Sorry I'm not low empathy autistic in the "mysterious loner boy who secretly cares about his friends and talks in a monotone voice" way and I'm actually just completely indifferent to the suffering of people I don't know personally and help strangers out of a sense of "this is the right thing to do" and not "I feel so bad for this person" or guilt.
I sit and listen to my friends even though I don't really care about hearing about their problems because I know they'll be upset if I don't, and despite the fact I honestly can't genuinely care about the issue itself, I care about the impact it's having on my friends and that's enough to make me want to help them through it.
Did you know that's actually an expression of empathy all of its own?
It will absolutely happen again I literally am not even sorry
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Okay, I know I said I really hated Sonic Superstars, but I forgot to mention what it had going for it that I liked. The soundtrack was good, the graphics are pretty, and sometimes the level design is pretty solid
However, those all pale in comparison to the best part ever:
That is all
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Nameless Bandits are perhaps the worst of Bethesda's (and other RPGs) design. I hate it so much. In an RPG, you cannot put yourself in the role of a good person if you have a kill count in the hundreds, and you cannot do anything about it because those Nameless Bandits cannot be talked to or even avoided. You HAVE to kill them. They are there to provide you human targets so you can play shooter. There is no story behind them (they outnumber named NPCs by magnitudes), no names, nothing. You cannot try to cross peacefully, they will attack you, always.
And perhaps if it was a FPS game, where you are in a combat situation (though that's a whole another thing), you could understand there's no much time for dialogue or peaceful options. But in an RPG, you can't put yourself in the role of a 'hero' if you're mowing down hundreds and hundreds of people. I wanna just say, for once, 'hey, can we talk this out', but you can't. It just takes me out of it.
Starfield also has featured them, so I've lost hope that this piece of design will go away anytime soon.
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Hiii!! Ufff I don't know how to tell you that I love your take on Floyd. like some bad bad life decisions were taken (THAT SO!!! INTERESTING FOR HIM). Do you think he ever feels ashamed of himself when he looks at Branch's eyes, like "shit, this guy really believes in me" or "he doesn't even know everything I have done"? Like he has some really BIG "Love me Less by Max" vibes
They all really believe in his goodness which is worse
And OH he definitely feels so much shame and regret. I think a big part of why he fell as hard as he did was because he finally didn't have to be his brothers' mediator, and I guess at one point he forgot that he still needed to be the voice of reason for himself. His new band mates encouraging his reckless behavior didn't help. Honestly I personally think young Floyd was a very naive kid and very dependent on his older brothers but his strong empathy gave them all the impression that he was much more mature and independent than he really was...
So yeah... you can imagine that constantly partying, doing drugs and sleeping around wears someone down after a few years. I think Floyd also went gray like Branch (not for as long tho) and he broke up with the band wanting to go home badly, but he was also ashamed of showing his face after a number of years as a gray drug addict, so he kind of just ended up alone...
If we're sharing songs, I have to show you this one by Linkin Park because I think Floyd wrote it for Branch (and the rest of his family (and some parts also addressing himself)) while he was at that desperate and lonely period because I am also extremely emo
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PERCEVAL THE UNHAPPY, THE MISERABLE, THE UNFORTUNATE, THE FISHER KING!
Perceval, de Troyes (trans. Burton Raffel)
ALRIGHT alright. so previously I did an illustration that explained the premise of all this, that it's inspired by the narrative choices that Bresson made in his film Lancelot du Lac etc
to dive in more into it (because this is something like derivative fiction. I'm putting concepts into a blender and seeing what comes out of it): the setting is haunted by the previously existing narratives that started cannibalizing each other until it regurgitates itself into the more well known narrative beats, and something else about the invasive rot of christianity and empire mythmaking into settings. it's an intertextual haunting, if you will! and this scene takes place during the grail quest narrative, but the temptation of Perceval plays out differently.
in both Chretien (and Wolfram's) Perceval narratives, what 'wakes' Perceval up (in more ways than one. desire and self actualization in one go!) is seeing knights, something his mother tried hard to keep him from. so instead of the temptation of lust & etc in the Morte narrative taking the form of a lady, it takes the form of a knight. the temptation to renounce one's faith to serve something else remains.
so Perceval still stabs himself, but instead of continuing on the grail quest in the shadow of Galahad, he becomes the narrative's Fisher King because his earlier state of being as a the grail quest hero is creeping back into his marrow. it was waiting for an opening, and stabbing yourself in the thigh is one hell of a parallel!!!
that wound isn't going to heal buddy, and the state of the setting will now be reflected on your body. sure hope that Arthur hasn't like. corrupted the justice of the land or anything. that sure would suck for your overall health.
all the red in this sequence is because in de Troyes' Perceval, Perceval takes the armor of the Red Knight and becomes known as the Knight in Red.
and now for the citations, which I will try to order in a way that makes sense!
Seeing Knights For The First Time
Perceval, de Troyes (trans. Burton Raffel)
The Temptation of Perceval
Le Morte Darthur, Mallory (modernized by Baines)
The Fisher King, and Perceval The Unfortunate
Perceval, de Troyes (trans. Burton Raffel)
On Perceval and Gender, etc.
Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey
On Wounds
Wounded Masculinity: Injury and Gender in Sir Thomas Malory's Le Morte Darthur, Kenneth Hodges
The Red Knight
Perceval, de Troyes (trans. Burton Raffel)
On Arthur and the Corruption of Justice
The Failure of Justice, the Failure of Arthur, L.K. Bedwell
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"This damsel might be middle aged but let's get him out of distress"
I once read a post that said that MC is Halsin's comfort character, and I can't keep it out of my mind
Babygirl gets saved from goblins and his grove defended, gets his friend back and shadow curse removed, gets saved from Orin and then asks if you wanna have some of that ass
What a man 🧡
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