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#Dark Eloquence
clockwork-carstairs · 3 months
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jem and julian: i’m not good with words / idk what im talking about 😓😪🗣️🚫🙅‍♂️
jem and julian:
You speak of sacrifice, but it is not my sacrifice I offer. It is yours I ask of you. I can offer you my life, but it is a short life; I can offer you my heart, though I have no idea how many more beats it shall sustain. But I love you enough to hope that you wil not care that I am being selfish in trying to make the rest of my life - whatever length - happy, by spending it with you. – jem “i’m not good with words i prefer using music” carstairs
When you love someone, they become a part of who you are. They're in everything you do. They're in the air you breathe and the water you drink and the blood in your veins. You know their dreams because their nightmares pierce your heart and their good dreams are your dreams too. And you don't think they're perfect, but you know their flaws, the deep-down truth of them, and the shadows of all their secrets, and they don't frighten you away; in fact you love them more for it, because you don't want perfect. You want them. – julian “nothing i’m just talking” blackthorn
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starlightspin · 5 months
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I love bg3 for a multitude of reasons, but my favorite thing about it is how the Dark Urge literally haunts the narrative, and they're fucked by it too. They have to die for the story to begin, for their plan to fail (or succeed, if you go the evil route, but I'll be referencing the redeemed durge and the good ending). Orin has to lose her shit and kill them for the story to start, but at the end of the day, they have to die. They have to be killed.
You can see evidence of them throughout the game: you see the Bane and Bhaal symbol by the gnolls in Act 1, throughout all of Moonrise during Act 2, and through the letters and interactions throughout Act 3. If you're playing a Tav, you can't help but wonder about this person. Who is this? What did they do? What were they doing for the cult and why did they die? It's even more obvious and in your face when you play as the Dark Urge, as you have to face what you did in the past all throughout the story. You haunt the story, but it's not really *you* who haunts it. You're different now, but you're desperately searching for any scraps of who you were and who you can be all throughout the story.
There's a sick sort of tragedy in this, especially in Act 2 and 3 when you start (and finish) putting together what actually happened to you and what you did. You have to face the person who haunts the story, but that person isn't you at all anymore. They still have their memories, the glory, and the power of the Scion of Bhaal. You have to face the fact that you had to die in order for the world to be saved. The Dark Urge will never be the same after Orin lobotmized them, and maybe it's for the best. They managed to save themself because they were fucked by the narrative.
Anyways, I'm so so normal about this game, I promise.
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i’m not a big wolfstar fan but i find people using sirius calling remus “lupin” as evidence against the ship to be kinda dumb😅i feel like he calls him that because they’re like victorian men who went to an old fashioned private school, not out of dislike or anything of the sort
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skullzy20 · 7 months
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Do you see my vision or something
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Good morning today I had to lead volunteer training at 9am and I woke up at 8:48am
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detectiveneve · 11 months
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pondering on a meta diving into Gale's abstract brand of selflessness (willingness to go away to a corner of the world to die so that none of the faceless masses will be harmed by his mistake) vs his personal selfishness (willingness to stick by tav despite being repulsed by tiefling camp murder + general vocal approval or interest in accumulating more power) and Gale's status as someone who is good aligned but generally ineffectual at enforcing actual good (the way that wyll or karlach will actually leave the party) which is fascinating for a fairly good-aligned person. just love when the Good Guy is actually kind of fucking weird. edit: tumblr cut off my tags Okay. and how all of this ties back in an interesting way to his relationship and power imbalance with mystra. he was wronged, deeply, but he also desires still that ... status / closeness to divinity in some way, by her influence. Gale thinks that he would be a better god simply by virtue of his mortality but he cannot escape the appeal of holding himself apart from others and being more than, greater than, something closer to godliness and thus inherently removed from mortal values and standards of right and wrong, which the gods themselves don't adhere to in the same way.
#it's just one of those things that's really compelling about his character to me in terms of ...#Gale hesitates with the shadow lantern not really because he's put off by the magic#in fact if a sorcerer Tav condemns dark magic he rebukes it and argues that all magic is inherently neutral; some simply more#frowned upon than others#He appreciates good acts. he'll say We Should Do The Good Act. but he's not going to really fight FOR doing the right thing the way#others might; and when you get beyond the act itself he can very quickly rationalize#necessity. or mistake. or the value of power + strength behind it.#the dichotomy between his fearful willingness to die at Mystra's behest while not really tamping down his interest in power and survival#that peers out and I think (?) feels almost obfuscated behind his eloquence and his manners and charm and general clockability as a#guy who approves of good things.#and there are things he says & does that are further beyond the expectations of what you might expect from someone who is 'good'#the initial interest in a deal with Raphael; the approval of taking tadpoles despite the uncertainty and possible cost; the acknowledgment#that powerful forms (slayer form or ascending astarion) will be useful onward#His Fucking Speech to Tav after the grove slaughter where he's outraged and disgusted but can be swayed to stay#he's so... sunk cost fallacy too I think. at some point the ends must surely justify the means right#and his God of Ambition thing is sooo compelling because it really drives to the max the part of gale's personality that is always there#but obfuscated by his immediate insistence that he's a moral person right. you know him to be of sound judgement. trust him.#He likes seeing good happen and he's happy to go along with doing good things and he'll#state his opinion when he thinks something EVIL is happening. but he's not necessarily#going out of his way here either if tav isn't -- and to be fair game mechanics technically mean#no one is - but we can read from Wyll/Karlach removing themselves from the situation#(need to double check but can't Wyll also leave a slayer dark urge?)#that they CAN go out of their way#Wizard Apathy Baby! you feel benevolent toward others but you crave what is beyond humanity and#deeply rooted in the arcane; which you see as beyond too basic concepts of 'good' vs 'bad' magic; neutrality that sways with intent#you trust good actions but you didn't ACTUALLY use your power at the time For Others either; you probably could have but#you craved MORE. something BETTER.#and there's a lot there in how that interacts with his relationship to mystra too#his desire to achieve something closer to godliness and both thinking that he can do better because he's mortal but at the same time#has proven that he can separate himself or his technical moralities from a situation if it means exploration of power/knowledge Beyond
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escapismsworld · 1 year
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"Polyhymnia, Muse of Eloquence" by Charles Meynier (1800)
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royalnavyart · 1 month
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figure studies except it’s all just sergei polunin
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stunt-lads · 19 days
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I think sometimes people relate to the monster or loving the monster because it's a self projection
I think it's telling too that a lot of the people who prefer to make their favorites monsters or are attracted to them tend to be queer in some way as well
It's hard to love yourself when your love is seen as wrong and monstrous
But if that vampire can be desirable or that werewolf can be loved, then yeah, so can I
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the-meme-monarch · 2 years
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Chara being the knight in dr would be a fun parallel to them being the first fallen human in ut i think. the effect it left in the dark worlds/their leaders paralleling the lingering impact it left on the underground/their family despite not being able to stick around to see it itself. idk. knight chara theory forever ok
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sysig · 6 months
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One better (Patreon)
#Doodles#SCII#Helix#ZEX#Blood#I knew going into this and it was still so distressing :'0#Who needs plot twists when you can create such an intense sense of Dread#Probably doesn't help that I read this At Night In the Dark lol - actual shivers#Gods this was a hard scene to read - there have been several instances of my face hurting from furrowing my brow so hard haha#The way that ''Doctor'' is written is So skillful - I'm so impressed by everyone's prose and quirks and syntax!#Not to mention when he breaks character in a later scene to apologize for taking a bit to move the scene along haha <3 Play!!#It really does speak to just how much skill and effort is put into everything <3 It's so well done all the way around!!#Anyway to the actual scene at hand lol ow :') Drawing blood is always fun but I wish it wasn't his ;u;#Ugh the way he takes the surgeries is so well written - fear of course but a kind of stoic suffering as much as he's able to -#Until it comes to his eye#Ugh the /break/ of it all he goes from so eloquent - almost snarky and silly! Still trying to find an out make peace do /something/#It all goes completely out the window he's so /reduced/ and nothing hurts worse than that ughughugh#For all his intelligence and wit and prior successes and charm and just - everything that makes him /him/ to be dissolved into abject fear#It's so sad ;; And so well done <3#And he still holds enough of himself to know what he'd be losing wegh it's so sad!! He's so defined by his vision as most VUX are it's fjdsl#Zelnick is already gone by this point but I wanted to throw him in for extra sad flavour :')#Plus - I've mentioned his post-Op was one of the ones from the gallery that Actively kills me every time I look at it#Can you imagine my heartbreak to find out that he didn't have his Captain to comfort him after this in actuality? That he was fully alone?#''Are we home? Is it over?'' ''N...not yet'' - The Absolute Devastation of realizing that Never Was not really#Just tear my heart out why don't you ugh I'm fully bleeding out 💔#That last one is actually meant to be Max but it's open to interpretation :)#I think it's such a waste that his eye was just disposed of! Someone else could've used that (lol)#I do think there's something to the idea of seeing what used to be a part of your body elsewhere - like the Leftovers!#Even just keeping as a memento tho - a trophy - insult to injury but literally#Just points to no one being special and nothing being sacred I suppose
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souptomatobasil · 4 months
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Roberta in Faerieland, a Neopets the Darkest Faerie fancomic
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bird-lube-now · 6 months
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thinking about getting pinned down by a girl in the backseat, making out, feeling her get hard as she grinds on me, things of this nature.
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tired-gay-wreck9 · 1 year
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dude, what if karkat didn't help rose's alcoholism in game over because of gamzee?
I think there's also the alien aspect of it, that he doesn't get human culture, but
rose just got into consuming a substance that makes her happier and more lighthearted instead of the serious godtier great fighter she normally is
gamzee got into consuming a substance that made him happier and more lighthearted instead of the angry highblood great fighter he is during murderstuck
when gamzee stopped consuming the substance he killed two people, because of that past experience I doubt karkat would be jumping at the bit to have rose stop consuming the substance
I doubt he was 100% convinced that rose would turn into gamzee without alcohol, but gamzee probably played a factor
also, rose / gamzee parallels? both struggled with addiction, had absent parents, both have extensive knowledge of stuff, were upper class, purple
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eyranbelanore · 3 months
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The Raven (Not to be confused with the work by Edgar Allan Poe!)
The jet black feathers, Glittering midnight blue, With black beady eyes, Shining like black pearls, Above a polished beak, From which a harsh cry sounds,
The long black cloak of feathers, And clawed taloned fingers, With which to grip their perch, They sit and wait, For their prey to fall, As they know it will, Hence why they crowd, In sinister covens, And never move until it’s time.
A fallen creature, Upon which they would swoop, With beaks agape, With which they would tear, Into the stilled flesh of their feast, Ripping, yanking and gouging, With wings flapping violently, As two of the creatures, Pull at the same piece of gore, Misty talons scraping the ground, So sharp they leave permanent scratches, Even when the blood and bones, Had been long swept away.
The scratches will remain as a testament to the birds warring for food, As a testament to the fallen animal, And the death that these shadowy birds signify, The death they wait for and upon.
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on the monster's voice
something very specific about the pain of frankenstein's monster. so beautiful a creature, who understands the fundamental beauty of language, how "the words [we] spoke sometimes produced pleasure or pain, smiles or sadness, in the minds and countenances of the hearers", how likely it is he would've agreed with robert frost in that a dead language leads to dead poetry. he spoke to understand because "the world was to me a secret which I desired to devine" and yet in every version of his tale since we have stolen away his voice
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