#I am horrible at tagging

[creator4wall]

I have YouTube syndrome, which is not liking anything unless it's comedy made by god himself.

[iknowicanbutwhy]

Hello, do-not-make-Mirabelle-angry gang, I present to you @ksenya-and-the-artistic-cucumber being really funny with scattered context

[poorly-drawn-mdzs]

jin guangshan and lan qiren yaoi perhaps? since their shapes create a perfect balance?

Two old men perform worlds first successful 96.

[capricioussun]

2am post jumpscare

[sygneth]

I have had a lot of thoughts on the original story after listening to the Sherlock&Co "Gloria Scott" and a new headcanon just dropped.

Chapter 1: part 1 - part 2 - part 3 - part 4 - part 5 - part 6

Masterpost (Index)

AO3

thoughts, if you're curious:

As far as gay Victor Trevor absolutely got me, I don't think there was anything serious between him and Holmes. This all comes down to my reading of Holmes, who is (to me) too aroace-spec to get involved in a regular relationship (althouuuughh about Holmes, his sexual and romantic orientation and him discovering it I have had so many thoughts I could write a whole essay). He likes to have a default person though, someone who will take him as he is, and maybe even admire a little - now that's Watson, earlier it was Trevor.

And yea I think Victor got a crush straight away after their first meeting, maybe they even talked about this at some point. Maybe Holmes said that he won't be able to reciprocate this affection but if Victor is fine with keeping things as they are, then he is too. I like to think they stayed pen friends even after Trevor's leave.

I feel like I should emphasize this? My intention in the comic was to make Trevor visibly flustered because he didn't expect a young attractive boy (he's hopeless in my head), while Holmes simply didn't expect to see someone his age and so sincerely sorry.

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[bacchuschucklefuck]

gonna have to resketch the other side bc Im not happy with it yet but. thing's coming along

[rocaillefox]

ok. important question. rb and put in the tags if u prefer/tolerate sending emails or making phone calls more

[maxedes]

literally so sick of lando always getting driver of the day. it‘s not a popularity contest. he fucked up a pole and isn‘t winning in the probably strongest car on the grid what is he getting dotd for

[colorfullyminded]

TLDR

Okay I cannot believe I'm about to go off like this, but this has been bothering me for awhile, and it's only making me more spiteful. I have been enjoying the influx of Billford art lately. Amazing, great wonderful. What I have Not been enjoying, is the absolute vitriol the Billdip fans have been getting since the influx of TBOB. I was a billdip shipper for awhile. Hell I was a billdip shipper when I was a Parapines shipper-- I liked shipping Dipper with boys. I was also like 14 or 15 at the time. Obviously, if you follow me now, you'll probably notice what my main ship for Dipper is. I grew out of Billdip, and moved on to Pinescone. I have been shipping Pinescone for 10 years. However, not once did I go around saying "Lol, glad I matured and became a better person and shipped something healthier", nor did I post in the billdip tag, condeming people for a fictional ship! And saying mine was better because it was less problematic.

"I'm really glad people stopped shipping Bill and Dipper together. Bill is a 1000 year old triangle demon, and Dipper is 13--" Stop. Repeat what you just said.

"Bill is 1000 year old triangle--"

Repeat that last word to me. "....triangle?" TRIANGLE! I'm sorry what?! This ship is already completely wild enough. You're getting mad at this fictional age gap-- AND BILL IS A FUCKING SHAPE! A FUCKING SHAPE! This ship was weird from the moment GO! And Billford isn't any better. IT'S STILL A SHIP WITH A FUCKING SHAPE! And you're going to sit on your high horse and look down on the Billdip community. On top of it-- they have an age gap too! Bill is still thousands of years old or whatever-- however long it's been, who knows? And Ford was in his 20s or so when he met Bill. That's still a huge, ridiculous age gap-- that Bill could easily use and manipulate; which he did....and then also caught feelings and became a sad ex, but that's beside the point~ Both of these ships are still insane. And again, the bigger thing I think people are just ignoring about these ships--is that Bill is a TRIANGLE! THREE LINES CONNECTED TOGETHER! And this is the hill you're going to die on? ...Cause apparently it's mine. First of all-- as many people pointed out-- Ford Pines did not exist until the second half of the final season. People couldn't ship Fordbill because there wasn't any Ford to introduce.

"Well, even before Ford, I never shipped Billdip! I always disliked it." ...Okay, that's totally fine. Not everyone needs to like or agree on the same ship. Lord knows there's probably people who don't really care for Pinescone either. There's a lot of popular ships that I can't stand. But I'm don't go into a ship tag I don't like, screaming to a void for self validation. I don't go around mocking other people for ships that they had in 2014-- or even still today! It doesn't matter! I did that when I was a kid-- and then realized that was rude, and it was better to just ignore the ships I didn't like and enjoy the ones that made me happy. And grow a community of kind, like minded friends. And listen, I am all for safe spaces and being able to block things that make you uncomfortable. I am not saying people who find the BillDip ship uncomfortable to be idiots or babies or overly sensitive-- or anything like that. I think if something makes you uncomfortable, that is okay and I think it's perfectly fine to blacklist a tag that you don't want to see. I also think it's imperative that people tag things as accurately as they can so people looking at your work can know if one of your pieces has a thing that they don't like-- and therefore can avoid. What I don't appreciate is the fanhate for this ship that is sprouting up like weeds. You can not like something, you can be disgusted by it (I have my Gravity Falls ships I can not stand, nor do I feel comfortable with), but attacking real people for a FICTIONAL SHIP-- two characters who are drawings on a piece of paper and can not be affected mentally, physically or emotionally by fanwork; who still retain the same shape after everything we put them through-- to the point that you send death threats, or threaten to Doxx, or just harass relentlessly, I have always found that more childish and disgusting. You are causing real world pain to people. Me fucking up Dipper Pines is not going to do anything to him-- because he doesn't actually exist. He's a cartoon character. I could squash him and stretch him in Wonka's taffy machine--- I could throw him mock speed at a wall and watch him explode on impact-- but he still exists. He's not dead; I can pick him up and dust him off, and If I wanted-- I could decide that eh, 'Not a scratch on him'. And I'd be right. Because he is a cartoon character, and I am just a fangirl. I can not change anything about him-- I have no ability to make anything I headcanon canon. And even if I was the original artist-- it doesn't change the fact that Dipper would still be nothing more than a creation. A construct of shapes; he can not be hurt or traumatized in a way that leads to real life consequences-- because he is not real. I am not a cartoon character. My friends are not cartoon characters. Artist and Writers who stay in their lane...are not cartoon characters. If you hurt us...it will linger. It will leave a scar. If you can not tell the difference between Fiction and Reality, then I think maybe media might be too much to handle-- and I think you need to really reevaluate yourself.

And just to vent some other things that i keep seeing that are frustrating: You can't claim the twins are only 13-- and then on August 31st go "Happy 20-something Birthday Mabel and Dipper!" And then proceed to drop a picture of them as adults. Well which is it? Do they age or not? Because Gravity Falls showed them canonically aging. If you think the twins age-- then you can't suddenly turn around and go, 'no you can't ship them-- Dipper is a child!' but you drew him as an adult. So sorry, it looks like you can't draw the twins grown up anymore. You claimed they're 13, so better draw them 13 forever--. Aged up stories and works exist for a reason, especially for a fan who grew up on the series. The characters might have grown up alongside them. It's not unlikely for a person to ship Billdip when Dipper is much older.

And on that note, for people who are like 'well older billdip is fine-- it's just people shipping him during the show that deserve to die.' Okay... and like I said, this rant is coming from a recent influx of Billford shippers spitting on Billdip shippers. You know? The TOXIC Old Man Yaoi!

You're still shipping something that is problematic. You are still shipping something twisted and wrong. And I am not judging you. I am here for this divorced arc. I am thriving. But you can't just pick and choose what is and isn't okay. And let me first off explain; if there is something that personally triggers you about a toxic ship, and you want to avoid that-- again, perfectly understandable. Perfectly reasonable. You are the makers of your content space. And I am not judging anyone for that. I want people to be safe. I want people to have a good time in fandom spaces. I want people to not have to deal with the things that upset them or frighten them, or disgust them. But you can not say one is fine, and one is not. They're both bad! They're both toxic. In real life, these ships would both be charged with serious crimes! And yes, there are some crimes that are worse than others, and if you asked me what I thought was more problematic-- I'd say Billdip-- but both of these ships are extreme, and severe in their problematic content. You are still consuming problematic content. If it's a personal thing, that's fine; avoid it. But don't sit there throwing stones from your glass house.

[thecandlesticksfromlesmis]

truly the most egregious part of the 2012 Les Mis is that they changed Valjean’s line from

“It’s the story of those who always loved you, your mother gave her life for you then gave you to my keeping.”

to

“it’s the story, of one who turned from hating. The man who only learned to love when you were in his keeping.”

LIKE?????!! How dare they remove Valjean specifically mentioning Fantine’s sacrifice and putting that before he mentions his own part in the story?? How dare they make Valjean imply that it was only when Cosette came into his keeping that he stopped hating everything and learned to love WHEN THE FUCKING BISHOP IS THE REASON FOR THE GODDAMN SEASON????

Like OF COURSE Cosette softened Valjean, of course he became a better man when he became her father, of course their relationship is important.

But this story would not have happened without the love of the bishop and it was his love that rekindled the love that was dormant in Valjean’s heart. And it was Fantine that fanned that flame, then Cosette’s that kept it steady.

I just hate how flat it makes Valjean’s story seem. “It’s the story, of those who always loved you.” Is THE answer Cosette has been searching for her whole life. I wish they’d kept it in instead of feeling like the audience would only feel fulfilled by Valjean’s story if he only mentioned his direct relationship to Cosette.

Whatever idk. It’s a good Les Mis for a lot of reasons, but a bad one for a lot of reasons too 🥲

[nitroish]

[ pluto belongs to @disruptivevoib ]

eeveryone shut up everyone . sand is asleep . shut up . the last time that happened was three years ago .

[carnivalcarriondiscarded]

people practice w Them <3

[poorly-drawn-mdzs]

Peeped the horrors

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[sallymew4]

Watching you get got by the teru reigen virus in real time is so funny dude. And you're right

EXCUSE TO DRAW REIGEN AND TERU SPOTTED

dude im so sick in the head about them its not even funny (it is). the teru reigen virus is NO JOKE GUYS. it can get you any time anywhere and you wont even know until it's TOO LATE. but yes like you said i am incredibly correct

also since i have yall here

you have to see my vision. this song is so them. in a non-romantic way of course

[survivalove]

blah blah something something about how fandom gravitate towards more individualistic characters because they’re easier to understand compared to community-oriented characters whose character development is very much tied to their culture/nation because understanding a single character is easier to understand than a character AND an entire culture, especially when said culture is based off a marginalized community that exists in real life 🫠 and said fandom is majority WHITE.