#Former Director

[stairnaheireann]

Ancient Irish Law

‘Irish law is the oldest, most original, and most extensive of mediaeval European legal systems. It is a unique legal inheritance, an independent indigenous system of advanced jurisprudence that was fully evolved by the eighth century. It is also far less well-known than it deserves.’ ‘Early medieval Ireland evolved a system of law (often called ’Brehon’ law, from the Old Irish word brithemain…

[dailyworldecho]

[undead-knick-knack]

In another life Ashton could've been a great theatre director 😂

[sasaranurude]

Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."

I'll talk about how this looks like a blatant twst clone at the end.

Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.

He's looking for a girlfriend btw. Spreading the word.

The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.

There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!

In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar

At least there's a cat in the rhythm bit.

And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)

Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.

Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.

So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.

[enchantingmirage]

EQG fandom, come get your food! 👭

[yonpote]

dan pronounces chappell roan as shappelle roanne

[tvckerwash]

the noncanon s9 trailer as a whole is very serious, but the idea that wash and maine would have gotten their asses beat by sim troopers on multiple occasions had the outposts not been first established until after the break in is unbelievably funny. these big bad freelancers are more interested in fucking around and goofing off during what is supposed to be a Very SeriousTM simulation exercise and it comes back to bite them so hard, and yall already know that the other freelancers would make sure they never lived it down.

[12thbiologist]

its coming along 👍

[bl-bam-beyond]

A LOOK BACK at Jong Chan & Seung Hyun

THE NEW EMPLOYEE (2022-2023, SOUTH KOREA)

An absolutely beautiful story of a intern quite pass his college days that falls in love with his workaholic boss. A boss that becomes a new and better man because of this intern that stole his heart.

When the intern loses his job, the boss takes it quite personally confronting the CEO and ultimately quitting his job to began a startup with the former intern as his first hire.

Kim Jong Chan (KWON HYUK) was initially cold towards Seung Hyun (MOON JI YONG) but once his heart softened it was permanent and irreversible. Kim Jong Chan made so many changes simply because his love for a man that wanted to understand him and his passion for his work.

And that small bit of understanding made work less important and the man more important bringing a beautiful balance to both of them.

[ambereddragonfire]

A number of characters from Mojito's agency!

[isfjmel-phleg]

🙄

[nadia-el-mansours]

Margo and Sergei both scaring the crap out of Aleida just sends me

[leixinyus]

Five times Danis felt rejected or himself refused care and the one time he didn’t

[plethoraworldatlas]

A longtime Democratic operative and current president of the Center for American Progress issued a scathing statement Tuesday criticizing the Biden administration for accepting the Israeli government's claim that it is adhering to international law with its catastrophic military assault on the Gaza Strip.

"The State Department's shocking assertion that the Netanyahu government is complying with international law in Gaza is a gross disregard of overwhelming evidence and a dangerous precedent in the conduct of U.S. foreign policy," said Patrick Gaspard, who previously served as executive director of the Democratic National Committee (DNC) and U.S. ambassador to South Africa under the Obama administration.

"The stakes here are so high that the administration must be transparent and accountable in sharing with the American people all evidence that has led to this determination and the continued sale of offensive weapons to Israel," Gaspard argued, pointing to Israeli Defense Minister Yoav Gallant's stated goal of imposing a "complete siege" on Gaza at the start of the assault, which is now in its sixth month with no end in sight.

Gaspard said that "every aspect" of Gallant's "edict" has "been on open display to the world," with famine, dehydration, and disease spreading across the enclave as Israel persists in obstructing the delivery of humanitarian aid.

The CAP president's statement came after U.S. State Department spokesperson Matthew Miller told reporters earlier this week that the Biden administration has not found Israel "to be in violation of international humanitarian law, either when it comes to the conduct of the war or when it comes to the provision of humanitarian assistance."

Miller's remarks followed a letter from Gallant assuring the Biden administration that Israel is complying with international law in its use of American weaponry—a written assurance that was required under a��new White House policy.

In a press briefing on Tuesday, Miller clarified that the administration's assessment of Israel's compliance with international law is "ongoing" and has "not reached a definitive conclusion."

But Miller reiterated that "we have not reached the conclusion with respect to Israel that they have violated international humanitarian law."

Leading human rights organizations and United Nations experts have concluded that Israel is guilty of grave violations of international humanitarian law—including the crime of genocide—and called for an immediate arms embargo.

Gaspard said Tuesday that "by its own imposed standards," the U.S. "cannot heedlessly deliver offensive weapons as the Israeli government continues to bombard and starve innocents on a mass scale."

"These actions have nothing to do with self-defense; they are clearly intended as collective punishment and are resulting in the complete devastation of Palestinians as a people," Gaspard added. "There is no time to spare in pulling back from this outrageous assertion by the State Department: An Israeli incursion into Rafah promises to bring only more death and devastation to civilians—and will make the administration complicit in one of the worst tramplings of human rights in this century."

Gaspard's statement is just the latest evidence that dissent against the Biden administration's unwavering support for Israel is spreading in establishment circles. Last week, dozens of former U.S. officials signed a letter urging President Joe Biden to consider restricting military aid to Israel, citing its mass killing of Gaza civilians.

On Wednesday, a U.S. State Department official resigned in protest of Biden's Gaza policy, saying in an interview that "trying to advocate for human rights just became impossible."

[maribellablack]

Exactly a month ago, we celebrated the birth of one of the most influential and outstanding people in the USSR, Sergei Parajanov.

Sergei Parajanov (January 9, 1924 – July 20, 1990) was an Armenian film director and screenwriter who invented his own cinematic style which was out of step with the guiding principles of socialist realism, the only sanctioned art style in the USSR. This, combined with his lifestyle and behaviour, led Soviet authorities to repeatedly persecute and imprison him and suppress his films.

He was born as Sarkis Hovsepi Parajaniants in Tbilisi, Georgia to artistically-gifted Armenian parents, Iosif Parajanov and Siranush Bejanova. He was an incredibly talented person who had the ability to show you the beautiful colors of the world, take something uninteresting and unattractive and transform it into something magnificent and breathtaking. Parajanov's films are full of allegories and metaphors, small important details that one might miss easily if they are not familiar with the eccentric worldview and borderless, unlimited imagination of Sergei. Some of my absolute favorite films directed by him include: "Ukrainian Rhapsody" (1961), "The Color of Pomegranates" (1969), "The Legend of Suram Fortress" (1985)...

He died on 20th of July, 1990 in Yerevan, Armenia at the age of 66 because of the lung cancer.

In a 1988 interview he stated that, "Everyone knows that I have three Motherlands. I was born in Georgia, worked in Ukraine and I'm going to die in Armenia."

[cosmicrhetoric]

a line from the maskerade audiobook made me laugh so hard this morning on my work commute that i thought i was gonna have to pull over. but it wasn't even one of the big famous jokes of the novel like it was just this: