#I honestly think the fandom experience is more enjoyable than the actual book.

[joemerl]

[lunanoc]

are you surprised that I'm asking you to do Wu Xie for the blorbo bingo ?

(alternative offers if you want to do them: Li Cu, since you're finishing sha hai and/or Huo Xiuxiu)

i’m very late in replying to this sorryyy

absolutely not surprised but i appreciate the window of opportunity to let me *unintelligible noises* about wu xie <3

(for disclaimer purposes as always these are all just my personal opinions and aren’t pretending to be objective facts)

i’m totally normal about wu xie my beloved (who absolutely has pretty boy privilege that he definitely uses to his advantage whether he fully realizes he does or not, also this man is vain af in the most human way possible), he’s the ultimate blorbo and i’d be writing essays about him if i actually fully got into why i love him. wu xie is incredibly complex and goes through one of the most realistic and in-depth developments i’ve seen in a fictional character honestly. it says something that usually first person narration isn’t really my thing, but wu xie’s pov is so enjoyable and compelling you can’t put the books down. because of that unique perspective, we get wu xie in all that he is as he changes (though not quite as much as he himself thinks he does) throughout his experiences, the good and the ugly both, and while he’s deeply flawed, it’s because he’s deeply flawed and contradictory and so painfully human as a result that he’s as interesting and endearing as he is, i love him a very normal amount :))

the one maybe controversial opinion i have is that while not most because that would be exaggerating, i still find a number of popular fandom takes on wu xie, on the western side of the fandom specifically, are off just enough they bother me. it’s hard to narrow it down to a single reason because it’s a mix of different things that aren’t always objective (as in some things are just my preference vs someone else’s), but i would say one of the bigger ones is the sometimes gross misunderstanding of cultural backdrop and framework that have made him into who he is. you can easily extend this to pretty much all the characters, it’s just more noticeable in the portrayals of the main ones, but dmbj is a story deeply informed by its cultural framework, both in terms of narrative and in terms of the characters, how they act, their thought processes, and how all this impacts their interactions with others. so it’s not hard to understand that disregarding that would skew the characters on a fundamental level, which is something i find happens to wu xie more than it should. but that’s just me

next! li cu

i don’t have anything crazy to say about li cu really outside the fact i find him a little more compelling in the book than in the drama, mostly because you get his thought process a little more in-depth in the book, and he’s interesting as a contrast to how wu xie works. he’s clearly way in over his head and trying his best to cope with increasing trauma that just keeps heaping itself on top of itself without letting him really process it so yes he needs to stop being in situations (even if arguably being in situations is what ultimately saves his life). he’s also a teenage boy which just makes me want to fix him. just a little bit. i swear he can be better it’s not his fault teenage boys are a little dumb in the head! he does show up more in later canon post-ten years later, so it’s not like he completely disappears, but him and the desert triangle squad aren’t uninteresting characters so it’s interesting enough to keep up with them even if his strained relationship with wu xie hurts me for both of them (li cu using wu xie as a convenient party to pin the blame on for all his misfortunes vs wu xie perceiving li cu as the consequences of his necessary evils made flesh ouchouchouch)

aaaand huo xiuxiu

huo xiuxiu my beloved, best girl hands down, none can compare <3

when i say the writers dropped the ball on her, i mostly mean the dramas, although tbh more specifically lost tomb 2 and 2.5 that. yeah that’s not xiuxiu that’s all i’ll say. i find the closest to book version of her is in ultimate note, that still for introducing characters earlier than they should have been reasons couldn’t give her some of her coolest scenes. she’s intelligent, she’s skilled and cunning and pretty, yet in the beginning she also has that gap of practical inexperience that make her human. she’s the whole deal really. interestingly enough when they meet in the books, wu xie often finds he and xiuxiu are similar in terms of the way they think and react, which i find is interesting and pretty accurate. she’s also not in the story enough, so i’m happy that in current canon she’s been upgraded to one of the main squad and is down in dangerous tombs with the iron triangle and heihua. she’s also as unhinged as they all are i love her <3

[invinciblerodent]

Honestly i want to start playing DAO and then go up by release from there till the new one cause it all looks so nice and enjoyable but i haven't even started and i keep hearing about the fandom being the worst of the worst and people actually got truamtized from it im genuinely scared... Im only so new to this gaming fandom thing it started with bg3 and sims 4 and stardew valley for me lol everytime i want to install DAO Tumblr shows me a post about the toxicity of the fandom like its fate herself trying to warn me not to go there lmao

Oh babe, don't worry, really!!!! I'm sorry if I made it sound bad earlier lol, it's... well, it's no worse than regular fandom drama I reckon, it's just the one I'm familiar with, and one that's been around a very, very, very long time. The kind of toxicity there is, I genuinely do not think it is any worse than any other fandom's, it's just kind of what happens to every petri dish if you leave it alone for ten years: turns into something of a meme. But if you follow nice people, and stay out of the tags (as is recommended for every fandom tbh), I don't think you have anything specific to worry about.

I'd be DELIGHTED to see more people feel inspired to pick up Origins, partly because I'm a huge believer of art preservation, and think that old games, old books, and old movies alike deserve to be seen/read/played and enjoyed- in part to be able to appreciate what we have now, in part to see where exactly we came from, and in part to see how things have changed. I think that kind of context is necessary for any meaningful commentary to exist.

DAO is an excellent game, despite what people may say- it's just like 15 years old. Naturally, over that time, it has started to show its age: jokes have aged poorly, mechanics feel dated, people and views have mutated and evolved (nobody is the same person in 2024 that they were in 2009, or at least I hope), and the surrounding social environment as well as the technology have changed drastically, to the point that what was once scandalous and a bold, daring move, now just feels dated, stuck in the past, or even offensive. Media that is already out there does not have the luxury of being able to change and adapt as time passes, and I think we need to keep that in mind.

(Edit: adding a paragraph here because the previous one sounded very apologetic and negative: the cinematics in particular still feel intimately real in DAO, its treatment of the ambient and the limited tools it had is still very immersive, and the writing is very strong. I also remember blushing my way through flirting with Leliana that the first time [as a closeted bi woman who hadn't even realized that she's bi at the time], I remember feeling lost, and vulnerable, and terrified at certain parts, and elated, excited, joyful at others. And I really want everyone to be able to feel like that, and also gain the kind of insight they need to be able to see how far gaming as a genre had come.)

I honestly hope you do end up picking it up, because despite its age, it's still one of my absolute favorite games, and one of the stories that made me fall in love with RPGs, and games in general. I still vividly remember the first time I played it, when I was like 18 (which was 12 years ago at this point), and how it broadened my horizons, because until then, I kinda thought that games were either like the Sims, or like.... idk, first person shooters, not these big, sweeping, immersive stories you can get lost in.

I LOVE these games- I feel like that much is clear, lol. I just don't love the people who insist that there is one right way to love them.

I don't want to turn off anon for exactly messages like yours, but honestly, I do recommend to everyone who is at all concerned to do just that, to block liberally, and control their experience of engaging with the games as harshly or as leniently as they like.

It'll be fine. There will likely be an influx of new people picking the series up for the first time (just like there was with BG3) (though lbr, there will probably be a lot of people FORGETTING that the series is 15 years old but I hope they'll keep an open mind), we'll get a much-needed blood transfusion with people like you, and I genuinely hope that you'll have a very nice experience overall. ❤️

........

Also maybe save my favorite reaction image from ten years ago, and use it liberally. I know I'm gonna:

[halemerry]

for the game please:

common fandom opinion that everyone is wrong about

that one thing you see in fanart all the time

it's absolutely criminal that the fandom has been sleeping on...

your favorite part of canon that everyone else ignores

common fandom opinion that everyone is wrong about

So I've written a couple iterations of this answer across the past few months of trying to catch up with my inbox and realized in general that most of it just comes down to like people consuming media in a way I find exhausting. Like that's a bigger thing that this question is trying to get at but honestly it's the thing I see the most these days where someone takes meta too seriously or starts arguing over something on someone else's post or things like that. And like. Listen. There's nothing wrong with being attached to a piece of media and emotionally invested in it. Like I get it. This media has been a hyperfixation in my brain for decades at this point and I care about them a great deal, but there's a difference between that investment and letting strangers ruin your day because your versions of a character are different or you favor different theories on something. Or. I dunno. I genuinely like seeing takes that are different from my own? Even if I don't agree with certain things it's fascinating to see the different experiences people have with the media we all engage with. And it's so important to keep in mind with literary analysis personal life experiences impact what we read as being on screen just as much as what's actually literally on the screen does. This is why we see different things in the same piece of media and I think that can be one of the best things about media in general. But a lot of meta comes across as this is the One Truth - and this is partially because you are presenting an argument and the language that goes with that lends itself to that angle - and I think that's a really unhealthy way to go about this. Like there's a reason I write meta that can contradict each other right? It's literary analysis not an argument I'm preparing for a debate. In my experience if you're so locked into proving yourself right it's really easy for meta to devolve into something that's doing more harm to you than good - especially when it's impacting your enjoyment of the media and the fandom in the first place.

That being said, on a more lighter note that's probably more in the spirit of this question, my longest running version of this is the whole Crowley loving Queen thing. Don’t get me wrong I think it’s a fun character trait to assign to him, but it does kind of make me laugh because I grew up with the interpretation that the Bentley doing this was a constant minor annoyance in Crowley’s life. One of the most relatable scenes in the book to me was Crowley using music to try to get his mind off the Antichrist situation only for the Bentley to play Bohemian Rhapsody, prompting him to shriek and scramble to turn the music off. And I just adore the idea of the Bentley being a little bit of a menace and Crowley being like a grumbly pet owner in a constant state of fond annoyance.

that one thing you see in fanart all the time

Mmm, generally, this fandom is pretty fantastic when it comes to its art but, the one thing that’ll make me not reblog a piece of art is making Aziraphale too skinny.

it's absolutely criminal that the fandom has been sleeping on…

Religious text as inspiration for fanfiction? I understand why people don't want to engage with it, don't get me wrong, but there's certain stories I’m shocked I've never seen repurposed for fanfic. Exhibit A of this is the story about Nehushtan, the brazen/bronze/fiery serpent who heals and protects the wandering Israelites from seraphs sent to punish them for questioning God, in particular, is one I'm always shocked that I've never even seen referenced even as a throwaway line.

your favorite part of canon that everyone else ignores

Honestly this fandom doesn't miss much and the thing I started answering this with kind of devolved into 80% just it's own meta post so we're gonna not go down that rabbit hole twice but the sort answer is I feel like we don't talk nearly enough about the fact that the way magic works is at least slightly tied to belief, expectation, and assumptions of the entities wielding it. I'm obsessed with it.

[somanysoundtracks]

Yes, you should have read the tags

Honestly if your fanfic comment on a fic is “I should have read the tags”, why... are you writing that? Yes, I, as an author, wrote the tags to inform you about the story. If you did not read them, how is that my problem? No one has to read tags. I will at times skip them or skim them myself. They are an extra resource, not a requirement. (though I don’t tell people if I do that, and if I end up not enjoying something I skimmed/ignored the tags on, that’s on me, and I keep it to myself) But it feels kind of bonkers to tell me, the author, “yes, you took the time to provide this extra resource to help me make my reading more pleasurably as I prepared myself/decided what I wanted to read, but I ignored it”. I just don’t... understand what the purpose of saying this in a comment is. Typically, when you write a comment on places like Ao3 or ff.net or Wattpad, you are sending a message to the author of the story.

Why do you think telling the author of the story that you chose to ignore parts of their story is a good thing? This isn’t a book review on Goodreads or iOS or myanimelist or wherever your fancy takes you for writing book reviews on third party sites that an author may either never check or never actually know exists. This is as close as you get to dm’ing a fanfic author.

If I’m asking for constructive criticism (which I have never asked for on Ao3, I do that privately or on writing Discord servers, and which is not generally the norm for writers to ask for on places like Ao3, we typically want people who liked it to tell us they liked it, since it’s escapist entertainment we’re doing for free), and asking someone directly why they didn’t like certain parts of a story or a story entirely, knowing what people skipped and why is valid. If I’m asking what drew someone to my story, knowing they skipped the tags can be interesting information, but only so long as it’s not an issue (e.g., that it harmed them in some way). Like “oh, I should have read the tags first”. Yes. You should have. That’s why they’re at the top of the story, the first thing that loads when you open the story page. That’s why before you click into a story if you’re on the site, they are immediately visible in entirety.

What’s funny, too, is that like... any fandom can have any variety of dark and/or otherwise difficult subject matter in it. But choosing to ignore tags in fandoms with canon dark and difficult subject matter, when in fact this could be a problem for you, is utterly bonkers.

As an average comment, this is incredibly dismissive. I provided something, you ignored it, and it hurt you in a way, even minor, and it feels like you’re making it my fault, and telling me information I knew because I took the time to provide the tags in the first place that would have informed you about what you were getting into. Ao3 isn’t tiktok or instagram or whatever spammy social you use that just funnels content into your face. Learn to take the time to figure out how to curate what you want to see, and how to keep your entertainment spaces as safe and enjoyable for you as you can. You will find far worse than slightly uncomfortable but nonetheless enjoyable fics you didn’t read the warnings for, otherwise.

Alternatives: just don’t say it. Say you liked the story. Say it was surprising in an enjoyable way. Say “thank you for posting!” or something. It doesn’t have to be complex. You are not required to write an essay about what entertained you. I love my emoji-only commenters just as much as I love my “essays on why they loved it with quotations” commenters. I too, often don’t have a full grasp on what I loved about a story or particular chapter after I read it, so I often just leave something short (a couple words) to let the author know I liked it, and in my experience, that’s perfectly adequate and greatly appreciated. You can always come back and write a more in-depth comment in the future about why you loved it if you want to! (I always appreciate rereaders, and I know other authors do, too! And I’m honored if folks take the time to come back and tell me more about why they liked the story!)

[writingwife-83]

Hi,

Is Star Wars worth getting into? I keep seeing all the pretty fanart on your blog, and I love medieval stuff (I have a medieval wall calander, cushion, books,) so happy to see your Medieval au stil going.

But I also hear mixed things about Star Wars, so I'm wondering if it's a case of the fandom makes it better and more enjoyable. I feel the same way about the Loki series. I thought it was OK, but the fandom with makes it more fun and interesting.

Anyway, sorry for this slightly weird question! I've been thinking of asking for a while, but the tipping point was when your blog taught me that Kylo Ren and Ben Solo are the same person. It made me realise that I know too little about star wars.

Hello! *cracks knuckles* ok let’s dive in and hopefully you don’t end up being sorry you asked 😂…

My answer as to whether Star Wars is worth getting into- YES! That’s the short version lol, but now I’ll expound. 😁

Disclaimer- my experience with the Star Wars fandom is relatively short. I only really got active in the fandom space when the final movie in the sequel trilogy came out. So my love for SW in general has nothing to do with the fandom. And in my brutally honest opinion, the fandom can actually add more of a negative spin to the experience rather than being what makes it enjoyable. That can be the case in pretty much any fandom space, but the thing with SW is that it’s so incredibly large since it’s been around for close to 50 yrs. The larger the fandom, statistically there tends to be more craziness and drama lol. I stay in a very limited and curated space for the SW fandom, so for me it’s been pretty nice for the most part. That’s my note on the fandom, but now let’s get to the actual movies! 👏

The movies are absolutely worth watching. And personally, I’d start with the original trilogy. (The trilogy that was released in the 70s and 80s) These movies are honestly classics, the characters are awesome, and they were also way ahead of their time in special effects. The prequel trilogy (1999-2005) is my least favorite, but it’s still really fun and worth watching imo. And then of course the sequel trilogy (2015-2019) is awesome in its own way as well. I’m not going to get into shipping in this post, but obviously you know where I stand on that lol. And on a somewhat related note, please don’t pay attention to the people who whine about how SW was “ruined” by one thing or another. I would encourage anyone to watch it for themselves and try to just enjoy it for what it is. Yeah, there’s stuff I would have done differently, particularly in the prequels and sequels, but that doesn’t change my enjoyment of it as a whole. I think if you go into it with the right attitude, it’s way more fun than frustration.

There’s also so much related canon of course, in the form of books, tv shows, comics, other movies, etc. And tbh a lot of it I haven’t even touched. But what I have seen, I love. There’s so much there to consume, enjoy, and to inspire fandom creating. I really hope you get to at least watch the movies, and if you do I’d love to hear your thoughts! ☺️

[carpisuns]

New anon, but I saw the last one and I have some thoughts. Specifically, I have been obsessing over ml for the last month or so, and I’ve only seen three episodes, and they were the three released before crocoduel. And you know what? I wasn’t that into it, it wasn’t bad it just wasn’t half as engaging as fanon and fanworks have been for me.

I’ve also done this with the Magicians, Supernatural, and a couple others. I think the reason that this works, for some people, is because it is a more familiar and in many ways, easier way to discover and become attached to new material and new characters. Fan writers and artists are coming from a place of love for their source material (no matter what issues they may have with it) and that bleeds out into their work. Time is spent developing the characters and their feelings, their relationships, in ways that canon so often can’t or isn’t allowed to, and reading that, it’s very easy to fall in love with new characters very quickly. There’s also common AUs and dynamics that make it much easier to start something new.

And also: comfort characters. So many fans find common ground with characters and further project onto them, particularly in fanfic. And because of that it’s often easier to identify with a fan’s interpretation of a character than it is to identify with the canon’s, since you have these more deeply explored feelings and relationships based on a combination of canon and the personal experiences of the fan writer. Also, with these kinds of fics it’s extremely emotionally affirming since for someone who doesn’t have much of any connection with the source material, it feels like the original, even if you’re reading a large body of work by a lot of different people. And I’m so used to fanfic as a substitute for the emotional work and character development that shows/movies/books don’t have room for or aren’t willing to get into, that approaching a fandom as it’s own original piece of media in a way, feels very comforting.

That’s my perspective on it anyways, and why I do this. I do think it is a good thing to engage with the canon to an extent, even if it’s just watching a few clips (how I found ml) but I also don’t think you need any real connection or knowledge of it to be deeply invested in the fandom. Sorry, this got very long.

you know, i totally get being on, like, the fringe of fandoms and interacting with fanon to an extent without a proper investment in canon (I have a couple fandoms like that), but i honestly just can't imagine becoming super invested in a fandom when I am not invested in the source material...maybe that's just a difference between you and me, idk.

but also, i gotta admit that i'm struggling a bit to understand the reason. you yourself pointed out that fan work is enjoyable because the creator's love for canon bleeds into it. and isn't that the reason that you would want to give canon a real chance? obviously there is fan content made out of spite lol (and sadly a fair amount in this fandom), but to me most fan content is like a love letter to canon. like, "i adore this thing so much that it inspired me to create and share with other people who adore it." and what better recommendation is there than that?? i would think people would wanna familiarize themselves with canon in order to better enjoy fanon(?)

i completely understand your point about fan content delving further into characterization and relationships where canon hasn't/can't, and that is such a big appeal of fanfic/fanart. but i don't feel like that's a reason to not engage with canon? on the contrary, i feel like you are missing something important in your understanding and appreciation of that wonderful exploration if you haven't experienced firsthand the foundation that canon set. and maybe that missing thing is just your personal interpretation of a character/dynamic.

for example, i could say, "adrien agreste is this, this, and this and he would do this but not this." and of course i will think im right because my characterization is always perfect 😌sakjdfaldjks but someone else might have a slightly different interpretation, and someone else will have another interpretation, and when you mush all those individual takes on a character together, you will get a good sense of who they are, but you still don't have the Original™️ to draw your own interpretation from. idk, to me it sounds like basing your opinion of chocolate ice cream on what other people are saying about it without ever trying it yourself? ajsldakljf maybe that's an oversimplification but i do think that without experiencing it for yourself, your understanding will always be kind of incomplete.

idk, i big agree with everything you said about why fan content is special, but everything that is a point in fanon's favor is not a knock on canon. to me fan content feels pretty inseparable from canon, so it just doesn't compute to me to take canon out of the equation? then we would have nothing.

i feel like it's almost kinda trendy nowadays to be like, "oh this show actually sucks lmao but the fanon and AUs are good." like it's shameful to actually...enjoy source material? 😭 i mean i completely understand that miraculous ladybug is not gonna be everyone's cup of tea and that's fine! but if you truly enjoy the fan content that much i encourage you to give canon a real shot. it's not that surprising to me that you watched 3 recent episodes and didn't vibe that much, since you haven't seen the 3 seasons of buildup that lead to them. miraculous has a neat way of tying a bunch of things together so if you aren't familiar with all of it, you're probably missing out.

personally my love for miraculous was kind of a slowburn at first. i only started watching the show because my sister and i made a deal that forced me to watch the first few eps lol. and i didn't really vibe either. but there must have been enough of a spark there for me to keep watching bc for some reason i did and the more i watched the more i fell in love with it until it became the thing that occupies my brain more than anything else. i started with canon and then got into fanon, but it could easily go the other way too. and if you're already invested in the story and characters, i have to imagine it would be much easier to push past the initial cringe of "this is a show about a couple of teen furries rated TV-Y7 on netflix" lol and give anything you don't vibe with the benefit of the doubt.

again, to be clear, i'm not trying to judge or gatekeep here! i'm just saying this because i genuinely LOVE miraculous. it's my favorite show. that's why i make things for it. that's why i have this blog. i want people to watch it. so maybe, pwetty pwease, try watching the show you like so much? 🥺👉👈

(source bc i was too lazy to make my own so i stole this from twitter)

[itsclydebitches]

Here's a quandary I've suddenly found myself in: where do you stand on writers deleting their own works, fanfiction or otherwise? I've had this happen to me on more than one occasion - I go to look for an old favorite and find it's since been deleted from whatever site I read it on.

On the one hand, I'm inclined to think that, "Sure. The author wrote it, it's their call. I don't own the work - I certainly didn't pay for it. It's their decision, even if it's disappointing."

But at the same time I can't help but consider the alternative - if I believe in death of the author (and I do), that an author's work fundamentally isn't solely theirs once it's been published, posted, etc., then it also seems wrong to have a work deleted. Stories aren't the sole property of their creator, after all.

But then I circle back. D'you think there are different obligations between authors and readers and the works being made in fandom space? I know if I had bought a book and the author decided they wanted it back, I would feel pretty comfortable telling them no, given I'd paid for it and whatnot. But that's a different world from fanfic and fandom space generally.

So. You're insightful Clyde, I'm curious as to what you'll have to say here (and to all y'all thinking about it, don't flame me. I haven't decided where I stand here yet - haven't heard a good nail-in-the-coffin argument for or against yet).

Val are you a mind reader now? I’ve been thinking about this exact conundrum the last few days!

(And yeah, as a general disclaimer: no flaming. Not allowed. Any asks of the sort will be deleted on sight and with great satisfaction.)

Honestly, I’m not sure there is a “nail-in-the-coffin argument” for this, just because—as you lay out—there are really good points for keeping works around and really good points for allowing authors to have control over their work, especially when fanworks have no payment/legal obligations attached. In mainstream entertainment, your stories reflect a collaborative effort (publisher, editor, cover artists, etc.) so even if it were possible to delete the physical books out of everyone’s home and library (and we're ignoring the censorship angle for the moment), that’s no longer solely the author’s call, even if they have done the lion’s share of the creative work. Though fanworks can also, obviously, be collaborative, they’re usually not collaborative in the same way (more “This fic idea came about from discord conversations, a couple tumblr posts, and that one headcanon on reddit”) and they certainly don’t have the same monetary, legal, and professional strings attached. I wrote this fic as a hobby in my free time. Don’t I have the right to delete it like I also have the right to tear apart the blankets I knit?

Well yes… but also no? I personally view fanworks as akin to gifts—the academic term for our communities is literally “gift economy”—so if we view it like that, suddenly that discomfort with getting rid of works is more pronounced. If I not only knit a blanket, but then gift it to a friend, it would indeed feel outside of my rights to randomly knock on their door one day and go, “I actually decided I hate that? Please give it back so I can tear it to shreds, thanks :)” That’s so rude! And any real friend would try to talk me out of it, explaining both why they love the blanket and, even if it’s not technically the best in terms of craftsmanship, it holds significant emotional value to them. Save it for that reason alone, at least. Fanworks carry that same meaning—“I don’t care if it’s full of typos, super cliché, and using some outdated, uncomfortable tropes. This story meant so much to me as a teenager and I’ll always love it”—but the difference in medium and relationships means it’s easier to ignore all that. I’m not going up to someone’s house and asking face-to-face to destroy something I gave them (which is awkward as hell. That alone deters us), I’m just pressing a button on my computer. I’m not asking this of a personal friend that is involved in my IRL experiences, I’m (mostly) doing this to online peers I know little, if anything, about. It’s easy to distance ourselves from both the impact of our creative work and the act of getting rid of it while online. On the flip-side though, it’s also easier to demean that work and forget that the author is a real person who put a lot of effort into this creation. If someone didn’t like my knitted blanket I gave them as a gift, they’re unlikely to tell me that. They recognize that it’s impolite and that the act of creating something for them is more important than the construction’s craftsmanship. For fanworks though, with everyone spread around the world and using made up identities, people have fewer filters, happily tearing authors to shreds in the comments, sending anon hate, and the like. The fact that we’re both prefacing this conversation with, “Please don’t flame” emphasizes that. So if I wrote a fic with some iffy tropes, “cringy” dialogue, numerous typos, whatever and enough people decided to drag me for it… I don’t know whether I’d resist the urge to just delete the fic, hopefully ending those interactions. There’s a reason why we’re constantly reminding others to express when they enjoy someone else’s work: the ratio of praise to criticism in fandom (or simply praise to seeming indifference because there was no public reaction at all), is horribly skewed.

So I personally can’t blame anyone for deleting. I’d like to hope that more people realize the importance of keeping fanworks around, that everything you put out there is loved by someone… but I’m well aware that the reality is far more complicated. It’s hard to keep that in mind. It’s hard to keep something around that you personally no longer like. Harder still to keep up a work you might be harassed over, that someone IRL discovered, that you’re disgusted with because you didn’t know better back then… there are lots of reasons why people delete and I ultimately can’t fault them for that. I think the reasons why people delete stem more from problems in fandom culture at large—trolling, legal issues, lack of positive feedback, cancel culture, etc.—than anything the author has or has not personally done, and since such work is meant to be a part of an enjoyable hobby… I can’t rightly tell anyone to shoulder those problems, problems they can’t solve themselves, just for the sake of mine or others’ enjoyment. The reason I’ve been thinking about this lately is because I was discussing Attack on Titan and how much I dislike the source material now, resulting in a very uncomfortable relationship with the fics I wrote a few years back. I’ve personally decided to keep them up and that’s largely because some have received fantastic feedback and I’m aware of how it will hurt those still in the fandom if I take them down. So if a positive experience is the cornerstone of me keeping fics up, I can only assume that negative experiences would likewise been the cornerstone of taking them down. And if getting rid of that fic helps your mental health, or solves a bullying problem, or just makes you happier… that, to me, is always more important than the fic itself.

But, of course, it’s still devastating for everyone who loses the work, which is why my compromise-y answer is to embrace options like AO3’s phenomenal orphaning policy. That’s a fantastic middle ground between saving fanworks and allowing authors to distances themselves from them. I’ve also gotten a lot more proactive about saving the works I want to have around in the future. Regardless of whether we agree with deleting works or not, the reality is we do live in a world where it happens, so best to take action on our own to save what we want to keep around. Though I respect an author’s right to delete, I also respect the reader’s right to maintain access to the work, once published, in whatever way they can. That's probably my real answer here: authors have their rights, but readers have their rights too, so if you decide to publish in the first place, be aware that these rights might, at some point, clash. I download all my favorite fics to Calibre and, when I’m earning more money (lol) I hope to print and bind many for my personal library. I’m also willing to re-share fic if others are looking for them, in order to celebrate the author’s work even if they no longer want anything to do with it. Not fanfiction in this case, but one of my fondest memories was being really into Phantom of the Opera as a kid and wanting, oh so desperately, to read Susan Kay’s Phantom. Problem was, it was out of print at the time, not available at my library, and this was before the age of popping online and finding a used copy. For all intents and purposes, based on my personal situation, this was a case of a book just disappearing from the world. So when an old fandom mom on the message boards I frequented offered to type her copy up chapter by chapter and share it with me, you can only imagine how overjoyed I was. Idk what her own situation was that something like scanning wouldn’t work, but the point is she spent months helping a fandom kid she barely knew simply because a story had resonated with her and she wanted to share it. That shit is powerful!

So if someone wants to delete—if that’s something they need right now—I believe that is, ultimately, their decision… but please try your hardest to remember that the art you put out into the world is having an impact and people will absolutely miss it when it’s gone. Often to the point of doing everything they can to put it back out into the world even if you decide to take it out. Hold onto that feeling. The love you have for your favorite fic, fanart, meta, whatever it is? Someone else has that for your work too. I guarantee it.

So take things down as needed, but for the love of everything keep copies for yourself. You may very well want to give it back to the world someday.

[lesmond-sycamore]

Seeing you be a homestuck in 2021 is so strange for me bc when I joined tumblr that was like a cardinal sin punishable by death and that has stuck with me ever since. You're committing treason with no consequences

hussie no longer does anything w homestuck and like. I'm v much critical of it but also being offline more often and reading actual books made me realize that homestuck is genuinely not the worst thing ever written (except maybe the post-canon stuff because what I've heard about it, it's fucking insane and idk how people can genuinely like it)

turns out once you touch grass you realize that the terminally online people who say not to read a genuinely not-that-huge piece of media w a whole lot of influence outside body paint rules for conventions (in comparison to like. jk rowling and books that were genuinely made to upholdwhite supremacy n shit) have literally probably never read anything outside of specifically curated fandom-space literature or like other pieces of "problematic" media but think that the media THEY like isn't as bad/worse than homestuck

OBVIOUSLY it has a lot of shit that's terrible (like the constant use of the r slur comes to mind first and foremost) but I promise you, if you actually read anything outside of internet-based niche subculture pieces of media, there's a loooooooot of shit that is genuinely worse than a 30 year old guy trying to be edgy

I think a lot of the reason that people don't like it is because of the fact the fandom was so young and annoying bc as far as I've seen, SO many people (like me) liked it in their middle school years. this left the fandom to be a complete trainwreck (really terrible ships were popular, people were constantly harrassed for their opinions, kids being kids were doing really weird sexual stuff w the characters who are also children, so it would make adults in the fandom uncomfortable) when the media it was surrounding isn't FOR kids. once you get older and already have your morals in place and can be like "hm. this isn't good writing. I don't like this plot point. I think hussie should've thought abt the implications of this." etc etc it's honestly a much more enjoyable experience

I don't recommend reading it though just because like. it's So Much. and also apparently there's still a lot of discourse surrounding some stuff (I recently learned that people are harrassing others for "deadnaming" john despite the fact june isn't canon yet and at this point they're practically two seperate characters??? like. I'm not getting involved because I find it pointless to argue abt it since there'sliterally nothing to be gained from it)

so yeah idk I think if you're mature enough to not start flame wars it's fine to like it. if someone genuinely hates me for enjoying it, they're free to block me lol. opinions exist and not everyone agrees on everything. I love the internet

also lemme know if you want me to start hooting and hollering abt it because there is SO much I want to say about it now that I'm actually READING it and not just reading the first few exchanges of the pesterlogs and trying to piece together everything w the pictures like I did when I first "read" it in 3 days back in 2013

[bcdaily]

Hi, sorry if someone already asked you this- with the news of a possible Harry Potter HBO series, putting the content material (remake, marauders series, etc) they decide on aside- do you feel as if it's not ok to watch due to JKR's transphobia? I have been so crushed by JKR & fully condemn her and don't wanna support her, but HP means everything to me, and I don't know if watching it would make me a bad person =\ I respect your opinion a lot and am curious as to your thoughts. thank you <3

I mean, firstly I would just say brush “bad person” off the table completely. You’re not a bad person. I hate dichotomies like that in the first place, but even going with it—a bad person does not worry about whether or not what they’re doing is hurting themselves or others.

For this...it’s hard. From my PERSONAL experience? How I engage with Harry Potter has for YEARS felt so entirely removed and separate from what JKR is and has done that I don’t personally feel beholden to her ties. My Harry Potter experience is so much more about the community I’ve found here and the love for words and stories that have grown from the actual books than it is about JKR’s property. So even though I am in a similar position of reviling what she has done and said over the years, I don’t feel the need to disengage with what I love, here in fandom. I don’t think she gets to taint this too. But that’s a decision everyone needs to make for themselves and I am the first to acknowledge it’s a privilege to have the head space and emotional distance TO claim that kind of separation. If someone else disagrees, I fully respect that.

The thing about the new show (which—fingers crossed—IS just a rumor, as WB and HBO claimed after this leaked) is that I honestly have had zero interest in any new Harry Potter content JKR has put on the table ever since Cursed Child. It’s all been pretty crappy. Nothing has grown the world or the characters I love in any enjoyable way for me. Everything I know from later content is very much, “Uh, what? Really? Um, no.” So I think my part of it is also that there’s a very big chance I wouldn’t even care to watch whatever they come up with. So that’s also an easier thing for me to disengage with. If that’s NOT the case for you...figure out what you’re comfortable with. And take “bad” off the table. Just find what feels right for you. And it is perfectly okay if you start watching and then discover, hey, actually I’m not as comfortable with it as I thought! Or maybe you are! That’s okay too! You get to learn and grow. This is weird and hurtful for EVERYONE who has loved Harry Potter for so long. We’re all navigating it together.

That’s where I am with everything. Something and some point may change my mind, I don’t know, but this is where I’m comfortable at the moment. And I think you get to decide that for yourself too. The really important thing is just not being blind to the larger context, and CLEARLY you’re not. You have empathy and understanding and I always think of The Good Place and Chidi’s almond milk and the fact that being a “good” person is complicated, and the best we can do is try our best. ❤️

[rpbetter]

Sorry if this isn't the place to ask but I'm in need of advice. I have a canon character I truly adore, but I haven't gotten muse or any opportunity to write them at all. My blog is collecting dust and the fandom is kinda dead at this point. Not to mention, it's hard to find compatible writing partners, especially with how picky I can be. I'm honestly considering deactivating the blog (for the nth time), but I don't want to lose the writing I have. I know I could archive, but I hate having blogs just sitting around.

In short, I really want to write the muse/keep the blog but I'm not getting any incentive to do that.

Hello, Anon, it’s totally the place to ask!

I will say, though, that since finding and keeping muse can be flavored rather personally, I can’t promise that what works for me is going to work for you. I’ll even confess that in over two decades, I’ve never personally lost muse. I don’t know if it is due to underlying, neurodiverse style, fixating, or if it is due to keeping myself continually invested in both my muse and writing regardless of what else is going on. (Probably a combination of both, though, and the things I do to keep myself highly in touch with my muse I’ll be recommending.) I’m definitely happy to try to help, however.

That really is a very frustrating spot to be in, wanting to write the muse and keep your blog active, but logging in every day to be reminded of what little reason you have to do so. Since we’re drawn to the characters we are for reasons of personal appeal and writing in itself is a pretty personal form of art, it can also feel depressing on top of the frustration.

However, that’s also the good news, in my opinion, because your incentive here is, or can be, yourself.

You were drawn to this character because you connected with them. They mean something to you, you can relate to them, maybe they have qualities (good or bad) that you wish you could experience. Whatever it is, there’s a reason why you had this draw. Writing is like that as well, there’s a reason why this is a hobby that drew you, that you get enjoyment out of. Again, though all art (it doesn’t matter if it is a hobby) has personal bits of the artist in it, writing is uniquely personal. When you write, you’re exploring thoughts and feelings, giving them life in a character that matters to you. I know, all of that sounds really convoluted and hokey, but it’s true.

And it’s good! That means you always have a reason to write and that you have the tools necessary to find and keep muse without any outside push necessary.

I’d say, firstly, work on getting muse back.

Get back in touch with your muse the next time you feel a particularly strong urge to write. Instead of spending time trying to find people in a silent fandom or forcing yourself to write something you don’t want to, just do some exercises that will help you get back into your muse.

I don’t know what media type your character comes from, but especially if it is something like movie or show that you can have on in the background of what you’re doing, do that. If it’s a comic or a book, think about your favorite scene and read it over first. If you’ve ever made some playlists for writing/your muse, you can always do that instead or as well. The point is to do something passively inspiring while you actively create. Now, that creating...

You want to do something that requires you to think about your muse so you can get in touch with them, not something that is going to make you feel overwhelmed and shut down. So, maybe don’t pick writing prompts for this - you can work up to that. Try out headcanon and character development memes and other question lists instead for right now. Things you can scroll down a list of, find questions that jump out as interesting (or even simply answerable to you at this point, you’re jump-starting a dead battery, it’s alright) and answer them. You can also do something as simple as write down what you like best about the character or their story, or put down the basics of filling in missing information that has always bugged you.

The beauty of this is that it is all on your own terms, your only objective here is to answer what you want, as much as you want. You can stop any time, but you can also answer a single question for three hours, making it eight pages long if the inspiration strikes you. It’s only about recharging your inspiration and establishing a connection with your character again. (This is also going to help you with getting back into writing, or approaching it for the first time, with a more internalized focus of interest.)

When you feel like you’ve done that, you can branch out on these exercises more. Answer the memes more in-depth, answer more of them/the ones you don’t have immediate answers for. You can also try writing out scenes from the character’s canon from their perspective, if it wasn’t already so, adding in their thoughts and feelings, or changing the scene in some ways that would be interesting to write out. This is the point where it’s a good idea to try a writing prompt or two, as well! Take the prompt as a sort of starter sentence from a mutual, you’ve got the situation, fill in with your muse.

Write when you feel like writing. The RPC is great at saying this when it comes to muns not wanting to write, but kind of ignores the other side of the equation. The side where you want to write, have the inspiration and muse to do so, but it might not be the best time. As in, you’re not home/wherever you usually write, with whatever device you tend to write on accessible. No, you’re not going to be able to get as much done, but you can write without the usual situation and device regardless. You can write a scene or ideas down using your phone or tablet, or go old school and use a notebook. If you’re at work and your job isn’t applicable to being able to get down a single sentence, that still doesn’t mean you have to wait 8+ hours to get home; while you’re taking your break, write a little bit. It is a break, and writing is your hobby, it isn’t work. It’s good to do things you enjoy on breaks, and far more fulfilling to have also accomplished something you happen to enjoy.

Not writing when you have the drive to do, putting it off and holding it in until “the perfect moment,” is a great way to lose your inspiration and never actually have that moment. If you feel like doing it, that means it is the perfect moment. Life is restricting, don’t impose even more restrictions on yourself by having to be at home, in a specific spot, with a specific device, at a specific time, on a specific day. Was that annoying repetition? You’re right, it was. And that’s how your creative mind processes all the crap piled onto it that doesn’t allow for creativity.

Now, the other problem, the fandom situation.

There isn’t anything you can do about that, to be absolutely honest. I’m not going to blow smoke and tell you to be positive, wait it out, maybe the fandom will spring to life again. You know, maybe it will...but you could be waiting literal decades for that to happen. Not cool. Please, take my word for that, it’s personal experience that it blows even more than you imagine it will.

What you can do is take the matter into your own hands in other ways; putting yourself out there with more availability in multiple ways.

Are you a single-fandom blog, or are you crossover friendly? If you’re not crossover friendly, try to think of a single, relatively popular fandom that you enjoy. Don’t look at it like a hassle, but rather, just another creative exercise. A serious pitfall of creating alternate universe versions of muses is to take the simplest route, merely picking something you want from that other universe and applying it to your muse with no relevant changes that would naturally occur from it. It isn’t just reductive as hell, it’s not remotely creative, it’s like sticking a sticker on your muse’s forehead and saying that’s a whole different muse. It’s neither attractive to potential partners nor going to sustain your own interest for long. You want this to be a passionate investment on your own end, for yourself.

What not to do:

Let’s say the fandom you picked to do crossovers with is based around magic, the main characters are witches, and they are divided into factions based on how their magical talents display and develop. Not only do you decide to make your muse a witch, you pick the most badass faction. It’s the one full of assassins and action and (metaphorically or literally) sex appeal. Well, that’s also going to be the most popular faction in the fandom. That means there will not only be plenty of big name canons there but also that there’s going to be a plethora of OCs designed just for this universe...and other crossovers from other currently active fandoms.

While that might sound like it’s great for maximizing interaction chances, it’s really not when you’re just starting somewhere new with a character from another fandom that might not be known or liked. It can also take a minute in another fandom’s RPC to identify where the good partners are. Every now and then, it is the most popular and over-populous era/faction/etc., but most of the time, it isn’t. People who write with considerable dedication and talent fairly rarely are in the popular kids club even in their fandom choices. By inserting yourself into that area, you might be bypassing (and being bypassed) by better partners on the assumption that their characters are simply going to bore you to death since they’re not within the scope of your focal point.

It’s not a situation of not being allowed to be picky, you not only have that right regardless of your situation, you also should be. This is not a “beggars can’t be choosers” situation, you’re not beholden to anyone on the basis of being new and bored. However, some of my best, and longest lasting, writing partners over all 23 years I’ve been RPing didn’t/don’t fit with all the exact surface details that automatically draw my interest. It is as true within my own fandom as it is in dealing with crossovers. Opposites (with enough similarities) really do attract and work out well together!

Don’t judge and write people off for anything that isn’t an issue of compatibility with your muse, your writing, or yourself. Decline someone because they do one line only and you are novella, they write topics that are upsetting to you, you can see no way your muse and theirs can interact without instant murder, or because you cannot stand writing with someone who is pulling 90% aesthetics and purple prose. Not because their muse is a witch who uses life-based magic, loves nature, is a healer, and into their health...while your muse in this AU is all about the death, only appreciates an urban environment and is grossed out by animals, kills as an occupation, lives on cheeseburgers and caffeine. You see what I’m saying? Don’t limit yourself unnecessarily!

What to do:

Did you consider if, in that hypothetical idea of a fandom, your muse based on their purely canon self would even fit into that faction? Or is it just something you wanted to see? If you didn’t consider this, or it was the latter, fix that. That’s bad.

If you’re not absolutely dead set on that and only that, think about what really does fit the muse better. Maybe, they would be better as a healer, someone who messes with the very fabric of reality, or someone who manipulates natural elements at will. Then again, they might not even be a witch. They could be more mundane in terms of power, but more accurate and interesting as a normal, human (or whatever). They could even be greatly opposed to the use of magic and witches. Use your muse’s original canon as a base to decide these things.

If you are absolutely dead set on it, though, you have a lot of work to do making the character into what amounts to a markedly different one while still retaining some recognizable aspects of themselves. Consider what events, in this new universe of fandom, might have happened to alter the character thus. Keep in mind that even small changes can have great consequences in a character’s development, and you might need to think about the myriad ways in which that can display, how it changes still more things for this character.

While that job becomes so much more intense when you haven’t planned out a path that matches your muse’s canon characterization at all, it is still an important part of constructing an AU, of any kind, in general. Ask yourself what experiences led to the character you know as you already know them (including your own headcanons, yes). Then, find similar possible experiences within your new fandom verse that can have the same effect. Again, though, it’s important to understand that you are never going to have an identical set of experiences, so you need to explore relevant changes still.

When you do this, you’re allowing your muse to more seamlessly fit into this other universe in a fleshed out, interesting way. Interesting both new partners and yourself.

Okay, next obnoxious question from me! Do you have multiple verses, or are you single-verse?

Whether you are already exploring new fandoms or not, by creating a variety of verses for others to interact with, you’re increasing your chances for interest and activity. When you have a verse from a different fandom you can then, additionally, advertise your presence in both that fandom’s tags when you do a promo or applicable open starter and on active RPer lists for that fandom.

Every popular fandom has such lists. You can get on them by messaging/sending an ask to the blog or by reblogging their post to be added, following the directions. I haven’t seen one yet that doesn’t allow for crossovers. You simply have to tag it as stated in the post, such as “your canon’s name here - original fandom name - crossover.” By tagging your open starter or promo as “-insert fandom here- rp” and “-fandom here- open starter” you allow people in that fandom to find you to interact. Either way is excellent for getting started in totally new places with a character others might be unfamiliar with.

Please remember that if you tag a promo as “promo,” it’ll not show up in searches off of your blog. You know, where it actually needs to be searched. Thanks, tumblr, for being janky! Being more specific as to the fandom and character will help others actually find you. Don’t shoot yourself in the foot by tagging it as “promo.”

Make your verses accessible on your blog itself, in the nature of those verses, and how you set up your page or post that lists them.

Don’t put any page behind an impossible or complicated aesthetic. You really shouldn’t anyway, but when you’re needing interactions, it’s actively hurting your chances. Many people don’t want to have to play a game with your theme, it’s a turn off. Try a pinned post that lists all of your links to important pages like rules, verses, and bio instead. It means that, even from the dash, that information can quickly be found while other muns are first interested, and also that anyone who might be using the app can access it more expediently. (I’m genuinely not a fan or big supporter of doing google docs for rules, verses, bios, etc., as it forces people off site, so I can’t personally say, in good conscious and honesty, that I’d recommend it, but you do you!) You want to keep things quickly accessible is the idea here; when people are interested, you want to catch them right then and there before they have a chance to forget and lose your blog.

As to the nature of the verses themselves, give people real options. Don’t have 20 verses that all read same way. Same themes, plot possibilities, and backstories, or incredibly similar names. Have a diverse list of verses that can act as foundations for a variety of different muns. As many fandoms as you can reasonably have a good portrayal of, and different types of fandoms; not all the same genre (all fantasy, all horror, all scifi). Verses where your muse has substantially different goals, occupations, and other life situations that will involve another muse; don’t make your muse A Warrior™ in every verse, you can keep plenty of those aspects without being that literal. People love “modern” verses set in our own universe and, usually, in our own era. That doesn’t mean you have to go stereotypical or otherwise bore yourself by doing the standard “high school/college verse,” for instance. You don’t even have to designate that sort of thing, let alone make it the focus; simply create the verse by considering what your character really would be like if they existed within your reality.

As a final note on verses as pertains to this point, when you’re doing crossover verses, it’s alright to do some verses where your muse from their own canon existence somehow ends up teleported or whatever to another fandom’s reality, or even our own. Just don’t make every verse like this, it puts the onus of a great deal of creativity and effort onto the other mun by default; your muse has cluelessly dropped into the universe, and while it is high drama time for you, the other mun has to babysit, educate, deal with fallout, etc.

On making the list of your verses accessible, you want to focus on ease of browsing and not being overwhelming. People tend to look through a verse page and not read every verse listed, rather, they look at the titles and breakdowns to see if it is of interest, then read it. Don’t try to make everyone read them all, it isn’t going to happen, and shouldn’t change your effort any as the right people are going to find the verses that interest them...if you make it clear and easy enough.

Have a basic format you stick to, firstly. I do it this way: small verse banner, title of verse (linked to its overall tag so that muns can look through the tag at headcanons, aesthetics, pictures of the FC, and threads), muse age/age range, small blurb, possible triggers found uniquely or just heavily within this verse. In that order, one following the other in a simple, but pleasing way. Below that, is a more in depth breakdown of the “verse canon.” Sometimes, that is giving a brief rehashing of canon itself and anywhere my muse differs, be it in this verse only or overall, ending with where my muse is in this verse. Not literally where. I mean their present occupation, emotional and general state in life. At the very end, I provide any other relevant links and/or an expansion on the triggers mentioned at the top of the verse description if they’re that serious/recurrent so that muns can decide this isn’t the verse for them. I happen to have a potentially triggering muse, triggering verses, and writing triggering topics, though. That’s not something everyone needs to do.

Secondly, group your verses in a sensible way. I do my short list of default verses first. (And, I do mean short, you don’t want this be any more than four or five, it is overwhelming right out of the gate.) For me, that is two default verses of canon at different points on the timeline, one default AU that is a bit of a reversal of canon, and one default “modern” verse. Then, I list the verses that are in line with the altered canon one, just different possibilities, changes, points in history. After that, the different “modern” verse options. Then, verses for other fandoms, the crossover verses. And so on. This way, a potential partner can find the type of verse that might appeal to them and have an easier time picking from those possibilities and getting ideas.

Lastly, don’t be so succinct that you give too little information and underwhelm, but also don’t be so excessive that it takes all of the mystery of interaction away and overwhelms someone. It can be a difficult balance to strike, and some verses require more information than others, just experiment a bit. Additionally, it’s fine to link to pertinent information for the other mun to view aside from this, but don’t just link people to a fandom wiki as your “description/bio.” That isn’t giving information on how you write this muse, approach this fandom, or what another mun can otherwise expect. Keeping your descriptions interesting is important, you’re not giving a boring lecture, you’re trying to inform someone while making them hyped for their choices. It’s more interesting, and informative, to read if you do them with an ear to the “tone” of your muse in that verse. Is it a sad one? Sound that way. These can, indeed, function as snippets of your writing, so be sure you are writing them with the same care you should be giving your replies; spellcheck, good word flow and use, mind the grammar, and read over what you’ve written for common, easy mistakes.

Again, by giving a genuine variety of verses to choose from, you’re allowing for a greater reach in potential partners. Everyone from those still in your original fandom to those in new ones, all the way to fandomless muses will be able to interact with you this way.

Finally, in regards to what you can change or do when you’re in a dead fandom and seeking interactions; make sure you are increasing your reach by using proper tags, being honest about what and how you write, and don’t wait for others to stumble across you.

When you use tags properly, you’re increasing your chances of being seen at all. Every time you post something at all applicable on your blog, tag it with relevant things. Tag as described above with whatever fandom it is and “RP,” your character’s name, “open RP,” character name and RP, indie RP, open starter, and so on. Be sure you are optimizing your tags by placing the most relevant to finding you in the first four, those are what show up in site-wide searches only. Anything after that isn’t going to appear in a search across all tumblr.

By tagging your character’s name, as a canon, you should know that you are likely to get personal blog interaction. I’m pretty against being nasty to personal blogs for no reason, as I don’t appreciate personal and fandom blogs being shitty to me for the sole reason that I am an RPer. Please, use clear, short, attention getting directions for them. If you want no interactions with them, put right in the description of your blog “RP blog, does not interact with personal blogs.” When you say things like, “personals dni,” or “personals blocked,” you’re not doing anyone any favors. Personal blogs often don’t even know what the hell a personal blog even is! They do not denote themselves this way, to a personal blog, they’re just a blog. By designating first that you are an RP blog, you’re making it clearer that they’re the personal; they’re obviously not an RP blog, so that must make them a personal. Follow this up in a pinned post, right on top. Give a note to personal blogs that describes them as “any blog that isn’t an RP blog” first, then either tell them in brief what they can and can’t do or that you don’t interact and will block.

I don’t recommend taking your blog off of being findable, however. That’s alright once you have the RP activity you are looking for, but until then, it’s working against you. Other RP blogs cannot easily find you either, they will only find you if you’re on a list or appear in their recommended blogs, if you interact with a mutual, or are recommended by a mutual. You’re not just lessening your chances of personal blogs finding you, so if you have that turned off, turn it back on.

Don’t entirely rely on others finding you regardless, though. You can’t be 100% passive when you have no interactions, and by relying solely on serendipity you’re far less likely to get them. I know that everyone here is terminally shy, but seriously, you have to do more than put your silent will into the universe that someone perfect find you. You have to make this happen. Once you get a few people, you can afford to be more passive. Not only do you have some people to write with, you will be more visible to their mutuals, and more established as a presence. I’m not saying this is easy, or that it will become easy, not awkward or stressful, if you have a legitimate issue behind the shyness. Just that it is the only way to really proceed, and I believe you can do it!

So, go looking for interesting blogs. Be crossover and OC friendly (again, this doesn’t mean “accept everyone,” there are valid reasons for not accepting people you won’t work out with that have nothing to do with their fandom or being an OC), and search those fandom’s RPCs, following any blogs you think you might work out with upon reading their rules and other pages. Search for fandomless OCs and do the same thing. Fandomless OCs aren’t just floating around in the ether, they just weren’t created expressly for a particular fandom and within its confines. What is excellent about that is their ability to have a wide variety of verses and many possibilities to fit into any fandom or verse. So, don’t count them out solely on the basis of being an OC and fandomless. It doesn’t mean what people seem to think it does!

Do not stop at having followed 50 blogs. I mean, other than that you probably should stop following people for a bit. That you should do, as you need to be building writing relationships here, not following so many people that you cannot get to them. Don’t just stop at the follow, though. Since you’ve read their rules and information like a good RP partner, you should have some idea of what their interests are and where they align with yours, as well as how they prefer to be approached, if they accept memes right away to start, need plotting, have a rules password. When they’ve followed you back, proceed with interaction!

Ask if they’d like to plot when they have time, you’re really looking forward to writing with them. But...have some idea of a plot, please. It is a serious turn off to have someone message you wanting to plot, only to reply and get “lol I don’t have any ideas, anything works for me/whatever you want to do.” That isn’t plotting, it’s one party coming up with ideas and constructing a plot while they’re being told “I’m fine with anything.” That may be true, but it’s disheartening and a red flag for many people. If you genuinely can’t come up with anything, pick verses that match up well and suggest doing something within them.

“When you have the time, would you be interested in discussing writing? I was looking at your verses, and I think your verse -name- and mine, -verse name-, would mesh well.” Is a good way to start. Once you have a discussion flowing about the verses meshing and the muses, it’s typically easy to organically develop some plot ideas to go off of.

If both you and the other mun are alright with plot-free interaction and memes, you can send a meme any time. If you can’t find any memes on their blog, look for a wishlist or navigation page that shows you the tags for memes/wishlist. Still can’t find it? Ask them if they’ve got a wishlist or meme tag you can look through.

Additionally, if open starters are a thing you both do and are alright with, find some of theirs and respond. Post your own, tag it appropriately to be found in general and on your blog, and reblog it once or twice. Don’t excessively reblog it, and don’t get upset on the dash if no one interacts with it or any memes you reblog. Both are demanding to outright guilting, and not a good way to get partners. Just provide them with the ability to easily interact by making the posts available in the first place and by making them findable on your blog search and navigation.

Provide something for potential partners to see. Since you said you already do have writing, that’s great! That’s content on your blog that your partners can view. However, since you’re also having the issues you’ve stated, it’s likely that you haven’t many new posts. Show that you are active, interested in being here, and how you write your muse (and in general) by posting some newer content. For original content, do a headcanon or some meta, or post about new verses you are adding, the changes on your blog, a promo. For reblogs, things pertaining to your muse like canon imagery, fanart, quotes from canon or that generally express your muse, and aesthetics relevant to your muse are all excellent things to queue.

Use that queue. Not only do very few people appreciate having dash spam of similar content for the comparatively short time you might be around, but also, running these things on a queue means you spread that out for maximum view. While there are hours of heavier activity, you’ll have mutuals who are on at unusual hours due to their life and preferences or their timezone. This way, you’re not appearing inactive, if not outright invisible, to those mutuals. It’s not a bad idea to use a queue tag so that people know if they interact with a post that’s been queued, you might be here to quickly respond.

Ultimately, to fix your fandom and lacking partners problem, you just need to up your availability and reach beyond that fandom alone. Be proactive in following and approaching, decline blogs based on not working out only, utilize tags and fandom RPer lists, have everything on your blog easy to follow and not overwhelming, and have your verses meet as wide of a range of people as possible while also not being overwhelming.

Try updating your promo, as well, by the way. They’re not dead, they just really tanked when people kept making them based solely on aesthetic principle instead of being at all informative about the muse. They do seem to be coming back, so it’s a thing to consider.

Yes, make it visually appealing, it will draw people to reading it. No, do not just use a song lyric or quote with words highlighted linking your rules, verses, bio. Tell people basic info like the age of your muse and yourself, if you are multiverse and multiship, your muse’s canon verse and a couple of big interest verses of other major fandoms or themes that tend to be of interest to people, and what kind of RP you write - one line/para/multipara/novella. Absolutely give links to rules, verses, bio, and either memes, wishlist, or open starters, but give them just like that; make it very clear what this link is to. Put a very short statement of interest on there denoting that you’re expanding to new fandoms and looking for writing partners.

Do not sound desperate, demanding, or devaluing of yourself. Don’t say shit like “because my fandom is dead,” “trying this before I give up and delete my blog,” or “I suck at interaction/writing/ooc interaction/being a person but welp giving it a try, so follow and hit that heart.” (Conversely, calling yourself derogatory things and implying that your partners are too, such as the “we’re all just losers here” shit.) All of the above are not attractive, and they’re not even surprising enough to stand out anymore. It’s another reason to scroll right by that promo because nothing at all was different or of interest.

And as a wrap-up/rehash of the first topic, getting muse back: try starting over at the beginning by approaching the media involving your muse that has really stuck with you emotionally over the years, and exploring and developing your muse again.

Don’t tell yourself you can only write, for example, at home, on the laptop, after 7pm, and with a pop toy staring at you. The best thing about writing, as opposed to so many other hobbies, is that you can do it anywhere! So, do that. Do it any time you both feel the inspiration to do so and aren’t going to get fired or expelled for it. This isn’t work, it’s something enjoyable that does take effort (like literally all creative activities and skills do), but approaching it as though you need to follow novel writing advice from someone who has never published anything of note and isn’t you on the internet, with strict rules for success makes it feel that way. So does being frustrated with a dead fandom, no interaction. It’s disheartening, feels as annoying and fruitless as work often does. You probably need to break out of that mindset, and you can only do it by beginning to allow yourself to be creative on your own terms, entirely for yourself.

Do write simple things at first that you are inspired to do (you can’t get a scene out of your head, or a bit of dialogue), and/or headcanon/character development memes and question lists. Build from there as you get back in touch with your muse, writing things primarily or entirely for yourself still. Expanding on headcanons, doing some meta, or maybe writing out a missing piece of canon or what you’d be interested in seeing happen in canon if some event was altered.

Doing this sort of thing, you are getting in touch with your muse again and back into the real spirit of writing creatively, simultaneously.

Whatever you find most inspiring, do it. If it’s watching the movie or show again, do that, have it on while you write or simply think on the character’s actions, thoughts, and emotions during those scenes. If it’s reading the material again, do that, and read snippets of personal importance before you write. Maybe it’s some past playlists you can have on while writing, or even while you’re cleaning, walking the dog, driving or riding somewhere. It could even be your own previous writing! Go ahead and re-read that, it sounds like you still appreciate it, and that’s truly promising. If you find that you’re horrified by some of the things you’ve written in the more distant past, hey...that’s not just valid as hell, it’s natural. You know what else it is? An inspiration. You can clearly see that you could do better, that means you now know how to do better and are ready to do so. Validate yourself, prove it to yourself by rewriting or fixing something.

Don’t delete the blog or archive it. It is unpleasant to have a dead blog around, but don’t keep it dead. Use the same blog and simply transition it into wider things that will net you more partners and the interactions you deserve.

Look, even if you weren’t the most popular blog in your fandom before it went quiet, you really appreciated the blog, muse, and writing you were doing. You’ve defined that it wasn’t something you did to cause this situation, you just had the shit luck we all run into eventually of being in a fandom that ran out of material or interest. People are really fickle, so by taking a wider approach and fixing on the writing and muse instead of fandom now, you’re stopping this from repeating. Seriously, on a long enough timeline, every fandom dies or goes into hibernation. If you make a whole new blog with a different muse, it is going to happen again eventually.

So, don’t feel like you’re ridiculously clinging to the past and need to move on, you’re just sticking to something and can continue to stick to it through the next five fandom deaths. Just because it is the most popular thing to do to drop muses, constantly add new ones, and have this attitude that you can “blog refresh” your way out of recurrent, and inherent, problem doesn’t mean it is actually the right thing to do. It’s not even the most sensible, and certainly not the best thing to do with anything you’ve spent time and effort on.

That’s your incentive; yourself, the time and care you’ve put in, and your continued interest in writing and the muse. You’ll find good people, and bluntly, everyone else can fuck right off when you’re incentivized by yourself. It becomes a self-fulfilling activity at that point, I swear, and it feels really nice.

Just get back in touch with your muse and writing itself so that you can begin to expand and start interacting again!

[anarmorofwords]

Hey I just wanted to ask don't you think you're being way too negative towards tlh as a whole right now? I mean sure everyone can and should want and expect better things as well as criticize what they don't like and I agree with a good chunk of what you're saying in most posts but others seem a bit too nit picky (for me).

Of course CC has messed up some things and didn't deliver for others but that's mostly because of fans expectation of what's about to happen and biases. When you expect that something is going to fail no matter how good it is its always gonna feel underwhelming and when you get too attached to theories it feels wrong when they aren't cannon.

Anyone can enjoy things as much as they like but when you expect things to fail and just be plain bad I feel like you're just lowering even your enjoyment. After all if you dig far enough you can find stuff you hate even about your favorite things in the world and make them unenjoyable.

And I'm not saying that you can't be disappointed or hold CC or tlh to a higher standard but at the same time when you think about all the things you hate/dislike you forget what you like/love.

Point is I feel like no matter what people should just read chot with an open mind because no one knows what's inside of CC's brain and it could be brilliant or a disaster. Either way there is no chance that EVERYONE will be happy.

Btw I dunno if it sounds aggressive or not and I wanna apologize if i offend you in any way this isn't hate or anything I really like you content I just wanted to share my opinion

hi dear!!!

I'm so sorry for taking so long to answer; I didn't mean to ignore this

I actually thought about this ask a lot, but wasn't sure how to formulate an answer

First of all - do not apologize!! You can always send me your thoughts if they're not straight up offensive or rude; worst case scenario, we'll agree to disagree. So, really, you're fine!

I think you actually did have a point, and at the point you sent this, I was quite overwhelmed with just,,,, frustration, at TLH in general, so I was being too negative - and even worse, fixating on the negative stuff, which honestly does no one any good.

Since then I've come to the conclusion that 1) just as I expect that from others, I need to chill a little when it comes to scrutinizing and judging the characters' behaviour, and you know, remember they're kids and everyone makes mistakes and all that really basic jazz. 2) there are really many things that bother me about TLH, and I won't stop thinking/talking about them, but in some moments I'm being a little too harsh and ruining the fun for myself.

You're definitely right about forgetting the good things - that's another thing I decided on lately, that I wanna remind myself those. I do plan a reread in the near future (I know I've been saying that for a while, but it's still true xdd) and hopefully then I'll remember the good things and appreciate them a little. That doesn't erase the bad things, but as you say, I need to draw a line at some point.

And finally - there's still hope for ChoT. Judging a piece of media halfway through is always a little stupid, because you can't tell how it's going to end and whether the things you didn't like weren't actually necessary. I still worry about Alastair, because I'm more than convinced CC's personal views of him are what we're actually seeing from the characters, and they're v questionable and I can bet they won't be addressed/mended in ChoT, and since he's one of my faves this just,,,,, ruins TLH for me, to a great extent. But let's have some hope, still. (Same with Kamala,,,, the way CC talks about her outside of books really doesn't bode well)

I guess getting attached to non-canon things and theories is part of the fandom experience, and while it's important to remember we're kinda spoiling the fun for ourselves, it also simply sucks when you see all that potential the og creator didn't use. So I guess that's not something one can escape.

Anyway, thank you so much for this ask - I hope I make sense and it's clear that I actually appreciate your input. To some degree, you're definitely right, and I truly kept that in mind ever since I first read this ask.

[sleepingcrisis]

I'm glad you're saying something in the tags because my feelings from Sk8 tumblr being full of antis but also not really vibing with the proship side on twitter is that these two extremes killed any fun for writing. You can write fluff only for the accepted two ships, never Tadaai or Adam in general. If you're proship, you write porn or shock fics to shock the antis. Everyone has to stick to their audience but there's not much in between. It's so different than reading fics from book fandoms.

I assume you mean thanks for putting some of this in the general tag. And I dont always do that because I know that people don't want to hear me bitch all the time, but if I'm trying to address more people then I will.

I have my issues with both sides aswell and I have seen proshippers write or post content seemingly for shock value, but this all comes down to curating your own experience.

I have a wonderful mutual who has posts with lots of fic recommendations here and another post here. These are mainly, from what my mutual told me, tadaai fics.

I haven't read all of them but I am definitely going to be checking them out.

Also! I have seen a fair amount of people complain about the amount of noncon/dubcon in tadaai fics. I haven't experiences this, but in ao3 you can actually filter those fics out. You can also search for fics with fluff related tags aswell! From my experience, tadaai fic writers love writing fluff 😂 you just gotta look for it!

And if you don't want to: then write it yourself!

I'm gonna make a fic rec list soon enough, but honestly just learning to navigate ao3 better will help you have a much more enjoyable time in fandom.

And you honestly don't have to stick to either audience, do I think it is more difficult to exit the audience you have fostered if it is antis? Yes. But that is because if their purity mindset (which is probably why you find so many proshippers writing porn, because antis tend to not write as much).

[copperbadge]

Question as an oldster and fandom lurker, since you are an author and fandom dad. Sometimes when I am reading a story I'm knocked out of it by a "newer than they think" mistake. As in, flashbacks where Steve and Bucky use backpacks for school, or sit "criss cross applesauce" and using that term. I normally just give compliments to authors, but I wonder sometimes if I shouldn't tell them. Would you want to know?

Honestly, most writers in fandom don’t want constructive criticism in comments. I know it seems strange at first, but it’s a general norm in fandom that unless someone says “Concrit welcome!” you probably should confine yourself to saying what you liked about the story. So you’re doing exactly right, and it’s good of you to think about this and ask before changing. 

Follows a lecture for people who are not as thoughtful, so please don’t think the rest of this is me yelling at you :D The general drift of the idea is 

1. That they wrote the fic as a gift to fandom at large, and one doesn’t criticize gifts; 2. That if it didn’t actually make you stop reading and backbutton, could it have been that awful? 3. It’d be a bit like going up to a stranger on the street and criticizing their haircut. They don’t know you and didn’t ask for fashion tips.  

The most common argument for concrit is “I’m just trying to help!” but well, nobody asked for that help. A lot of people write fanfic as a way to enjoy themselves, and turning it into something to Improve Yourself Upon kind of ruins the fun bit. And even if none of these convince a person to avoid giving concrit, the fact that it’s a social norm in fandom means that it’s just considered rude. “I didn’t like your fanfic enough to respect social norms” is not the message most people want to send. 

I also think there’s a larger discussion to be had about the grave sin of “knocking someone out of a story” (again, not yelling at you, it’s a very common thing that comes up in the concrit discussion). It’s come to be seen as this truly awful thing, to perturb a reader with an anachronism or a typo or an awkward turn of phrase, and I question why. There are moments in almost any story I encounter -- fanfic, movies, television, novels, comic books -- where I see a strange phrase or something untoward happens and I have a moment of “whoa, that was a weird choice the author made.” 

But then I generally go right back to enjoying the story. 

I think it is extremely rare that people get pushed so far out by something minor that they can’t keep reading, that one small moment of “what?” ruins the story completely. There are legit reasons to stop reading a fic, and if people are upset or angry or hurt they should stop; I’m not talking about triggers or untagged adult content or what have you. My point is, if it didn’t stop you from reading the story, then you must have enjoyed the fic more than you were bothered by the single moment, right? So why focus on that? 

But above and beyond the idea of focusing on what you liked instead of the one moment you didn’t, this is a problem that is very specific to fanfic. I think we’ve really put up an altar to this idea of the purity of experience, that nothing can come between us and our enjoyment of a story ever, and we apply it very unfairly to fanfic, particularly since it is produced by amateurs for free. It’s not something I ever see in criticism of non-fanfic media, by fandom or by professionals. 

Anyway. I’d really like people to examine why fanfic is held to such a stringently high standard that a moment of discomfort in the middle of one’s pleasure reading is the only thing that starts to matter to some people and sometimes the only thing they comment on. And maybe if we collectively rethink how view that moment -- not as something vital but as a byproduct of vast quantities of free entertainment, like a commercial or mosquito bites at the beach -- then perhaps it would even stop bothering people as much. 

[whocalledhimannux]

now that I’ve had some time to reflect on Return of the Thief, I have some more thoughts that are... slightly more critical, in both the thinking-deeply and not-entirely-praiseworthy ways. I’m not going to tag this post because I don’t want to harsh anyone’s buzz, but I’ll just say return of the thief spoilers and rott spoilers right now, and hopefully the blacklist will catch those, and if not the rest of the post is going under a cut

okay so like first off, I want to say that I still think this was a very well-written book and it’s very satisfying from a character standpoint. there are so many great interactions, indications of growth, etc, and the layered writing of the first person POV is, as always, stunning. my main character complaint is not enough Costis and Kamet (or Costis/Kamet)--but even that, upon reflection, I think is colored slightly by my anticipation for a blatant Comet moment. When you’re waiting for a big payoff, and the story isn’t designed to have that, it’ll feel like a bit of a letdown. But from a different perspective, the ending of TaT can be a perfectly satisfying narrative ending, establishing that Costis and Kamet’s storylines are now thoroughly and primarily wrapped up in each other; their contributions to the wider plot from thereon out are mostly incidental, because sailing off to be together is their bigger ending.

side note: a character development I actually loved was us seeing Eugenides teetering dangerously close to a breaking point and being pulled back. I think...... from what I have seen of the fandom in general--bearing in mind I was never a part of Sounis and have dipped in and out of the discord without being majorly involved--based on my general impression of the tumblr fandom, I think there is a tendency among QT fans to let the Thief characterization of Gen affect our reading of him in later books. I think there’s sort of an assumption that he’s everybody’s favorite and that his choices are, by default, correct and sympathetic, even as the series progresses and he makes more, increasingly difficult and sometimes pragmatic or even cruel decisions. and I think RotT really, really challenges that kind of view. Eugenides is under immense strain in this book, and several times he lashes out in ways that are indefensible. Sometimes, even if he’s not being cruel to others, he’s being risky to the point of masochism, and the revelations about his backstory also suggest that quirky innocent Gen of The Thief is also not all he seemed to be.

and I think that was resolved in a very enjoyable and narratively satisfying way. The threats to the Braels had a real edge to them. God!Eugenides was terrifying, in a noticeable step up from the ways regular!Eugenides is terrifying, and it felt like payoff for the increasing role of the gods in Eugenides’s storyline up until now. And I really appreciated the subtleties of Sejanus saying that he won’t tell Eugenides the conspirators because it will damage him in the longrun, and the way Eugenides ultimately decides to forgive and trust Pheris and Sejanus anyway--those scenes, imo, were great followups to the scenes in QoA, KoA, and ACoK that discussed how rulers can maintain their moral center in difficult situations.

but... the Medes. plot-wise, I’m struggling with the conclusion to this storyline.

I made a different post already about What the Fuck is going on with the secretary of the archives, because it totally feels like shit is missing there, and to some extent I’m okay with that? it felt to me like a stylistic choice--like, Pheris the historian is writing specifically about the Mede invasion, so maybe the full story of Baron Orutus, and Relius, wasn’t actually resolved til years later and he thought it was an overlapping but ultimately separate story. fine. I actually did kind of like the parts where that was done more blatantly, like his comment that two of the queen’s attendants became famous later on for unrelated reasons. it helped with the framing of the story.

but I don’t feel that way about the Medes plot. For one thing, we’ve spent a couple of books now harping on the fact that Ghusnavidas (sp? I’m tired and my book is too far away to check, y’all know who I mean) is dying and that the primary threat is going to come from Nahuseresh’s brother, Naheelid. Costis made a point of saying last book that if the Little Peninsula could hold out for a year against Naheelid, not only would they win but the entire empire might be in danger of collapsing.

So... they spent ~a few months fighting a single army at a single battle site, with the Big Threat Guy not even present, and that’s it? everybody goes home and the Medes aren’t a threat anymore? it’s not even clear to me how many troops the Medes lost--their principal losses were in the form of Bu-seneth, Nahuseresh, and Baron Erondites, who, yeah, were key officers, but if the Medes lost, saying, 30% of their troops or less, what’s to stop Naheelid from hiring more soldiers and better officers and coming back in a year? it totally makes sense to me that an army that saw Eugenides call down lightning is willing to pack it up early, but inevitably that’s going to be dismissed as rumor and distortion so idk how it’s supposed to be a lasting deterrent. it may not be super realistic, because the downfall of empires takes time, but I think a bunch of us were expecting that the Mede Empire would, at the very least, but conclusively beaten by the end of the book, and I don’t think we got that.

Also, speaking of Big Bads: Nahuseresh. Oof.

I know part of the point of TaT was that Nahuseresh’s situation was becoming kind of sad and pathetic but... I think he went downhill too quickly in this book. and tbh I think part of it is the fact that we’re getting this from Pheris’s POV, and Pheris for one doesn’t have a whole lot of close contact with Nahuseresh in this book, and for another didn’t have any contact with him prior to this. His little “I will be king of Attolia!” outburst honestly made me cringe a little bit, and while I’m not entirely opposed to the idea of Nahuseresh being killed by an anonymous soldier--it has a very “reality ensues, war isn’t a series of epic meaningful confrontations” feel to it--I do object to the fact that Eugenides spent a significant amount of time in KoA and ACoK nursing a grudge against Nahuseresh and then barely got to do anything with it. and a lot of what he did get to do, the reader barely sees.

I think there were ways to make Nahuseresh’s actions in this novel a bit more satisfying without fundamentally changing them. for example, bringing in more commentary from people who knew him before. if there was a passage where Eugenides looked at Nahuseresh and realized that his beard was raggedy, and he looked thinner, and there was a manic light in his eye and he just seemed pretty pathetic and honestly more comical than the villain Gen’s been building up in his head for years--I think that would go a long way towards establishing tone. it would feel more like the anticlimax is intentional and be more about Eugenides’s own character growth, whereas now it just feel like... Pheris doesn’t have a whole lot of personal stake in this conflict even though the reader has been waiting for it for so long.

(although I do find it interesting on a narrative level in contrast with Sejanus, who seems disproportionately important in this book imo--from my perspective, the threat of Nahuseresh has been a constant behind-the-scenes presence for the last four books and Sejanus stopped being important after KoA. and I get why the opposite would be true for Pheris, but I still... want more.)

anyway, I just feel like the villains in this book are a little--warped, somehow. like the huge enormous threat of the series up until this point actually isn’t all that bad and can be wrapped up in relatively little time. it’s a weird sensation for me wherein I’m glad where everyone ended up and I enjoyed the experience of getting to that end, but like... it just feels a little off. slightly anticlimactic. I mean, for a lot of us this series is All About the characters and from that perspective I’m mostly satisfied, but I feel like in previous books the plot has come together SO well that my expectations were really high, and this resolution didn’t really meet them.

and damn does it feel strange to be writing this. feels like I just cobbled together a few of my hottest and most controversial takes and like I need to throw in about twenty more disclaimers about how much I love the books overall, but I’ll resist.

[lanonima]

Here we are again.

Romantic - Fucky is not how risque a work is but rather my opinion of the attitude/quality of the main relationship, the way the characters interact with respect to one another. I like a lot of stuff in fiction but if you’re easily made uncomfortable, stay towards the top half.

Easy reading - Plot-heavy is how I personally consider the plot’s intricacy and successful implementation, regardless of the author’s intention.

Golden Stage

Author: Cang Wu Bin Bai

Quality: 6

Enjoyment: 7

Comments: This one has some Sha Po Lang vibes, but the characters have more depth and chemistry. The word 'more' here is extremely relative because it's still pretty shallow. I honestly liked them both, I liked the relationship and the psuedo-rude way that they flirt entertained me. As for the plot...ehhhh. It tried. There were things that worked, but in general the plot seemed disjointed from the characters and there were a few things that had no business being there and just muddied the waters. It's not bad necessarily, it's just not very smooth. There are better political intrigues to read if that's what you want. But if you just want some sugar-sweet fluff with a backdrop of drama, then this one is perfect. My favorite scene was probably the flashback to the first few times they met, absolutely fantastic.

Would I read it again: Nah.

The reviews of things I previously read are below the cut.

Mo Dao Zu Shi

Author: MXTX

Quality: 9.5

Enjoyment: 10

Comments: I have a huge emotional connection to this novel. There are some weak parts, the tension isn’t quite even, she’s pretty terrible at erotic scenes and not great at fight scenes…but that being said, I love the characters and some of the plot points really ripped my heart out. This is a novel that’s really driven by the characters so if you’re a character-focused person like me, definitely look into it (as if we all don’t already know it lmao). I really, really love this story. Every single adaptation of it has also been great, but the novel is still my favorite. It was my introduction to xianxia novels too, so you can say it changed my life!

Would I read it again: I’ve already read it twice, and consumed every adaptation (sometimes also multiple times)

Scum Villain’s Self-Saving System

Author: MXTX

Quality: 6

Enjoyment: 5

Comments: I’m not much of one for comedy and, as I discovered, not really into system novels either. Clearly weaker than MXTX’s later work, many of the characters are somewhat bland, she hasn’t quite found her groove yet. It’s not my style but the fandom is hilarious and the fans constantly produce content that I actually do find entertaining so overall I still have some fond feelings for this one, even if not for the source material.

Would I read it again: I found a different translation and am willing to try again in the future, I’m also willing to watch the donghua. But I can’t guarantee I’ll like it any more than previously.

Tian Guan Ci Fu

Author: MXTX

Quality: 10

Enjoyment: 10

Comments: I love this book…but not as much as I love Mo Dao Zu Shi. I think the plot is somewhat typical, however the characters are great once again (though maybe slightly less deep than MDZS), and her use of thematic repetition and foreshadowing are killer. Actually, I liked this book more the second time around because it just hits differently. Definitely the best of MXTX’s couples, they are so soft and sweet. Very long, but worth it.

Would I read it again: I already have, was personally translating the manhua before I hurt my arms, and am eagerly awaiting the donghua this fall!

The Villain’s White Lotus Halo

Author: A Big Roll of Toilet Paper

Quality: 10

Enjoyment: 10

Comments: Fuck, I love this one so much…..even though it’s also a system novel. But that part is in it so rarely that it reads more like pure fantasy. I love the characters, I love the plot, I love the way the relationship is developing. Oh yeah, the translation isn’t even complete but I already purchased not only the original from JJWXC but also the print edition. I’ve even drawn fanart for it, which is so unlike me. Every time a chapter comes out, I’m ruined for the rest of the day, I can’t think about anything else. Good fight scenes, which is uncommon. My favorite danmei novel so far.

Would I read it again: I fully intend to once the translation is complete, and also plan to read it in Chinese later (I’ve already read certain parts in Chinese hahaha but not the whole thing)

2Ha (Husky and his White Cat Shizun)

Author: Meatbun Doesn’t Eat Meat

Quality: 8

Enjoyment: 10

Comments: 2Ha is not for the faint of heart, it’s very horny, and violent, and has a lot of questionable content. However I love it so much. The story and characters are great, Meatbun really has me by the heart. The writing is a little more on the casual side but it hardly matters because the story is so great. Good fight scenes. Chu Wanning is like, the ultimate Me™ character, I hate how much I adore him. If you read this, just go into it knowing that it’s a long emotional journey, the characters are very dynamic and there’s a lot of character development.

Would I read it again: Same as the above, I plan a reread when the translation is done and have read parts in Chinese and might read the whole thing again later. Cautiously eager about the up-coming live action and donghua.

Di Wang Gong Lue

Author: Yu Xiao Lanshan

Quality: 2

Enjoyment: 9

Comments: This is one of the most terribly written things I’ve ever read, but I’m a character girl and the characters and ways they interact fucking kill me. I’m constantly entertained….although I don’t think this is actually supposed to be a comedy. If I were going to treat myself and like, take a bubble bath and read something that made me laugh, this is exactly the sort of trashy romance I would want to read. Technically a political intrigue story but it’s so abrupt and full of holes, are any of us reading it for the actual plot? The donghua is on Youtube, I watched it first and recommend others to do the same. If you can handle that, you can handle the book because it’s exactly the same in quality, just gayer. I do love the main couple a lot, the set-up surrounding the relationship is great, and the side characters are also really fun.

Would I read it again: Probably not, but I’m still having fun with it. I watched the donghua and read a bit of the manhua as well, which has very cute art and is probably my favorite version of the story.

Liu Yao

Author: Priest

Quality: 6

Enjoyment: 7.5

Comments: I really struggled getting into this one, it took me about 25 chapters to get invested. Initially I had rated it a 6 in enjoyment but after careful thought, I realized that even though it was so hard for me, it probably is my favorite Priest novel and I really do love the main couple so much. Her side characters also seem to be slightly stronger than usual in this one. Decent plot, not too much or too little. It seems really chill to me, doesn’t provoke much of an emotional reaction but I do think it’s very sweet, which is nice sometimes too.

Would I read it again: No, but I think (?) it’s supposed to get some kind of tv adaptation (drama or donghua, not sure), and if that happens, I’ll watch it.

Didn’t Know the General was Female

Author: Rong Qing

Quality: 4

Enjoyment: 6

Comments: Not the greatest thing I’ve ever read, but cute. It’s short, and a little lesbian fluff is never a bad thing. Writing is a bit weak and the plot is basic, but the characters are enjoyable and I liked it overall.

Would I read it again: No.

Wrong Way to a Demon Sect Leader

Author: Yi Zhi Dayan

Quality: 4

Enjoyment: 7

Comments: Again, not the greatest in writing or plot, it’s a bit shallow. But I found the idea of it to be entertaining, and actually liked it more than I would have assumed. It’s fairly short and cute, like a good summer beach read.

Would I read it again: Probably not, but possibly, if the stars align.

Female General and Eldest Princess

Author: Please Don’t Laugh

Quality: 7

Enjoyment: 6

Comments: A very good first effort, but the writing is a bit weak. It’s slow to start and I don’t think the political plotline is spectacularly strong. Some things were left unexplained, and her sense of battle tactics and fight-writing were very confusing, definitely room for improvement. I don’t think it’s as good as people say, but she writes with the air of someone who will continue to improve. And also, a lesbian author writing lesbian stories so that’s a plus. Overall I enjoyed the experience, this story is definitely worth a read.

Would I read it again: Maybe, but probably not.

Sha Po Lang

Author: Priest

Quality: 7

Enjoyment: 7

Comments: Originally I rated this one higher, but on later thought I realized that I actually enjoyed Liu Yao more. I personally have issues with the way Priest writes, and this book showed a lot of them. Characters were okay, I did like the main couple, but side characters were weak as usual. The plot is pretty good, though not great, and I think some of the pacing is off. Some descriptions were confusing, but that could be a translation issue. Overall, still a pretty good political drama, but I would say that of the three I read, this was the Priest novel with the least impact on me.

Would I read it again: No. But I will watch the live action if it ever gets made.

Guardian

Author: Priest

Quality: 6

Enjoyment: 5

Comments: I love Shen Wei and Zhao Yunlan, thought the plot was interesting, and there were some enjoyable moments. But it has all the problems I usually have with Priest in addition to some choices that offend me as a queer reader. I spent about 75% of the time reading while pissed off. And actually the fact that it had a happy ending kinda bummed me out because I love a good tragedy. Overall, I can only give it an average score. If you like Priest, you’ll like this one too. I’m not a tv person but I binged the hell out of the live action, I really loved it, so I was sort of disappointed that the source material didn’t seem as strong as I had assumed.

Would I read it again: No, but I will happily watch the live action again some day.

Jing Wei Qing Shang

Author: Please Don’t Laugh

Quality: 9.8

Enjoyment: 10

Comments: I have to start off by saying: damn girl. The improvement evident in this book is absolutely insane. A few minor issues prevent me from giving it a 10 out of 10 – her transitions are still extremely abrupt, the ending is slightly weak and some plot points remain unresolved, and her use of narrative repetition is too heavy-handed for my taste. Other than that, this book leaves me almost speechless. Very similar to Female General and Eldest Princess, there are many similar themes and events. But while I thought FGEP was fairly cute, I like this one way better. If you like angst, political intrigue, and lesbians, you should definitely read this book. I have no doubt that Please Don’t Laugh will continue to improve in the future, and I really look forward to following her career.

Would I read it again: 100%, I absolutely intend to read this again sometime in the future. It’s very long and very dense but delightful and ultimately worth it.

Fox Demon Cultivation Manual

Author: Feng Ge Qie Xing

Quality: 8

Enjoyment: 10

Comments: This was a delightful romp. I had expected it to be somewhat silly and was pleasantly surprised. It was heavy enough to be engaging but light enough to be an easy read, with multiple spots that made me literally laugh out loud which does not happen often. This is apparently just one book in a series of same universe novels, and a lighter-hearted one at that. I would be interested to read the others because I found the world pretty engaging, and I do want to know what became of the other characters. Overall I found it very fun and very cute, I read it in four days so that says something. On the downside, the link for chapter 9 is broken. But skipping a chapter doesn’t seem to have affected the experience of the novel as a whole.

Would I read it again: Yeah I think I would be willing to read this again someday. If it gets adapted I would also consume adaptations, in addition to being interested in the other connected works.