#I had some personal issues

[klarolijahs]

Yes you can use it for sure. If you want to mention me I'd love that. You can add me as AlexRo ahaha thanks 💕

Aww thank you so much! Yes I absolutely will :)

[beansnpeets]

Thinking about human behaviour compared to animal behaviour again.

It's funny to hear people (the older gens) complaining that "kids these days are lazy, they don't wanna work, etc." What do we get for busting our asses? There is no reward. Many will never own homes. Many are unemployed, trying to find work, and nobody will hire them because they don't have a million years experience and a masters degree OR they want people to work for minimum wage??? People are giving up because there is no reward. Why would we do all this for nothing?

Same as a dog that won't recall when you haven't reinforced it with a reward. Your dog isn't going to do what you tell it to if there is no incentive. No, your dog SHOULDN'T listen just because you're boss and it should respect you. That isn't how it works. They don't think that way. And honestly neither do people.

When we went hiking Sprocket wasn't always taking treats gently from me when I recalled her or she checked in and I rewarded and my one friend told me to stop giving her treats. I told him I won't work for free so why should she. And he said "I do things for free all the time because I want to do them," and I didn't say it then, but I wish I had, but if you like doing it, that's the incentive. It's a self-rewarding behaviour. Just like anything else a dog does, like chasing a squirrel or sniffing things or getting into the trash. Heeling instead of going off to sniff stuff or recalling off of something they want to chase is something you have to reinforce. You have to give them something better so they make the choice you want them to make. They won't make it just because they *respect* you. They won't willingly recall off of exciting prey out of RESPECT. You need to give them a tangible reward for that. You cannot possibly expect your dog to listen just because and then punish them for disobeying you.

Yeah, Sprocket bit my fingers a couple times. The one time pretty hard. But she was excited. She knows how to take gently and I reminded her and she tried very hard to be gentle most of the time. I wasn't going to stop rewarding her for checking in with me and recalling while we were off leash hiking in the woods. I want her to know that coming back to me is good and in the event of an emergency I would like her to not blow me off.

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[flintbian]

There's a disabled angel in good omens 🥺

[royalarchivist]

For folks who missed today's QSMP Movie Night or want to rewatch it with the original audio intact, I've uploaded the Movie Night portion of several members' VODs to a public Google Drive. I will keep these files up until Monday, December 4th, so be sure to watch and/or download whatever you need before then!

UPDATE: The lovely folks at @mcyt-archives have added all Movie Night 2 VODs to the QSMP Archivist VOD Masterlist. If you're still having trouble finding an unmuted version of the VOD you want to watch, check out their archive!

[ As a side note: thank you to everyone who left such kind comments & messages on the previous VOD Archival post. You're all so sweet, it made me feel really happy and appreciated :') ]

[mariatesstruther]

okay but sarah celebrating tommy every year for mother’s day

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[rosy-crow]

The fact that I’m not even joking and this was an actual subplot in Rebirth lmaoo

[whetstonefires]

Hey here's an angle on the Jiang family dynamic and its impact on Wei Wuxian that I haven't seen discussed:

Wei Wuxian grew up seeing Jiang Yanli routinely having her agency cut off and denied in both large (betrothal) and small ways. That were largely tied up in her gender, sure, but this was also a family containing Yu Ziyuan. A daughter in this household had every chance of having her gender treated as of secondary importance.

She just had to earn it.

The way Jiang Yanli was hemmed in and her potential as an independent actor dismissed was at least as strongly correlated with her failure to be a powerful sword cultivator.

So Wei Wuxian's total refusal to let anyone know that he'd lost access to his cultivation and his violent reactivity against being diminished or condescended to during his Sunshot-to-death period, when before he was pretty immune to being looked down on, could have a lot to do with having been presented with this clearly labeled diagram of how your personhood gets stripped away when you are, by the standards of your society, disabled.

[canisalbus]

Hello I made you some more art!! IDK Why your little guys have just stuck in my brain as of late but yeah I'm just on a roll I guess!

This piece was inspired by wondering who was present around Machete's assassination, and how people around him would react to his downfall. So I had the idea for a portrait of a final lover's embrace, as Vasco holds his dying beloved in bloodsoaked arms.

I tried my best with the clothing -- especially the shoes -- and I think I did a pretty good job but BOY were they hard! XD Anyways, I hope you like this one, it was a blast to draw! I love machete sm istg <3

.

[conjectureand-gloom]

so let’s get something straight: if i cover my ears because i cannot stand the sound of someone chewing, im being rude. so i don’t cover my ears and instead end up in tears, and im being dramatic and im an attention seeker. so i move away from whoever it is who is chewing, and im being disrespectful and making that person feel bad, so clearly im a horribly selfish person. so i blast music to drown out the sound of somebody chewing, but its rude to listen to music at the dinner table, so obviously i have no manners and im a horrible person. how can i win this???

[mamawasatesttube]

not to be a bitch but like. i can never take "ohhhh kon is soOOoOoo sad about tim/ber uwaahhhh he's in love with tim but it's unrequited waaahhhh" angst seriously because like... i get it, the only thing you know about kon is that he's the other half of a popular m/m tim ship, but uh. rebirth kon is living an existential fucking nightmare. i think he's got way bigger fish to fry than whether the tim who only kind of remembers him at all is dating some other guy lmao

[greyhands]

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[gellertalbus]

"They're still with me"

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.