Sean bienvenidos japonistasarqueologicos, a una nueva entrega de arqueología nipona en esta ocasión nos vamos a la prefectura de Hyogo, que se localiza en la región de Kansai con su capital Kobe una vez dicho esto pónganse cómodos que empezamos.
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Hyogo estaba atravesada por cuatro caminos: Sanin-do en al norte, Sanyo-do en el centro, Nankai-do en el sur y Mimasaka-do y Tajima-do, recordamos que do en japonés es camino. A lo largo de los caminos, tienden a colocarse las casas, ya que son vías de comunicación y comercio que iban a dos ciudades, entre otras, como son el caso de la Station House ciudad de Tatsuno y Noma Station House ciudad de Kamigori.
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En la primera foto os enseño las excavaciones arqueológicas realizadas en las campañas de: 2007-2009(Ruinas de Furu-Ouchi la casa de la estación de Kako: Noguchi-cho, ciudad de Kakogawa).
En la segunda foto os enseño las excavaciones arqueológicas realizadas en las campañas de: 2010-2012(Ruinas de Nagasaka-dera nombre provisional: Casa de la estación Omi: Uozumi-cho, ciudad de Akashi).
En la tercera foto os enseño las excavaciones arqueológicas realizadas en las campañas de: 2013-2016(Ruinas de Mukoyama Estación de Ouchi <Oichi>: Taiichi Naka, ciudad de Himeji).
En la cuarta y última foto os enseño las excavaciones arqueológicas realizadas en las campañas de:2017-2022(Ruinas de Tsujigauchi Takada Station House: Kamigori Town).
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Espero que os guste y nos vemos en próximas publicaciones fotos fuente:hyogo_koukohaku les doy mis más sinceras felicitaciones por el gran trabajo que ejecutan para la historia de la humanidad.
Welcome Japanese archaeologists, to a new installment of Japanese archaeology, this time we are going to Hyogo prefecture, which is located in the Kansai region with its capital Kobe, so make yourselves comfortable and let's get started.
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Hyogo was crossed by four roads: Sanin-do in the north, Sanyo-do in the centre, Nankai-do in the south and Mimasaka-do and Tajima-do, remember that do is Japanese for road. Along the roads, houses tend to be placed, as they are communication and trade routes that went to two cities, among others, such as the Station House in Tatsuno city and Noma Station House in Kamigori city.
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In the first photo I show you the archaeological excavations carried out in the campaigns of: 2007-2009 (Ruins of Furu-Ouchi the Kako Station House: Noguchi-cho, Kakogawa City).
In the second photo I show you the archaeological excavations carried out in the campaigns of: 2010-2012(Ruins of Nagasaka-dera provisional name: Omi station house: Uozumi-cho, Akashi city).
In the third photo I show you the archaeological excavations carried out in the campaigns of: 2013-2016(Ruins of Mukoyama Ouchi Station <Oichi>: Taiichi Naka, Himeji city).
In the fourth and last photo I show you the archaeological excavations carried out in the campaigns of:2017-2022(Ruins of Tsujigauchi Takada Station House: Kamigori Town).
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I hope you like it and see you in future publications photos source:hyogo_koukohaku I give you my sincere congratulations for the great work you execute for the history of mankind.
Legolas: hurt their feelings. Do you just go on all day thinking of other people’s feelings?
Arwen: yeah, don’t you?
Legolas: No? How do you get anything done?
Arwen: it’s hard
Legolas: oh my eru, ok, how do i say this? Arwen. You are an elleth, a peredhel, and you have the right to be here. And anyone who gives you shit for it deserves whatever hell you rain down on them.
I also think it's nice that they made Camilla a sci-fi nerd and Luz a fantasy nerd. They're genres that are often seen as completely opposing one another by many people, which is what we're led to believe about Luz and Camilla in season 1. Luz is silly, nerdy, frequently in over her head and irresponsible and loves the boiling isles. We're led to believe that Camilla is the normal, conventional TV mother who'd be disgusted and terrified by the demon realm if she saw it.
Then yesterday's lie gives us a lot of nuance to this, and we realize that while they're still very different and now on opposite sides of a conflict, both mother and daughter are incredibly kind people (seen in their treatment of Vee) who love each other but struggle to make the right choices without hurting one another.
Then thanks to them drops all this Camilla characterization and we realize! She was a nerd too this whole time! The wedge between Camilla and Luz is motivated by past traumas and grief! and for the future has them switching sides on the central conflict of where Luz should stay (Camilla now wanting Luz in the demon realm because it's what's best for her, and Luz believing that staying in the human realm is what's best for the people she loves). They finally talk and realize that, like Willow pointed out earlier in the ep, the two are so alike. Camilla reveals that she's a secret nerd too! That she had a hard time growing up and accidentally hurt Luz trying to save her from the same fait! It's so important to me that Camilla keeps calling Luz a good witch. It's affirming her interests and goals, reminding her that she's just as good as the hero of her favorite story. And Luz finally only realizes that she wants to be understood...when she's finally able to understand her mom. When she realizes that the woman she loves and admires is just as much of a nerdy screw-up as her and that there's hope for her. Her palismen ends being multiple animals at once, showing both how Luz making unconventional choices (like carving an egg) keeps paying off for her and how her potential is limitless now that she finally knows and accepts her own goals, but to me it also reminds of the fact that Camilla is a vet and passed a love of all the weird and unliked animals (like wolves, possums, snakes, etc) to her.
It's just so so sweet and it really shows how much love and thought the crew put into this mother daughter storyline (FTF haters are not welcome on this page, respectfully). I can't wait to see how both of these misunderstood but healing women (who radiate "little/big sister" and "mom" energy respectively) are gonna interact with a) the lonely, easily manipulated and well intentioned but ignorant collector (a mix of both their interests as a magic being with a space motif! I just realized that lol) and b) the nasty puritan white man who's really obsessed with conforming to society's norms even when it literally doesn't benefit him at all.
Anyway, I believe in noceda( AND clawthorne 👀) family supremacy 💙
Beyond surface appeal, what makes Ganon a compelling antagonist
I think cruising my blog would provide a good number of possible answers, but I guess my tl:dr would be (otherwise I could probably make a full 24h conference about it at this point): because he does reveal (if one is willing to look) the brutality of a world in which gods uphold a natural order through a given kingdom that will not budge on its god-given right to rule, and him as both a rebellious disorder to that status quo which also ends up devoured by said status quo as just one natural part of a cycle of creation and destruction that ultimately always kind of stays the same.
Also, I find the setup of a man born to a tribe of outcast women, considered exceptional by birth while also having to figure himself out + the role he needs to play in that kind of structure and in a very difficult context, someone who both is being granted a lot of natural power while also still being sneered at and considered lesser and/or inherently evil by those blessed by the gods (while also carrying a lot of unexamined baggage of their own), is just so juicy and interesting and brimming with potential psychologically speaking (especially when applied to his motivations of: why does he want power, why does he always alter his own body, his uncanny resilience, etc). It does come with a lot of baggage, as "the evil man from the desert" is far from being a neutral concept coming from a neutral historical place --but examining what kind of world would come to such conclusions is also deeply revealing of said world.
And then, Wind Waker gives him even more of a window to reflect on his own rage while also never apologizing for the horrors he commited, mourning what he wanted and what he became while also being the only one calling the gods of Hyrule out for being terrifyingly cold entities --far more than he could ever hope to become.
Yeah, I think Nintendo has been sleeping on Ganondorf ever since (even if I defend his TP appearance). But he has a fascinating cross-game story(ies), and I find him to be a deeply tragic --if horrendously flawed-- figure, which is partially why TotK was so disappointing to me, because TotK saw nothing but the surface level + the fact that putting him in a game sells and makes people horny.
(you'll notice I didn't mention Demise, because I think that, while the whole cycle thing wasn't bad or not that interesting, fans really overly simplify this concept in a way that has contributed to make Ganondorf extremely flat, which I am not here for.)
looking back on my 'oooooo dont say slurs!!' phase with the same laughing embarrassment as i used to look back on my first mcr phase. anyway im a fucking faggot and i LOVE mcr and being a faggot did i mention i'm a faggot? and a dyke when the situation calls for it. peace and love on planet earth
thinking of Artemis, I do not think that seeing her as fully untouched wilderness, far from man, is correct—even in her mythology, she has followers that are wild in their rejection of society’s beholding. Rather, Artemis gives us a way to be in the wilderness as a caretaker of it, as fellow wild hunters, as nature has it. Nature thrives in our care, but it is imperialism that makes nature appear to be something conquered instead of the foundation of our lives—and also as something idealised in environmentalism, in which can fail due to cultural assumptions of nature.