms by Design, 1989
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Vintage Pattern Roses in Glitch Art
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Dieter Rams for Braun, 1962/1963. Wall Mounted Audio 2/3 (components: control TS45, reel-to-reel tape recorder TG60, slim speakers L450, record player PCS5), (Image 1 credit: Matthew Donaldson)
Dieter Rams design ethos was very clearly codified by himself in ten legendary principles for good design:
1. Good design is innovative;
2. Good design makes a product useful;
3. Good design is aesthetic;
4. Good design makes a product understandable;
5. Good design is unobtrusive;
6. Good design is honest;
7. Good design is long-lasting;
8. Good design is thorough down to the last detail;
9. Good design is environmentally friendly;
10. Good design is as little design as possible
Dieter Rams, Nicolas Ghesquière, Sir Terence Conran, Lord Norman Foster, Jasper Morrison and Sir Paul Smith are among the design stars to give their support to the protection of design patent rights.
more info:
— https://braunaudio.de/en/braun-hifi-wall-unit-wandanlage-stereo-system-60ties/
— https://designwanted.com/design-icons-dieter-rams/
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I'm curious. What concept SHINee has done that you find the most interesting, the most well done, and the one that had potential but missed at execution?
hm! potential but missed at execution is DEFINITELY dcm, there was SO much promise in those first set of fake reality promo photos that was pushed aside for appropriative 4th gen nonsense that was not at all necessary. i don't really know what happened with the creative team there and why they got cold conceptual feet, but i'm very sad that they never pushed thru for the full twin peaks-y fake suburbia theme.
most well done? tie between odd and 10f1. both of them were SO influential to the industry that we're still very visibly seeing the effects of them almost a decade later. personally i would put 1of1 slightly farther ahead of odd just because the styling for 1of1 is one of THE best stylings of all time in the history of kpop, and they damn well knew it. i love odd + view so so deeply but its legacy has been a .....worsening of stylings over the last eight years bc it made companies realize they could just put idols in normal clothes and stop investing so much in costuming.
most interesting? hands down tsol. it's so rare to see such a beautiful monument of grief and love so thoughtfully executed. i've talked at length before about the choreographies from this era and how incredible they are, but the cohesiveness of the full album and its aesthetics of nostalgia and examination of their legacy as a group and how they set an optimistic tone for the future is so so so fascinating. i rewatch the tsol mvs (good evening/i want you/countless, not our page bc it makes sob uncontrollably) more than any other shinee mvs because there's endless ways to unpack them and the inherent dichotomy of deep personal grief and having to pretend to be a veneer of yourself as your job adds such a compelling layer to them.
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