#Georgian Design/Style

[frenchtables]

Modern Georgian Interiors: Blending Classic Elegance with Today's Living

Although we live in a modern, fast-paced world, the fabulous Georgian design and structure are the ones homeowners prefer for their houses. Georgian style, a classic look with a grand atmosphere, complete history, and an over-the-top elegance, always finds a way to be at the forefront of the design. In the 18th to 19th-century period when the design emerged, Georgian structures were still shown for a certain depth of time. Some might ask: How can a style iconic for its time have reconciled the enthralling Georgian impression with usual contemporary living? The way to achieve this is by using a rational composition that is both classic and modern– a fusion of Georgian style in modern homes, creating modern Georgian interiors that are both sophisticated and functional.

Understanding the Georgian Foundation

Before diving into the blending process, it's crucial to grasp the core principles of Georgian design. Think symmetry, balance, and proportion. Classic architecture from this era is characterized by sleek lines, traditional moldings, and a sense of elegant restraint. Inside, look for high ceilings, rich plasterwork, and a simple color palette with an emphasis on soft neutrals and muted tones. This instilled an unpretentious sense of opulence.

Bridging the Gap: Modernizing Georgian Elements

The challenge lies in translating these traditional elements into a space that feels fresh and relevant. The key is not to produce museum stiffness but to preserve the spirit of Georgian style and infused with modern sensibilities.

Architectural Details: Start with the skeleton of your room. Adding crown molding, picture rails, or a period-style fireplace surround can instantly introduce Georgian style. But attempt to use more streamlined, less ornate versions of these details to avoid overwhelming the space.

Furniture Fusion: There is no reason to be afraid of mixing antique and modern furniture. A Georgian armchair in traditional design can look marvelous with a sophisticated, modern sofa. Select furniture with clean lines and a sense of understated elegance.

Fabric & Texture: Damask or toile are timeless fabrics that will add a touch of Georgian style. But apply them sparingly, maybe as accent cushions or drapes. Balance these out with modern textures like linen or velvet.

Color Harmony: Have a reserved color palette of pale neutrals and soft hues, but feel free to inject bursts of color via artwork or accessories. This will introduce the room to modernity.

Lighting is Everything: Exquisite chandeliers and sconces are de rigueur for Georgian-style rooms. But incorporate modern lighting fixtures like recessed lights or LED strips to create a layered and dynamic environment.

The Power of Bespoke Design

To achieve a truly seamless blend, consider incorporating bespoke details. Bespoke furniture, crafted to your specific needs and tastes, can bridge the gap between old and new. This allows you to design a unique and bespoke area that is genuinely an expression of your own personal aesthetic.

Creating a Living Legacy

Blending Georgian elegance with modern living is not about recreating a bygone era. It's about creating a space that honors the past but embraces the present. It's about creating an atmosphere that is luxurious but livable, a space where the past and present converge in perfect harmony.

By thoughtfully applying the main principles of Georgian design and infusing them with contemporary sensibilities, you can design a home that is both classic and modern, a perfect expression of your own personal style and taste.

[vintagehomecollection]

Deck & Patio Styles, 1996

[livesunique]

Ballynatray House,

Ballynatray Demesne, Youghal, Co. Cork, Ireland

[celebrityresidence]

Elegant Grandeur of Oprah Winfrey's Montecito Mansion

This captivating image showcases the architectural brilliance of Oprah Winfrey's Montecito mansion. Nestled in California's elite enclave, the mansion is a harmonious blend of Georgian and Neo-Classical styles, featuring high ceilings, spacious rooms, and intricate detailing. The photo captures the essence of luxury and elegance, reflecting the mansion's integration of traditional design with modern amenities, set against the breathtaking landscapes of Montecito. Visit: https://www.omnihomeideas.com/design/celebrity-homes/oprah-winfrey-house-in-montecito/

[dailyfont-com]

Maychurch font combines grandeur with precision, inspired by drafting techniques, offering a timeless elegance reminiscent of Georgian and Victorian styles.

Link: https://l.dailyfont.com/ZuxVZ

[androdconstruction]

Creating Your Dream Home: Custom Homes and Cottages with And-Rod Construction

Are you dreaming of building your perfect custom home or cottage? Look no further than And-Rod Construction, where our experienced team is dedicated to turning your vision into reality. We offer a range of packages, including Huron Homes, Georgian Homes, and Linwood Homes, to suit your unique needs and preferences.

Huron Homes: Affordable Quality and Style

Our Huron Homes package is designed to keep costs down without compromising on quality or style. With features like Gentek vinyl siding, Cabinet Smith kitchens made in Canada, and pre-fab glass showers with custom tile, you’ll enjoy a beautiful, functional space that fits your budget. Whether it’s elegant interiors or a cozy gas or wood fireplace, Huron Homes delivers both comfort and sophistication.

Georgian Homes: Luxury with Essential Upgrades

For those seeking a touch of luxury, our Georgian Homes package offers quality and style with upgrades where they matter most. Enjoy genuine wood siding, custom-built Canadian kitchens, and custom glass showers with intricate tile work. The package also includes custom maple stairs and railings, and upgraded trim and door packages, ensuring your home exudes timeless beauty and charm.

Linwood Homes: Embrace Nature with Customizable Designs

Our partnership with Linwood Homes allows us to offer a variety of customizable designs that seamlessly integrate into the stunning landscapes of the Bruce Peninsula. From tiny homes to expansive post-and-beam models, Linwood Homes provides a perfect blend of traditional features and modern flair. With prefabricated materials, Linwood Homes are both budget-friendly and eco-conscious, making them an excellent choice for your custom home or cottage.

At And-Rod Construction, we believe in creating spaces that reflect your unique lifestyle and blend harmoniously with your surroundings. Whether you choose a Huron Home, Georgian Home, or Linwood Home, our team is with you every step of the way, ensuring your dream home becomes a reality. Start your journey with us today and discover the endless possibilities for your custom home or cottage.

[bibliotecauditiva]

Traditional Laundry Room Inspiration for a mid-sized timeless galley limestone floor utility room remodel with a farmhouse sink, recessed-panel cabinets, white cabinets, granite countertops, white walls and a concealed washer/dryer

[hometoursandotherstuff]

I don't know why I rarely ever find Georgian style homes, but here's a beautiful 1901 Georgian Revival in Fall River, MA. 7bds, 4ba, 7,570sqft, $1.295m.

I love the pristine dark wood. Look at how beautiful this is. The floors are new and I wonder what color they were originally.

Huge sitting room with wainscoting, built-in shelving with glass doors, and look at that ceiling.

Now, this is unusual- the music parlor has light wood and an intricately carved fireplace.

Formal dining room with wainscoting and another beautifully designed ceiling.

A long space begins with a sitting area, then is like a train car or tunnel, with built-in bench seating, then a sun room/conservatory. That's very different.

The seating area at the beginning has a fireplace and wood paneling.

Isn't this pretty?

The kitchen was remodeled, and although it's not very large, they left the original doors to a terrace and original stained glass window. I's so cozy. Looks like the light fixture could also be original.

They've got a wine fridge in this back porch.

And, there's also this wonderful original pantry.

Large 2nd fl. landing.

The primary bedroom is so large, it has an inglenook.

This bedroom has a beautiful fireplace and is used as a cozy family room.

Large bedroom with a pretty fireplace.

Several of the bedrooms have separate seating areas.

The attic is finished.

Gorgeous rooftop deck.

What a lovely yard. .37 acre.

https://www.zillow.com/homedetails/654-Highland-Ave-Fall-River-MA-02720/55984115_zpid/

[marzipanandminutiae]

Thought you might find this interesting - there's this company called Brooksfield Homes in my country who are making Victorian and Georgian style cottages, villas, and townhouses pretty affordably. They have set designs that you choose the fretwork and colours and other details on, and fully custom options too. I just think it's really cool, and I'd love to see more companies doing this, because I don't think people who have to live in apartments or townhouses for whatever reason should be forced to live in hideous grey boxes. We shouldn't have to choose between housing being affordable and attractive!!

that's amazing!

and I will use this as an example for when people start saying "well, they can't make affordable housing look like that!!!! it's too hard/expensive/whatever!"

yes, they can. developers just have to stop being so damn greedy, and architects have to stop being so up their own asses making hyper-modern designs that a large number or people dislike

I'm not a NIMBY. I'm all for dense housing, much as I want a single-family for myself someday. I AM, however, a NLHIMBY- Not Looking Horrible In My Backyard. because I KNOW those assholes don't need a fifth yacht in exchange for making people live in concrete boxes with huge ugly glass walls and all-white plastic everything

people who aren't rich deserve beauty in their housing, too. period.

[vintagehomecollection]

Soon after John Y. Brown, Jr. was elected governor of Kentucky, he and his wife, sportscaster Phyllis George, discovered Cave Hill Place, a romantic antebellum mansion in Lexington. With the assistance of R. Wayne Jenkins, the home, built in 1821 by a nephew of Patrick Henry, was totally renovated and decorated in a matter of six short weeks. Lofty pink oaks and maples provide shade for the neo-Federal style residence; its Georgian portico was a 1916 addition.

Celebrity Homes II, 1981

[livesunique]

Somerley, Ellingham & Harbridge with Ibsley, Hampshire, England

[tendermiasma]

Anonymous asked: What are some of your favorite antique things to collect? Do you have any especially favorite finds?

Strawpage/tendermiasma

That's hard... I love furniture, it's so neat to see how they shaped and reflected trends and values and just the pure craftsmanship is so wonderful. My favorite styles hover around the 17th and 18th centuries-- Jacobean, George III, Federal/Hepplewhite/Sheridan. There's something about the crispness of the detailing of the last four that makes an ornamented piece feel so light and airy. I love Jacobean because every piece looks like it was hauled out of a fire, the dark patina is so rich. I don't actually own any originals from these periods (yet!!!) but fashion is a flat circle and Jacobean had a revival in the late 19th and a couple decades into the 20th century. I have a court cabinet from probably around the 1930s that I found here in Austin that was a part of this revival and you can see the Jacobean influence also carries a secondary Arts and Crafts influence that the US was on the tail end of. The engraving on the panels are a little bit flatter than the traditionally extremely 3D Jacobean carving, and that's what Arts and Crafts brought. They kept the dark patina look and I think it's interesting to think about how much lighter actual Jacobean furniture might have been during its time, and that we're choosing to imitate its aged look as part of its original intent-- sort of like how we thought Roman statues started out white when they were actually originally brightly painted, but we choose to make them white in most of our casual references. Regardless the charred finish looks amazing against light colored walls. It feels contemplative. Welsh 18th century design also has that quality although more pared-down but still warm and welcoming somehow. I love it.

Back to Georgian/Sheridan/Hepplewhite/Federal though, also don't actually own any from that time either, although I have been heavilyyyyyyy eyeing a credenza from one of my favorite antique dealers in Austin who randomly has some incredible pieces. I could't buy it responsibly but they're all free right there for me to study and admire. Sheridan and Hepplewhite are super similar and a good way to tell them apart is the feet. If they're tapered little unadorned pegs, it's probably Hepplewhite, and if they have a ball or box on the end or have some other angular detailing, it's probably Sheridan. THOSE styles came back around almost 200 years later in the woodwork of midcentury modern which I think is so neat. You can also help yourself date a piece with other little things, like screws. There was a period in the early-mid 1800s where screws had machine-made threads while their heads were still cut by hand with a hacksaw; the machinery for cutting screwheads came later. Philips screws weren't widely used until the 1940s so that's another possible way to tell. However you have to be careful because a lot of furniture gets repaired and modern hardware is usually used, so it's good to hunt around on it for signs of the original hardware. You can also tell whether hardware is new or possibly original by the amount of patina built up around the hardware. That's hard to fake. 

I got lost again. I also love looking at pottery and dishware because there's so much information and history in its marks. It's always such a fun little forensics game to look at its stamps and writings and symbols on the bottom to track where it's been, who made it, is it a forgery of a well-known artisan? That happened to me really recently when I found a Meissen tea set at a thrift store and it turns out I believe I have one actual Meissen cup in there from mid 1800s. The only way I could figure it out it was genuine and also its general date was because of its imperfections, which is pretty cool. Meissen had a specific way of marking B-grade dishware that they only used during certain time periods, and thankfully there's document of it, and my piece carried it. I don't care if she's not A-grade, she's beautiful and I'm a sucker for blue and white china.

I could talk a lot more but I'm just rambling at this point so feel free to ask more. I love it all so much. I've had a great time learning so much more than I bargained for with every new piece I find. I'm still mourning the Austin Antique Mall closure that happened last May but thankfully there's another great one in Round Rock and I should go back next month.

The smoking-gun wheel marks for the date and authenticity of the Meissen cup

My Jacobean-revival court cabinet from probably the 1930s

In her natural habitat. I built the fake fireplace! None of the existing ones were Georgian enough for me lol

The coffee table is I believe late 1930s and the chair is a 1960s wingback that got recovered in probably the 90s and I want to get it recovered again when I can. I'm at capacity since I'm in a 1-bedroom apartment and my primary goal is a well-designed space but when I can get an office it's going to be so over

[ranticore]

thinking about characters fursonas is always more fun to me than directly anthro-ifying them because it's not just a question of "what animal would they be" since before you can even ask that you have to figure out how they would pick a fursona, and i almost feel like that says more about a character than what animal they choose.

like. would they want an animal that represents their ideal self? something that represents how they see themself to be currently? and how well does that perception match up with these actual reality? or would they pick based on something less complicated like "favorite animal"/"movie character they liked”.

all that leadup to ask, how do you think your mvf guys would pick their fursonas?

💯💯💯 literally it's one of the most fun characterisation exercises you can do, it tells you SO much about them, how they view themselves, what they want others to think of them and so on. all that good stuff. and then you get to delve into furry subcultures, influential artists etc

so on to the actual fursoneys themselves

Jean-Baptiste - aforementioned hummingbird with a suit from idk clockworkcreature or something. the subculture/art style is realistic but very humanised, basically a bird head on a feathery human body, no wing-hands, with a Georgian style of dress (potentially with steampunk elements) and named after a famous scientist from the period. He would not be an artist, but he would be one of those ppl who's a bigtime engineer making huge money who invests heavily in commissions of art (usually traditional media like oils, colouring pencil, etc) and writing about this character, who is a kind of inventor/old-timey scientist with a highly detailed backstory and canon setting. He chose the hummingbird because it's beautiful, precise, and tenacious, and also just because he likes the 'rare fursona species' aura. He has VERY strong negative view on poodling (when someone wears a partial fursuit with their skin showing) and has been posting to the same old rp forum for the past 20 years. Rude and bitchy but one of those guys who always pays well and tips for commissions because money is no object. an important part of the economy

Bowman - exactly the opposite to everything above. His fursona is a retriever-ish dog called Dog or Mutt or something with a single-colour palette and the art style is new school big toothy grin etc. fursona exclusively wears board shorts. He draws at a beginner level and he's obviously having a blast with it. The muscles are very detailed (so's the bulge) & the art is clearly bara influenced, especially around the eyes. He wouldn't have any interest in suiting i don't think but you will find him at the furry rave in a neoprene harness. He wouldn't have much money to commission with and his twitter feed would be mostly reposts of other people's art (without permission)

Islin - ok you know that one genre of art style used exclusively by dragon furries where it's got realistic scale textures, backgrounds, and the ref sheets are usually incredibly detailed and the dragons in their anthro forms are always absurdly ripped. He can draw this, i know it in my heart. The design is pretty generic western dragon, all things considered, I don't think he has the imagination for more (sorry). Character's name is something appropriately fantasy-ish like Xyrgoryx. He could definitely take commissions as a side hustle but as a perfectionist and professional worrier it would overwhelm him easily. You would probably not find him at a convention at all, I'd say such spaces do not appeal to him. He's been on Furcadia tho.

Félix - generic twinky fox in a thin-lines washboard abs disney-inspired art style with an absurdly deep backstory which we never get to see because the character is only ever drawn being railed. He can draw but more importantly he knows how to take the commissioner's money and run, delete his account, and remake under a different username. Was able to afford a fullsuit from Made Fur You and that alone gave him enough clout to continually avoid allegations of past misbehaviour. Every so often someone goes "hey isn't that a known scammer" when they see him at a con but it never sticks. Later he would get cancelled immediately for saying he "didn't care about" right-wing furries as long as their art was cute.

Senca - Almost certainly a feline-based original species or hybrid. The art style is very goldenwolf with spiritual/neopagan influences, mostly traditional media and ACEOs in oil pastel so it's got a kind of smudgy look. Her character has the same name as her and she considers it a 'truesona' of sorts. She's an established artist and well-respected but struggles to keep up with what Tha Youth are doing and her personal website has looked the same since the year 2006. She has a realistic partial suit but doesn't wear it much anymore, preferring to vend at the dealer's den instead. She always knows way too much gossip about any given person you could point out to her but she insists she isn't involved in what she'll delicately & vaguely refer to as 'drama'.

Léa - she was attracted by the promise of easy entry into a supportive and friendly readymade community and bought an expensive Closed Species design to be her fursona. She tried to participate in events but instead got sucked into a cesspit of petty warfare between her CS community and a very similar CS with design elements that may have been inspired by hers (after all, 'dog with kinda long pointy ears and a big fluffy tail' is VERY copyrightable). She goes along with it, afraid of losing her space in the panopticon discord community by voicing a dissenting opinion and it'll eat her up from the inside. until one day she wakes up and realises she paid €400 to gossip and participate in a group that bans you from adding horns to your fursona's head (a legendary trait restricted to the CS owner and their favourite sycophants) whose main form of bonding ritual seems to be reposting their enemies' art to mock it and colour-pick to prove the palettes were copied. She explains all this to Bowman in one big tearful rant on their first offline date at Eurofurence and he helps her get away from that community.

Helena - that was her copyrighted closed species. and she IS litigious about it.

Erica - it's a pine marten in a modern sketchy "just got an ipad and procreate" style, really cute, fun design, good coordinating outfit, honestly ticks all the boxes but then 5 days after he posts that awesome themed ref sheet he's got a brand NEW fursona and this time it's a cute lil jackdaw, again lovely design all around looks great but wait no in 5 days time it's a roe deer, no wait it's an otter, it's a gecko, it's a

Pascal - a sick as hell cartoony golden eagle with an electric guitar and sunglasses and you can imagine it airbrushed onto the side of a campervan because that's where it lives. he's strictly offline, doesn't know what a furry is, never been on twitter, but he is 100% certain in his heart that this bird is a true representation of himself

[thenordroom]

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[adorablediscoveries]

Georgian Artist Creates Very Funny Animal Dolls

Emina Poison is a Georgian artist who creates uniquely designed toys using a variety of materials, including wool and polymer clay. While her creations often depict animals, she also crafts peculiar and whimsical creatures in the same distinctive style.

In addition to her original work, Emina occasionally accepts commissions, particularly for custom pet dolls—each one irresistibly charming!

"I also work extensively on commission. Clients describe their vision, I create a sketch, and once approved, I bring it to life. Many of my commissioned pieces feature personalized details inspired by specific pets or people, interpreted through my artistic lens."

When asked to share a bit about herself, Emina playfully clarified that she lives in “Georgia—not the U.S. state, but the country near Turkey.”

She also reflected on what first sparked her passion for art:

"Since early childhood, I��ve been immersed in creative activities—drawing, sculpting with plasticine, and crafting with various materials. As a kid, I imagined a world filled with mysterious creatures hiding behind trees in the forest or peeking out from city gateways. When I grew up, I realized I could bring those creatures to life!"

Curious about her most challenging project, we asked Emina to share her experience.

She replied: "It’s hard to recall a specific one. Challenges usually come up when I’m unsure what material to use for a particular part of a toy. In those moments, I simply walk around my apartment, observing everyday objects until I find the perfect solution. It could be an old bank card, an aquarium net, a nut, a nail—anything at all!"

Finally, Emina shared: "I never create identical toys—each piece is one of a kind! While I occasionally make designs inspired by previous creations, no two are ever exactly alike. I always change key elements like the main color, accessories, and other details."

[royalty-nobility]

Queen Victoria and Prince Albert at the Bal Costumé of 12 May 1842

Artist: Sir Edwin Landseer (English, 1802-1873)

Date: 1842-1846

Medium: Oil on canvas

Collection: Royal Collection Trust, London, United Kingdom

Description

Landseer's double portrait commemorates the costume ball held on 12 May 1842 at Buckingham Palace, attended by over two thousand people. Prince Albert and Queen Victoria, dressed as Edward III and his consort Queen Philippa of Hainault, received the guests in the Throne Room, rearranged to create the setting accurately depicted here by Landseer. Members of the Royal Household were expected to appear in dress of the same period, although other guests could wear costumes of their own choosing.

The royal couple stand on a raised dais beneath a Gothic canopy decorated with a purple velvet cloth of estate on which the royal arms of Edward III, with its combined French and English quarterings, have been embroidered. The costumes were designed under the supervision of James Robinson Planché (1796-1880) and were specifically intended to give work to the declining Spitalfields silk industry. The royal couple's costumes were based on tomb effigies. Despite this attempt at accuracy, Queen Victoria's silhouette, created through tightly laced stays and multiple petticoats, betrays the fashions of her own era. Equally anachronistically, Prince Albert is shown wearing the jewelled Sword of Offering (Blair 1998, vol. II, no. 6), made by Rundells for George IV's coronation in 1821.

The ball of 1842 was the first of three costume balls held by the royal couple. The second, on 6 June 1845 was in early Georgian dress, while the third, on 13 June 1851 was in the style of the Restoration.