#I draw him SO much and I just never post any of them

[luveline]

𝐧𝐨𝐭 𝐟𝐚𝐮𝐥𝐭, 𝐣𝐮𝐬𝐭 𝐥𝐨𝐯𝐞 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫

When someone hurts you, you and Aaron both need time to get better, and to put things right. fem, 8k

cw canon typical violence, graphic scenes and imagery of assault/battery, recovery, mentions of being sick, issues eating. established relationship, lots of angst and comfort, hotch being vulnerable, jack being sweet 

˚‧꒰ა ✮ ໒꒱‧˚

You lay backward over the luxurious stretch of the couch and sigh as your spine gives a sharp crick. Your head feels heavy after a long shower, your arms ache from a day at work, but the feeling of soft cotton on your legs deters any moping. 

I hope these are more comfortable, his note read, a white post it note stuck to a boutique bag. You wrap an arm around your waist remembering how Aaron’s message had made you feel: spoiled, and considered. 

You’d mentioned in passing that all your pyjamas are old and rough as a consequence, thought nothing of it, and promptly forgot about the conversation entirely. 

When Aaron finally comes home tonight, you’re going to give him a proper thank you. You can imagine his reaction to such a thing, his smile as he says it’s no problem, his eyes shuttering closed as you press a kiss to his cheek. You hadn’t realised how prevalent affection would become in your life after meeting him, but everything he does inspires love. Awful, soft, marshmallowy love where he looks at you and you want to sit in his lap. 

You slide your phone up your chest lazily and click the button on the side to light the display. Aaron hasn’t claimed to know when he’ll be home tonight. All he’d said was to let yourself in. 

It’s odd but not the worst thing in the world to be alone in his apartment. There’s less and less free space each time you visit as Jack begins to outgrow his and his fathers lodgings, but there’s never a stain or bad smell, the Hotchner apartment feels homey. You’re excited whenever you’re invited to spend the night with them. 

Maybe some time soon he’ll ask you to move in, or better, to marry him. You’re not a hundred percent sure how you feel about marriage, about being someone’s wife, but there’s a great well of pleasure to be found in the idea that Aaron would want to marry you. He makes you feel loved already in a hundred different ways but the ring might be nice, like a symbol to signify how much you mean to him. 

You rest your hand across your eyes. It’s silly to think of. Sillier to want so soon. You’ve been together for just under a year, and you have no false hopes about rushing into the future, but it’s certainly a future you want with him (and with Jack, too). He’s taking things slowly for a hundred different reasons but he loves you, and gifts like your new pyjamas cement that. He really listens to you. 

Your phone rings a moment later. 

You smile at the screen. It’s nice to be in love with someone who loves you too. 

“Hey,” Aaron says when you answer, his voice warm even through the phone, “I didn’t think you’d answer.”

“How come?” You sit up with a little start. 

“It’s getting late, honey. I called Jess and Jack was already gone.” He doesn’t say anything further. 

“Are you okay?” 

“I wanted to hear your voice, I think.” 

“Well, where are you?” You struggle to envision him speaking saccharinely like this where his colleagues could hear him. He’s nice to you often, but he’s a reserved man. 

“I’m just,” —a crunching sound of metal, the trunk of his car closing— “about to get in the car. I’ll be home before ten. Can I have you until then?” 

“I don’t see any reason to say no. But do you think you could come home a little faster? I have a crick in my neck.” 

“And you want me to fix that?” 

“You always fix my neck.” 

“How have you done it?” There’s a sound you assume to be the car door closing, but you can’t hear anything beyond that. 

“I have bad posture.” 

“You have perfect posture.” 

“No, it’s quite bad.”

He laughs loudly. It took some time to draw the humour from him but he isn’t as stony as you’d think, and for a while he didn’t have much worth laughing for, anyways. Whenever you hear it, you try to prompt it twice. 

“You don’t have to lie to me, Aaron, it’s just like when you said my weird rash wasn’t weird.” 

He laughs again, to your pleasure. “It wasn’t weird, it was a heat rash, I promise. You act like you’ve never seen heat rash.” 

“One of us goes to hot cities all the time and one of us lives permanently in Virginia.” 

“What are you talking about? Virginia’s far from cold. You’re being argumentative, I can see your smile in my head. I’m never going to fix your crick if you keep acting like that.” 

“No, don’t be like that,” you laugh, tipping back into the cushions. “You’re always such a sore loser.” 

“What did I lose?” 

You can tell from his tone that you’ve promised yourself one of those hugs that borders on a straight jacket tightness, his face tucked into your neck as he asks you to repeat yourself. What did I lose? he’ll ask again, kissing your chin, the line of your jaw. Tell me clearly.  

“It hurts,” you say honestly, “please don’t be mad. I really need one.” 

“I’m not mad… I’m going under the overpass, my signal might cut out.” 

“Okie dokie. Hey, did you eat? I can make you something for when you get home. I got groceries.” 

“I’m not hungry, but you can make yourself hot cocoa, and I’ll drink it when I get there,” he says. 

“Or I could make us both some?” 

“It’s much more fun if I drink yours before you can, honey. You know that—”

You pause in the quiet, then hear a quick beeping. You pull your phone from your ear and find the call disconnected. 

Cruel overpass, you think. 

Sure he’ll call you back, you take your phone into his kitchen and set about finding all the things you’ll need for hot cocoa. One mug, because you should hate when he forces you to share, but you love the feeling of his fingers on yours as he takes it and the thankful kiss he dots on your cheek. 

The kettle is uncomplicated. You toy with the stovetop, set the kettle on the burner, and let the temperature rise. It begins whistling lightly a mere thirty seconds later. 

You click your phone on again. He’ll have passed through the tunnel now and will be calling you back any minute. You stare at the phone, hoping to summon him, slouched over the counter with the tin of cocoa powder by your fingers. The kettle whines with growing heat, but cool air kisses your back. 

Goosebumps rise. Up and down the lengths of your arms, the back of your neck—

A sudden chill. 

The lack of air comes before the hand, the pain a rush, a burst to be away from. Leather on your neck creaking without sympathy as a hand tightens and drags your body back against something hard. 

Not Aaron. Your scream comes strangled under cruel fingers as you fight to move forward again, straight for the burner, the kettle shoved across the burner grate and exploding with scalding water, heat of the burner kissing your chest— you scream, only it’s worse than a scream, sound from the deepest part of you forcing itself past the heat at your neck as you try to fling yourself away from the pain. 

You fall with a hard clout. “Stay still!” comes out enraged against the back of your neck. You drop to your knees, the pain lighting flaring up your chest, your gaze frantic as you search for a flame that isn’t there. You’re not on fire, you’re crawling and then scampering up into a standing position when the heavy weight drops itself on you again and smashes your face into the floor. 

All your fight leaves you. Your ears ring. Your panic wanes but the pain stays alert in your mouth. 

A hand grabs you by the back of the head and drives your face into the ground. It’s like light in your eyes and your nose, the brunt of it, the crack of your bone and the hot trickle of blood that swiftly follows. You gurgle in pain, spluttering and gagging against the linoleum, waiting for Aaron to turn you over and say sorry. It’s an accident.

Blood drains from your nose in spurts to match your racing pulse, so much blood you can see your eyes reflected in the dark stretch of it. Water drips down the front of the stove, your breath aches and begs, and your attacker takes a measured breath. 

He flips you over. You can’t slide away, there’s nothing left in you, your head a second body as he raises something. 

Your phone rings on the counter. 

“Please, don’t,” you plead with a sob.

You pass out as the pain connects. Just as quickly as it started, your body takes the reins. 

—

There’s a strange darkness waiting for you. Like waking before your alarm and stealing those last minutes, body aching, not wanting to get up and face the day. Aaron gets up early every morning, sometimes as early as four AM, and whenever you get up with him your eyes hurt for hours. 

Nothing, nothing, nothing. 

Hey, hey, I think your boyfriend’s coming.

What will he make of my handiwork?

You didn’t stay awake long enough for that one, did you? But you’re waking up now.

The pain is enough to wake you up again, a hot drag down the side of you to your hip and in. You aren’t aware of the sounds you make, but you can hear them. Your panicked squealing as the heat presses further and further in. Your crying, and your whispering, “Stop, stop.” 

“There’s handsome,” the dark voice says. “I’ve gotta go hide somewhere, does he carry after hours? I think I’ll find out.” 

“Oh,” you say, feeling sickly. You attempt to curl into yourself, when did you turn onto your back? “No,” you mumble, lips wet with something hot. 

“Honey?” a voice asks. 

“Honey,” you repeat, woozy again, darkness falling in all over again, where it stays. 

Honey, are you in here?

—

The window behind Aaron’s shoulder is cold. Rain patters fast like floods, thunder occasionally chewing through clouds, and Jack Hotchner cries sluggish tears into his dad’s shoulder. 

Aaron has his eyes closed. They’ve been at this for a while. “Shh, shh shh, buddy,” he says softly, patting the bottom of Jack’s back. He’d sway him back and forth if his arms weren’t about to fall off. 

Jack squirms closer, no room left between them. 

“I know it’s scary,” Aaron says. 

Jack just cries. This approach of quiet support isn’t working; Jack isn’t a baby that needs to be put to sleep, he’s a panicking little kid, and Aaron needs to change gears. He ushers him away from his chest and crosses his arm behind Jack’s back. Careful, he shifts Jack’s weight to free his other arm and brings his fingers up to the silky brown hair dropping onto Jack’s forehead. 

“She’s okay,” Aaron says, stroking Jack’s hair. His little forehead is clammy. “She’s not hurting. I know it looks scary, honey, but… she’s just resting.” 

Jack looks him in the eyes. “Her face.” 

“I know.” He nods emphatically. “It’s hard to see. Blood isn’t nice. You don’t have to see her again today, not if it’s too scary.” 

Jack lifts a hand to Aaron’s face. Clumsy but with clear attempts to be careful, he wipes at the skin under Aaron’s eye. Aaron bites back a smile. 

“I look tired,” he says. 

“Yeah.” Jack brings his hand back to wipe his eyes. He sobs as he does it. Aaron can’t describe the ache it gives him to see it. 

“Buddy, I’ll do it. Let me wipe your face. I can do it.” 

Jack drops his hands. Aaron turns his hand and wipes the smudge of Jack’s tears from hot cheeks, testing the waters with a little smile. 

“I couldn’t see you under all those tears.” 

Jack does a little smile back. “Yes you can.” 

“I couldn’t! But now I’ve wiped all your face I can see you again. You’re handsome, did we know that?” 

Jack giggles. He sniffles, and he presses his palm to Aaron’s neck. “I don’t want her to be sad, dad.” 

“She’s going to be sad, because something scary happened, but it’s okay. I’m gonna take care of her.” 

Aaron would offer to take him home, but they can’t go home. They may not go home for a long time —the team is still trying to work out how someone made it into the apartment without alerting the building’s security or Aaron’s internal system. And then escaped again without Aaron’s notice. Until then, Aaron has to make a decision about a safe house, for himself, Jack, and Jess, though she's extremely unreceptive to the idea. 

Aaron has to look after Jack, and he needs to take care of you. 

“What do you think, bud?” he asks, cupping Jack’s head in his hand. “Do you want to go home?” 

“You said I can give her a hug.” 

“If it’s too scary, we don’t have to. I don’t want you to get upset again.” 

“I’m not scared. I want to give her the hug,” he says. 

Aaron pulls him in for a hug of his own. “Okay, buddy. Just try to think of it like this. She’s where she needs to be to get better. Everybody here is looking after her. She’ll be okay soon.” 

Aaron looks over Jack’s head down the hospital hallway. It’s a quiet ward, and here between the main ward doors and the hallway that leads down to the individual rooms there’s complete silence. Night is approaching quickly again, and with it comes Aaron’s panic. Your head turned into a puddle, your face lax of expression in the dark. He can’t stop finding the women he loves bloody and on their backs. 

“Ready?” he murmurs. “Can you walk with me? My arms are tired.”

“Yeah.” 

Aaron puts Jack down gently onto his feet. He neatens his hair, chucking him under the chin as he goes to see his smile. He’s so pretty, like Haley was, with shiny eyes. He’s a beautiful kid. Aaron takes his hand and together they make their way down the hallway to your room. 

You’re sleeping. 

Aaron herds Jack through the door and to the plastic covered chair by your side, where he lifts him up and sits him down. He stays between you both. Jack isn’t scared of you, just the blood, but he wants to show Jack that he’s going to protect him from anything he needs protecting from. He also desperately wants to touch you, and reassure himself that you’re still breathing. 

He looks for your hand. Your pinky finger is splinted, but he can take it with care, give the palm of it a squeeze. 

The blood matted in your hair has finally been washed away after a turbulent day, as well as the staining that marred your face. Your nose is broken, and looks it, the bruises so fierce your eyes have turned puffy and your top lip has inflamed. There are second degree burns in multiple places but most affectedly on your chest. There’s a stab wound at your hip, allegedly done with a small blade. It nicked your small intestine. The bandages laid over you are a lump under your hospital gown. 

Aaron looks at you, and he feels a passionate disdain for himself. He wishes he could… be someone else. Someone who doesn’t have such a deep connection to a job that hurts the people around him, over and over. Haley used to say he was obsessed with being the hero, but this doesn’t feel heroic. 

“Do you wanna give her your cuddle?” he asks softly. 

Jack stays sitting. 

He’ll have to give it to you himself. Careful, Aaron leans down over your prone body and presses a half kiss to your ear, the only place that won’t hurt. 

You have an IV drip going into your arm, painkillers, an ECG monitor to the left. The room is white but busy, you’re a burst of colour against it all, your cuts and bruises, the evidence of violence he can’t remove. Aaron’s tired. He perches on the gap of bed by your leg and holds your hand, turning to Jack, who watches with a frown. 

“She’s sleeping,” Aaron says. 

“When can she come home?” 

“In a few days.” He feels the pad of your hand, terrified of your broken finger but needing to hold a part of you. 

“Why is she sleeping all day?” 

Traumatic experiences are exhausting. “I think she might want to be alone, so she sleeps.” 

“Should we go?” 

Aaron shakes his head. “I think we should stay. When she wakes up again she’ll be happy to see us, because we’re not strangers.” 

“We’re family,” Jack says. He’d liked that, when the nurse asked you how Aaron was related to you. Family only.

“We’re her family,” Aaron agrees. 

If he somehow miraculously fell out of love with you, you’d still be family to them. You’ve given so much of your heart since you met them. Aaron wants everything you have to give. 

You wake in a slow, slow upheaval. It takes effort on your part, the opening of sore eyes, the dreary decision to face your pain. Your hand jumps in his but relaxes when he shushes you, your slimmer fingers stilling under his rubbing thumb. For a split second, you keep your gaze half-lidded, jaw soft, like you’ve been indulging in a stolen nap. 

Then your breath catches and you screw your eyes tightly. 

“You’re okay,” he says, quietly, and not as lightly as he means to, “you’re okay, you’re okay, you’re okay,” in quick succession. 

“Hurts,” you say, and gasp, a whine stuck in your throat. 

He doesn’t know what to do. Jack shouldn’t watch this but he can’t leave you alone. “It’s okay,” he says, holding your wrist to stop it climbing up your bruised face. 

You were worse the first time you woke up. Catatonic, then sobbing. You mumble and whimper now, pain threading goosebumps down your arms. 

“It hurts too much,” you say. A sob falls out of you like you’ve been ripped open. 

Aaron doesn’t think, but an instinct sparks. The pain, to hit you right out of the gate like this, to make you say something like that when you’ve always always made your problems small, must be torture. It must feel new and sudden all over again. 

Aaron checks that Jack is alright and leaves the room. He looks down one hallway and then the other, but there’s no nurse around —he races to the reception desk and begs the two nurses there for help with you, “She’s in intense pain,” he says, grasping the desk. 

The nurse he’s more familiar with clears her throat. “Mr. Hotchner, she’s already had enough motrin for two people at your request, she really shouldn’t need–”

“Pain is just as important to treat as the injury.” 

A second nurse puts her salad down with raised brows. “Do you want to overdose her?” 

“Excuse me?” 

Aaron has always seen himself as a gentleman, but the argument that ensues is tricky to navigate while remaining respectful, and he’s no closer to better treatment for you by the end of it. He gives each nurse a disapproving glower and takes his phone from his pocket, turning on the spot, ready to call whoever it is he needs to call for a second opinion. He’s not gonna listen to you cry when there’s no need. 

He pushes the door open with the phone still clutched in his other hand. Jack’s climbed onto your bed. He cuddles your face, sitting by your pillows and bent over you protectively. 

Aaron lets out a breath. 

“It’s okay,” he says, his arm behind your head and his arm on your shoulder. “W’gonna take care of you.” 

“I know,” you say, crying without sound, shaking under his arms.

His cheek smushes against your forehead. Your eyes are closed and your face braced for contact Jack doesn’t make, careful not to hurt you as he rubs his cheek into your skin. Your blankets are falling off of you from the squirming and your bruises shine with tears in the light, but Jack has calmed you down some. 

Aaron shouldn’t have left Jack with you. He’s been so scatterbrained since he found you when he should be the opposite, but Jack is doing better than Aaron managed alone. 

“I’m sorry for crying,” you say slowly. “I’m hurting, but it’s not bad. I’m okay.” 

“That’s good. You have a big scratch on your face, and bruises.” 

“I know.” 

“Dad says you have a bruise on your tummy too.” 

“I got lots of bruises, but it’s okay. Don’t worry about me.” You bring your hand up injured and uncaring to rub his leg. “You’re being a really brave boy, thank you.” 

A tear rolls down your cheek. 

“It’s teamwork,” Jack says. “I hug you and you hug me.” 

“Is that what you want? You want a hug?” 

“I want to go home,” he says, hugging you harder. 

You grasp his arm loosely where it’s just under your chin. “Jack, can you move your arm?” you whisper. 

Your breath comes quickly, but Jack moves his arm away from your bruised neck and you try to calm yourself down. 

Aaron jolts himself back into action. “Sweetheart,” he says, rushing to sit Jack back and give you more space. “Are you okay?” 

“I’m fine.” 

He watches. Not sure what to say. Not sure saying anything is wise. You squint at him through your lashes, eyes opening slowly, your mouth a line pressed hard to stop from crying. 

“I think it's time for Jack to go home,” he suggests gently. 

“Yeah,” you say, eyes swimming with tears. 

“No.” Jack squeezes your head again, to your panic. 

“Jack, buddy, please don’t touch her neck,” Aaron says, grabbing Jack from your pillow. 

He erupts into tears again. Frantic and vying for you, Aaron tries to calm him and he kicks against his chest, tears turning to disgruntled sobs at not getting what he wants. You wince, pressing your face completely into the pillow. 

Aaron carries Jack from your room, phone in hand. 

—

Is she breathing? Can she talk? 

I don’t– I don’t know, I don’t– She’s breathing. Honey, can you hear me? I don’t know what to stop. I don’t know where it’s all coming from. 

Where’s the worst of the blood? 

It’s everywhere. 

Abdominal? Chest? 

I can’t tell. I can’t tell. 

Mr. Hotchner, you can’t panic. Does she have a chest wound?

Yes. Yes, but– 

Is she conscious? How’s her pulse? Be ready to start chest compressions. 

Honey, can you hear me? 

Your name said clearly. 

“Hey, can you hear me?” 

“Yes,” you murmur. 

“If you need a minute, that’s okay.” 

You cover your mouth with your hand. Emily Prentiss has a soft voice like your boyfriend’s when she wants to have it. She’s never spoken to you like this, none of his colleagues have, but since the incident, everybody treats you like you’re made of glass. 

Cognitive interviews are meant to happen immediately after an accident, but you weren’t up for company. Aaron promised this would be on your terms, that Emily is the most practised, and that she’s reaped the most information from them than the rest of the team. So far, it’s worked to drag bad memories to the surface. 

“Maybe we should start from the beginning.” 

There isn’t a beginning. There’s just conversation. Aaron’s hand on your heart and his shaky voice, so unlike him.

“Okay.” 

Emily reaches for your hand. She smiles, and her nice features get nicer. That’s another thing they all share, good looks. “Okay. What did you notice, in the kitchen? It’ll help if you close your eyes,” she reminds you. 

You close your eyes. 

“What stuck out?” 

“Nothing,” you murmur. “I’ve been in there lots of times, and nothing ever changes.” 

“Nothing? Not even the drawings on the fridge?” 

“Jack’s particular about his best work, even if I think they should all be on display.” 

Emily’s voice turns to a shard of itself. “What did you do? Can you take me through it step by step? Make yourself a cup of hot chocolate.” 

“I never got that far.”

“What did you do?” 

“I filled the kettle.” 

“What kettle?” 

You don’t understand the need for specificity, but you answer. “Aaron got it for me, when he… he told me he loved me, and when we got home he’d bought me a kettle and a bunch of stuff to make my being there easier. The kettle, because… he said something about superheated water. How the microwave can be dangerous, and this would be easier than a pan.” 

“Alright. Okay, and what did you do after that?” 

“I put the kettle on the stove.” You lit the burner, and heat kissed your palm, and suddenly the room had felt cold. “I got goosebumps.” 

“When?” 

“The kettle started to whistle, and it was cold.”

“And then–”

“Then he grabbed me.” 

“Yeah,” Emily says softly. 

You touch your nose. “I tried… He didn’t feel like a person. He didn’t feel like someone I was fighting, it was just painful.” 

“Like he was quick on his feet?” 

“He was silent. I didn’t hear him until I made him fall.” 

“How big did he feel?” 

Your stomach churns. Big. He’d felt big. 

Where’s the worst of the blood?

“He said he was going to hide,” you remember. 

“He said that? He said ‘hide’?

“Yeah. And he asked me if Aaron carries after hours.” 

“When was this?” 

It’s a headache. You try to remember more, because that’s what they need right now. If you ever want to go home, if you want Jack to go home, you need to remember more. The BAU are good, but nobody can make a map out of slivers. 

“That was at the end,” you say. 

“After he stabbed you?” 

You wince. “Yes. After.” 

“You’re doing so good,” she praises, “I just want to fill in the gaps.” 

“I can’t remember. I was unconscious.” 

“When Hotch found you?” 

“No, before.”

“Before?” she asks. 

You’re sick of sitting there with your eyes closed. Sick of your hands shaking with nowhere to hide them, and sick of feeling sick, your nausea as present as the stinging pain of your burned wrist against your sleeve each time you move. 

You open your eyes and look around the conference room for something interesting. How nice would it be to think of something else for a few minutes?

“He called it handiwork when he cut me. Asked if I thought Aaron would like it,” you say, bordering monotonous as your gaze fizzles, unfocused, across the room. 

“Okay, Y/N. Okay. I know you’re tired.” She reaches for your hands to squeeze at the same time. “You did really well. Any details at all are details we can use to find him.” 

You’re not in the mood for talking anymore. Tears burn your eyes, waiting for a blink to set them loose. 

“I want to see Aaron,” you confess quietly. 

“I’ll find him for you.” Emily stands but bends, the dark of her hair a contrast to her pale face. She’s lovely, and her hand is gentle on yours. “Are you okay? Can I get you something to eat?” 

So Aaron’s not keeping that to himself. “I want to see him, please.” 

“Yeah. Okay.” 

This is a horrible room. It’s not their fault, but the big white board is tacked with bad photos of grisly cases —currently your own. You stare at a photograph of your blood in the kitchen and don’t know what to do. Should you look away? You hadn’t realised you bled so much. 

You turn your chair toward the door. Emily looks back as she leaves and smiles at you softly, but your eyes are already moving to the smaller dry erase board by the doorway. It’s ‘Hotch’s turn to clean up on Thursdays. How strange that they make the boss clean the conference room. 

You can picture him picking up coffee cups and wiping down the table. You can always picture Aaron. 

You can see him hovering over you, his hand pressed to the bloody mess of your hip to stop the blood. 

“It’s okay,” you whisper to yourself, wanting to break from the memory, following Aaron’s example. “It’s okay, it’s okay, it’s okay.” You repeat it into your hands, head tilting down. You sink until your knuckles touch your knees. 

That’s all he says when you panic. He’ll say it over and over again until you can breathe right. I have you, I have you, you’re okay. 

He’s much quieter this time. You hear his footsteps, his familiar gait, your head pounding too hard to move. Aaron makes a sound between a sigh and a hum, like he’s saying a sorry hello as he kneels in front of you. His hand takes your face, rubs softly over your ear. 

“My head’s just hurting,” you murmur. 

He doesn’t respond. You sit together for some time as your mind races with bad memories, your fear a rush of goosebumps down the lengths of your arms and thighs. It’s hard not to think about what happened, mostly because you’re still a walking bruise, your stitches sting when you move, the blisters on your chest ache, all of it inescapable. But it’s your anxiety that plagues you most. You’re in a constant state of dread. 

You had no idea someone could hurt you as badly as they had until it happened, and now you’re desperate not to be hurt again. 

“You have to look after me,” you say eventually, throat sore with how awful it feels to say. 

“Yes, I do.” 

“Please don’t let me get hurt again.” 

Total silence. You sniffle at his lack of an answer, only slightly comforted by his hands at your wrists now, pulling them from your face. “Let’s sit up,” he says, standing himself. “Come on, let’s sit up. You shouldn’t be putting so much pressure on your abdomen.” 

You lean back and everything aches like a stretch after a long run or a bad night’s sleep. 

Aaron pulls a chair next to yours. When he sits, your knees are pressed in between one another’s thighs, so close he could hug you. You might need one.  He’s given you a ridiculous amount of them each day, some for him and some for you. 

He has with him a takeout box and a bottle of water. 

“Here,” he says, popping the seal of the drink. “Three sips.” 

You feel like crying, but you drink. He opens the takeout box to reveal a normal looking sandwich already cut into two halves, but he takes a plastic knife from his pocket, peels away the wrapping, and cuts the sandwich again into quarters. 

“I’m gonna be sick,” you say. 

“No, you’re not. You won’t be.” He presses the sandwich flat with his hands and holds it to you until you take it. “Please, Y/N. You only have to eat what you can.” 

“I don’t want it.” 

“Please.” 

“Did Emily tell you about my interview?” 

He reaches for your thigh. Mildly unlike him when you aren’t at home. You assume it to be a tether for your sake. “No. Is there something you think I should know?” 

“I don’t want to say it again.” 

“Then you don’t have to. Someone will tell me when I get back.” 

You pinch the fluffy bread in your hands, eyeing wearily at the wet insides. “Can I come with you?” 

“You’re having trouble in the cognitive interviews, you won’t want to hear what we have to say.” 

You split the sandwich in half again, watching as salad and mayonnaise ooze from the bread. 

“If you don’t eat, you won’t get better,” he says, a touch stern. 

“I can’t eat when you won’t let me come with you.” 

“I’m not the only person capable of protecting you. I…” He circles your wrist before you can make a mess. “Can you please eat it?” 

You take a bite to appease him, your stomach roiling, food wet and cold on your tongue. You eat the whole quarter queasily, a lump at the back of your throat begging you to stop. 

Aaron takes an empty hand and rubs it tenderly. “Thank you,” he says, that rubbing turned more forceful, his hand journeying to your elbow and back again. 

It’s sweet how attuned he is to your needing his touch, but mortifying. This entire experience had been embarrassing from start to end. Couldn’t defend yourself, can’t get to grips with it, and can’t keep anything down. Aaron looks at you and your bruises and you wonder if he’s seeing you with blood matted in your hair, or hearing you beg for him to get you something stronger. All you’d wanted was a sedative. 

“I’m far from the only person capable of protecting you,” he says. 

“You saved me,” you say. You mean it in every sense of the world. 

“…This is my fault.” 

“I want to be with you,” you say honestly. “I don’t feel okay by myself right now, I just need you, or I feel so sick I wish that I died.” The anxiety is marrow deep. 

Aaron looks gutted. “Don’t say that.” His hand goes back to yours, back to tenderness. “I know you're scared.” 

“Then why won’t you listen?” you ask weakly. 

“I’m listening to you,” he says, his tone a dulcet, pleasing softness you’ve never ever heard before, “I need you to be safe, and I need Jack to be safe, and I can’t do that while he’s still out there.” His brows pinch together, agonised. “I’m sorry you’re scared. I didn’t protect you. But I won’t let anything happen to you again.

“I love you. Please believe that I’m doing what’s best for you right now.” 

You turn your head away. He cups your cheek regardless. 

“I love you,” he says again. 

“I know.” 

“No, I love you.” 

He’s saying sorry.

“I love you,” you mumble back. 

“How are you feeling? Is anything hurting more? Weeping?” 

Your eyes are heavy at his touch. “You only looked at me a couple of hours ago.” 

“Alright. Can I kiss you? I need to go.” 

You don’t answer. Aaron kisses your chin, your jawline, the type of roving, teasing kisses he’d give as he squeezed your sides, only he doesn’t squeeze you, he can’t without hurting you. His hand hesitates just above your deepest wound. 

His bright kiss works to spark a modicum of life back into you. Not a lot, but enough. It was likely his intention, some quick prodding kisses to remind you of something happy between you both. 

You curl your fingers over his hand and turn your face for a chaste peck. He smiles, the curve of his lips evident and relieving against yours. 

“Someone will take you back to the safe house, okay? Give Jack a kiss for me,” he says. 

You nod. Aaron strokes your cheek. 

—

Your assailant could have killed you while you were vulnerable, but he didn’t. “He assumes he’ll have another chance,” Emily surmises. 

“That’s cocky,” JJ mutters. 

“It’s telling,” Aaron says. “But he won’t.” 

The coaching has been extensive. You, sick, a breath from tears and hurting, your shoulders in his hands and his grip too tight. If someone tells you I’m dead, you wait. If Morgan tells you I’m dead, you ask Rossi. If he says I’m dead, you ask Emily. You can’t believe the first thing someone says. No one is going to move you from this safe house to another without seeing me first. If I do get hurt, you and Jack will be moved separately. You will always get my confirmation before you’re moved. 

I’m not gullible, you’d said, wincing at his sharp tone. 

It’s not about that. People will lie, and they will lie well. They will talk their way into the house if you let them. You can’t let them. 

I won’t. 

He’s racing against a countdown, because no matter what he says, what you know, or how many agents wait outside your house, sometimes it’s a force of will. 

Foyet didn’t need much more than that. 

He admittedly feels on surer footing knowing where you are. The decision to guard you without putting you in WITSEC is aching and scary but better, too. He knows where you are. He can be there in ten minutes. No guessing games, but no hiding for you either. 

Your dread is taking over everything you do. Today’s the first day since you came home almost two weeks ago that you could function without a live-in nurse or Jess there to look after Jack, and already he’s worried, because he’d convinced you total honesty was what’s best for the both of you, and so your texts are candid. 

One an hour for his sake, more if you're up to it.

Threw up my beta blockers. Jack misses you, he wants to make you a Lego boat and fishing rod, but I’m not sure how to do it. Please make sure you eat dinner. 

Your next message makes him smile, thankfully. I’m kidding about the dinner thing. Ha. I had one of those gels you got for me, and Jack wants fries, so I’m making waffle fries. 

He texts back quickly. Eat dinner. Please tell Jack I miss him too, and don’t worry about the boat, he’ll work it out. Then, feeling awful, he adds, I love you

Aaron should go home. He’d feel better if he knew he was there to help you keep your medication down, but if he leaves… He knows his team will give you everything they have, but he has more. He can fix this. 

He can’t fix this, god, his head hurts badly. You’re covered in cuts and bruises and burns and he thinks he can make up for that? You’ve been brutalised. Aaron can’t believe this is happening again. 

He rubs his brow. 

“You okay?” Emily asks. 

When he looks up, JJ is gone. 

“I’m fine.” 

“It’s okay if you’re not.” 

He’s not fine, but he knows what she’s asking. “I’m okay enough to do this,” he says. 

It’s hard not to confuse you with memory, your hurting similar to his own, your situation one that he’s already lived. Haley will haunt him for life. It doesn’t usually feel as punishing as he fears he deserves: he gets to remember the best parts of her everyday. He sees her in Jack all the time. He sees her in you, occasionally —you’ll touch his hair or rub his arm like she would’ve done, and it doesn’t make him miss her any more than he does, he’s not in the business of wishing you weren’t yourself, he loves you, but he remembers her. Aaron remembers how he failed her every day. 

He can’t fail you, too. 

“Is it ever easy?” Emily asks. 

Aaron looks around for a bottle of water. “Is what?” 

“Being in love.” 

He thinks about it. “I must make it look hard.” 

She laughs softly. “Sometimes, yeah.” 

Maybe that’s not fair, then, to you. For him to make it seem difficult to love you. To fail to correct Emily when she asks. 

He chooses his words carefully. “Loving her is the easiest thing in the world. But… I continue to work a job I know makes me hard to love in return.” And that puts you in danger. 

It doesn’t feel wrong to be sincere. Perhaps it’s easier with Emily. She saw so much of him during Foyet, and she’s family, truly. He can tell her how intense it’s felt. 

“Well, it doesn’t seem hard for her,” Emily says. 

He shakes his head. 

She continues regardless, “Even during her cognitive, she mentioned the first time you told her you loved her. When it was over she wanted to see you over anything else.” 

But I put her here, he wants to say. Or doesn’t want to say at all, but instead knows with surety. 

“She can’t eat if I’m not home,” he says. What a thing to do to someone. “It’s my fault.” 

Emily smiles, hair slipping off of her shoulder as her expression turns to playfulness. “I think you’re seeing it all wrong. Something bad happened to her, and you’re so safe to her that you make it better when you’re with her. That’s not fault, Hotch. Just love.” 

He turns his attention back to the board without another word. 

—

When the day comes, when they find the man who hurt you, you’re sitting at home with Jack Hotchner in your lap. You’re laughing at his laughing, cartoon fish on the TV, and Aaron’s got a gun in his hand fifty miles away. You both giggle, nearly in hysterics as the safe house living room glows pink and red, Jack’s favourite character swimming hurriedly across the screen, as Aaron negotiates the arrest. 

Usually capable of mediation, Aaron finds his patience completely unravelled. He offers the UnSub two choices: he surrenders now, immediately, and he keeps his life, or he deliberates and Aaron kills him. 

He has reason to believe the UnSub will try again, of course. Will keep hurting you until it sticks. 

He goes home satisfied.

“Dad’s home!” you say excitedly, your movie long finished, your thighs numb and stitches stinging where Jack has leaned against you. You encourage him off of you as the front door closes, the cold air from outside rushing in. 

“Honey?” Aaron calls. 

“Yeah!” You stumble into a standing position, sure you look about as disgusting as you have since the situation began, promptly sitting back down as head rush hits. 

Jack races for the door, meeting Aaron in the hallway with a whoosh. “Hey!” 

“Hi, junior g-man, what are you doing?” 

“We watched Finding Nemo,” Jack says, “and now I’m hugging you, duh.” 

“Duh. Well, I need to talk to Y/N for five minutes. Can you wash your hands for dinner?” 

“Yeah.” 

“You okay?” he asks. 

“I’m fine.”

You hear the sound of a light kiss, and then Jack rockets across the hallway and up the stairs. Aaron walks into the doorway, tie still knotted but with no suit jacket, and you know what he’s going to say before he says it. He wears a strange expression.

“You got him?” you ask. 

He puts a white bag on the coffee table, looking down at you fondly. “I got him.” 

“How did you find him?” 

He crouches down in front of you. He’s so careful to be harmless to you now, so tentative. “You’re not the only woman he hurt. We dealt with him in the past. From the information you gave Emily during your interview, and the information he left behind, we found him… If you weren’t as brave as you are, I couldn’t have kept you and Jack safe.” He holds your knee. “Thank you.” 

You stare at him. Staring, wondering what he means. “Brave?” 

“Brave.” 

“I’m a coward.” 

He shakes his head. “No. You’re not.” 

All you've done for days is cry and throw up and bleed, literally. You’ve ruined clothes and sheets, thrown up in his lap, terrified and aching. Each time was met with the same gentleness. A kiss on the cheek, or a hand rubbing your back. Is that bravery? You feel like a baby. 

Aaron’s brow is relaxed. He takes your two legs into his hands, and he looks at you with a reverence that leaves you breathless. 

“You’re hurt forever because of me,” he says quietly, you strain to hear him, “because of who I am, and what I choose to be.” 

“How can you say that? It’s not your fault.” 

“It wouldn’t have happened to you if I hadn’t missed his MO the first time.” 

“You’re not putting the knife in anyone’s hand,” you argue. 

“But it keeps happening.” 

His hair shines dark and wet. It must be raining outside, the safe house walls are thick, the windows shuttered permanently, you haven’t heard a peep. You stroke it back from his forehead. 

“Remember… when we first got together, and you told me you were sorry for how hard being with you could be. And I said it was okay, that it wasn’t hard, and you said it would be?” 

“I remember,” he says, practically mouths. 

“I was so afraid when...” You swallow roughly. “I still am. But not– not of you. Not of what you can do. When you told me it was going to be hard, I thought, well, it’s worth it, because I really liked you then and I love you now.” Tears collect in your eyes. Safe. I’m safe. “And you look after me, so– so–” 

You stop as your voice turns to glass, worried you’ll make a fool of yourself and cry in his hands. 

“I didn’t want this for you,” he says. 

“Nobody wants this. Bad things happen to everyone, but who has someone like you to look after them?” 

He breathes out heavily. “Please… don’t cry.” 

You wipe your cheeks, taking a lengthy pause before you say, “I’m okay now.” 

He looks at you in silence. 

“Come and sit with me,” you say, scrubbing your cheeks, hot tears cooling on the backs of your hands. “Your knees.” 

He actually smiles. It changes his entire face. “What about my knees?” 

Aaron sits on the couch next to you atop Jack’s blanket, a bag of pretzels tipping between your leg and his. You attempt to rake his damp hair into submission as his fingers run against your thighs, fishing for pretzels to put back into the bag. 

You’d like for him to grab you and kiss you harshly, give you one of his straight jacket hugs, some roughhousing, but you won’t get that from him until you're better, and even then, it’s up in the air. So much has changed. 

But not everything. 

“I love you,” you murmur, fingertips scratching down behind his ear to the back of his head. 

He turns to you, sagging with relief and exhaustion. “Kiss?” he asks quietly. 

You nod. He holds your cheek, and you close your eyes at the same time for a kiss. It’s not a lot, but you have time. He can give you another one when you’re both better recovered. 

He pulls away. You open your eyes, finding his closed, his face downturned. “I love you.” 

“I love you, too.” 

“Was Jack good?” 

“Jack’s always good.” 

“Did the nurse have anything to say about your chest?” 

“She said it’s healing okay. That I need to use, uh, scar patches when they start to scab.” 

“I can get those.” 

“I know, I knew you would.” 

He gathers you up for a hug. For a moment, you think he’ll move on, that the end of your nightmare will kill his remorse, but he breathes in, nose wedged against your cheek. 

“Do you think that tonight, we could pretend it didn’t happen?” You’d like to just sit with him, press your hand to his chest and doze. It’s the first night in a while that you’ll feel completely. 

“Yeah. I can do that.” He hugs you rather tightly. “Do you want to see your present?” he asks, relaxing his grip. 

“My present?” 

He grabs the bag on the coffee table and places it in your lap. “I’m worried it’ll remind you of bad memories, but I wanted you to have nice things then, and I still do.” 

In the bag, there’s a pair of pyjamas. Very different to the ones you’d been wearing when you were attacked, they were girly and sweet, soft in your hands, these are sturdy. Still soft, but thick. The shirt is short-sleeved and the pants cuffed at the ankles, a hoodie tucked underneath them, and a packet of minky socks. 

“Thank you,” you say. 

Thanks for everything, for saving you twice, for taking care of you at your worst, and for wanting you to have something comfortable to wear at the end of it. To have experienced an abjectly cruel battering will leave its marks in your forever, but you meant what you told him. He looks after you, and you love him. 

He kisses your shoulder. “You don't need to say that.” 

He doesn’t add anything else, his nose pressed to your shoulder, his hand on your hip. Whatever goes unsaid can be felt in the other’s touch. 

˚‧꒰ა ✮ ໒꒱‧˚

thank u for reading!! it’s been a long time since I wrote a fic for hotch and it’s hard to write him being vulnerable but I hope this is alright anyways and that you enjoyed :D please consider reblogging if you did enjoy it (cos that way my fics get shown to more people <3) ❤️

[theillustraitor]

My human Dan design! Plus some ghost Dan to practice drawing him.

I'll explain more in depth below the cut for those who are curious, but the basic ideas for why he looks this way is that his human half is a mix of Danny and Dan(with a small sprinkle of Vlad). It was supposed to eventually match his ghost form more, but things had to be cut short on that path so he got kinda stuck with a middle of the road body(he's roughly late teens).

I'm desperate for him to not look exactly like Danny, but I also had this funny idea that he would somehow end up attending Casper High after he is decently redeemed(so his human body had to be younger than his ghost form). Like just imagine the interactions. Dan would *definitely* get revenge on Dash lol

More detailed explanation:

The clone Dan was stuck in was pretty much constantly destabilizing post AGIT. This was due to the imperfect nature of them, Dan's high power, and the physical difference between the two forms. Vlad and Danny kept it from totally falling apart by using the ecto-dejecto. They had to use it *a lot* though.

Vlad tweaked the clone to be able to be shaped by Dan's ghost(to fix the incongruence of the bodies, and to possibly make it so the body could handle Dan's power better). This is what led to the mixing of Dan and Danny; the body was going from Danny to Dan in terms of appearance. It was taking some time though and they were definitely going to run out of the ecto-dejecto, *especially* since Dani also needs it(I like to think that the ecto-dejecto wasn't a permanent fix, so she has to use it on occasion. There's also no way Danny would give a mid-morph sample at this point cause he and Dani are still pretty distrustful of Vlad.)

Since Jack had originally made the ecto-dejecto Vlad could not figure out how tf to replicate it. Jack had also forgotten how he made it because, I mean, it’s Jack(nevermind that he wouldn’t even have a reason to remember how to make something that’d help ghosts/was a failed version of an experiment)

Vlad then developed a way to convert the ectoplasmic nature of the clones to good ol’ human meat(aka permanent stabilization for Dan). Vlad ended up having to do that to Dan before his human form could completely match his ghost form, hence the mix and being physically younger than his ghost form(a note: the bodies not matching remains a problem, but not a crippling/kill him kind of one. Dan is usually in pain after going ghost, especially if he used his powers a lot, but it fades relatively fast. Additionally, he(unrelated to body stuff) cannot be ghostly for too long because the ghost half will destabilize(not goopy, time/reality)).

I also had this idea that the ghost catcher could be used to permanently fuse Dan's ghost to the human body. I doubt he's fused with the clone body in AGIT, and this would continue to be a problem with my idea; Dan is basically just puppeting/overshadowing the bodies. The catcher has a merge side, sooooo

Finally, some design stuff(and a bit about him going to Casper). As mentioned Dan looks younger, which means he is capable of attending Casper High, and he does so because he never actually finished school(and he would be able to stalk/keep an eye on Danny and the others better. By this point he no longer wants to kill them, and is instead paranoid about the possibility of them dying, so yup, stalking). He'd be put in the same grade as Jazz so they could hang out and what not.

Vlad is also glad to have any time away from Dan because they fight a lot lol

But once at Casper due to his Vlad half he plays football(Vlad fusion aside, it’s a sport where he can be violent w/o problem). Dan got a letterman jacket from that, but he still hates the popular kids so he had Sam dye it black.

The hair streak is also from Vlad, but Dan's hair style is just his ghost form's minus the whole fire thing.

His clothing style is a mix of Vlad and Danny’s(except the jacket). Shirt is from Danny, pants from Vlad, then sneakers + dress shoes = boots.

Finally, it’s a bit subtle but he has heterochromia; one eye is Danny's color, the other Vlad’s.

[sodaabaa]

birthday 

anthony bridgerton x wife!reader wife!reader is excited to celebrate her husband’s first birthday since they got married only to wake up and find anthony missing. she takes a trip to mayfair to ask the bridgerton family where anthony has disappeared to.

tw: grief, mentions of a parent's death.

a/n: hi everyone, wanted to take a second to just thank you for all the support. i started writing these just for fun and decided on an impulse to start posting my writings, not expecting them to get past even 15 likes! i really enjoyed writing this oneshot and navigating anthony's feelings in this one. let me know if you'd like to see a part 2 within this story line or similar stories within the bridgerton universe!

The first rays of dawn broke through the curtains, pulling Y/N from her sleep. She reached to the side, feeling the bed for her husband to find only the absence of his warmth. She sat up, it was unusual for Anthony to be gone so early in the morning. The two of them had a habit of starting their mornings together before he went off to tend to business, the vacant spot on the bed puzzled her – today was Anthony’s thirtieth birthday, the first one they would spend married. She already had a plan for the day; dotingly wake him up with kisses in all the spots he loved, take their breakfast in bed (a special one at that – she requested the cooks to make his favorite marmalade with the first plums of the season), pack a basket with light sandwiches and his favorite wine to picnic by a nearby lake, and end the night with his most favorite activity. Y/N pouted, upset that her plans had been foiled by his absence. She pushed the duvet off and dressed herself, wondering what possibly could have been important enough for him to leave without telling her. 

“Amelia,” she called out to one of the maids. Amelia had been working at Aubrey Hall for years, she knew the ins and outs of this place like the back of her hand, maybe she’d seen Anthony this morning? 

“Yes, my lady?”

“Did you happen to see the viscount this morning?”

“No, my lady. My apologies,” she paused, “though – you may want to check with the dowager viscountess.”

She tilted her head in confusion, “Whatever for?” 

Amelia fiddled with the rag in her hands.

“Amelia, what is it?”

“Every year, on the viscount’s birthday he…disappears. He usually slips out before dawn when we’re all just getting started with the day. But we’ve never seen where he goes.” 

Y/N’s confusion only deepened. Amelia waited for Y/N to dismiss her – she did so, waving a hand and offering a gracious smile for the information she provided. Amelia exited with a curtsy, leaving Y/N with no choice but to pay the Bridgerton clan a visit. Perhaps they could give her some insight into her husband’s mysterious birthday habit.

She managed to reach Mayfair before the sun had peaked in the sky. The carriage approached Bridgerton House, Y/Npeered through to see if Anthony might be somewhere around. He was nowhere to be found, much to her dismay. She stood before the double doors of Bridgerton House, signaling to the footman to announce her arrival. In the blink of an eye, her favorite Bridgerton sibling came running to the door.

“Y/N! How lovely it is to see you!” Eloise exclaimed, pulling her in for a hug. She returned the hug, grateful for the way Eloise managed to instantly raise Y/N’s spirits. Violet followed Eloise, a knowing smile on her face. Y/N pulled away from Eloise’s tight embrace to greet Violet.

“Can’t seem to find Anthony, can you dearest?” Violet said when she pulled away from their hug.

“I see this is a regular occurrence then?” She replied, feeling left out – why had no one bothered to inform her of this habit of his? She would have saved herself from the disappointment of foiled plans. 

“Come in, you’ll catch a chill if you stand at the door any longer,” Violet ushered them upstairs. 

“Y/N!” Hyacinth and Gregory were the next to greet her as she walked into the drawing room.

She gave the two little Bridgertons a hug, commenting on how tall Gregory had gotten and the length of Hyacinth’s curly hair. The pair immediately began updating her on all the things they’d gotten up to while Y/N was gone – though they didn’t get far.

“Hyacinth, Gregory – please give Y/N a moment to rest from her trip. I’m sure she’d love to hear all about your mischief later,” Violet said. The inseparable duo pouted for a moment before taking a seat in their usual spot. Y/N herself took a between Violet and Eloise, turning to ask her more about her husband's whereabouts.

“Do you know where he goes off to? Surely his mother might know.” 

“I’m afraid I do not. I do, however, know the reason he disappears,” Violet looked over at her youngest children, ensuring they were engrossed in whatever they were doing before continuing. 

“Since Edmund died, there has not been a birthday where he does not run off like this. It started when he turned ten and nine. I know it has something to do with his father, I am certain, but I cannot figure out where he goes. The first year, I checked Edmund’s grave to no avail. I’ve searched and searched my mind for places that held significance to Edmund, to Anthony,” she explained, throwing her hands up with a defeated sigh.

Y/N took a moment to process Violet’s revelation, guilt slowly eating her up. She had been so involved with her ownplans for Anthony’s birthday and then felt so disappointed but all this time, he was taking time to grieve. Her heart shattered for her husband – her valiant, loving, sweetheart of a husband. 

“If I may,” Eloise cut in with the raise of a finger, “perhaps he simply despises the concept of birthdays and wishes to avoid all the commotion by hiding out in some pub somewhere?”

“Eloise!” Violet exclaimed.

“My, my, what do we have here? Viscountess Bridgerton has come to visit us!” Benedict interrupted the three women on the sofa, shooting a warm smile towards Y/N.

“Benedict, it’s lovely to see you,” she replied. She rose from her seat, giving Benedict a quick embrace before he took his seat across from them.

“Allow me to guess – Anthony’s disappeared?”

Y/N nodded, “I don’t suppose you happen to know where?”

Benedict clicked his tongue, “I’m afraid not.” 

She sighed, “Well, when does he usually return then?”

“The next day. And to make matters worse, he acts as if it were totally normal, avoiding all questions about his whereabouts until you simply surrender trying to figure it out,” Benedict said.

That night, Y/N retired to their bedroom though she had no intentions of sleep – how could she manage to when her husband was off God knows where, in what condition. It kept her up with worry, so she decided she’d stay up and wait for his return. Staring at the walls had become tortuous as the hours droned by, she wrapped herself in a robe and made her way toward Anthony’s study. Perhaps she could find something here to clue her into her husband's habit. She poured herself a glass of Anthony’s whiskey, choking down the bitter liquid, and sat back on his chair with a sigh.

She looked around the dimly lit room, a portrait of Anthony’s father hung up to the left of the desk. She wondered what he was like, Anthony rarely ever spoke of him. Her heart ached at the thought of her husband at eighteen, witnessing what he’d witnessed and resuming to take on the mantle that’d belonged to his father in the midst of such trauma. Her eyes scanned the painting – catching on a pocket watch in her late father-in-law’s hand. She stood, leaning in to get a closer look at the watch. Realization dawned on her. This was Anthony’s pocket watch – well, it had been his father’s but this was the same watch he carried with him everywhere. She had noticed early on his habit of checking the time almost obsessively. She always wondered why he had such a fascination with time. 

I could never surpass my father. He was a greater man than I. Anthony’s words echoed in her mind.

It all fell into place – clicking like a lock in her mind.

She ran back upstairs, rushing to wear something more appropriate. She quietly ran back downstairs, grabbing her cloak on the way out. The September days were cool and refreshing but the nights were cooler, which Y/N usually savored but the cold air only increased her adrenaline tonight, causing a chill to run down her spine.

She summoned a carriage, willing it to come faster as it approached her. 

“To the chapel, please.”

As the carriage moved closer to the chapel, she could make out the vague silhouette of a man sitting on a park bench facing the clock in the center. The moonlight illuminated the small square, the scene before her looked to be straight out of a painting. She stepped out of the carriage, rushing towards the silhouette.

She stood behind him for a moment, afraid to disrupt him – afraid of what his reaction might be. She knew her husband preferred to grieve alone but this was beyond grief; Anthony feared his birthdays, feared the clock running out of time. 

“Anthony?” 

The man in front of her startled, inhaling as he turned around. She sighed in relief.

“How did you find me here?” He said, motioning for her to sit with him.

She walked around the bench, placing a kiss on her husband’s forehead as she sat beside him.

“Your pocket watch.” 

He let out a breathy laugh, a humorless action. He held the watch, thumb circling its frame.

“You are not bound to time, Anthony,” she said gently.

He looked up at her, eyes red from the long day he must have had.

“Are we all not bound to time? Some simply have less.”

“You cannot know that for certain, dearest.”

“I know I am less of a man than my father was yet he merely had eight and thirty years,” his voice was hoarse.

“You are just as much of a man as he was. You’ve fought so hard for this family, do not belittle your efforts,” she took his face in her hands.

She wished she could show him how much of a man he truly was. He'd raised his siblings and taken on the burden of being a viscount to allow for his brothers to pursue their dreams. He ensured his sisters were well provided for and he dealt with his mother's grief for years -- all without complaint. Because of this, it was a privilege to call Anthony her husband, if only he could see himself how she saw him.

“You are not leaving me behind in a mere eight years, Anthony Bridgerton. I will fight death himself if that is to be the case.”

He chuckled, a hint of real joy behind his eyes as he did.

“I have no doubt you would give it a valiant effort, my love.” 

He leaned forward, placing a kiss on her lips.

“It’s late and cold, shall we head back to the house?” 

She nodded, grateful to return her husband to where he belonged – at her side, with his family surrounding them.

[s-rosie]

Javery Hcssss

hi guysssss! I hope you like these hcs and enjoyed them as much as i liked making them. I took some of the tips. I got from my last post and used to them to make these. Please comment any more ways I can improve. I’m always trying to get better. Thank you.

when jameson first started dating her, she had never received romantic affection, so she had no idea to react to it and just combusted

jamie leaves the biggest and darkest hickeys on her and she sometimes doesn’t even realize until she hears snickering

at a gala, one time avery pulled jameson into the bathroom and they made out until alisa came looking for them, averys red lipstick stained his face and there was no makeup to cover it up causing alisa to just scream at them for like 20 minutes and he walked around the gala with lipstick stains on his face the rest of the night

avery once told jameson what she always wanted her first dance song to be, and a few hours later he called her to help her find her phone and his ringtone was that song (in my mind it is timeless by ts but you decide)

she had so much trouble showing jameson just how much she loved him at first, so she would write him letters telling him her feelings, jameson then incorporated some of the things ave wrote in the letters into his wedding vows (she also included some of things he said in his love confession in tfg in her vows (they both started sobbing and no one else knew why))

avery and jamie make each other scrapbooks about things they do together

jameson goes up randomly to ave and takes a 0.5 of her, that photo then becomes his lock screen for the day

whenever the song call me maybe comes on, jamie SCREAMS that song to ave no matter if they are in public or not

they watch disney movies and go to the parks together all the time

sometimes when it rains, they go to a secluded part of the estate and slow dance

they once got food poisoning together from a 3:00 am taco bell run and they held each other while the other threw up

when they were still in school, jamie did theatre and avery was the assistant director just so she could watch jamie preform. he also had to stage kiss and almost dropped out because he felt like he was cheating on ave. she assured him it was fine

jameson once did avery’s makeup and hair and it looked so good people thought it was professionally done

once ave asked jameson what she should get done to her nails, and he responded with something like “rounded square nude french tips” and she just sat there like “how the hell does he know that”

when jamie gives avery one of his jackets, he always pretends like he’s not cold and ave finds it adorable

jamie was once on avery’s phone and read some of the texts she sent max about him (like her absolutely thirsting for him) and he was so surprised because it was a major flip from her usual self

he always opens car doors and pulls out ave’s seat

like i said in my last hc post about them being theatre kids and dressing up like eliza and ham for halloween, he was posting stuff the whole night like “my life is going fine because elliza is in it” and she was posting stuff like “he better say no to this” while he looked over at another girl in a red dress (everyone thought it was adorable and hilarious)

jameson can sketch and draw pretty well, and ave can paint, so they once made a custom chess board

no matter if they admit it or not, they cannot sleep without each other. like if the other is out working late or sum, the one in bed cannot fall asleep.

jamie loves braiding avery’s hair and he even watches tutorials on how to make complex braids so her looks unique. when people ask who/how she did her hair, she responds with an excited “oh! it was jamie, hes the best!” and he just smiles proudly.

they make up very complicated yet super cute handshakes that they do often

they once made a tiktok of them singing promiscuous and the fans went BALLISTIC

avery once waxed jameson’s eyebrows and gave him acrylic nails for fun (he looked absolutely fabulous)

i really hope you liked theseee! please let me know how i can improve. also my inbox is open if you have any requests or recommendations. thank you so much!

[inhuman-obey-me]

yay torture! I love it lol- can I ask what are their method differences? (not a request I'm just interested!!)

in my own HCs Lucifer prefers methods that aren't so messy. he also likes short sessions more than longer ones. deep inside he's still a softie pff- while Barbatos on the other hand loves messier methods, long-term types of torture, and even TBMC*.

also! another unrelated HC: Lucifer learned most of his ways from Barbatos - his original methods can't break any demon - more suitable for punishing a child than a criminal.

due to his pride Barbatos didn't make it so obvious, since it would make Lucifer defensive lol....dropping tiny hints here and there, perhaps even gifting him (or Satan) a few books. although Lucifer almost picked up on it-

*: all methods of torture are TBMC as far as I heard, but in this case I mean severe conditioning/programming- to get a perfect program you have to do it for more than a decade...... yeah I have this cool hc about secret workers in the castle,,, do u want to hear about them too,,,,

sorry for the hc dump and derailing I got excited :[

Lucifer probably does prefer shorter sessions than Barbatos, but maybe not quite for that reason - he's really only a softie to his loved ones, after all. But he is an extremely busy demon with a very long to-do list and wants to get through his tasks as efficiently as possible so he can relax, maybe listen to a cursed record or two. He's a sadist, he loves to torture and he's damn good at it, yeah, but he also has hobbies, and is making someone suffer longer really more worth his time than, say...a nap? He's so sleep deprived, someone please let this man nap. In fact, make him.

For Barb, by contrast, this is his hobby to relax after a long day of work - so yeah, he's taking his sweet time and relishing in every last second of screams he can draw out of a demon's mouth. Plus, when you can control space-time at will, a long torment with Barb takes, what, 10 seconds if he deems it so? And he has a bit more patience with these things than Lucifer, so stretching out long-term "projects" is quite fun for him.

As cute as it is to imagine Barbatos secretly guiding and teaching Lucifer, though, we don't think Lucifer learned his torturing ways from him. In the Celestial Realm, he was already known as a sadist, and while the punishments he does to his brothers are basically just to get children to behave, he's not dangling true enemies of the state from the ceiling. Considering how shady and secretive the Celestial Realm acts towards the Devildom even now in supposed peace, torturing demon prisoners of war back when the two realms were actively in constant conflict was probably not out of the question, and Lucifer, as formerly the top angel, would undoubtedly have been one of the most intimidating to encounter there too. But Celestial Realm torture isn't about delighting in the target's pain; it's about getting usable results. By contrast, Barb's very much demonic attitude towards torture is all about the pleasure he himself gets from doing it, which is something Lucifer has never been as interested in.

So, Lucifer mostly gets the ones they need to break quick - cases that are urgent, things that are more time-sensitive. And for the ones who take a more delicate touch, or who they can take their time on...those are for Barbatos. And those ones will never recover.

For a couple of examples of how we've written their respective approaches to torture in the past (please heed all content warnings): Lucifer:

Melody of Revenge

Lucifer's section in this post

Barbatos:

A Peaceful Day in the Devildom

Barbatos' section in this post

[inkoo000]

Genderbent Louis (+Justin)!!!! Louise and Jullie? Somethin like that.

@nevinbeamer @ghostpi22 /srry for the tag

[tianhai03]

guys wake up new C coloring pic just dropped <333 have some teefs i drew awhile ago that i probably never posted here

[wundrousarts]

hi I hope this doesn’t sound like a demand lol but I love how you draw jupiter and I hope you draw him more

your art is so cool by the way I really like your character lineup 🥺

Thank you so much!! I literally never draw Jupiter, on account of my inability to draw 1. adult men and 2. beards, BUT it’s something I need to / want to get better at. The only other time I’ve drawn him was that lineup which I did super quick, so it was fun to try and think of an actual design so I can try to draw him more!

[ID: Three half-colored digital sketches of Jupiter North from Nevermoor. They show him as a kid with messy hair, a young adult with a mullet and mustache, and an adult with longer hair and a fuller beard. End ID.]

Details on my Jupiter design / headcanons (?) for his life under the cut:

I started with the middle— in my layers, I dubbed him to be “teen” Jupiter, originally intending for him as a senior scholar, but as time went on I figured he was more like, early 20s young adult Jove. The Wunsoc sweater is just still there on the adults because I didn’t want to redraw <3

I feel like Wunsoc, especially with Dearborn and Murgatroyd prowling the halls, holds its student’s appearances to a certain standard. Sure, society members are representatives of the society for the rest of their lives once they graduate, but their time in school is their first introduction to that life. It's their debut as society members. We see this in a lot of stuff with Holliday, in Hollowpox and in the one Silverborn snippet, how she's manufacturing an image for Mog and co. and physical appearance plays a part in it.

Going with this: I feel like Wunsoc would expect their students to keep their appearance clean and approachable somewhat. Jupiter gives me a vibe of the kid who had a crazy growth spurt, and was able to grow a beard before graduating– BUT I don't know if Wunsoc (really just the Scholar Mistresses) would be crazy for that. So I imagine that he's relatively clean-shaven for the most part, nowhere near modern Jove, and then starts to grow out his facial hair a bit more as a senior scholar where I imagine things would lax a bit, and then just commit fully to growing a beard once he properly graduates.

So young adult Jupiter is perhaps in his early 20s, a somewhat recent Wunsoc graduate. I'm a mullet Jupiter truther, where his hair is longer in the back, and had to represent that. Younger Jove's is messier and more fun; he's not too concerned about his image as he hasn't quite reached that laundry list of titles and accolades yet.

Present-day adult Jupiter is still rocking the mullet style, just now it's longer and styled a bit more professionally. But let's be real– it doesn't stay this way. It totally gets easily messed up from his hats, and Jove loves to have fun and entertain people, Plus, he's a busy man, constantly stressed and running around. While the hair here might be great for say, a formal meeting or a magazine cover, the hair most folks end up seeing him with tends to be a bit more wild. He definitely starts to resemble his younger self's hair more after a rowdy night or a stressful endeavor.

Kid Jupiter– not much to say here, tbh. I figured I'd stick with the longer hair he has as an adult, kinda rowdy. Not a mullet yet, though! I was thinking of the part in Nevermoor where he starts talking about the rules he broke and stuff he got up to as a Wunsoc student, and how Hawthorne started taking notes, and made his hair similar to the rowdy hair of our favorite bestie. However, while Hawthorne's hair is curly, I'm of the belief that Jupiter's hair is definitely pretty straight. So no curlicues for him </3

Hopefully now that I've started to nail down a design for Jupiter, I can draw him more!! I always have soooo many Nevermoor ideas circling around in my brain. I love thinking about designs for various characters and the reasonings behind different aspects of their appearance.

[heartbeetz]

I NEED to get back into oc f/os. I just remembered my old casino themed anthro shark guy. He never got a solid enough ref sheet (or lore, really) for me to feel comfortable making him one of my f/os but maybe I should remedy that at some point. Big Jack.........

[skunkes]

General oc talkkkk

I feel like i have to Do something with al once i take him off the shelf again (when my brain lets go of talon for another few months), ive been motivated to draw talon because he sits in my brain and i imagine interactions but it's much harder with al since al has been around for 10 years or more...and Al has like. Less conflict? In the sense of him just being a nice kind guy with regular human issues in a normal human world (or cow with regular individual issues in a normal furry world lol) ykwim?

Like. Talon is exaggerated he's a caricature of feelings to play with he's got lots of internal contradictions... and outside of that the whole Setting is easy to play with too, like, he's a vampire and those elements are more fun to think about and incorporate and build up in a way that requires a bit more brainpower of the fun variety (can make shit up) than Just a Regular Guy (has to be nore realistic, less fun to research), but less brainpower than, say, my abandoned Space Ocs where it was way harder for me to just make shit up, and way more to make shit up about (not as fun for me)

Idk! Its easy to imagine Talon in interactions, including ones with Al, or just self exploring dialogue....

Other than cute interactions between al and smunker its a lot harder to find stuff with him...he's a guy living in our regular world... his life has been fairly normal and he's good and nice. And i wouldnt change any of those things just to change em but there's less conflict other than the usual internal stuff all humans experience. I think if he wasnt my imaginary bf I would have shelved him more permanently like the oc group he came with...

There's something about how i very rarely make ocs, he's technically my oldest oc and talon is my newest oc, talon is what i Feel making ocs should feel like. And he's only over a year old. And he's still not even what I would call a well written character in any capacity. And yet i dont think i could very easily replicate this again ykwim. Im so bad at writing, and ..... creating....! Idk how people do any of it....i just wanna extend my ocs lives and my interest in them forever...

[imreaallyasorry]

Late night doodle….

[orcelito]

Bought the memorial plush for Cassy. It's gonna be here on Thursday

It looks pretty similar to Sammy's in style, just with a different pose. I'll see how they look when placed together.

[bumbleblurr]

listen I think bulkhead is far MORE Boyfriend Material than most of the tfa cast but I doubt the majority of the fandom is ready for that conversation

[cherry-shipping]

ouwaaaaaaaaaaahhh sans undertale My heart beats for that guy

[anisespice]

“ accidents happen ” || tokyo rev.

synopsis: in which they discover you had their child and kept it from them all these years later.

pairing: bonten x fem!reader [ mikey, ran, sanzu ]

warnings: mature content ahead. MDI. mature language, crude humor, angst (if you squint really hard), deadbeat!bonten (unintentionally), not proof-read so there may be errors lol and i think that’s it :))

notes: i just want the drama >:) may make more parts, and even extend said headcannons into longer fics in the future, but wanted to post something quick for mother’s day. hope you enjoy!

When you disappeared off the face of the earth, MIKEY had never been the same. One fight. One argument that spiraled out of control, and you were just gone...

He had people looking for you for about a couple years, the trail ran cold after a while and he had half a mind to think you were dead. Up until he got intel of your whereabouts one morning during a meeting.

That man got up and left immediately.

He wasn’t accompanied with any of his men, only because he didn’t want to draw any unwanted attention in the broad daylight. Sure, him wearing a black hood, ball cap, and mask in a park didn’t really help him look inconspicuous but it at least concealed his identity enough for him to blend in. Mikey sat on a bench for a good forty minutes, anxious, making anyone who passed him shiver from his intense aura alone; even birds walked around him. After almost an hour of waiting, he began to feel frustrated. Perhaps, the intel was false. Just as he went to stand, already conjuring up ways to have Sanzu execute the idiot who wasted his time, he heard it.

Your voice. Seizing him, like a siren’s call.

His eyes were alert, darting around until they landed on your figure, spotlighted by the sun, like an angel descending from the heavens. You looked good, healthy. That was good. An array of emotions fought for their turn in Mikey’s heart—Relief, distress, anger, nostalgia. He couldn’t just pick one, especially when it came to you. As he watched from his spot, doing his best to not seem suspicious, he clocked the people you were approaching with excitement, your peppy stride as you waved at, what he presumed, to be mother and daughter.

However, his entire world turned upside down when the little girl extended out her arms towards you, and said “Mama!”

“Hello, my darling.~” You cooed, taking her into your awaiting arms from the woman, embracing the toddler tightly. “Mama missed you so much.”

“Missed you, mama!” was the child’s reply, followed by her giggles.

A bucket of cold water would’ve been better than this. Watching you converse with who he now assumes to be the babysitter, Mikey felt faint. Vision blurring, head pounding, heart clenching. You…you…no. There’s no way. You wouldn’t have moved on…you couldn’t have, not like this, not from him. You loved him, didn’t you? You still love him, didn’t you?

How could you…how could you?

Before he knew it, he started to follow you around. From the park, to the store, all the way back to your apartment. He already phoned some of the executives to start working in on the babysitter, and anyone else in your new found circle for information. He wanted answers. He needed them.

By the time you began fixing dinner, with your daughter laid down for a nap, you receive a knock at your door. Who could that be at this hour?

RAN was chilling outside the rendezvous spot for something the boss and a few other execs were participating in, having a smoke, minding his business, up until he sees a little girl with pigtails wearing a school uniform approaching, standing before him and just…staring. She barely came up to his thighs, could've been no older than seven. She was practically staring into his soul with bright lavender eyes that scarily reminded him of Rin’s when he was that age.

He stared back, head tilted as he blew out the smoke from the corner of his mouth. The hell was a kid doing on this side of town?

Then, after an uncomfortable staring contest, the little girl points at his cigarette. “My ma says those things are bad for you.”

Ran raised a brow, “Does she now?”

“Mmhm! She says it makes people unhappy.”

He offered a thoughtful nod, an amused grin spreading across his face. “Mm. Do I look unhappy?”

The girl looked at Ran for a minute, eyes squinted. Eventually, she shook her head. “No. But, ma also says people who are always unhappy get better at hiding it.”

Ran’s grin faltered. Her unwavering stare started to unnerve him, especially after hearing such a heavy statement come from such a small package.

After a brief moment of silence, he chuckled softly, taking one last drag of his cigarette before flicking it away. He exhaled. “Smart woman.”

The little girl beamed, “Mmhm! My ma knows a lot of stuff.”

“Tsk. But not ‘Stranger Danger’, apparently.”

She tilted her head, curious. “Huh?”

“You shouldn’t be wandering around by yourself, let alone approaching someone you don’t know. ‘s not safe. Especially for nosy little girls who stick their noses in other people’s business. Your ma never taught you that?”

The little girl rolled her eyes, hands on her hips. “Duh. Of course she did. Everyone knows that rule,” she exasperated. Ran snorted, but yielded when she squinted at him, pointing as she sassed. “And I do so know you, so you’re not a stranger.”

This time, Ran couldn’t help the incredulous laugh. “Oh, you know me, huh? That’s not good. ‘m supposed to keep a low profile. Say, you ain’t a cop are you?” He teased, earning another eye roll.

“No. Too small to be a cop, dummy.”

“Oh, pardon me, I didn’t notice. Where do you know me from, then?”

The little girl pointed over to the building..where the executives were having their meeting. She beamed, “Ma’s works in there. On important people days she can’t get me from school, so she tells me to come straight here, and to not talk to the purple man that stands near the building. She says you’re mean.”

Ran smirked, then gave a half-hearted shrug.

“She also says you’re my pa. But, I never believed her. You’re too old.”

Ran’s smirk dropped.

Whether more from the first comment or the last, you decide. But, one thing was for certain: he needed another cigarette.

SANZU cackled watching some guy struggle to round up a couple of rowdy twins at the convenience store. One was knocking shit off the shelves while the other ran circles around the guy. It was what he needed for his bitch of a hangover, a good laugh to distract from the ache in his skull.

However, he wasn’t laughing for long when you came around the corner of the isle, holding a few items with a smile on your face that soon faded once you saw the scene unfolding before you; the pinkette thought he was still tripping balls. Blinking a few times to allow any after effects of the drugs to clear up, when you didn’t disappear he used his long legs to swiftly yeet behind one of the shelves, peering around it like some paranoid stalker. The last time you had spoken, you had threatened to castrate him with your teeth if you ever saw him again.

And he’d be damned if he tried your bluff.

He watched in awe as you straightened those twins up quick. If he didn’t know any better, he would’ve thought they were trained to obey you, and only you. Any other authority be damned. While the guy was putting all the stuff back on the shelves, sweaty and out of breath, you gently reprimanded them for causing trouble. You still made that cute pouty face you always did whenever you were mad at him…

“What did we talk about earlier? Hm? Mr. Satoru was very kind to help mama today, you know. You two promised me you’d be on your best behavior for him.”

Sanzu gagged. This was the rebound you let nut in you? This huffy moron who can’t handle a couple of ankle biters, this was your king? He had half a mind to just gut the guy to put him out of his misery from that pathetic display from earlier, alone. He couldn’t imagine how difficult it must be back home. He remembers when he was that age—Rowdy, reckless, the Antichrist. Adorable, but deadly. God bless that poor bastard’s soul.

Wait…Mister? Not…dad?

The first twin whined, stomping their feet. “He’s too boringggg!”

Come to think of it…if Sanzu squinted…the longer he looked at the little family…he swore the more he saw the resemblance of himself in the tiny gremlins. From the hair, to the eyes, all the way down to the mannerisms…Hang on. When had been the last time you two fucked? Three…no, was it four years ago?

The second twin huffed, pointing at the man. “Yeah! And he’s jus’ being nice so that he can sleep in your bed, mama!”

You flushed, nervously chuckling as you looked around to make sure no one heard. Sanzu ducked behind a bag of chips, now nothing but eyes peeking through the gaps of food on the shelf.

So…that loser’s not the father? Then…could that mean..?

“He’s mama’s boyfriend, remember? He’s allowed to do that. And he’ll be around for a while, so I want you two to be nice, okay?”

“…okay, mama.” They grumbled.

Sanzu almost popped a blood vessel, fist clenched around a bag of Lays and nearly busting it. He chuckled darkly, “Oh. We’ll see about that.”

© 2024-2025 anisespice ッ all rights reserved.

likes, comments & reblogs much appreciated!

[phenphoenix]

Husk and nifty up next! They are a bit harder since their personalities aren't explored as much. However I still had fun thinking about what to do with them!

In this AU I’d say that husk never was an overlord. Since we don’t know much about nifty and Al’s relationship, which I’m going off of for the sake of this AU, I’m just gonna say that Charolette helped husk in a time he needed it and thus made a deal with him. His personality is also a bit of a shot in the dark as well because that too doesn’t have lots to go off of. But if I had to guess I’d say that husk at his core is a caring person, and can see through any facade. So in this AU *Husker* has those same traits, but with that more silly and slightly sadistic tone that Nifty has.

Nifty or rather Niff. Is basically just Nifty with that grumpy old drunk vibe husk has. And as for backstory I’d say that she was an overlord. And made a deal with charlotte to save her power. But instead of a gambling issue, maybe it was more of an obsessive behavior. Which is something shown in the show. Anyways this obviously backfired and she now works as the bar tender of the hotel. I’ll draw it eventually but the actual bar doesn’t change in size. Instead she just has this goofy stool she uses.

Now since this isn’t a like total swap and Al was still the radio demon at one point that made me wonder if I wanted it to still be his deals the two are under. But I’m on then fence about that because he would likely free their souls. Not wanting to force them to help like how he does in the show. So I figured why not have it be Charolette? It would make sense for the AU being a swap and all, and also give more depth to her overall. I have some more ideas regarding her and Al but I’ll do it in a separate post.

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MASTERPOST