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airadam · 1 year

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Episode 168 : No Sudden Moves

"I was a seventies baby, raised in the eighties..."

- Scarface

An appropriate quote for this month's episode, in which we keep a constant speed all the way through - an unbroken chain in the low-80s BPM range! A little rugged, a little smooth, some old and some new, and hopefully something for each of you 🙂

Remember, you can always see a list of my next few upcoming streams and gigs @ events.airadam.com!

Twitter : @airadam13

Twitch : @airadam13

Playlist/Notes

Lupe Fiasco ft. Jay-Z : Pressure

The show starts back in 2006, with a selection from Lupe Fiasco's debut "Lupe Fiasco's Food & Liquor", produced by Prolyfic. He came out strong on this album, representing Chicago in fine style, a city that historically hadn't been as regarded as some when it came to Hip-Hop. Being able to get Jay-Z in for a feature on your debut, even back then, was a sign that you were to be taken seriously, and Lupe has definitely justified that in retrospect.

Marco Polo : Pirate Hookers

The modern move towards independent digital releases on platforms like Bandcamp means it's easier than ever to get hold of gems like "MP On The MP ; The Beat Tape Vol. 2" - at one time they just wouldn't have come out at all, or maybe got a limited run of hard copies. It's hard to describe this track, but the quieter sections make me think of the back streets in a French detective movie, while the louder parts are much more bombastic. If you like hearing instrumentals breathe without vocalists, support releases like this and let the artists know!

Dan Greenpeace & Diamond D : Nowhere To Run To

This release was an incredibly pleasant surprise - I had no idea it was coming out until just before release, when Greenpeace posted about it on Instagram. I've had the pleasure of knowing Greenpeace since the mid 90s - he was working at a company where I had a summer job, and we bonded over a love of Hip-Hop. He was DJing on the side and was a big influence on my listening, putting me up on artists I might not have heard at the time, and he was the absolute first person I remember talking about independent Hip-Hop in the sense of the early Rawkus releases and things like that. I even remember him having the idea of a column in Hip-Hop Connection called "Independents' Day", which came to fruition some time before another well-known magazine "borrowed" that title for their column and ran with it! Anyway, around the time we met, Diamond D's first LP would not long since have been out, so it's amazing to see him producing a track for an artist that we would both have been looking up to from afar all those years ago. Chunky, dark, menacing, the beat is a suitably threatening setting for Diamond's bars, and when one of the most storied producers in Hip-Hop history allows you to produce him, you know you're doing something. Salute!

The Away Team : Steppin On Toes

A nice bit of rugged aggro with Khrysis on the boards and Sean Boog on the mic as The Away Team, a North Carolina crew that came out as part of the Justus League collective. This is on their second LP, 2007's "Training Day", which has some really solid tracks and is definitely worth a listen. While 9th Wonder was the most prominent producer from Justus League, Khrysis was putting out heat round the same period and has continued to work to the present day, with beats for everyone from Busta Rhymes to Rapsody.

Slim Thug : No No No

One of two straight tracks from Southern legends, we go to the nawf of Houston for a killer from last year's "BIGslim" (which it seems, is the name he plans to go by in the future) album. It of course features Slim's distinctive relaxed yet straightahead flow, as well as a Mr. Lee beat with some nice contrast - rapid, dead-on hi-hats alongside a main drum pattern that gets there when it gets there!

Scarface : Safe

The first full track on "The Fix" and a personal favourite from Scarface's long and storied catalogue, this is a raw record that explicitly talks about the contents of your safe while implicitly talking about the lack of safety in the street life. China Black is on production, and the pitch-bending bassline is a perfect menacing undertone.

Damu The Fudgemunk : Last Ole - 2005

It's been a while since we visited the 2008 "Spare Time" album from Washington DC's Damu, full of gritty, unapologetically sample-based beats, so why not do so as this particular beat turns eighteen? My goodness, it doesn't seem like quite that long ago...

Your Old Droog : The Groundhog

He pops up, says what he has to say eloquently, and then disappears again. On this new-ish single, Brooklyn's Your Old Droog clearly remembers the borough of a different era, before all the gentrification that make the area look as it does now - and as he points out, makes some new arrivals look at those who already lived there as the outsiders. The wisftul instrumental by Znakomi is a perfect musical accompaniment to the sentiment.

Hit-Boy & The Alchemist : Slipping Into Darkness

I can't think of another track quite like this brand new release. Not only does it change beat partway through, but each beat has a different producer. Not only that, but each producer also rhymes on the track. Finally, each producer is spitting over the other's beat. Hit-Boy, on Alchemist's beat, definitely had a lot to get off his chest - I don't know how the other producers he mentions in his verse will react to it!

Groove Armada ft. Jeru The Damaja : Suntoucher

This track is over twenty years old, but it's new to me! The opening cut from the "Goodbye Country (Hello Nightclub)" album, it's got a super-long instrumental intro before the vocals properly come in, courtesy of the East New York representative Jeru The Damaja. The main beat is based around a classic soul sample, which I believe is cleared, so I can tell you about it - the excellent "Something For Nothing" by MFSB.

Neneh Cherry : Manchild

A childhood favourite! I've loved this track since it was a radio hit as a single drawn from Neneh's debut "Raw Like Sushi" album back in 1989. She came out raw indeed, with the B-Girl vibes from day one, which you can hear popping up on this track on the short rap verses. This was apparently the first song Neneh sat down and wrote, and she smashes it out of the park - all kinds of chord changes running through it, and a melancholy feel to the lyrics, talking to a man who needs to grow up and fix up a little to get where he needs to be.

Marco Polo : Straight Spittin 4.5

I didn't originally intend to play two Marco Polo beats this episode, but it just flowed that way while browsing through tracks when I was standing at the turntables; don't be mad when you hear quality like this! Those drums are booming and banging over this MPC workout from his edition of the Fat Beats "Baker's Dozen" series, each an instrumental album from one producer.

Heavy D & The Boyz : Yes Y'all

Some boom-bap head-nod flavour from the late Heavy D's 1993 "Blue Funk" album. If you're steeped in the music of that era, you'll recognise the piano sample and usage as identical to that on Gang Starr's "92 Interlude" from the "Daily Operation" LP - DJ Premier tells the story much better than I ever could on an episode of his "So Wassup?" YouTube series, so I'll direct you over there!

Statik Selektah, Nas, Joey Bada$$, and Gary Clark Jr. : Keep It Moving

Statik has been one of the producers continuing to carry the flag for modern, soulful Hip-Hop, respecting the traditions and refining the approach. This was a personal favourite from the 2020 album "The Balancing Act", and while everyone on the mic does their thing...this is a Nas cut as far as I'm concerned :)

Tall Black Guy Productions : Black II Soul

You pretty much can't lose if you're sampling the legendary track this one is based on - or maybe more accurately, you shouldn't touch it if you don't know what you're doing! Fortunately, the man TBG can flip pretty much anything and then enhance it with his warm, soulful musical vibes. One of the many excellent flips/remixes/homages in his catalogue, it's one you should definitely add to your collection, especially for the sunnier days.

Children of Zeus ft. Akemi Fox : Balance

One of the best groups to come out in I don't know how long, Manchester's own Children of Zeus continue to stack up wins! This was the title track from their second full LP (but don't forget "The Story So Far..." and "The Winter Tape", and was highlighted by having the only guest appearance on the whole album, fellow Manchester vocalist Akemi Fox. If you've not yet heard the album, line it up for a listen today - you won't be disappointed!

Deckwrecka : Rough Winds

Another beneficiary of my big vinyl digitisation project, this is a track - well, a whole record, to be honest - that disappeared into the depths of my collection through no fault of its own. Taken from the 1998 "Deckwrecka 4" EP, this is a piece that sounds more gentle and refined than its title, or even the name of the artist, would suggest.

Lindsey Webster ft. Norman Brown : Free To Be Me

While Lindsey Webster is an artist I stumbled on some time ago, this particular track from 2018's "Love Inside" LP is one I think I heard on Twitch - H3 or Big Stove might have played it. A breezy bit of modern jazz featuring the skills of guitar boss Norman Brown, it might not be something that would ordinarily pass your ears but I thought it was a nice uplifting track to end the episode with!

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!

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felassan · 4 years

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Mass Effect development insights and highlights from Bioware: Stories and Secrets from 25 Years of Game Development

This is the Mass Effect version of this post.

[In case you can’t read it the subtitle in the bottom left logo above is “Guardians of the Citadel”]

Note: Drug use is mentioned.

Cut for length.

Mass Effect 1

ME began its life in a vision document in fall 2003

Codenamed “SFX”

Conceived of by Casey Hudson and a core team from KotOR. Its genesis was the intention to create an epic sci-fi RPG in an original setting that BioWare owned (so they could have full creative control), and in a setting that was conceived of first and foremost as a video game

Initially players could control any squadmate, but they wanted it to be about Shep and for players to be focused on Shep being a battlefield commander, rather than on switching bodies

By the start of 2004 its story was shaping up. Initially humans landed on Mars in 2250 and discovered evidence of an ancient alien race and a powerful substance, Black Sand, which rapidly advanced tech to the point that FTL travel was possible. (My note: obviously now the Prothean artifacts on Mars & associated mass effect force tech enabled this in the final canon, but I wonder if aspects of the ‘Black Sand’ naming-type & powerful substance stuff was rolled into red sand from final canon) Humans were suddenly capable of travel to multiple star systems and made contact with a multitude of other species. At the start of the first game, these species together with humans had a fragile peace, with focus placed on the political center of the galaxy, a hub known as Star City, later renamed the Citadel

Multiplayer was a vision for the series as far back as 2003. The plan was for ME1, an Xbox exclusive at launch, to take advantage of the platform’s online components. Early designs saw players meeting in one of the central hubs to interact and trade items in their otherwise SP adventures

By 2006 it had the name ME and the story was more specific, with the theme of conflict between organic and synthetic lifeforms. The story’s scope now stretched across 3 games and included scope for full co-op MP

They tried to do MP in every game, discussing it from the get-go, but it always just fell by the wayside. “When you’re trying to build something that is a new IP, on a new platform, with a new engine, you’ve got to really focus on the core elements of the game.”

The conversation system prototype was made in Jade Empire, and some of ME’s earliest writing was done in an old JE build. At first there was no conversation wheel. Paragon was “Friendly” and Renegade “Hostile”. In the prototype Shep was a silent unnamed Spectre. Many conversations in the prototype about the player’s choice in smuggling a weapon through Noveria made it into the game

In said prototype a merchant referred to themselves as “this one”, though the word hanar never appeared. The PC in it also had the option to end a conversation with “I should go”. In the prototype also, Harkin was voiced by Mark Meer

An early version of the Mako got used as the krogan truck in ME2

Early concepts of the Citadel were drawn in pencil by CH. A piece of concept art of its final design was painted based on a photo of a sculpture near Aswan, Egypt

As with any new IP naming it was a struggle. They put out a call to all staff for ideas, did polls, made a name generator that combined words that they liked in random ways and made pretend logos of ones they liked in Photoshop to see if they could make themselves love the name or find visual potential in it. (Some of these names are in the pic at the top of this post.) CH liked “Unearthed” as it was a reference to Prothean ruins dug up on Mars and humanity’s ascendance going away from Earth. They knew the game would have a central space station featuring prominently so some of the ideas were based on that - “The Citadel”, “The Optigon”, “The Oculon”. “Element” was another one they had in mind due to the rare substance in the game

CH: “I was a big fan of John Harris’ book Mass, which had epic-scaled sci-fi ideas, so that was a word that came up often. Many of the names came from the idea that the IP featured a fifth fundamental physical force (in addition to the known four of gravitational, electromagnetic, strong nuclear and weak nuclear) so the word ‘effect’ came up pretty often.” Ultimately none of the ideas really felt right. One Monday morning they were going over the names and Greg Zeschuk said he had an idea on the weekend: “Mass Effect!” CH: “I said, ‘I don’t hate it’, which in the naming process is a high compliment. And it stuck!”

CH on Shep’s Prothean vision from the beacon: “It was hard to imagine how we would do this. CG was - and is - really expensive. Instead I wanted to try doing it through photography and video editing. So I went to a local grocery store and bought a few packages of the weirdest looking meat that I could find. Then I set up a little photoshoot in my basement, complete with some electronics parts and some red wine for juicyness.” He used these props to create a video sequence where the photos were rapidly cycled and blurred, along with production paintings, to create the scary vision an organic/machine experiment on the Protheans. These mashups were also used as inspiration for concept artists and level designers who were working on these themes

Tali used to be called Talsi

On the licensing side they often joke that they’re licensing N7 not “Mass Effect” due to N7′s popularity

There was a confidential internal guide to the IP in 2007 to help devs along and summarize/synthesize the vision etc. Some excerpts from it are shown in the book and this is the first time the public have ever seen them

Early versions of Asari had hair

Asari were designed as a nod to classic TV sci-fi (with human actors wearing obvious makeup and prosthetics to play aliens)

The turian design guideline was “we want them to be birds of prey”. They also wanted a range of alien types, some close to human like Asari, while others were to be a lot further away, like turians

BioWare patented the conversation wheel, which was a first for them. CH had been frustrated with reviews of Jade Empire that said that the actioncentric game was too wordy [with its list dialogue]. “I’m like, story is words. [...] What is it about our games that is making people feel like they’re wordy?” Then he thought “In a game you kind of need to feel like you’re continuing to play it. Maybe you should continue feeling like you’re playing it actively into the dialogue.” “[The wheel] kind of gave a new experience with dialogue when you did start to react based on emotion, and that’s ultimately what we’re trying to bring out in our games”

The original krogan concept was based on a bat “with a really wide squidgy face. We just used its face on top of this weird body and it kinda worked”

Geth musculature was based on fiber-optic cables, with flexible plates of armor attached

The vision for the IP was 80s sci-fi inspired space opera

The concept art of Saren lifting Shep by the throat inspired a similar scene in-game. The staging wasn’t planned til designers saw that art

A squadmate with Shepard on the way to meet Ash in an old storyboard was called Carter. Early name of Kaidan or Jenkins?

Bono from U2 was kinda instrumental in bringing us ME lol

Finding the right cover art for ME1 was notably tricky

Matt Rhodes got his start drawing helmets for ME1, including one which would become Shep’s “second face”. He estimates he drew between 250-270 different ones

Some of the sounds in-game were people smashing watermelons with sledgehammers and sticking fists into various goos

The audio team had fun trying to slip the iconic main theme into unexpected places throughout the MET. “We were very aware of how powerful that track was for the fans and it was tempting to overuse it for any moment we wanted to make really emotional”.

The theme was creatively repurposed in ME3: slowed down and reworked as the ambient sound for the SR-2. “If you listen to it for a really long time, just stand in the Normandy and listen, you’ll actually hear the notes change slowly. It doesn’t sound like music, it sounds like a background ambiance, but it’s there.” (My note: Well no wonder the Normandy feels so much like home?? 😭 sneaky..)

Bug report: “Mako Tornado”. There wasn’t enough friction between the tires and the ground, causing testers to lose control of the vehicle and send it spinning into the air like a tornado. “As it turns, the front end comes up, and then it starts spinning and spinning and spinning and spinning faster and faster and faster until it just flies up in the sky” (My note: Sounds like a regular day in the Mako to me)

Cerberus originally had a bigger role in this game. It was cut but they had a whole explorable outpost. “I called it Misery,” says Mac Walters, “It was this planet with a little outpost that said ��Welcome to Misery’”. Everything on the outpost was shit - dirty worn stuff, no windows, no kitchen, the vehicle bay was open to the elements etc

The Reaper sound is literal garbage. Some audio designers went on a recording trip to a national park. One of them got fixated on a garbage can, “a metal bear-proof receptacle with a heavy lid that creaked horribly when opened”. “It was like, ominous, spooky, tonal and almost musical. I decided to throw a mic into the garbage and record it moving. I didn’t know what it was going to be until later”

They were making lots of noises to record like throwing logs and rocks around. An old couple peered at them through the window of their camper van in the woods and must have called the cops because then the cops showed up, pulled them over and told them to stop. The cops towed their car (the driver’s plates were Cali plates and expired), drove them to Edmonton outskirts and then the audio producer Shauna got a call and had to go pick them up “like three little boys”. “We got a stern talking to”. Once back they were playing around with the garbage sound, editing it etc. Casey heard it and proclaimed “That’s the sound of the Reapers”

Preston Watamaniuk: “There are things I could have done to Mass 1 to make it an infinitely better game with better UIs” and some simple cuts and changes. “But when you’re living with it, it’s very hard to see those things”

BioWare Labs

As social media and smartphone games exploded, BioWare dedicated a small team dedicated to exploring opportunities here - BioWare Labs

Mass Effect: Galaxy used a unique graphic art style and static visual presentation common in visual novels. It has the distinction of being the only iOS game BW have made during their first 25 years

Scrapped ideas were a 3rd person space shooter called Mass Effect: Corsair and 2 DA titles - a strategy game and a top-down dungeon crawler starring young Wynne. (My note: Maybe the corsairs stuff was rolled into Jacob’s backstory in 2, the Alliance Corsairs)

Corsair was a very short-lived project that never got its feet under it. It was a spin-off on Nintendo DS featuring a behind-the-ship perspective and branching dialogue. At one point it had MP. The idea behind it was basically “ME: Freelancer” - fly your ship around, do missions, get credits. It had a limited branching story but was a gameplay-centered experience intended to fill the gap between ME1 and 2. That gap ended up being filled by Galaxy

Galaxy and Corsair’s smaller screen allowed concept artists to use bold colors and a simplistic character design style to help those games stand out from Shep’s story

Nick Thornborrow did some art for Corsair but was worried his art style didn’t fit ME. He moved to DA where he feels his art style fits better

Lots of BioWare VAs and even a lead writer and the VO director are drawn from Edmonton’s local community theater scene, which is vibrant. Think this is how Mark Meer got involved

Mass Effect 2

Player choices carrying over was a first for BW

Dirty Dozen-inspired plot

Its plot is a web of conditionals (see Suicide Mission)

Was more of a shooter than anything BW had made since Shattered Steel

There was 2 camps on the team, those who wanted to push combat and systems forward and redefine the ME experience and those who wanted to make a true sequel, with the same gameplay and systems but a new story. Karin Weekes: “I think it ended up being a good push-pull. It felt like a pretty healthy creative conflict”

“ME2 was a game you could hold up to someone who argues that games aren’t a serious medium and go ‘Oh yeah, then why is Martin Sheen in this?’” Sheen was their first pick for TIM

The idea for TIM came from a mash-up of concepts CH had collected over the years. The name “Illusive” originally came from his pitch for naming DAO’s Eclipse engine, a word inspired by Obi-Wan’s line “It’s not about the mission, Master. It’s something... elsewhere. Elusive”. “I thought, what if we called our next engine 'Elusive', but used an ‘I’, and then it’s like ‘Illusion’. [...] I still really like the word with an ‘I’ and what it conjures”

When ME1 DLC was in production, CH had been watching a lot of CNN, specifically Anderson Cooper. “How is one guy travelling to all these places and never looking tired and always being able to speak with clarity?” CH says it seemed almost superhuman. “What if there was someone who is the absolute maximum of the things you would aspire to be, but also the worst of humanity?” Cooper, though not evil, became an inspiration for TIM down to the gray hair and piercing blue eyes

Inspiration for TIM’s behind-the-scenes role pulling political strings came from Jack Bauer’s brother Graem in 24. Graem “can call up the president and tell him what to do and hang up, because he’s so connected and so influential”. Sheen had played a president and his performance brought gravitas and wisdom to the role. He had quit smoking, but the character smokes. He didn’t want to fake it, but he also didn’t want to smoke, “so he actually asked for a cigarette” to hold so he could stop his words to take drags with natural cadence

Writing was still pushing to write and revise lines hours before VO started. A series of problems like injury and some writers leaving for other opportunities left it so that Karin, Lukas Kristjanson and editor Cookie Everman hand to land the story safely, with PW helping where they could. Lukas: “We took over the writing bug and task list, and I can’t stress enough how much [Karin and Cookie] did to get ME2 out the door. There’s no part of that thing we didn’t touch”. Karin: “That was the most dramatic 2 weeks of my life”

Initial fan reaction when they started promo-ing ME2 was very negative because people didn’t want to know about new chars like Jack and Mordin. “[fans were like] ‘Get them out of here. We want our characters from the first game’. But then when they played them, those became some of the most popular chars [of the series]”

Concept art of Thane has an idea annotation saying “Face can shapeshift?”

At one point when designing Thane concept artists sent multiple variations of him to the team asking them to vote on which was the most attractive

Most of the Normandy crew was written by lead level designer Dusty Everman. Lukas gave him advice in the evenings between bugs

BioWare Montreal made ME2 and 3 cinematics

CC for Shep was based on tools used by char designers to create in-game chars. Under the hood similar tools existed to create aliens

Aliens were much easier to animate than humans. When something is human it’s very difficult to make it look realistic and you can see all the mistakes and everything

Over the holiday period in 2007 CH worked out a diagram on a single piece of paper that would define the entire scope and structure of the game. The diagram is included in the book

Bug report: “I shot a krogan so hard that his textures fell off”. At one point shotgun blast damage was applied to each of the pellets fired, and shot enemies ended up with just the default checkerboard Unreal texture on them after their textures got blown off

Blasto was meant to be 1 step above an Easter egg but his fan popularity prompted them to bring him back in ME3

They rewrote chunks of Jack 2 days before she went to VO. She was the only one they could change because all the other NPCs were recorded. They redesigned her mission by juggling locked NPC lines and changing Shep’s reactions by rewriting text paraphrases to change the context of the already-recorded VO

Lukas snuck obscure nods ito ME2′s distress calls. In the general distress call for the Hugo Gernsback, there’s BW’s initial’s and Edmonton’s phone number backwards. In a fault in a beacon protocol there’s the initials and backward phone number from Tommy Tutone’s “Jenny”. In 2 other general distress calls there’s initials and numbers from Glenn Miller Orchestra’s “Pennsylvania 6-5000″ and initials and numbers from Geddy Lee and Rush’s “2112″ respectively

Mass Effect 3

“The end of an era marks the beginning of another”

ME3 “marked the end of Shep’s story”

Saying bye to Shep was as difficult for devs as it was for players

JHale’s final VO session included Anderson’s death and romanced Garrus’ goodbye. “We were in the session and we both just started crying”, Caroline says. “I couldn’t come on the line to give her notes because I was crying, and she was crying. And so there was just this minute-long pause of like, nothing, nothing, nothing - just silence through the airwaves. And then I came on and just told her that I was crying and she said ‘I’m crying!’” They talked about these anecdotes also here on the N7 Day reunion panel

The Microsoft Kinect voice support required devs to teach Kinect hundreds of commands in a variety of accents across multiple languages. The result was useful but made for some awkward moments. Numerous players accidentally said “geth” or “quarian” while making a particular decision and accidentally killed Tali

MP chars were voiced by cops and military people

The helmet on one of the MP chars was originally designed for cancelled project Revolver

The payload device at the end needed to attach to the Citadel while essentially serving as a giant trigger. “It ended up becoming quite the engineering feet just to visualize how this thing would move and connect to the Citadel”

Concept artists explored creating an anti-team, where Kai Leng was almost an anti-Shepard essentially, with an elite squad to counteract your team. This idea never went beyond concept phase

ME3 Special Edition was released on Nintendo Wii U exclusively. This exclusive version of the game includes Genesis 2 (a sequel to the original Genesis comic) and unique gameplay features that took advantage of the touchscreen GamePad. For years Sonic Chronicles: Dark Brotherhood had had the honor of being BW’s only game made for a Nintendo console

FemShep regrettably didn’t feature in major ME marketing til ME3. Later releases like DAI, MEA and Anthem have taken increasing care not to gender their protagonists in cover art

To capture combat sounds they took a trip to CFB Wainwright, a military base southeast of Edmonton. They got a big tour of it and were allowed to record anything they could find. The tour ended with them getting to drive and shoot tanks (real shells). The force of doing that sent waves through Joel Green, he felt his whole chest compress when it went off; the perfect sound for the Black Widow! After the trip the soldiers let him keep the shell he fired and it’s been passed on like a torch to various devs since

Kakliosaurs began life as a joke in the writers’ room after John Dombrow placed a Grunt figure on a t-rex toy he had on his desk. Lore was brainstormed to justify the mash-up before someone asked, “Why don’t we put this in the game?” They loved it so much Karin had custom coffee mugs made

Bug report: For a while Tali’s final romance scene would fire when she was supposed to be dead

“Balancing combat: how designers in ME3 entered an ‘arms race’” - the solution to players feeling OP vs players feeling frustrated by really strong enemies is to find a good middle ground, but for designers Corey Gaspur and Brenon Holmes, it was war. Brenon designed enemies, Corey designed guns. Corey “was obsessed with bigger, heavier guns. We had this sort of informal competition where he’d make this crazy overturned gun that would just murder all the enemies, and then I tuned some stuff up to compensate”

Brenon had to invent new ways to “stop Corey” and this led to the Phantoms. Corey had in turn designed consumable rockets that could wipe out entire waves of enemies. He must’ve figured this would make short work of Brenon’s space ninjas, but Brenon had other plans: “I had just added the ability for her to cut rockets [when Corey was playing MP and he was watching]. She cut the rocket in half... Corey just turns and looks at me and is like: ‘Really dude? I just shot a rocket at this Phantom and she’s fine? Not even damaged? Zero damage?’”

This friendly rivalry helped elevate ME3′s gameplay. Corey had a knack for making a gun feel so good to fire it had his fellow designers scrambling to keep up. It was his version of balancing. Before Corey sadly passed away he mentored Boldwin Li in all things weapon design and the arms race continued

Corey designed the Arc Pistol. It was causing problems for enemies because it was too powerful. It seemed hell bent on staying that way, Boldwin would tune down all its stats and it was still doing 3x the damage it should have been doing. “I was like ‘What the hell?’, and then I looked closer. It secretly fired 3 bullets for every pull of the trigger! Corey, you sneaky jerk”

The day it launched there were midnight launch parties across North America including one near the BW building. Numerous devs sat at long tables greeting fans and signing autographs as the fans picked up preorders. When midnight struck the line was long enough that it took several hours for some fans to get their game. One particular fan is remembered: “It was 3am. Some guy drove up from Calgary with his friends. He was like one of the last people in line. I think he was sort of tired-drunk. He threw himself across the tables, pulled up his shirt and shouted ‘Guys, sign my abs!’ And like I did, because he waited so long. It felt impolite not to. So I hope he enjoyed his copy of ME3″

For designing Protheans concept artists had free reign to design something that read as ancient

Before the concept art team had the story of the game to work toward, they explored wild ideas of their own including an image of the crew stealing back the Normandy to go after the Reapers

Jen Cheverie was testing scenes and was initially excited to be testing Mordin scenes, til she saw she was testing the Renegade version of his death. “This is even before like all of the audio and everything was in, so you didn’t even have the sad music. I remember sitting at my desk and my hands just went to my face when I saw that the gun Shep pulls on Mordin is the gun he gives Shep in ME2. I burst into tears and was crying for the rest of the day. People are waving to me as they walk by and I’m like, ‘It’s ok, I’m just killing my best friend’”

There’s a segment called “Shepard’s story ends”. Casey on the ending: “There’s a whole bunch of things that come together to make it incredibly tense and emotional for players. I think the biggest one was the sense of finality, that whatever it was that happened in that very last moment... was it.”

Wrapping up the story was a massive feat. In a way all of ME3 is an ending. Its final moments were the players’ last with a char they’d been with all the way from Eden Prime

“And while the critical reception of the game was extremely positive, many fans were unsatisfied with the ending, which became one of the most controversial in the history of games.” CH: “We were, on one hand, at the end of a marathon trying to finish the game and the series. But as devs we also knew that there would be more. We knew that we would continue to tell the story. In retrospect, we didn’t fully appreciate the tremendous sense of finality that it would have for people”. He envisioned an ending that posed new questions, something in the tradition of high sci-fi that left players dreaming about what that particular galaxy’s future could hold. “Frankly, there’s a lot more that we could have and should have done to honor the work players put in, to give them a stronger sense of reward and closure”

AAA games are massive undertakings with a million moving parts. Somehow they come together but even the best-planned projects don’t turn out quite like devs hope. From start to end video game production is a series of compromises. It’s rare if not impossible for devs to ship a game they’re entirely happy with. “I think that people imagine that when you finish a game, it’s exactly the way you wanted it to be. But whether people end up loving or hating the final result, we work hard to finish it the best we can, knowing that there’s a lot we would have wanted to do better. I think that’s true of any creative work”

As the dust settled after the initial reaction to the ending and later its epilogue, meant to show the wide-reaching ripple effects of Shep’s final choice, “players emerged mostly asking for one thing”. CH: “Now, most of what we hear, after both ME3 and MEA, is ‘Hey, just go make more Mass Effect’. And that to me is the most important thing. Knowing that players want to return to the ME universe is what inspires us to press on and imagine what comes next”

Mass Effect: Andromeda

By creating a new ME in a new galaxy the team was challenged to put their own visual stamp on the game while keeping it true to the franchise

Being the first ME game on a new gen of consoles meant for more detail

“Massive transport ships called arks populated with salarians, turians, humans, asari and quarians” made the risky jump to the Cluster

MEA was the first time BW had truly codeveloped across 3 studios: Edmonton, Montreal and Austin. The bulk of the work especially early on was done in Montreal, which was composed of a handful of Edmonton expats and heaps of experienced devs who joined from elsewhere specifically to bring a new ME experience to life. Series vets in Edmonton then came on to contribute writing, cinematics, design and QA, along with leadership from creative director Mac Walters and the core Production team. Austin writers and level designers also joined the fray

“It took a new team to take ME beyond the Milky Way”

Mac: “A lot of people in Montreal joined BW as fans of the franchise, so they just had this passion, and it felt like it was more like the days of Jade Empire, where a smaller younger team gets to do something for the first time. Even though it wasn’t necessarily a new IP for me, it felt fresh and new because of that. The team was just super excited to be working on it”

Early plans had the player exploring hundreds of worlds, procedurally generated, allowing for a nearly infinite variety of experiences. But as development wore on, it became clear that the game narrative required more specific, hand-touched level design on each world to keep the story focused and the experience engaging. “The plan was to give players numerous uncharted worlds to explore. Designers worked hard to come up with procedural elements that would make such planets special. Eventually the team made the difficult decision to abandon procedural planets in favor of more memorable hand-touched alien worlds, each with a specific story to tell”

One challenge was defining what ME meant without Shep. Care was given to include many of the MET’s key species. “Ryder recruited turian, asari, krogan and salarian followers”. Like Shep Ryder represents humanity’s hope for a peaceful coexistence among aliens who had long operated without human contact

Beginning with MEA the team decided that with few exceptions vehicles in ME have 6 wheels. Early Nomad concepts were bulkier. Later ones focused on its ability to move over its ability to protect itself from hostile fire, underlining the themes of exploration

German concept designer and auto-motive futurist Daniel Simon was contracted to create the Nomad and Tempest. The Tempest’s final design took inspo from the Concorde

Concepts for angaran fighter ships have the following notes: “Two doors swing open, wings rotate down to function as landing struts, the landing struts split open. It has a spinning turbine engine

Despite being set a galaxy away and some 600 years after Mordin’s death, there was a time when he had a cameo. It wasn’t cut due to running out of time however, it was cut due to drug references. John Dombrow explains: “One day I had to write a small quest for Kadara. I thought it’d be amusing if these 2 guys living way out on the fringes in a shack were growing plants for uh, medicinal purposes, and needed Ryder’s help with it. It occurred to me, wouldn’t it be amusing if Ryder had the option of actually trying ‘the medicine’ to see what would happen? And I thought, what if it turned into some hallucination that somehow involved SAM - like maybe SAM would sing? But why? How could I motivate that? Then it hit me. Who else in the ME game sings unexpectedly? MORDIN. As a nod to him I wrote SAM singing Modern Major-General. It got even better when our cine designer John Ebenger wanted to take it even further. Bless him, he came in on a Saturday to do a special hallucination showing Mordin himself. It was great. Til the fateful day we were told MEA had already been submitted to the ratings board. That’s when you declare things like drug references in your game. Mordin fell under that category which meant it was a no-go. We were too late”

Ryder’s white AI armor contrasts Shep’s iconic dark armor (intentional design)

Concept art for Ryder involved experiments with cloth (cloaks, ponchos, capes - “Pull here to release cloak”) and asymmetrical design elements

For alien design, there’s a few exceptions but humanoid figures are the ME standard and this persisted into MEA

Kett and angara concepts explored striking lines and textures

– From Bioware: Stories and Secrets from 25 Years of Game Development

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girlbossgertrude · 4 years

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10 REASONS AGNES MONTAGUE IS THE TAPES (formal long vers)

Through Gertrude and Agnes’s web bond, it is implied that the two both acquired traits of the other. We see this with Gertrude and her tendency towards fire and the Desolation. This would have to be mirrored in Agnes in some way, through beholding tendency and power. Though I do not think the tapes are of the Beholding, I think this fact is important to remember.

In MAG 162, the tapes that mysteriously came with the package that held the ritual statement both mention fire in the archives/burning down the archives. See here: “TIM: I mean it! We’ll burn this place to the ground!” and the whole scene with Gertrude getting angry at Gerry for burning cursed leighters in the archives. And, as I write this, I realize that fire is also mentioned in another extra tape in early season five (MAG 161); Jon yells at Tim for bringing a fire source in the archives in the Birthday Party scene! (ARCHIVIST: Alright, yes - thank you. I do hope you’re planning not to light those candles.) And, also in 161, Gertrude is literally planning down to burn down the archives and talks of fire, and her pyromaniac streak, caused by her bond to Agnes. (GERTRUDE: Paper burns well,...Petrol burns better. LEITNER: I always forget your pyromaniac streak. GERTRUDE: Mm. Remind me to tell you about Agnes sometime.)

In MAG 80, Leitner talks to the tapes like a specific person right before he gets killed. There is no one else in the room with him. “[SILENCE] LEITNER: I’m not sure you would have liked him, you know. He’s paranoid enough. But I don’t think he’s got the stomach for it [SILENCE].” Most assume he’s talking to Gertrude (I did), but that really doesn't make sense in the context of most tapes theories ™ . Gertrude is very much dead. Basically, it’s possible that he could be talking to Agnes here, especially in the context of the next point-

“REMIND ME TO TELL YOU ABOUT AGNES SOMETIME.” This line from MAG 161 has so much potential for foreshadowing. It could mean so very many things. But in this context, this implies Gertrude could have told him about Agnes listening behind the tapes? Though this doesn’t make sense in some possibilities of how Agnes is the tapes, it is important to note.

Agnes is very marked by the web and the tapes being associated with the web is highly, highly plausible. She has been affected and tied up in the web since birth! She burned spider webs in Jack Barnabus’s home, and obviously, she was anchored to Gertrude through the web’s ties for years, as well as living in Hill Top Road, AKA Web Supreme. Additionally, she’s killed multiple web avatars: Raymond Fielding, and Emma Harvey. Agnes is interconnected to Hill Top Road, and the crew is there right now, its incredibly plausible that she’s going to come up again. She already did, actually. It is mentioned in the 196 statement that Agnes was the one who opened up the dimensional rift incidentally- from burning down HTR, it caused the crack to open more. ([Raymond Fielding was] “immolated by the Chosen of the Ravening Burn. The house of the time was destroyed along with him, reduced to ashes, and with that the crack finally became… a gap. A hole around which time, dimension and reality began to bend, shudder and leak.”) This feels important.

Agnes Montague supposedly died in 2006, and then in MAG 139, which is taken sometime in 2006, Eugene Vanderstock tells Gertrude that Agnes has died, but- then in 2009-2011, Agnes and Gertrude met up, sometime after Sannikov Land to discuss the subsequent murder agaisnt Emma Harvey. So, she came back from the dead. Or, it’s a classic timeline mistake and I’m insane, of course. Two things that are important to note here: 1. It is important to remember that most desolation avatars had to “die” to become an avatar (I.E.: Jude setting herself on fire in front of her wife to become a avatar) while Agnes had been a true avatar from the get-go, so that could have been her “first death” like the others. 2. In some patreon extended version of the season 3 Q+A, Jonny Sims, when asked about timeline mistakes, says there is a “nexus of timeline discrepancies that is [a part of my] master plan.”

The recording of Gertrude’s death was one of, if not the first recorded times a tape turned on. That’s it, I just feel like that’s important.

The tapes are increasingly being confirmed as web, though so far it seems like web AND something else. “MARTIN: Wait. Wait… The tapes… ANNABELLE: A fine material to spin a web with, don't you think?” I think this confirms that the tapes are at least partly web, though what makes me think that they aren't fully web is what the two say after; Martin asks if it’s been Annabelle listening all along, and she says “Oh Martin. You have no idea who's listening, do you?” I know most choose to interpret this as wholly a fourth-wall break, and an implication that the tapes are us, the audience, but I am choosing to interpret it differently. I think, at times, there can be a character that acts as the audience, says what everyone's thinking and all that. I think that’s happened a lot in this podcast, and I think when Annabelle said that, I interpreted Martin as the audience here, and that Annabelle was telling us “Lol. You guys have NO idea who’s listening behind the tapes!” not that like. She was telling Martin you have no idea who's listening *points to us, the listeners, who are listening*. Also! I think it’s important to note that Annabelle said “who” and not “what”? I don’t know, I feel like that’s important for some reason, in a podcast of weird entities.

A new possibility: Agnes (or someone else but that's not what this post is about) communicating through previously recorded tapes, but being able to get her message across through them. What I mean is that at the end of 196, three different tapes click on, of Jon telling Martin specifically to listen. Someone could be manipulating the tapes to do this. I personally think Agnes doing this fits with her story well; as we’ve only ever heard her story told by other people, and additionally, the overarching theme of not choosing what she is, what she's becoming. Additionally, I feel like it is definitely a possibility that Gertrude could have bond Agnes to the tapes as she has a history of doing things like that, or their web bond could have caused it, as well.

The parallels between Jon and Agnes are incredibly obvious. One line parallel that stands out to me is Agnes to Jack Barnabus in MAG 67 Burning Desire: “She asked me if I had a destiny…[after he replies no] She looked at me, with the same sadness I’d seen on her face before. “That must be nice,” she said, and went back to staring into the sunset.” juxtaposed with Jon talking to Gerry in MAG 111 Family Business: “Sh-She never showed any...er, abilities, or talked about...I don’t know, destiny? Like she was...b-becoming something?” Truly, at the end of the day, Neither of them chose this life for themselves. Neither of them wanted to be Chosen, neither of them chose this life like other avatars did (ex: Jonah Magnus, Jude Perry). They could relate to each other, is what I’m saying. And Jon desperately needs someone to relate to right now. Additionally, the talk of burning down the archive throughout the seasons, specifically season five (see reason 2), and Jonah at one point calling the Archivist/Jon the “Archive” does not slip my mind.

#this is so long sorry i don’t know how to do the keep reading thing #sorry that i won’t shut up abt this theory on all platforms </3 #the magnus archives #magpod #tma #jonathan sims #agnes montague #tma spoilers #mag 196

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maxwell-grant · 3 years

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Any thoughts on Darkman, the Liam Neeson movie? I heard it was originally going to be a Shadow movie.

I love Darkman very much, but I've realized recently that this love comes with some pretty bittersweet feelings at the story behind it.

Michael Uslan: I was going to produce a Shadow feature film with Sam Raimi, but Sam got consumed by back-to-back movies and we ran out of time. We were headed in a good, period piece direction and managed to do so without relying on yet another bout with Shiwan Khan. I later had another major director passionate to do The Shadow, but a person at the company wanted to do a modern day TV series instead, which ultimately did not go... - comment saved from a post in The Shadow Knows Facebook group

For those of you who only now got into The Shadow or don't remember, for much of the early 00s, when The Shadow basically had no current projects and Conde Nast was taking down webpages and fan content left and right, the only things that kept this "fandom" alive were occasional fanfics (many of which are gone now), and the dim light in the horizon that was the rumors that Sam Raimi was finally going to make his Shadow film. Dig back on The Wayback Machine for Shadow web page and you're gonna see this as consistently the only thing they had to look forward to in regards to the character. These rumors floated around for over a decade, at one point Tarantino was even supposed to direct it, but he confirmed in 2013 that it wasn't going to happen. At least, not with him at the helm.

The project has been dead for a while now, and Conde Nast seems to be shuffling around plans for the character, and I deleted my Facebook months ago so I haven't kept up with any news, although it seems the James Patterson novel wasn't received too well, so I'm not sure what other plans they have in the pipeline.

Back in the 1970s, after the release of Richard Donner's Superman and in line with The Shadow's pop culture resurgence, thanks to the paperback reprints and the 70s DC run, there were plans to make a Shadow feature film, and there were quite a handful of scripts being tossed around for the following years (Will Murray states most of them were horrible), several names attached to the project at one point or another. The plans died down a bit following Gibson's death and only really picked up again after the 90s, and of course we all know that the 1994 movie came out with spectacularly bad timing. From what I recall, it seems Sam Raimi wanted to make his Shadow film in the 80s, was unable to secure the rights, and then just made his own version, which would go on to be his first major motion picture.

Even after making Darkman, Sam Raimi still wanted to make The Shadow. I guess that's ultimately the bittersweet part for me. I imagine the current state of Shadow media would be significantly better if Sam Raimi, who was a fan of the character and the pulp version (and even knows of The Shadow's connection to Houdini and stage magic), got to make his Shadow film, years before Blood & Judgment, years before Burton's Batman made it impossible for a Shadow film not to be compared to it, in a time period where it wouldn't have had to compete with The Lion King and The Mask for box office. And second, I have been drawing up my plans for Shadow projects for, what, 5 years now? And I have just barely got my foot off the door as a filmmaker. Sam Raimi had a decade-long career as a cult filmmaker before he got turned down, and decades later, after becoming a household name in charge of Marvel's biggest icon, the project still fell through. It doesn't exactly get my hopes up, y'know.

I love Darkman, it's the best Shadow film that doesn't technically star the real Shadow, and it works pretty well on it's own regardless of that association, but I do get pretty sad looking at it from the outside, because I just can't help but think on what it could have been.

In some aspects I do think the film benefits from not being about The Shadow proper, because it means Raimi got the freedom to do whatever the hell he wanted. The character of Darkman already existed separately from Sam Raimi's plans for a Shadow film, already carrying off the Phantom / Universal Monster influence, and what Raimi did was basically combine the two ideas together.

He took the basic iconography of The Shadow, a terrifying urban crimefighter in coat and slouch hat, and add in other Shadow traits like his mastery of disguise, his disfigurement, and that wonderful scene where he's invisibly running circles around a panicky triggerman while laughing maniacally, a moment which definitely feels like Raimi taking a second to indulge himself to do what you can call The Classic Shadow Scene with a character he's, for the most part, succesfully convinced us (and Conde Nast's lawyers, most importantly) isn't supposed to be The Shadow.

But then he filters these through his own influences and style to make him a new character, so instead of a mysterious mastermind with lots of resources and a enigmatic background, instead he's a disfigured and psychotic scientist with a vengeance against those who made him that way. He's like Night Raven, in the sense that he's built off traits that The Shadow has, but develops them differently to the point he stands on his own as a character. It's The Shadow combined with The Phantom of the Opera, filtered through a 1930s Universal Horror lens, played for greater tragedy and a dash of Evil Dead 2 wackyness.

He hides away in trashed up ruins and bickers with a cat, he has fits of rage that make him endanger innocents, he has a doomed love affair, and sometimes he gets so batshit he gives us hilarious moments like "TAKE THE FUCKING ELEPHANT" and "SEE THE DANCING FREAK! PAY - FIVE - BUCKS! TO SEE THE DANCING FREAK!". Moments that really show why he was such a good fit for Spider-Man despite the liberties he took with the source material.

I think the big thing that helps to make Darkman works as a property in it's own right is also that, ultimately, these influences are ultimately at the forefront of it, and the core of it works on it's own. Darkman is a believable, engaging character in his own right, one who tells a story that would be more at odds with The Shadow proper.

In some aspects, Darkman tries to be The Shadow, he is forced to become The Shadow by literally picking the clothes off a dumpster after he escapes the hospital, and it's a miserable, wretched existence, in a way rather befitting his status as a legally safe knock-off. He is a creature of nightmare who lost his face and takes on a dozen others to fight crime by turning terror against them, except he is still just a man in the end, and no man was ever supposed to live like this.

Raimi was also inspired by the Universal horror films of the 1930s and 1940s because "they made me fear the hideous nature of the hero and at the same time drew me to him. I went back to that idea of the man who is noble and turns into a monster".

He originally wrote a 30-page short story, titled "The Darkman", and then developed into a 40-page treatment. At this point, according to Raimi, "it became the story of a man who had lost his face and had to take on other faces, a man who battled criminals using this power"

A non-superpowered man who, here, is a hideous thing who fights crime. As he became that hideous thing, it became more like The Phantom of the Opera, the creature who wants the girl but who was too much of a beast to have her

I decided to explore a man's soul. In the beginning, a sympathetic, sincere man. In the middle, a vengeful man committing heinous acts against his enemies. And in the end, a man full of self-hatred for what he's become, who must drift off into the night, into a world apart from everyone he knows and all the things he loves.

For the role, Raimi was looking for someone who could suggest "a monster with the soul of a man"

It's the fact that Darkman is ultimately played for vulnerability and tragedy that really sets him apart. While I wouldn't go far enough to say The Shadow is a man with the soul of a monster, still, the difference in presentation is still there when it comes to these two. The Shadow is The Other, Darkman is You. Darkman is the victim of extraordinary circumstance that affects his life, The Shadow is the extraordinary circumstance that affects the lives of others. People react to The Shadow, Darkman reacts to people (and rather poorly).

One is the man who takes off his skin (or yours, staring back at you) to reveal the weird creature of the night ready to prowl and pounce and cackle at those who think they hold power over it's domain, and the other is the monster who falls apart bit by bit until you are left staring at the broken man within who has no choice but to be something he was never supposed to be.

The Shadow is The Master of Darkness. Darkman weaponizes the dark, but in the end, he's still just a man, lost within it. Not everyone can be The Shadow, and you would most likely turn into Darkman if you tried.

#replies tag #darkman #sam raimi #the shadow #pulp heroes #universal monsters

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the-antiapocalyptic-man · 3 years

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Alright another compilation headverse post bc the week long blackout through me off more than I thought and I still haven’t done a finalized version of Roy, so here’s a blitz through a bunch of ideas under the cut

The Golden Age Red Hood, now a composite character (I guess?) with Arthur Fleck. Not much of a stretch since Pre-Joker Red Hood’s whole deal is just being an anonymous schmuck in a bad position and becoming the worst guy in the world, but I see this version rifting a bit on Phoenix’s Freddie Quell performance, that sense of displaced/misplaced “chaos” that’s still sort of playing into the system that allows it to exist and thrive...anyway next is Ghost-Maker

Nothing to say here really. I’m not really keeping up with Tynion’s run and I don’t want to get too in the weeds with my opinions on it, which is maybe overly evident in how unpolished my take is. If anything, I was mostly struggling to draw the character at all. He’s got a needlessly busy design that Jimenez commits to and Ortiz does some really fun stuff with, but my first batch of takes all came out like Deadpool. This version...still does? I played with the idea of making him into an identity for headverse!Lincoln March as a big Racer X joke, but who knows.

Pivoting off that, I’m much happier with the new World’s Finest piece. Early career Superman, who’s a pretty standard Clark but I was really happy with the linework for him, and I think the first image I’ve posted of the setting earlier, major OC: Aloysius Fox, Lucius Fox’s father, and the secret First Batman. So, full disclosure, Aloysius’s earliest versions were essentially Luke Fox in the original purple gloves costume bc I love that first costume, with the “grandpa was a secret OG superhero” angle kinda transparently lifted from Lindelof’s big Hooded Justice retcon. All of THAT is then filtered through all the weird mid-late 80s attempts to “fix” Golden Age continuity by subbing in characters like Flying Fox and Iron Munro in place of Batman and Superman. Aloysius will be more fleshed out when I get into Gotham’s headverse history and the Coney Island Justice Society stuff, but for now he’s just a cool design I like to tinker with.

Teth Atem, the Black Adam of Kahndaq, Ancient Champion of Shazam, Lost Master of the Lightning, Cream of the Garden of Eternity’s Corp, Theodore Adams of Fawcett and general multi-hyphenate. Again, I think making him bald is maybe leaning too hard into the live action version wrt The Rock (oh wait, The Rock, Rock of Eternity, that’s funny actually lol). His story role in the headverse is gonna wait until I loop back around to the Shazam Family and Thunderworld, but I love Teth and he’s definitely making into the next edit of the JL group shot lol.

Another weird re-work in the vein of FleckHodd: KRONA AS THE SPECTRE. This one I actually really liked as a concept (illustration is...fine considering I was flying through these), with the basic idea going back to Hal’s Spectre days (and partially his DKSA portrayal) combined with the Spectre’s own history of choosing hosts and turning it into a more generally cosmic entity that the weird superhero interpretation of Christian Mythology it functions as now. I kinda see the Spectre in the headverse as a step between Ion and Aya as a living expression of Willpower “energy” and Krona using his position as a host to develop the mass-produced Krona Gauntlet and later Green Lantern rings, as opposed to Spectre’s overwhelming possession aspect (and death/resurrection aspect, natch). Krona at this point in the time has probably just met or is about to meet Volthoom, so hasn’t totally wilded out, but there’s a reason Spectre still becomes known as “God’s Vengeance” in this canon.

Finally, Cor-Vex! No meta here really, Krypton retconning Jor-El’s birth name is just fascinating (and kinda funny) to me. The “II” being the giveaway that this version isn’t Jor-El, but Kal, in an alternate timeline where Jor kept the name but also has an adult son who went to Earth got superpowers. Cor-Vex II isn’t headverse canon, but Jor-El being named Cor-Vex in other realities and universes will be, with a totally original homebrew alt being the setting of a major Superman story that will let me use Mr. Oz without getting kinda weirded out that Lara was already having a bad day when her husband spontaneously transformed into an old, old man and she just died bc for whatever reason no one wants to write about Lara beyond being the tragically faithful wife and mother.

...this post is already too long (idk how much of this to even tag, it’s sort of all over the place) but Lara Lor-Van’s personal history is a particular fascination of mine too, so she’s getting some development eventually too. (Probably after I finally do that Wonder Woman post I keep mentioning and putting off)

Anyway, sorry this is a mess, been a weird week, but hopefully have more soon!

#headverse #dc #fanart #red hood #arthur fleck #ghost-maker #superman #golden age batman #aloysius fox #black adam #krona #the spectre #green lantern #cor-vex #krypton #lara lor-van #alternate timeline #this could all us an edit but I feel better just getting it all out at once

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funkymbtifiction · 3 years

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Good morning, Charity! Based on your latest post, I guess it's safe to say the book is almost officially done, right? Congratulations! You must be really proud of it. I can't wait to order my own copy.

Curiously, you mentioned writing fiction is much easier in comparison, which reminded me of something I wanted to ask you. So far, I never wrote anything seriously in life, but it is my intention to soon start writing a fantasy novel after I am done with some current duties. As you are my only "tangible" writer reference, could you please tell me (and anybody else who may be interested in reading your response) the history of how your first book came to be, what were your struggles, what went wrong, what went right and also give general advice on writing fiction, especially for a starter? Perhaps things you wished you knew before doing it?

I don't know, for example, if you decide upon most of the story before writing or if you just think of it while doing it. For what it's worth, I already thought of my main characters, the villain, one additional character, the prologue, the beginning, some scenes that should happen and the ending, but I am not sure if it's enough to start or whether I should keep trying to develop it in my head first.

If it's not too much trouble, your advice would be of great use. Thank you :)

Don't get me wrong, writing a book is incredibly hard, whether you write nonfiction or fiction. But my Ne was created to write fiction, and it's way more enjoyable for me to live in a fantasy world full of characters that "appear" to me than to have to work on nonfiction and focus on tedious details, consistencies, figuring out how to structure the book for learning, etc. That is intensely STJ-land, which is hard for me to navigate for long periods of time -- and it's all I did for 7 months while working on this MBTI book. Thank God it's almost over. I get to back to Tudor England and nefarious plots in the caverns beneath a fictional London.

Every personality type writes stories / books differently, so I can't tell you what would work for you. If you feel confident knowing the beginning, end, and the characters / basic plot, that should be enough to dive in and start writing. Stories tend to build along the way and craft themselves if you are a Ne user (anywhere in the stack, as opposed to a Ni user, who prefers to plan it ALL in advance; all NJs I've talked to say characters "pop" into existence in their head, complete with back stories, professions, etc., and they think about it until the entire thing is structured and write it down; SPs report something similar, except they craft as they go more, since the entire story isn't apparent to them early on). SJs and NPs work similarly in that they improvise along the way, discover better ideas as they go, and continually re-craft / re-draft throughout revision.

My process as an ENFP is part-planning but largely improvisational. I make 80% of it up as I go along. It's an ongoing battle between Ne wanting to follow rabbit trails, invent 5 more characters, and bring in complicated subplots, and my lower Te trying to wrangle everything into a coherent, straightforward plot (thus causing me to stop on a regular basis and ask, "Is this contributing to the plot or not? is it derailing my plot? WHAT IS MY PLOT??? Who is my main character???"). Right now I'm working on my seventh and final novel in the Tudor series, so I have to wrap up everything I've set up in advance through other books. This means I have to plot more carefully than usual, since by chapter 15, these 5 events need to have taken place. By chapter 10, I have to have established most of them, going into a "climax" section of my book. Certain things MUST happen in chapter one, in chapter six, in chapter nine. I leave it a little flexible in case the writing naturally makes them happen sooner or later, but I know in a linear path what needs to happen, the chain sequence of events that must take place, just not all the details. I don't pre-plan details, that bores me in the writing process. Writing for me is an adventure; I discover new and exciting things, learn more about people's previous lives, and have fun along the way, so I only form skeleton plans and fill in the flesh and skin later. I usually write way too much, then trim way too much out of it (second draft), then go back in and add sensory details (cuz there aren't any, third draft), edit the hell out of it for sentence structure, coherence, etc (fourth draft?), and then it turns out the way I like it. This is my structured approach.

With other novels, I get an idea -- often a scene I am working toward, a twist at the end, or a big reveal, and start writing to make that scene happen. I also keep other books to a single narrator, which makes it way easier (I need four or five narrators for the Tudor books, so you are in the heart of the action scenes at all times, and not stuck on the sidelines with a character who sees no battle).

I've been writing novels since I was 12, so it's hard for me to remember the history of how the first one came to be (I just ... got an idea, opened a Word document, and started writing), but one of my first published novels was about Pontius Pilate's wife. I took an interest in him, became fascinated, did a ton of research, and was delighted to discover they know almost nothing about either one of them, so I could make 90% of it up, and went at it like gangbusters. That was fun. I'd do that again.

What were my struggles as a young writer? Too much. Before I learned to focus and structure plots, they were too long -- like, hundreds of thousands of words too long. One of the first books I wrote is 400,000 words, a true epic. They had too many characters. I have learned in the years since to combine, delete, and save good characters who add nothing for other books.

What are my struggles now? False starts. The bane of my existence. I usually find a book's stride five chapters in. That's where the characters have established themselves as important, the narrative is barreling forward, I know where I am going (my Ne supplies things to me and weaves plots without me really needing to think about the payoff to major twists) and how to get there, and there's no dead air, but it always takes me about a month of frustrated fumbling around to get to chapter five. I wind up rewriting the first four chapters about 15 times because I get into the plot, and find out -- I don't need this character, or damn, I needed that one and left them out. Rather than just bring them in now, I have to go back to the beginning and write them in, because my thinking is very linear. It can't go from A to C, I have to progress through B (the perks of being an sp/so? ;). So for about four weeks, I feel like I am making no progress, this book is never going to go anywhere, it's not working and then one day, when I find all the right characters and threads that I KNOW will pan out instead of dying on me ... it clicks and I'm off to the races.

Things I wished I'd known before doing it? Uh. How hard it is to write a GOOD book. Anyone can write a bad book. Most people can write a mediocre book. But few people can write a GOOD book. What's good is different for everyone, but for me it means a fast-moving narrative, compelling characters, and avoiding cliches. My advice to any young writer is to just get your ideas out on paper -- in a very rough first draft, and then spend months/years (depending on your type) reworking it, rethinking it, restructuring it, and rewriting it. Get feedback from actual beta readers (not your mom, she thinks you are fabulous) about what's confusing and what isn't working, and then rework it again. Study the semantics of writing -- grammar, sentence structure, etc., but do NOT worry about that until after you have a finished book in front of you. You can bog yourself down knowing too much at the start and trying to edit as you go. Editing comes later.

Just write. Train your brain to write at specific times, or through a habit that reminds your body, "Okay, now is time to focus." Some authors make themselves a cup of tea, others do stretches, others turn off all their electronic devices. I know when I sit down in my chair and turn on some classic music, it's time to focus.

Don't think it has to be perfect your first time through -- it won't be. It's gonna need cleaned up / edited no matter how good it is. And assuming you use Ne, don't be afraid to re-invent scenes to give them more interest and movement in later drafts. Sometimes a scene becomes far more interesting for a reader when a discussion takes place on an archery range or in the middle of a competition than seated at a dining table. Think creatively. Structure some scenes like you would a movie. Where are they? What are they doing? How does this story keep you 'visually' engaged?

I used to practice stuff like this by writing out a scene from a movie I loved, and forcing myself to find ways to write-visualize what I had seen on screen. What is the light doing through the window? Where is she standing and why? What actions did the actors use in-between dialogue? Look around you all the time. Notice things. You can either remember them or write them down. Charles Dickens used to keep a book of weird and interesting names that caught his attention, which later became characters in his books.

Lastly, think about two things when writing -- what story do *I* want to tell (it should entertain and excite you) and your audience. (If I name two characters starting with the same letter, is this going to confuse them since most people skim-read?? Can I really expect them to keep track of 12 characters as I flip back and forth?? ... no.)

Write at your own pace. Cut yourself some slack. And don't worry if you have to rewrite sections. It happens.

#question #writing

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boognish-worshipper · 3 years

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au thingy explanation bc i’m obsessed w/ the idea now

soooo i started writing for that pop punk trevor idea i had,, and i kinda wanted to give a rundown of what each character’s into/what aesthetic they represent!!! it goes into better depth in the actual storyline i promise 😭

trevor - pop punk ofc, and he’s technically a post-hipster bc he rebukes the whole thing (it’s a bit of a paradox tbh)

michael - 80s aesthetics, indie rock, doesn’t really associate with any particular group. (tries to dress like a main character in an 80s film)

franklin - lofi hiphop, and the whole style of snapbacks that say “swagger” on them or whatever (and those items of clothing that say OBEY on them) think early childish gambino too tbh (i love him sm)

lamar - really into odd future and skating, trying to make it big on soundcloud but to no avail (franklin helps produce his stuff but he’s just,, not a very good rapper) has a supreme hat just like tyler the creator did LMFAOOO

amanda - early tumblr grunge shit, like right before 2014 tumblr aesthetics came in bc this is the era we’re going for tbh (an og fan of lana del ray HAAAA)

wade - clowncore ofc, it’s literally canon

ron - he just dresses like somebody’s dad tbh, still a conspiracy nut

steve haines - a true hipster, like the urban outfitters type yk? not much else to say ig

lester - cyberwave and vaporwave only bc he’s all tech n whatnot

any other characters that pop up will have their stuff explained in the story, but this is jus so you guys can get a general idea of what i’m trying to go for? i listed these guys bc they’re def recurring throughout it. not listing devin weston bc even though he is brought up, he doesn’t really have a set look or anything. might just make him one of those rich guys who can’t dress for shit but think they look good bc they have a gucci belt. and this might not all be concrete as i write, but this is the overall vibe ig!!!

also! i tried making parodies of things gta style, so tumblr is nosedivr (i jus looked up synonyms for tumble, plus i like black mirror so i picked it for that rzn too don’t judge 🏃‍♀️), and stuff like patagonia is called andés bc both places r in south america 👀 corny, ik. but if anything sounds off, it’s most likely for this reason! i also have a set location to start out with, called sterling lake. sterling lake is a play on silver lake in la,, apparently hipsters used to hang around there? i tried making this realistic for such a wacky storyline lol

and for this au, merryweather is still trevor’s enemy, but they’re a really popular nightclub that rich hipsters begin to occupy, like steve haines for example,, devin weston owns the club bc his dad paid for it all lol. merryweather uses bodyguards to make sure nobody who’s not “elite” can get in. and of course trevor wants to fuck it up :) i can already tell this is gonna take a lot of time to develop, but i’m feeling pretty confident about pulling it off 😈 this is basically just for reference when i post the first chapter,,, eeee

((all the chapter titles will be named after various 2010s songs i fuckin love))

#gta v #grand theft auto v #grand theft auto 5 #michael de santa #franklin clinton #trevor philips #lamar davis #alternate universe #2010s tumblr #2010s nostalgia #buckle up #bc this is gonna get bumpy #midnight city au

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seriouslyhooked · 4 years

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The Best Bad Idea

Three-part CS AU where Emma and Killian are doctors working at the same hospital (world without pandemic). They’ve yet to meet, but Emma has definitely seen the sexy Dr. Jones in her travels at Mist Haven Medical. It’s generally a bad idea to get involved with a colleague, but a little fantasizing never hurt… right? Inspired by the song ‘Bad Idea’ by Ariana Grande and a TV couple who set the bar for true love stories.

Available on FF Here and AO3 Here.

A/N: Hey all! Here is a little something I made instead of being a responsible writer and finishing my other projects. I’ll be back to my other WIPs soon (God willing), but in the meantime here’s my 1000th attempt at writing a Captain Swan meet cute. I needed to get some words on the page, and this is the result. Hope you all enjoy, and thanks for reading!

Thump, thump. Thump, thump. Thump, thump. Thump, Thump. Steady, sure, and even. A solid pulsing sound with no inconsistencies and no delays or false starts.

In this particular patient, that fourth set of beats was the most important. Prior to his recent operation, Earl MacDonald’s heart had been weak and skipping needed pulses, then constricting far too harshly on every fourth measure. That type of arrhythmia had potentially disastrous consequences, but those worrying beats were seemingly behind them. The rhythm Emma heard through the stethoscope was a regularly circulating drumline, the tell-tale song of a heart that was working, and working well. Her surgical intervention had been successful.

She gently released the breath she was holding, a sign of the stress that she carried while waiting for patients to recuperate. Emma never let the patients see her sweat, but she had been worried on multiple levels in this case. Earl was going on 80, and not a logical contender for intensive cardiac mediation, but Emma’s gut had told her he could handle it, and she was rarely ever wrong. Earl forged through the surgery like a much younger man, and his outputs post-operation had all been extremely encouraging. It was shaping up to be another win, another life saved thanks to the power of medicine, and that filled Emma with real joy. She always did her absolute best to create good outcomes, and this time there was so much more on the line than one life. This was a man who was loved and cherished by the people closest to him, and who would be sorely missed if something were to happen.

“Anything you want me to note for the chart, Doctor Swan?”

Emma bit back a witty retort at the pointed use of the word ‘Doctor.’ She was one of the few surgeons in this hospital who didn’t care what people called her, as long as they called on her early enough to actually save the patient’s life. But with Belle, a person Emma considered a dear and true friend, there was an added lilt of sass when using her title. Her friend was one of the nurse practitioners that Emma had been working with for years, since the day she landed here as a medical intern, but despite their differences in degrees, Belle was easily the most well-read and brilliant resource when it came to medical literature in this hospital.

“Just that Mr. MacDonald is healing nicely.”

“Did you hear that Lorraine?” Earl asked, with a Cheshire cat smile on his face, and the glint of true pride in his eyes. “Doctor Emma says I’m healing nicely.”

“Hard not to hear, seeing as I’m right beside you,” Loraine quipped, but she squeezed his hand affectionately, and offered a warm smile to her husband all the same.

“You know, usually being dubbed ‘nice’ is the kiss of death for a man.”

“Earl!” Loraine chastised, clearly not liking his word choice. Earl smiled wider, looking almost boyish in his delight.

“Well, so to speak. But I was going to say that I think we can make an exception this time. I’ve never been so happy to be referred to as ‘nice’ in my life.”

“Technically Doctor Swan was referring to your vital signs, Earl,” Belle taunted from across the room, holding back a smile Emma knew she was bound to let loose soon enough.

“Aw come on, you both know I am your favorite patient. I mean I’m not exactly pressed for competition. Have you seen the people on this floor? Good grief.”

“Ignore him, ladies. He’s all talk. He hasn’t left this room since we got here,” Loraine said, rolling her eyes, as if these antics were a constant occurrence. Based on her small window of experience with Earl, Emma would believe it. “Every meal, every visit, every moment has been within these four walls. Even his PT has been in here.”

“His PT has been here?” Emma asked, surprised that Mary Margaret, their head Occupational Therapist, had allowed for that. She was normally a by-the-book professional, and Emma never knew her friend to provide rehab consults outside of her studio.

“Yup. I told Miss Mary Margaret that I had a wife to keep an eye on and she relented.”

“No, actually what you said was, ‘Excuse me, Ms. Blanchard? You probably heard I just had heart surgery. Well, the thing is, my heart is sitting in this room. I’d like to be with her. Doesn’t seem right to be separated so soon, given what we’ve been through.’ Then you pointed at me, and used your puppy dog eyes on her. Next thing I knew, she had lugged enough equipment to fill the room here. No questions, just action.”

“I bet she ate that right up,” Belle said with a wink. “Mary Margaret loves nothing more than love itself.”

Belle and Mrs. MacDonald discussed Mary Margaret’s love of love, and Earl’s improved mobility, for a few more minutes while Emma continued checking his stats, but ultimately Earl’s patience was wearing thin. He really only had one thing on his mind, and he was now determined to ask about it. Emma was honestly shocked that he managed to wait this long. She knew it was only a matter of time and she was ready for the showdown.

“So, what do you think, Doc? Am I making it home in time for the party?”

“The one for your grandson on Sunday?” she asked, noting the three-day window between now and then. She had heard about this party non-stop, since the moment Earl woke up from the procedure. It was a central fixation for the old man, a celebration that would host his entire family, and a goal he had been carrying for over a week. Earl nodded and Emma hesitated for a few seconds, before smiling and giving the good news away. “Yes, I am confident that Jayden’s ‘Pop Pops’ will be in attendance when he turns four. But you know the rules…”

“I know, I know: no good food, no strenuous exercise, no having fun.”

“Earl.” Just the utterance of the old man’s name from his wife was enough to have him looking like a kid with his hand caught in the candy jar. Emma and Belle both chuckled at that child-like expression. It was hard not to; the old married couple was just too sweet.

“I’m sorry. I know this is serious, but what is life if you can’t have a little fun?”

“Fun comes in all shapes and sizes, Mr. MacDonald, and despite what you may think about your prescribed lifestyle changes, you’re forgetting two things. First, most of these less-alluring prescriptions will be temporary, and second, you’re a man who clearly loves a challenge.”

“Oh yeah? And how do you know that, Doc?”

“Well for one thing, you somehow landed a lady as remarkable as Loraine. There’s no way she came easy with these corny jokes of yours. You must have worked harder than you ever worked in your life to persuade her to give you a chance.”

The laughter from the older couple was boisterous and heartwarming, and Emma knew she was right on the money. At this point, she had the ability to sniff out true affection, and these two had it in spades. Many couples she saw facing emergency room disasters together didn’t have the same good luck.

“You got that right, Doc. You know the first time we met was at the -,”

Earl’s story was unceremoniously interrupted by the crackling of the PA system specific to this room. It buzzed for a few moments before a message was delivered in a saccharine sweet voice that sounded nothing like the announcer’s normal tone.

“Paging Doctor Swan to the Nurse’s station. Doctor Swan to the Nurse’s station, code 741.”

Emma waited for the feed to cut off and began to tell Earl to please go on with the story, but the call came out again.

“Paging Doctor Swan to the Nurse’s station. Doctor Swan, code 741.”

“You know she’s just going to keep doing that until she gets her way,” Belle murmured. Emma nodded. It was no use. What Ruby Lucas wanted, Ruby Lucas got. That just seemed to be the way of the world.

“Belle, would you mind telling Ruby I’m with a patient at the moment? I will be there when I can. She can always proceed without me.”

Belle snorted out a laugh, knowing that last part would never happen, but gave a swift affirmation that she would relay the message before waving goodbye to the MacDonald’s and promising to see them soon. As her friend headed out, Emma sighed, knowing there was no way Ruby was going to give things up that easily. She had a matter of moments before some new tactic would be deployed.

“I’m sorry about that. You were saying?”

“Eh it’s kind of a long story, and you’ve got places to be, Doc. Just know, true love won out in the end with me and my Loraine. It always does.”

Emma couldn’t deny that their love appeared true even after their fifty plus years together. She personally had never experienced a love like that, but she was wondering more and more if maybe it was out there, somewhere in the later chapters of her story. For years she thought herself above that kind of need. She found validation in herself and in her work. She dedicated herself to helping others, and that had always been enough. But the loneliness that became a constant when she was growing up in foster care still lingered, and she wondered if someone might ever come along who could inspire her to take a chance and risk her heart.

“You know, I actually worked as a nurse before my kids were born,” Loraine commented easily. Emma nodded and smiled as she checked the last of Mr. MacDonald’s IV drips. Emma was aware of the older woman’s solid medical understanding. Loraine had continued to demonstrate it the entire time her husband was admitted in this ward. “I’m trying to remember if I ever ran into a code 741.”

“Oh, uh, I think – well, erm, I mean you probably didn’t,” Emma said, hoping she didn’t turn beet red at the passing comment from the older woman. She was already stuttering, which was completely out of character and eighty shades of embarrassing. Loraine’s words feigned ignorance, but her eyes told a different story. Still Emma tried to play it off. “It’s really not a big deal. Just a non-emergent protocol.”

Another alert sounded, but this time it came through the ceiling unit reserved for announcements to the wider reaches of the hospital. “Attention to all surgical ward personnel. We are paging Doctor Swan to the nurse’s station. Doctor Swan, you are needed at the nurse’s station immediately for a code 741.” The talking stopped, but the air crackled signaling that the line was still live. “Immediately.”

“Sounds pretty urgent to me,” Loraine replied. The curiosity in her gaze told Emma that the older woman was onto them, but it was Earl’s comment that cut too close for comfort.

“When I was in the war, all of our numeric codes corresponded to letters. So 7 was H, 4 was D, 1 was A. H – D – A. HDA, now what could that be….?” Uh oh. Now Emma really had to get out of here before she accidentally admitted Ruby’s code’s meaning – Hot Doctor Alert. That would be the cherry on top of a full-blown mortification sundae.

“All righty, well like I told Belle, all your scans look good. Doctor Whale is on shift this evening during the next series of rounds, so I’ll make sure your file is ready for him.”

“Of course, dear, and good luck with your doctor, er – I mean – code.”

Emma stammered out something like an ‘okay thanks,’ while leaving. She tried to get her bearings once she was out of sight of the room, but she had nowhere to go. Everyone on this floor had just heard her page, and there were bound to be at least a few who understood the meaning. She was so embarrassed, and more than a little ticked at Ruby. She was supposed to be her best friend, but she was always pulling these crazy stunts. They were mostly harmless, but for Emma, who hated being the subject of hospital gossip, it was anxiety inducing to say the least.

“Please tell me that you did not just broadcast that to the entire hospital,” Emma said, arriving at the nurse’s station with a sense of urgency, and watching some of the other nurses scurry off to avoid the confrontation. Ruby, however, was unfazed. Actually, the nurse manager just rolled her eyes, grabbing her bag and phone from her cubby, as if Emma was the one who was annoying and not the other way around.

“And here I was thinking we were the best of friends. Soul sisters, kindred spirits, friends for life. But no, ye of little faith, you actually believe I would broadcast the hot doc alert to all of Mist Haven? What kind of friend would do that?”

“But if you didn’t… then how did you…?” Emma’s questions trailed off, but her arms flailed towards the ceiling and the look on her face spoke for itself – how had Ruby used the hospital wide PA system without actually broadcasting to the entire hospital?

“You know Tink up in nuero?” Emma nodded, well acquainted with the nurse manager who had Ruby’s job on the fifth floor but with a specialization of the brain and nervous system. She was a tiny woman, but she ruled that ward with more than capable hands. “She and I bribed the IT guys to make the nurse managers an override. Now we can circumvent the PA software whenever we want. Bring some of you more stubborn Doctors to heal when it comes to answering our pages.”

“That’s… well, actually that’s genius,” Emma admitted.

“I like to think so,” Ruby teased, offering a genuine smile. The two friends laughed at all of this, and Emma felt so much better knowing that their secret was still relatively secure. The last thing she wanted was everyone knowing how she was spending her lunch breaks these days.

“Gus, you’re holding down the fort while I’m gone, right?” Ruby asked, her smile turning slightly wicked with the purposeful jest aimed at the new nursing aid sitting behind the desk.

“Me?” The new hire replied, suddenly white as a sheet. Emma had never seen the man so stricken, and as a new nurse he had plenty of high-stress moments to look alarmed during. “I – uh – well – I -,”

“It’s called comedic relief, Gus. Commonly referred to as joking. Do me a favor, learn about it by the end of shift, kay?” Ruby pivoted to the person she actually trusted to man the fort. “Thirty minutes work for you, Belle?”

“I’ve got it handled.”

“Excellent. We’ll return with a full report,” Ruby said, grabbing Emma’s arm and moving them down the hallway before Emma could even say goodbye. “Newbies – can’t live with them, can’t pawn off scut work without them.”

“You are terrible. And yet… the look on his face just now…? Priceless,” Emma acquiesced. “But seriously, Ruby, can we PLEASE find another way to page me for this? My patients are not stupid, and the code isn’t exactly original. It’s kind of…” Ruby’s grin was so big that it stopped Emma in her tracks. She was currently trying to hold her friend to account, but Ruby looked like she’d won the lottery. “What?”

“You are so totally into him! I mean listen to you right now.”

“I didn’t say anything!” Emma said, feeling her cheeks flush against her will.

“Exactly,” Ruby said. “You’re telling me to be more discreet when I send the bat signal, but you still want me to send it. Do you realize how unlike you that is?”

“Despite what you may think, Ruby. I’m a doctor, I’m not dead. I can appreciate a hot guy now and again.”

“Doubtful. Remember last month when all those pro hockey players were here after Ocheski collapsed on the ice? You had a room full of crazy sexy men. Like virile, hot, muscled men who get paid big money to beat each other up on the ice. Most women would die for that chance, and to make it even better, most of them were hitting on you. And what did you do? Nothing. You didn’t even blink.”

“They were not hitting on me,” Emma affirmed, but the words were hollow. They had been trying to flirt with her. A few had even attempted to get her number.

“They were hitting on you,” Ruby said adamantly.

“He was a patient, and the rest of them were essentially his family. You know I’d never cross that line. Doesn’t count.”

“Fine, then what about Dr. King? When he came for that conjoined twins case last year, you had no interest. Zero. Zilch.”

“King was an asshole, you know that,” Emma said, belatedly catching her use of profanity and checking that no patients were around. Luckily the coast was clear.

“So? You didn’t have to marry the guy. Hot is hot, honey. That’s just how things are.”

Emma barked out a laugh at even the thought of marrying someone like that. Arthur King was just about the worst person she could fathom to spend a life with. He was narcissistic and carrying around one of the biggest god-complexes she’d ever seen, and she was a surgeon, so she was an expert on god-complexes.

“Your face really says it all, Emma. I mean honestly, poker would be a terrible game for you to take up. Your contempt for King is obvious, but, meanwhile, as soon as I mention Doctor Jones… aha! See, totally shifted.”

Emma didn’t know what to say to that. She could try and protest, but her friend knew her too well for that. The best thing to do was say nothing, and she was saved by their arrival at their destination. The coffee cart in the center of the action, near the entrance of Mist Haven. Here was where the wards crossed paths. Her surgical wing met up with the specialties departments, the ER, the community clinic, and more. It was also swarmed with both hospital workers and visitors. Typically, this was the last place she wanted to be, but recently it had become a highlight of her day.

“Emma? Ruby? What’s brought you out here?” a voice asked. It was Mary Margaret, and given her street clothes and jacket, Emma would guess she was just starting her shift.

“Haven’t you heard? There’s fresh meat from the ER. Two showings a day, but we favor the afternoon delight.”

“Oh right,” Mary Margaret said, nodding, like Ruby’s words were totally normal, and for Ruby they were. “I heard about the new ER Chief. Doctor Nolan? I meant to get down there and bring him something to welcome him, but I’ve been so swamped this week. My caseload is crazy at the moment. I hope he won’t think too badly of me for being a bit late.”

“Mary Margaret, literally no one in a hospital brings people cupcakes as a welcome gift, especially not new guys in other departments.” Ruby was not wrong. Hospitals were hardly the most happy-go-lucky of places. At least not usually. “Believe me, the man will be grateful whenever they come. If he even eats them. He’s fit – like fit, fit. Keto diet and a personal trainer fit. The kind of fit that makes you -,”

“Careful, Ruby,” Emma teased. “What if Graham heard you saying that?”

“God, I wish. You know how worked up he gets, and how he works out his frustrations.” Ruby’s tone was dripping in suggestion. “It’s one of the many reasons I live to drive him crazy.”

Emma and Mary Margaret laughed at Ruby’s apt assessment of her relationship with her boyfriend. Ruby had been dating the fireman for almost a year now, since he came in on one of the ambulance bays with a victim he’d rescued from a fire, but Ruby was hardly the predictable type, and Graham seemed to love that about her. They were still going strong despite her willful, wild child nature, and Emma suspected they may be built to last.

“Doctor Nolan must really be something to get you out here, Emma,” Mary Margaret said, moving forward in the line, inching ever closer to the mediocre coffee the cart promised.

“Ha! Hardly. Emma’s not here for Nolan. She’s here for Jones.”

“Jones?” Mary Margaret asked.

“Girl, where have you been? Doctor Killian Jones, trauma surgeon extraordinaire. Chief Mills brought him here for a ‘collaboration’ with the ER, but she’s totally trying to recruit him for head of his own department. Turns out he and David Nolan are old friends. Same medical school maybe? I don’t know, no one’s gotten me those details yet. Anyway, Regina hardly leaves him alone. She only misses this little window because she’s hooking up with Doctor Locksley in the supply room on the 2nd floor.”

“She’s WHAT?!” Emma and Mary Margaret yelled at the same time and Ruby looked aghast for the first time today. Some other hospital staff in the area glanced over, but no one paid much mind beyond a head nod. Everyone was absorbed in their own need for caffeine, and no one was the wiser of the bombshell Ruby had just dropped.

“Oh shoot, I wasn’t supposed to say that. I promised Ella, damn it!”

“Ella, her assistant? I thought she quit,” Mary Margaret stage whispered.

“Oh she did. Made it a whole two months, which, you know, makes sense given the fact that Regina is a nightmare. But the last week she was here, she learned a crucial secret regarding her Majesty. She spilled last week at The White Rabbit, but I promised her I wouldn’t tell until she’s settled at her new job at GMH. So you did not hear this from me, and I did not hear this from her, capische?”

“I can’t believe the Evil Queen is dating someone,” Mary Margaret said, deeply disturbed by the idea. She shuddered at the thought, and this was someone who loved love. But love and Regina Mills didn’t really feel like concepts that belonged in the same sentence. Scratch that, they didn’t really even belong in the same book. “She’s just so…”

“Evil?” Emma responded. The nickname worked for a reason, after all. The hospital Chief was downright tyrannical.

“Exactly.”

“Well dating is a stretch. She’s screwing someone. But then again, who knows. Ella said she actually saw her smiling in those final days. And not that evil one she’s famous for. Like a real, genuine, I have a heart, smile.”

“No way,” Emma said at the same time Mary Margaret murmured, “Well would you look at that.”

“Don’t worry. I’m on the case. The temp is a totally easy mark – Sydney something. I’m buying him lunch tomorrow. I’ll have the whole story before you know it.”

“Won’t Graham be proud,” Emma chuckled, but her joke fell on deaf ears as something caught Ruby’s attention across the way. Her friend’s countenance changed immediately, putting Emma on alert.

“Ooh, they’re coming! Act normal.”

Normally, Emma would have laughed at that command, but she was too busy feeling the spike of adrenaline at the impending arrival of one Doctor Killian Jones. He really was a world-renowned trauma surgeon, who was working on a number of cutting-edge techniques that saved lives and gave critical care patients better chances to recover. She had actually heard of him a few years ago when reading about a new procedure to treat arrhythmia in patients with traumatic injury. He engineered it in the field, while serving in the British naval forces, and his paper had been circulating in cardiac wings around the country, but she never saw the man before last week when he arrived in Boston. Suffice it to say she could not have imagined that this marvel of modern medicine would also be so roguishly handsome.

Spotting him today across the great hall, Emma was struck again by just how attractive this man was. She couldn’t even comprehend it really. All she knew was that she had yet to find a fault in him. Every day she’d stolen secret glances, and every time he proved better than her memory. It was crazy, and very reminiscent of schoolgirl crushes and teenage day dreams, but she couldn’t help the way she felt. It was intoxicating, and despite her best efforts, she was powerless to turn Ruby’s invites to the show down when she could witness this each and every day.

The first thing that she’d noticed about him was his general presence. His posture was strong and straight and assured. He looked ready for anything, but somehow laid back, like he was totally in control. People naturally parted when he walked by, as if he silently willed the flow of the hospital traffic. Ruby called it swagger. Emma called it… well something not quite safe for work. Couple that general aura of authority with the classically gorgeous features of his face, and Emma was lost. On that first day (and okay, maybe on the others as well), she actually felt her knees get weak. She always thought that was a bogus cliché, but nope, it was real, and she was the proof of it. From there she was hooked, and over time she’d chronicled more and more things to like about him.

Yesterday it had been his hair. As she watched him across the atrium, she noticed that the shade shone bright in the sun, but that it was nearer to midnight than any color brown. It was slightly longer than most of the other male doctors wore theirs, but not so long that it looked unkempt or unprofessional, at least not yet. She knew for a fact that the military never would allow for such a style, and it felt like a bit of rebellion, or maybe a lack of care for what others thought. Both sent a delicious thrill through Emma, even though she had no real confirmation one way or another. Maybe he was just lazy, but that wasn’t how she imagined him…

And oh boy did she imagine him. At first she hadn’t meant to. She just had these flashbacks to seeing him that she carried through the day. These visceral visions always started the same: he would walk by, looking downright delicious and impossible to resist, then he would turn his eyes her way here in the middle of the hospital hustle and bustle. She’d feel caught in his stare, sense the hunger even from the distance, and her heart would quicken to a maddening crescendo as he walked her way. The rest of the world would fade from view, and it would feel like they were the only two people alive. Her gaze would stay transfixed on his almost cocky composure and the hard line of his bearded jaw. The attraction in his blue eyes would light a fire in her, and then, without so much as a word like ‘hello’ or ‘nice to meet you,’ he’d pull her into his embrace and kiss her senseless. She could practically taste him on her tongue, and yet she’d never even heard him speak. People who had, who were later interrogated by Ruby, mentioned that he had an accent. British or Irish, or something along those lines. That tidbit had played oh so sweetly in Emma’s mind this week. God, she’d love to hear him say her name -,

“Emma,” a voice beside her said, but it didn’t pull her out of the fog. “Oh my God, Emma, he’s looking right at you.”

“He’s what?” Emma said, blinking back to reality before finding that Doctor Jones was looking this way. She’d been so busy fantasizing, she stopped paying attention to what was right in front of her.

In the middle of the room, the man who had intrigued her for over a week was standing totally still, disregarding the swarm of people on all sides. His entire attention had shifted from the task ahead of him, and he was looking at her, staring with a blend of intrigue and something Emma couldn’t describe. Doctor Nolan had stopped as well, but he was clearly confused as to the delay. He seemed to ask his friend what was wrong, and Emma watched spell bound, as the lips she’d envisioned kissing her moved in some kind of unheard reply. She couldn’t make out his words, but she shivered at the passion and determination etched across his being. David then looked their way, and Emma knew that Doctor Jones – Killian - had asked about them. No, forget that, he had asked about her. He was looking right at her, and that spark of heat and desire she’d always imagined was nowhere near as tantalizing as the real thing. He was looking at her with the same hunger she’d reserved for her wildest imaginings. Holy crap, what was she going to do?

“Ruby?” she asked, her voice squeaked out in alarm. She tore her gaze from the approaching object of her desire and looked to her best friend with overt confusion and mild panic.

“Took him long enough to spot you. It’s been almost a week. I thought I was going to have to hire a marching band or one of those giant arrow guys they have at outlet malls.”

Emma didn’t understand, and then it dawned on her – her friend had planned this. Emma looked at Mary Margaret, but she was still staring in the distance. Only when Emma followed her gaze did she realize that Mary Margaret wasn’t looking at Killian. She was looking at David.

“Hey, ladies, you looking to order, or what? I ain’t got all day!”

The three of them jumped at the barista’s interruption and Mary Margaret surged ahead to the line. She rattled off an order, giving way too much money to the attendant while grabbing her cup with shaky hands. Then she looked at David and back to Emma with an expression that said Mary Margaret may just bolt. Ok, what the actual hell was going on?

Before she could begin to answer that internal question, Doctor Jones and Doctor Nolan were within ear shot. Emma wracked her brain for something to say when they finally got here, but was spared when David broke the ice.

“Doctor Swan,” he said with a head nod and a polite smile. They knew each other peripherally at this point. Emma had consulted on numerous ER cases since Doctor Nolan started his new position. But she wouldn’t call them friends. They were very much acquaintances. “I heard Earl MacDonald is recovering nicely. He most definitely has you to thank for that.”

“And you too,” she said, offering credit where it was due. “A quick diagnosis makes all the difference. I’ve noticed the ER is filled with them since you started.”

“That’s kind of you. I don’t believe you’ve met my friend, Doctor Jones.”

“Killian,” Doctor Jones said immediately, before offering a heart stopping smile of his own. Emma had yet to see the man smile, and her heart skipped a beat, the rhythm of her pulse skittering in an almost blissful way. “A pleasure to meet you, Swan.”

He offered his hand to her, and Emma took it, shaking in greeting even though it was uncommon for doctors or nursing staff to do so. Chief Mills stressed that germ management was a top priority at Mist Haven, and she’d come as close to banning the practice as was legal in the state of Massachusetts. Usually Emma didn’t mind, but germs were the farthest thing from her radar when their fingers touched. Instead, Emma was filled with the zapping sense of promise and a thrill of warmth that made her head swim.

“Emma,” she whispered. A beat passed between them, and Emma lost herself for too long. Only the clearing of a throat beside them brought her back to the moment. She let go of his hand, but tracked the slight disappointment on his face when she did. It filled her with a rush of something long forgotten. A sense of peace and elation she hadn’t tasted in years. “Um these are my friends, Ruby Lucas and Mary Margaret Blanchard. Ruby’s the head nurse in the cardiac unit. And Mary Margaret runs OT for the surgical division.”

Emma tore her gaze from Killian, watching her friends make their greetings. Ruby handled her own completely, and Mary Margaret seemed to have gathered her courage, but now it was David who looked shocked and spell bound. Everyone appeared to be thrown off kilter, and it was only Ruby in control of herself. To say her friend was positively delighted with these new developments would be an understatement. That glee rang out clear as day in her invite to both the attending doctors.

“So… Doctor Nolan, Doctor Jones, any way we could convince you to join us? The coffee’s just all right, but the company’s not half bad.”

Both men agreed immediately, and Emma fought her hardest not to blush. It was hard though, and her pulse was racing in the face of this development. Killian came to stand by her, the space between them so small but still too much to bear. She tried to get her bearings as the cranky barista handed her a latte. She struggled to think of something – anything – to say, but she was tongue tied. Instead, she looked at Killian, finding an openness in his expression that said he felt the same exact way. That gave her comfort and removed some of the tension from the moment.

“The hospital’s been buzzing since you got here,” Emma offered, waiting with him while he ordered a no nonsense coffee of his own. “A lot of people are hoping you’ll stay on past the month.”

“And you, love? Have you such hopes?” his words were earnest but laced with an almost cocky easiness that sent Emma’s mind humming in delight. Still, she played it cool. At least she hoped she did.

“Jury’s still out,” she replied, smiling when he looked a little crestfallen. “Well can you blame me? I hardly even know you. Still haven’t seen what you’re capable of.”

“Only a matter of time, Swan. You can trust in that.”

His words may seem benign, but they were loaded with hidden meaning, and Emma knew he meant each one. She swallowed harshly, thinking of the things he might be capable of. Damn, was it hot in here? Or was it just the devil on her shoulder spinning another one of those dirty dreams of hers?

When they’d all gotten a coffee, the five of them moved off to the patio just outside, reserved for hospital staff. The grounds were manicured beautifully, maintaining an oasis that seemed totally disconnected from the hectic nature of the hospital. This was one of Emma’s favorite places here, and she was surprised to hear that neither David nor Killian had been here yet. They all spent a few minutes making non-threatening small talk, with mostly Ruby moving the conversations along. But despite the fluttering feeling she was grappling with, Emma couldn’t say she hated this building anticipation. In fact, she couldn’t remember the last time she had enjoyed herself so much. She was seated next to Killian, fully aware that all of his attention was devoted to her, and she reveled in it. At one point, while the others were talking about something with the OT department, Killian whispered to her and her alone.

“This might be presumptuous of me, love, but I find I’m helpless to resist. I was wondering – that is, I was hoping that perhaps, you and I, we could…” His eyes looked from hers down to her lips, and Emma wet them absentmindedly. She heard a low growl, and realized it was coming from him. She shifted in her seat, turned on in a way she had never been before. Instinctively she moved closer, sensing the sinfully sweet current between them, like lightning just before it cracked across the summer sky.

“We could…” she continued, hoping he would elaborate and put into words what she herself was wishing for.

“That we could -,”

“Paging all staff to the ER. All staff to the ER for an incoming trauma, category 4.”

This time the PA was most definitely broadcasting a hospital wide announcement, and the irony wasn’t lost on Emma. Ruby looked positively forlorn at the interruption, but it was somewhat poetic after how they’d gotten here.

“Category four,” David repeated, standing immediately, prompting all of them to do the same. “We haven’t had a four since I started. We’re gonna need all hands on deck. Killian?”

“Aye, mate. I’m with you.” He looked back to Emma, and only had time for the swiftest goodbye. “Until next time, love.”

Emma and her friends watched them go, running towards the ER. Belatedly, they realized that if a trauma of that magnitude was coming into the hospital, there were bound to be surgical cases flooding their ward soon enough. They hustled back to their wing, focused once more on their jobs and the lives on the line that they were sworn to help heal and make better. But Emma still carried that moment with her for the rest of the day, and when the shift was over and done, and she’d done all she could to help the people in her care, she was left wondering what exactly Doctor Jones was hoping to ask, and when, oh when, he may try to do so again.

Post-Note: So there we have it. This was originally going to be a oneshot for my CS mixtape series, but alas, the muse wants what she wants, and this time that’s a three part mini-story for all of us to share. Hope that you guys have enjoyed so far and I would love to hear what you think! As always, thanks so much for reading, and I hope you are all staying well in this crazy time! xE

#captain swan #captain swan fic #captain swan au #cs fic #cs #cs ff #cs fluff #cs smut #cs meet cute #captain swan meet cute #emma swan #killian jones #ruby lucas #snowing fic #the best bad idea #the best bad idea 1 #cs doctors au #cs medical au #once upon a time

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celebritytgcaptions · 3 years

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Requests (5/23/2021)

Hi lovelies! I’ve been getting so many requests & I’m working hard to get all of them in the queue. Thanks for sending them my way! I’m writing to let you know that the queue is now full until the end of June. I was able to get every requests from my May 8th post in there except for a few. Requests from May 8th for captions featuring Katy Perry, Jenna Fischer, Marisol Nichols, Addison Rae, Ariana Grande, Erin Kellyman, Taylor Swift, Billie Eilish, Jhene Aiko, & Kirstin Maldonado will be posted in early July.

But there have been an absolute ton of requests since then too, yay! So I’m listing all the requests that I haven’t gotten to below. If you made a request but don’t see it below that might be for a few reasons. 1) I’ve written it already and it will be posted in June. 2) It’s one of the requests I posted on May 8th so I won’t talk about it here. 3) I considered it a demand not a request (for example, I received two that said “Anything with,” that wasn’t really a request just telling me to do it. Sorry if this bothers some of you but it is an issue with me so make sure you word your requests AS requests). Either way, thanks for the love, lovelies! :D

Anonymous said:

Could you do one with either Kelley O’hara or Alex Morgan from the USWNT about a guy soccer player watching the US win the world cup and then want to be them or something like that?

I actually know who both those are (shockingly enough, I don’t really follow sports) so sure thing!

Anonymous said:

Could you do lorengrey captions? She’s so hot

Sorry sweetie, don’t know who that is. :(

Anonymous said:

Hi I just had an idea for a game you could do. It could be where someone has to say as a boy what they’re like physically in stages. So first stage is hair color for example, second stage could be height, third stage could be body type, etc. An example would be if I was a black hair, short height, thick body type, I would match up with someone like Nicki Minaj. Just an idea which you could extend on. Hopefully it makes sense. I appreciate you!

I actually have a game like this mapped out called “Build a Sissy” where you choose age, hair color, and bra size, but it would take a LOT of work to make so I haven’t written it yet. Maybe some day though. :)

Anonymous said:

I would love to see a Tori Kelly caption. Her hair and body are not typical but beautiful for a white girl. I say that last sentence respectfully. I think having a caption with her would be great

Sure thing! Tori Kelly is a cutie. :)

Anonymous said:

Ok I'm not sure if u'll know these 2 cuz even I had to look them up for the names but anne dudek and maitland ward theyre the 2 blonde sisters from white chicks not sure if uve seen it but if u can could u make a caption for them please?

I DO know who they are! I’ve been thinking about doing a White Chicks caps because there’s a lot of cute looks in that movie (especially for Busy Phillips who I just love) so sure thing!

Anonymous said:

Could u do Yvette nicole brown from community? Id like to see some big girl love

Sure thing!

Anonymous said:

I already know that this request is probably gonna be a No but I still have to ask whats the ruling on GCI enhanced celebrities like Taylor swift from Cats? Or is that too much like "Furry" stuff. Now I'm Feeling this will be a No for multiple reasons

So it is not an issue with CGI “enhanced” celebrities but for Cats it is because I do not have a Furry fetish and I get uncomfortable thinking about writing caps for it. But I write caps with “manips” all the time (photoshopped images of celebs) so I’m not ruling out CGI enhanced celebs all together.

Anonymous said:

Can you do one of Lindsey stirling? And for the story can it be a guy trying to learn Violin but he cant seem to focus he even tried hot female teachers but it didnt work then he gets a male teacher than he starts focusing and wanting to please the teacher he becomes a sissy sorry its a long request

Sounds fun, sure thing!

Anonymous said:

Hi big fan and I think you’ve been doing amazing work. Is there anyway you could do a story about a guy who loses a bet to sorority girl and is forced to get his nails painted and turned into a girl? I love the idea of having a boys nails painted against his will. I’d love one with Selena Gomez but if you think another celeb would be better I leave that cumpletely to you.

Totally! This sounds fun. :D

Anonymous said:

Can you do thelma and Louise?

I’m assuming you mean Geena Davis & Susan Sarandon from Thelma & Louise so yes. Yes I can. :)

Anonymous said:

Can you do a caption from the movie bridesmaids? Like when theyre all trying on dressess or something?

I haven’t seen Bridesmaids (I know I know) but I can try something. :)

Anonymous said:

it would be super cool if you could do some more games! They’re my fav

Glad you like them! As long as I’m not on hiatus, games will be posted every second Saturday. I’ve already got two set for June. :)

Anonymous said:

Hey huge fan of your recent work and super excited about new caps!! Do you think you could do one about a college guy who drops out in pursuit of being a stand up comedian, but the comedy club needs a female comic so they turn him into a girl? I was thinking maybe Nikki Glaser, she so funny and sexy. Thanks can’t wait to see all your new stuff!!

Oooo, Nikki Glaser is great. Sure thing!

Anonymous said:

Can you make a caption about a guy who makes fun of curvy and thicc women, where the women get their revenge and turn the guy into Nia Jax?

You got it!

Anonymous said:

Hi Me again on the topic of the assembly line worker caption sequel if you do it i just an idea for the story like before depicting the sissies "first time" but you can have it be that the coworker doesnt know and is telling everyone about the chick he slept with last night and the sissy is just thinking "if only they knew"idk i thought it was good anyways thank u again

So this message is in reference to a sequel caption that was requested & that I did write and will be posted in June. I’m sharing it here to let the anon know that I wrote the cap BEFORE I got this second request so there will be a followup but the story will be different. I hope that’s ok.

Anonymous said:

Hi idk if u watch wrestling or not I see u have some captions of wwe womens wrestlers but im not sure have far ur knowledge of it is? Could u do a caption of Rhea Ripley if u know her?

I have never seen a single episode of WWE, I do not watch wrestling, and yet somehow every time someone requests a wrestler I know who she is. Don’t ask me how because I do not know. Anyways, yeah I can do a Rhea Ripley one. :)

Anonymous said:

Could you do a caption about a janitor for sissy co. That finds out the strange goings on at work and tries to blow the whistle on the whole operation but is caught and turned into a sissy maid for the sissy co. Corporate office abit specific I know but ive been thinking on that awhile however u do it will be perfect thanks

You got it!

Anonymous said:

Could you do katheryn Hahn from wandavision specifically the 80s look with the Big hair and aerobics outfit

Oooo, sounds nice. I’ll type that up for sure. :)

Anonymous said:

Hi big fan of your caps!! Do you think you could do a cap where a football player wants to go to the NFL but gets hurt, so they turn him into a female commentator, maybe Lauren Rutledge? If you don’t know her, she’s been a college football reporter for awhile and was also a former Miss Florida. Anyways I just think any guy would be lucky to be turned into her and I love your caps keep up the great work!!

Me: *googles Lauren Rutledge to see if it’s who I’m thinking of* How do I know who this is? Anyways, yes I can write this. :)

...for some reason there are no GIFs of her though so I’m just gonna move on.

Anonymous said:

Hi I'm the one that requested the LONG list of celebs I'm still really sorry about that I didnt realize how many it actually was till I looked back so I wanna retract some for your sake tell ya what if you havent done any already just do the ones that are specifically marked (as in the ones detailed by movie or show theyre in) the ones that are just names you can leave out i knoe its still alot but hopefully that takes some weight off of ya sorry again

You don’t have to be sorry! Like I said, in the future I’d ask that folks limit requests to no more than 3 celebs at a time but you didn’t know that. I’d never said that before. I typed up every celebrity and they’re going to be sprinkled in during June. Hope you like them! :)

Anonymous said:

Hello ^^ I love your work. Can u make a caption with the name "jules" and Ariana Grande please? Thank you

Sure thing!

Anonymous said:

Hey, not really an ask, but something I needed to share

I'm the one that asked for the Stephanie Beatriz caption from a whole back, and I absolutely loved how it turned out. Each time you roll out a new caption is like a small thrill to me and I read them right as they're released.

Now this wouldn't be an ask if I wasn't asking something, right? Well, next month sees the release of the "In the Heights" movie, and there's an opportunity there to do a series of captions using stephanie Beatriz from that same movie.

In conclusion, I love your captions so much, you're amazing!

Awww, this is such a sweet message. Thank you! And YAAASSSSS! Ever since the first trailer for In the Heights dropped I was like, “I must write a caption with her in this!” So you can imagine how fun it’s been waiting this entire time. *eye twitches*. We’ll have to wait until the movie comes out for me to be sure I can find a good image but this IS a caption I want to write. :)

Anonymous said:

Hi I just recently came across your blog and fell in love with it!! The caption with the football player being turned into Bella Thorne is one of my favorites!! I’d love so much if you could do a sequel or something to that cap it was so amazing and I need to know what else happens to “her”. I’m not sure if this is possible or if you even do sequels but this cap was great and I look forward to all the others!!!

Glad you like it! I’m always looking for sequel captions to write on Throwback Thursday so you’ll get this for sure. :)

Anonymous said:

Hey big fan! Do you think you could do a caption where a short guy gets made fun of by all his girl friends for how short he is? Ariana Grande is fairly short and I think a caption of her (of age of course) would be awesome

You got it!

Anonymous said:

Can you do one with the bella twins as two guys who fought over the same girl then the girl turns them both into look alikes of her but then they start fighting over the same guy

Yep!

Anonymous said:

Do you know suzy berhow? Or angie Griffin? If so would love a caption of either of them please

Sorry sweetie, I don’t know who those are. :(

Anonymous said:

Would appreciate more Sia captions please when u get the chance

I will remember that. :)

Anonymous said:

Can make some Winnie Harlow caption please? I adore her style

Sorry lovely, I don’t know who that is. :(

Anonymous said:

How about instead of removing the captions with Demi in them ,the images of Demi were just replaced with another celeb and if Demi is mentioned by name in the caption then that could be edited to mention a different celeb. I respect Demi's decision I do but lets not lose some well made captions. Also if you could please make a caption where Amy Adams feminises a fan and raises them as her daughter and Kristen Stewart makes you her submissive wife that would be appreciated. I'm a fan of them.

So about the Demi Lovato captions: I understand your feelings but I’m still going to delete the original captions. Because of how my captions are made I can’t just go back in & swap out an image or edit the text, I have to remake it from the ground up. I am hoping to do that with some (maybe all) of the Demi Lovato captions & re-publish them, but I’m still going to delete the originals.

I can do the Kristen Stewart one for sure and I’ll TRY to do the Amy Adams one I just am not 100% sure I can find a pic for that but we’ll see. :)

Anonymous said:

If it’s possible before your summer hiatus could you do a caption with Amanda Crew (silicon valley, sex drive)?

I will do one with Amanda Crew but I can’t commit to doing it before the hiatus.

About the hiatus: I don’t know when it’s going to be. I want to TRY to make it to at least July 18th because I have a specific game in mind I want to post for 5 years of Celebrity TG Captions games, but after that I have no idea. I’ve been writing caps for a longer stretch of time since normal since I’ve switched to a part-time blog so I might burn out at any second but for right now I’ve still got some juice.

#Not a Caption #Requests #Request

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