#Fi: He's leading up to a villain song

[skyloftian-nutcase]

An idea I found funny

Sky doesn’t know about the curse, his hearing had been damaged from everything and he just didn’t hear demise

PFFFFFFF HAHAHA

Demise: Blah blah an incarnation of my hatred blah blah Sky, whose ears are still ringing from all the thunder: Uhh, so is he dying or what? Fi: There is a 95% chance that he is monologuing, Master. Sky: Sweet, I don't have to listen, then.

[sixosix]

do you think maybe you could do a relationship dynamic with izuku as uber famous celebrity x the one cafe barista who doesn't know who they are?

( a/n ) anon i don’t know if ur even here anymore cus this ask was sent september last year but just know that i always thought about you. I LOVE KOTA so he’s here

“listen, i get it,” you say, sliding to the left to cram the bagel into a small, brown paper bag with the shop’s logo printed unevenly on the front, “lo-fi’s not your thing. that’s cool. but you’re really the only one complaining about it.”

the lo-fi isn’t even that bad. sure, you can’t differentiate songs from another if you tried, but it’s a fun game to try when you’re bored, and your only company are the flies and warm sun filtering through. the top fifty songs haven’t changed for too long, and you’ve gotten sick of it, so it’s better this than that.

you give kota his order, put on a winning smile, and pray that he spares you from a headache.

he slams his payment on the counter. his money is always paper, never a bunch of coins as what kids his age usually have. it’s a little curious. it’s like he's making money himself.

“i’m your only customer anyway; what’s the big deal?” he gestures grandly at the space behind him, making a huffy noise when you don’t bother looking up from counting his change.

the big deal is that you don’t go around demanding baristas to do that, but kota has a point. he’s one of your only customers, aside from the lost students who order a medium coffee to use the bathroom. they never come back.

the shop you work in is tucked away in the corner of hosu city, past where the buses stop and far from train stations. it’s an unfortunate placement, but it’s safe from villain attacks because not even they would want to walk this far. kota only found it because he got lost, too, and you felt terrible so you gave him a donut.

the difference is he comes every day since then.

you level kota with a look. “how can i attract other customers if we’re blasting your awful playlist in this quiet space?”

his cheeks turn pink in embarrassment. “my playlist is not bad! you should be thanking me i told deku about this place!”

“right, right. ‘cause you’re best friends with the lead of that super famous hero series! pardon me for forgetting.”

kota looks like a baby kitten hissing with his far-from-threatening growl. “you’re lucky the bagel tastes good,” he says and pointedly bites on the bread. “we would be enemies.”

you laugh, leaning against the counter. “how long did you say you’re staying at hosu for?”

“we’re leaving in two days.” kota looks longingly at the bagel.

“alright, well,” you bend closer and whisper conspiratorially, “let’s make a deal. come back here tomorrow one last time, and i’ll treat you the belgian waffle you’ve been eyeing since you first came here. if there’s no one else, i’ll play you your favorite song.”

kota’s eyes sparkle, despite his insistence on looking unaffected. “fine. i’ll come back.”

“tell mandalay i said hi!”

you thought that’d be the last interesting thing to happen, but minutes later, a young man with comically oversized sunglasses and a shirt saying ‘shirt’ enters the shop, looking around in amazement.

“welcome!” you call out with a customer-friendly grin. you’ve never seen this man, but based on his top, you can tell he’d entertain you well.

he pads over to the counter, somehow looking like a lost child despite his eye-pleasing build based on his thin, white tee. “good afternoon!” his smile is as warm as the orange lights hanging over the counter. “sorry, was kota here earlier?”

he reminds you of the man on kota’s wallpaper with a face that made you stare a little too long. kota asked you if you were struggling to read the time. no, you were just struggling not to blush. 

“you know him? he was chiding me for the lo-fi.”

he laughs, tugging his sunglasses up hesitantly. “kota can be really picky, sorry. um, i like the lo-fi.”

“you’re cute,” you say, admiring his green eyes. “what’s your name?”

“you don’t—” he blinks slowly, his cheeks darkening, “sorry, i didn’t mean it like i was assuming—”

“wait!” you exclaim, leaning closer to study his face, “are you kota’s brother or something? no, you don’t look like brothers… except for the shoe thing you have going on.” you gesture at his bright sneakers.

“i bought him that!” he says, smiling warmly. “midoriya izuku.”

“midoriya,” you say, grinning coyly when his cheeks flush as you say his name, “what can i get for you?”

he scratches the back of his neck. “regular iced latte, please.”

you make sure that it’s the best goddamn latte midoriya izuku drinks in his life so that he thinks of coming back again.

kota comes back the next day with a skip in his step, and a man right behind him.

“my favorite customer!” you already have his waffles prepared, but you weren’t informed that the handsome maybe-cousin, maybe-uncle, related-to-kota-somehow guy was coming along. immediately, you get to work on his latte.

“only customer,” kota says pointedly, scanning the room triumphantly. standing next to the cute guy with their matching shoes that makes them look more like close brothers that happened to not look similar in anywhere else possible.

“hey,” midoriya says with fond exasperation. “you can’t just say that.”

you laugh, shaking your head. “it’s alright. i know kota’s a sweet kid; he makes my day.” kota makes himself comfortable on the table nearest to the counter, looking much happier than he usually does coming here alone.

kota beams when you walk over and give him the plate of belgian waffles. he digs in the second he gets his hands on it. near him, midoriya chuckles, heading over to the counter. his outfit is a little different from last time: fancier and no more unnecessary captions.

“what can i get for you, midoriya?”

“regular iced latte, please,” he says, blinking up at you in a way that made your heart do something strange.

bingo. because of your headstart, his order comes in quickly, but you pretend to take it slower just to keep them longer.

“you don’t have to pay,” you say, unable to keep staring at how his coat makes him look charming. “i’m treating you two. are you also leaving hosu tomorrow?”

“i want to pay,” midoriya says, and you swear his smile gets wider when you head over to serve him his drink. “yeah, we have to leave for a shoot! it’ll take a while, but now i’m not looking forward to it as much as i was two days ago.” when you glance at him, he looks away, looking shy.

you couldn’t even react or analyze his second comment because you hone in on what the hell he means by—

“wait, shooting?”

“yes… for—wait, hold on.” midoriya frowns at kota, who has half a waffle hanging from his mouth. “i thought you said you weren’t hiding it.”

“i waf’n!” kota insists. midoriya tells him to please don’t speak while chewing, so he spits it out, and you watch in disgust as it flops back onto the plate. “y/n just doesn’t know! technically, i wasn’t hiding it.”

midoriya looks horrified, and this conversation is about you, so you ask, “can someone explain?”

midoriya is blushing, but he speaks as if he’s confessing a crime. “have you seen the hero series?”

“no! i’ve heard about it because kota likes this one guy a lot. think it was deku or something.”

“he’s deku, idiot!” kota says. “you know, the one who you said looked cute when i showed you my wallpaper!” he digs back in on his waffle, pouring more syrup.

“what!?” you and midoriya exclaim.

“why would you say that?” you groan at the same time midoriya asks, “you said that?” wide-eyed and grinning.

“go back to the topic at hand!” you slam your hands on the table. kota’s intense EDM music is blasting, fueling you even more. “why didn’t i— deku’s face is literally on billboards!”

“my face in those is usually covered by the mask, to be fair,” adds midoriya meekly. “but kota-kun is my co-worker…”

“what!”

“you’re just stupid,” kota says, grinning devilishly. “we’re flying out of hosu to film together somewhere else.”

“oh my god.”

midoriya laughs, gazing at you with an intensity that makes your throat feel dry. “it’s not your fault, y/n-san.” he nudges kota, who’s stealing sips on his latte and grimacing. “it’s his for pranking you.”

“and,” midoriya adds, smiling shyly, “it was… nice to know you’re interested in me even without knowing who i was.”

kota hums around the straw, “maybe this’ll finally convince y/n to watch the series.”

ok um the ending is lame i know but i rlly didnt know what 2 do w this LMFAO also dont judge idk what baristas do so just play along. mayb ill make a part 2 cus theres a lot unpacked but not rn i just want to let anon know i didnt delete this ask thx for reading rb or comment to make me happy omg!

[denimbex1986]

'Doctor Who showrunner Russell T Davies breaks down why he enjoys staging pop musical numbers for his villains. The showrunner who helped relaunch Doctor Who for the 21st century has returned after fourteen years to helm the series amid large production changes and milestone celebrations. With David Tennant's 60th anniversary return complete, Davies will steer the show into a new era as Ncuti Gatwa steps into the role of the Fifteenth Doctor in 2023's seasonal special, "The Church on Ruby Road."

With the final Doctor Who 60th anniversary story "The Giggle" now revealed to the world, Davies reflected on why pop songs have been used in his villains' most dastardly moments when viewing the Toymaker's choreographed rampage to "Spice Up Your Life" during the episode's official commentary on the BBC iPlayer. The showrunner explained to Tennant that he found pop music has a "savagery" to it, as seen in both "The Giggle" and season 3's "The Sound of Drums." Check out Davies' full explanation below:

Russell Davies: In all great pop music, there’s a savagery to it… It’s like in the middle of a song, people are being slaughtered. It’s pure Doctor Who, isn’t it? Well, actually it’s.. Even Doctor Who doesn’t often do this. It’s just nuts. See, it’s a mad episode…. I’m always using pop music like that. I just think there’s a savagery to it, a darkness in there somewhere. The relentlessness, that’s the word. There’s a ruthlessness to pop music.

David Tennant: The Sound of Drums, there was.

Davies: Yeah, yeah, yeah! It’s bang, bang, bang. Good pop is, like, hard.

Russell T Davies' Musical Villain Moments Leave An Impact On Viewers

Davies' use of unexpected needle drops for dastardly deeds has been a recurring element ever since he first brought Doctor Who back. "The End of the World" saw the surgically augmented human Cassandra plot to incinerate a party of alien ambassadors to Britney Spears's "Toxic." Meanwhile, season 3's two-part finale "The Sound of Drums/Last of the Time Lords" saw the Master decimate humanity to Rogue Trader's "Voodoo Child," and torment the Tenth Doctor and other captives to Scissor Sisters' "I Can't Decide."

This isn't limited to Davies' Doctor Who work either. His 2019 sci-fi series Years and Years set a general election that led to the rise of a far-right political party to Steps' "Tragedy," with Emma Thompson's party leader Viviene Rook even learning to dance to it. Like the Doctor Who example, the doomed general election paired with the upbeat track leaves a mark, as the central Lyons family is divided politically and the world is gradually spiraling further into chaos. These sequences have become some of Davies' most fondly remembered moments, for either showing the sheer carefree insanity of a villain or emphasizing bleak, uncontrollable developments.

The Toymaker's brutal "Spice Up Your Life" routine is a standout set-piece within Doctor Who's 60th anniversary specials. The moment comes as a surprise and leads into a terrifying display of the villain's powers, as the Fourteenth Doctor can only plead as highly-trained soldiers are turned into balls and his companions are swept up in the chaos. Doctor Who fans are sure to be unable to dissociate "Spice Up Your Life" from the Toymaker's unsettling antics.'

[pikespendragon67]

Well, the ParaLive anime certainly…ended

Not sure if I feel like getting screencaps so I’ll post my thoughts below

Pros:

-I liked seeing Haruomi being more proactive in investigating why Paradox Live came back & him reclaiming Chisei’s medal from Scientist-kun

-The idea of Phantometals being sentient metal that could only thrive on trauma makes for some great sci-fi horror

-Episode 3’s my favorite. I’m biased towards TCW as a group as a whole, but the full episode really showed their dynamics well

-1st episode’s set up & animation was great

-I actually like the hot springs episode since that gives the characters room to breathe outside of the stage battles

-Shiki getting his own gospel part of the rap to save Kanata was nice

-On that note, Fadeaway was a great original song that worked in place of Rooftop

Cons:

-Holy shit AKYR got screwed over hard in terms of story. I think the member with the most development was Satsuki. Iori could’ve also investigated behind the scenes with Zen and that would be how they found out about Shura. They even had a repeat of their main dance sequence. Poor guys. I appreciate more Hokusai screen time but him just telling important moments could’ve been better presented

-Yeaaaaaaaah the 3D animation definitely downgraded after episode 1. I was willing to look past TCW’s for, again, bias, but every group aside from BAE felt stiff. I know the focus is their Phantometal illusions & raps, but I feel like they could’ve used the music video visuals as reference. Episode 12’s was just wonky

-Scientist-kun as I call him I felt had promise as a villain but he went nowhere. If he was going for the benevolent savior route a la Maruki I could understand why he’d want to “become one” and forget all traumas. Or if he was batshit insane and thought that trauma powered Phantometal could act as an energy source. That could’ve worked in the Yeon Conglomerate’s favor, and they could get trauma easily through a group like the Suiseki. Hell if he turned out to be Chisei trying to bring back the old days that would’ve been great for the endinf!

-so. nayuta was in a coma but then just. popped up at the end. He did that in the audio dramas, sure, but I was kinda hoping Shura would bust in and save him

-aside from shiki we never got TCW’s traumas did we. Or Zen’s.

-I feel like this adaptation should’ve either stayed completely faithful to the audio dramas (probably have an OC that’s like an interviewer to act as the surrogate audience) or did their own thing entirely. They tried to mix both and it felt jumbled/rushed as a result. Granted, can’t expect 24 episodes in 1 season these days, unless we’re REALLY lucky, but I would’ve had like 3 episodes dedicated to each group with some sprinklings of lore in the background myself. 1 episode to introduce the group, and 2 episodes for their stage battles (with possibly in between times to show the inner workings of AT)

-And now for the elephant in the room: boy howdy was this BAE focused way too much! Specifically Allen. Again I know we need a lead, but lessons were recycled because of this focus and it felt silly at the end to rap at blob Kanata. like sir as a distinguished fan of hip-hop how do you not know what trap music is

Overall I know for a fact if a season 2 is made that the new groups are going to be screwed over big time in spite of 1NM8 being relevant for AT, Amprule for BAE, and GokuLuck being in the finals for Road to Legend!!!!!!!!

[kimium]

I saw one of Vil's lesson lines mentions he likes reading, and that sparked my curiousity. What do you think is the favourite book of each Housewarden? (can be novel, novella, nonfictional, anthology, comic book, etc., just as long as it is some sort of book!) I love reading and I know you love reading, so I eagerly await your answer!!!

Oh, what a good ask for me! I certainly love books (I know, shocker), so I am very excited to answer this.

For everyone else note that I am going to pick books that I've personally read, so I can actually talk about the book in depth. Also, since we're picking books I've personally read they're going to be all fiction books. I'm sorry everyone, but I don't usually read non-fiction.

Each of the Housewarden's Favourite Book/Story

Riddle - Howl's Moving Castle by: Diana Wynne Jones

I picked this book for Riddle because it has what I think Riddle deserves: some whimsy and magic with fun, silly characters. He probably grew up forced to read boring textbooks or "classics" from his mother. Thus, I think Riddle deserves something that she would have never allowed him to read.

Leona - "The Lottery" by Shirley Jackson

A classic short story and one of my favourites from Shirley Jackson. I picked this one because I think Leona would like one of the main themes of the story: the questioning of tradition and the blind following of it. I also think he'd like the tone of the story and how it leads the reader on a journey before revealing the ending. I also picked this for Leona because it's not a novel, since I think Leona generally reads non-fiction/isn't a big reader.

(Note: My runner up for Leona was "The Cask of Amontillado" by Edgar Allan Poe. I think Leona would enjoy the story of revenge and murder.)

PS: I know "The Lottery" is a short story and not exactly a "novel" or even a "novella" but it could be in a collection, so I counted it.

Azul - The Night Circus by Erin Morgenstern

Easily one of my top ten favourite books of all time, I think The Night Circus suits Azul. We have: magicians with their apprentices pitted against one another due to a bet, magic is real but the apprentices are doing their best to pretend they don't have magic as they "fake" their acts, and a sprinkle of romance. This book is a fantastic read and I highly recommend it.

Kalim - The House in the Cerulean Sea by: TK Klune

For Kalim I think he'd enjoy a light, breezy book. For me this is the most recent book I've read that fits that description. I also think Kalim would love seeing someone who is closed off and lonely (the narrator, Linus Baker) discovering love with Arthur as he navigates between fulfilling his job duties and opening his heart.

Vil - Clytemnestra by: Costanza Casati

A spin/retelling of the Greek myth in a similar vein to The Song of Achilles, I think Vil would love this book because we have a female character who has many grey areas to her. The reader can understand her plight and dilemma. However, her actions could also be read as villainous, making people question and have doubts. I think that vibe perfectly suits Vil.

(Note: My runner up for Vil was The Great Gatsby because it's a classic and I think classics suit Vil.)

Idia - Thistlefoot by GennaRose Nethercott

The sheer willpower to not just pick a light novel was astonishing. However, I decided to stick to books mostly because I don't read light novels often and so my knowledge of them is limited. I also considered sci-fi novels, but in the end I think Thistlefoot is a good pick. I picked this for two reasons: one, it has folklore at the core (Baba Yaga) and two it has siblings (brother and sister) unwillingly inheriting a family heirloom and that sort of vibes in my brain with Idia.

Malleus - The Seven Deaths of Evelyn Hardcastle by Stuart Turton

My favourite murder mystery novel, I picked this one for Malleus because of all the moving parts. There is not just the mystery of Evelyn's death, but the narrator stuck in a timeloop as well as switching bodies every reset which adds to the complexity of the story. I think this would intrigue Malleus and keep him hooked in the world of the story.

And there you go, friend! My pick for the housewardens' favourite books. I hope you like my answer! Let me know what you think and what your picks are!

[popentertainment-moviereviews]

MINIONS: THE RISE OF GRU (2022)

Featuring the voices of Steve Carell, Pierre Coffin, Taraji P. Henson, Michelle Yeoh, Russell Brand, Julie Andrews, Alan Arkin, RZA, Jean-Claude Van Damme, Dolph Lundgren, Danny Trejo, Lucy Lawless, Will Arnett, Steve Coogan, Michael Beattie, Jimmy O. Yang, Kevin Michael Richardson, John DiMaggio and Raymond S. Persi.

Screenplay by Matthew Fogel.

Directed by Kyle Balda.

Distributed by Universal Pictures. 87 minutes. Rated PG.

I’ve somehow mostly missed the boat on the Minions phenomenon. Not completely, of course, that would be nearly impossible. However, I’m only vaguely familiar with them. I did see the first Despicable Me movie years ago, but honestly it did not leave much of an impression on me. I never saw the second or third Despicable movies (with a fourth on the way), nor the previous Minions spin off movie, or even the multiple Minions shorts like “Home Makeover,” “Banana,” “Yellow is the New Black” and “Cro Minion.” I also never caught The Minions Holiday Special which ran on TV.

However, of course I am aware of them: those walking chattering yellow capsules who wear overalls and goggles and are always getting into slapstick mischief and whose personalities seem to be made up entirely of the id. They speak their own language called “Minionese,” although it appears to just be a bastardization of several of the romance languages, such as French, Spanish, Italian, German, Russian and even snatches of English.

It would be hard not to be aware of them. They are nearly everywhere, from clothing to toys to theme park attractions to video games to coffee mugs to ornaments to night lights. They are in commercials – and not just for their movies, either, but for such seemingly unrelated products as Xfinity Wi-Fi and Liberty Mutual Insurance.

Honestly, I’ve never really felt the need to explore them much more. They seemed kind of ridiculous to me. They are, of course, but the surprising thing is that while Minions: The Rise of Gru is not exactly a classic or anything, it was actually surprisingly amusing. Considering the fact that this is coming from an adult man who is way outside of their target audience, that’s saying something. If I kind of liked it, I’ll bet most kids will love it.

Essentially, Minions: The Rise of Gru is a prequel (as was the first Minions movie) to the Despicable Me films, as you can tell from the title it is about a younger version of super-villain Gru.

The action takes place in 1976 and The Rise of Gru has a great 1970s soundtrack. (Although as someone who was alive in the 1970s, unlike most of Gru’s audience, I have to note that at least a few of the songs used came out years after the movie is supposed to take place.) The movie is a celebration of 1970s action films – from the James Bond-inspired opening credits to the Foxy Brown-esque lead villain Belle Bottom (Taraji P. Henson).

The story is silly, but you don’t really expect any different from a kid’s film. Gru as an 11-year-old boy is mesmerized by a group of super bad guys called the Vicious 6. He tries to join the group, only to run afoul of the bad guys. When he is kidnapped, his minions search to find and save him.

Like I said, not much of a story. However what is there is bright and shiny and moves quickly and in general is not – like so much modern animation – kind of obnoxious. The voice talent is also spot on, particularly Steve Carell as a pre-pubescent Gru and Alan Arkin as an aging supervillain who becomes his mentor.

If you are not the target audience, you’ll probably forget The Rise of Gru within hours after you see it. But credit where it is due, the Minions world is a lot of fun while you’re there.

Jay S. Jacobs

Copyright ©2022 PopEntertainment.com. All rights reserved. Posted: September 7, 2022.

[shurisneakers]

harmless (vii)

Summary: Bucky volunteers to go stop a small time villain, but nothing can prepare him for what exactly he has to deal with. (Bucky x villain!reader, drabble series)

Warnings: cursing, existential crisis, frustrated bucky, dramatic reader, lil bit of angst, clint barton being a lil shit

Word count: 3.4k

A/N: hey shoutout to @ugherik for suggesting a spin on the “A PLATYPUS!??!“ [perry puts his hat on] “PERRY THE PLATYPUS!???” thing. i used it in here, it’s a really small part and probably missable but i tried!! also i like the next chapter better than this one, i just wanted to put this here so it doesn’t seem abrupt <3333

here’s

my ko-fi

if you’d like to support my writing <333

Previous Part || Series Masterlist

Bucky can’t stop staring at the mirror.

He wishes it was for narcissistic purposes. He had enough reason for it to be. His age may be a hundred but he had the youthful exuberance of a very drained sixty year old.

But no, it wasn’t because of the steel cut jawline or thousand gigawatt smile.

After last week’s mini-spiral, he does what almost half the videos on TikTok warn him not to do.  

He got a haircut.

Everyone’s reaction stopped him from following it up with an ear piercing, but he can’t confidently say he didn’t at least consider it once. Maybe a neck tattoo. 

He pulls at a lock of hair. It’s not even longer than his finger.

What did he do-

“It’s just a haircut, man,” he says to no one in particular, almost like he’s trying to reassure himself.

He runs his hands through his hair. It takes lesser time than he was used to.

Steve had told him he looked good. But then again, Steve wore a fugly costume 90% of the time, what did he know?

Clint acknowledged it and didn’t outright call him ugly, which he supposed was a compliment. Wanda simply smiled at him.

“FRIDAY?” he reaches out.

“Yes, Sergeant Barnes?” comes the automated reply.

“How are you?” It took him some getting used to her, given that she was constantly listening to everything, and in general seemed to go against the universal idea of privacy. 

But his therapist told him he needed to form friendships. 

She didn’t mention it had to be human ones.

“As good as ever. Is there anything I can help you with?”

He wants to ask her what she thinks of his hair until he realises fashion advice from a faceless AI is a new low for him. Maybe ‘Do you think I should crawl into a pit and die?’ would be more appropriate. 

“Never mind,” he dismisses instead. “Any messages for today?”

“A reminder to buy a harder bed because you can’t keep sleeping on the floor.” Ah, that was on Sam’s recommendation three months ago, but he wasn’t going to stop any time soon. “And a text from a contact named Nuisance saying to meet them at the attached location in thirty minutes.”

“Where is the location?”

“The local sports centre.”

“Isn’t that closed today?” 

If he had to go out in public looking like this, maybe he could wear a cap and sunglasses and no one would recognise him. Unfortunately, as he was reminded several times before by anyone with an iota of common sense, it was a stupid disguise. 

Beanie it was, then. Bare minimum. 

“It is, yes.” Fewer citizens to worry about.

“Okay.” He hesitates in front of the mirror again, adjusting the hat on his head. “Thank you, FRIDAY.”

“You’re welcome, Sergeant.”

He stares at the little tuft of hair at the front that refused to stay down no matter how much he shoved it back.

“Come on, man,” he exhales in slight despair. “Whatever.”

____

The lock of the door leading to the pool is easy enough to pick. He can see how you got in without a hitch even though it was closed. 

The deck around the pool was absolutely drenched in water. No one was using it, there was no reason for water to splash out unless it was deliberately kept like this.

He catches sight of you easily, being that you’re the only two people there. You were standing at the end of the hall, head ducked as you scrolled through your phone.

The door closes behind him with a soft thud.

You don’t look up from your mobile when you start talking, “What do you think 6 year olds like?”

Because James Barnes, carbon dated to 1917 and therefore certified young person, would definitely know the answer to this question.

“I don’t know. Lego?”

“Just how much money do you think a teacher makes-”

You stopped mid-sentence, finally lifting your head to catch his eye. He stares back at you, steps faltering when you don’t move.

"Who are you?" you squinted.

What

"It's me," Bucky says, tugging off the dumb beanie and using it to gesture vaguely towards himself. Fuck, he shouldn’t have worn it, it was ridiculous anyway-

"You sound like him..." You narrow your eyes. “You don't look like him.”

Great

He rolls his eyes before putting on a mock scowl. Can't have Bucky Barnes without a sense of eternal disgruntlement.

"Oh hey, that is you." You grin. "You got a haircut."

“I did.” He suddenly feels the awkwardness increase. His fingers fidget with the beanie.

“Nice.” You nod in acknowledgement.

He wants to hit himself at the words that just spill out before he could think about it. “You hate it.”

“I never said that,” you snort. “And since when does my opinion matter?”

“It doesn’t.” But now he wants to know what you think since he didn’t trust anyone else to tell him honestly.

“Must cut down on time in the shower, huh?”

It did.

He shrugs. He shoves the beanie into his back pocket.

“Was it a crisis haircut?” How did you kno- “Are you going to get bangs next time?”

“Shut up,” he says lamely, a dull burn in his cheeks. 

“I know a place where you can get hair dye for cheap. Not technically FDA approved, but I think purple streaks are a good place to start-”

“What are we doing here?” he interrupts, sighing.

“Skinny dipping. Take off your shirt, Barnes.” 

“Funny,” he says dryly, eyeing your shoes when you straighten up.

Ice skates.

“Fine, pants then.” You don’t make any effort to move from your end so he does, walking closer to you. 

“What are those for?” He doesn’t hide the annoyance from his voice when he points at your feet.

“Oh, these?” You look down at them. “Yeah, I’m going to freeze the pool.”

That seems... mild compared to the shit show you wanted to do last time.

“For?” He halts where he is. 

“’M gonna take my friends ice skating.”

“Is that all?” He wants to make a comment about the fact that you have friends but bites it back.

“Today is just a trial run. Tomorrow I’m gonna go freeze the East River.” There it is.

“The East River is not your personal ice skating rink.”

“Not yet it isn’t.” You lift up a middle finger.

It was too early for you to flip him off, even by your standards.

He raises an eyebrow.

Your face scrunches in confusion. You follow his gaze to your finger. “Oh yeah, no, that’s a freeze ring.”

Only then he notices a ring around the finger. From where he was standing he could make out the blue stone that adorned it.

“Joy.” He rolls up the sleeves of his black bomber jacket. “Let’s get this done with, then.”

“No no, wait.” You hold up your hand and he complies, having nothing to lose anyway. You pull out your phone and press a few buttons before shoving it back into your bag and tossing it aside.

The soft sounds of a piano start playing from a boombox near the corner of the room. A child starts singing following a series of knocks.

His eyebrows furrow. “What the fuck is this?”

“The Frozen soundtrack.” You beam at him. “I thought it was fitting.”

He doesn’t know what that is and at this point, he’s too afraid to ask. He can vaguely make out the lyrics being about a snowman but he isn’t too concerned.

He takes one step forward. You immediately point your fist at the ground in front of him, forcing him to jump back when a blast hits right in front of his shoes. Suddenly he gets why the floor is covered in water.

It sounds like a series of cracks as the water starts freezing over, a layer of ice now separating him and you.  

"You ready?” The mischief was woven in your voice as the blasts continued throughout the deck, effectively turning the entire floor into ice.

Bucky takes a step tentatively forward. Not bad. He takes another. Okay.

The third one is when shit starts to hit the fan. His hands shoot out to hold onto his balance when his footing slips from beneath him.

His Nike sneakers aren’t used to snow. They’re used to well manicured lawns and pavement trips to Starbucks and marble floors of the compound. Not swimming pool decks covered in ice.

He can hear you singing in the distance and every time he looks up you’re a little further away, making sure every inch of space is frozen.

It takes him a while to get over the initial fear of breaking his skull and just move forward swiftly with short steps. A goddamn penguin is what he looked like.

“There you go, you’re getting it,” you chirp as you whiz past him. He reaches out to grab at you, only to miss by an inch. He staggers, arms flapping wildly to regain his stability.

He hears crackling beside him. He gets a second or two to watch ice crystals spread through the water before turning it completely solid. You step onto the now frozen pool, testing your weight with one leg before cautiously getting on.

A triumphant smile emerges on your face. “Awesome.”

He manages to press himself against the wall as a form of support. 

There is no point to this whole thing. He knows this. It’s been well over 6 weeks and there is genuinely no point to this.

He realises it again when he moves from side to side, body erupting into a waddle. 

Why is he doing this. He doesn’t get paid extra. He doesn’t get any kind of compensation. All he gets is more wisecracking geniuses, embarrassment and the mortifying ordeal of getting caught imitating a penguin.

The song changes to a woman singing about doing something for the first time, forcing him to pay attention to it. He hears something about ball room and balls and tunes right back out.

Bucky manages to find his way to the actual pool since that’s where you’re twirling around, opting to land on his mental arm in case things go wrong. He takes a sliding step forward, followed by another. Maybe he can do this. 

“If a 200 pound super soldier can stand on this, I suppose it’s strong enough,” you muse, watching him slip and slide as he tries to invent makeshift ice skating.

Unfortunately, his method doesn’t have any brakes, so while he’s too busy trying to move forward, there’s no way to actually stop. He finds this out very soon when he almost launches himself off the edge of the pool.

Something yanks him backwards and back onto the ice.  

“Honestly, this is utterly useless since you can’t really do anything but it’s the most fun I’ve had all week,” you admit when he goes sliding towards the middle, arms flailing.

“You had to pick fuckin’ ice of all things.” He thinks that maybe he’s getting a hang of this. He can definitely move faster than what he was doing like, 10 minutes ago. It’s not like you were going anywhere, anyway. 

“I like to keep things spicy.”

He stays where he is to glare at you. You mouth the words to the song, watching his every move whenever it interested you. 

Okay, change of plan; a temporary distraction till he figures out how to actually get the ring from you. He settles on skating towards the edge of the rink slowly, taking a step off, slipping almost immediately when his foot comes in contact with the deck. 

“Where are you going?” you yell over the music initially but immediately break into song when it ends in a crescendo.

He takes a knee, lifting his metal arm up before driving it into the ground. It shatters magnificently, leaving small shards of ice at his disposal. 

He picks up one of them, waiting for you to complete your dumb twirl. He takes aim, and-

“Ouch, what the fuck?” You stop your off key singing to rub your shoulder where the ice hit you.

He wordlessly picks up another piece to throw at you, hitting you squarely in the leg.

“Stop that!”

He may not be able to move as fast but he can definitely throw. 

“Give me the ring,” he commands, stretching his arm behind his back before releasing another piece to hit your forearm. 

“What the fuck is wrong with you?” There’s nowhere you can skate to avoid his stupidly good marksmanship. 

“You gotta do what you gotta do.” He shrugs, breaking another patch of ice to replenish his ammo. “Hand over the ring.”

“Over my dead body,” you shriek when a particularly big piece lands next to your feet. You knew he missed that shot on purpose.

“I feel like I’m finally acting my age,” he says casually, finding your darting about in order to avoid him more fun than he initially thought. “Can’t throw pebbles at meddling kids so this is the next best option. Thanks.” 

“If you acted your age you’d be in a casket, Barnes,” you hissed, finding that skating in zig zags helped your cause, but not by much. “I’d be- you bitch- I’d be more than happy to help you get there.”

You raise your arm, ready to send another blast to freeze the water that was starting to melt around him, hopefully, keep him where he was if it froze around him. 

He flinches. You notice immediately, hand dropping slightly when you realise what it looked like.

“I’m not gonna freeze you,” you say, softer than you intended. From what you knew, he had enough and more experience with that and you weren’t going to contribute to it. 

He swallows thickly, giving himself a little shake of his head as if to jolt him out of his train of thought. 

Another piece of ice hits you in the leg. You let out a string of curses at him.

“The more ice you make, the more I have to throw at you, Y/N.” He waits for you to regain your balance when you nearly take a stumble. 

“Shut up, you’re so immature.”

“Remind me whose plan this was again?” No point waiting for you to regain your balance when you fall over only a few seconds later. 

He gathers a few shards in his beanie, tucking it into his belt like a little makeshift rucksack just in case before venturing out on the main rink again. 

It’s more difficult for you to stand without railings to guide you, giving him enough and more time to make his way towards you, staggering and skidding. 

Both of you looked ridiculous. 

“Stay away, fiend.” 

“Ring first.” He holds his hand out in front of you. He even considered pulling you up if you just made things easier.

Next thing he knows he’s on his ass on the ice beside you. 

“I hate you,” he groans, watching as you inch away from him on your knees.

He doesn’t really have any other options so he shoves aside the humiliation and gets on his knees, using his arms to drag him along the ice.

“For the love of Christ, none of us are winning here. Just give me the ring.”

The bitch from the soundtrack sings about letting it go but he won’t. 

“Never,” you shout, sliding away from him as fast as possible. 

You make use of the fact that the top layer of ice is starting to melt, using the ring to freeze it again. His knees and fingers get stuck as the water freezes over but he has super strength. It barely takes him a second to free himself. 

“Great,” he huffs, just settling down on the ice, ignoring the sting of cold that was spreading through his limbs. Running after you wasn’t going to work; he needed a way to get the ring. 

“You won last time, I’m not letting you win again.”

“Are we seriously keeping score?” He watches as you scramble towards the edge.

“No one likes a loser, Bucky.” You use the pool stair railings to pull yourself up.

“Explain why you have friends then.” He can’t help himself this time. 

“Hardy har har.” You roll your eyes. 

He doesn’t make an effort to move. Instead, when you take a step back into the rink, he raises his arm and pummels it into the ice, just to annoy you. 

The ground damn near shakes, pushing you dangerously towards losing your balance again. 

“Are you crazy?” Your arm shoots out in front of you to keep you from falling headfirst. 

“No.” He does it again. This time there’s a crack in the ice. “I’m just very tired.”

“If the ice breaks we’re both gonna be underwater, you moron!”

“Fine by me.” He shrugs. “Freeze it again. I’ll just find different ways to ruin it for you.”

You glare at him. He raises his arm above his head again.

“Fine! Fine, stop.” You eye him as he lowers his arm. 

He reaches for his stash of ice pieces from earlier, throwing one at your shoulder again.

“Boy, I swear if you don’t stop doing that-” you duck when another one comes at you. You had no idea he could be this annoying. 

It suddenly hits him, like a lightbulb going off in his brain. He wipes his hands off on his jacket, getting on all fours before slowly managing to pick himself up again. 

He looks at you, tilting his head slightly like he was studying you.

“What?” you ask suspiciously, eyeing as he starts inching closer towards you. “What are you thinking?”

It’s like watching a newborn deer stumble its way through the world, albeit more gracefully, until he starts picking up speed. The motherfucker was going to mow you down.

The skates are useful but not so much when an extremely determined bumbling oaf is barrelling towards you, his speed beginning to match yours even without equipment. 

You don’t know why you’re running, you don’t know why he’s chasing after you but when you see the end of the pool you take a sharp left only to have him knock right into you, sending you both sprawling.

You land half on top of him, breaking your fall but it doesn’t stop the very loud groan that escapes your mouth. He’s already in the process of sitting up straight, giving you less time to analyse what just happened.

“What the fuck was that for?” you speak through gritted teeth. “Fuckin’ acting like the both of us have free healthcare.”

“You refused to give up.”

“So your plan was to tackle me like a quarterback?” You threw your hands up.  

“One part of it.” He drags himself to the edge, away from you. 

“There's more to your monkey brained plan?” He doesn’t look at you. The ice around the pool has more or less melted, letting him gain proper footing on the floor before he stands up. 

“Oh, yeah.” He turns to you. “The other’s a trick I stole from Stark.”

Bucky holds up the ring. Your jaw slightly drops, eyes searching your finger for the now missing piece of tech. 

“Suppose that’s two points for me?” 

You’re impressed. You also want to stab him. So you do the next best thing.

“When I imagined you holding a ring in front of me, the circumstances were very different,” you comment.

“Bye, Y/N.” He spins on his heel, not even giving you a second’s worth of reaction. You found it amusing.

He heads towards the door, clothes all wet. He empties out melted ice water from his beanie before stuffing it into his pocket. Just when he’s about to leave, you remember something. 

Do you mean it genuinely or just because it has an effect on him? 

“Just for the record, Barnes, about your hair-” you call out, earning his attention from over his shoulder. “I think you look really good either way.”

The world may never know. 

You swear you can see the corners of his lips quirk upwards before he turns around again. 

He slips on a block of ice, cursing and clenching on to the door to keep him upright, quickly yanking it open and leaving before he has a chance to embarrass himself further.

Smooth.

Next part

[wits-writing]

What’s so Funny About Vengeance, the Night, and Batman? – Two Superhero Parodies in Conversation

Back in 2016, the first trailers for Director Chris McKay’s The Lego Batman Movie hit. A spinoff of the take on the iconic hero, voiced by Will Arnett, from 2014’s The Lego Movie. Those trailers spelled out a plot covering how Batman’s life of crimefighting is turned upside down when Robin unexpectedly enters the picture. It was a funny trailer, promising another insightful comedy from the crew behind The Lego Movie. A promise it handily delivered on when it came out in February 2017 with an animated feature steeped wall-to-wall jokes for the sake of mocking Bruce Wayne’s angst filled crusade that can only come from understanding what’s made the character withstand the test of time.

But there was a thought I and others had from seeing that trailer up to watching the actual movie:

“This seems… familiar.”

Holy Musical B@man! is a 2012 fan-made stage production parody of DC Comics’ biggest cash cow. It was produced as the fifth musical from YouTube-based cult phenomenon Starkid Productions, from a book by Matt and Nick Lang, music by Nick Gage and Scott Lamp with lyrics by Gage. The story of the musical details how Robin’s unexpected entrance ends up turning Batman’s (Joe Walker) life of crimefighting upside down. Among Starkids’ fandom derived projects in their early existence, as they’ve mainly moved on to well-received original material in recent years, Holy Musical B@man! is my personal favorite. I go back to it frequently, appreciating it as a fan of both superheroes and musicals. (Especially since good material that touches on both of those isn’t exactly easy to come by. Right, Spider-Man?)

While I glibly summarized the similarities between them by oversimplifying their plots, there’s a lot in the details, both major and minor, that separates how they explore themes like solitude, friendship, love, and what superhero stories mean. It’s something I’ve wanted to dig into for a while and I found a lot in both of them I hadn’t considered before by putting them in conversation. I definitely recommend watching both of them, because of how in-depth this piece goes including discussing their endings. However, nothing I can say will replace the experience of watching them and if I had included everything I could’ve commented on in both of them, this already massive piece would easily be twice as long minimum.

Up front, I want to say this isn’t about comparing The Lego Batman Movie and Holy Musical B@man in terms of quality. Not only are they shaped for vastly different mediums with different needs/expectations, animation versus stagecraft, but they also had different resources at their disposal. Even if both are in some ways riffing on the aesthetic of the 1990s Batman movies and the Adam West TV show, Lego Batman does it with the ability to make gorgeously animated frames packed to the brim with detail while Holy Musical often leans into its low-fi aesthetic of characters miming props and sets to add extra humor. They’re also for different audiences, Lego Batman clearly for all-ages while Holy Musical has the characters cursing for emphasis on a regular basis. On top of those factors, after picking through each of these for everything worth commenting on that I could find, I can’t say which I wholly prefer thanks in part to these fundamental differences.

This piece is more about digging through the details to explore the commonalities, differences, and what makes them effective mocking love letters to one of the biggest superheroes in existence.

(Also, since I’m going to be using the word “Batman” a lot, I’ll be calling Lego Batman just “Batman” and referring to the version from Holy Musical as “B@man”, with the exception of quoted dialogue.)

[Full Piece Under the Cut]

Setting the Tone

The beginning is, in fact, a very good place to start when discussing how these parodies frame their versions of the caped crusader. Each one uses a song about lavishing their respective Batmen with praise about how they are the best superheroes ever and play over sequences of the title hero kicking wholesale ass. A key distinction comes in who’s singing each song. Holy Musical B@man’s self-titled opening number is sung from the perspective of an omniscient narrator recounting B@man’s origin and later a chorus made up of the Gotham citizenry. Meanwhile, “Who’s the (Bat) Man” from Lego Batman is a brag-tacular song written by Batman about himself, even playing diegetically for all his villains to hear as he beats them up.

Holy Musical opens on a quick recap of Batman’s origin:

“One shot, Two shots in the night and they’re gone And he’s all left alone He’s just one boy Two dead at his feet and their blood stains the street And there’s nothing, no there’s nothing he can do!”

We then get a Bat-dance break as the music goes from slow and moody to energetic to reflect Batman turning that tragedy into the driving force behind his one-man war on crime. Assured by the narrator that he’s “the baddest man that there’s ever been!” and “Now there’s nothing, no there’s nothing he can’t do!” flipping the last lyric of the first verse. For the rest of the opening scene the lyrics matter less than what’s happening to establish both this fan-parody’s version of Batman and how the people of Gotham (“he’ll never refuse ‘em”) view him.

Lego Batman skips the origin recap, and in general talks around the death of the Waynes to keep the light tone going since it’s still a kids movie about a popular toy even if there are deeper themes at play. Instead, it continues a trend The Lego Movie began for this version of the character writing music about how he’s an edgy, dark, awesome, cool guy. While that movie kept it to Batman angry-whiteboy-rapping about “Darkness! NO PARENTS!”, this one expands to more elaborate boasts in the song “Who’s the (Bat) Man” by Patrick Stump:

“In the darkest night I make the bad guys fall There’s a million heroes But I’m the best of them all!”

Batman singing this song about himself, as opposed to having it sung by others aims the crosshairs of parody squarely on the hero’s ego. His abilities make fighting his villains effortless, like this opening battle is more an opportunity to perform the song than a life-or-death struggle. Even Joker’s aware of that as he shouts, “Stop him before he starts singing!” This Batman doesn’t see himself as missing out on anything in life, even if he still feels that deep down. Being Batman is the coolest thing in the world that anyone would envy. He’s Batman, therefore everyone should envy him.

The songs aren’t only part of the equation for how these two works’ opening scenes establish their leading hero. While both songs are about Batman being cool, they’re separated by the accompanying scenes. Lego Batman keep the opening within the Joker’s perspective until Batman shows up and the action kicks in. Once it does, we’re shown a Batman at the top of his solo-hero game. Meanwhile, Holy Musical’s opening is about B@man building his reputation and by the end of the song he has all the citizens of Gotham singing his praises with the titular lyrics. Both are about being in awe of the title hero, one framed by Joker’s frustration at Batman’s ease in foiling his schemes yet again and the other about the people of Gotham growing to love their city’s hero (probably against their better judgement.)

That’s woven into the fabric of what kind of schemes Batman is foiling in each of these. Joker’s plan to bomb Gotham with the help of every supervillain in Batman’s Rogues Gallery is hilariously high stakes and the type of plan most Batman stories, even parodies, would save for the climax. Neatly exemplified by how that’s almost the exact structure of Holy Musical’s final showdown. Starting with these stakes works as an extension of this Batman’s nature as a living children’s toy and therefore the embodiment of a child’s idea of what makes Batman cool, his ability to wipe the floor with anyone that gets in his way “because he’s Batman.” It also emphasizes Joker as the only member of the Rogues Gallery that matters to Lego Batman’s story, every other Bat-villain is either a purely visual cameo or only gets a couple lines maximum.

The crime’s being stopped by B@man are more in the “Year One” gangster/organized crime category rather than anything spectacle heavy. Though said crimes are comically exaggerated:

Gangster 1: Take these here drugs, put ‘em into them there guns, and then hand ‘em out to those gamblin’ prostitutes! Gangster 2: Should we really be doing these illegal activities? In a children’s hospital for orphans?

These fit into that model of crime the Dark Knight fights in his early days and add tiny humanizing moments between the crooks (“Oh, Matches! You make me laugh like nobody else!”) in turn making the arrival of B@man and the violence he deals out a stronger punchline. Further emphasized by the hero calling out the exact physical damage he does with each hit before warning them to never do crime again saying, “Support your families like the rest of us! Be born billionaires!” Later in the song his techniques get more extreme and violence more indiscriminate, as he uses his Bat-plane to patrol and gun down whoever he sees as a criminal, including a storeowner accidentally taking a single dollar from his own register. (“God’s not up here! Only Batman!”)

A commonality between these two openings is how Commissioner Jim Gordon gets portrayed. Both are hapless goofs at their core, playing more on the portrayal of the character in the 60s TV show and 90s Burton/Schumacher movies than the serious-minded character present in comics, Nolan’s Dark Knight Trilogy, and other adaptations. Lauren Lopez’s portrayal in Holy Musical gets overwhelmed by everything thrown at him, eventually giving up and getting out of B@man’s way (“I’m not gonna tell Batman what to do! He’s Batman!”) Hector Elizondo’s Gordon in Lego Batman clearly reached the “stay out of Batman’s way” point a long time ago, happy to have “the guy who flips on the Bat-signal” be his sole defining trait. While the characterizations are close, their roles do end up differing. Lopez’s Gordon sticks around to have a few more comedic scenes as the play goes on, where Elizondo’s exist to set up a contrast with his daughter Barbara and her way of approaching Batman when she becomes Police Commissioner.

These opening sequences both end in similar manners as well; the citizens of Gotham lavishing praise on their respective Batmen and a confrontation between Batman and the Joker. Praise from the citizenry in Holy Musical comes on the heels of a letter from B@man read out on the news about how much they and the city of Gotham suck. They praise B@man for his angsty nature as a “dark hero” and how they “wouldn’t want him any other way!”, establishing the motif of Gotham’s citizens in Holy Musical as stand-ins for the Batman fandom. Lego Batman uses the praise of the Gotham citizens after Batman’s victory in the opening scene as a lead in to contrast their certainty that Batman must have an exciting private life with the reality we’re shown. Which makes sense since Lego-Batman’s relationship to the people of Gotham is never presented as something at stake.

Greater contrast comes in how the confrontations with the Joker are handled, Lego Batman has an argument between the hero and villain that’s intentionally coded as relationship drama, Batman saying “There is no ‘us’” when Joker declares himself Batman’s greatest enemy. The confrontation in Holy Musical gets purposefully underplayed as an offstage encounter narrated to the audience as a Vicki Vale news report. This takes Joker off the board for the rest of the play in contrast to the Batman/Joker relationship drama that forms one of Lego Batman’s key pillars. While they take different forms, the respective citizenry praise and villain confrontation parts of these openings lead directly into the number one common thematic element between these Bat-parodies: Batman’s loneliness.

One is the Darkest, Saddest, Loneliest Number

Batman as an isolated hero forms one of the core tenants of the most popular understanding of the character. Each of these parodies picks at that beyond the broody posturing. There’s no dedicated segment in this piece about how these works’ versions of the title character function bleeds into every other aspect of them, but each starts from the idea of Batman as a man-child with trouble communicating his emotions. Time’s taken to give the audience a view of where their attitudes have left them early in the story.

Both heroes show their loneliness through interactions with their respective Alfreds. Holy Musical has the stalwart butler, played by Chris Allen, try to comfort B@man by asking if he has any friends he enjoys being around. When B@man cites Lucius Fox as a friend he calls him right away, only to discover Lucius Fox is Alfred’s true identity and Alfred Pennyworth was an elaborate ruse he came up with to protect Bruce on his father’s wishes. Ironically, finding out his closest friend was living a double life causes Bruce to push Alfred away (the play keeps referring to him as Alfred after this, so that’s what I’m going to do as well.) After he’s fired he immediately comes back in a new disguise as “O’Malley the Irish Butler” (same outfit he wore before but with a Party City Leprechaun hat.) That’s unfortunately the start of a running gag in Holy Musical that ends up at the worst joke in the play, when Alfred disguises himself as “Quon Li the Chinese Butler” doing an incredibly cringeworthy “substituting L’s for R’s” bit with his voice. It’s been my least favorite bit in the play since I first saw it in 2012 and legitimately makes me hesitate at times to recommend it. Even if it’s relatively small bit and the rest holds ups.

That disclaimer out of the way, that conversation between B@man and Alfred leads into the title hero reflecting on his sadness through the musical’s I Want Song, “Dark, Sad, Lonely Knight.” The song’s split into two halves, the first Alfred reflecting on whether he played a part in Bruce’s current condition and the second B@man longing for a connection. The song does a good job balancing between the sincerity over the hero’s sadness and getting good laughs out of it:

“Think of the children Next time you gun down the mama and papa Their only mama and papa Because they probably don’t have another mama and papa!”

The “I Want” portion of the song coming in the end with the repetition of the lryics “I want to be somebody’s buddy.”

Rather than another song number, Lego Batman covers Batman’s sadness through a pair of montages and visual humor. The first comes after the opening battle, where we see Batman taking off all his costume except for the mask hanging out alone in Wayne Manor, showing how little separation he puts between identities. Compared to Holy Musical where the equivalent scene is the first we see of Bruce without the mask on, which may come down to practicality since anyone who’s worn a mask like that knows they get hot and sweaty fast. Batman is constantly made to appear small among the giant empty rooms of his estate as he eats dinner, jams on his guitar, and watches romantic movies alone.

Ralph Fienne’s Alfred coming in at the end of this sequence witnessing Batman looking at a photo of himself as a boy with his parents for the last time. Alfred outlines Batman’s fear of being part of a family again only to be met with Batman denying he has any feelings ever. Pennyworth’s role as a surrogate father gets put into greater focus here than in Holy Musical, as we get glimpses of Alfred reading a book titled “How to Deal with Your Out-of-Control Child.” Also shown in smaller scenes of Alfred dealing with Batman’s insistent terminology for his crime fighting equipment, like calling his cowl an “armored face disguise.”

Batman’s denial of his pain contrasts how B@man wallows in it. Though he’s forced to confront it a little as the Joker’s plan ends up leaving him with no crimefighting to fall back on to ignore his issues. This montage gets set to the song “One” by Harry Nilsson and details Batman, unable to express his true feelings, eventually letting them out in the form of tempter tantrums. There’s also some humor through juxtaposition as Batman walks solemnly through the streets of Gotham City, rendered black and white, as the citizens chant “No more crime!” in celebration, while flipping over cars and firing guns into the air.

A disruption to their loneliness eventually comes in the form of a sensational character find.

Robin – The Son/BFF Wonder

Between both Bat-parodies, the two Robins’ characterizations are as close as anyone’s between them. Each is nominally Dick Grayson but are ultimately more representative of the idea of Robin as the original superhero sidekick and his influence on Batman’s life. The play and movie also both make the obvious jokes about Dick’s name and the classic Robin costume’s lack of pants at different points. Dick’s origin also gets sidestepped in each version to skip ahead to the part where he starts being an influence in Batman’s life.

Robin’s introduction to the comics in Detective Comics #38 in 1940, marking the start of Batman’s literal “Year Two” as a character, predating the introduction of Joker, Catwoman, and Alfred, among others. Making him Batman’s longest lasting ally in the character’s history. His presence and acrobatics shift the tone by adding a dash of swashbuckling to Batman’s adventures, inspired by the character’s namesake Robin Hood, though both parodies take a page out of Batman Forever and associate the name with the bird for the sake of a joke. Robin is as core to Batman as his origin, but more self-serious adaptations (i.e., the mainstream cinematic ones that were happening around the times both Holy Musical and Lego Batman came out) tend to avoid the character’s inclusion. These two works being parody, therefore anything but self-serious, give themselves permission to examine why Robin matters and how different characters react to his presence. Rejection of Robin as a character and concept comes out in some form in each of these works, from Batman himself in Lego Batman and the Gotham citizens in Holy Musical.

The chain of events that lead to Dick becoming Robin in Lego Batman are a string of consequences for Batman’s self-absorption. A scene of Bruce barely listening as Dick asks for advice on getting adopted escalating to absentmindedly signing the adoption paperwork. Batman doesn’t realize he has a son until after his sadness montage. Alfred forces Batman to start interacting with Dick against his will. The broody loner wanting nothing to do with the cheery kid, played to “golly gee gosh” perfection by Michael Cera, until he sees the utility of him. Batman doesn’t even have the idea to give Robin a costume or codename because he clearly views the sidekick’s presence as a temporary measure for breaking into Superman’s fortress, made clear by how he lists “expendable” as a quality Dick needs if he wants to go on a mission.

This makes Robin the catalyst for Batman’s shifting perspective throughout Lego Batman. When Robin succeeds in his first mission, the Dark Knight is hesitant to truly compliment him and chalks up his ward’s feats to “unbelievable obeying.” Other moments have Robin’s presence poke holes in Batman’s tough guy demeanor, like the first time Batman and Robin ride in the Bat-mobile together, Robin asks where the seatbelts are and Batman growls “Life doesn’t give you seatbelts!”, only for Batman to make a sudden stop causing Robin to hit his head on the windshield and Batman genuinely apologizes. They share more genuine moments together as the film goes, like Batman suggesting they beatbox together to keeps their spirits up after they’ve been imprisoned for breaking into Arkham Asylum. Robin’s representative of Batman gradually letting people in throughout these moments.

On the exact opposite end of the spectrum, B@man needs zero extra prompting to let Robin into his life. Nick Lang’s Robin (henceforth called “Rob!n” to keep with this arbitrary naming scheme I’ve concocted) does get brought into his life by Alfred thanks to a personal ad (“‘Dog for sale’? No… ‘Orphan for sale’! Even better!”) but it’s a short path to B@man deciding to let Dick fight alongside him. The briefest hesitance on the hero’s part, “To be Batman… is to be alone”, is quelled by Rob!n saying “We could be alone… together.” Their first scene together quickly establishing the absurd sincerity exemplified by this incarnation of the Dynamic Duo. An energy carried directly into the Act 1 closing number, “The Dynamic Duet”, a joyful ode between the heroes about how they’re “Long lost brothers who found each other” sung as they beat up supervillains (and the occasional random civilian.)

That song also ties into the contrast between the Batman/Robin dynamic and the B@man/Rob!n one. While Holy Musical is portraying a brotherly/BFF bond between the two heroes, Lego Batman leans into the surrogate son angle. While both are mainly about their stories’ Batman being able to connect with others, the son angle of Lego Batman adds an additional layer of “Batman needs to take responsibility for himself and others” and a parallel to Alfred as Batman’s own surrogate father. It also adds to the queer-coding of Batman in Lego Batman as Batman’s excuse to Robin for why he can go on missions is that Bruce and he are sharing custody, Robin even calling Batman’s dual identities “dads” before he knows the truth.

In the absence of the accepting personal responsibility through fatherhood element, the conflict Rob!n brings out in Holy Musical forms between B@man and the citizens of Gotham. “Citizens as stand-ins for fandom” is at it’s clearest here as the Act 2 opener is called “Robin Sucks!” featuring the citizens singing about how… well, you read the title. Their objections to Rob!n’s existence has nothing to do with what the young hero has done or failed to do, but come from arguments purely about the aesthetic of Rob!n fighting alongside B@man. Most blatantly shown by one of the citizens wearing a Heath Ledger Joker t-shirt saying Rob!n’s presence “ruins the gritty realism of a man who fights crime dressed as a bat.” It works as the Act 2 opener by establishing that B@man and the citizens conflicting opinions on his sidekick end up driving that half of the story, exemplified in B@man’s complete confusion about why people hate Rob!n (“Robin ruined Batman? But that’s not true… Robin make Batman happy.”)

Both Robins play into the internal conflict their respective mentors are going through, but what would a superhero story, even a parody, be without some colorful characters to provide that sweet external conflict.

Going Rogue

Both works have the threat comes from an army of villains assembled under a ringleader, Zach Galifianakis’s Joker in Lego Batman and Jeff Blim as Sweet Tooth in Holy Musical. Both lead the full ensemble of Batman’s classic (and not so classic) Rogues at different points. As mentioned before Joker starts Lego Batman with “assemble the Rogues, blow up Gotham” as his plan, while Sweet Tooth with his candy prop comedy becoming the ringleader of Gotham’s villains is a key turning point in Act 1 of the play. Part of this comes down to how their connections to their respective heroes and environments are framed, Sweet Tooth as a new player on the scene and Joker as Batman’s romantic foil.

Lego Batman demonstrates Batman and Joker are on “finishing each other’s sentences” levels of intimate that Batman refuses to acknowledge. Shown best in how Joker’s plan only works because he can predict exactly how Batman will act once he starts playing hard to get. When he surrenders the entire Rogues Gallery (without telling them) and himself to police custody, he describes it as him being “off the market.” He knows Batman won’t settle for things ending on these terms and tricks the hero into stealing Superman’s Phantom Zone projector so he can recruit a new, better team of villains for a take two of his masterplan from the start. Going through all this trouble to get Batman to say those three magic words; “I love hate you.” Joker as the significant other wanting his partner to finally reciprocate his feelings and commit works both as a play on how the Batman/Joker relationship often gets approached and an extension of the central theme. Batman is so closed off to interpersonal connections he can’t even properly hate his villains.

Sweet Tooth, while clearly being a riff Heath Ledger and Caesar Romero’s Jokers fused with a dash of Willy Wonka, doesn’t have that kind of connection with B@man. Though there are hints that B@man and his recently deceased Joker may have had one on that level. He laments “[Joker]’s in heaven with mom and dad. Making them laugh, I know it!” when recalling how the Clown Prince of Crime was the one person he enjoyed being around. This makes Joker’s death one of the key triggers to B@man reflecting on his solitude at the start of the play.

What Sweet Tooth provides the story is a threat to B@man’s new bond with Rob!n. Disrupting that connection forms the delicious center of the Candy King of Crime’s plan in Act 2. He holds Rob!n and Gotham’s people hostage and asks the citizens to decide via Facebook poll if the sidekick lives or dies (in reference to the infamous phone hotline vote from the comic book story A Death in the Family where readers could decide the Jason Todd Robin’s fate.)

With the rest of the villains under the leadership of the respective works’ main antagonists, there’s commentary on their perceived quality as threats. When Holy Musical has Superman talking to Green Lantern about how much B@man’s popularity frustrates him, he comes down especially hard on the Caped Crusader’s villains. Talking about how they all coast by on simple gimmicks with especially harsh attention given to Two Face’s being “the number two.” Saying they’re only famous because B@man screws up and they get to do more damage. Which he compares to his own relationship with his villains:

Superman: You ever heard of Mr. Mxyzptlk? Green Lantern: No. Superman: No, that’s right! That’s because I do my job!

Lego Batman has commentary on the other villains come from Joker, recognizing that even all together they can never beat Batman, because that’s how a Batman story goes. The other villains get portrayed as generally buffoonish, struggling to even build a couch together and described by Joker as “losers dressed in cosplay.” Tricking Batman into sending him to the Phantom Zone provides him the opportunity to gather villains from outside Batman’s mythos and outside DC Comics in general. Recruiting the likes of Sauron, King Kong, Daleks, Agent Smith from The Matrix, and the Wicked Witch of the West, among others. When I first saw and reviewed The Lego Batman Movie, this bugged me because it felt like a missed opportunity to feature lesser-known villains from other DC heroes’ Rogues Galleries. Now, considering the whole movie as meta-commentary on the status of this Batman as a children’s toy, it makes perfect sense that Joker would need to go outside of comics to break the rules of a typical Batman story and have a shot at winning.

The Rogues of Holy Musical get slightly more of a chance to shine, if only because their song “Rogues are We” is one of the catchier tracks from the play. They’re all still more cameo than character when all’s said and done, but Sweet Tooth entering the picture is about him recognizing their potential to operate as a unit, takeover Gotham, and kill B@man. The candy-pun flinging villain wants all of them together, no matter their perceived quality.

Sweet Tooth: “We need every villain in Gotham. Cool themes, lame themes, themes that don’t match their powers, even the villains that take their names from public domain stories.” (Two Face’s “broke ass” still being the exception.)

Both Joker and Sweet Tooth provide extensions of the shared theme of Batman dealing with the new connections in his life, especially with regards to Robin. However, Robin isn’t the only other ally (or potential ally) these Dark Knights have on their side.

Super Friends(?)

The internal crisis of these Caped Crusaders come as much from how they react to other heroic figures as it does from supervillainous machinations. In both cases how Batman views and is viewed by fellow heroes gets centered on a specific figure, Superman in Holy Musical and Commissioner Barbara Gordon (later Batgirl) in Lego Batman. Each serves a vastly different purpose in the larger picture of their stories and relationship to their respective Batmen. Superman reflecting B@man’s loneliness and Barbara symbolizing a new path forward for Batman’s hero work.

Superman’s role in Holy Musical runs more parallel to Lego Batman’s Joker than Barbara. Brian Holden’s performance as the Man of Tomorrow plays into a projected confidence covering anxiety that nobody likes him. Besting the Bat-plane in a race during B@man’s Key to the City ceremony establishes a one upmanship between the two heroes, like Joker’s description of his relationship with Batman at the end of Lego Batman’s opening battle. Though instead of that romantically coded relationship from Lego Batman, this relationship is more connected to childish jealousy. (But if you do want to read the former into Holy Musical B@man, neither hero has an onstage relationship with any woman and part of their eventual fight consist of spanking each other.)

B@man and Superman’s first real interaction is arguing over who’s the cooler hero until it degrades into yelling “Fuck you!” at each other. B@man storming off in the aftermath of that gets topped off by Superman suggesting he should get the Key to the City instead, citing his strength and longer tenure as a hero (“The first hero, by the way”) as justifications. This only results in the Gotham citizens turning on him for suggesting their city’s hero is anything less than the best, which serves both as a Sam Raimi Spider-Man reference (“You mess with one of us! You mess with all of us!”) and another example of the citizens as stand-ins for fandom. Superman’s veil of cocksureness comes off quickly after that and stays off for the rest of the play. Starting with his conversation with Green Lantern where a civilian comes across them, but barely acts like Superman’s there.

One of the play’s running gags is Superman calling B@man’s number and leaving messages, showing a desperation to reach out and connect with his fellow hero despite initial smugness. Even before the first phone call scene, we see Superman joining B@man to sing “I want to be somebody’s buddy” during “Dark, Sad, Lonely Knight” hinting at what’s to come. The note it consistently comes back to is that Superman’s jealousy stems from Batman’s popularity over him. This is a complete flip of what Lego Batman does with the glimpse at a Batman/Superman dynamic we see when Batman goes to the Superman’s fortress to steal the Phantom Zone projector. The rivalry dynamic there exists solely in Batman’s head, Lego-Superman quickly saying “I would crush you” when Batman suggests the idea of them fighting. Superman’s status among the other DC heroes is also night and day between these works. Where Lego-Superman’s only scene in the movie shows him hosting the Justice League Anniversary Party and explaining he “forgot” to invite Batman, Superman in Holy Musical consistently lies about having friends over (“All night long I’m busy partying with my friends at the Fortress… of Solitude.”)

Superman’s relationship to B@man in Holy Musical develops into larger antagonism thanks to lack of communication with B@man brushing off Supes’ invitations to hang out and fight bad guys (“Where were you for the Solomon Grundy thing? Ended up smaller than I thought, just a couple of cool guys. Me and… Solomon Grundy.”) His own loneliness gets put into stronger focus when he sees the news of Rob!n’s debut as a crimefighter, which makes him reflect on how he misses having Krypto the Super-Dog around. (The explanation for why he doesn’t have his dog anymore is one of my favorite jokes in the play and I won’t ruin it here.)

Where Superman’s a reflection of B@man’s loneliness, Rosario Dawson as Barbara in Lego Batman is a confrontation of Batman’s go it alone attitude. Her job in the story is to be the one poking holes in the foundation of Batman as an idea, starting with her speech at Jim Gordon’s retirement banquet and her instatement as commissioner. She has a by-the-book outlook on crimefighting with the omnicompetence to back it up, thanks to her training at “Harvard for Police.” Babs sees Batman’s current way of operating as ineffectual and wants him to be an official agent of the law. An idea that dumps a bucket of cold water on Batman’s crush he developed immediately upon seeing her, though that never fully goes away.

Her main point is that Batman “karate chopping poor people” hasn’t made Gotham better in his 80 years of operating. A contrast to Holy Musical’s Jim Gordon announcing that B@man has brought Gotham’s crime rates to an all-time low (“Still the highest in the world, but we’re working on it.”) She wants to see a Batman willing to work with other people. A hope dashed constantly dealing with his childish stubbornness as he tries to foil Joker’s schemes on his own, culminating in her arresting Batman and Robin for breaking into Arkham to send Joker to the Phantom Zone.

Barbara’s role as the one bringing grown-up attitudes and reality into Batman’s world does leave her in the role of comedic straight woman. Humor in her scenes comes from how she reacts to everyone else’s absurdity rather than anything she does to be funny. This works for the role she plays in Lego Batman, since she’s not there to have an arc the way Superman does in Holy Musical. She’s another catalyst for Batman’s to start letting people in as another character he grows to care about. Which starts after she lets the Dynamic Duo out of prison to fight Joker’s new army of Phantom Zone villains on the condition that he plays it by her rules. Leading to a stronger bond between Batman, Robin, Alfred, and her as they start working together.

The two Batmen’s relationships to other heroes, their villains, Robin, and their own solitude each culminate in their own way as their stories reach their conclusions.

Dark Knights & Dawning Realizations

As everything comes down to the final showdowns in these Bat-parodies, the two Caped Crusaders each confront their failures to be there for others and allow themselves to be vulnerable to someone they’ve been antagonizing throughout the story. Each climax has all of Gotham threatened by a bomb and the main villains’ plans coming to fruition only to come undone.

Holy Musical has Sweet Tooth’s kidnapping of Rob!n and forcing Gotham to choose themselves or the sidekick they hate sends B@man into his most exaggerated state in the entire play. It’s the classic superhero movie climax conundrum, duty as a hero versus personal attachment. Alfred, having revealed himself as the “other butlers”, even lampshades how these stories usually go only for that possibility to get shot down by Bruce:

Alfred: A true hero, Master Wayne, finds a way to choose both. B@man: You’re right, Alfred. I know what I have to do… Fuck Gotham, I’m saving Robin!

B@man’s selfishness effectively makes him the real villain of Holy Musical’s second act. Lego Batman has shades of that aspect as well, where Batman gets sent to the Phantom Zone by Joker for his repeated refusal to acknowledge their relationship. Where the AI running the interdimensional prison, Phyllis voiced by Ellie Kemper, confronts him with the way he’s treated Robin, Alfred, Barbara, and even Joker:

Phyllis: You’re not a traditional bad guy, but you’re not exactly a good guy either. You even abandoned your friends. Batman: No! I was trying to protect them! Phyllis: By pushing them away? Batman: Well… yeah. Phyllis: Are they really the ones you’re protecting?

Batman watches what’s happening back in Gotham and sees Robin emulate his grim and gritty tendencies to save the day in his absence makes him desperately scream, “Don’t do what I would do!” It’s the universe rubbing what a jerk he’s been in his face. He’s forced to take a look at himself and make a change. B@man’s not made to do that kind of self-reflection until after he’s defeated Sweet Tooth but failed to stop the villain’s bomb. He’s ready to give up on Gotham forever and leave with Rob!n, until his sidekick pulls up Sweet Tooth’s poll and it shows the unanimous result in favor of saving the Boy Wonder. Despite everything they said at the start of Act 2, the people want to help their hero in return for all the times he helped them. All of them calling back to the Raimi Spider-Man reference from Act 1, “You mess with one of us. You mess with all of us.”

Both heroes’ chance at redemption and self-improvement comes from opening themselves up to the people they pushed out and dismissed earlier in their stories. Batman takes on the role he reduced the Commissioner down to at the beginning of the movie and flips on signals for Barbara, Alfred, and Robin to show how he’s truly prepared to work as a team, not just with his friends and family but with the villains of Gotham the Joker pushed aside as well. Teamwork makes the dream work and they’re all able to work together to get Joker’s army back into the Phantom Zone but like in Holy Musical they fail to stop the bomb threatening Gotham. Which he can only prevent from destroying the city by confessing his true feeling to Joker

Batman: If it wasn’t for you, I wouldn’t have learned how connected I am with all of these people and you. So, if you help me save Gotham, you’ll help me save us. Joker: You just said “us?” Batman: Yeah, Batman and the Joker. So, what do you say? Joker: You had me at “shut up!”

The equivalent moment from Holy Musical comes from B@man needing to put aside his pride and encourage a disheartened Superman to save Gotham for him. This happens in the aftermath of a fight the two heroes had where Superman tried to stop B@man before he faced Sweet Tooth, B@man winning out through use of kryptonite. That fight doesn’t fit into any direct parallel with Lego Batman, but it is important context for how Superman’s feeling about B@man before Superman finally gets his long-awaited phone call from the Dark Knight. Also, the song accompanying the fight, “To Be a Man”, is one of the funniest scenes in the play. What this speech from B@man does is bring the idea of Holy Musical B@man as a commentary on fandom full circle:

B@man: I forgot what it means to be a superhero. But we’re really not that different, you and me, at our heart. I mean really all superheroes are pretty much the same… Something bad happened to us once when we were young, so we dedicated our whole lives to doing a little bit of good. That’s why we got into this crazy superhero business. Not to be the most popular, or even the most powerful. Because if that were the case, hell, you’d have the rest of us put out of a job!

This speech extends into an exchange between the heroes about how superheroes are cool, not despite anything superficially silly but because of it. Bringing it back to the “Robin Sucks!” theme that started Act 2, saying “Some people think Robin is stupid. But those people are pretentious douchebags. Because, literally, the only difference between Robin and me is our costumes.” The speech culminates in what I genuinely think is one of the best Batman lines ever written, as B@man’s final plea to Superman is “Where’s that man who’s faster than a gun?” calling back to the trauma that created Batman across all versions and what he can see in someone like Superman. So, B@man sacrificing his pride and fully trusting in another hero saves Gotham, the way Batman letting Joker know what their relationship means to him did in Lego Batman.

Each of these parodies ends by delivering a Batman willing to open himself up to a new team of heroes fighting at his side, the newly minted Bat-Family in Lego Batman and the league for justice known as the Super Friends in Holy Musical. Putting them side by side like this shows how creators don’t need the resources of a Hollywood studio to make something exactly as meaningful and how the best parodies come from love of the material no matter who’s behind them.

If you like what you’ve read here, please like/reblog or share elsewhere online, follow me on Twitter (@WC_WIT), and consider throwing some support my way at either Ko-Fi.com or Patreon.com at the extension “/witswriting”

[dappercritter]

Godzilla vs Kong: Brutally Honest Thoughts

(Took me long enough, eh? Depending on home video releases be like that.)

So first things first, I have a confession to make: I spoiled the movie before I watched it. I was impatient and they had only announced an HBO Max premiere in the states and a theatrical run in Canada at the time. Afterward, I got heads-up from a friend and immersed myself in the opinions of those lucky enough to see it early. I’m just saying that I have some preconceived opinions that I’m sticking to.

That said, Godzilla vs Kong turned out to be more fun than I expected! But you already knew that. Everyone did. The two kings of movie monsters had their rematch and this time it was with glorious Hollywood SFX powering it this time.

The human story was fun but it’s clear they stopped trying at this point. Team Kong stole my heart, especially Jia. Team Godzilla (although the Conspiracy Crew would be a more fitting term since they spend more time chasing down mysteries than trying to back or understand Godzilla) was more fun than I expected and their dynamic was surprisingly enjoyable. Bernie is actually kind of funny, it's nice to see Madison acting more assertive, and Josh was fine--he was the only sane man of the bunch but he was also the butt of the jokes. Still, all the hardcore conspiracy jokes got old fast and it feels off seeing the daughter of two scientists turn into an edgy conspiracy crackpot. Why not an edgy science major?

Team Apex are fun villains, especially Walter Simmons who's a great megalomaniacal CEO type, but Ren Serizawa is a joke. I like his actor's performance but he's just another footnote. Nobody bats an eye at his last name, although the only heroes he interacts with are Nathan Lind and he just misses Team Godzilla. He really could have just been any other villain, but instead, they had to sully Serizawa’s legacy further while robbing a good actor of some interesting material. (As is, it turns out he was just an egotistical jerk with daddy issues--an easy puzzle to solve on day one--after all...)

However, I still cannot and will not approve of the fact that somebody thought it would be a good idea to make the heroes of a sci-fi story into hardcore conspiracy theorists in this day and age. Likewise, I’m not a huge fan of how they essentially made the Hollow Earth into its own universe complete with a crazy portal and an environment with its own laws of physics, nor am I totally crazy about the huge leap in technology that was made between this and KOTM, or G’14 for that matter.

The monsters as awesome as they are, are the biggest mixed bag in the show.

Kong is at his best in ages, and while I am all for the new heroic warrior character that Legendary have crafted and I acknowledge that making him a worthy opponent for their god-tier Godzilla was going to be a hurdle, I think they did a splendid job. Seeing Kong using agility and acrobatics was a glorious sight to behold, and something about Kong becoming a tool-user and weapon wielder just feels right. It’s a far better demonstration of Kong as a “thinking animal” (*wink, wink*).

I’m much less thrilled about their treatment of his greatest opponent ever. After everything they’ve done to build up Godzilla as the incredible force of neutral good fighting to maintain balance and all the build up to ancient rivalry debating back to a great Titan war--even going as far as putting his name in front Kong’s this time!-- they’ve reduced Godzilla back to glorified bully for Kong. He only gets the minimum amount of sympathy from the cast of his movie before they go off to deal with the conspiracy plot or focus on Kong and the Hollow Earth. Worse still, he is somehow more powerful and more aggressive than ever for a good chunk of the movie which leads to an outcome I’m sorry to say we all saw coming. Somehow, I suspect that the reason behind this was how Wingard cited Godzilla vs. Mothra, vs. Destoryah, and Shin-Godzilla as influences for the monsters scale and story, which while cool and all, are all movies where he was played up as a mostly stoic antagonist rather than a three-dimensional character like Kong. (Though ironically vs. Destoroyah and Shin did a better job of making Godzilla feel more sympathetic and in both of them he was a walking nuclear reactor meltdown.)

Due to the unfortunate time constraints of the three-way deal between Toho, WB, and Universal at the time this was in production, Kong was unable to secure a proper sequel that could develop his skillset like Godzilla’s did. Nevermind the fact the filmmakers completely surrendered to the “nothing matters but the monsters” mentality that a chunk of the fanbase has been spouting since this universe unofficially kicked off almost 10 years ago. (Sidenote: Oh god, I’m turning in an old fart already.) As a result, the movie trips over itself trying to set up Godzilla and Kong’s rivalry as well as building up Kong as a worthy opponent to Godzilla while expanding on their shared lore, and as a result countless plot points set up in in the previous movie and tie-in movie are thrown out the window. I’m sorry to say but in spite of all hopes and illusions of grandeur, it’s safe to this damn thing is a Kong movie with Godzilla as the bad guy.

...at least until HE shows up. Yup, Mechagodzilla. The biggest spoiled twist of the centuries steals the show so the movie can pull a Dawn of Justice. But! It does it much better than the fractured DCEU’s most controversial entry ever could. Mechagodzilla’s inclusion gets a decent amount of build up thanks to Team Godzilla/the Conspiracy Crew, and when he shows up, does he make an impression! At first, I wasn’t sure how to feel about his inclusion or his design, but I’ve come to like this one. He’s basically a kaiju terminator built in Godzilla’s image made purely out of heavy machinery piloted by the best Ghidorah head. It’s a jarring change of pace compared to previous MechaG’s but it grows on you after a while. With the abundance of weaponry stuffed into him, he feels like a fitting update of the original killing machine, and even if his inclusion feels like an easy way out of the big showdown, it’s fun to see him played as a literal colossal heel for the kings to team up against. Not to mention he looks shockingly good with those red highlights. However, one still can’t help but wonder how and why he was made in this universe, or how he feels like pure heavy machinery one minute and then an extra-large Ultron unit the next.

As for the the big throwdowns we’ve all been waiting for... well, we’re still in the mixed bag deparment. While the fights are all exciting and excellently choreographed, and benefit from some more eclectic lighting and cinematograph, I’m sorry to say that as far as the rematch of the century goes they dropped the ball on this one.

Don’t get me wrong, the fights are all great in their own ways, but there’s a drastic change in the feeling of weight and power with the monsters. Godzilla, Kong, and even Mechagodzilla all feel strangely floaty in most of their fights. One moments they feel like true behemoths shaking the very earth with every movement and then it’s like they’re in Godzilla Unleashed, running, jumping, and throwing each other around with speed that feels that almost makes you wonder if the Hollow Earth’s gravity inversion stuff is leaking out into the world. While it’s all perfectly cool, you can’t help but wonder how Kong is able to leap between aircraft carriers and buildings, when Godzilla got the ability to blow a hole through the Earth itself, or how a colossal machine is able to move so nimbly or why it has to be flashing blue all the time.

It’s fascinating and fun but you just can’t help but wonder how we got from almost posthuman disaster and war movies exploring how we’re at the mercy of the ancient almost mythical forces beyond our comprehension, we’ve found ourselves smack dab in the middle of Bayformers meets Jurassic World levels of Hollywood absurdity where anything and everything can and will happen in the name of getting to the monster fights. Although I can’t say I’m surprised given the director’s take on Death Note made some questionable choices with it’s take on the infamous cast while still coming up with some genuinely inspired choices. Still, all things considered we could have gotten worse compared to ther cinematic universes made by WB and Universal.

As for some misc. thoughts to close up this rambling mess:

-The soundtrack is fantastic. A great continuation of the feel of Skull Island’s mixtape with some truly wonderful picks. Special mention goes to the opening and ending songs, and they GOT AN ELVIS PRESLEY SONG IN HERE! YES!!! The three kings of pop culture together at last!

-While this movie didn’t need to be any more overstuffed, it would have been nice if the rest of the Titans didn’t disappear entirely from this movie. I get that Godzilla: Dominion already explained what happened to them all more or less, but it really is a missed oppurtunity that we never got to see another Titan war. Or Rodan attacking Kong to avenge his pterosaur bretheren from days long past. Speaking of which...

-“Save Mothra” jokes be damned, Mothra would have been a welcome gues star, not just to help break up the big fight, but to show off Godzilla’s softer, more protective side. And yes, I want more Mothzilla. Shut up, we deserve it.

-Boy, Monarch sure does a whole lot of nothing up-top, huh?

-The cinematography is a great update but there’s a little too much neon lighting, especially in the Apex HQ and the Hollow Earth throne room. It feels like they’re trying just a little too hard to sell the more futuristic, Hollywood sci-fi feel.

-The score is... great but not that great. Of course, I’ve always had mixed feelings about Tom Holkenburg (AKA Junkie XL)’s music. I liked Kong’s themes, but they REALLY dropped the ball with Godzilla’s theme. Mechagodzilla’s works really well as long you ignore that it’s just Godzilla’s theme in this movie with an ominious choir added in.

-The new Hollow Earth creatures are all perfectly fine. Actually, I thought they were another highlight! Especially the Warbats, Hellhawks, and Doug the Titanus Foetodon Man.

-I want to do a release the extended cut campaign but I don’t think any of us have the energy for that s**t anymore.

[arcticrxt]

Some dream smp mbtis and enneagrams bc I love it!!!

@dreamsclock here it is!!

Characters:

Wilbur

Ghostbur

Tommy

Dream

Tubbo

Quackity

Karl

Under the cut bc they’re kinda long. Keep in mind this is the characters and not the content creators :]

WILBUR

Personally for me I’d type c!wilbur as ENFJ which is interesting for a villainous character. When he spirals into madness, you can see his dominant function (Fe) become more unhealthy, leading to him being very manipulative. He shows Ti-grip when his Fe is left to burn out, becoming critical of others and their methods, preferring he do it instead (seen with tommy during their exile). Ni auxiliary is shown in his ambition and drive for his goal of L’manburg.

For his enneagram, i know wilbur said he based c!wilbur off of the song eight by sleeping at last, but hear me out,,, I was thinking maybe a 3w4. The 8 characteristics could be seen in a tritype of 368. Type three is named the achiever which in itself stands for his vision and ambition of L’manburg. 3w4s are often working towards personal growth and professional success. When unhealthy, 3s can get extremely competitive and prone to one-upping others. May reject their sense of self and develop intense mood swings. At worst they can backstab ruthlessly (tommy and the whole of L’manburg and pogtopia) and destroy others reputations solely for their benefit (“if i can’t have this no one can”). The tritype Im a bit if-y on but I’ll say 368 because it focuses on working hard, achieving personal best and developing a winning image. They will want to protect others from those they perceive as a target (dream, Schlatt), they will warn and caution others and seek “worthy” authorities they can respect.

GHOSTBUR His Si is incredibly high so imma say ISFJ. His main motive (id say) is wanting to collect stories of his past and the history of the nation he built, his “unfinished symphony”. Fe auxiliary is very strong as well as he shows a lot of compassion to others, offering them some blue in times of need and also not wanting anyone to feel sadness like he feels it. Ghostbur ignores his own feelings in order for others to feel safe. His Ti is shown through his need for gathering knowledge to understand alivebur and i could also see it through his internalised logic that the blue will help people. Not sure on inferior Ne, maybe through not wanting to see other possibilities in regards to his resurrection, however he was under a lot of stress since his home just got blown up, and friend died, so I can’t blame him.

He clearly doesn’t want conflict so I’ll say type 9. Needs peace and harmony (he gives out blue to help people). Soothing voice, and collected (except when Phil blew up L’manburg but that’s reasonable). He’s complacent, and humble, and will go the extra mile so long as to not rock the boat. Appreciative of the small things in life and enjoy simple pleasures.

TOMMY For Tommy I think ESFP which is probably one of the ones I’m up for more opinions on bc I’m not completely sure of his type. Se as dominant as he thrives on living in the moment but in an unhealthy way (unnecessary conflicts) He’s got a strong Fi auxiliary and you can see that through his personal morals and the way he usually makes decisions based off of emotions rather than objective facts and logical reasoning. He’s good at planning, but not at thinking out the longevity of it. Eg when heady exile and found technos house and lived under there, thinking techno would find him, this all shows Se-Te loop. He gradually develops an unhealthy Fi which leads to him disregarding external relationships (his friendship with tubbo) and commitments to maintain his internal love of the discs.

Enneagram wise, I’m definitely leaning towards 7w6. 7s are usually jumping from one thing to another and are constantly getting bored. The wing 6 brings loyalty and protectiveness. When unhealthy, sevens become narcissistic in their actions and presentation (see his confrontation with tubbo after tubbo thought he was dead, and the “the discs are worth more than you ever were” granted he quickly realises what he said but the mentality was still there).

DREAM I think he’s a fairly obvious stereotype unhealthy ENTJ. He has a very low Fi. When we see him driven by emotion (usually anger) it’s terrifying and we have no context about it at all except that it’s for a need of control. He knows how to manipulate people through his charisma and power in an ENTJ fashion. He lost attachment to his things very quickly (using Te and Ni to go forward logically while also showcasing his inferior Fi)

Dream is a very painfully obvious 8, probably an 8w7, but he is defined an 8. The eight has fiery passions and is usually stubborn and headstrong, they are serious about control over their environment. They are goal-oriented and self-competent. Eights are direct and aren’t shy when taking the lead and making tough decisions. They are often seen in leadership positions. The eight type is part of the “body based” triad and they often act impulsively. They crave respect and enjoy being likes by the group. When unhealthy, eights can become tyrannical and intimidating, scaring off others at first glance. They become addicted to the pursuit of power and will destroy anything blocking their path. Feelings and emotions become insignificant (spirit :’)) challengers become stone-cold and take an antagonist stand to anyone who questions them or their motives. This is the one I’m most most sure of out of every typing I’ve done bc it seems painfully obvious.

TUBBO I’d say probably an Fe dom so maybe ENFJ/ESFP but I’m leaning more to the ENFJ side. Tubbo realised after he thought tommy had died that, without tommy he was himself. Something Fe doms struggle with the most is self worth and personal identity. They’re caught up in wanting to help others that they don’t tend to their own needs. He’s careless and self sacrificing when it comes to the needs of others (him giving up his life so that tommy could have the discs and be happy) and bc he has such low self esteem he doesn’t realise that that’s not what tommy wants. The reason I’m more leaning to ENFJ is because of his inferior Ti. Though he didn’t want to due to dominant Fe, he was lead to believe exiling tommy was the best possible solution. You can see he regrets it after tommy and dream had left. When he was working under schlatt we saw his remorse and guilt even though he knew it had to be done. We see his dominant Fe during his time as president when others push him to do things and he usually agrees. He was manipulated through guilt by dream which is very unhealthy ENFJ.

(I wrote this before the ghostbur one so sorry for any repetitive language) For enneagram, type nine: the peacemaker. Type 9s are motivated by their need for peace and harmony (tubbo was manipulated into believing that getting rid of tommy would achieve this). They have a calm demeanour and are agreeable. They’re hardworking, friendly, and modest but also more serious and diligent than expected. (I’m not too sure on his enneagram which is why this is so short)

QUACKITY Estj imo. Like dream, he’s unhealthily obsessed with power, (unhealthy dominant Te). He abandoned L’manburg because schlatt wouldn’t let him have any say, and he was shoved to the side, despite it being a coalition government. He is very logical and controls others. He makes sure he comes out as the hero and that his hands are clean, learning it from past experiences (Si). He quickly finds ways to get out of situations through the use of tertiary Ne. Doesnt show a lot of Fi and he usually underestimates his opponents abilities and/or strength due to his overconfidence. He’s willing to kill anyone who goes against what he thinks and is stubborn and argumentative. He doesn’t like it when people are lazy and don’t contribute.

Also, similarly to dream, I’d type his enneagram as 8w7. The same with his obsession of power, and his strong/weak mindset where he thinks the world is made up of protectors and those who need to be protected (see him taking it upon himself to execute technoblade for the better of L’manburg) which is all very textbook 8. The opinions of others don’t have much effect on him. Eights are concerned with justice, combating oppression, and protecting the weak. He takes the lead in making tough decisions (he’s the butcher army leader). He becomes more antagonist and villainous with his actions against technoblade, believing he’s in the right. (I didn’t want to just copy out what I said for dream so this is a shortened version)

KARL Torn between ENFP and ESFP but leaning toward ENFP. He’s time travelling because he believes it’s the right the to do which is more so Fi, but could be Fe wanting to help others at his personal cost. But also the Fi-Te pair keeps him going and he won’t stop until it’s fulfilled (which is pretty Te imo). He is creative and good with imagination and ideas (Ne) (at the masquerade, although it was a comical excuse, he came up with minecraft streamer quickly, he was also able to answer billiams questions pretty quickly).

Even though it’s now canon he doesn’t choose when and where he travels to, which would have been a stronger argument for a type seven, he’s still enthusiastic at the times he travels to. He’s optimistic (with the mentality everything will go right for him because he believes it has to, even though he’s loosing a lot of memories atm). He’s got childlike energy and curious eyes. He wants to bounce from one place to another, he created two towns already, although one technically no one knows about gogtopia except for the founders and tommy who travelled through it. He’s well like and popular, which is often a 7 trait. The type 7 is part of the “heart-based” triad, and we can see him act through this with the way he seeks excitement as a means to distract himself from the darker, and more painful things in life. He ignores his fears in favour of positive experiences. For a wing, probably a 7w6 in favour of 7w8, the same as tommy. He’s loyal and a strong leader over being tough and more career-driven. If he was to turn unhealthy in the future, we might see him loose his groundedness, and start to live in a perpetual fantasy instead of reality.

Sorry for any typos or bad grammar :]

[denimbex1986]

'David Tennant’s comeback tour as the Doctor began with the glorified greatest hits set that was “The Star Beast”– a sweet, funny slab of kid-friendly telly that lovingly scratched its audience under the chin. But returning showrunner Russell T Davies had promised that “Wild Blue Yonder”, the second of Tennant’s three 60th anniversary instalments, would be “darker… not scary… just genuinely weird”. He wasn’t joking.

There have always been many sides to the BBC’s most beloved sci-fi franchise. One of its more distinctive flavours is “Weird Who” (remember those killer wheelie bins from Davies’s first season in 2005?).

It is a tradition that the enjoyably bonkers “Wild Blue Yonder” follows with a spring in its stride. Set aboard a haunted starship, this second adventure featuring the reunited Doctor and Donna (Catherine Tate) tips its hat to Ridley Scott’s original Alien. Meanwhile, its plunge into claustrophobic body horror suggests a familiarity with the Dead Space video games.

Whatever the inspiration, it’s great fun – illuminated by the livewire enthusiasm of the two leads. And that’s despite a worrying moment when the Doctor references the dreadful and completely baffling Chris Chibnall’s “Flux” story arc from 2021, which made even hardcore Whovians feel adrift in time and space.

Never mind, the script pushes swiftly on, and we can again forget Flux ever happened. Nevertheless, some fans may be slightly underwhelmed. The BBC hasn’t done itself any favours by keeping the plot of “Wild Blue Yonder” under wraps. In so doing, it has fuelled wild speculation among Whovians – to the point where director Tom Kingsley had to take to Twitter to dampen the hype. “The story of ‘Wild Blue Yonder’ isn’t a secret because there are any surprise returning actors or villains,” he wrote. “It’s just because we thought you might find it fun to watch it without knowing what’s going to happen next.”

“The Star Beast” ended with Donna spilling coffee on the Tardis control panel and sending the machine into the temporal vortex. Taking up the story, “Wild Blue Yonder” has the pair initially materialise atop a tree in England in 1666 – watched on by an astonished Isaac Newton. “Was it me or was Isaac Newton hot?” Donna later wonders. The Doctor nods: “He was so hot.” Then, a pause. “Oh, is that who I am now?”

It is the latest indication that his sexuality may be more fluid than historically believed (as already broadly hinted during the Jodie Whittaker years). Donna shrugs: “It was never that far from the surface, mate.”

His orientation is the least of their concerns. The Tardis has beamed aboard a spaceship while its speakers blast “Wild Blue Yonder” – the anthem of the US Air Force. Why a war song? And why vanish suddenly – stranding the Doctor and Donna?

The Doctor has a theory about the latter. The Tardis has a “Hostile Action Displacement System”, which kicks in when danger is near. It’s taken itself off somewhere safe – presumably to return when the coast is clear.

In the meantime, the duo have a vast spaceship to explore. A sad robot shuffles down a corridor, and a command bridge looks out at sheer emptiness. They’re at the very edge of the universe – gazing into a terrifying void where only madness lurks. Viewers can replicate the experience at home by tuning into the next episode of I’m a Celebrity…Get Me Out of Here!

But they’re not as alone as they think. The ship is also home to a pair of shape-shifting aliens, who turn into carnival mirror approximations of the Doctor and Donna. Comedy and horror bump against each other as the doppelgängers struggle to keep it together. “My arms are too long,” says the fake Doctor, dragging two massive rubberised hands like an oversized bendy toy.

Davies is correct to describe “Wild Blue Yonder” as more weird than scary. It’s a hoot seeing the real Doctor and Donna chased by the amorphous ETs, who briefly grow so large that they wedge the corridor like exiles from a Lovecraftian clown show.

There is further fun along the way as Davies replays the old TV trope of two lookalikes, each pretending to be the “real” version of someone. He also comes up with the clever idea of the aliens feeding on the anger and fear of the Doctor and Donna. It reads like a commentary on how social media monetises our darkest emotions (the monsters are temporarily powerless when Doctor and Donna clear their minds).

This is the point at which Chibnall-era Who would try to be clever by chucking in extra story elements and confusing everyone. Davies plays it straight, keeps it simple, and allows the Doctor and Donna to outsmart the shape-shifters, whose ultimate plan is to mimic the newcomers so perfectly that they can take control of the Tardis.

They are defeated, of course, and it’s back to London. There, we are treated to a moving cameo by Donna’s grandfather, Wilfred Mott, played by the late Bernard Cribbins in one of his final screen appearances (which sets up next week’s adventure when a passenger jet screams overhead and crashes).

One of the most impressive aspects of these new Tennant adventures is their determination to play it straight. Davies’s big return could easily have tripped up on its self-importance. The 60th anniversary is on the way, and Tennant is making history as the first Doctor to return for an entire arc.

But all of that is left unstated. Davies, Tennant and Tate are here because they love the Doctor. That uncomplicated enthusiasm ripples through an episode that is ultimately just another great helping of Who.'

[fandumbstuff]

The Star Wars Saga, ranked best to worst.

1. The Empire Strikes Back Directed by Irvin Kershner

Upon close consideration, I’ve come to the shocking conclusion that Empire is the best Star Wars film. There’s a wealth of world-building and character development here that in many ways makes Star Wars the living breathing universe it is now. A richly complex melodrama lies at the heart of Empire, giving a whole new meaning to the term “space opera”. The performances here are some of the strongest in the entire franchise. Mark Hamill not only fleshes out Luke’s character, but in his training with Yoda and his duel with Vader he establishes the profound nature of the force, and how every future character interacts with it. As Han and Leia, Harrison Ford and Carrie Fisher create authenticity to their characters’ relationship. Often misinterpreted as playfully hostile or sassy, there’s a real and endearing sense of affection between them, particularly in the infamous “I love you”/”I know” line- shedding their previously petty flirtation and affirming their true feelings. The emotional crux of Empire lies not in the most memorable twist, but in the moments immediately following it - In Luke and Leia reaching out to each other, reconnecting a relationship that was lost, rekindling hope in the force after we thought it was lost.

2. A New Hope  Directed by George Lucas

I’ll be the first in line to make fun of dorky George Lucas and his woeful attempts at writing dialogue or romance. However, it’s pretty damn impossible to ignore what he achieved with Star Wars in 1977. The sheer audacity of his vision and his determination in executing it despite the naysaying from producers and supposed friends. Lucas had the bold idea of using cinema for it’s absolute worth- more than just a storytelling medium but a theatrical one. A cacaphony of sight and sound that could draw mass audiences and create a lasting impression. It’s a formula that every Hollywood and Bollywood blockbuster strives and more often than not fails to follow. It’s hard to dissociate A New Hope from the cultural phenomenon it helped create, but when you do, it stands as an impressive film on it’s own. Groundbreaking in terms of it’s visual effects and nostalgic in the simplicity of it’s sci-fi serial story, Star Wars ticked all the right boxes for so many people. If I was to boil Star Wars down to an essence, i think it lies in 2 scenes: Luke looking out at the binary sunset on Tattooine, and Han Solo yahooing after the Falcon saves Luke in the Death Star trenches. Those two scenes, Wistfulness and Exuberance, are the two sides of one concept- Adventure. Star Wars ignited those emotions in every child’s imagination, and it’s a flame that’s likely to never go out. 

3. Rogue One: A Star Wars Story Directed by Gareth Evans

Hard to believe this is a Disney movie. While the house of mouse may have a reputation for emotional gut punches in kids movies, it’s never felt quite so... permanent. Rogue One is an unrelenting emotional journey barelling towards surefire tragedy. We spend moments with characters that seem to be carrying the weight of the world on their shoulders. The sense of desperation that permeates the movie almost overpowers any sense of heroism. It’s so unlike anything we’ve seen in a Star Wars movie. Their courage comes from a place that is wholly genuine and believable. We see the rebellion for the despondent group that they are. Sorely outnumbered by the Empire, their actions in this movie show a reckless, darker side to them and makes the morality of Star Wars so much more complex. The first time we meet Cassian Andor- the stand out performace of the film by Diego Luna- we see him kill another rebel to protect their secrets. It’s a movie that reframes the original Star Wars trilogy, making it a richer, complex universe and more intriguing as a result. Also, the last five minutes might be the best five minutes in any Star Wars movie.

4. Return of the Jedi Directed by Richard Marquand

The one sore spot in the original trilogy for me are the Ewoks. I realise it's ridiculous for me to complain about kid-friendly creatures in a kid's movie, but Star Wars has done this a lot more tolerably in the form of Porgs and Baby Yoda. Just something about these furry, Tibetan speaking monsters who somehow have the wherewithal to defeat an elite and well equipped empire rubs me the long way. Anyway, other than that, the movie's pretty fantastic. The culmination of Luke's journey comes to a head in an extremely emotional and effective climax. John Williams score crescendos to operatic heights and Mark Hamill's stellar performance sells Luke’s torment. It’s also worth noting that in those final moments of moral dilemma, Darth Vader is silent- it’s David Prowse’s performance entirely that sells this. His incredible presence throughout the trilogy builds to this moment and you can feel the weight of it in those closeups on Vader. Every other cast member rounds the story out perfectly- from Lando and Han’s playful rapport to Leia’s more militaristic side in planning the rebellions final moves. I still bemoan the fact that they changed the final song- an opinion that I’m apparently a minority on- but it’s a pretty incredible ending altogether and wonderfully cathartic to watch over and over again.

5. The Last Jedi Directed by Rian Johnson

With Last Jedi, Rian Johnson analyzed the universe Star Wars inhabits, and what drives it’s characters. The characters that we love are pushed to their limits, struggle against insurmountable odds and their own innate flaws. And we see all of them fail in turn. It is remarkably bleak, but not without purpose. It is out of this failure that the Resistance needs to recoup and come back stronger. The performances here, are arguably the best you’ll find in the entire franchise. Daisy Ridley has to break down Rey’s naivete and find a deeper sense of self actualization. Adam Driver hands in some of his best work, by swerving the audience into believing Kylo Ren and then creating a desperate plea in THAT throne room scene, and eventually turning him into a snivelling villain, all in the same movie. Mark Hamill’s performance here is heartbreaking- revealing the bleakest version of Luke, and struggling to find his redemption. Last Jedi is a bold deconstuction of these characters, of what they stand for, and what makes Star Wars beautiful.

6. The Force Awakens Directed by J. J. Abrams

In many ways, a safe movie to announce the return of Star Wars. But it’s hard to fault this. Disney’s decision making was shrewd here, bringing on J. J. Abrams to pay homage to George Lucas’ original vision, returning the franchise to it’s roots of practical effects and shooting on film. There was something truly special about experiencing this film in theatres, so much so that I did it eleven times. It captured a sense of wonder for fans new and old- hearing the scream of Tie Fighters, John Williams herald the return of the Millenium Falcon, and the look of awe on Rey’s face as she clutches her destiny in her hand. I’ll be honest, the film loses some of this magic without the shared experience of an audience, and it’s flaws are more noticeable. But being swept up in the excitement of adventure felt so darn good in 2015, and that’s so key to this franchise.

7. Revenge of the Sith Directed by George Lucas

This movie has risen so much in my opinion, entirely due to the animated Clone Wars series. Revenge of the Sith depicts the overwhelming tragedy that frames the original Star Wars. Watching Clone Wars explains explicitly what makes this film so tragic. But it’s more than that- it’s a catastrophic failure on behalf of the Jedi Order. Ignorance and pride allow evil to fester and grow. George Lucas took the simplicity of the moral struggle he established in 1977 and tried to give it depth and complexity with the prequels, and it pays off in Revenge of the Sith. It leads into the original trilogy quite brilliantly, with a promise of hope and resilience.

8. The Phantom Menace Directed by George Lucas

It has not aged well. While the advent of CGI I’m sure felt exciting at the time, and you almost can’t fault George Lucas for his insistence on staying at the forefront of VFX innovation as he has always done, it’s his reliance on so much of it that fails horribly. Like a kid in a candy store, Lucas stuffs the pockets of this film with so many bizarre effects for absolutely no reason. That sea monster scene is one of the worst displays I’ve ever seen and it’s absurd that it sits in a Star Wars film. Add to that the boring political plotline and ridiculous midichlorian dilemma and there’s very little redemptive about this film. However, it does have podracing, and Duel of the Fates, and it’s remarkable how much that salves the wound.

9. The Rise of Skywalker Directed by J. J. Abrams

Alright, well obviously this film has been problematic. However, I’m not about to bemoan the idea that Disney has ruined Star Wars and I have nothing left to live for. So let’s all just calm down. Ultimately J. J. Abrams was faced with the impossible task of wrapping up the Skywalker saga, with very few Skywalkers to work with. I firmly believe this would have been a very different film if Carrie Fisher was around to complete her performance. But left with nothing but the new cast, Abrams is caught between summing up the past while also looking to the future. It forces an awkward plotline with Palpatine- despite Ian McDiarmid's solid performance, the writing here seems wildly derivative of the franchise. There are some truly beautiful scenes, most notably the chemistry that Adam Driver gets to share with Harrison Ford, and Joonas Suotamo’s critically emotional outburst as Chewbacca. Some of the production design and score is so entirely different from the rest of the franchise it's inherently intriguing. But there’s very little here to save some of the poorer choices the film makes: the open plot hole with Finn, the derailing of Rey’s character development, and most crucially, the deeply perturbing culmination of Rey and Kylo’s relationship. The audience literally went “ew”.

10. Solo: A Star Wars Story Directed by Ron Howard

The biggest problem with Solo is that it operates under the presumption that people will be enamoured and invested in it. Not just in one movie, but in an entire series of movies. Solo clearly operates as a setup for further sequels. As a result, many plot lines remain unresolved, and Qi’ra winds up being a completely under-baked character. Her motivations make no sense, and a twist ending that I assume was supposed to be exciting is instead downright confusing. There’s a lot of unnecessary exposition into Han’s past too. As an origin story, I don’t need to know every aspect of Han’s past- especially not cute winks at inane things like “Why’s he called Solo?”. All this being said, The movie features some solid performances- Donald Glover is expectedly phenomenal as Lando, and Alden Ehrenreich excels as Solo, adding some welcome flavour to the character- particularly his friendship with Chewbacca, and a brilliantly executed final scene between him and Woody Harrelson’s Beckett.

11. Attack of the Clones Directed by George Lucas

How in the world this film made it all the way to production and into filming, with no one pulling Lucas aside and saying “Hey George, those kids have no chemistry” is beyond me. And I’m not going to blame Hayden Christensen or Natalie Portman on this one, because the whole damn love story makes no sense. Maybe falling for a dude who admits he murdered women and children isn’t such a great idea? Then there’s the increasingly convoluted political climate set up in Phantom Menace, and the machinations of the dark side that would take the entire Clone Wars series to fully explain. All this being said, Temuera Morrison, Samuel L. Jackson, Ewan MacGregor AND Christopher Lee are all in this movie. And they’re pretty damn fantastic.

12. The Clone Wars Directed by Dave Filoni

It’s inexplicable that Dave Filoni would go on to have a hand in some of the best Star Wars content ever made in Clone Wars, Rebels and the Mandalorian. And yet he got his start in the franchise by putting up this piece of junk. And junk is being a little generous. The humour is so juvenile it’s insulting to even the youngest of audiences it’s intended for. The plotline feels way to thin to warrant a feature film, and if this was in fact intended as a pilot for the TV series, they sure picked to most uninteresting story to pique our interest. Skip the movie, watch the show. 

[peepspersonalperspective]

MY PICKS: Top 10 K-Dramas

Disclaimer: These are totally subjective choices and I've justified them as per my preferences. Consider them friendly recommendations and let me know if you disagree. Also, I've discovered the wonderful world of K-Dramas over the last couple of years and they've really evolved not just in storytelling but also production value so I personally prefer the more recent ones. So for example I haven't put a very popular pick like My Love from the Star simply because I've seen better stuff since (don't shoot me). Anyway, 가자!

MEMORIES OF ALAHAMBRA

This is my first recommendation for anyone who's just starting out watching Korean television content simply because it's so different from what new viewers expect it to be. It's so gripping and thrilling. I would expect nothing less from Song Jae Jung's writing.

So it's a sci-fi show, set in Spain, about an augmented reality game, that seems to have physical implications in the real world, sending the lead, Hyun Bin on a rollercoaster ride to find answers. Exo's Chanyeol has a recurring role as the game developer, so that's exciting too. I learnt that he was cast because of his love for PubG. Lol.

Every episode will leave you wanting more, and you'll find yourself as desperate to search for answers as Yoo Jin Woo (Hyun Bin).

Granted, mid season, it gets a little complicated, especially with newer nuances of the game unfolding, but fret not because the characters are discovering the secrets of the game with you. So they're as confused as you would be, and that's why this show is so good! More so because the graphics are excellent! You can tell they really spent money on ensuring high quality work. You will really feel like you're part of the game with Yoo Jin Woo.

Anyway, if you are an EXO-L, or you like gaming, sci-fi, thriller and Hyun Bin, this show is great!

2. W - Two Worlds

Another piece of awesome from Song Jae Jung. I would still rank this show a little below Alahambra, because I think the makers made improvements from this sci-fi drama in Alahambra, in the sense of storytelling. Still, W is just as intriguing.

Oh Yeon Joo (Han Hyo Joo) gets sucked into a comic book where she falls in love with the lead character of the comic book, Kang Chul (Lee Jeong Suk). Sounds like a typical romance drama right? Don't be fooled because there are many many twists and turns along the way.

I feel like there is metaphor in there somewhere about existentialism, the creation and destiny. But maybe that's just me reading into things.

Lee Jeong Suk is extremely desirable as Kang Chul, unsuspectingly charming and endearing, and Oh Yeon Joo is an absolutely relatable character, and how she deals as an ordinary girl thrown into extraordinary circumstances is genuine.

I would say this drama is wholesome, with sci-fi, suspense, thriller, action, romance, filial relationships, and more. And while it's usually difficult to jam pack all this into one show without screwing it up, W emerges exceptional.

3. Extraordinary You

This show is so cute! If you want just a light hearted, quirky show, this is the one for you.

It's about characters in a cartoon becoming aware of their existence in a cartoon. But don't worry this is NOTHING like W.

The best part about the show is that it's not about the main characters of the said cartoon. It's the story about the extras finding their way in that world, hence the pun intended in the title. The main characters (of the cartoon) are actually the most dull, because they are bound by the laws of stereotypical high school romance. But the real stuff is happening on the sidelines, with Kim Hye Yoon as Dan Oh and Rowoon as Haru.

Dan Oh is a hilarious character and Kim Hye Yoon does a fantastic job of switching emotions when she's in and out of a scene in the cartoon. One minute she goes into character mode, next minute she's bitching at the sorry fate of her character when she wakes up, to the astonishment of the characters surrounding her (who aren't aware of their reality yet).

Rowoon has a quiet charm about him that perfectly complements Hye Yoon. Check it out for a chuckle and a taste of something different.

4. Crash Landing on You

This show is hard not to like. Apart from the poorly picturized tornado carrying our leading lady over the border to North Korea, this show is a wonderful Netflix and Chill kind of show, I think.

The cultural disparity between the South and North is interesting to watch and also entertaining. Like when they mention buying mobile games at an App store (a literal application store in a Pyongyang market).

Ri Jung Hyuk (Hyun Bin again) and Yoon Seri (Son Yejin) are such a delight in comedic, romantic, and dramatic scenes. But the scene stealer for me was Yang Kyun Won as Pyo Chi Soo, and his unshakeable nationalism that he is ready to set aside for some shampoo and conditioner.

The interesting thing is going into the show, you have an idea of the longevity, so ofcourse, Seri's journey back to the South ain't going to be easy, also her relationship with Ri Jung Hyuk is doomed, and yet you find yourself rooting for them at each step, crying with them during their failures and crying with them even in their triumph. But the most tears were shed for the least expected character, who simply left us all heart broken.

5. Weightlifting Fairy Kim Bok Joo

In a world where women are expected to behave and look a certain way to be considered attractive by someone they're vying for, here's a food hogging, tomboy, weightlifting champ, with her first crush.

The premise may rope you into the show, but midway you realise that the heart of the show is in its characters, and without realising you become so invested in them that you feel their fears, insecurities, and cherish their victories with them.

This coming of age show really relishes on the quirks of each character, friendship, love and aspirations. It's not a very dramatic story which is probably why it didn't rate very high during its broadcast, but that's part of its charm, and that's why it's been able to gather a significant cult following since.

Lee Sung Kyung and Nam Joo Hyuk portray the most sincere friends and eventual couple. Their relationship blossoms in the most organic manner and it's so heartwarming. They're not cheesy or unrealistic; they even beat each other up! I don't think I've seen that level of comfort portrayed on screen so well before.

Watch out for guest appearances by Ji Soo and Lee Jeong Suk.

6. Strong Girl Do Bong Soon

I'll be honest, this recommendation is mainly for Park Hyung Sik. He's amazing in the show. And there could be no better supernaturally strong petite girl than Park Bo Young, either.

So there are actually a lot of things happening in the show, story wise, but I promise it all comes together in the end. There is quite a build up and I'm happy that it pays off adequately.

This is like a superhero show with all the spices and flavours of a Marvel movie, but K-Drama style. There's an invincible villain, some idiot gangsters for comedic value, romance (a love triangle infact), functional training, a point of lost hope for Bong Soon, and then her resurrection as a superhero.

It's all there, and more.

But Park Hyung Sik.....

7. Itaewon Class

This recommendation is simply for the refreshing change of representation on TV. I know a lot has already been spoken about it already, but I have to admit that that's what sets this revenge drama apart. That, and the music. Dayum, Start by Gaho is so catchy! And let's not forget V's Sweet Night.

This show starts off slow but give it 3 episodes before it gets to the real shit.

Park Saeroyi is almost too good to be true, and in that lies his shortcoming. His character is so strong that while watching him I forgot that Park Seo Joon was acting. And despite some unnerving moments I found myself rooting for him. He has some strong motivational lines too, like about his choice for a better life. His determination is almost unreal, as he goes on to take down his mortal enemy.

Some of the best scenes, though, are of Jo Yi Seo (Kim Dami), a sociopathic enterprising genius. She was the one who actually kept me hooked to the series. She added some much needed flair to the show, and as it appears to Park Saeroyi's establishment.

Actually, every character was strong, every character had a strong backstory and motivation for the action, and most importantly they never broke character.

Watch out for Park Bo Gum's special appearance.

8. Love In The Moonlight

Speaking of Park Bo Gum...

This show is all kinds of weird in the best way! A girl pretends to be a palace eunuch and falls in love with the crown Prince. That is so messed up!

But that's the fun part! And Park Bo Gum and Kim You Jung make it a wonderful ride. Full of quirky romance, political conflicts and hidden identity issues, this show is addictive af!

And even though this wasn't in the show and was just a promo, be sure to watch Park Bo Gum's Bombastic dance. It's adorable!

9. The Third Charm

I'm sure this is my least popular recommendation. But something about watching this show was so cathartic. I highly recommend it for those who may have gone through heartbreak ever in their lives.

This is probably one of those rare times when I was lost in the story instead of Seo Kang Jun's eyes. Hehe. This story is about an on again off again couple and their journey through life together and apart.

This was meant to be a healing drama, and it really does take you through the emotional evolution that comes with growing up. I think it's the perfect medicine for a healing heart.

10. It's Okay Not To Be Okay

This show! This is my current obsession. Kim Soo Hyun's comeback couldn't have been more perfect. Seo Yeji couldn't have been a more perfect casting. And the two leads couldn't have had a better chemistry.

This show is all kinds of whimsical and I love it. Also a healing drama, this show deals with.... Baggage....to put it simply. Some baggage may be bigger than other baggage, some even irrevocable. But seeing all the characters overcome this baggage is so fulfilling.

But the charm of this show is in Ko Moon Young's (Seo Yeji) craziness and the Tim Burton-esque setup, that really makes one perceive fairytales in a whole new way. I mean I always knew that fairytales were sanitized German folklore, but I never thought to find a very different messaging from the material. The parables are ingenious, and it really is a pleasure to watch each and every person on this show.

Special mentions: Goblin, Reply 1988, 30 but 17/ Still 17, My ID is Gangnam Beauty, Hotel Del Luna

[drowsydregon]

EVEN MORE Small Facts/Details About Ninjago Characters

> Day of the Departed is Nya's favorite holiday

> Lloyd isn't usually one to snark or be cold towards people, but if you do him dirty he will verbally eviscerate you. He did this to Harumi, Garmadon, and Akita after feeling betrayed or hurt by them.

> Cake isnt the only thing Cole likes. He also likes chocolate-covered shell peas!

> Jay really likes cotton candy! he's seen eating it during Lloyd's trivia game in "Child's Play" as well as after stopping Lloyd in "Rise of the Snakes."

> While Kai isn't very good at skating, he is good at sledding.

> Lloyd's animal symbol was an ouroboros serpent until he became the golden ninja. Now it’s a dragon.

> Cole tends to cross his arms.

> Ninjago's version of Instagram and Facebook merge together, and the site is called "InstaBook.' Twitter on the other hand is called 'Chirper.' Kai's handle on Chirper is @ Fi-Ya13 (Yes, it's pronounced how you think it is. Bonus fact: Kai is a professional dork.)

> Cyrus likes talking about technology and the work he makes, even in the presence of people he doesn't necessarily like. He was very proud to announce the features of the BorgWatch after Krux dismissed the device.

> Cole is a nervous eater, and Ronin called him out on this.

> Nya and Zane are the only Ninja who have never been shirtless at any point in the series. On the other hand, Jay has straight up been naked on-screen before. (And... hit a dude with a towel while he has naked.)

> Zane's speech pattern tends to be more formal than his fellow Ninja's. He doesn't use slang, idioms, or contractions very often. The other nindroids tend to be the same way.

> Wu's beard got a lot longer after being hit with the Time Punch. Seriously, it basically dragged on the ground.

> Cole is a very skilled artist. Specifically, he likes making traditional paintings.

> The last time we saw Zane's falcon was season eight.

> Jay.. does not have a very expansive vocabulary. He wasn’t exactly sure what 'bequeathed' or 'temporal' meant.

> Skylor has appeared in every season since her debut. The only exceptions are season 8 and season 11.

> Ronin's eyepatch has thermal vision and can scope out ghosts. Pretty handy if you owe a very dangerous ghost a large debt, no? ((This also implies that Ronin likely isn't blind in his right eye.))

> Ever wonder what happened in the aftermath of Skybound?? No?? Well according to The Dark Island Trilogy, Nadakhan's crew is actually currently in Kyptarium Prison, while Clouse is trapped in the Underworld.

> Acronix's favorite modern invention is the BorgWatch. Likewise, Krux hates BorgPads the most.

> Acronix says he has followers on InstaBook. How many or who these followers are is unknown.

> During DotD, Morro and Pythor's statues are opposite side of the other villains'. This could be possible a representation of how Morro and Pythor got redemption arcs while the others did not. (even tho Pythor's redemption arc was a psuedo arc, he was still considered 'redeemed' until that point)

> Fangtom and Skalidor's names are never mentioned in canon; whereas Pythor, Skales, and Acidicus are all mentioned by name at least once.

> The spider song Harumi sings is actually a lullaby Hutchins taught her. Ironically, she found it pretty creepy as a child.

> Harumi likes lots of garlic in her noodles, but wasn’t really allowed to have garlic often due to her parents believing that princesses 'are not allowed to have bad breath.'

> Harumi also likes ice cream and cats!

> Pythor has happily taken pictures with a family visiting the amusement park, and only seemed to hate it after the flash went off.

> Acronix likes taking pictures. This includes selfies. 

> After being bleached, Pythor's eyes shift in and out of being pink and red. Whether this is an animation error or there's an actual reason for this is unknown to me.

> Harumi has zero clue where Mr. E came from. He just kinda... appeared.

> Nonetheless, Harumi was soft for Mr. E. She tried to reason with Garmadon to prevent him from being murdered, and looked legitimately hurt when she was unsuccessful. 

> There's a particular scene where Morro walks into a bar, and he seemed to get a nostalgic kick out of being there. As if he's visited it many times before when he was still alive.

> Pythor prefers to lead armies with perfectly concocted plans rather than directly fight his enemies. If he has to directly fight, he's either gonna pull a trick out of his sleeve or he's gonna end up running away.

> Morro is one of the only ghost warriors we see whose never seen with a tail. (Unless you wanna count the time he possessed Bansha)

> While Chen is ultimately a selfish asshole, he did stick up for Skylor after Clouse made a snide remark about her betrayal.

> Pythor is extremely lonely, going so far as becoming friends with inanimate objects in order to fill the void. He even questions why Lloyd would run away from making friends, saying that 'everybody needs friends, even tyrants,'

> Chen, Clouse, Skylor, and Garmadon are the only cultists without tattoos on their faces. Likewise, they're the only cultists who keep their regular humanoid heads after the transformation spell is complete. (Well aside from Clouse, since he never became an Anacondrai in the first place.)

> Hutchins was more aware of Harumi’s problems than the Emperor and Empress. It’s also implied Hutchins was growing suspicious of Harumi’s plans.

> We don't have much to go off of, but it's subtly implied that Morro was very curious as a child. This seems to carry over as an adult, as he can be seen assessing situations and acting quickly based on these assessments. (For example, he was the one to figure out Yang was likely the culprit that brought everybody back to life during DotD while all the other villains were still bantering with each other. He was also able to figure out how to use the Sword of Sanctuary fairly quickly through mere study.)

> Morro almost always has an eyebrow raised. Seriously, between his smug nature and his curious nature, his eyebrows never even out.

> Cryptor laughs... a lot. Like that's literally half his dialogue. At least he's having a good time!

> Morro had his green hairstripe before he was adopted by Wu.

[manicdragondreamgirl]

I haven’t had chemistry since like 2008, and I’m also an idiot who likes to make my friends upset, so I rated the periodic table in order to tilt my friends:

Hydrogen - this is like your childhood friend who has always been with you more or less and always will be down to get a drink and chill even tho you haven’t spoken in years. Solid bro imo 7.5/10

Helium - always down for a good time, even if probably created Alvin and the Chipmunks which in some places is considered a war crime. 4/10

Lithium - Gives me bitchy vibes and is flammable as fuck if I remember. Skinny bitch with an attitude 3/10

Beryllium - idk this sounds like a sailor moon villain lol for that it can have a 6/10

Boron - more like BORONG amirite ha ha wait no seriously I have no idea lol 5/10 clean neutral rating

Carbon - *screaming* 2/10 I will not be taking questions

Nitrogen - cool cool cool tight tight tight 9/10 Nitrogen just is the cool hot chick you wish you were

Oxygen - kid who takes up all the glory for the group project even tho you did all the work, 4/10 for natural charisma

Fluorine - lol what are you knockoff chlorine lmfao bitch 3/10 reminds me of the dentist

Neon - I can vibe with this boy for his contributions to signs which cause my eyes to scream 8/10 modernized Art Deco thanks you

Sodium - 10/10 this is me and I won’t be taking questions next element

Magnesium - magnesium is a close relative of magnificent and therefore I think the case is closed folks 9/10

Aluminum - 10/10 for providing a home to my Diet Coke addiction I’d be dead without you

Silicon - 6.9/10 :smirk:

Phosphorous - This has a very soundly name and it’s welcome to do that but idk, not a fan, seems like he’d be smelly, 2/10

Sulfur - 1/10 pretty sure that dog farts are purely comprised of this and as such if I was leaving negative ratings I would

Chlorine - 7.8/10 for being in pools so we could swim without brain eating amoeba in the south you a champ

Argon - he seems like a nerd jk this guy has a good color 9/10 for just being himself

Potassium - I hate bananas and this word gives me the physical sensation of biting into one but only by thinking of abstract letters and making them into something which we can nutrientise from bananas and to me that shit is bananas, b a n a n a s — 3/10 for making me sing hollaback girl thru adhd word association

Calcium - hm my brain went to mega milk so you get a 2/10 today bud I don’t make the rules

Scandium - pretty sure this is fake lol what’s next faxdium, e-Mailite and copinium? 5/10

Titanium - this song’s a banger and also is the only thing that lets me wear earrings 10/10

Vanadium - if your erection lasts for longer than like idk it’s supposed to then don’t take vanadium wait what do you mean it’s not an ED treatment 4/10

Chromium - decent bloke shame the browser eats all your memory 5/10

Manganese - if a weeb tries to tell me how to pronounce mayonnaise one more time... 1/10

Iron - excellent tool against the fey, in your blood, what a bro, 10/10 this bitch slaps

Cobalt - has a powerful energy; I respect him. 8/10

Nickel - if I had a nickel for every time someone made this joke lol 5/10 he’s doing his best

Copper - taste bad 3/10

Zinc - isn’t that the dude in the green tunic and white tights who saves premcess Lelda or something lol 7/10 those games are good

Gallium - seems like a prick 4/10

Germanium - sounds like a child pronouncing geraniums which are superior 3/10

Arsenic - bad vibes coach 1/10

Selenium - isn’t this just sailor moon lol 10/10 love this bitch

Bromine - farmine wherever you aremine - 9/10 I love a good bro

Krypton - he’s okay I guess 5/10

Rubidium - yet another Steven universe villain who will be redeemed I imagine 4/10 seems a bit dull

Strontium - I feel nothing when I see this lad’s name and that seems like a shame 1/10 I don’t like it

Yttrium - this is an atrium in Yharnam, or something 8/10 would love to sit in one and make contact with higher beings

Zirconium - oh wait THIS is the sailor moon villain from the dead moon circus! 9/10 I enjoyed that arc

Niobium - seems sassy, I like that in an element 7/10

Molybdenum - I hate this one, rancid. 1/10 for making me have flashbacks to difficult Ancient Greek vocabulary there is no fucking way that sound combination is anything but Beta and Delta borking and then Latin being like oh imma steal that

Technetium - 6/10 decent name but seems a bit forced

Ruthenium - 5/10 kindly old lady element I guess lol

Rhodium - 10/10 this ain’t my first rhodium babee this lad has good vibes what a name what a king

Palladium - 10/10 for making me think of paladins

Silver - 12/10 I’m breaking the rules for this silver is the best it is so cool and also it is the other best tool for dealing with supernatural creatures when iron has failed you highly suggest Even if I am extremely allergic to it going into my ears...wait hold on

Cadmium - 2/10 sounds like a total douche

Indium - 8/10, i just think it’s independent and neat

Tin - 10/10 good ear sounds when involving rain and roof shapes and automatically reminds me of Nora Jones’s come away with me album which is also 10/10

Antimony - 7/10 decent protagonist good name all around seems rad

Tellurium - tell ur mom what? That’s so early 2010s league of legends humor bro 2.5/10

Iodine - strikes fear in my soul from having it poured on my wounds but this is why I have more pain tolerance than god 5.3/10

Xenon - I think this is a declension of Xena warrior princess which is a win in my eyes, 8/10

Caesium - kind of has a cunty Latin name, 4.5/10

Barium - yeah boss, bury’im! 7.5/10 I love a good mobster gag

Lanthanum - A bit pretentious on the Tolkien spectrum sorry bud 3/10 sounds like you’d be the dickwad elf everyone hates

Cerium - 6.5/10 I like this one, gives me a clean vibe

Praseodymium - the fuck who sneezed all their alphabet soup onto the paperwork and called it an element Christ we can’t keep doing this 1.5/10

Neodymium - oh my god what did I just say 1/10

Promethium - thank Christ we’re back to greek 9/10 Prometheus was a Chad I could get behind

Samarium - 5/10 gives me boring wizard vibes

Europium - 4.5/10 don’t rename opium chrissake can’t take these nerds anywhere

Gadolinium - 5/10 it’s a starship knockoff but it’s trying to be bold with the G sound

Terbium - 2/10 I don’t vibe with this one

Dysprosium - sounds like an antidepressant that has a lot of shitty side effects 3/10

Holmium - sounds like someone anxious asking their beloved to hold them 8/10 I like hurt/comfort fics

Erbium - you can’t just describe something as herby you daft bastard 2/10

Thulium - sounds like a spell I like it 8.5/10

Ytterbium - macguffin in a shite sci-fi show that gets highly overrated because BBC produced it and superwholock stans emerge and go utterly feral 1/10

Lutetium - bards are an element I agree 10/10

Hafnium - sounds like a river (my dog) sound and has a cute vibe, I’d offer it head pats 7/10

Tantalum - noooo you can’t be sad yuor so sexe haha 6.9/10 tantalizing

Tungsten - 10/10 this is a lad with history

Rhenium - 5.5/10 it’s ok

Osmium - 4/10 I wasn’t a big wizard of oz fan

Iridium - 9/10 sounds like iridescent and that’s in my top 10 favorite words and concepts

Platinum - 10/10 best Pokémon game

Gold - 7.9/10 all that glitters and all but it’s still pretty on some people, silver is better tho

Mercury - yikes 8/10 so it doesn’t kill me

Thallium - sounds like the brother character in a ps4 exclusive western rpg that oddly falls under the radar in terms of reviews and gets shafted at awards for no reason 7/10 I’ll support you tho

Lead - 2/10 that’s gonna be a no from me dawg pretty sure I still have lead in my hands from stabbing myself with my mechanical pencils

Bismuth - 6/10 sounds good in mouth and reminds me of biscuits for some reason, I’ll take it

Polonium - to thine own self be true so stop trying to act like the arts don’t influence science jk pretty sure this is named for Poland but hey that’s where we get the Witcher so you get a pass 6/10

Astatine - 1/10 I don’t even know what you are

Radon - 7/10 this motherfucker knows his shit and how to party, rad is right

Francium - I bring you francium...and I bring you myrdurdium... 7/10 for a good vine

Radium - killed the video star probably 9/10 I can get behind her

Actinium - as opposed to passtinium I prefer actinium in the voice of writing 8/10

Thorium - overrated Norse god 5/10 because lightning is still cool

Protactinum - sounds like some pretentious condom brand 4/10 wouldn’t do it with a dude who bought these

Uranium - I always thought she was a hot sailor scout 10/10

Neptunium - same for her I knew they weren’t cousins you couldn’t lie to me 4kids 10/10

Plutonium - sounds like a macguffin unfortunately 5/10

Americium - I read this with a pivotal letter missing and nearly died, 7/10 for the laugh

Curium - 10/10 gives me Curie vibes and also reminds me of curiosity which reminds me of—[old yellered before the association could set in]

Berkelium - what I shout when I want Burke (fam dog) to slaughter innocents and raze territories 2/10 world was not meant to know his commands

Californium - 1/10 California is cool with geography but probs could stand to chill with the ego sorry to my friends in Cali

Einsteinium - 6/10 it’s alright but we’re really running out of ideas huh

Fermium - 3/10 this one is porny

Mendelevium - 1/10 my brain didn’t like parsing this and I stand by my earlier statement of running out of good names

Nobelium - 0/10 you didn’t name any noble gases this cowards this gas can’t be a noble oh wait it’s NOBEL I take it back 5/10 seems an alright chap

Lawrencium - fear the old blood my sorry dead hunter’s ass I’ll never get back my life from the hours I spent trying to beat this lava shitting bastard 2/10 for being a boss who eats Taco Bell specifically before being challenged to have fresh lava shit with which to punish you for having the audacity to exist in his space

Rutherfordium - my god what a snob 4.2/10 I respect him a little but only because he sounds like a right lad

Dubnium - DROP THE BASS 10/10

Seoborgium - not sure about this one but it can have a 7/10

Bohrium - as an American English speaker this sound combination makes my pathetic throat become a black hole as I try to properly create the sound of it 10/10 I love when my body becomes a massive void in the universe

Hassium - lazy 2/10

Elements 109-118 can go fuck themselves I hate them all, collective 6.66/10 for their general demonic vibe

[metalandmagi]

Summer 2019 Anime Worth Watching

Summer is here, and with it brings another new season of anime! In case you’re feeling lost and want to find some new shows to pass the time, here’s some of the anime I think are worth checking out...because some really good shows tend to fly under the radar. I think there’s some genuinely interesting stuff this season, so hopefully you’ll find something you like too. 

I also have a Winter list and a Spring list and a fall list now!

And here’s my master list for 2020

New Shows!

Given: A *cough* BL *cough* romance anime in which tsundere highschool guitarist Ritsuka Uenoyama is on the verge of losing his passion for music when he stumbles upon the sleepy-eyed Mafuyu Sato who constantly carries a guitar around that he doesn’t know how to play. Drama and musical shenanigans ensue. This was by far my most anticipated show of the season, because I happen to have read a few chapters of this manga and liked it a lot. The only reason I stopped was because I wanted to hear the music in this music oriented story...so naturally the anime makes me very happy. Not only is it sweet and cute with great animation, but it’s also hilarious. Sato is also basically a human incarnation of a lost puppy, and you just help but fall in love with him and the other characters! AND NOW WE HAVE TWO GAY MUSIC SHOWS THIS SEASON! 

Dr. STONE: An action adventure anime that takes place 3,700 years in the future after the world is struck with a mysterious phenomenon that turns the entire human race to stone. Our protagonists: the genius, scientific minded Senku Ishigami and the muscle-y comic relief Taiju Oki, must find a way to rebuild civilization and turn humanity back to normal using the POWER OF SCIENCE! It’s fun, good looking, and way more interesting than I thought it would be. I’m not very attached to the main characters yet, although it’s still early. I’m mainly sticking around for the plot, the comedy, and the answers to the crazy amount of questions I have after watching the first episode!

Fire Force: An action/drama where super powered fire fighters must protect Tokyo from people who are spontaneously combusting while our hero Shinra must find out who started the fire that killed his mother. More than anything, I’d say this show is definitely worth watching for the cinematography and action because almost every second has been high flying dynamic animation that really grips you. It reminds me a lot of Soul Eater, the story and characters have a lot of potential, and you know an anime will be good when the girls have muscles too!

If it’s for My Daughter, I’d Even Defeat a Demon Lord: Can you tell it’s based on a light novel? A slice of life set in a fantasy world where an adventurer named Dale stumbles upon an adorable lost little girl in the woods, who happens to be branded as a criminal. So of course Dale basically adopts her and tries to find out how she came to be with him. It’s basically fantasy School Babysitters without the tragic depth to it (but there’s room for potential). Yes, this is definitely the most wholesome show of the season, but it’s to be expected considering it’s basically Japan’s latest attempt to get people to have more babies. Personally, the most interesting aspect of this show is the fact that Dale and his “daughter” can’t speak the same language. Unfortunately, the light novel ends up pulling a Bunny Drop...so I sincerely hope the anime doesn’t try the creepy romance factor. So for now, if you feel like puking up some rainbows, give this one a try. 

To the Abandoned Sacred Beasts: An action drama where, during a civil war, one side used “forbidden technology” to enhance their soldiers and basically turn them into badass monsters. The only problem: the soldiers who were turned start to lose their humanity and end up killing humans for the fun of it. Now our protagonist must hunt down his fellow soldiers and kill them before it’s too late. Honestly, this show has some pacing issues and can be a bit stilted in terms of its character interactions, but what kept me watching was the last 5 minutes of the first episode. I was so not prepared for the roller coaster that was the first episode’s ending, and now I’m extremely intrigued. Besides it’s made by MAPPA so I would at least give it a couple episodes to see if it’s for you.   

Vinland Saga: The story of a young boy named Thorfinn’s journey to become a great warrior and while the adults deal with going to war. IT’S THE ONE WITH THE VIKINGS!!! It basically feels like a darker, grittier viking version of Moana. I’ve heard literally nothing but praise for this manga for so many years that my hopes skyrocketed as soon as I heard Wit was doing the adaption. And it has definitely lived up to the hype so far! It’s a great action historical drama to fill the void after Dororo. The only problem is no one will watch it because it’s on Amazon Prime.

Kochouki: Wakaki Nobunaga: A fun brightly colored historical anime about the famous warlord Nobunaga when he was a young teenager. I honestly don’t know what the tone of this anime is going to be from here on out, because it’s going to go from “fun thieving shenanigans with pretty boys” to leading people into battle, but it got me interested. I know putting Nobunaga in an anime isn’t exactly original, but this one seems like a fun ride...and it looks gay as fuck. 

And I have to shout out some that haven’t premiered yet...just in case...

Try Knights: This one doesn’t come out until the end of July, but you bet your ass I’m going to be watching it because it’s an original anime about PRETTY BOYS PLAYING RUGBY! And I have a feeling it’s going to be very... different from the other resident rugby anime All Out. 

Yokai Ningen BEM (Humanoid Monster BEM): Okay, this one’s not out yet either, but the trailer had a really cool vibe to it, so I’m including it anyway. It’s a remake of the 1968 anime in which a group of yokai who look like humans fight crime in the big city. If nothing else, the music is cool, and it’s made by Production I.G, so why not?

*UPDATE* The first episode finally dropped, and holy crap I’m so into this. It’s basically Durarara mixed with Psycho Pass mixed with Bungo Stray Dogs. The first episode has me completely hooked!

Next seasons and continuations!

As always there are some leftovers from the spring season that are continuing into the summer that I highly suggest!

Carole and Tuesday: The musical sci-fi anime directed by Shinichiro Watanabe wherein a rich runaway named Tuesday meets a streetwise girl named Carole, and the two decide to start a band together. Now Carole and Tuesday must rise to stardom in a world dominated by android created music. It was by far my favorite new show of the spring, and if you can find a way to watch it (because it’s still not available legally anywhere aside from Japanese Netflix apparently) I wholeheartedly recommend it. It’s got the best and most diverse music I’ve seen in an anime in a long time, an interesting setting (apparently it takes place in the Cowboy Bebop universe!?), and very well rounded fun characters. And I'm dying for a soundtrack release with all the songs!!!!

Fruits Basket 2019: Yes, the remake of the classic 2001 anime in which a girl moves in with a family who can turn into animals from the zodiac is getting a full run. And thank God because I just can’t say goodbye to it after only 12 episodes. It is so stunningly beautiful in both animation and story subjects that I don’t know what I would do without it. The characters feel so much more fleshed out, and I feel like I learn a lesson about life each week even though I already know most of what’s going to happen. If you never watched the original because thought you were too “cool” to watch a shoujo anime, give it a chance. Because if you think it’s just a generic love triangle romance show, you couldn’t be more wrong. The reboot is so good at portraying different kinds of love and how the presence of love and family can change lives AND IT’S JUST SO FREAKING GOOD! 

Demon Slayer Kimetsu no Yaiba: In case you missed Ufotable’s newest project, this is a shounen anime that follows a young boy named Tanjiro and his sister Nezuko who has been possessed by a demon and their journey to turn Nezuko back to normal while fighting demons along the way. I still feel like this is a pretty basic shounen anime story wise, but I really like the characters, especially the villains. It has some of the coolest fighting/power mechanics I’ve seen in awhile, and the animation is very cool and different!

Ace of Diamond act 2: Our favorite shounen baseball anime is continuing into the summer. And I have very mixed feelings about this season so far. We are getting some fun new characters and some great scenes with the team, but the games are very...choppy and rushed. Apparently this is how it goes down in the manga, and we’re in for some good Sawamura development...but it’s still touch and go for me personally.  

That’s it for now. Most of these are available on Crunchyroll, except Vinland Saga, Carole and Tuesday, and Kochouki: Wakaki Nobunaga. Since Try Knights and Yokai Ningen BEM aren’t out yet, I don’t know where they will be available legally. 

See you next season!