#I AM WRITING A TON OF SHIT

[briluvspnk]

born to write genshin fics and smaus forced to write the script for our school project

[lotus-pear]

bsd fic authors i understand yalls pain SO well right now why is it so fucking HARD to write dazai. like i have a whole fucking spreadsheet dedicated to tireless analysis i have done on my part so i can accurately characterize him but he is such an unpredictable and morally gray character that it's hard knowing his limits and boundaries and where he draws the line for himself.

[roachemoji]

A “Guide” to working with Artists with Aphantasia

DISCLAIMER: 

I KNOW ARTISTS WITHOUT APHANTASIA ALSO USE REFERENCES

This is not going to be applicable to ALL artists (with OR WITHOUT aphantasia)

I don’t speak for everyone!!!

PLEASE Read the information artists provide you THUROUGHLY

ASK ARTISTS WHAT KIND OF INFORMATION THEY NEED

I’m sorry about the typos I am dyslexic and no one is beta reading this :3c

HERE IS THE OG TWITTER POST

I made this guide out of frustration. I was having a hard time communicating with commissioners how much visual information I needed, and that giving me creative freedom doesn’t, personally, work for me. It all comes down to the why; Aphantasia. 

... I realized a lot of people don’t understand what that is, and how it might affect an artist. 

Note: I am a character artist!!! I do personal commissions!!!! I don’t do commercial work!! This guide is about things that I have found extremely helpful!! This may not work for everyone!!!!!!!!!!! 

So, here is the official written guide to what I, personally, have found helpful when getting commissions:

A healthy dose of both written and visual information is needed, but the percentage of which heavily depends on the type of commission and how familiar I am with the characters. 

- Is it an illustration of a scene between two character? Descriptive information on the scene, the emotions, general vibe, dialogue are more important to the composition - but visual references on each character (and their characteristics), the space, the palette, and any objects would be needed. 

- Is it a reference sheet commission? Descriptive information is no longer as important, and the main focus is on the visuals. Descriptive information would be limited to a brief description of personality, placement of certain markings, and/or the written information on the reference. Visuals would be EVERYTHING - every single aspect of that character would need a reference. 

Google Docs, Google Drives, PDFs, Character pages (Toyhou.se or Refsheet.net) is an easy way to compile both written and visual information in one place! 

What is some good visual information to compile for your characters? 

Physical

Age/Race/height/body type

Skin colour/ scars/ freckles/ skin conditions etc

Eye colour/shape

Nose shape

Hair colour/texture/style/decorations

Any additional details (prosthetics limbs/no limbs!/tattoos/piercings/wings)

Face Claims are extremely helpful - and it’s okay to have more than one!  It’s good to specify which parts of what reference are important to your character

Items

Clothing/Jewelry/Accessories

Weapons

Personal Items

Companions

Here is an example of how I organize my Pinterest boards for my own Ocs:

Appearance: Every single visual reference I would need for their physical appearance. Faceclaims, hair styles/texture/colours, facial hair, body types, hand shapes, nose shapes, lip shapes, eye shapes

Aesthetic: Helpful for illustrations. Palettes and aesthetics that I attribute to these characters. Art styles, symbols, colours, settings, etc...

Outfits: Outfits and accessories. Full outfits or single items, textures, colours, patterns.

NOTE: It’s important to remember that some artists can only work with certain references (ie. drawn references vs photo references). If you’re unsure/your artists hasn’t stated which works best for them - ask!  

I cannot work with drawn references in simplistic styles (anime specifically), and I struggle with using nothing but Final Fantasy screenshots. They’re important when it comes to providing colour or even outfit references - but facial features are much harder for me to translate.

Some artists are okay with things like piccrews and can translate them very well! I can’t.

What is some good visual information to compile for your characters?

Written information can vary from commission to commission; unless the illustration is based off a story, I don’t need a novel to be written about the piece. 

Being dyslexic also makes it a struggle for me to parse through written information - I tend to have to break it down outside of the initial commission submission to fully understand what. I also tend to ask a ton more questions when I’m provided more written information than visual - revisions take time and energy.

It’s important to have visual to accompany your written info; 

( shout out to @moki-dokie​ for letting me use their info as an example!! )

Commission information examples 

DESIGN COMMISSIONS:

Info given:

Outcome: 

Easiest character design commission I have ever done. The information given was so concise that the only revisions were my own suggestions on the design itself. 

---

Info Given:

Outcome:

a TON of written information was given to explain the characters backstory, to further drive my understand of the aesthetic and setting of the world the character lives in. The pinterest board provided had a lot physical references, outfits, aesthetics, and colours.

---

ILLUSTRATION COMMISSIONS:

Info Given:

Outcome:

I had a lot of previous information on both of these characters (I designed the top one myself), but I was provided limited written information for this; Holiday Discord call where Toad (character one) is getting a present from Zalem (character two). Zalem is barely hiding how they feel about Toad who is excited.

 All other information provided was visual; Outfits and room aesthetics. 

We discussed poses in Dms and collaboratively found references.

---

Info Given:

Outcome: 

Absolute favorite example of the PERFECT amount of information given and the PERFECT amount of creative freedom given. 

I was handed character references with all angles as well as their armor + how to simply the armor. Pose + expression references. A general aesthetic + palette to work with. The setting. A doodle to lay out exactly what they were visualizing. 

I have all the information you could need! Now what?

I am very privileged to no longer need to take first come first serve commissions, and it’s given me the ability to really sit back and filter through the commissions that I want to do, and those that I immediately do not consider. 

I think it’s important that,  before commissioning anyone, you should ask yourself a couple important questions:

Does this artist’s style suit what I want?

Does my character suit what this artist usually draws?

Do the references I have provide the right amount of information for the specific artist I want to commission?

Sometimes the answer to these questions are; No.

... and that’s okay?

Unfortunately, not every artist is going to be able to bring your vision to life, or feel happy with the completed piece! 

If you’re someone who has Big Buff Demon Men characters that are drawn in a heavily realistic style - you might not ask an artist who draws smaller, softer characters with squishier shapes and a general aesthetic that doesn’t match your Ocs! 

If you’re someone who has characters and all of their references are in an anime style (including other commissioned work), and you have no realistic face claims... maybe commissioning that semi-realistic artist and not providing them with the references the need to translate your character into a semi-realistic style isn’t a good idea? 

I don’t understand when some people get upset when they commission an artist who clearly doesn’t draw characters that look like theirs and they clearly... don’t translate them as well.  I am making this extremely clear RIGHT NOW before anyone says anything:  Everyone can and SHOULD learn to draw the entire spectrum of humanity. From facial features, hair textures, body types, etc...

But some artists struggle to draw characters with certain aesthetics? Outfits? Accessories? You wouldn’t expect an artist who draws soft pastel art to suddenly translate your extremely rough, hard, and hot character properly?

Now, if all the answers are Yes? 

Read all information provided thoroughly 

Ask questions for clarity

Provide what you can, collaborate on what you can’t

Resources

@anonbeadraws​ post: Reference sheet for your commission references!

JAMIErightmeow’s video: I have APHANTASIA

Aphantasia Dot Com

[monn-i]

i guess what im trying to say is

i love you .

@201-klz-dead

[dootznbootz]

Odypen definitely and equivalently adore each other BUT I weirdly can't see them as the type to actually say "I Love you".

They still definitely vocalize their love for each other but it's more so in "My Joy", and "Extraordinary Woman", "Strange Woman/Man", etc. And very cheesy lines (both say some cheesy shit in the Odyssey, and he definitely does in the Iliad as well. "Joy like a drowning sailor seeing land" bit???)

I could see "I adore you" but even then, that's probably during very specific moments but the actual "I love you"??? I just typed it just now for fic shit and... It weirdly just didn't feel right and I don't know why. 😅

Idk maybe it's kind of because I see them as over the top in ways, they love wordplay and riddles and I think they'd almost think "...That's not good enough >:( " about it??? I don't know???😂

[autistic-katara]

bitches making scenes with their ocs/blorbos in their head: 😄

bitches when they need to actually draw/write those scenes for other ppl to see them: 😡

[kiwichaeng]

WIP Wednesday

Thank you for the tags @heartstringsduet @lemonlyman-dotcom @fallout-mars @im-overstimulated-and-im-sad <33

“Are you going to hover over me the entire night? Am I going to find you looking down at me at 3 am?” Carlos’ tone is light as he finishes sits down heavily on the edge of the bed. He doesn’t hide the wince as well as he thinks. TK remains quiet in the corner.  Carlos looks up when he doesn’t get a response. He tilts his head and looks at TK curiously.  “What are you doing all the way over there? I know you don’t need to sleep but I would feel better if you didn’t stare at me from the corner the entire night.” TK knows it’s in good faith, that they’ve come leaps and bounds since they met and if nothing else else, the humour in Carlos’ eyes would give it away but tonight, all TK can do is play back the evening’s event in his mind over and over.  He knows Carlos has noticed it. He had kept on shooting glances at TK the entire time at the hospital as he was being treated to the point where the doctor had asked him if he was looking for someone.   The white bandages peaks out from under Carlos’ collar and TK’s eyes are fixed on them like a moth to a flame.  This is on him, that he got someone as good as Carlos tangled up in his mess. He should never have followed him home, never forced him into helping and should have— He should never have gotten attached.   “I have to go. You should too,” TK murmurs in the quiet room and made for the door. He doesn’t look at Carlos once as he slipped out of the room. “What— TK wait,” He can hear the confusion in Carlos’ voice turn into panic. “Where are you going?”  With a heavy heart, TK ignores the calls and keeps walking straight ahead down the empty hallway.  “TK,” Carlos whispers loudly from behind him but TK doesn’t turn back. It is only when he hears a sharp inhale and a wince does he stop.

open tag and no pressure tags under the cut <3

@liminalmemories21 @lightningboltreader @orchidscript @strandnreyes @reyesstrand @paperstorm @carlos-in-glasses @carlos-tk @ladytessa74 @three-drink-amy @chicgeekgirl89 @theghostofashton @redshirt2

[pastafossa]

how long did it take for your fanfiction to start getting some recognition? did you "advertise" it or "promote" it in any way?

i know that people say this doesn't matter, but i feel like even if you love writing the feeling that you're just talking to yourself gets pretty exhausting at some point. so i'm not talking about having thousands of readers but rather like. what's your advice to have readers at least?

- someone who hasn't even started writing their ideas yet...

LONG POST INCOMING.

First I want you (and everyone else reading who may be struggling with this) to know I'm absolutely with you and generally think 'it doesn't matter' is a horseshit answer. It's this weird thing we do in fanfic that we generally don't apply to other artforms that I've seen. If you're a painter, a playwriter, a novel writer, and you say, 'I want at least a few people to love my paintings, I want some people to come see my play, I want my novel to be published and do at least ok' we all support them, we nod, we agree, we talk about how they can do that successfully. It's considered normal to want some amount of success. But hold up fanfic instead and it becomes, 'how dare you want that praise, you're being egotistical, you should be writing only for yourself'. I'm not saying you can't do that - there are some who do - but it's definitely this bizarre switchup to say there's this single artform in which we can't want attention on our work and that there's something wrong with us if we do. That can be an absolute creativity killer depending on what kind of writer you are (hi, extrovert writer here who only gets writy writy juice from social interaction - aka comments and discussion. So I totally get it being exhausting just doing this on your own).

So let me say this categorically: you're allowed to want things. You're allowed to want kudos, comments, and hits. You're allowed to want messages and asks. You're allowed to want some readers you can talk with about your story.

You. Are. Allowed.

Ok, now that that's out of the way.

Edit: more below the cut cause I didn't realize the length of this on mobile

TRT definitely didn't get popular overnight. The first four chapters were sporadic, and then I took a hiatus due to life things for a couple years. During that time, it kept slowly ticking up bit by bit on AO3, with occasional comments. Iirc it was hovering somewhere around 700 kudos by the time I came back in Jan 2021 - and that's a awesome! It's big! But it's also a number that was gained over a few years, to put it in perspective. It absolutely took off after I came back though, and over the past 2 years both TRT's popularity and the stats of my one-shots in the fandom have grown. Part of that's just the time frame (TRT's been up about 6 years), but it's also due to a couple things that I think built up TRT's popularity.

Building a tumblr presence was huge. Ironically I didn't really intend to do it for advertising; I just wanted a place readers could ask questions or we could all freak out about Matt or I could post some drabbles or updates on the fic. But considering the fact that AO3 and tumblr are the top fic sites online, I wound up promoting my fics unintentionally just by being a friendly, happy tumblr user and fandom goer. All I did was follow the courtesy rules I knew - post stuff regularly, reblog, comment, make friends with other writers, just be friendly in your neighborhood because you love the lady with the gif flower shop on the corner or the wise old pizza maker who serves hot fandom takes all day long. I built familiarity with my writing and name by posting short fics, and by taking part in challenges and prompt lists and short requests for drabbles if I saw them, though that's something that's hard to do if you don't have time (I've got less time now, but I started this blog in the early pandemic so I had aaaaall the time in the world to write and was using it to stay sane). I tagged religiously because I LOVE tags, but that helped, too. Tumblr's search system is half broken but the half that works means people CAN find your writing even if they aren't following. Doing all this over here got me a huge boost over on AO3.

I will say that if you can have a fandom tiktok presence, there's a lot of fic reviewers, edits, and good stuff that can get your fic some readers (I've had some people do this on tiktok for TRT and it sent a surge over). I personally haven't done anything there yet, in part because while I'm on tiktok I try to keep my actual, real person accounts separate from my fic/fandom accounts and i haven't bothered to make a second account solely dedicated to the Pasta name yet.

Longfics on AO3 have the advantage in fic stats in the sense that every time you add a chapter, it gets bumped to the top of the front page and you get seen again. Eventually a lot of people will click out of curiosity. They may not, however, give you a lot of user subs or add to your other fic stats at first, whereas if you do a bunch of oneshots you're more likely to get user subs but less hits on each fic. This is a decision you'll have to make, and I know folks in both camps who built their followings using different methods on each. Either way, it helps if you're posting regularly, either in a long fic or one-shots. I call this the Stephen King method, who said he just writes a ton and throws it all at the wall, and eventually you get enough good despite the bad that you start building a following.

Learn learn learn. This is standard fic advice I always give, but it's still relevant. I think one of the reasons imo TRT has done so well is that I've spent a lot of time over the years learning how to write and edit - I read a ton of books (sometimes just to figure out HOW good authors structure their stories), I took a lot of English classes, I've taken some creative writing courses in my spare time. That two year hiatus was heavily spent doing a lot of research and practice around an original novel I want published one day. And I used ALL of that in TRT, just to see what it was like to put it all together. Be hungry for knowledge, be hungry to learn. The more you learn, the better your fic will be, and the more people that will click.

That learning also includes a looooong string of fanfics that started at a very novice level (hello 12 year old me), to fics that were ok and did moderately well but weren't anything huge. Hell, I had a tumblr account for my previous fandoms before I wandered over to Pastafossa, and while those fics did decently, I never had the huge reaction I've gotten here. But I used each and every one of those fics to learn and grow and adapt. Treat your own fics the same way. If it doesn't get hits, try to learn from it before moving on to the next idea a little wiser and a slightly better writer than before. There will always be people who start to follow you along the way.

A small one, but important: I swear to god, do not shit-talk yourself. Not in the summary, not in the tags, not in the A/Ns. I'm not talking, 'this is my first fic!' That's fine. I mean trashing your own work. Shit like, 'ha ha this sucks, it's terrible but oh well' will absolutely lower your stats, because people will believe you and will ditch your fic. On top of that, it's just mean to yourself, and as I said above, you want to be a good person in the fandom neighborhood. That means not breaking the windows of your own house.

People generally think of summaries as a side note, but a shitty summary can absolutely tank your stats. Treat it like the rest of your fic - this is the trailer before the movie, and it's a huge element of what gets people interested in the first place.

Lastly, like I said at the top, the biggest factor is time. There are people who post one fic and explode in popularity, absolutely. But far, far more little followings are built on the bones of time, of abandoned fics, of muttering and highlighting phrases in books in the middle of the night, of trying and trying and trying until we have at last have a breakthrough and then drag that breakthrough forward with us to the next fic. TRT is absolutely one part lightning in a bottle - the biggest success I've ever had anywhere with my writing, a confluence of fandom factors and world events that gave people (and me!) time to write and read. But it's also standing on the back of whole lot of fics I wrote that look like everyone else's: ones with no comments, low interaction, insults; ones where I had precisely zero idea of what I was doing, but wanted to try anyway. And the way I got through that, as a writer who needs interaction in order to create, was by building friendships in fandom so that even when a fic didn't do all that well, I still had friends I could talk to about the characters, the world, the fandom itself. I asked friends to look them over and give advice. I had friends being my cheerleaders. And if you're an extrovert like me, or just a writer who needs that to create, then those connections are vital as you build up a following.

That's a lot of what I've done. I know there are other ways to build a following, but this is generally what I've done, what I've learned to do, and it seems to have worked. Just remember that there are no bad fics - just learning opportunities. Learn something, and that fic's a success, and work as hard as you can to make those fandom connections to carry you through the process.

I absolutely hope to see your work around one day, so that I can be on of those followers!

[johnslittlespoon]

also my inbox is fr a warzone rn i'm SO behind on like ~50 asks </3 itching to get back, just been trying to focus on actual fic writing when i get in a rare productive swing instead of hrs of drabbling and brainrot lmfaooo but i'll clear up a whole evening eventually to sit down and go thru a ton of them!

[beeangxt]

imagine in season 5 we get yet another parallel of Mike and Will fighting like they did in season 3 and 4. This time they are fighting about the painting, Mike is angry that Will lied to him because they’re supposed to be best friends right? Will on the other hand doesn’t know what to come up with without exposing his feelings or lying to Mike even more, which he obviously doesn’t like to do. But this time their fight doesn’t end up with one of them walking away like they always do, it ends differently.

[dangerous-advantage]

if you’re in the rise fandom and see this:

go read “all the ashes in my wake” by @crows-murder right now.

(yes, that is an order, and yes, pun intended.)

this post serves as a fic rec, but mainly to let me gush about how much i love this fic without filling up the author’s inbox with a small dissertation (/joking).

for the fic rec part:

leo. cursed. ella enchanted type cursed.

if you have any interest at all in absolutely phenomenal angst, clever writing with a style that’s easy to follow and smooth as butter, on-point characterization and dynamics, and basically anything you could ever ask for of a rise fic,

go. read. this. fic. right. now.

(that said, i am now going to ramble about my specific thoughts concerning the fic and it’s plot, so. possible spoilers beyond this point?)

there have been a growing number of fics in this “sub-genre” of the rise fandom involving a character (generally leo) getting cursed, and then facing off against angsty odds that make you go, “oh. oh, shit.” (/positive)

these curses also tend to involve the phases of the moon in some way, which i think is a very fun and interesting trend

i’ve enjoyed all of the fics that i’ve read which fit into this, but this particular fic may be my favorite yet

it follows a simple formula, neatly tying the a plot (the curse stuff) and the b plot (leo’s conflict with leadership and the strain it’s putting on his relationships) into a neat little bow.

while the idea of leo getting “ella enchanted” is fun on its own, it’s doubly important to the plot and the characterization, as it forces him to have to fix one problem to address the other.

in the first chapter, the author constructs the roots to this, by contrasting leo’s wily, independent nature against the inevitable conflict that will stifle his attempts to act on it.

watching him brush his brothers off, make his own choices and go off on his own, builds this wonderful sense of tension. it hooks you — what’s going to happen when that string is cut?

it plays perfectly into the underlying conflict. leo needs to find a way to overcome his fears of leading the team, or else the rift between him and his team will only continue to widen.

so what does the narrative do? it forces him into a position where he is no longer gets to choose.

this incapacitation is a powerful tool, not only because of the external force of the curse, but also that it plays off of the weaknesses of his character.

this isn’t something that he can just handwave, or take care of on his own. it’s a situation where he needs to ask for help.

but this is leo we’re talking about. of course he isn’t going to go to his brothers about this, or even tell them! but by hiding it and trying to fix it himself, he ends up caught in a deadlock of his own making.

and since it doesn’t look like he’s going to get over himself very soon, it seems more likely that he’ll end up cornered in a very sticky situation indeed (something which i am very much looking forward to seeing, if that is the plan).

it’s genius! to fix his problems with the curse, he has to address his issues with his family first.

my attempts to sound smarter than i actually am aside (/lighthearted), i am so glad this fic is addressing the conflict between raph and leo. not only that, but in a way that feels true to their characters.

unlike other iterations of the tmnt, the roles here are reversed. it’s not the stolid abs responsible leader pitted against the broody loner who wants to be leader, but isn’t the right fit.

it’s rise!raph, who cares about his little brother and wants to support him, and rise!leo who, on some level, doubts his own ability in this new role on the team — to be anything more than “the face man.”

it’s not often where you come across a fic where the a plot and the b plot are equally engaging, but this is one of those rare cases where everything just works. it’s like i’m witnessing the first steps of some great machine, meticulously crafted, a hundred disparate parts working in tandem.

in the third chapter, the angst just works. the pay-off there feels so real, because you get it. you relate to this character. when raph is there, waiting up for him, you know shit’s about to go down. you can feel it.

if the necklace (and therefore the curse) acted as both a narrative device and catalyst, leo’s swords represent the other side of that: the last bit of freedom he has left in this godawful situation.

they’re the last bit of freedom, his only hope of escape. raph taking them (or, rather, leo being compelled to surrender them) has just glorious undertones in the narrative as a whole.

if you were to consider the katanas a representation of leo’s autonomy, it makes sense why him being forced to give them up hits that much harder.

not only is it a tense situation, where leo is fighting back but ultimately unable to overcome the curse, it cements this underlying feeling of helplessness the author has been seeding since the chapter previous.

now that we’re here, with both the a plot and b plot coming into direct confrontation with what leo wants, we recognize that leo cannot continue how he is.

sure, he’ll keep on fighting it (abs i am very much looking forward to seeing how that goes), but this is the point where we know, there is no escaping.

leo is now truly stuck. without his katanas, fubdibg the necklace to break the curse on his own is basically impossible.

and he recognizes this.

leo’s characterization throughout this fic has been some of the best in the business. he’s smart, witty, independent, calculating — probably one of, if not the best true-to-character representations of rise!leo thats i’ve seen so far.

(absolutely phenomenal job there, i cannot stress this point enough.)

in fact, all of the characters in this fic are so well-written? i’m already seeing roots for character development within casey sr. (which i am so here for, oh my gods you don’t even know), and you can’t help but be invested in all of these relationships

we’re constantly being reminded of the emotional conflict, how much of a strain it’s putting on the relationships, not just between raph and leo, but between all of them.

leo sees this, understands something has to change, but feels paralyzed by what that could mean. for him, and his family.

not to beat the metaphorical dead horse, but that scene after leo surrenders his katanas abs flees back to his room? damn. i felt that on a visceral level.

being so tired, so miserable, so helpless, when a part of you knows you’re being irrational, but having your own pride and fear get in the way of that?

not to project all over these characters or whatever, but fuck. it feels like this was written to call out me, specifically (/j /lh)

and urgh! the detail work in this is incredible!

maybe i’m just a slut for somewhat contrived narratives, and definitely contrived foreshadowing, but the way it’s done in this fic comes off as so clean and organized.

it’s like... weaving threads in a tapestry. you can see where the connect, though you’re not quite sure where they’re going, until you can step back abs look at the picture as a whole.

it genuinely feels masterful in some places, like, mother of god, leave some talent for the rest of us!! (/lighthearted)

i could probably keep talking about this forever, but i do have other responsibilities i should be taking care of, and i kind of want to reread the three chapters that are out (as of writing this) again.

who knows, maybe i’ll revisit this in the future, when i have a better basis and understanding of the underlying themes here.

for now, dear author (if you are, for some reason, reading this),i hope you don’t mind my pretentious and meandering thoughts and/or assumptions. you’ll probably see me again, gushing in your comment sections. yours is just the kind of fic that deserves to be gushed about.

[candyn-gutz]

girl help i cant do this anymore

[yo9urt]

local man completely obliterated by strength of narrative and character writing in 2023 game of the year

[musical-chick-13]

Idk, maybe not. But consider that in order for this story to progress, they do have to communicate, and also I am doing this for fun and for free so maybe chill out a little bit. 👍

[taintedbenevolence]

lost my 50/50 to himeko on argenti's banner

probably my fault for trying to snatch both jingliu and argenti- hoping i can get him before his banner is out, though

[somelazyassartist]

I am trying. So hard not to impulse buy a set of armor right now