#He handled that with sokka so great.

[ssreeder]

AHHHHH sssreeeedy,

this chapter made me so emotional!!! i can‘t deny I love some zukka cuddles and sweetness but I really enjoyed the more confrontational scenes and the angst. It’s nice that they’re finally being honest and actually talking

I can’t wait for next chapter!!!!! byebyeee:)

They needed to have a confrontation where zuko was able to put his foot down and find his voice. He’s been such a floater recently just vibing and going through things without really engaging in anything so it’s kind of nice to see sokka pull an emotional reaction out of him. Zuko will talk a LOT more next chapter I think the damn thing is 75% zuko haha so I guess get ready for that haha. thanks for the ask <333

[strawberry-carpcake]

I hate that the atla remake toned down Sokkas sexism for the sake of not being offensive bc honestly I think it’s MORE offensive that it’s not included bc they are basically saying that it’s not important enough to teach those lessons and it’s negative to prevent toxic masculinity 🫶 As a girl I loved seeing the sexism in atla, I loved the lesson that it taught and I loved that all the girls were capable and strong but some of them were STILL FEMININE (cough cough Katara. The new show ruined that too)

While I’m talking about Katara, they ruined her too, not just Sokka. Where’s her rage? Her hurt? Her anger? Let her be angry. She’s 14 fighting in a war, she’s supposed to be mad. I loved her anger it was real and gave her flaws and depth. And also she’s supposed to be motherly. What’s bad about that? There’s nothing sexist about that? Some girls DO want to be that way? Also, it’s supposed to show how she was forced to take the role of her mother as a CHILD bc of the fire nation. It shows the negative effects of war and the loss of innocence, it was so important why is that gone???

[caramel-ribbons]

I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.

Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.

Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.

Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.

Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.

The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[zvtara-was-never-canon]

I believe Aang was right to end the war by sparing Ozai. But the only (imho) valid reason some people say he should have done it is because they wanted Aang to realize that pacifism is flawed.

I'm gonna disagree with you here, because a lot of the flaws fans talk about pacism and how ATLA in particular handles it as a concept are 99%:

1 - People being ignorant/racist and not knowing the difference between pacifist monks and "make love, not war" hippies.

2 - People being ignorant/racist and refusing to understand that there are different kinds of pacifism, even within the same cultures/people groups.

Aang is very clearly not the type of pacifist to go "You can NEVER react with ANY kind of violence towards someone else, even if it's to defend yourself/someone else" (which does exist, both IRL and in the show, just look at the owl spirit in "The Library").

We see him fight, and even be quite aggressive in said fights, in a lot of episodes. We also see he has no issues with invading the Fire Nation. More importantly, for the longest time the Avatar State was a result of him being pissed off enough at some kind of injustice that it makes him lose control, meaning he is very clearly affected by the horrors of war to the point of RAGE.

What makes him a pacifist is the way in which he doesn't WANT to lose control, doens't WANT go from aggressive to full on cruel, and, yes, wants to defeat his enemies, but not kill them.

And as I keep repeating, the show DOES make him question that last boundary he set for himself. He gets told by a past Avatar, who was also an air-nomad before anything, that, when there is such a large threat to everyone's life, including his own, he has to put aside his own spiritual needs and take a life - provided there isn't another option. But there was, so Aang took that, even after he decided that, yes, if there was no other way, he WOULD kill Ozai.

What people don't like is that Avatar, although questioning some types of pacifism, is far more interested in questioning the way people are WAY too eager to use violence to solve their issues, and, more importantly, expect someone else to get their hands bloody.

Fire Lord Sozin starts the war because he, according to himself at least, wants what's best for everyone and would like to share the Fire Nation's glory and great life with the other nations. He tries to do by invading foreign territories, killing his best friend, and commiting genocide. The fucker even has the dragons, an obvious Fire Nation symbol, to be hunted to extintion.

When Jet is angry at the Gaang for ruining his plan to free a village from the Fire Nation's control by blowing up a dam, Sokka asks "Who would be free? Everyone would be dead."

Zuko is banished because he spoke out against a Fire Nation higher-up's plan to use soldiers as fresh meat to bait the enemy into a more vulnerable position, thus assuring the nation's victory in that battle. He openly says "These men love and defend our nation, how can you betray them?"

When Zhao wants to kill the moon spirit, Iroh tries to stop him by pointing out that the Fire Nation needs the moon too (seriously, if it wasn't for Yue's sacrifice and Zhao's death, the Fire Nation would have had to create a word for "Big-ass wave that wrecks everything and kills people" like Japan did).

When Aang is deliberately trying to trigger the Avatar State because he doesn't want anyone else to die in the war, Katara, who had her life ruined by said war, is against it because while she opposes the Fire Nation, she cares about Aang and, in her own words, seeing him in so much pain and rage hurts her too. When Aang can't force himself to go nuclear, an Earth Kingdom ruler attacks Katara and makes both her and Aang, two very traumatized child soldiers, think he is going to kill her.

More importantly, when Ozai wants to burn down Earth Kingdom cities, he says "A new world will rise from the ashes, and I'll be supreme ruler of everything", to which Zuko concludes that, if they don't save the world before his dad takes over, there won't be a world to save.

And what does he say to Aang when he is about to kill him? "You're weak, just like your people. They didn't deserve to live in world, in my world."

Avatar does questions pacifism, and is critical of it on ocasion (again, watch "The Library"). But it's biggest theme is being critical of VIOLENCE, of resorting to it immediately without considering any other option and acting like it doesn't have long-lasting negative consequences, both to the person suffering it to the person inflicting it (see Azula's breakdown, Zuko's angry outburts only making him more miserable, Jeong Jeong growing to resent being a firebender, Zhao accidentally burning his own ships, etc)

The show is constantly highlighting that, yes, sacrifices need to be made for the greater good - but that CAN'T be normalized because it inevitably leads to a never-ending cicle of cruelty, as well as suffering to the one who has to do the dirty job (because lets not forget there's a big difference in how a soldier that is constantly in battle sees the war and how a king that just gives the orders but never goes into the actual combat sees the war).

The show embraces pacifism, despite knowing some versions of it are flawed, because the narratives themes are:

1 - EVERYONE is capable of great good and great evil

2 - No group has the right to impose it's own lifestyle onto others

3 - If everyone is either dead, mentally (and physically) scarred for life, or preparing to kill someone as revenge, then being killed by someone who wants to avenge that person, who will themselves be killed for revenge later, then the "greater good" you're sacrificing everything for doesn't actually exist because NO ONE will have a good life in a world that is stuck in the cicle of violence.

[bouncybongfairy]

Hiii, could you please do a live action jet x reader smut? Where the reader is a water bender and he meets her when he meets sokka and Katara, she knows hes kind of a bad person but she can't help being into him. You don't have to do exactly that, just a idea!

Rude Boy

Jett x Fem Reader Smut

Summary: Needing to take a break from travel, your group stops to rest in the Earth Kingdom village of Gaipan. After meeting Jett and the Freedom Fighters, you can't help but be charmed by his bad boy persona. He invites you out to the city for a wild night.

Word Count: 1.0k+

Ref Account: @kaionyx

TW: Rough Smut.

<3<3<3<3<3<3<3<3<3<3

You guys had been flying for hours and the sun was starting to go down. Anng decided that they would find somewhere to set up camp for the night. Appa was getting tired so they needed somewhere soon and Gaipan was the nearest village. Nothing seemed off at first, Katara and Sokka were arguing about the most efficient way to set up their tent. Anng made sure Appa was comfortable when Jett and the Freedom Fighters made their appearance. After they explained their disposition, they joined you around the fire. Jett was sitting right next to you, telling these lavish stories of glory and riches. Katara wasn’t impressed by his show boating and was disappointed you weren’t seeing it. After he was out of ear shot, all she could talk about was how he was a bad guy and not to be trusted. 

It wasn’t that you didn’t see the signs that he was up to no good. You just didn’t give a fuck. His dominant personality was quite charming. How he didn’t tolerate anything he was unhappy with. You loved everyone in the group and have grown to be like family. However, being happy-go lucky and optimistic all the time was emotionally taxing. As Katara used her water bending to put out the fire, Jett pulled you aside. 

“Hey I was wondering if maybe you wanted to come into town with me later tonight?” He asked. 

“Oh uh- yeah I think I would be able to sneak away,” you said, looking over to see if anyone was watching. 

“Great, I'll meet you here, in an hour or two,” he says while catching up with his group. 

You were practically snaking with excitement. For so long, you’d been surrounded with morality and sunshine. You were excited to break away from that, do something that made you feel alive. Laying on your back in the tent, waiting until you felt everyone was actually asleep. Your heart was racing, trying to avoid anything on the ground that could make noise. Jett was waiting for you where he said, resting his hands on the handles of his hook swords. He smiled once he saw you, joking about how he was starting to think you bailed. 

“No, not at all! I’m really looking forward to seeing the night life in the city,” you explained. 

“Well, I’m excited to show you.” he said, holding his hand out for you to take. 

It wasn’t long before the two of you reached the night market he was intent on visiting. It was really nice, several food stands that were making your mouth water. He pulled out a large bag of coins, and made your eyes widen a little. You couldn’t remember the last time you saw that much money in one place. Never giving you a straight answer when you asked how he acquired the money. The mysteriousness was only adding to his bravado. After walking the full length of the market, he took you to a really scenic spot. At the top of a hill, overlooking all the lights in the city. Laying on a bed of soft grass while enjoying the view. 

“So how did you really get all that money?” you asked, laying your head against his shoulder; admiring his side profile. 

“The less you know the better,” he chuckled. 

“It’s okay if it’s bad. I know the group I'm with isn’t the most open minded but the Fire Nation made the world like this. Impossible to survive so why can’t we break a few rules to withstand their wrath you know?” you explained. 

“Finally, someone that gets it,” he said, turning to face you.

Your lips were only a couple inches from his. Smelling the alcohol on his breath from a drink he’d gotten earlier that night. Everything about him was just so unacceptable, his attitude, outlook on life and his moral compass was so wrong. You were tired of trying to figure out why that was so intriguing. Shamelessly giving in to your temptations. Wanting to test the waters slowly, you brush your bottom lip against his. In return he melts his mouth into yours. Running his tongue over your lip, grabbing your face with his hands. Breathing hard out your nose, trying to get air in when you could. He rolled on top of you, pressing his pelvis into yours. Starting to kiss and nip at your neck as the two of you rock your hips together. He sits up abruptly, your lips separating with a wet pop sound. Now on his knees, he pulls out his hook swords and tosses them to the side. 

For the few seconds he was hovering over you with the blades, your skin prickles with goosebumps. He looked so powerful and menacing, it made you feel hazy. Dropping back down, his hands coming down hard on either side of your head. You flinched a little, which made him chuckle before pulling your top off. Of course, you eagerly help him remove it. Your back arched off the ground as he took one of your nipples into his mouth. Swirling and flicking his tongue while pinching and pulling at the other. Your head falling back against the grass, both mind and body fully engulfed with pleasure. Your clit was aching and feeling yourself getting wetter wasn’t helping. 

“Can I ride you?” you asked. 

“No, I wanna fuck you until you’re braindead,” he says, flipping you onto your stomach. 

Pushing your ass up and grinding against his leaking member. Spreading his pre-cum all over your skin before focusing his tip on your entrance. Teasing for a few moments before burying himself inside your heat. He started rocking his hips slowly, pulling out fully before sliding back in. Biting and sucking hickies on your shoulder. Trying his best not to animalistically pound you into the ground. Moaning every time he fully pressed his cock inside you; his head kissing your cervix every time he snapped his hips. Your head was turned to the side, perfect angle for him to shove two fingers into your mouth. Massaging your tongue and prodding down your throat. Letting out a moaning as you gagged and drooled. Wet slapping sounds came from how hard he was thrusting. Taking his hand out of your mouth and brushing the hair out of your face so he could see your expressions. Spreading your drool all over your face in the process, while making patronizing cooing noises at you. Your body went limp, barely audible uh-uh-uh’s coming out of your mouth. Seeing you turned into a fucked out pile of need was steering him closer to climax. Having no remorse and using your body for pleasure was his only goal. Pounding away at you with such force, your skin was becoming sore and reddened. Pressing his full body weight into you, pulling your hair to expose your neck and biting down as he came. Snapping his hips into you every time he shoots thick ropes of cum into your belly. Grunting and growling into your neck as he rode out his high. He got the two of you semi dressed before passing out where you two laid in the grass. Too fucked out to care about the repercussions and responsibilities that tomorrow holds.

[the-badger-mole]

What is your NUMBER ONE headcannon for each person in the Gaang (Katara, Zuko, Aang, Toph, Sokka, Suki [and Appa and Momo if you feel so inclined])

Katara: After the war, she goes back to the NWT to train with Yugoda and becomes a master healer as well as a master of the NWT fighting style. From there, she goes back to the Foggy Swamp Tribe and masters their bending style, too. With the help of Sokka, Zuko, and (in some headcanons) Hama, she also rediscovers SWT waterbending and not only masters it, but teaches it to the new benders in the SWT. By the time she leaves the SWT, there has been a school established where all bending styles are available for study. She's one of the few who actually has mastered them all, though.

Sokka: He is eager to return home after the war. He throws himself into infrastructure and policy revamps, and he almost singlehandedly staves off the soft colonization attempts of the NWT. Under his efforts, the SWT rebuilds and reestablishes parts of its culture that had been lost during the war. With the discovery of oil on SWT land, he is also instrumental in establishing eco minded extraction techniques, and in trade ties with the rest of the world (although he is very much helped by his sister's deep ties with the Fire Lord). It's a surprise to no one when he's chosen to lead the SWT after Hakoda retires.

Toph: She does not become a cop. Instead, she goes back home and takes over the Earth Rumble, taking it from an underground even to a world wide phenomenon. She eventually allows benders of other elements to join, and the Earth Rumble becomes pro bending. She does also establish a metal bending school. In the end, she is wealthier than her parents, but because she couldn't really care less about money, she keeps enough to live at the standard she wants, and gives the rest away to causes that interest her...like the guy who wanted to set the record for the biggest bao bun ever, and needed funding for an oven big enough to cook it. She also establishes a halfway house for runaway teens.

Zuko: During his tenure as Fire Lord, he establishes a robust social services program that includes subsidized healthcare, education, and housing for the lowest income families. Under his reign, the Fire Nation becomes home to some of the earliest pioneers of mental health. At his wife's advice, he also makes paid maternity leave standard across the nation, and includes several programs to help single parents stay afloat. Taking inspiration from the SWT, Zuko makes some changes to how his advisory staff is selected. Instead of choosing from among the nobility, Zuko has the different provinces elect a representative to speak on their behalf. A lot of the nobles hate this, blaming his wife's influence, but the people adore their monarchs and despite their best efforts, there's little the nobles can do except start campaigning in their home provinces. It's not a perfect system, but it does open the door for the Fire Nation to end the monarchy within a couple of generations.

Suki: She continues to lead the Kyoshi Warriors for a few years after the war. She also helps train troops around the world as they pivot from active war service to more local work. She helps establish something like the coast guards for several different countries. Eventually she retires from that to help her husband run the SWT. She and Sokka make a wonderful team as he handles the domestic policies and she handles foreign affairs. She often jokes with her sister in law, Fire Lady Katara that they ended up with the same job.

Aang: I'll go with my most optimistic headcanon for him. He's an okay Avatar. Not great. Not the worst. After the war, he tries to take part in rebuilding efforts around the world, but he finds his help isn't needed much. He turns his attention back to salvaging what's left of the Air Nomad legacy, and discovers that there are actually airbenders still around. A few of them are even interested in learning to live like the Air Nomads. Many of them aren't, though, and after learning how to actually use their powers, they go off and do their own thing. To Aang's shock and dismay, eating meat has no effect on the strength of their bending, He does learn to deal with it and enjoy his time with the air benders who embrace the Air Nomad culture. He does go on to have kids, and he still favors the benders over the nonbenders. Ultimately, his legacy as Avatar boils down to taking Ozai's bending, and that's it.

[cyanide-sippy-cup]

Okay now that Anissa is in the show, I have to talk about THAT storyline. There's not much particularly new I can say that hasn't already been discussed but I need to gather my thoughts on what the show has to do to be successful in this regard. With that being said,

Spoilers for things the show has not covered yet

And massive Trigger Warning for discussions of sexual assault and post-assault trauma.

So first things out of the way, I do not believe they should cut it. The changes the show has made are ultimately pretty minor. A character change, order of events swapped. With them sticking as close as they are to the comic, I think it would be a massive problem to skip over it from a story telling standpoint.

From a real world standpoint, it's even more important. Male sexual assault is something that rarely gets depicted properly. It's usually a joke or a moment of triumph and that very much has had an effect on the way we look at it in the real world. And since Invincible is now a show pretty much everybody has their eyes on, choosing not to talk about it would be missing an opportunity to have a very real, very important conversation that very well could educate men on how to navigate and survive what they are going through.

I'm also worried that they'll be too afraid to actually say the word "rape". Lots of modern adaptations delete important discussions like Sokka's sexism or the gender discussions from Cowboy Bebop in order to avoid properly handling them and usually replace them with something worse in a sort of "all bark and no bite" liberalism. Directly saying it as it is is incredibly important to showing that talking about it is not only NOT shameful, but also necessary in getting the help you need and the healing that is necessary to survive.

And from a storytelling standpoint, saying it is important too. The moment where Mark tells Eve what happened is not only great in showing that telling someone is important but is also the moment where Mark is forced to admit the truth to himself. "She raped me." Those three words are a massive turning point for the whole story. Character dynamics change, this becomes a focus for most of Mark's loved ones, and it fundamentally changes his life.

Markus. This is a piece of the puzzle I don't see many talk about. While the rest is a showcase of what to do, Markus as a character is a showcase of what not to. It is so, so rare that a child conceived of a rape is properly depicted, nevermind discussed. From Mark's POV, he holds no ill will towards his son. He simply wants him to live a life on Earth with his family like he did and just can't be with him because he is needed in space. But to Markus, his dad hates him. He thinks his father keeps him on Earth so that he doesn't have to think about him. And this idea of his father's disgust contorts his image of himself. He begins to feel self-hatred, hatred towards his mother for making him this way, and hatred towards his father for abandoning him and leaving him to despise what he sees in the mirror. "You made Terra with love. I was made with hate."

Whether Mark meant it or not, his neglect of Markus ruined his early life. No matter how many friends he made, what groups he joined, they could never fill that hole. He idolized his father. I mean, how could he not? His father was, IS a great hero. A man who was out at that very moment leading the movement for universal peace. But because Mark barely visited him, he only had an idea of what his father was like. A man who sacrificed so much to help the world, who fought in space and yet still managed to save the Earth dozens of times. A man who had the time to help everyone and yet couldn't make time for him.

(Important edit: in no way do I mean to say Mark is obligated to be a part of his son's life, I meant that Mark chooses to be there but ultimately fails to do so and that causes issues)

And don't get me wrong, this story has some pretty glaring flaws. For example I think they tried a little too hard to teach Mark that the person who hurt him is human too and has positively affected the lives of many. Like absolutely there is a conversation to be had there but because they had to move on with the plot they kinda just went "HEY MARK DON'T BE SAD SHE'S COOL NOW AND ALSO SHE'S DEAD SO THERE'S NO POINT IN LINGERING OKAY BYYEEEEE". But I think instead of these flaws scaring the show away they should invite the show forward. It's an opportunity to improve on the story and discussions rather than shy away from it.

Oh and also harking back to my previous point in paragraph 2, there's another aspect that makes it stand out in an important discussion. If I'm remembering correctly, the comic makes it pretty clear that Mark could have overpowered Anissa but didn't for a couple of reasons, namely not wanting to hurt her. And that is SO important and SO rare. A discussion surrounding an assault victim who could have fought back but didn't where the victim is NOT portrayed as in the wrong and in fact just as worthy to be traumatized as any other victim is SO DAMN IMPORTANT and could legit change a lot in the way we look at these topics.

So yeah, I think the series should adapt it. Also I think it would be great if they brought on actual victims and experts and whatnot so their depiction could be just that much more focused around what needs to be said. Sorry if all this read as klunky, I have a lot of thoughts bouncing around up here that I kinda just spewed onto the page with no particular order. I'm also obviously not the most educated on the topic. My personal experiences with this were relatively minor and not something I've ever felt comfortable addressing. And yeah I know it's important no matter how "small" or "minor" it seems and I'm not trying to downplay any of that but I just don't really have the words to phrase that differently. Which is exactly why I think we NEED education and discussions about this stuff so that we DO know the words to navigate the topic.

[theskysungqueen]

to make things brief cause I suck at organizing what I have to say, the live action was definitely Something™.

Cast: 10/10 kinda biased personally but yall can't take this from me

Gordon as Aang and Dallas as Zuko were the standouts imo. Gordon needs some direction on line delivery and the angstier scenes but overall he's very charming and I'm so proud of him for getting so much exposure!

Ian as Sokka was great, I just wish he was allowed to be more...messy? like Sokka pretends to be chill and all that but he's actually dramatic so I hope that gets improved in the next season if there is one

speaking of improvement, Kiawentiio as Katara brought out a softer side to the character but sadly diminished her spark and passion. I like that Katara now actually feels like a younger sister, it makes sense within the context of the story that Sokka and Gran Gran would shelter her after what happened, but as someone said, her anger is so central to her character and I just wish that got shown more. It's more of a script and direction problem tbh, if you look at Kia's interviews she has the sass and feistiness Katara needs

Lizzy as Azula is great, the writing is a bit clunky though so she did the best she could with it. Can't really comment on Mai and Ty Lee yet because they're kinda just there but it's a nice setup

Maria as Suki? perfection show stopping never the same she is a queen and I love the tidbit of Suki backstory which she never really had in the og show. I love her being such a loser around her crush we love to see girlfailures girlfailing. I wish the writers didn't make them KISS though 😭 slowburn ftw

the adults were great

Writing: 6.5/10

There were genuinely good moments and I love the concept of mixing up certain plot points to condense the story

But they just suffered from too much Telling instead of Showing WRITERS PLEASE LISTEN TO THE CRITICISM YOU HAVE TIME TO IMPROVE PLEASE

Omashu, mechanist, and Jet plot mixing as a concept was fine, but it dragged on and my friends and I got bored of it. I like it in theory but if it was going to take THAT long couldn't they have just separated one of those storylines for a different episode?

I appreciate that they tried to develop the water siblings' relationship by making them the stars of the Secret Tunnels, but I would've changed the way they "conquered" the problem (really? badgermoles respond to love? cute in theory but like why). If anyone's watched Barbie: A Fairy Secret there's a part where Barbie and her frenemy accuse each other of why their friendship failed, and it helps them make up and breaks the curse put on them. So that's what I would've done, force them in a life or death situation in which they have to say the unsaid things, maybe hug it out and boom

The way they handled Koh and the Spirit World was a Mess™ but the effects were decent

Zhao meeting horrible ends in every incarnation is so deserved

Yue having more agency was a welcome change AND I LOVE THAT SHE WATERBENDS. Then waterbends even when the moon is gone. It's such a nice visual nod to the fact that she has the moon spirit within her

That said, the show could definitely use more visual storytelling, less weird dialogue. Like it's so strangely common for shows or adaptations these days to exposition dump. Like they did not have to make Yue say that the ocean spirit was angry, literally just show me the dead moon fish and I'll get the idea. Then Iroh says "That's Wrath" that's just redundant now isn't it

I like that they saved Katara bringing Aang out of the Avatar State until last even if it could've been done better

HOW DARE THEY MAKE ME LIKE HAHN HE WAS A JERK IN THE SHOW BUT THEY MADE HIM A GENUINELY GOOD CHARACTER. Yes to brown men not being portrayed as jerks but also in the original it was a nice contrast to how far Sokka had come because Hahn reflected who he used to be. But live action Hahn </3

I like that they showed the deaths and blood. I wanted a live action that was both lighthearted but more realistic when it came to the injuries and death, and that'd kind of what I got

Other thoughts + overall

You can tell they put so much heart into this show, watching the bts, the bending boot camp with the correct martial arts, the easter eggs, the nods to the comics, the beautiful adaptations of Cabbage Merchant and Secret Tunnel nomads, there's so much passion behind the show it's a shame it suffered in its writing

which is why if they read reviews and criticism from the bigger name fans (TheAvatarist, HelloFutureMe, etc.) it would really help them improve for future seasons! The cast is stunning already and they have great chemistry (hopefully gets improved too!)

The live action is just a different angle to the show. And I'm saying this as an Avatar fan–the original wasn't perfect, either. I had some problems w it but the overall show was genuinely so good and heartfelt, those problems weren't glaring enough to put me off (unlike The Dragon Prince, sorry). The live action definitely wasn't perfect, but it tried to give us a new look into Avatar. Again, no adaptation will ever be a 1:1 remake and none should be. Where's the fun in that? But while the show is so full of heart and with actual fans working behind the scenes, I doubt if they listen to any criticism that they can't pull this off better next season.

[oneatlatime]

The Awakening

Season 3 let's goooooooooo

These Fire Nation cells are absurdly spacious.

I do love that Momo's first reaction is kisses.

Not a cell. Oops.

Well that was confusing. I was arguing so vociferously that the SWT weren't pirates and then they go and gank a ship.

Mai girl get it! Questionable taste in men, but I love to see a lady getting exactly what she wants.

Mai: "how are you?" Zuko: *existential dread* Mai: "babe. Shut up."

Aang says he's the only one who's completely out of it, but Appa's behind him in full faceplant mode.

Actually, by the hair growth standard established by Zuko, Aang's been out 5 days at most.

Season 1 bitchy Katara is back again. I hate season 1 bitchy Katara.

I'm impressed by how much of these characters' identities is tied to their colour palettes. I see all these water tribe guys walking around in reds and blacks and I have no idea who I'm looking at.

Aang's eyes are back to brown this episode.

I love that Katara has no idea how she healed Aang. Superpowered does not mean superlearned. So much more believable than supergenius tweens.

It's the old ladies! They're wearing croissants on their heads. Why not.

This is a cool way to do exposition. A royal proclamation narrating a flashback.

These Dai Li don't know shit about loyalty huh.

SONG! HI SONG! I MISS YOU!

CORNY BABY & FAMILY! HI CORNY BABY & FAMILY! I DON'T MISS YOU! My guy why haven't you unpacked yet.

Given the welcome Zuko gets from the Fire Nation crowds, I'm thinking the exact cause/terms of his banishment were never made public? They're hyping him up like a wrestling entrance. That doesn't track with someone known to be honourless.

I want whatever's in Bato's bowl. Those noodles have him mesmerised. He's staring at them like they're telling him the secrets of the universe.

Are you telling me that Appa successfully landed on the deck of one of these ships without sinking it?

I love how Gaang's reaction to everything going wrong is to go find their dad.

STOP GOING ON ABOUT THE INVASION PLAN. IT WON'T WORK. STOP.

"Yep! The whole world thinks you're dead. Isn't that great!" Sokka. TACT.

Sometimes Sokka's brain gets too far ahead of itself.

Poor Aang. Not many people whose deaths are wrongly cause for celebration live long enough to see those celebrations.

How do the topknots fit inside the helmets?

This is silly beyond words. It's a two second throwaway gag but they're so into it.

Aang saying "I hate not being able to do anything" to the girl whose whole existence was not doing anything until recently is certainly a choice. And honestly, wasn't Season 1 Aang's whole point not wanting to be the Avatar? Actual responsible adults are handling the problems for once. He should be ecstatic.

I just realised this Fire Nation disguise ship plan means there are people in the Southern Water Tribe who know how to run coal powered ships. Neat.

One of the things I really love about Avatar is how much love they put into the side characters. This guy on the left is a nameless mook, but in the three to four lines of dialogue he gets, we see a world of political and bureaucratic headaches and a bunch of normal, humanising emotions (who hasn't been angry at that one coworker who can never be bothered to email?). The writers didn't have to give him that much personality, but they did!

Also, how often do Fire Nation ships get captured, if two pieces of bureaucracy not lining up causes this guy to jump to that conclusion, rather than think the bureaucracy messed up?

Someone in the Fire Nation has invented extra buoyant metal.

Turtleducks are scared of Azula. Turtleducks are good judges of character.

An awful lot of this episode is flashback footage.

Toph is a missile launcher. This is all I wanted out of life.

For the first time ever, Aang gets to play the role that Sokka plays in every bending heavy battle.

Since when can Katara do bending moves this big?

Sokka once again harnessing his ability to speak the opposite of what he wants into existence.

They said they passed through the serpent's pass a few days ago. Clever foreshadowing I completely missed.

Don't you love it when all your problems cancel each other out?

Aang. This is not the hill to die on. Also please don't throw tapestries around in a room with unguarded candles until you can firebend.

Wow Aang is just taking all the wrong lessons from this. And he's stealing Zuko's lines.

Turns out the Firelord is just some guy with an unfortunate goat beard.

Katara finally gets a chance to be her age, complete with nonsensical emotions and misdirected anger. I hate bitchy Katara but I love seeing her expressing the root of that bitchiness. And I love how illogical it all is, and that she acknowledges that! Emotions ARE illogical and messy!

Contrasting Hakoda winning Dad of the Year with Ozai setting off every alarm bell known to man is a choice. A really good choice. But wow. Not subtle.

I knew Azula always lied, but to her own dad/Firelord too? That's a dangerous move.

Aang. What are you doing. Stop.

Leave the door open. Peak sibling move.

In a turn of events that should surprise absolutely no one, Zuko's been played like a fiddle by his sister and is now as trapped as ever. The surprising part is that Azula thinks she can get away with lying to the Firelord too. Don't know how that's going to go for her long term.

So much for me saying the Avatar universe doesn't do ghosts. This season opener is surprisingly backwards-looking.

No offense to ghost Yue, but I think the saving the world she's referring to is the time she and a massive fishman saved the world, not strictly Aang.

How did they get past the blockade and find the right island?

I cringed at Katara's knee slide.

How are they standing on that island or breathing the air if it's hot enough to do that?

Final Thoughts

...what was that?

Seriously. This episode was a disorganised and aimless mess with the occasional gold mine of characterisation bobbing around. Did the writers not have a plan for what would happen after season 2 ended? This episode feels like the writers had as much plan as the characters did. If I was feeling charitable, I would say that this episode was a hot mess as a metanarrative commentary on Aang and the world's state, but I'm not feeling charitable. I think this episode was just a hot mess.

First, the good bits.

I liked that Sokka was very in character. We've seen before how he can run away with an idea to the point that he forgets to mind the human element. This episode's Sokka felt very much like Sokka. I liked that the beat up Sokka quota was replaced with 'Sokka dares the universe to play chicken and actually wins for once.' His optimistic characterisation this episode didn't grate like his inexplicable optimism did in Ba Sing Se, because here he has a reason to be happy. He's got his dad and a plan. Being around his dad and their people has done him good.

I like Toph the Ballista.

I like the noodle hypnosis.

I loved Katara's emotional blow up. It doesn't matter how noble or important the cause, leaving your kids for a cause is still leaving. I love that she points out how illogical her emotions are being. And I love that Hakoda creates a no-judgement-all-comfort-safe-to-rant zone for her. She's been waiting to do that for a while, and some of it came out at Zuko last episode, so it's been established that she's at boiling point. Fun fact: Katara has now had emotionally fraught venting sessions at Hakoda, Zuko, and Jet if you squint. I don't know what to make of the fact that the show has grouped these men into the same category of 'safe for Katara to vent to.'

I liked a couple of the throwaway gags, and the throwaway characters.

I liked the framing of Zuko's reintroduction to his father. Great use of angles and shadows. We've had two seasons of build up to this guy as the Biggest Bad, and the scene of Zuko kneeling in the throne room while Ozai paces around and delivers the world's most menacing praise felt big enough to be the crowning glory of that payoff. Especially contrasted to the loving father daughter reunion of equals it was interspersed with. But...

The bad bits.

Why did they immediately undermine two seasons of hype and all of the episode's menace by showing the Firelord as a gullible idiot who can't spot a bold-faced lie coming from a tween? I am legitimately pissed off that they defanged him as a threat so soon after introducing him. And I don't think showing that Azula can successfully lie to the Firelord builds up Azula as a threat - I think it also undermines her, because it's a stupid move. This episode could have introduced the biggest bad and reinforced the threat posed by last season's antagonist. Instead, it completely neutered the biggest bad and made Azula look like an idiot. I am actually mad about this.

Other stuff I didn't like: Aang's whole deal. Of course he was going to lose his mind and not be ok about what went down in Ba Sing Se. But he's never this dismissive of his friends, and a huge part of his early character is the fact that he would absolutely love it if some qualified adults stepped in and did the job he was unwillingly born into. Aang this episode felt self-centred and out of character.

Zuko's usually not this dim. I had figured out the angle Azula was going for by the end of the turtle duck pond conversation. Why can't he figure out for himself why Azula has redirected the potential blame if Aang is found to have survived?

The pacing felt off. The A plot flipped between action set pieces and emotional stuff. The B plot was purely talking. But the action set pieces felt out of place in an otherwise quiet episode. I get that you need something to interest the 8 year olds hyped up on sugar who only want explosions, but I think this episode would have been a lot better without the 'Aang almost drowns but gets a pep talk from a couple of ghosts who say exactly what everyone else has already said to him for two seasons but for some reason Aang listens this time and it works.' Why couldn't we have had a quiet episode?

Speaking of, why are Roku and Yue randomly popping up? Last time Aang talked to Roku, it took a trip into the Avatar state and the destruction of a very stupid general's whole army base. The ONLY person who's talked to Yue since she died is Sokka, and that took a magic swamp. I just don't get it. I don't get why they were there, why they said what they did, why those particular words in that particular order worked on Aang when no one else's words were getting through. I don't get why hiding out in the Fire Nation is the plan of choice over chilling with the Southern Water Tribe (other than because the plot says no responsible adults allowed).

The action piece with the Snekky Boy was fun. Even if what set it off was contrived (which it was), I think it was a fun watch and the only action the episode needed.

This episode was also so dark that I spent more time contemplating how much I really need to clean my screen than watching stuff happen.

I got so pissed off at this episode that I totally forgot about Mai. Go Mai! I am WEAK for romance arcs that boil down to 'Girl sees boy. Girl wants boy. Girl gets boy." Go Girl! Like I said above, questionable taste, but if it's what she wants, then congrats on getting it. I love Azula noticed and is like 'my resident goth appears to be broken.'

I have decided that Toph carved an underground harbour like the refugee station on Full Moon Bay and stashed all the water tribe ships in there, because those ships are too pretty to scuttle.

If I could surgically remove that scene between Katara and Hakoda and insert it into some other episode, I'd never watch this one again.

[itslenagain]

My thoughts on episodes 1-3 of Netflix ATLA (SPOILERS):

1. Commander Zhao has middle-aged white guy manager energy. I feel like this man is about to lead me in a team-building exercise

2. Aang having his origin story changed irks me! He ran away impulsively in the original show and got stuck in the ice. In this version, he fully monologs to Appa about his fears, but then just leaves for a joyride and gets stuck. It takes away from the significance of Aang leaving in the first place. When Kyoshi berates him for running away, it doesn't feel right because in this version, he didn't really run - he just got stuck in the wrong place at the wrong time

3. The Zuko that stood on an iceberg during a full Moon and challenged Katara to battle would be absolutely enraged at the Zuko that ran from the conflict in Omashu

4. Also, the fact that Zuko has not mentioned honor yet? What the fuck?

5. Seriously, Commander Zhao has a LinkedIn. He's got great networking skills

6. I miss aggro Katara. This version is way more subdued (though we do get a sibling fight in episode 3) and somehow listening to Aang's weird circular philosophy helps her learn how to waterbend and I don't get it

7. Seeing Aang be joyful is a nice change from the movie that shall not be mentioned

8. If Gram-Gram putting the waterbending scroll in Katara's bag replaces the storyline where Katara says fuck cultural looting and steals one I will scream

9. It's interesting to see Azula so early in the story, but I'm bummed we missed out on the whole blackmail thing with her & Ty Lee

10. Do you think Commander Zhao pays his employees a fair wage? Do you think they have health insurance? 401k matching? Vacation time? Sick days? What kind of benefits does his company offer?

11. This version of Sokka is definitely not silly enough

12. I feel robbed that Aang got to transform into a magical girl but we didn't get a magical girl transformation sequence

13. Also, we were robbed of Sokka crossdressing as a Kyoshi warrior and they are so rude for that

14. The graphic murder of the Airbenders felt. Weird? Wrong? I don't think we needed to see that. The impact it had when Aang arrived at the temple to find all of them gone in the original show felt heavier than in this version. We saw what happened, we know they're all dead. As a kid watching ATLA the first time, I remember feeling hopeful for Aang that maybe he wasn't really the last one. We don't get to feel that with this version

15. They did not understand Uncle Iroh at all. His character is so weird. Maybe it gets better???

16. The pacing is weird but maybe that gets better too???

17. I have never related more than when Ozai just burned that Earth nation dude who was about to start monologing, please shut up in my presence

18. Apparently everywhere has names?? Who decided on these names?

19. As a lesbian I also get horny on main immediately for girls who could definitely kick my ass, Sokka was so real for that

20. Overall I think they lean into the idea that the audience for this show is primarily older than the audience for the original (they're not totally wrong!) but I worry about it losing some of the messaging along the way. Part of the beauty of the original ATLA show was tackling these big, complex issues in a way that both kids and adults could relate to and understand. Anyone who knows me knows I also love Bluey for this, along with a few other shows that do it well. Media like ATLA that tackles the ideas of colonization, genocide, war, and so many other important issues is crucial! I hope that these topics are handled just as well as they were in the original series.

Am I going to watch the whole thing? Probably, yeah. Will I enjoy it? I hope so! It's not terrible, but it's also hard to do a show that has so much nostalgia attached to it in a way that will please all viewers.

If you haven't watched it, I think it's worth a shot. Just don't expect it to be an exact retelling of the original story.

[sokkastyles]

ATLA Live Action Ep 1 Thoughts:

When the writers meant they wanted it to be like game of thrones, clearly they meant "we want the battles to happen in complete darkness so nobody can see what is going on," and not, you know, the sex stuff.

Idk why this never occurred to me until now but ostrich horse is chocobo.

They are clearly going for a darker, more grittier feel here, but it clashes with the attempt to keep things true to the animated origin. Like, the earth kingdom OC looks straight out of some more realistic Adult fantasy show, whereas Sozin's character design makes him look like evil Santa.

So firebenders are able to do that to bodies, which I appreciate from a fanfic perspective and also confirms what people have been theorizing about the agni kai, that Ozai put his hand on his son's face. Not sure it was necessary to see it, though. The original does a good job of horrifying us with implied violence and the adults already get it, while showing it makes it less accessible to a younger audience. This is hardly a problem unique to this show, though.

Air nomads actually riding sky bison!

I like having more background with the air nomads and Aang's actor is great but front-loading the flashbacks doesn't work great for the pacing.

One thing I do really like is the emphasis on how the war damaged the harmony of the nations in more than just a spiritual way. No one has friends from other nations now. Zuko comes seeking "someone who does not belong" with the (false) promise that no one will get hurt if everyone keeps to themselves, keeps the status quo. The air nomads are a complete anomaly in a world of division. We are introduced to Aang, Sokka, Katara, and Zuko, and all are isolated in their own way by the war at the beginning of the story.

Overall there is something just weird about the pacing. Characters keep pausing at vital moments of action to deliver exposition or meaningful monologues. It just feels off.

Zuko so desperate for "glory" that he accepts Sokka's proposal to fight one on one (nice foil to the final agni kai by the way). Then his surprise when Aang shows himself reveals that Zuko himself did not know whether he would really find the Avatar in this village he's suddenly shown up to terrorize. God, it just emphasizes how low Zuko is at this point. This is probably his first real high stakes fight and he might have killed Sokka over absolutely nothing out of a false sense that he had something to prove. It's just...sad.

The scene at the Southern Air Temple looked great and had me in tears. I actually saw some criticism of this to the effect of them "ruining Aang's arc" because he comes out of the Avatar state himself, but first of all, let's be real and admit that if mastering the Avatar State was Aang's arc, he never completed it. Second, just because he could bring himself out does not mean he can control it, and he's still letting his emotions control him which is a learning curve for handling that power, it's just that he was able to control his anger in that moment by remembering the people he loved. Which is not that different from how the scene plays out in the original, only he isn't using Katara as a crutch. Which is a good thing, actually. It's much more fitting and poignant that he thinks about Gyatso here.

I don't think there was any mention of Katara wanting to go north. She has a few lines about wanting to help more and Aang teaches her about balance so she can bend now, apparently, but where is her drive? It feels like they're attributing her accomplishments to Aang and that bothers me. Maybe it'll be mentioned in the next episode, since they haven't talked about Aang learning waterbending yet, either. But I do miss the Katara who was ready to banish herself from the village the moment she met Aang not just because it was the right thing to do, but because of her own desire for independence and autonomy.

Liked the scene between Aang and Iroh. It gives us a glimpse of an Iroh who is stuck as to what to do and so he just gives Aang the Zuko treatment by offering him tea. I'd be excited if this means we get to see more development for Iroh.

[iliveforyouilongforyouvesuvia]

Here's a fun one: both me & my MC have an undercut (I look like sokka from Avatar when my hair is tied up lmao) and I was thinking about a mini of the M6 helping MC shave/maintain their undercut

The Arcana Mini-HCs: M6 helping MC cut their hair

Julian: so scared of messing up but actually does brilliantly because his doctor hands are well trained for carefully cutting things at this point. does a dramatic improv bit with the hair clippings afterwards

Asra: one of the many moments they treasure with you. he turns it into an intimate event, talking and laughing quietly while he tangles your hands together and cuts your hair. does a good (if creative) job

Nadia: not sure at first why you'd ask her when she could call the palace barber. ends up savoring the moment, but prefers to sit and watch you work because she couldn't handle the guilt of messing up

Muriel: he puts less stock in his hair cutting skills than he deserves. granted, his own look isn't perfect, but you've seen the detailed carvings he can make. does well when you talk him through it

Portia: she's brilliant. she's already trained in haircare from being Nadia's maidservant, and she regularly schedules hair upkeep days with you. would get genuinely upset if you went to someone else atp

Lucio: he is fully confident in his ability to give you the best haircut ever and that is exactly why you should be very, very careful about what you ask him to do. claims it looks great even when it doesn't

[sarcastic-pun-master]

I got something to say about this, I'll keep it brief.

theres a lot about sokka's development that i could go on about but im gonna do the most obvious one.

guy underestimates girl, acts like an asshole, girl beats his ass, theres a comment about "woah, wouldnt wanna piss her off," then the story moves forward. it doesnt add anything to the overall plot except a one liner.

this is a trope that i enjoyed the first two times i saw it, and then grew sick of. it adds basically nothing else to the plot. if your goal was to dip into female empowerment, you didnt even break the surface tension. all you did was show me a guy being a dick, and that a girl that can beat a guys ass is considered special.

so, a:tla, episode 4: sokka gets his ass kicked by the kyoshi warriors and won't stop being a prick abt it. he goes to them to show off being a better warrior, and gets knocked out by suki in .6 seconds.

then he went back, apologized, stated his respect for the kyoshi warriors, and asked suki to teach him. and she didn't belittle him for it. she taught him. he followed their traditions and her lessons with an open mind. sokka grew that day. he started unlearning this ideology that boys are better than girls.

that, that felt empowering.

not only did it show that girls are capable of these "masculine" activities, it showed young boys that a. girls are not weak, and b. it is not a shameful thing for a girl to be better at something than you.

what separated ATLA from the good shows into one of the greats isnt the cool bending and the glowing tattoos. its the subtle yet effective way they handle difficult subject matters.

and netflix wants to take it away because its... iffy?

[quillthrillswriting]

"why are you so quiet, what's on your mind?"

"oh, nothing, just aang admiring katara without realizing he's in love with her"

guys, i am SO excited for tomorrow's new chapter of "the teenager in the iceberg" there's gonna be some great moment & generally im excited to start progressing past the first few episodes

here's a teaser excerpt!

⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩

Sokka immediately jumped off, almost kissing the sand in relief, and Aang followed close behind. Katara moved to stand up and join them, but a combination of that nerve-sick feeling and a bit of light-headedness had her slipping a little, stumbling off the saddle. She would’ve landed face-first in the sand, but Aang smoothly caught her with a current of air, then offered a hand. 

Once she was safe on the ground, Katara blushed, embarrassed that she’d lost her balance that easily. She moved to tell Aang, only to have Sokka take one look at her and burst out laughing. 

“What?!” She snapped, suddenly overly self-conscious.

“Your hair!” He cackled, a shaking finger pointing at her. Confused, Katara reached out her hand to draw a tendril of water from the cold morning sea. She concentrated, forming it first into a sphere and then a flat oval, then stilled the water so that she could see her reflection…

Only to drop the water in surprise when she finally saw what Sokka was talking about. Her carefully done hair was snarled around in its braids,  bits of it loose and bits of it still intact. She huffed in annoyance, then fished out a small glass mirror and her hairbrush. 

“Aang,” she said distractedly, “could you hold this for me?” She handed him the mirror. 

“Y-yeah, no problem.”

She tugged out her hair ties, flipping her head upside down for a moment to make sure that it had all gotten loose, then she gingerly tugged a few tendrils of water from the nearby ocean and wrapped tiny streams around her hair, tugging out the crimped braid pattern and reviving her curls. Then, she carefully bent the remaining liquid back out. 

She couldn’t see his face through her thick hair as she stood back up, but from his voice, Aang seemed impressed. “I get that you haven’t been able to learn any big combat moves, but for someone whose bending is self- taught, you sure have a pretty good handle on these smaller things.”

She properly flipped her head up now, curls and waves bouncing around her face. Her dark brown locks shone with honey-toned highlights, all different shades of caramel and chocolate sparkling as they framed her face. She reached up, gently twisting and clipping a few strands out of the way, but a few wayward pieces still fell forward, gently brushing against soft, full lips and smooth skin. Aang awkwardly froze for a moment, caught off guard by how different she looked when her hair was loose and free. He had a weird urge to tell her so, but bit his tongue, instead focusing on her answer. 

⁎⁺˳ ✧༚ ˎˊ˗ ♡ ˗ˏˋയ ✩

♥ check out the two chapters of this (ongoing) fic & my ao3 here! ->

[rosemarydisaster]

It's been said before how Sokka kinda learns a lot of different combat styles from different regions. I just think it would be neat if after the war he set out to be the Non Bender Avatar.

At first Katara was a bit confused, but by now she's learned that her brother just has ideas sometimes. She's willing to see this through. Aang is of course super supportive even if he doesn't get it. And thus, the journey begins.

First, he finally finishes his father's fighting lessons. He's a master of the boomerang and a fearsome Southern Warrior...but that's not all. With Aang's help they visit the Northern Water tribe. While the Avatar deals with some diplomatic business, Sokka asks to train with their warriors. Now he's a master of both southern and northern water tribe fighting style.

Next is Kyoshi island. Suki is really happy to see him there and more than gladly agrees to continue his training. He's no longer a silly little boy with narrow minded ideas. He's a man of the world, and he puts the work to learn their techniques. By the end of his training he's gifted his own fans and new friends, the rest of the warriors impressed by his dedication and amused by his humor.

On the mainland he finds different teachers, and a variety of styles. From Lucha libre-esque to more martial arts focused. He also learns how to handle quite a few weapons, the Bo staff becomes one of his favorites for its versatility.

The fire kingdom is home to so many great fighters he almost gives up. Obviously a culture so focused on war would nurture a talent for violence. The first one is both the easiest and the hardest. Zuko is his friend, so he's easy to convince. Tragically he also has many obligations and little time. Sokka makes it work, training under the blue spirit when the Fire Lord has some free time and continuing his lessons with Piandao. Even better Ty-Lee and Mai both visit the palace frequently so they're next. Ty-Lee's is probably the hardest one yet, the acrobatics a little too much. But with enough practice he finally obtains the flexibility and balance to pull it off.

The last one is the most difficult one. Not only are the Air nomads ostensibly pacifists but, well, there's only one left. Aang is sure that there must have been some fighting style of his people. No culture is a monolith and although everyone he knew was a pacifist, there must have been someone out there kicking ass air nomad style. After some studying and many dead ends they realize that the calm and meditative Tai chi the monks did at the temple was originally a martial art. Mixed in with some air bending moves and promising to only use it defensively, Sokka becomes the first air nomad martial artist in a very long time. It brings him and Aang even closer, being able to share his culture with someone else. Feeling like maybe it's not gonna end with him or his line.

At the end of the journey Katara just smiles, joining her brother and boyfriend in their taichi demonstration for the earth Kingdom and Fire Nation delegates. You truly did it she thinks to herself the Non bender Avatar.

Just, Sokka learning every fighting style and becoming a menace who just so happens to be best friends with the most powerful non benders in the world.