#I don’t even like kills

[thaitoz]

What was made to Michael should be a sin!

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[danggerine]

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

[cable-salamder]

Nah man this 8ft black and white thing wandered onto my lawn AGAIN this is the third time I’m calling his husband to come pick them up!!!

(dsmp posting in 2024?? When the last thing I’ve drawn digitally of them was in April 2022???? Wiiiilllddd. What am I even doing.)

[raceydays-hopelesshaze]

Still thinking about Batman #133 where Tim had to stop himself from killing a guy. Like a week without Batman and Tim’s already like “I could just tell myself he’s not a living creature <3”

[blueberryflavoredfeelings]

does the bbc even understand how much money they’d make if the made a Disney Enchanted 2007 style Merlin sequel where Merlin has been alive, moving from place to place, magicking himself young and aging then moving and magicking himself younger and aging then moving and suddenly Arthur pops out of a lake, completely unaware of current events and is walking around demanding his manservant, claiming to be King Arthur Pendragon and he either

a. Gets on the news somehow and Merlin, doing whatever he’s doing now, sees and drops everything because WHAT IS ARTHUR DOING HERE AND ALIVE

b. Meets Merlin who has been working as a detective somewhere -because that’s basically what he did anyway-solving things and helping people, the family business, and Arthur is dragged in, handcuffed, and plopped in an interrogation room or the drunk tank with the cop who found him saying like This wacko thinks he’s some medieval king, go deal with him, and Merlin scoffs and walks in, promptly dropping his files and spilling his coffee when he sees a disheveled and petulant Arthur, who goes Merlin, finally, get me out of here already, will you and Merlin starts crying lmaooo

or c. Meets Merlin who has been working at an ER because, again, he was physician adjacent, and someone drags a wet Arthur in, like Found this, it looks like he might hypothermiate deal with him, and Merlin sees him, drops his files, spills his coffee, and starts crying hahaha

because I’m thinking that’d be fun and probably everyone on tumblr and everyone who knows someone on tumblr would go bonkers over it

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[frindoka]

don’t ask me what this means tbh

[ovaryacted]

Just sitting here thinking about Leon’s physique in RE4R in comparison to all of his other eras. Like Capcom really sat down and was like, “we’re upgrading the twink into a MEGA beefy boy fighting bisexual demons” for the remake and decided to make him so thick and broad like hello!?

Meanwhile Leon’s never really been scrawny or lanky, he’s kinda slim-thick. Like he has muscles and probably has nice shoulders and thick thighs, but he’s not beefy in the sense of looking like a power lifter. They said fuck all that and just gave Leon huge pecs and biceps in RE4R and he’s thick as hell. Like don’t get me wrong, I love his build and honestly the fact that he doesn’t have the classic dorito build but his waist still tapers in a bit is so…MMMMM FAWK!

He’s so…whew…I keep thinking about it. I honest to god want to take a tape measure and just see the distance from shoulder to shoulder and across his chest. He looks like he’d give good hugs, just consumes you whole and his chest is so inviting and warm. I need him…BAD!

[mccoyquialisms]

wait, there’s for real, serious discourse about the bad kids killing the rat grinders? people realize they’re watching a show based on the “burn towns, get money, slaughter our enemies to save the day” game, right?

[theofficialpresidentoftheusa]

Quick little sketchy WIP of these two because I have a long list in my notes app and also in my head of things to draw of them so I’m just rapid firing sketches to clean up at a later undetermined time. Anyways. Love them.

[suja-janee]

(Mostly) Harumi centric doodle page for a friend

[its-haughty]

“I'll kill every one of you who killed Kanna…!!”

(my sorry ass could NOT stop thinking about them and all i can muster is a sketch turned lazily rendered doodle whoops)

[cowardlykrow]

“I let him die / Taking your advice”

[nellasbookplanet]

The fandom god discussion is interesting, but I feel it’s sometimes hindered by an unwillingness to separate gods from mortal society, or even a sort of over-eagerness to project our own reality onto them, which simply doesn’t work. I've seen the gods referred to as rulers or tyrants demanding worship (which I kinda understand because it’s something Ludinus says in-game, though it’s funny to see fandom corners confidently repeat the inaccurate talking points of the antagonist) but more interestingly I've also seen them referred to as a higher/the highest social class, as colonizers imposing themselves on mortals, the raven queen specifically as new money. Overall these comparisons tend to talk about the gods and their actions regarding Aeor in the past and predathos/the Vanguard in the present less as if they're about saving their own lives and more as if they want to preserve their powerful position.

The gods, by their very nature, are above mortals. They cannot be compared to any mortal ruling class because they didn’t choose or strive for that power and cannot feasibly get rid of it/step down/redistribute it (nor do they actually in any sense rule; killing the raven queen, unlike killing an actual queen, will not end the 'tyranny' of death), they simply have it by virtue of being gods. Saying that’s unfair or unequal and that the gods should be killed because of it is akin to saying it’s unfair a mountain is bigger than you and demanding it be levelled, except the gods, unlike mountains, are living, feeling beings who shouldn’t have to die because some people can’t stand the idea of not always being top dog. Thing is, the gods themselves ultimately understood this power imballance and that they can't help but hurt Exandria the way humans can't help but step on bugs, and thus removed themselves from the equation by creating the divine gate. Saying this isn’t enough and that they're clinging to power is just demanding they line themselves up to be killed.

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.