#I hope my dad has some faith in me and genuinely helps me and doesn’t yell at me so I can get my license in the next year

[galariangengar]

After spending the past couple of days studying (and anxiously procrastinating), I took my driver’s permit test again online and I passed on the second time!

[shsy7573]

Random Lucifer (Hazbin Hotel) Character/Song Analysis Kinda Thing… I Guess

Okay, so yeah, Luci has 100% taken over this page. So what? I’m not obsessed, you are.

Anyway, I’ve been listening to “More Than Anything” on repeat since it dropped, and like a lot of the fandom I tear up every single time… but unlike a lot of the fandom, it’s not because of the sweet father-daughter moment (which, don’t get me wrong, doesn’t help the situation because it’s just so damn wholesome).

No, what gets me is how, just through a couple subtle moments, the show is able to convey just how absolutely shattered Luci is as a character. And, you know, because he’s my favourite, bestest, snek-baby-duck-boy, it makes me a little emotional…

So now you’re all gonna hear about what goes through my mind every time I listen to it. YAY!

“Charlie! You don’t understand, Heaven never listens. They didn’t listen to me. They won’t listen to you!” / “You don’t know that—” / “I do!”

It starts before the song even truly begins. When I’m listening, it’s usually these first few lines that grab my attention. I end up replaying the first 4-5 seconds of the song over and over again because the pain in that “I do” is so fucking good! (And because I like to suffer apparently cuz I end up sad. Life of an angst lover I guess).

It’s the first time we see him with actual tears in his eyes. The raw delivery of that line is so attention grabbing, and manages to say so much in such little words.

I think the reason this particular scene tickles my brain so much is because it’s the breaking point for his character in a way. I am, and always will be, a sucker for moments where a character’s walls finally come down, and we get to see what’s been festering inside. When their deepest thoughts and how much they’re hurting are revealed. The entire song is what that is for Lucifer, starting with these two words right here. I truly cannot put into words just how much my breath is taken away by Jeremy’s delivery of this line. I cannot articulate how much I love it, and how important it is for Luci’s character. it just hits so deep and so right for me and I love it.

Lucifer isn’t just saying that he knows Heaven isn’t going to care about her plan (I don’t think anyone thought that’s all he was saying but whatever). He is saying that he knows what Heaven does to dreamers. He knows what they’ll do because he has already been there, and it destroyed him. They took his ideas that they saw as too outlandish, and they squashed them. Cast him aside. And he paid the price for it when he went bashing their back and did his own thing anyway.

Luci is a broken dreamer. Throughout the entire episode, and the series as a while, we are given very strong hints of this. However, it’s not until this song that we really see it in action. It’s not until these moments that we are able to see past both the veils of “Imposing King of Hell” and “Goofy Guy who’s trying his best but not great at Dadding,” and get a look at how genuinely depressed this man is.

“My dreams were too hard to defend.”

This scene eight here. The more I see it, the more I fall in love with it. Just a great example of ‘show don’t tell.’

He’s talking about having big ideas, he’s talking about giving people a chance and reaching outside the normal, he’s talking about being cast out of Heaven. I just love the parallel he’s drawing between Charlie’s mission, and his own past.

Charlie created the hotel in an attempt to give people who have been seen as lesser to all of Heaven some sort of chance. She is choosing to have faith in them, and to open up opportunities for them to lead a better life.

Lucifer, when he gave Eve the fruit, was taking a chance to allow humanity the chance to have free will. He wanted them to experience everything life had to offer for themselves like angels got to. He offered a chance for them to lead a better life.

He had everything, and he had complete faith that what he was doing was right. All the light and hope of his dreams was right in the palm of his hand. He had so many ideas that he thought, if they were saw through, would make the world a better place.

But it didn’t work out for him.

“And in the end, I won’t lose it all again.”

Now, the first seconds of dialogue may be what I keep rewatching, but this has got to be my favourite visual of the entire song. It’s such powerful imagery, and I fangirl over it every time.

Look at how small he looks in that shot (I know, I know, he’s tiny regardless, but like seriously). He is completely outnumbered, hopelessly overpowered, totally at the mercy of all his Heavenly superiors… and he’s all alone.

He lost everything because he had the gall to dream. It’s not hard to look at the song (and the episode at large, really) and find not only his feelings of being wronged, but also his immense guilt. It shows in how much he hates Sinners. They are basically the worst of what he did, a constant reminder of the day his mistake caused him to lose his home and everything he held dear, and they are all he gets to see. Only being permitted to see your failures for all eternity? No wonder he’s fucking depressed.

The day Heaven cast him out was the day he stopped dreaming. Because dreaming big only leads to pain, failure, and suffering.

“I just don’t want you to be crushed by them like… like I was.”

This next moment is kinda self explanatory and obvious and really doesn’t need any commentary, but I’m gonna talk about it anyway. Because I love it, and I love him, and… you know… angst. I’ve mentioned my lust for it several times now throughout this post, you really shouldn’t be surprised.

I just feel so bad for him. Lucifer made one mistake. One simple, misguided mistake that ended up introducing evil into the world, and all of Heaven came down on him for it. And, you know what, in the narrative presented by the show, what he did wasn’t that bad. He just wanted to give the world’s newest creations the same freedom angels had, and it backfired horribly. Lucifer, like Charlie, was an idealist who saw the best in people and wanted to help.

And what did he get for his good intentions? Shoved into the cesspool he unintentionally created, and forbidden to ever see anything good that came from his dream.

If I had to guess, Lilith was the only thing keeping his mental health afloat for a long time… and then they had Charlie.

“The tales about your lofty dreams. I’d listen breathlessly, imaging it could be me.”

His daughter became the light of his life. Something that he cherished and indulged more than anything else in the world. To him, she was perfect, and he wanted to do right by her in any way he could.

Lilith told their daughter stories of all her father’s dreams regardless of what he thought of them, and when the little princess came asking him… how could he refuse? How could he refuse her anything?

So he shared them with her. All the tales of grandeur, and fantasies of everything he wished the world could have been. All the dreams he had long since let go.

“And in the end, it’s the view I had of you that show me dreams can be worth fighting for.”

Now, the scene where Lily take’s Charlie away has always been excellent brain fodder for me because of how somewhat ambiguous it is. You could interpret his sadness to have SO MANY meanings. However, I have inevitably decided on two potential head-cannons/theories to share here for what could possibly be going through Snek-King’s head.

One: Lucifer loves his daughter, but he feels estranged and like he’s failed her in some way. She’s such a joy, such a wonder, and in a way it's his fault she’s trapped down here with all of human ties worst. He wasn’t to be close to her, and to make the world perfect for her… but he already feels like he’s failed her in the most unforgivable way. He keeps his distance because part of him doesn’t want her to have a super high of an opinion of him. It’s kind of his depression manifesting, saying that ‘she shouldn’t admire you and your stupid dreams when they’re the reason she’ll never see true light and happiness.’

The angst addict in me likes this one more, but still I’ve got another one that always pops.

Two: He feels like he’s selling her false hope, and he can kind of see the place her innocence is headed. He’s seen the horrors of the world, and he knows the more he indulges her dreams and fantasies, the more she’ll suffer when she sees that’s not what the world is like. He knows from personal experience how much it hurts when your dreams come undone, when you lose hope in the world.

Listening to Charlie’s actual lyrics, she tells him that he was the one who inspired her to dream, that he was right to dream, and that she’s not going to back down. In the song, Luci realises that 1: maybe he didn’t fuck us as badly as he thought and that she actually doesn’t blame him and wants her in his life and/or 2: she has her mother’s willpower, and she’s never going to stop dreaming or let her world be sullied like he did. She’s so much stronger than he was.

So he lets her in.

(Side note… AWWW, look how TINNYY he is! He’s so small. The start contrast in the second image gets me every time)

There’s a bit of symbolism in the song which I ABSOLUTELY adore, and it has to do with the wings. In the flashback, Charlie mentions his “lofty dreams,” when we see the duck, which later transforms to have multiple sets of wings. Later in the song, when Lucifer finally lets her in, he also sprouts those wings.

And I just love this, because I think it acts as the perfect symbolism of him finally opening his mind again. Not just to his daughter, but to the possibility of dreaming in general.

He takes her to a circus, a place filled to the brim with spectacles and thrills, a place where humanities wildest imaginations seem possible.

But even though he’s beginning to open up, and he’s willing to help her in whatever she does, he’s not ‘fixed.’ His depression and self doubt and feelings of hollow emptiness and guilt and apprehension aren’t gone.

And he’s still terrified of seeing her spark go out like his did.

This tiny smile break is so addicting to watch for me. It speaks volumes. Once again, my angst loving heart eats it up every time. It says, “I’m still worried, and there is still so much shit going on in my mind right now about all of this, but I’m here for you.”

And that’s what counts.

Luci’s character showed a lot of colours, and came a long way in this singular episode, but he’s still got a big uphill battle to climb. He still has to come back into his own where dreams are concerned. Maybe he never will, not completely. Realistically, he’ll never go back to the way he was.

But maybe, just maybe, in helping his daughter he’ll find something worth believing in again.

That is, of course, if they decide to give him a character arc beside ‘Dad who is trying and doing better,’ but for that only time will tell.

—

And THAT concludes my rant on the Rubber Ducky Ruler. If you stuck around this long, good for you! I wrote this whole thing on a limb at midnight, and NO I’m not going to go back and edit it because why would I ever want to see all the horrid grammatical and spelling errors I’ve inevitably made.

Maybe I’m off the mark on all of this. Maybe I’m head-cannoning too much. Maybe I’m just trying to suck out every hint of potential angst out of a song that’s supposed to be sweet and wholesome. That’s for you to decide. But for me, I’ve decided that I’m satisfied with this analysis. In the end, I just needed to express all the thoughts bumbling around in my head SOMEWHERE before I exploded, and unfortunately, I feel like I’ve run all my friends dry talking about this baby to them, so now it’s your turn. But, anyways, I think that about wraps things up. It’s time to go to bed.

Farewell, stay hydrated, and have a lovely rest of your day/night :)

[skiller0dani]

Intoxicated | Klaus Hargreeves

M A S T E R L I S T TUA Masterlist

smut | teen!klaus x teen!reader requests info w.c | 8.9k summary | you fell in love with klaus when you were teenagers. but after he continues to relapse, you lose faith that he will get clean. when you see him again as an adult, has anything changed?

The first time you properly met Klaus you were both around 17, and he was slumped against the wall of an alleyway. His face was bare of facial hair, and he looked far too boyish for a needle to be still in his arm. You were only out looking for him as a favor to Allison, whom you’d known since you were both children. You never paid much attention to Klaus, or any of her other siblings but after hours of incessant begging you’d finally agreed to go look for him. You still remembered her frantic voice over the phone.

“Please? If my Dad notices Klaus is gone he’ll lock him up in the Mausoleum to dry him out.”

You might not care much for Klaus or his drug habit, but you couldn’t just let Mr. Hargreeves lock him up so that ghosts can torment him while he sobers up. You know Allison is just protecting him, but you can tell even she is starting to lose faith in Klaus. It’s honestly sort of heartbreaking. But hopefully if you get him back in time, maybe you can get him sober enough to fool Mr. Hargreeves into thinking Klaus finally cleaned up.

“Klaus!” You rush to him immediately, carefully pulling the needle out of his arm. You tuck it into your bag so that Grace can help you and Allison figure out what Klaus took. You trust that Grace wont tell Mr. Hargreeves, the only thing more powerful than the programming is her desire to protect her children. His eyes are barely open when he smiles at you, his pupils blown wide open. You brush his hair out of his face, his palm twitching in yours as you take his hand to pull him to stand.

“Can you stand?” You ask him, watching as his arm limply falls from your hand.

“You’re not really here, you’ve never even looked at me twice…” Klaus mumbles through a slack jaw. That’s when his eyes roll back.

“Klaus?” You gently slap his cheeks, trying to get his attention. You sigh deeply, worried when you see his eyes roll again behind closed eyelids. Is he seizing? His body jerks once before sliding further down the wall. You know you can’t leave him here, but you also know that you need Luther to come get Klaus, you can’t move him.

“Please don’t move, I’ll be right back.” You say hurriedly, cupping his cheeks to force him to look at you. Klaus grunts in what you can only hope is an acknowledgement that he heard you before you’re standing and sprinting for the Academy. By the time you’d reached your destination and had delivered your convincing argument to Luther, it’d been 45 minutes. You lead the way back to Klaus praying to God that he was exactly where you’d left him, but you doubt it. Sure enough, when you turned the corner into the alley, Klaus was nowhere to be seen.

“Shit!” You cursed, a panicked glint in your eyes as you helplessly turned to Luther.

“Please help me find him.” You plead, grasping desperately onto his arm. Luther has what you can only describe as a scowl on his face as he turns to you.

“I’m not doing this again.” He snapped.

“What do you mean?”

“Getting invested in Klaus’s recovery, I’m not doing it again. Letting myself believe that he could get clean only leads to more disappointment when he eventually uses again.” You can see layers of old scars in his eyes, reflections of all the times Klaus has relapsed and let his siblings down.

“Luther I get it, really I do. But right now Klaus is God knows where, and when Reginald realizes-” The mention of his father causes Luther to stiffen considerably. Deep down Luther knows that Klaus wouldn’t have substance abuse issues if he didn’t spend half his childhood locked in that damn Mausoleum being tormented by the dead.

“Let’s just find him quickly.” You nearly celebrate when Luther finally relents but you don’t, instead you immediately start searching the surrounding streets and alleys in search of your resident junkie. You doubt Klaus could go very far, he’d been in really bad shape when you saw him last. He could hardly sit up let alone walk, did he crawl?

“Found him!” You hear Luther call, and when you turn you see Luther standing with Klaus slung over his shoulder at the end of the alleyway. Klaus has the hint of a smile on his face as Luther hauls him back, and you’d almost say Klaus looks entertained. Although, it could be the hallucinations making him smile like that. By the time you’d arrived back at the Academy, the mysterious needle you’d taken from Klaus’s arm earlier had been thoroughly tested by Grace.

“It’s heroin.” Allison’s shaky voice came from the doorway of Klaus’s bedroom. You turned to look at her, watching as nothing but anger fills her eyes.

“He promised me that he’d never done any hard drugs, he promised it was just weed and painkillers! And he’s injecting heroin?” You can tell that she really is hurt, you can see the betrayal in her eyes before she’s turning out of his room.

“Allison-”

“No, I won’t watch him slowly kill himself. In 2 weeks when we finally turn 18 he’ll be gone anyway. Don’t forget to invite me to his funeral.” She snaps, wiping her eyes before slamming his door shut. It was then that you’d decided not to give up on him, because the second everyone lost faith in him was the second they signed his death certificate. Loving an addict is harder than you would think, but you were willing to be Klaus’s person, so long as he was dedicated to getting better. If Klaus gives up on himself, then there’s no point. So you sat on the edge of his bed and used a rag to wipe away dried vomit on his face and neck, plus you dabbed at a closing gash on his head which was still bleeding a little.

“Y/N?” You hear him mumble, and when you look up at him again you see his eyes have cracked open. You brush his hair off his forehead, and the look in his eyes has your entire body heating up. It’s not a particularly provocative look, more of a hungry curiosity. There was still gentleness there, and a sincerity beneath it all. All his siblings have given up on him at this point, and deep down you think Klaus knows that. They’ve reached the point that the next time Klaus goes missing, they won’t look for him or even worse- they won’t even realize he’s gone. The thought breaks your heart.

“Hi.” You can’t think of anything else to say. Klaus reaches one hand up to wind into your hair, a sly smile crossing onto his face.

“Can’t say I remember the last time we properly spent quality time together.” He raises one brow, his hazel eyes twinkling mischievously.

“That’s because we never have.”

“What a shame.” The smug smile on his face makes your cheeks heat up embarrassingly. You feel all mushy in his presence.

“You have to get clean before Reginald gets home tomorrow.”

“Oh wouldn’t want to disappoint daddy dearest.” You can practically taste the sarcasm in his tone, but still he keeps that damn smile stretched across his face.

“He’ll lock you away if he finds out, stop pretending like this isn’t a big deal.” You sigh, standing to find him clean clothes. Klaus pushes himself onto his elbows, his head is swimming. The nausea twisting his gut is hard to ignore, but watching you bend over in those tight jeans has him ignoring the discomfort. He wouldn’t miss the show for anything.

“Enjoying yourself?” You ask him once you notice him staring. You use snarky comments to hide how flushed you are, how flustered you are from the heat in his gaze.

“Enjoying the view.” Is all Klaus says, and you know he can see how red your cheeks are. You shake your head as you toss clean clothes at him, quickly diverting your eyes when he begins to undress with you still in the room.

“Jesus, warn me next time!” You squeak as you turn your eyes to the ground when he tosses his dirty pair of tight jeans at you along with his shirt. You hear the zipper of his tight black jeans pull up and that’s when you decide it’s safe to look. When you eye him again, he’s sitting up on the bed pulling his shirt on over his head.

“What’s the fun in that?” Despite his snarky comebacks and the smirk on his face, you can tell he doesn’t feel good at all. There are bags under his eyes and he winces every time he moves. You place a hand on his shoulder when he tries to stand, a look he can’t quite read on your face.

“I’m gonna make you something to eat, please don’t go anywhere.” The genuine fear in your eyes as you look down at him has Klaus rooted to the bed. Suddenly a fear of letting you down cripples him then, and he can only manage a nod before you’re leaving the room.

//

The first time you saw Klaus overdosing you had come home from work early. It was a few months since you and Luther found him in that alleyway, and he’d made no attempts to clean up. Of course you thought he was clean and attending meetings. Klaus knew you’d be heartbroken if you knew the truth, and he was borderline worried you’d kick him out if you knew he spent most of the day high. If he knew that you’d fallen head over heels for him, he wouldn’t be worried about being kicked out. Klaus was clean the first week he moved in with you, but then came the ghosts. Their voices echoing in his head, their bloodied and battered bodies plaguing his every waking moment. He had clamped his hands over his ears to try and block them out, and he actually endured the tortuous voices for 17 hours before he gave in and popped some oxy.

“Klaus I’m back-'' Before you could finish whatever you were saying you spotted him lying unconscious on the living room floor. You dropped a glass platter and everything felt like it was happening in slow motion. You immediately scrambled towards him as the glass shattered everywhere. Your hands cupped his cheeks as tears filled your eyes, and you could not stop shaking.

“K-Klaus?” You gasped, shaking his shoulders to no avail. His body was practically lifeless, and his skin was almost gray and colorless. You lifted his wrist to check his pulse, and nearly burst into tears of relief when you felt a pulse but it was fading fast.

“Damnit Klaus!” You sobbed to yourself, leaning down to see if he was breathing. You held your breath, and prayed you would hear his faint breath. When you didn’t, it felt like you had been plunged into cold water. The panic struck you deep in your chest and you quickly sat up to perform CPR. You tilted his head back as the tears flowed down your cheeks, and you quickly started compressions. You reached into your pocket to press the stupid little life alert button you’d purchased when Klaus moved in. In moments like this you knew you needed a quick way to call an ambulance. You listened for his breathing once more, and cried softly when you still didn’t hear any breathing.

“Klaus please, please.” You didn’t know what you were pleading for, but you were so desperate for him to be okay that you couldn’t think straight. You continued compressions and then breathing into his mouth for 10 minutes before the emergency services arrived. They nearly had to pry you off him before shoving a breathing tube down his throat, and injecting him with something in a syringe. You’d climbed into the ambulance next to Klaus, his hand held tightly in yours. He looked lifeless in the hospital room, his eyes were closed and there were tubes sticking out of him. The steady beeping from the monitor was your only clue that his heart was still beating. You called his siblings, but after 5 hours you figured they weren’t going to come, you doubt they’d even listen to the message. Underneath the fear there’s anger, so much anger. How could he do this to you? He lied to you. He said he was clean! Did he ever attend a meeting or was that just a lie to go get more weed and pills?

“Hey you.” You hear his raspy voice from beside you. Once he started breathing on his own again they replaced the breathing tube for oxygen in his nose. The doctors said they would need to keep him here until he completely detoxed. There are tears welling in your eyes and you refuse to meet his eyes, you’re upset and he knows that.

“Baby I’m sorry.” Klaus tries, his hand reaching out for yours. You keep your arms folded as a tear finally falls down your cheek. Klaus hates seeing you cry and he hates even more that he is the reason you’re crying. You weren’t entirely surprised to hear him call you baby, you and Klaus have gotten close during the time he’s been living with you.

“Please look at me.” Klaus begs, a break in his voice that lets you know he has tears in his eyes. You lifted your gaze to meet his, and you see how sick he looks. His skin is gray, his eyes are sunken in and they have bags under them.

“How could you? You lied to me.” Your voice is soft, broken. This is the first time Klaus has truly let you down and you can’t help but wonder if this is how his siblings have felt every time he’s let them down. You see guilt flash in his eyes, the look in your eyes is worse than any other look Klaus has received from his brothers and sisters.

“What if I didn’t get off work early? Then you’d be dead Klaus!” You sobbed, tears wracking your body.

“Baby I swear when I get out I’ll get it together. I-I’ll clean up I promise.” A stray tear falls down his cheek and Klaus quickly reaches up to wipe it away. His hands are trembling when they reach for yours again but you still don’t budge.

“No Klaus, you’re going into fucking rehab. I can’t live with the constant fear of coming home and finding you dead. I love you too much to lose you.” The last part slips out by accident, but you can’t take it back. Klaus’s eyes widen as another tear trails down his cheek, and this time he doesn’t wipe it away.

“You love me?” How could he not know? You laugh bitterly as tears continue to cascade down your cheeks.

“Yes I do, and if you give even half a damn about me you’ll check into rehab.” You beg, your watery eyes finding his. Klaus lays his head back, his own teary eyes looking up to the ceiling before they close and he takes a deep breath.

“I love you so fucking much, so I’ll do it. For you.” Klaus finally whispers, reaching for you one last time and this time, you take his hand.

//

“Please tell me you’re going to take this seriously. Please? I-I can’t lose you.” You beg a few days later once Klaus was finally cleared to leave the hospital, but he would be going right to rehab. The doctors had him sign a document agreeing to be taken straight to an intensive rehab program as soon as he was released from the hospital. Klaus in all honesty was a tad bit put off by the idea of going into rehab, and was downright terrified of having to deal with the voices. Luckily he had Ben with him to help keep him sane while he was in rehab. Klaus really does love you, and he really does want to give sobriety a shot- but only for you.

“I promise, I already said I was really going to try.” Klaus sighed, turning his gaze down to look at you.

“You have no idea what that was like for me Klaus. Coming home to your lifeless body, I-I thought you were fucking dead.” You snapped, looking away from him as tears build in your eyes again. You’re so sick of crying. You feel his fingers grasping your chin, turning your head to look at him.

“I’m not dead baby, I’m here. I’m gonna get clean, and I’m gonna stay clean. I promise.” Klaus whispered before pressing his lips against yours. What you didn’t know then was that Klaus would be making that promise a hundred more times, and he’d be breaking it a hundred times. Deep down he didn’t want to get clean, he didn’t care enough about himself to try. The dead were too overwhelming, too scary, too much. Klaus couldn’t handle it, he didn’t want to. What he wanted was to be completely numb. The kiss was watery, but you pressed against him with such ferocity you almost took him by surprise.

“Mr. Hargreeves? The van is here.” A nurse says, clearing her throat awkwardly from the door. Klaus breaks the kiss first, his forehead pressed against yours. You can’t stop the tears as they trail down your cheeks. You sling his bag over your shoulder as the two of you head outside together. You see a man in scrubs take Klaus’s bag as other patients from the hospital pile into the van.

“I’ll only be gone for 3 months. Be back in a flash.” Klaus smiles, but the mischievousness doesn’t quite meet his eyes.

“I love you.” You whisper as he presses a kiss to your forehead.

“I love you.” Is the last thing you hear him whisper before he’s climbing into the van.

//

Klaus’s sobriety didn’t last long after rehab. Sure he’d attended all the group therapy sessions, and the annual detox therapy, he saw his therapist and followed the steps. He’d gone through the entire agonizing process of detoxing from the drugs. He wanted to be better, but then the voices came once more. Wailing in his ear about how desperately they wished to be alive, all the horrible details of their death, all the people they left behind. Ben tried to talk Klaus through it, to help him embrace his powers rather than reject them. But when Klaus sat straight up in bed, your sleeping body next to him and a thousand desperate voices screaming in his head he couldn’t take anymore.

“Don’t do this.” Ben pleaded, although he sounded defeated more than desperate. But Klaus’s shaking hands were already reaching for the closest pair of pants, which happened to be one of your skirts. Klaus was way more than itching for a fix, he was downright clawing for one. His eyes were wild as he stood up slowly, careful not to wake you up.

“She trusts you Klaus.” Ben tries again, he’s begun resorting to guilt tripping to keep Klaus sober. For the last few days it’s seemed to work, but Ben doubts it’s going to work now. Klaus is too far gone. “That isn’t going to last forever, eventually she will give up on you.”

“Shut up.” Klaus hisses, pulling sneakers on before turning for the door of the apartment. Ben appears in the doorway of the staircase, and Klaus raises a brow.

“Save whatever speech you have planned, I need it now.” Klaus says desperately, walking down the stairs- through Ben.

“Screw you Klaus, you’re taking advantage of her!” Ben snaps, you may not know Ben is around but he’s gotten to know you. He cares about you, in a sisterly way, and he hates seeing Klaus take your love and throw it away.

“Shut the hell up Ben.” There is genuine anger in Klaus’s tone now, his fists clenched as he continued towards where his normal dealer hangs out. Ben doesn’t particularly like hurting Klaus, but dammit someone has to stop him from destroying his own life.

“If you really cared about Y/N, you’d turn around and go home. She’s still laying in bed, thinking you’re next to her. How amazing is it that she wants you to be next to her, and you don’t seem to care at all. If I was alive, I’d love her right.” Ben yells, and this causes Klaus to freeze.

“Like hell you could! Y/N only wants me.” Klaus insists, but Ben can see the insecurity swirling in his eyes.

“For how long? When she realizes you relapsed again she isn’t going to want anything to do with you. Or you could go home Klaus, and put her first for once.” Ben says, his voice calmer this time. Tears well in Klaus’s eyes, he loves you more than anything on this whole planet.

“I’m sorry, I need it.” Klaus whispers before turning down the alley to see his dealer. This time, Ben doesn’t follow him. He can’t watch Klaus overdose again, he can’t watch him throw you away for drugs.

//

The first time you have sex with Klaus, he was high. You don’t know that, and Klaus knows exactly how you’d react if you did. It was a month since Klaus had gotten out of rehab, and you believed it also signaled a month of sobriety for him. In reality, Klaus hadn’t even made it a week before he relapsed after rehab. You wanted to celebrate with him, to do something nice for him. Ben watched you light candles while Klaus took a “nap”. It made him sick to see you do so many nice things for Klaus, while Klaus was really shooting up in your shared bathroom. You’re out here setting up something nice to celebrate Klaus’s sobriety, and he’s injecting heroin into his veins. It truly does make Ben sick. You lit the last candle, and when you reached up to remove your robe and reveal your lingerie- Ben disappeared. He isn't a pervert, he knew where this was going.

“Klaus?” You called nervously, smoothing your babydoll lace as you sat on the bed. You knew you wanted this, you were just nervous. When he emerged from the bathroom, his eyes widened as they landed on your nearly exposed breasts. He’d never seen you so naked before. Klaus swallowed a thick lump in his throat, and suddenly everything felt hotter, and tighter.

“Hey.” Is all he can say before an easy smile makes its way across his face.

“I just wanted to congratulate you on 1 month of sobriety.” You say softly with a smile, and then all the happiness drains away. Klaus feels sick to his stomach as guilt nearly brings him to his knees. You believe in him, and he’s pissing it all away. He wished he was stronger, but he isn’t. Klaus is weak and he isn’t worth it, and soon you’re going to realize that.

“You didn’t have to do this.” Klaus whispers and you shrug with a nervous smile on your face.

“You don’t like it?” You ask, your eyes widening. You’re really putting yourself out there and you can only hope he likes this. Klaus takes a step forward, his hands landing on your hips.

“No baby I do! I love this.” Klaus reassures you, and you feel your cheeks heat up when you see his eyes go wandering down your body. HIs lips lower to yours then and you feel like you’re up in the clouds. Klaus feels his heart breaking with every tender movement, every gentle brush of your fingers through his hair. It’s all he can do but to grab you and press you against his body with a bruising force. The desperation in his movements is what catches you off guard, his hands are hauling your thighs up around his waist. Normally Klaus isn’t this assertive in the bedroom, but he needs to feel your skin against his. He needs to know you’re here with him, because soon you won’t be. He knows that.

It’s not long before you’re undressed and your legs are spread open for him, and Klaus has no idea what he ever did to deserve you. Deep down he knows he doesn’t, you deserve someone like Ben. Maybe that’s why what Ben said really struck a nerve, because deep down Klaus knows if Ben were alive- you’d choose him. You’d never choose Klaus if he were being compared to Ben. Klaus grasps his cock in his hand before guiding the head into your tight opening, and when he pushes into you- it feels like absolute heaven. But there’s only one thought on Klaus’s mind, I don’t deserve this.

//

The second time you see Klaus overdose, it’s the morning after the best night of your life. It’s the morning after you sleep with him, the morning after you feel truly connected to him like you’re one. You stretched with a yawn, a smile on your face as your hand reaches over to where Klaus is sleeping next to you. When your hand finds cold sheets your eyes blink open, he’s already awake?

“Klaus?” You call softly, waiting for a response. When you don’t get one you finally drag yourself out of bed, you enter the living room. Again no sign of Klaus whatsoever. Panic creeps into your chest then, he’s just out getting coffee or something to surprise you. You bite nervously at your nails before you turn back to your room to push into the bathroom. The sight before you draws a gasp from you. Klaus is slumped against the wall, his arm still on the toilet with the tourniquet around his arm. The needle is on the lid of the toilet next to his arm, and you immediately rush towards him.

“What have you done?” You whisper desperately, reaching for the life alert you have in the bathroom. You have one in every room in your apartment, which at the time felt like overkill but now looking back on it you’re happy you did. You pull Klaus to lay on his back, yanking the tourniquet off his arm. You try to feel for a pulse, and much to your horror you don’t feel a pulse. You frantically press your ear to his chest, his heart isn’t beating.

“Oh my God Klaus!” You nearly scream in horror, balling your fist up and slamming it down on his chest as hard as you can. You continue to do this, tears cascading down your cheeks. He’s dead, his heart isn’t beating.

“Klaus, why? You said you were sober!” You scream in pure emotional agony. You hardly notice when the paramedics arrive until they pull you away from him.

“H-his heart isn’t beating. Please help him.” You beg as they rush him out of the apartment, but this time...you don’t go with him. You’ve finally reached the point all of Klaus’s siblings reached, the point where you just can’t take being let down anymore. You believe in him, you feel hopeful. Then you feel lower than low when you realize he relapsed again, you can’t do this anymore. You can’t take the let down anymore.

It’s a few days before you go see Klaus in the hospital, and you know what you have to do but you’re not sure you have the strength to do it. Klaus is sitting in bed, eating chocolate pudding, and this time he looks worse than last time. He glances up at you when you come in, and he has to do a double take.

“Baby-”

“Please don’t. I don’t want to hear your excuses, or your promises to get clean.” You interrupt, and it’s only just now that he notices a suitcase in your hand. There are tears endlessly falling down your cheeks, and inside you feel completely dead. Klaus knows what the suitcase is for, he knows that you’ve lost faith in him. Just like Ben predicted you would, but despite the fact that this is all Klaus’s fault...Ben still sits nearby with a look of sadness upon his face.

“What’s the suitcase for?” Klaus brings himself to ask the dreaded question even though he already knows the answer. You swallow a lump before depositing the suitcase on a chair at the end of his bed.

“That’s all your stuff. D-Don’t come back to my apartment. Don’t call. I can’t be with you like this.” You cry, watching as the broken look on your face crosses onto Klaus’s.

“Baby please don’t do this. Just give me another chance, I’ll stay clean this time-” But you’re already shaking your head, taking slow steps back towards the door.

“We’re over Klaus. I’m done. I can’t be terrified of finding your dead body, I can’t wonder where you are at night or where you’re going when you sneak out. I can’t live like this anymore, I don’t want to live like this.” You sob, your shoulders shaking as you cry softly.

“Please don’t give up on me, not you.” Klaus pleads, and the look in his eyes nearly makes you change your mind, But then you remember where he is, that he did this to himself. You shake your head.

“You’ve given me no choice Klaus! I can’t take it anymore, I can’t handle anymore heartbreak.” You snap, tears heavy on your cheeks.

“I can get my shit together, I can!” Klaus pleads as your hand finds the door handle. He can’t lose you, not you. Anybody but you.

“I know you can, but I can’t wait around wondering if you’ll get your shit together before you overdose and die. I can’t wait around hoping the latter will come first. Goodbye Klaus.” You open the door and step into the hallway.

“No, Y/N please. I love you.” You hear Klaus call before you’re closing the door behind you. Your heart shatters as you do, and continues to shatter as you walk away.

Despite what you said, he called. He called over and over again and even came to your apartment. You remember him knocking and begging you to open the door, you had slid down the wall sobbing softly with your hand over your mouth. You love Klaus more than you’ve ever loved anyone, but you can’t watch him die. You can’t. You had to let him go and hope that someday he gets clean, and that he stays clean. You hope that someday he finds something or someone to stay clean for. Clearly, you weren’t enough.

“Please open the door, I know you’re in there.” Klaus begs, leaning against the closed door.

“She’s crying. I don’t think she’s going to open the door.” Ben says, poking his head through the door to look at you. His heart breaks for you, he tried to warn Klaus this was going to happen.

“I love you Y/N, just give me one more chance please.” Klaus tries again but you stay rooted to the floor, your body shaking through the tears.

“You’re hurting her Klaus.” Ben says softly, and Klaus finally takes a step away from the door with a look of realization on his face. He is hurting you. You don’t want him here, and as much as that kills him it’s the truth. The longer he sits here in the hallway, the more you’re going to cry. He has to let you go. He quickly wipes away falling tears before slinging his bag over his shoulder. Klaus leans down to slide something under the door before heading back down the stairs, and this time he isn’t going to be coming back. You turn to see a piece of paper with a plastic bag sitting on your kitchen floor. You lift the bag, and inside it is a necklace. It’s a silver heart with diamonds along the side, but on the inside is a rose made out of rose gold. You feel tears drifting down your cheeks as you turn to the note.

“Happy 1 Year Anniversary. I love you. -K”

You collapse to the floor, clutching the necklace and the note to your chest tightly. You never thought you would lose him, actually you were stupid enough to believe you could save him from himself. But you can’t save him, you never could. No matter how much you love him, it’s time to let him go and you can only hope that the next time you see him isn’t at his funeral.

//

-9 Years Later-

The letter clutched in your hand was one you never thought you’d be receiving. It’s from Allison, saying that her father died so she’s in town. You can’t fight the excitement you feel upon realizing you’re probably going to see her soon. You missed her. The prospect of running into Klaus crosses your mind, but c’mon what are the chances he’ll even show up? His father locked him in a Mausoleum for most of his childhood, you know for a fact that Klaus has no love for Reginald. You’re surprised Allison is going, but then again Reginald always did his little “experiments” on Klaus. Never the others. Besides Vanya, he treated Klaus the absolute worst. So you seriously doubt Klaus will turn up, plus you’ll only be there for like 10 minutes to see Allison. That’s the only reason you’re standing here, knocking on the door.

“It’s been a while Miss Y/L/N.” Pogo says once the door opens. You smile upon seeing him and can’t help yourself as you stoop down to hug him tightly. You’ve really missed Pogo these last few years. But you had to forget all of this, push it to the back of your mind. Any reminder of Klaus would cause you to collapse into tears, so you couldn’t think about any of it. There were a few times you nearly asked Allison to use her powers to erase your relationship with Klaus from your head. There was a while where you felt like you couldn’t be happy without him, but overall you did fine.

“Oh my God! Y/N!” You hear her before you see her and before you’ve even properly turned around Allison’s arms are winding around you tightly. You feel tears burning the backs of your eyes as you hug her back, it’s so good to see her. When Allison pulls back, her eyes scan your face before flickering behind you.

“Where’s Klaus?” If it were a few years ago, the question would have sent you to your knees in tears. You shake your head with a smile.

“We broke up a few years ago.” The pain behind your eyes is unmistakable. Allison nods before her gaze is flickering down to the necklace secured around your neck.

“Then what’s that?” She lifts the necklace in her hand, the necklace Klaus had slid under your door.

“It’s just a necklace I don’t know what you-”

“I helped him pick it out Y/N. It was the last time I talked to him.” She said and you nod slowly. You hold the metal in your hands, you’ve been wearing it every day since he gave it to you. Clinging to it like it’s the last piece of him you have, which is sort of true. You stole a few t-shirts of his too.

“I was just about to poke around in my Dad’s office, wanna come?” The playful glint in her eyes sends away the tears that were about to spill over your cheeks. You nod instantly, that was the one room they were never allowed to go into. You skip up the stairs behind Allison, running your fingers along the bannister. You remember all the times you ran up these stairs with Allison, either running away from Reginald or Pogo. Or the times you’d gotten hurt and Grace was there to run her fingers through your hair and hold you to her chest, she really was the best mom. She was a mom to you too, your own parents are pieces of shit and the only person you ever really had was Grace.

“Wow, so weird being in here.” You say once you two breach the threshold into the office. It only takes a few seconds for you to hear someone rummaging around in the drawers. You doubt Luther could fit behind the desk without you seeing him so it’s not him, and you just saw Diego in the hallway. Vanya was downstairs last time you checked so that means…

“Klaus?” Allison says it first. Your heart is in your throat as he stands to his full height, which is a few inches taller than the last time you saw him. He has facial hair, he doesn’t look like a boy anymore. He’s really grown into himself, he’s still super skinny though. His fashion style has changed a lot since the last time you saw him. He’s almost sort of feminine now, and you’d be lying if you said he didn’t look hot as hell. His eyes light up upon seeing her, a wide smile stretched across his face. He hasn’t seen you yet, so you’re going to just sneak out. You turn and head for the door when you hear his voice.

“Y/N? That you?” You hear the happiness edging at the tone of his voice. You can’t bring yourself to turn around, you can’t look into his eyes and remember how much you’ve missed him. He’s probably still using and you can’t get sucked into his addiction again. You stay stock still, tears burning at the corner of your eyes as you see him come into your view. He uses two fingers to tilt your chin up, and when you look into his eyes- it’s all over. They’re the same hazel eyes that you remember, the same softness behind them. The tears trickle down your cheeks before you can stop them. You shove past him and out of the room just as Luther comes in, he lights up when he sees you but the look quickly falters when he sees the tears on your face. His gaze trails back to Klaus and then a look of realization finally reaches his eyes.

“You should go after her.” Ben suggests as he moves to sit on Reginald’s desk. Klaus doesn’t say anything as he empties his pockets of things he was planning to sell before Luther caught him.

“Klaus, you're like an open wound for her, fix it. I thought you loved her.” Ben snaps, and this time Klaus glares at him before storming out of the room.

“I do love her.” Klaus snaps back.

“So talk to her and stop being an idiot.” Ben says, and the anger in his eyes is unmistakable. Klaus groans, pressing the heel of his palms into his eyes.

“I don’t know what to say.”

“How about, ‘I’m sorry’?” Ben suggests sarcastically. Klaus rolls his eyes. Turning towards the railing of the stairs, Klaus spots you next to a giant window. You’re stood with your arms crossed, and he’d be lying if he said he wasn’t happy to see you.

“Don’t think it’s going to be enough, but I’ll try.” Klaus says softly, looking into Ben’s eyes. Tucking the ornate box he stole from the office into his pants, Klaus makes his way towards you.

“Hey you.” Is all he says, but hearing him say those words with his voice, it’s almost too much. It sends you right back to the first time you saw Klaus overdosing, it’s what he said in the hospital room when he woke up. You push a smile onto your face through the tears.

“Hey.” You wipe away a falling tear as you turn to look at him, and you see his eye fixated on your neck. Klaus reaches up to touch the necklace, there’s a smile on his face.

“You’re wearing it.”

“I never took it off, since you gave it to me.” You admit softly. Klaus looks up to meet your eyes again, and you swear he’s wearing eyeliner. Why is that so hot? Why is him dressing sort of like a woman so damn sexy?

“So, I hate this small talk but how have you been?” Klaus asks, stuffing his hands in his pockets. You casually wipe away a few tears, pretending that neither of you know why you’re crying. Even though you both know you’re crying because of him, again. What kills you the most is that everything else about him looks different enough for you to convince yourself that it’s a different person. But his eyes are the same. The same soft, puppy like eyes and every time you look into them you see the broken look on his face when you broke up with him.

“Good. I’m good, you?” You and Klaus really did detest small talk, but when it comes to you two you need to take baby steps. Maybe you can be friends but you doubt it, either way you have to take it slow. Really slow.

“I’m great.” He says with a wide smile, you nod once before turning your gaze out the window again. There’s one question poking at your head, refusing to be ignored. So you lick your lips and slowly turn to him.

“Klaus?”

“Hm?”

“Did you have anywhere to go after I...I um-”

“After you kicked me out?” You don’t expect the words to sting so much when he says them, you don’t think he intended to say it bitterly but he did. You nod.

“No I didn’t, but I figured it out.” He says with a shrug. You feel guilty as you look back out the window, and that’s when you notice him inch closer to you.

“I’ve missed you Y/N.” He says softly, turning his body to face yours. You feel tears in your eyes again, you know what he’s doing.

“Don’t.” You say softly, but his arms reach on either side of you to grasp the railing behind you- effectively trapping you in place.

“I really missed you.” Klaus says sincerely, his lips ghosting over yours. It’s too much.

“Stop! We can’t do this again Klaus.” You gasp, shoving him away from you. Klaus’s eyebrows knit together, but you know he really isn’t surprised.

“Baby I’m different now, I won’t let you down again-”

“Really? Then what’s this?” You snap as tears drift down your face. You grasp the bracelet on his wrist, the bracelet from rehab next to the one from the emergency room. You see him shrink in on himself, knowing that he had in fact been caught.

“After all these years and you’re still using, and you overdosed again? Do you know how lucky you are to be alive? Dammit Klaus, I’m not getting pulled into this bullshit again. I can’t.” You yell, crying uncontrollably now.

“But I still love you, I’m so fucking in love with you.” Klaus pleads and you know he means it. The annoying part is that you love him too, there’s never going to be a time in your life that you’re not in love with Klaus. You shake your head, you really wished you could control your damn emotions. You turn to storm down the stairs when you feel his fingers gently close around your wrist.

“I know you love me, you wouldn’t wear that necklace if you didn’t.” Klaus says desperately, a look in his eyes you can’t quite place.

“Please Y/N, just kiss me. One more time, please.” Klaus pleads, and you close your eyes as you release a heavy breath. You grasp onto his shirt tightly before pulling his lips down to meet yours. Klaus sighs happily against your lips as his hands grasp tightly at your own shirt, pulling you as close to his body as you can get. Your lips move against each other, and you can already feel the heat rising. You moan against him when his hand slips between your legs on the outside of your jeans. You pull away from him as he presses his palm against your core.

“W-We can’t do this Klaus.” You gasp, your head tilting back as he grinds his hardening cock against you. He winds his arms around your waist, his lips finding the sweet spot just under your ear. You mewl softly, your hands grasping his shoulders tightly.

“Sure we can, you don’t want a relationship- fine. Doesn’t mean we can’t have a physical relationship.” He whispers, biting at your neck in a way that makes you feel like you’re melting. You sigh softly as his hand slides under your shirt and up your back.

“C’mon baby, let me make you feel good. Use me to get off. Please.” His filthy words send another wave of arousal through you. You look into his eyes and when you see the heat simmering in them, you know you can’t say no.

“God please make me cum Klaus.” You plead hoarsely, and his lips press against yours again. He hauls your legs around his waist as he takes a back hallway to his bedroom. He presses you against the wall outside of his bedroom, grinding his cock up against your core. His lips trail kisses from the corner of your mouth, all the way down the column of your throat. Your head tilts back and hits the wall, your entire body buzzing.

“Just please tell me, are you high right now?” You gasp, his hand toying with the button of your jeans. Klaus hums in thought.

“A little.” He admits, and it definitely bothers you, but you need to cum so damn badly that you don’t care too much. Klaus kicks the door shut behind him before dropping you onto the bed, his hands yanking your shirt over your head.

“Wait, is this my shirt?” He asks, lifting the fabric to inspect it.

“A memento, come here and kiss me.” You plead again, your bra joining his shirt not too long after. Klaus happily obliges, yanking his shirt over his head before his lips are on yours. Your hands find his scarf, which strangely looks good on him before pulling it from around his neck.

“Nice scarf.” You comment against his lips. Klaus’s tongue swiftly enters your mouth and you, honest to God whimper against his lips. No man has ever made you whimper before. Your hands reach down to unbutton his pants, and you begin to push them down his legs. Remarkably, Klaus has managed to keep the giant box tucked into his pants concealed, kicking it under the bed when you look down to help untangle the pants from his ankles. You help peel his pants off before you’re sliding onto the floor in front of him. You pump his cock in your hand a few times before you’re taking him down your throat. Klaus hisses as his head tosses back, and you have to admit that the way he looks sends heat between your legs. His arms holding himself up as his neck is exposed, his eyes squeezed shut, his chest heaving. He looks fucking beautiful. You lick a line up the underside of his cock, you still remember exactly what he likes. That’s honestly a little pathetic, but at this moment you couldn’t care less.

“Fuck baby I don’t remember you being so-” he’s cut off when you suck lightly, and he moans. “-being so good at this.”

He swallows thickly, daring himself to look down at you. The sight before him nearly makes him cum on the spot. You’re looking up at him through your lashes, there are tears in your eyes, and your mouth is stuffed full of his cock. He can see it bulging in your throat. You bob your head up and down his full length, but eventually Klaus yanks you off him by your hair.

“If you don’t stop I’m going to cum and I won’t get hard again.” He growls, pulling your lips against his. Klaus’s hands are quickly unbuttoning your jeans, his hands hooking into the waistband to push them down your legs along with your underwear.

“You’re too clothed.” He mumbles against your lips, you eagerly help him undress you. Klaus gently pushes you back against the mattress to lay underneath you, his hands pressed on either side of your head. His eyes are practically twinkling as he gazes down at you, and there’s a fond smile on his face as his fingers brush against the necklace once more.

“What?” You ask, your cheeks heating up from the look in his eyes.

“Nothing. Just...this is my happy place.” He says and you turn your head away when it starts to feel too emotional.

“This is just sex Klaus remember? We’re not getting back together.” You remind him, and you hate the crushed look in his eyes but he nods.

“Yeah, I remember.” He says softly, the head of his cock nudging at your entrance. You moan when you feel his tip sliding against your lips, and just that one sound has reignited the fire in Klaus’s eyes. He reaches down to grasp the base of his cock, watching with nearly sadistic eyes as he teases you by rubbing the head along your entrance.

“Don’t be an asshole.” You groan, your fingers curling around the sheets. Klaus leans down to press his lips against yours before he’s sliding into you in one languid thrust. Your breath catches in your throat as you wind your arms around his shoulders. You’re not as tight as Klaus was expecting, which can only mean one thing. You’ve had sex with somebody else, and deep down Klaus knows that he has no right to be upset about it. But he is, he’s really upset about it. He quickly sets a brutal pace, pinning your arms to the bed as he bites down softly on your lower lip. You wriggle one arm free so you can reach up and grasp tightly onto his neck, your fingers curled around his throat. Klaus’s eyes roll back as he continues to pump into you.

“Fuck I missed this.” Klaus groans, his other hand snaking between your bodies to toy with your clit. Klaus has slept with one other person since he was with you, but that was different. It was a man. To Klaus, sex with men is just as good as sex with women but nothing is as good as sex with you. There’s something about you that just makes his toes curl, that edges him a little higher. Maybe it’s because he’s helplessly in love with you, but who knows. Klaus knows he won’t last much longer, especially when you begin to clench around him. He missed being this close to you, feeling one with you. Feeling you. He missed it all, everything about you. He is going to get you back, Klaus has made it his goal to get clean. For you. He never wants to lose you again.

“I missed you,” You gasp, you can’t help it. You did miss him. More than you thought you would, and you thought that time would heal the wound but it didn’t. Actually, the more time that went on the more the wound seemed to open. Klaus continues to push into you roughly, the head of his cock hitting that sweet spot with every thrust. You hold his chest tightly to yours, your eyes squeezing shut when his fingers gently pinch your clit. The tidal wave breaks open then and you’re squeezing around him so tightly that it draws a strangled groan from him as you gush around him. You moan obscenely as you cum around him, your hands holding him tightly. Klaus gasps as he thrusts into you roughly before pulling out of you and instantly cumming all over your stomach.

“I needed that.” Klaus sighs happily, standing to clean your stomach off. You watch him toss the tissue in a trash can before reaching around for his clothes.

“Leaving?” You ask in disbelief, he won’t stay with you for a little bit? Klaus leans back over you before pressing a kiss to your forehead.

“Sorry baby, got an errand to run.” He says reaching under the bed to grab the box. Klaus slides the scarf around his neck once more, and when you see the box you know what he’s up to. He’s going to sell it for drug money. He tosses your clothes onto the bed before turning towards the door. Just before his hand tugs the door open, he turns towards you again.

“Be honest with me, do you still love me?” He asks and you bite down on your bottom lip.

“I still love you Klaus.” You admit, watching the small smile on his face.

“I love you too.” And before you know it, he’s out of the bedroom and closing the door behind him. It’s immediate that you should not have had sex with him, you should have said no but you couldn’t. Why?

Because Klaus is your addiction.

[in-tua-deep]

idk if you still do au ideas but what if delores was a real person in the apocalypse? how it woul dbe done i have no idea but i love all your aus and thought it would be cool

okay okay I don't tend to go for real!Dolores aus admittedly because I find her much more compelling as what she is: a reflection of five himself and a symptom of his crushing loneliness

but i started thinking about it and you know what?? i think five deserves a little socialization, as a treat

so say like, 0.5% of the population is resistant to abilities. Allison would really struggle to rumor them, Five wouldn't be able to jump with them, and, most importantly, whatever the fuck Vanya's ability does has like, reduced damage or something

and the og apocalypse isn't the moon apocalypse, so let's say that it was pure waves of Vanya's powers that fucked over the earth

so 0.5% of the population survives the apocalypse. though, let's be honestly, the real number is a lot smaller than that. People who might have survived Vanya's initial power wave (miraculously) did not survive buildings crushing them or survive the car/plane/bus/train/other transportation crashes or survive being left alone when they are too young to reliably look after themselves, or the variety of other problems that come with 99.5% of the population dying at once

So, Five arrives in the apocalypse and is met with ruin and fire and a whole lot of dead people. He finds his siblings, but it doesn't matter. They're dead. He doesn't even recognize them at first, these strange grown-ups who he identifies not by their faces but by the umbrellas on their wrists that match his own

As he realizes the full impact of his situation, he hears a voice that says, very succinctly, "holy shit!"

It's a girl a few years older than Five himself, maybe 15 or 16, and she is very excited to see another survivor.

And here's where I u-turn this au around bc i'm not all that interested in real!Dolores, but I would be down to talk about Five meeting survivors in the apocalypse, because if Dolores is real I don't buy no one else survived.

So Dolores shows up and see a Literal Child crying over the corpses of his family and assumes that Five is a fellow survivor, and she immediately grabs him up. Five is incoherent with grief at this point anyway, so he doesn't even protest when she basically hauls him away from the bodies. She's babbling at him, but he doesn't really hear anything she's saying

And then she takes him to her dad

(Why not, let's have the 1% potentially be a heritable thing)

and her dad, let's call him just some dad name. like Rick. it has been a fucking WEEK for him, okay. he had his daughter with him, his ex-wife is on the other coast for her work, and by some miracle he survived the apocalypse and so did his child, and he's been wracking his brains trying to figure out what the fuck to do next

and then his daughter shows up with a traumatized thirteen-year-old in tow

now rick is a good dude. he's a dad. they get out of five that his name is five ("what the fuck" dolores mouths to him over five's shoulder and rick can't help but agree) and the bodies he found were his siblings ("Dad and Ben and Vanya weren't there though," this child cries desperately and rick feels his own heart clench in response, "They might still be alive!")

"We can look for them." Rick assures his new adopted child, because he is an adult in a fresh apocalypse and this kid has presumably lost everything he's ever known (more than rick even knows at the time)

and they do. They each get wagons and they go out and find supplies and look for other survivors. Five is... surprisingly helpful and also surprisingly docile as he is able to rely on Someone Else to give orders while he attempts to (dissociate) process what the fuck has happened

and here's the thing: Five prides himself on being independent, sort of. He's independent for a child soldier, but he's used to taking orders from a male authority figure and Rick happens to be just that

The first time that Five does something dangerous and Rick yells is a revelation

(Rick isn't sure if he hopes that Five's dad is alive or not, because if they find that man alive then Rick might just kill the jackass himself. Also like, Five is bizarrely knowledgeable out survival skills, like way too knowledgeable about it, which is helpful for them but also very concerning)

they find a newspaper and Five finds the article that mentions his father's recent death ("Huh. Heart attack." Five says, and there is no emotion in his voice)

(Years later, years later, Five and Rick talk. "I don't think I wanted to find him, either." Five admits, softly because Dolores is asleep, "I think I was more scared of finding him alive than I was of finding his body. He would've been so mad at me, I think.")

this newspaper is how Rick and Dolores find out about Five being Number Five, Umbrella Academy Missing Person

"Dude, what the fuck." Dolores says, wide eyes, "You're like, thirty?"

"I'm thirteen." Five says, and then checks the date on the newspaper again, "Also I think I would technically be 29 if I lived through all of it, 'cause it's April and my birthday is in October."

"You... time travelled?" Rick asks, which is honestly the more relevant question, "Can you go back?"

And Five just,,, crumples on himself. Because he tried, he tried really hard. It didn't work. "I'm gonna figure it out. I'm gonna go back, I'm going to save them."

That, Rick thinks, is a lot of weight to put on one person's shoulders, but especially the shoulders of a child.

"Alright." Rick says, because what else can he say after finding out his new child has superpowers and is from like, 2004? "What do you need?"

("Oh my god I have so many memes to teach you." Dolores says later, reverently. Five blinks in confusion and Rick mentally prepares himself for the recitation of so many vines)

And it's easier, somehow. Five sometimes feels like it's a betrayal, but he settles into apocalypse life with an ease that surprises him.

He lets Rick fuss over him and help tie his scarf securely around his head every morning before he sets off on supply runs with Dolores. And they're kids! Five has never had a friend before, and Dolores is funny and smart and she's struggling just as much as he is.

"I don't know if my mom's alive." She says to him, in solidarity when he checks the face of every corpse to see if they're Vanya.

Five is practical in the way only a child soldier can be. He's economical with the room in their wagons, carefully examining what might and what might not be useful.

Dolores, on the other hand, constantly takes up space with what Five sees as useless shit.

"Excuse you," Dolores says, shoving a game of monopoly, the entire discworld series, and a pack of glitter gel pens into her wagon, "These are absolutely vital apocalypse supplies."

She challenges him, plays with him in a way no one ever has. "I bet you I can find more batteries today than you can," She grins at him, "Winner gets to pick dinner first?"

"You're on." Five says, directly before Dolores pulls two packs of 24 AA batteries from behind her back, like a cheat.

Dolores makes him take a ten minute break when they find a playground that has been mostly not-destroyed. They rummage around kids backpacks and mother's handbags for some good loot, too numb to corpses to even be bothered all that badly about the corpses they belong to.

"I'm getting on the swings." Dolores says when Five starts making noises about moving on, "I haven't been on a swingset in ages."

"What's the point?" Five grumps.

"Don't be sour because you can't swing as high as I can!" Dolores laughs, getting higher and higher as the swings creak ominously.

Five grumpily gets into the other swing and grudgingly kicks himself back and forth until Dolores takes pity on him and teaches him how to properly move his legs and body to get higher and higher.

Dolores jumps from the swing seat and lands with a flourish and smile. Five jumps out of his seat and then jumps, warping right in front of Dolores and making her yell and hit at him in outrage. Five smiles the widest he has all week.

This is how Five grows up in the apocalypse, with Dolores teasing him into taking breaks and leaning over his shoulder to look at his math and scandalizing him by stating that she'd only just started on matrices in her own high school math class.

Every night they huddle around Rick while he picks up whatever book Dolores picked out that day because it is a travesty that Five has never read hunger games or whatever, and then they read together because it would be a genuine blood bath if they all took turns. The first time Five accidentally mentioned a spoiler and Dolores genuinely considered murder was the birthday of this tradition

Some days the air is too smoky or there are dust storms or it's just plain too dangerous to go out, and they all stay in. Dolores regales Five with stories about public school, and Five tells them about his siblings.

Then they all cry

"I shouldn't be crying." Five sobs.

"Shut the fuck up," Dolores sobs back, "You literally watched me lose my shit over remembering my shitty eighth grade dance and listened to me sob-sing toxic for like four hours."

"In fairness I also wished you would shut up then."

"Let me hug you or I will start singing songs that I only remember the chorus for again you absolute fucker."

"I could always sing some -"

"No, Rick/Dad."

And Five grows up. Rick shows him how to shave very carefully in front of cracked mirrors. Dolores teases him every time his voice cracks. Rick tells Five in no uncertain terms that he loves and cares for him, and that Reginald was a little bitch. There are a lot of heartfelt conversations around that, honestly. Rick telling Five that he and the siblings deserved better, that they were children and deserved to have a childhood.

And that he has faith in Five. Rick and Dolores both do, they bring him back paper and pens and pencils and chalk and anything Five can use to write equations. They poke around any libraries for books on theoretical mathematics and quantum physics. Rick and Dolores go out scouting for food while Five stays home and can work longer.

They also make him take breaks, make sure that he's looking after himself.

They're a little better off than OG!Five when it comes to food, because some animals survive. Enough that Rick figures out how to hunt. Five is the first one to each bugs, and even though Dolores makes faces they all start eating bugs as well.

"Pretty sure there's loads of cultures that eat bugs." Rick says grudgingly, wondering if he should try stirfry the cockroaches and if that would improve the taste. "There's even, uh, cricket flour or whatever, right?"

"Plus you eat like, five spiders a year when you're asleep." Dolores says cheerfully, just to watch her dad's face scrunch up in displeasure.

"That doesn't sound true, but I don't know enough about spiders to dispute it." Five mutters, and Dolores gives him such a proud look that it makes him roll his eyes.

They're in their thirties when Rick dies. He's out foraging and hunting, and the rubble he's standing on gives way and he ends up with a gash in his leg. He manages to stop the bleeding, but the world is filthy and they don't have any antibiotics.

He gets an infection.

"It's okay." He tells both of his kids, "It's okay. I'm just so glad that you guys have each other, y'hear? I'm so glad."

"It's not okay." Five says, voice thick and choked, "It's not."

"Yeah, well, you're going to figure out how to go back, right? Go back in time and save everyone. Then I'll have never died, right?" Rick smiles, "And even if you don't, I'll be waiting for you on the other side and we'll see each other again anyway."

"I'm going to fix it."

"I know. I have faith in you, Five." Ricks says honestly, and that's more than Reginald ever said.

They sit quietly together while Dolores is out scavenging. They've been taking turns sitting with Rick.

"I won't remember you, in the past, will I?" Rick says rhetorically, but Five answers anyway.

"I don't think so."

Rick hums, "Well, doesn't matter. If you need help in the past, you come to me, y'hear?"

"You won't remember me."

"Doesn't matter. You come find me, and you tell me your crazy story until I believe you, and then I'll help you." Rick says firmly, "You're family. You're my son. Timelines? Don't matter. If you need help, with anything, even if it's just with - with filling out a bowling team or something -"

"I have never been bowling in my life and you know it." Five interrupts, but it makes him laugh just a little bit which was clearly Rick's intention.

"Well who knows what you'll get up to in the past! You'll be able to go bowling, you know. Get to wear those uncomfortable shoes. Hey, you go far enough back maybe you can go to Dolores's tenth birthday party and put me out of my misery."

"Was she bad at bowling?"

"Oh, she was wiping the floor with me. No contest."

"Honestly, that sounds absolutely accurate."

"Shut up, bowling just wasn't my sport. Regardless, the point was that I'm giving you a free pass to come and get me. Because I know you, I know how you think." Rick brings up his hand to tap his finger against Five's forehead, "You get it into your head that you need to go it alone, take it all on your shoulders. I'm telling you that if you do that I'll somehow manifest my memories and come smack you over the head for being stupid, you hear?"

"I'm not dragging you into anything." Five says firmly, "I'll have my siblings."

"Who were also children." Rick points out. "And dragging? Dragging is such a strong word for a volunteer."

"A volunteer who won't remember volunteering." Five shoots back.

Rick just shrugs, and then winces when the movement jolts his bad leg. "Five, I'm going to be honest with you here. And sappy. Can you handle a bit of sappiness for a minute?"

"No."

"Well too bad. Can't leave a dying man, you'd feel too bad. So you're stuck with me. But you listen good, okay? Because you aren't dragging me into anything. Whatever life you have, I want to have a part of that. Because you're my son. Wherever you are, whatever you do, I want to help because you're family. What you'd be doing by leaving me out of it is depriving me of someone I love, depriving me of knowing one of the best kids I've ever known."

"Shut up." Five says, choked.

"Nope, it's sappy time." Rick states, "Maybe asking you to come find me is selfish, but I don't care. No matter what version of me exists, I want to be in your life."

"My life is a walking joke, why would you want any part of that?"

"It has been my privilege to watch you grow up. To help you. To be here for you. Of course I'd want to be there to watch you grow up the rest of the way."

"But -"

"Shut up, just let me tell you that I am so proud of you. You never give up, and your heart is so big. You love so much and so loudly, and it's been the highest honor of my life to be included in your family."

Five pauses for a moment to collect himself before simply saying - "You're the best dad I've ever had."

Rick snorts, "Considering my competition, I'd sure hope so. That bar was so low old Reggie was practically limbo dancing with the devil. Now get over here and give an old man a hug."

They don't bury Rick, when he dies. They don't have time and the ground is too hard and they don't have the heart to move him. Instead the pack everything up and seal him in the shelter they'd lived in.

Dolores pulls out a bottle of ancient nail polish and painstakingly writes Rick's name on the wall with his birth year and an approximate current year. They aren't 100% sure though, since time blends together out in the apocalypse, but it's something.

They continue by themselves. They get older.

Dolores jokingly calls him her husband because the way his face scrunches up makes her cackle. They see other people very occasionally, usually passing through. Usually groups. Dolores and Five get to flex their hosting skills, though more than one group declines their cockroach stirfry.

("It's a family recipe." Five says with amusement in his eyes that usually manages to drown out old grief.)

"Jeeze, that kid couldn't have been older'n twenty-three." Dolores complains, "Makes me feels positively ancient."

"They wouldn't have known any world 'cept for the apocalypse." Five muses, pouring some boiled water into wine glasses because they might be living in the apocalypse but they can be fancy.

"Do you ever think about that?" Dolores asks, turning to him with no judgement, just curiosity. "When you go back, you'll be like, erasing them from existence."

Five shrugs, "Maybe. Maybe not. Maybe this place will just split off into an alternate timeline."

"Maybe none of this is real." Dolores says, amusement coloring her voice. "Maybe you aren't talking to a real person at all. Maybe this is just a symbol of your insanity and cracked mind."

"Dolores, I literally have a scar where you stabbed me. Did I somehow manage to stab myself in the back?"

"Scraped you, I scraped you. By accident."

"So you maintain." Five says haughtily, swirling his water in his wine glass like a pretentious prick.

"I could totally be fake. You don't know my life."

"I know way too much about you, Dolores. Like, way way too much." Five scoffs, because Dolores and him have literally no secrets from one another at this point. Five even knows the truth behind what happened at Janet Scranton's thirteenth birthday party. Like, he said, way too much.

"Maybe you made it up. Maybe that's why you know so much."

"Dolores, I'm going to be honest with you right now." Five presses the tips of his fingers to his chin, "If you were a figment of my imagination, you would be so much better at math."

"Hey!" Dolores squawks indignantly, "I didn't even get to finish high school you pretentious prick!"

"Neither did I!"

"You didn't even go to high school, you brat."

"I'm fifty-two I think I've outgrown 'brat.'"

"Tell that to your attitude." Dolores says haughtily, "You're still younger than me."

"Won't be when I go back in time." Five says cheerfully, completely ignoring Dolores's venomous look.

"That's cheating."

"Sucks to suck." Five says loftily, taking another sip of his water.

Sometimes they talk about The Plan, with capital letters. What Five is going to do when he goes back in time, depending on when he pops out. Is he going to adopt his siblings? What about Reginald?

"You don't think I could kill Reginald?" Five says, holding a hand to his chest in mock offense.

"I think you should let me do it. I'll even give you control of tonight's music if you do."

"What are you doing to do? Bite his ankles? What if you're like, seven or something?"

"All the better to get away with it since I'll be too young to convict or whatever."

"Pretty sure that's not how the law works."

"How would you know? Just for that I'm playing Istanbul on repeat again."

"I don't know why you think that's a threat. That song slaps."

It takes a few more years before Five is close enough that the Commission comes to interfere. Because that's what I think happened - Five was getting too close and they stepped in because they might as well distract the man as much as they can with missions, right?

So the Handler shows up. And she offers Five a job, telling him that they have the ability to travel through time. And Five - hesitates.

"Give me some time?" Five asks, and the Handler graciously gives him 24 hours.

And he and Dolores talk it over, because now that his goal is more in sight than it has ever been and Five is scared.

"What are you waiting for? You have the chance to see your siblings again." Dolores says patiently.

"Yeah," Five says, and what he doesn't say is clear. But I won't see you.

"Five." Dolores says, and she cradles his face between her palms like he is something precious, "I have had so much time with you already. More than I would have ever. We have been so lucky, to have this time. How can I demand more than what we have already been given?"

"When have you ever not demanded the world, Dolores?" Five asks, his own hand coming up to cover Dolores's own.

"We've had decades together, Five. We're getting old. I was always going to lose you, one way or another. Nothing lasts forever."

"I don't want to lose you."

"I know. But if I had to choose a way, if I could decide where our story ends, this would be it. Letting you go, because this way you get to live. You get to see your family again. You get to save the world. I could ask for nothing more than for you to get your happy ending."

Five removes Dolores's hand from his cheek so that he can cradle it between them, "I'm happy here with you. I've never been happier. Isn't that silly? That I was happier in the apocalypse?"

"I bet killing Reggie would make you happy." Dolores laughs rustily.

"One day you're going to see the mysterious disappearance of a famous billionaire in the paper and feel a twinge of satisfaction and now have a clue why." Five laughs as well, shaking his head.

Dolores pats Five's hands, "Five, look at me. We've had our time. And you're going to give me even more of it. More time with my father. More time with my mother. I'll never know it, but you'll have saved me."

"What if this is - what if this is an alternate reality? What if I leave you here alone?"

"Then you'll be saving a 15-year-old girl from the same fate as me. Because as much as I love you, as much as I have loved this time we have had together, this is still an apocalypse. This should never have happened, and if you have a chance to go back and prevent it, then I want you to take that chance with both hands."

"Even if it means leaving you alone?"

Dolores smiles at him, "I'm not going to be alone. Far too many creepy crawlies in the apocalypse for that."

"Shut up, I'm being serious."

"Hmm." Dolores hums consideringly, "Maybe I'll head North, to that new settlement that last group said they'd heard word of. Sure they'd find some use for an old woman who's survived this long in the wilderness."

"You can have my half of the record collection." Five says, pulling her against him into a hug that she easily returns.

"As if I wouldn't have stolen them as soon as you left." She scoffs, but it's a little wet, and Five pretends his own eyes aren't leaking tears.

When The Handler comes back, Dolores gives him another hug. She also slips something into his pocket - some photos. They'd taken it a year into the apocalypse, when Dolores had found an ancient looking polaroid camera and towed it home despite Five's protests about practicality. The photos are worn and faded at the edges, but the smiles on Five's little apocalypse family's faces are undeniable.

"You'll have to see if they magically fade when you change the timeline." Dolores whispers to him with a grin, "Like in the movies."

"Okay." Five whispers back.

"You have the list of movies to watch, right?" Dolores says. Five rolls his eyes and nods because he wrote the list last night into his Vanya-book while Dolores hovered over his shoulder and critiqued his handwriting.

"And you promise to try a proper non-expired twinkie at some point?"

"That I do not promise. I think even looking at one would make me lose my lunch. I have twinkie-trauma."

"Shut up and get going." Dolores says, because the Handler is starting to tap her foot impatiently.

And off Five goes to become an assassin. Though - he's much more gentle this time. He's careful, he doesn't kill children and he usually takes jobs that don't require killing at all. He distracts and manipulates events as much as he can without killing.

He's actually much more well socialized, thanks to Rick and Dolores. Less feral child and more determined man on a mission.

Which is why he's so frustrated when he finally, finally manages to get the equations to work and falls through and falls - directly back into his stupid thirteen-year-old body.

"Shit." Five says, loudly, and revels in the surprised look on his siblings faces.

He strides into the kitchen, and they all follow him like ducklings. They look exactly the way they did when they died.

"Wow this is actually way harder than I thought it would be." Five muses, looking at their dead faces. But as Dolores would say, life is hard but you have to keep on trucking sometimes. "Whatever, what's the date?"

"Five, where have you been?" Diego demands, looking irritated. It makes Five snort in amusement.

"The future. The past. If you want like, an exact list of dates you'll have to hold your horses. I spent like, two weeks in Peru once. No souvenirs though, unfortunately."

They look taken aback, like they didn't expect Five to have quite this much sass. Oops. That is definitely Dolores's influence. Or maybe he was always a little asshole. In fairness, what teenagers aren't tiny assholes? He has an excuse.

"What the fuck does that mean?" Diego's eyebrows are furrowed in anger. It kind of takes Five aback for a second, because he remembers a Diego who stutters when he argued.

"When did you learn the fuck-word?" Five asks, raising an eyebrow before her can help it, "Grace ought to wash your mouth out with soap."

Diego immediately goes red, "Shut up!"

"Wow you're so easy to rile up. Aren't you like, twenty-something? Actually, I could figure out for myself how old you are if you gave me the date."

"I'm twenty-nine." Diego growls, like that was the point.

"Haunting!" Five says cheerfully, because that means there is way less time than he would like, narrowing his time down to a six month window.

It's extremely funny how his cheer makes all of them make faces.

It's Klaus who leans forward, "Why do you need to know?"

Klaus's face is open and curious and - (looks exactly like he did when Five found him all those years ago) - and Five can't help but answer him. "The world end on April 1st, 2019. No it isn't an April Fools joke, yes I have heard that joke like a million different times. I just want to know how close I landed so I can, you know, start working on how to fix that."

"Woah woah woah, roll it back." Allison says, holding a hand up, "What?"

"The apocalypse occurs on April 1st, 2019." Five says, slowly. "I have traveled from afar to prevent this from happening, because like, everyone dies."

"Everyone?" Vanya says weakly from the side.

She's clearly expecting to be ignored, so Five turns his head to address her directly by wiggling his hand back and forth a little. "Sort of. Like, not too many people survive at all. A handful of the human population, you know."

"But you survived?" Diego recovers admirably, if bitingly.

"Well, no." Five says rolling his eyes, "Wouldn't you just know it, Klaus here has managed to figure out a new ability!"

Everyone turns to look at Klaus, who immediately holds up his hands like he's being arrested or something, "I did not!"

"Wonderful! Now that we've established that I'm alive -"

"Why should we trust a word you say?" Luther says for the first time, looking pensive.

Five blinks, genuinely taken aback. "Because... I'm your brother? Because I can clearly and obviously time travel? Like, yeah, it would have been more convenient if I'd arrived in like, my old-body for proof-purposes, but like. I mean. Thirteen is still a pretty convincing age to be to prove time travel considering if I hadn't, I would be like, almost thirty."

"Roll it back again." Allison says firmly, "What do you mean by 'old body'?"

"Great question!" Five says pointing at Allison and smiling. Everyone looks at him weird again, and Five takes a moment to wonder if they've ever experienced positive reinforcement. Knowing Reginald, probably not. "Wait! Is Reggie alive? Wait, no, answer that in a second. Uh. When I time traveled I fucked up my body I guess, I was like, old. White hair and wrinkles-type old from spending decades in the apocalypse. But I fucked up the calculations and got booted back to my thirteen-year-old body, I guess. How, I have no idea."

"What?" Vanya says, still equally weakly.

"You have no idea how fucked up time travel is." Five whispers conspiratorially to Vanya, loud enough for the whole table to hear, "There are so many ways to die. Or permanently tear a hold in space time. But like, with life as we know if ending soon-ish, I figured I couldn't possibly fuck it up worse than it already was, y'know? Speaking of, anyone have the date again?"

"Wait, what was that about dad?" Luther asks, very focused.

"Oh, you still call him dad? Big oof." Five says automatically, because apparently his verbal filter is shot to hell after living with Dolores. It does make Klaus bark out a too-loud laugh.

"What does that mean?" Luther asks aggressively.

"It means Reginald sucks and doesn't deserve the title of 'dad,' what did you think I meant?" Five asks, and now both Diego and Vanya and both cracking smiles, though Vanya is covering hers with a hand.

"Have some respect for the dead." Luther growls, standing up and looking very large and threatening.

Five sways back, craning his head up, "Woah there big buy, sit down before I injure my poor growing spine looking up at you. Jeeze, did Reggie force feed you steroids or something? I wouldn't put it past him but like, I just want to know he at least went over the side effects of the drug with you. Also like, thanks for narrowing it down. Also terrifying! Seriously though, exact date please because if I have less than 24 hours I am going to break down crying and that is a threat."

"I love this Five." Klaus says reverently.

"March 21st." Vanya offers, finally.

"Wow! Terrifying!" Five says, clapping his hands together, "Hate that. Ten days, huh? Well, who wants to get on board the save-the-world express?"

Klaus immediately flings his hand in the air, Five points at his brother appreciatively. "Yes, excellent! I'll take the volunteer in the lovely skirt as my first team member. Any other volunteers?"

"Danke!" Klaus simpers, grinning widely like this is the vest entertainment he's had in weeks.

"I'm not just going to stand here and listen to you badmouth dad and boss us around." Luther slams his hands on the table.

"Well not with that attitude." Five snarks.

Diego raises his hand, "I would like to join team fuck dad as well."

"We can certainly debate team names later." Five says, nodding wisely as Luther gives some sort of scandalized gasp.

"Honestly, I just want to see where this is going." Klaus confesses.

Five shrugs, because he doesn't really care about the reason. "Don't you want to prove me wrong them? Prove what a well-adjusted young man Reginald Hargreeves raised?"

"Shut up." Luther grinds out, looking a moment away from throwing a punch.

"If this is all true, I have to get home." Allison cuts in, looking concerned, "I have - I have a daughter."

"I mean, if you want to give Claire a world to live in then I'd stick around, but that's just me." Five shrugs.

"You know her name?" Allison asks, obviously taken aback.

Five is almost offended, "Uh, yeah. I have her photo as well. Y'all get on like, a bizarre number of gossip magazine covers did you know that?"

Allison manages to outdo herself in terms of being taken aback once more.

There's a beat of silence, and then Five turns, "Vanya? You in?"

"Me?" Vanya blinks, looking shocked. "What can I do?"

"Yeah, what can she do?" Diego asks, crossing his arms and suddenly looking grumpy.

It baffles Five, who scrunches his nose, "Uh, like, a lot? I assume? I mean. I'm going to be honest here, just looking at y'all right now is a lot. In more ways than one! Hashtag trauma and all that, but like, name a single one of you that wouldn't be the most obvious person in the room as soon as you walked into it. Except Vanya, who somehow manages to look like a well adjusted adult, by some miracle."

"Did you just verbally say the word hashtag?" Allison asks, looking so deeply confused.

"More concerned about the trauma he tacked onto there, but y'know, to each their own." Klaus immediately cuts in.

"You think I'm well-adjusted?" Vanya asks, looking oddly touched.

"I would like to direct your attention to Diego's leather pants-scowl combo and Luther's general aura of daddy-issues." Five says pointedly, "I can practically smell the tragic comic book backstory in this room. If I'd jumped back a decade earlier this would have been Batman's wet dream of orphan selection."

"Alright! Game plan!" Five says, waving Diego's knife in his hand.

Diego's hands immediately go to his weird harness looking thing, "Hey!"

"Give me just one moment to get the tracker out." Five rolls his eyes, "Then I'll give it back, I promise. Also if someone could ask Grace for like, some antibiotics that would be good."

"What?" Allison asks, directly before Five stabs himself and there is suddenly panic at the table.

"Relax!" Five says, allowing Diego to remove the knife from his hands. He doesn't need it anyway and his hand immediately drops down to root in the wound.

"Five what the fuck!" Diego yells, but Five just pulls up bloody fingers and waves the tracker into Diego's stupefied face.

"What the fuck is that, Five?" Allison demands, looking very shaken.

"I literally just said it was a tracker." Five points out, "Now, I think our first team activity should be voting on whether we destroy it or take it out to bumfuck nowhere and ditch it to confuse the Commission."

"What the fuck is the Commission?" Diego barks.

"Man. Maybe I should just hit up Rick." Five muses, "This is going to take so much explaining."

"Who is Rick."

"So much explaining."

[myhumanweakness]

I don’t want to be a huge asshole, but...

There are a lot of people trying to find a modicum of positivity in the finale. It’s not about this Destiel-Bibro war that’s happened over the years, it’s not about Cas, it’s not about any of the superficial drama. This finale was the weirdest mixture of OOC and in character writing I have ever seen. 

Things that are in character: 

The brothers put each other first. They are each other’s safe place and stability. Up until the very end. Sam respected Dean’s wishes, stayed with him in his last moments, and let him go gracefully. Sam even went on and had a full life so Dean’s sacrifices weren’t in vain. 

For Dean, Heaven wasn’t perfect without Sam there. And he had this huge sense of relief and happiness when Sam arrived. 

Jack deconstructed the walls of Heaven so that it was a vast place where everyone could be together. They weren’t living out their “best memories” anymore. They were creating new memories eternally with each other. And Bobby recognizing that Jack is like Dean’s son by saying, “That boy of yours...” 

Cas helped build the Heaven that he always dreamed of. Cas always had such a high standard for Heaven, and it always fell short. He helped Jack build a home that was warm and comforting and beautiful and open and loving and true. Everything Cas stood for. 

Bobby, the man Dean adopted as his father, was there to share a beer with him (just like Dean shared with his dad in his childhood). And Bobby was happy and confirmed that Dean is in a Heaven he deserves. 

Sam mourning Dean’s death for the rest of his life, but also living his life to honor Dean. Classic Sam. 

Dean using his last moments to tell Sam how much he loves him and how proud he is. Sam deserved to hear that because we all know Sam looked at Dean as a parental figure. 

Things that are OOC:

Sam not marrying Eileen. The show created this HUGE story arc around Sam and Eileen and their real love and connection. And then they shoot this finale and couldn’t even get an actress that looked like Eileen to stand it the blurry background. Like, I don’t care what you say, it’s NOT open to interpretation. Sam did not end up with Eileen. All of you people who are Sam stans, who say you want your character to be happy and live a full life should be livid. Sam ending up with Eileen wouldn’t have canceled out the fact that Dean was/is his number one person. Dean gave his blessing for Eileen, and he loved her and welcomed her into their lives because he knew Sam loved her and had a genuine connection with her. Having them together would not have ruined the ending in any way. Sam still could have ended up with Dean on that bridge. 

That woman with the blonde/light brown hair is NOT Eileen. They couldn’t even get an actress with dark brown hair to keep hope alive that they ended up together. Absolutely awful. 

Dean just accepting Cas’ death and not even talking about it, other than to say, “Yeah I think about em’ too.” I don’t care if you don’t believe in Destiel or that the love was reciprocated. Dean EXCLUSIVELY said multiple times that Cas is a member of their family and a brother to the boys. He said the words, “YOU”RE MY BEST FRIEND.” I’m not saying Dean should have scarified himself to go pull Cas out of the Empty (because we had 40 minutes to wrap up 15 years). But the fact that Dean was like: I’m gonna eat some pie and just not acknowledge any feelings or thoughts and act like nothing ever happened is SO OOC. If your best friend died tragically, you’d have something to say about it or act like you had something to say about it. And that’s not to say I wanted Dean to be miserable and hurting. I’m happy he got a dog and found some normalcy. But they lost SO many people, and he’s just walking around cool as a cucumber? When every other season/episode where they lost someone important to Dean he was a mess. And I’m not just talking about Cas- we all obviously know how Dean behaved when Cas died/was missing/Lucifer was controlling him. But even when Jo and Ellen died. Even when Mary died. Even when Bobby died. Even when John died. Even when Crowley died. Even when Jack died, Dean was shown hurting. Suddenly everything is cool and normal there’s no pain or anything? The fuck? A brief moment of acknowledgement. That’s all it needed.

I will never forgive the writers for ending Dean’s story that way. A rusty nail impaling him (probably in his pulmonary arteries/aorta based on the angle) on some random hunt after he finally exhaled the episode before and said, “We’re finally free.” He sacrificed his ENTIRE childhood and life for his brother and the world and so many other people, and he didn't even get to enjoy being a human on the Earth and living a life for more than a week. What! Dean was always a character filled with tragedy, and yeah, maybe he did have to die. You can make that argument. But like that?! AND. AND! Sam held a funeral for Dean and DIDN’T INVITE ANYONE! What!!! No one was there to toast to Dean and share their memories and give him the send-off he deserved. Sam just burned his body alone. Never. That would have NEVER happened. Sam loved Dean SO much and looked up to him and thought the world of him. Dean was his big brother who was fearless and strong and the best hunter on this Earth (and probably every other planet), and he didn’t celebrate his life in the end? 

Cas not showing up in Heaven is absolutely insane. INSANE. It doesn’t matter what you think of their relationship, the show has proven that Cas is important to Dean (even if you think Cas is way at the bottom of the list, he’s on it!). Dean’s ideal retirement/endgame was him, Sam, and Cas on a beach, drinking cocktails, with hula girls. That was the future Dean wanted for him and his family. And you’re telling me that Cas helped Jack build the best version of Heaven possible, and the minute Dean Winchester arrived Cas wasn’t there to greet him. Even just to say “Hello, Dean.” Even call Dean’s phone and say, “Welcome home.” Cas would have been the one greeting Dean in Heaven, with Bobby. Requited or not, it’s canon that Cas is in love with Dean. You don’t just ignore the opportunity to see the person you’re in love with. And... and! Even if Cas didn’t greet Dean in Heaven immediately, he would have appeared in the Impala during the drive. He would have met the brothers on the bridge to welcome them both home. Cas loved Sam too. He would have been there. The three boys together again. Team Free Will!  

I love Cas, and I know a lot of Cas stans feel buried and betrayed and hurt over the show doing a “is he there or isn’t he?” thing. And that is completely valid. I can’t even express to you how sorry I am that so many of us in the fandom are hurting. But I know this show. And this show has always made it clear that it was/is always about two brothers. Fine. But Dean Winchester, the most caring and loving human in the entire universe, deserved better. I am so sick to my stomach that Dean’s whole life was him convinced that there was only one way for his story to end and it was him dying tragically. For years he never let himself even entertain the thought of living a life because he 1) didn’t think he deserved that or was worth it 2) it just wasn’t in the cards. We watched Dean grow so much, SO MUCH, that we finally saw him talking about the future and having hope for the future. And yeah, maybe he wouldn’t get the future he talked about with the retirement on the beach, but he would have lived long enough to experience life outside of just “playing whack-a-mole” and being God’s favorite story and puppet. Dean didn’t even get to enjoy his freedom and humanity. They took a character that they purposefully pushed through so many stages of character development to attain hope and faith and self-worth and promise, and killed him. 

What the fuck!

[chainofclovers]

Ted Lasso 2x8 thoughts

I am so lucky that the creators of Ted Lasso decided to make this entire show specifically for me. #blessed

If last week felt like a bit of breathing room (albeit tense, poignant, character-progressing breathing room) with distinct narrative lines, this week’s episode was a chaotic yet tightly-written swirl of pain and hope and sadness! No neat subject headers for this one, y’all. Just my brain and heart in the inadequate form of a bulleted list. It is the medium available to me at this time.

I am going to remember the moment when Ted calls Sharon and tells her his father killed himself for the rest of my life.

(I could say a bunch of stuff about his face and what he says and how he tries to hide his tears from Beard right after and how insanely much I adore this character and ahhhhhhhh but I’m just going to leave that scene there in our collective memories.)

Jamie. JAMIE. Higgins has given some great advice about love on this show, but his musings about his up-and-down relationship with his own father were not helpful in the context of Jamie’s dad, who is an abusive piece of shit. I really adore that all of the main AFC Richmond staff members are realistically a bit hit-or-miss with their advice and life philosophies (some are mostly miss this season, of course).

And I am completely in awe of the moment when Jamie punches his father. The way he just stands there after Beard kicks his dad out of the locker room. The way you can hear a pin drop. And Roy—Roy who is learning in so many areas of his life about his influence on people, learning that the things he needs aren’t necessarily the same as the things other people need—is the one to cross the room and hug him. Hold him, really, with the tenderness Ted used when he hugged Rebecca outside the gala in 1x4. God.

I’ve thought a lot about how s1 was about giving people a soft place to land. There’s always an angel there when you need one. There’s always an opportunity to be kind. If you look for someone, you find them. If you look for the good in someone, you find the good. And as everyone works through their individual journeys in s2, that can’t always be the case anymore. But there are still so many moments of angels on this show, and it’s not about chance and serendipity and fate [not that it was about that in s1] but about the effort it takes to become someone who can be there for someone else. Or who can be there for yourself. I’m so proud of Jamie for physically fighting back against his father. I’m so proud of Roy for being the one who recognized what Jamie needed.

I have every feeling in the world about how Ted is almost totally frozen both times (s1 and s2) he witnesses Jamie’s father abusing him. In s1, he was still there for Jamie after, and I have every reason to believe he’ll be there for Jamie after this incident as well, but that frozen stance HURTS. He’s in so deep with his pain about his own father that it’s like he physically cannot snap out of it to act in the moment. It seems entirely outside of his control, and it breaks my heart, because Ted wants so badly to be a good father, a good coach, a good friend, a good partner, a good patient. He’s there for people in all kinds of ways, even in his current less-than-capable state. He takes care of Sharon post-concussion and even gets her a new bike! During the disastrous match at Wembley his coaching is ineffectual and everything is chaos but he’s the last one standing on the pitch! But this really awful thing keeps happening to Jamie and Ted is just…frozen in the face of it. Like one of those nightmares where you’re running in place.

The frozen-in-place nightmare also kind of applies to the way the total separation between Ted and Rebecca feels, too. I have never for a moment doubted the writers’ intentions in setting these characters up as soulmates on parallel journeys, and I’m actually really digging (on a story level) how disconnected they are right now. It is IMPRESSIVE that their absence in each other’s lives feels like such a glaring loss, one we cannot forget even as there are so many other things happening onscreen. It is 100% not just shipper goggles making me process information about Ted while thinking about Rebecca and information about Rebecca while thinking about Ted. I know there are a lot of really angry and frustrated people in the fandom right now (both T/R shippers and T/R antis and non-shipping fans who don’t get why s2 is different from s1) and while I understand being frustrated by choices characters make, and frustrated by the feelings the show makes us feel that we just want to feel more of or less of, I continue to agree with pretty much every narrative choice happening right now.

Agreeing with the narrative like this?! This is such a unique experience for me as a viewer—to feel like I’m on a ride that is at once absolutely wild and incredibly sensible and well-crafted, and to feel simultaneously completely invested and anticipatory and speculative but also totally willing to trust where it goes. I long for Ted and Beard to really talk. I long for Ted and Rebecca to stop missing each other. I long for Roy to have a serious conversation with Ted about what’s happening with him. I long for Keeley to find a vocation, something that drives her beyond her projects. I long for so many things! But I wouldn’t long for them if this show was less good. If the show was less good, I wouldn’t have a wish list a mile long because I wouldn’t be so attuned to the details and potential lurking in every scene. THIS IS SUCH A GOOD SHOW, I CANNOT HANDLE IT, I LOVE IT SO MUCH.

(To that end, a great deal of the Ted Lasso tag and so many Twitter reactions reactions to the show feel super stressful right now and I am kind of just trying not to look?! I love this fandom so much because of the amazing conversations that happen and because of brilliant fic and because there are some awesome people I never would have encountered were it not for this show. That little bubble is wonderful and I’d stay in this fandom no matter what in order to keep experiencing those things. But fans’ catastrophic reactions to every little thing that happens, every little choice a character makes that isn’t the “perfect” choice? The takeaway that the writers—on this show of all shows—wake up in the morning ready for another day of torturing shippers rather than another day of writing a beautiful story they genuinely want to write? I do not enjoy those parts at all. I would like to opt out of those parts. I’m having such a magical experience watching this show and talking about this show and listening about this show and writing about this show with a variety of people who feel all kinds of ways. I truly wish I could somehow transfer the energy of this experience onto all the people who are hating it right now. I don’t mind at all that people are having vastly different reactions to this show and are sharing their honest feelings, including the really angry ones (I can appreciate something and disagree with it!), and I get that sometimes the language of fannish reactions is intentionally, ironically hyperbolic. But there feels like this very serious trend of people legitimately thinking writers on this show are targeting shippers and have lost respect for their characters, and I just feel like an alien from another planet when I see that stuff. I guess I just feel like people make art because they want their art to be visible to other people and to themselves, but that doesn’t typically involve specifically catering to or torturing a subset of that audience?)

I am more fascinated by Sharon Fieldstone than ever before. I have been running through every single action with her and Ted so many times. The confirmation that she’s living in club-provided housing (that could not look more different from Ted’s club-provided flat). Ted clearly noticing the many bottles. Sharon’s face while she tries to casually recycle them. (Sharon could legitimately have a more problematic relationship with alcohol than Ted does, and I find that extremely interesting and am very curious to find out what happens there.) Sharon leaving him voice notes while she’s concussed, probably because she’d been thinking about him shortly before the accident. The way Ted calls her and does all the funny voices and it’s not frustrating like all the times he uses his silliness and allusions to deflect during their prior conversations because this time, those behaviors are just a part of him showing care for another person. The way they stretch each other, and Ted is still wrong about the things he’s been wrong about, but they both grow all the same.

While it is pretty much impossible for me to imagine that this show would include an actual romantic relationship between Ted and Sharon (it would be beyond unethical even if they could write it well, and Sharon in particular is so professional and committed to her work, and it would erase so much of the powerful message about the importance of seeking therapy from a professional who is not your friend or partner, and I would totally hate it), watching this episode was the first moment I had this queasy little feeling that it’s possible that Ted could end up developing really complicated feelings about Sharon since, at this point, he’s been honest with her about things he’s hardly spoken about before and you can really form an attachment to people you feel safe with in a new way. (I mean, I’m sure Michelle knows what happened with Ted’s father, but I’m not even certain if Beard does.) He’s so broken right now, and Sharon is such a great person and so different from anyone else in his life (even though Rebecca is also different, and Beard is also different, and Roy is also different, and so on), that I could see things getting really fuzzy for him. I continue to have faith in the way the storylines on this show are handled. I’m just. Putting this here.

(In saying that, though, I also wanna make it really clear that I don’t just automatically assume anytime a new female character is introduced that they’re going to end up becoming a romantic complication. Like, Phoebe is allowed to have a teacher who is an attractive woman and AFC Richmond is allowed to have a sports psychologist who is an attractive woman and Keeley is allowed to talk to Jamie Tartt without it threatening what she has with Roy and all these people can exist as human beings without the introduction of romantic drama.)

Isaac gives every player one haircut per season, OH MY GOD. The JOY during the haircut scene. YES.

KEELEY AND REBECCA. Their text thread. The affirming video call right before Rebecca goes into the restaurant. The way Keeley sits all snuggled up against Rebecca in her office.

I was pretty thoroughly spoiled for the Sam and Rebecca plot through 2x8, and I was bracing for something far more problematic and tortured than what happens in this episode. The words I would use to describe their scenes: awkward, cute, cringy, and understandable. There are a million reasons why this relationship isn’t sustainable, but I felt completely understanding of both their choices here. This show has a lot of thesis statements, but I keep going back to the idea from 2x1 that there are people who enter your life to help you get to the next point, and I think it’s entirely possible that Sam and Rebecca will mutually be that for each other.

I find comparisons between Rupert and Rebecca super upsetting. There are absolutely meaningful things to say about the irony of ending up in a situation with an uncomfortable resemblance to certain taboo elements of an ex’s situation. But that ex is abusive and manipulative and cruel and Rebecca has exhibited NONE of those behaviors, and it makes me really sad to think that people feel that the writers on this show have betrayed Rebecca in giving her this storyline.

As always, I reserve the right to keep blathering about this show. I’ve had a headache for a couple of days, but my head is also so full of 2x8 thoughts that I couldn’t keep them in even if the circumstances for writing this were not ideal. I kind of hate that I’ve included frustrated fandom thoughts within the analysis of what I felt was an absolutely gorgeous, complicated, heartbreaking, near-perfect episode of television, but if ya can’t be a little dramatic on your own tumblr while you’re feeling raw and under the weather, where can ya?

[seeker-of-stories19]

Found this article about things Ian did wrong in Shameless and I’m not saying he’s perfect but this didn’t even make sense so I’m fixing it. (Part 2)

10/20

C’mon I’m dying here so I’ll just reiterate what I was saying in part one of this. He’s mentally ill, so no he’s not making great decisions but that’s not his fault. Also at this point in the show he’s really starting to live with his bipolar disorder, he’s on better meds and he’s moving forward in his life. And seriously if you want to have sex with a ton of people who cares as long as your safe and honest with your partners, which wasn’t the case for Ian but I was annoyed by the overall negativity of this section’s title because it’s really no one else business.

9/20

I don’t have a lot to say about this one because it was a pretty bad thing to do regardless of the circumstances. But I’d like to add that they didn’t have enough of a relationship to be massively affected, and that the last sentence makes Frank out to be the victim of the series. It’s obviously referring to the bridge incident in which he was a victim but saying “he struggled to get over this act of betrayal and cruelty” seems unfounded and out of character. It’s never mentioned again and isn’t this big moment of shattered relationships it’s made out to be in the article.

8/20

Personally I really liked Trevor as a character and I even thought his relationship with Ian was good for the series because it kind of represented everything Ian wanted from Mickey that he couldn’t give and I think being with someone who was maybe his dream guy when he was younger helped him move past whatever idealism he had surrounding his relationship with Mickey by realizing that it wasn’t really what he wanted or needed. And as for Mickey their relationship is clearly unconventional in a variety of ways but they love each other so much and overcome so much more than most people in their relationship. It wouldn’t be considered ‘healthy’ from a phycological standpoint but they work really well together and complement each other and make each other happy. Whatever they have works for them and that’s all that matters.

7/20

This one is also pretty bad but while I’m not justifying his behavior here I still didn’t like how it was presented. Starting once again with the fact that Ian shouldn’t blackmail an old client but at the same time old men shouldn’t be having sex with underage teenagers. And overall I could see Ian’s power play being the result of a mental illness induced trauma that caused him to make decisions he wouldn’t have in a stable mindset. He was not mentally stable and he was high which means he was being taken advantage of even if it was consensual and his clients didn’t have this information. It not being intentional wouldn’t stop it from being traumatizing or hurtful to Ian and I could understand why he’d want to take a little bit of power back after being helpless for so long. Also its nothing like Frank because he’s doing it for a good reason, not to get wasted or high so that again doesn’t make sense.

6/20

Yeah so not his best moment but I’d just like to add that he was genuinely trying to help people so no one would have to struggle the way he (and Mickey) did. And while his behavior quickly turned erratic he was still trying to help albeit in his own unstable way. But it is later revealed that Ian was off his meds at this point which kind of dissolves any validity this claim may have had. And his attitude toward Trevor could be attributed to this as well (or maybe Ian was just losing interest, who knows?)

5/20

His meds don’t cure his illness they just balance it out and sometimes it’s not enough. He doesn’t stop taking his medication because he’s selfish but because he’s sick. And as for the rest of it he’s mentally ill, he’s not thinking straight, and it’s not his fault.

4/20

He’s bipolar and he’s off his meds, not sure how many more ways I can think to say this.

3/20

Great well they’ve been giving him a hard time for at least the past three sections and now the opposite criticism is being made. He believed in the cause and he said he believed in it at his hearing but telling the judge and a group of his followers that the way he’d handled the issue was wrong took courage and I was upset at his followers, some of whom were friends as well, for abandoning him when he admitted he was off his medication. Saying he shouldn’t have withheld a child from their parents and that he shouldn’t have blown up a van aren’t the same as saying he didn’t believe wholeheartedly in the cause.

2/20

Ian lives a life he’s happy with and that’s what matters. So he didn’t go to college (and get kicked out) or buy real estate (and then lose it and subsequently go off the deep end) he manages his bipolar disorder, works as an EMT, and is married to the love of his life while looking out for his siblings too. This seems like a pretty great life to me and despite its challenges he still has room to grow. And again with the medication, seriously?

1/20

Well this is so bad it’s almost funny. Literally Ian and Mickey are the only reason to watch this show and this comment had me torn between laughing and throwing my phone when I read it. I’m going to break it down a little anyway though for fun. So Mickey denied his feelings for Ian (internalized homophobia by the way) considering how his dad behaves when given this news can you blame him for wanting to protect himself? There was the rape incident with Svetlana, Terry tried to beat him to death when he came out, he burned down their wedding venue and tried to kill them on their honeymoon. I wonder why he didn’t accept he was gay sooner? And I’m sorry but are you kidding me, Ian being bipolar does not keep them from being happy, this is discriminatory towards people with mental illness in relationships, insulting to their characters, and blatantly untrue. The whole article was underplaying his mental illness and now they’re saying he can’t be in a happy relationship because of it? Also, the only time they weren’t faithful was when Ian was first suffering bipolar symptoms and didn’t have his meds which isn’t his fault, before that Mickey was just trying to force himself into being someone he could never be because he’s traumatized and afraid (and they weren’t exclusive and Ian knew he was with other people.) I’d like to point out again that there was heat on Ian for this earlier and it’s contradictory but so what he didn’t run away with Mickey. He wanted too but felt responsible for taking care of his family and things worked out better for him having stayed. Their relationship is unique and funny and sexy and they make each other happy so I don’t know what else there is to say.

I really hope people enjoyed this because it took me forever, I’d love to know everyone else’s thoughts.

P. S. The full article is posted to part one of this post for anyone who wants to check it out but mostly to give the writer credit.

Part 2/2

[mmikmmik2]

If you were to sort the Infinity Train cast(s) into the Major Arcana a la the Persona games, which Arcana would you give everyone?

anon I had SOOOOO much fun thinking about this, thank you so much for sending me this. I sorted all the major characters, plus a few other entries, based on a mix of Arcana symbolism, Persona series character archetypes, and general vibes. I came up with answers I feel pretty good about for all but four of the Arcana. (Was really tempted to say Strength is every human character who doesn't board the train because they can handle their problems on their own lol.) This is going to be a long-winded post, so I thought I’d post just the list as an image (which hopefully won’t be too blurry!) rather than wrestle with Tumblr formatting trying to make a short list, and put a big text wall under the readmore talking more about my picks.

If this list does end up illegible, the same info is under the readmore as text! Plus some characters for Magician, Strength, Justice, and Death that I didn’t want to add to the “official” list because they’re more based on headcanon. (Although my reasoning for some of the “official” picks is pretty weak lol.)

One-One as 0. The Fool

Oh my gosh, what am I?

IT is great at fleshing out character backstories and families, so One-One at the beginning of S1 is one of the few characters who really feels like a blank slate. He's got a lot of his baggage back by the end of the season, and I think One and One-One are more similar than they seem at first glance, but S1 does seem to have been very formative for One-One and how he thinks about what he's supposed to be doing and how he relates to other people. So it does kind of feel like his fool's journey.

Alrick Timmens as I. The Magician

The magician begins the journey... by beefing it on a dirt bike, dying, and sending his wife flying off the deep end. Rip.

Alrick was an engineer like Amelia, so I could see him suiting some of the themes of the Magician, like conscious thought and manifesting ideas. His apparent playfulness and insecurity are similar to the Magician characters in Persona.

Kez as II. The High Priestess

“We can’t make this decision for you, Kez.” “You know what to do.”

I thought really hard about making Kez the Magician because just like every Magician since Persona 3, she's dumb, horny, and insecure dlkjasfdkl

(and also her showing up at the start of the story arc and being helpful but also super needy is very Magician)

But the idea of "intuition" really does suit Kez. Sometimes her intuition is as bad as her conscious reasoning, but I think that's a lot because she's so confused about what happened with Jeremy, and Morgan making Kez feel like she did a bad thing by helping him.

Tuba as III. The Empress

She made me feel like I was warm all the time.

Tuba's a mom. Sorry, this one's not that deep, haha.

Simon Laurent as IV. The Emperor

Highest number! I'm the leader now.

Simon has a lot of issues, but the one that felt the most prominent to me was his unhealthy relationship with power, authority, dominance, and rules. Another quote I considered using here was what he said in Grace's memory of meeting Amelia: "I never thought I'd get to see the Conductor with my own eyes. He's perfect! Everything finally makes sense again." In his emotional crisis, he thought everything could be fixed just by the existence of a huge, scary, powerful, male authority figure, even if they weren't doing anything helpful or informative.

Atticus as V. The Hierophant

I like to think that our stones are sturdy and handsome, like the Corgis that crafted them.

Atticus is a figure of traditional authority who deeply loves the history, society, and culture of his people. He often provides spiritual wisdom and encourages Tulip to get out of her own head and engage with the world around her. Also in Persona, Hiero is the Dad Arcana so it's very funny to me (a) to make the little dog be Hiero and (b) that the little dog really does have the strongest Wholesome Dad Energy of the whole cast.

Jesse Cosay as VI. The Lovers

Don't tell me what to do. I'm not going to be a part of anything like this, on or off the train.

This was my first and easiest pick lol, Jesse is sooooo Lovers. Like, the focus on choice and personal values and relationships? Yep, that's Jesse. It works on an "actual meaning of the Arcana" level and a "vibes with the Persona characters" level lol... popular, upbeat, and having such an identity crisis.

Lake as VII. The Chariot

I'm my own person, who is getting off this train!

I don't know if Chariot captures all the ways Lake grew over the course of S2, but I feel like they had the most externally focused conflict of all the IT characters, which suits Chariot. They've been fighting to stake out their personhood from start to finish, and they took action and used their willpower to achieve that goal. Also they have at least a little jock energy which is a prereq for Chariot tbh.

Frank as VIII. Strength

I dunno, I kinda imagine him as a simple man and easily underestimated, but with a lot of heart. The Cat may say they're keeping things casual but I don't think she'd take him with her on her private vacation unless he had some kind of inner toughness that would let him stand toe-to-toe with her.

Morgan as IX. The Hermit

I need to be alone right now. Kez... maybe... we can talk later.

I like that Morgan embodies toxic self-isolation and stonewalling and rejection, but that she seems to be moving towards the positive aspects of Hermit and taking some time to calm down and process and think. I like it when characters can embody the best and worst of their Arcana.

Tulip Olsen as X. The Wheel of Fortune

We have to adapt to the changes in our lives. It's the only way things can get better.

Tulip has a lot of themes and conflicts, but this one is a clear standout as the most important. I also like it for Tulip because, while she has to handle a lot of difficult and even traumatic situations, some of the change that challenges her isn't as unambiguously bad as e.g. the death of a loved one. It really is just change itself she's struggling with, and that's Fortune babey. Also, from the perspective of the train itself and lots of other characters, by reversing Amelia and One-One's positions again and changing how One-One administrates the train, Tulip is the one giving the wheel a spin. That's fun.

Lucy as XI. Justice

One of my friends once described the Justice characters in Persona as "the ones the player character is ultimately accountable towards", and I like to think of Lucy as kind of being that for Grace (...since Hazel has excused herself). Lucy is the Apex kid we see Grace interact with the most, the first Apex kid Grace admitted to herself that she had harmed (see Grace very briefly showing distress and then regret when Jesse points the harpoons at his face and she stops him), and the first person to confront Grace when she came home in The New Apex.

Min-Gi Park as XII. The Hanged Man

I don't know if we'll sell a single album, but we'll figure that out as we go.

Min-Gi sacrifices his "realistic", "sensible" goals for a more personally (spiritually, even?) enriching life that's beyond his control and outside of the expected norm. Like the Hanged Man, who dangles foolishly upside-down, but as a deliberate choice and in a state of serenity and enlightenment. I also think this arcana suits a reading of Min-Gi's character development as starting off going slower as a way to stall and live in denial, but then going slower with deliberation. Compare his arrogant insistence on refusing to act in The Astro Queue Car to his patience and care in The Castle Car and The Train to Nowhere.

Jeremy as XIII. Death

This isn't about the death of his family - I'm thinking of his reluctance to admit his number was going down. He cared about Morgan and Kez, and it's possible both that he may have really wanted to stay with them despite his exit and that that might even have been a healthy choice - they're real ass people with feelings and everything, not holodeck characters. But I also think Jeremy was using his life with them to avoid moving on out of that fog (because it was hard and it hurt and he didn't want to think about what that would mean for him and Morgan) and Morgan was enabling him.

Ryan Akagi as XIV. Temperance

Maybe the experience is the point. I wasn't just rushing you. I was rushing myself.

I think this one speaks for itself. Also, the other quote I considered putting here, from The Art Gallery Car: "You told me I can't appreciate the song without taking in the rest of the album. I need the whole package."

The Cat as XV. The Devil

I always do the right thing.

Honestly, this is one I really wasn't sure about. The Cat isn't a great pick for a lot of the meanings of Devil. She is definitely consumed by material comforts, and the short-term rewards of ignoring her issues at a long-term cost, though. This is more of a "vibes with Persona characters with this arcana" pick... Devil characters tend to start off being somewhat exploitative or even antagonistic towards the player character, and gradually showing a more conflicted and genuine side.

Amelia Hughes as XVI. The Tower

There's a hole in the universe where Alrick used to be.

Amelia's life is defined by catastrophe and upheaval - both those she's suffered and those she's inflicted on others.

Hazel as XVII. The Star

I'm going to keep loving you like you're still here.

When I think of "The Star" as a small but inextinguishable light in the darkness, Hazel seems like the obvious choice. Although we left her deeply wounded, I think she still has a flicker of her hope, faith, and purpose.

Grace Monroe as XVIII. The Moon

But it's unfair for me to tell you how to understand yourself. I mean, I don't even fully understand me.

Grace is probably the most complex and dynamic character on the show and hence one of the most difficult to place. I considered Empress, Strength, Devil, and Judgement for her... I think ultimately, lies and illusions are the most unifying theme of her character arc. Also, from a Persona angle, her pursuit of status out of a lack of true self-worth reminds me of Ai and Mishima.

Alan Dracula as XIX. The Sun

Brought together by the majesty of a superpowered deer!

I'm sorry dkjasfklads this is largely because I thought it was funny to have this completely inexpressive dead-eyed deer as Sun akfk but also... like... it kind of works okay!!! Think about the genuine joy and comfort and positivity he brings to Lake and Jesse (and me)!

The New Apex as XX. Judgement

"Then what are we gonna be?" "Guess we'll have to figure it out?"

This is kind of a Persona mythology gag again because of Judgement being a group social link near the end of the narratives of P3 and P4, when the protagonists have pierced through the lies and actually figured out who the villain of their game is and are ready to really start making progress.

0 as XI. The World

Ah, train does it again!

It's an ending and the completion of a journey, but also the beginning of a new one. And the world is literally what the passengers receive at the end of their train journey. Welcome home.

[therealjanejackson]

Heres a bunch more thoughts. Some of them are in line with my previous thoughts, many of them are contrary. Warning for being really quite long. More under cut.

I am warming up slightly more to the idea that Belos is just a one note villain, honestly it was my original interpretation of the character before we ever heard from Philip anyway, I just saw Philip, went “that’s definitely Belos”, and Philip seemed like a good boy and I thought that was an interesting angle. Not to mention, I mean, not to make a mountain out of a molehill but just how ridiculously queer they both seem, I really kinda thought they would subvert the queer coded villain thing and make it about generational trauma and repression and internalised whateverphobia and hfff. Anyway. Homing in on the old interpretation of Belos that existed before Philip. It’s honestly moreso the way Philip could turn out that annoys me. Like I said, I have a strong distaste for stories where “shadowed” younger siblings are depicted as selfish villains for not being okay with being forgotten in favour of their siblings, and surprise surprise, my older sister hates it too! I liked in guardians of the galaxy when Gamora hugged nebula and apologized. But besides that point, I’ve been thinking about it, and I guess the bottom line is I will be okay with any story line they push for Belos so long as they say something about abuse that atla didn’t.

Weirdly specific take, I know. But genuinely, for years, for as long as I can remember, atla and Zukos storyline has been the be all end all of child abuse in animated television, right? In kids media? It’s one of the key reasons everyone immediately jumped to compare Hunter to Zuko. What other animated show aimed at kids can you even think of that covers this topic. I personally can’t. And atla is great but… the abuse story isn’t even really all that complex. I’m not saying it’s bad but you know, ozai is an out and out dick who is completely humourless, never shows his kids affection, hurts them and humiliates them, makes them perform tasks for adults and is never, at any point, shown to have a personal relationship with them. Zukos primary hurdle to get over is the idea that he can somehow win his fathers love and respect by being perfect, and accepting the fact that it’s never gonna happen. Zuko doesn’t lose anything from this revelation: he never had a relationship with his father to begin with. I think it’s great that they had Zuko shoot lightning at his dad and throw him in jail at a time when most television pushed an idea that children should forgive their abusive parents on good faith alone and not only discussed the idea that just because someone is your parent doesn’t mean they love or want what’s best for you, but also showed that just because Azula was favoured doesn’t mean she was valued or loved or had it easy…. But it’s been fourteen years, and I think it’s genuinely sad that no one has had anything new to say about abusive families in that time save for encanto which came out literally a couple months ago.

If I’m honest, the new thing about abuse that I thought/wanted owl house to say, back when I just saw Belos as a horrible manipulative old man who might take advantage of Hunter in any conceivable way, was that the pressure to get out of his situation… shouldn’t all be on Hunter. Back then I was terrified of Belos, and I remember sending one of my friends who didn’t even watch the show yet a lengthy write up about how I was hoping Luz and Amity and Eda would open their eyes and see that the boy needs help, and that I was a little sick of stories where the abuse victim is expected to find the strength inside themselves to cry out for help, and god forbid someone on the outside ever put pieces together and reach out to Hunter first. I still maintain that: I kind of think more of the adults who Hunter encounters should be held accountable for complicity in his abuse, or at least face some sort of remorse for their lack of attention to what could easily be sniffed out as a huge fucking problem. I mean come on, we know from hunting palismen hunter doesn’t walk around the palace with his mask on twenty four seven, you expect me to accept that no one who lives/works there has ever wondered if that scar on his face was really from a mission, or if it was from his brusque, critical and petrification-happy uncle? I digress, I would be just as happy to see Hunter discuss his situation with Luz and/or Amity, and then see Luz struggle with figuring out what the best thing to do to help Hunter is.

Then, of course, we got more appearances from Belos and Philip (not to mention the statue of the man who is presumably Hunters father), and I started to think, “oh, he’s just a repressed queer person, they’re gonna give him a sad religious trauma backstory that he’s projecting onto Hunter, it’s gonna be about generational trauma, he probably won’t get redeemed but he’s not like this for funsies.” Furthermore, Zuko may not have a relationship with his abusive parental figure, but Hunter surely does. Honestly, we see pretty fucking frequently Hunter loves the shit out of Belos. I know we haven’t seen a ton of their interactions but I still kind of feel like Hunter must have some pleasant memories of his uncle to feel that strong a connection to him, and I know Belos is being a manipulative piece of shit at the beginning of eclipse lake but there’s something about the casual teasing and touching in that scene that kind of makes me feel like when Belos is at his best they might have a… playful sort of relationship. Don’t worry, it’s not lost on me that those things come from Belos and are under his control, it’s just a note. What I mean to say is, unlike Zuko, Hunter has something to lose, and that’s someone in his life that he loves very, very much. Through Hunters eyes, I started to see Belos less as a monster and more as a man, one who might have his own trauma and pain, and thinking back to my own childhood friends who experienced abuse, and what their primary struggles were, I had this thought on a different new thing owl house could say about abuse that would make me very, very happy indeed: that just because your abusive parent is struggling, just because your abusive parent is in pain, just because you have happy times with them, just because your abusive parent is traumatised, ill, addicted, trying their best, wants you or needs you or even loves you, that STILL doesn’t mean you owe them anything, that still doesn’t make them the best person to raise you, that still doesn’t make you safe with them because they mean well deep down or whatever.

But it might mean you can see them again someday. If you want to.

This is getting away from me. I’m supposed to be homing in on the old interpretation of Belos, not waxing poetic about the sympathetic one, but this is an interpretation that I have to admit I got ridiculously attached to, ridiculously quickly. Not that Belos would be redeemed- redemption implies forgiveness, and his actions can never be forgiven- or that he somehow avoid facing harsh consequences for his actions. I wanted him to have consequences, I wanted him to face every harsh reality of his actions with all the resignation and hopelessness you’d expect from a 400 year old, I wanted the people of the boiling isles to tear him to shreds, I wanted him to be expelled from the island, I wanted Eda to get custody of Hunter, I wanted him to have to kick his palismen juice habit all on his own, hell I wanted the ghost of his stupid brother to pop up and go “I’m not angry, I’m just disappointed.” I wanted him to somehow find a rockier bottom then being dethroned and exiled and I wanted him to hit it more than once.

But that all this would happen with the understanding that maybe, in his own way, he could move on from all this too, as the boiling isles will surely move on, as Hunter will move on, and that if the two of them happened to cross paths again someday… who knows. Might give some kids hope that coming forward about their situation doesn’t mean they’ll lose someone they love permanently.

Fat. Bloody. Chance. An inkling of hope for this clown, clearly, was too much to ask for. I genuinely thought yknow, theyre not gonna kill the guy because that’d be pretty shitty what with his relationship with palismen that I love to bring up oh so much but seriously it’s a huge thing for me and I’m honestly surprised the fandom doesn’t give it all that much attention, and they’re not gonna throw him in the conformatorium, funny as it would be, because there’s no way the place isn’t gonna be abolished when he’s not in power anymore. Besides, I kind of have a feeling discovering other Titan islands is gonna play into the plot at some point, him being exiled was the natural choice to me. Sure, strip him of his magic aids or whatever, but without his precious Day Of Unity and his Grimwalker there’s really no reason to believe he’d just get started up again somewhere else, you’ve gotta let him move on. Now though??? I really don’t know what they’re gonna do with him. I feel like even if they introduce more complexity into his character I feel like “Philip used to regularly trick innocent witches to their death, sometimes as literal sacrifices, and showed no remorse or anxiety about it literally at all” is not a, I don’t think there’s any coming back from that.

I guess I’ll be okay with it if the only new thing owl House says about abuse is that sometimes, people can seem like they care, a lot like they care, even if they don’t… I don’t know though, is that super new? Feel like I’ve heard that one before.

But even if I swallow all that and, as I originally planned with this post, home back in on that cruel, manipulative, heartless abuser I once believed Belos to be and get used to the fact that I was right the first time and there are no pleasant surprises of moral complexity here…. I still don’t want him to die. Sorry. I can’t do it. And it’s not because I think he deserves to live and suffer, that death would be too gentle a fate, or that I’m scared they’ll do the “sacrifices themselves at the last minute and gets redeemed without consequences” trope. It’s because I…. Well, I don’t think that’s what kids watching who relate to Hunter are gonna want to see. That’s all I’ll say.

This…. Ended up being a different post then I thought it would be. Maybe I’ll make a part two where I ACTUALLY home in on the darker version of Belos. But this post is already hugely long so yeah, I think I gotta just post it.

[egyptian-sun-god]

Never Have I ever S2

SPOILERS.....Turn back now I’m serious.

I’m waiting....

Okay cool your fault at this point

I was fairly critical of NHIE S1, I won’t lie. And I’ll be real I still stand by the fact that NHIE S1 was fairly meh overall. 

But holy shit, they knocked this season outta the world man. The show really really found its proper footing this season. They were smart to keep the cheating for only two episodes and explore the repercussion for the other 8. 

1.Devi Vishwakumar.

Let’s start with the main character.  Devi still does immensely fucked up shit this season. Dating two boys and have them find out in the MOST humiliating way possible. Yikes. Being a really sucky friend to Aneesa and starting that rumour about her (inadvertently) and pretending to her. Stalking her mother and being possessive of her. The really awful apology that was pretty self centred, a bit not good. 

 But she really does do her best to improve and I am SO proud of that. She uses her father’s advice and apologizes better to Aneesa, she actually handled the Ben and Aneesa dating WAAAAY better than I’ve seen some people handle things like that. I might’ve blown a fuse if two of my friends had 4 tickle fights and had major PDA sessions when we were trying to do a group project. Like she handled that shit fairly well all things considered. Devi actually gets into the beginnings of delving into her trauma and her temporary paralysis and healing from it. I

 really see how the label ‘crazy’ weighs on her and how she blew up with it and the message of destigmatizing mental illness. (Crazy Aneesa and Crazy Devi)  Her properly bonding with her mother and watching videos of her father and remembering/honouring his memory hit REALLY HARD (since I lost many people in my family recently and that fear of forgetting them has been real). Devi is actually beginning to heal from the loss of her father by strengthening the relationship with her Amma. And the slap from Paati was so so needed, it really gave her a better respect of her mother and fixed the problem I had with Devi mouthing off so much to her Amma. I live to see good maamiyar marumagal relationships. Her relationship with Paxton is really good and it gets developed very logically and having her be scared of being pathetic but in the end she accepted her own self worth and stopped chasing after them which was good. 

Overall Devi really blossomed into her own developing person and I actually like her so much more this season. 

2. Paxton Hall Yoshida

I was honestly, like genuinely sad last season he was like 80% eye candy with not much else going for him. Paxton had so much faith as a character and Ms Kaling has really pulled him into such a better person this season. 

Paxton got hit by a car before swim season, lost his ticket to college and wow, got two timed by a girl he liked all in two episodes. If he was salty about that for more than one season I would’ve completely accepted it. Cause that’s a bad public humiliation. 

Paxton episode really really made me love him as a character (honestly more so than Ben) I think because I heard Paxton’s entire worry and irritation that he was being underestimated and no one really expected him to go to college from a friend of mine not more than a month ago. That shit is real, and it hurted my friends a lot that people were really underestimating them and just seeing them as a dumb athlete who has no hope of college. It’s really nice to see Paxton actually want to go to college and learn Japanese American side with his Oji-chan giving him advice and supporting him. And him bringing his grandfather to speak about the internment camps, that seriously do not get spoken about enough.

Also him putting effort and making a genuine effort to work hard and bring up his grades with Devi and therefore bonding with her was really nice to see. I wouldn’t mind them being endgame but Devi does really work a lot better as his pushy Indian mom/best friend/tutor.  And Devi getting mad at him for him expecting him to hold his hand throughout really hit well. Was it deserved yeah. But Devi also did blow him off after promising him to study so his anger is justified there. I’m just kinda vibing with Paxton like coming up and taking a better interest in school and being a full 3D character. And that one scene where he gives the extra credit presentation and Trent high fives the man. Classic. 

Can I also just say, it’s kinda valid that Paxton didn’t want to date her in public. Is it a dick move...yeah? But he’s within his rights to ask and she’s within her rights to deny. And he didn’t press her once she said no, he went along with it. And what Devi pulled on him is awful, and speaking as someone who’s seen popular kid cliques. Reputation really is important. Like what Devi did made Paxton lose face, if he gets back with Devi he ain’t gonna have any respect left in him. And Paxton was pretty right in deciding to not date her publicly, like even in the end he knows that his reputation is shot for what he did. Do we even know if Paxton has friends that aren’t fixated on his social status? Because becoming a social pariah without having any support of friends is gonna hurt like a bitch. Lord knows how Paxton gonna deal with it. I think Trent might be his only homie after the social downfall he will inevitably face. 

I’m just gonna say, Paxton is my favourite now and I’m really rooting for him. Something I decidedly did not do last season. I’m happy Ms Kaling developed him so much and got me interested. 

3. Ben Gross

Ah. Ben. Ben’s not my faaavouriteee.......like he’s fine. But I don’t love him. I can definitely see him and Devi becoming an almost endgame couple though. Especially with S2 ending. 

Ben is fine and he’s pretty developed, especially with his episode in S1 and it was good he took a backseat this season and let everyone else star. I feel like he’ll come back strong next season though. 

Personally do I ship him with Devi? No. I’ve been in a friendship with the similar competitive dynamic as Ben and Devi. And it was terrible. We loved to argue and we got each other’s super brainy side as Devi puts it. But we pushed each other faar too much and even the small things became arguments and each pthers achievements became jealousy. So yeah....I don’t have too much faith in the dynamic due to personal bias, but I’d love to see how it gets handled. 

Also my brother Ben, PDA is a thing and it is common courtesy to refrain from it. Man’s really going at it with Aneesa half the time. But also the moment where Aneesa sort of choked on the presentation and Ben’s irritation at it gave me BAAAD vibes. It feels like while Devi can match him, they might push each other too far, 

4. Kamala 

I LOVE KAMALA. Girl is an ENTIRE vibe. My sweetheart, love of my life. I could go on. I really like her development as well and the banter between her and Nalini. The part where Nalini practically said she looked like a call girl and she was like ippadi potathaan velaila mariyaatha kidaikum. I legit had to pause, scream in laughter for a good few seconds. 

They had such a good story with her and wanting to fight against the fact that they took her work and didn’t credit her and everyone was telling her to like take it bowing. Prasanth’s advice unfortunately checked out to me, because I’ve been told that all my life. My dad says it a lot and I know he doesn’t say it cause’ he doesn’t believe in me, but he loves me and wants my life to be easier and for me to succeed and his experience is that he’s had to deal with things like this and fighting won’t help. So yeah, what Prasanth said did not rub me the wrong way at all and I agreed with it and I’m fairly disappointed about that. I get that she got nervous and had cold feet about marriage but I do hope she and Prasanth can work this out through communication. Because I really don’t feel like Prasanth is the bad guy here. It’s just a miscommunication. 

So yeah, a LOT of Kamala’s storyline continues to really hit me hard. 

5. Nalini Vishwakumar

Nalini really had so much more screentime to blossom. I love that she has a good relationship with Mohan’s amma. It’s wonderful and I love it. Also I was shocked to see the house in Chennai. Like this house...in Chennai. The Chennai I’m used to and the Chennai they are used to are different Chennai’s. Basically wealth gap is crazy as hell and I was lowkey highkey confused if the actually shot this shit in Chennai. But props to the directors for putting some proper Tamil vibes in there. Like the scene where they kaala thottu kumbudurathu (touch the elder’s feet) before they leave for the US is so real and so vibes. I like that they decided to bring paati back. I was like hoping for it.

Also they really went at developing Nalini’s character as a workaholic mom who doesn’t get her daughter. That’s also a really common thing in Indian households with one working parent so I’m happy they portrayed that. I’m happy Nalini actually has a life outside her family portrayed and is still such a typical mother that it hits HARD. I love Nalini and she really developed as a character dealing with grief from Mohan’s death, the wish to move on with Dr.Jackson but knowing that she isn’t ready yet. 

They gave her character a life and proper working outside Devi and it really has shown to develop her character and impact her relationship with Devi. The advice to “just say yes” works with cousins and younger siblings as well, I’ve heard it before and used it..and it saves so much time. Especially with small children. 

(A memory I have is of my younger cousin going on and on about a princess and a castle and fighting a dragon and the witches and so much fantasy shit and ended with do you wanna come? I just clocked off my CCA’s and I had no energy left to question it so I just went yeah sure. Easiest decision, and 10/10 advice. )

6. Aneesa

I’m not gonna lie. I was skeptical of Aneesa and I didn’t like how Devi saw her in the trailer. But Aneesa reminds me so much of me....and its killing me. 

Also the scene where she charms the hell out of Nalini and paati ma has literally happened to me before. Most of my Indian friends hate it..because I was raised with a lot more traditional manners with my grandparents so me and my siblings all are old fashioned which parents LOVE. And I really saw that Aneesa charming them and Devi also realizing, Damn none of my friends actually treat my family the way they should be treated, perks of having an Indian friend. 

Also the scene where she gets Devi out of trouble is so so real. Because if you have one responsible friend that you parents trust, you could lie the hell to them, get you homie to back you up and it will work. Personal experience. So yeah, Aneesa character resonated with me a lot.

I also like that she wasn’t just a popular 1D Indian girl but she was genuinely cool and actually had proper issues and development where she gets more open to Sherman Oaks and actually kinda properly rebels against Noor, with having Ben as a boyfriend. 

I feel like Aneesa has a lot more potential for growth, especially with the relationship with Ms Noor and Aneesa acting as a foil to Nalini and Devi’s. Also, I feel like Aneesa can grow within her social status at school as well and have Devi maturely handle it. Aneesa I feel will really really challenge Devi’s ability to be mature. 

7. Eleanor and Fabiola’s plotlines

Okay like actually, major props to Ms Kaling man. This show touches so so many teen issues in one goddamn show. Emotionally manipulative relationships. So SO good. A lot of newer age relationships have a much more subtle and dangerous line of abuse that’s hard to find out. Like honestly it took me a while to see it as well and I realized oh fuck. oh fuck...I see it it’s bad. They really got the essence of Eleanor’s flamboyance matching with Malcom? (is it Malcolm..fuck it it’s Malcolm now) his “suaveness” and traditionally charming tendency. It made sense and it’s very realistic how Eleanor got played like a damn fiddle. I also again feel that the make up was faar to quick but I really appreciate that Eleanor got her own storyline with her step-mom and understanding of relationships instead of the show hyperfocusing on just Devi. I respect that a lot.  Petition to get a Eleanor narration episode. 

Fabiola’s storyline also was well taken. It’s an interesting added layer to the queer experience and how queerness can be expected to be performative and but really its all about being more of yourself. The idea that queer people don’t owe nobody anything or have to perform an ideal version of queerness and Fabiola struggling with that kinda hit. The part where they talked about her mother learning to support them and being Cricket? Queen/King. Like being trailblazers for the POC community and the LGBTQ+ community having overlapping struggles. Again, I liked that Fabiola was getting more personal screentime and less of her story revolving around Devi’s. 

8. Everything else

I liked that there was more Tamil being casually thrown around. Like the Kamala vaadi to hold the suitcase down as they zipped it together was funny and relatable. The accents were really interesting because I promise you, I had no clue what they were saying sometimes. Nalini’s dialogues in Tamil were like immensely difficult to understand, and my Tamil is fluent. This isn’t a criticism... I’m fairly certain the difference is to do with the regional difference. American Tamil and Malaysian + rural Tamil slang are going to have huge accent differences so there’s no surprise that I found Nalini’s Tamil hard to understand. 

I’m really really really meh about the Kamala and Manish/Mr Kulkarni thing. I still think she should sort it out with Prasanth maybe but I’m open to seeing where it goes. I might change my mind with it. 

This show like any other show had its highs and lows. But I really really do feel that NHIE season 2 managed to truly figure out what the hell it wants to do and developed into a very strong and very entertaining show in terms of representation and diversity. I’m looking forward to season 3. 

[sebgender]

this is a diluc and kaeya angst fic! i would like to point out that their bond is 100% familial and platonic! (i Do Not support kae!uc whatsoever)

i posted this on wattpad and ao3 (@sebgender) and if you would like, you can follow me on twitter (@sebgender) as well!

i did not have anyone read this over so i apologize if there are any spelling or grammatical errors. i hope you enjoy!

—————————

gods.

kaeya has never had a strong belief in the gods. despite growing up in mondstadt, where they worshipped barbatos, he couldn't help but feel out of place. but who could he blame? born in khaenri'ah, a place without any deities who watched over the people, of course he would be skeptical of these so-called seven archons.

.................

it was the day aether and all the acquaintances he made while traveling teyvat would confront his sister and the rest of the abyss order. it had been gloomy since the morning, dark clouds looming in the sky.

aether had gone off to confront lumine personally, while the rest of them stayed back to fend off the mages and its subordinates. the knights of favonius were present as well. the acting grandmaster and captains leading groups out to fight, barbara and the other sisters on the side, healing and tending to the injured.

rain started to fall and things quickly became chaotic. the stream of enemies seemed never ending. more and more knights running out of energy and getting injured. kaeya's ears rang as he fought, becoming less and less aware of his surroundings. kneeling by one of the trees, a voice called out to him.

"big brother kaeya!! kaeyaaa!!!"

he whipped his head around to see klee sprinting towards him. even klee, the effervescent spark knight, seemed to lack her usual upbeat smile. her small legs carried her as fast as they could. his breath hitched. this was the first time he'd ever seen the girl so...shaken up? he couldn't tell if it was tears or rain that streamed down her face.

"klee? what's wrong? are you alright?"

she was crying. as she got closer, her sobs became more audible.

"we have to go!! he needs help!! he's hurt!"

she tugged at him, urging him to get up quickly. grabbing hold of his hands, she ran, pulling him back towards the direction she came from.

"klee, who's hurt? you have to tell me so i know"

she started crying harder, her grip on his hand tightening.

"aether's sister hurt him."

his eye widened before taking klee into his arms and taking off.

"klee, where is he?!"

"he's near the winery! master jean told me to go look for you."

"is jean with him?"

"master jean had to go get healed by barbara."

kaeya's patience was running thin. he was about to question her again but was cut off by a loud clap of thunder. running as fast as he could, he could make out three standing figures in front of the winery. there were knights scattered around. kaeya couldn't tell whether they were injured or dead. klee started to squirm in his arms as she tried to release herself.

klee let out a blood curdling scream and kaeya watched as the blonde figure sunk her blade straight through the shoulder of a read head.

"DON'T HURT HIM!!!!!"

klee sprinted towards them. aether limped, almost falling, and grabbed the girl and pushed her head into the crook of his neck. klee has been assigned to fend off hilichurls but now has witnessed diluc being injured. she should have never been put on the field today.

"KLEE YOU HAVE TO CALM DOWN!!" aether yelled.

"THAT LADY IS HURTING HIM!! MAMA SAID I HAVE TO PROTECT THE PEOPLE I LOVE. I HAVE TO HELP LIKE MAMA SAID!!"

klee was having a full on breakdown now; she sobbed and screamed while lashing around in aether's hold trying to get him to let go. diluc didn't as much as let out a wince before trying to raise his claymore again. it seemed that diluc had gotten to aether before kaeya and klee did. lumine was quick to pull out her sword, blood splattering on the ground. kaeya was stuck in his place.

move.

move!

WHY AREN'T YOU MOVING?! HELP HIM!!

his mind cleared as he saw klee rip from aether's grasp and run towards lumine.

"KLEE NO!!! LUMINE DON'T HURT HER!!!!" screamed aether.

kaeya sprinted after her and managed to grab her before she was in range of lumine's blade.

"klee, let big brother kaeya take care of this, okay? i need you to take aether to barbara. can you do that for me?"

she sniffled before nodding and running back towards the traveler. turning back towards lumine, his face dropped, not an ounce of emotion could be seen.

"kaeya. i'm surprised that you'd go to such lengths to protect the ones against you. have you forgotten who you are?"

"i could ask you the same. who do you think you are swinging your blade at a child?!"

"i wasn't going to hurt her. i was going to use the butt of my blade to knock her out at most. i still have morals."

"it sure doesn't seem like it. i told you that i no longer associate myself with the likes of you or khaenri'ah, for a mater of fact. i grew up here and i will protect it."

"kaeya, i thought we could work this out. we could have gotten revenge together. don't you want that? or would you rather stay stuck in a place, surrounded by the people who worship the same gods who never cared about you!?"

"if they didn't care about me, they wouldn't have saved me!! this is not a matter of my faith in the gods but me wanting to protect the place and people i love!"

"fine. then i'll just end you now."

lumine charged at him, kaeya quick to dodge. the two went at it for sometime, diluc long forgotten about by lumine. the pyro wielder kneeled, holding his wound as he watched the two fight. it was obvious that both were running out of stamina. at some point, kaeya's eyepatch has fallen off as well. his eyes were unfocused as he tried to play offense, but it wasn't enough.

time had suddenly slowed as kaeya watched her blade come closer and closer towards his heart. had he been quicker on his feet, maybe he could've helped more people. but of course, it no longer mattered. he was about to die. his eyes subconsciously closed, his body inviting the blade to end him — yet it never came.

seconds passed before he opened his eyes. diluc stood in front of him and as kaeya looked down, he saw the sword come out the other end.

"di...luc?"

as if on que, the man fell to his knees. his hands still firmly held the blade where he grabbed as lumine changed directions and stabbed him through his abdomen. the rain poured harder and lumine started making her retreat.

it was all making sense as he gripped his sword and started to charge towards the girl but a hand wrapped around his ankle, preventing him from going further.

"...it's not worth it. you'll get hurt."

"diluc, lay down, quick. we have to stop the bleeding. you'll be fine."

kaeya stumbled over his words as he layed diluc down on the wet grass. he took off his cape and pressed it against his wound.

"i'm sorry."

kaeya eyes snapped up to diluc's face.

"what are you apologizing for, you idiot...?just....shut up and save your breath. i don't know what nonsense you're spewing but now is not the time."

"there's no need for all the effort. i won't make it."

kaeya ignored the redhead and continued applying pressure to the wound while looking around for anyone who could possibly heal diluc. both his shoulder and abdomen were causing him to loose blood at a rapid pace. the grass he laid on was dyed a dark crimson.

diluc shook his head. it was futile, his efforts would be in vain. in around 5 to 10 minutes, he would die from blood loss. no words were exchanged, both men too scared to break the seemingly fragile silence.

"......why would you do that?"

diluc grunted in response rather than replying with words. kaeya gripped the fabric he held to diluc's abdomen even harder.

"...you fucking saved me. why?"

"because."

"because what?! what are doing protecting the same person who betrayed you, diluc?!"

"kaeya, i don't care about that anymore!! i haven't cared for years. i saved you because you are worthy of being saved!!"

silence again. it was deafening.

"you can't."

"huh?"

"you're not allowed to leave again. he said you have to stay with me, no matter what.."

at that moment, the red head laughed a genuine laugh. kaeya looked at him like he was crazy.

"you know, i never left in the first place. i've always been here. whether you wanted to take advantage of that, was up to you."

"don't give me that bullshit!! you left mondstadt for 3 years without your goddamned vision and we had no contact! i had no idea if you would even come back."

"but i did, didn't i?"

"it doesn't matter! you were surviving off the same delusion that killed your father! you could've been next!"

"our."

kaeya was dumbfounded. was diluc listening to a word he said? his answers were short, not making any sort of sense to blue haired man.

"he was our father, not just mine."

"is this really our biggest problem at hand?!"

"yes. you know how much he loved you. he cared for you as much as he cared for me. he is our father, it doesn't matter if you acknowledge it or not."

before kaeya could retort, diluc spoke again.

"he loved when you referred to him as your father. i remember the first day you showed up at the winery, looking confused as ever. he crouched down in front of me and asked me if i wanted a brother. he was willing to take you in from the very start."

kaeya had nothing to say as diluc's breathing became increasingly labored. yet, instead of taking it easy, he insisted on continuing his story.

"even when he saw you standing there, watching as he took his last breath, he didn't hate you. he never could. he told me to stay with you. selfishly, i left for three years but i came back....because i knew that's what he would have wanted."

"....why are you telling me this now?"

diluc's face had gone even more pale, sweat dripping down his face despite the cold rain. he wheezed and coughed as he spoke.

"to remind you that even though you're witnessing this exact scene again, you are not to blame. dad doesn't blame you, and neither do i."

"blame me for what? what scene? diluc, you're gonna make it. you aren't gonna die in the same place as crepus." kaeya laughed nervously.

surely it wasn't happening right? surely barbara would come running down here any second and heal diluc and they would go back to their daily bantering at the tavern. everything would go back to normal!

"no matter what you decide to do, please don't sell the winery."

"stop...stop! what are you saying right now?!"

kaeya became frantic once again, shouting out for help, only halting as he felt a hand fall on top of his own. kaeya's body temperature is always lower than others due to his cryo vision, but even with his pyro vision, diluc's hand felt colder than kaeya's.

"you have to keep going, alright?"

kaeya looked down at diluc, eyes filling with tears that he has not shed in quite a few years.

"kae......"

diluc's eyes conveyed everything single thing he could've possibly wanted to say in his last moments. so even with his limited words, he wanted to at least say something. so, with a smile and his last breath, he repeated the same words he told kaeya all those years ago.

"even if you don't think so, you were — and always will be — the best older brother i could have ever wished for."

as diluc's eyes closed, kaeya could hear the footsteps of knights behind him and his name being called out.

kaeya!

kaeya!

"KAEYA!!"

kaeya shook his head and rapidly blinked as he finally came back to reality.

"you were spacing out again and i still have some paperwork to do. i'm not trying to rush you but...."

"ah, so sorry jean. i...uh. i came to ask if i could change some of my info that is currently in the files?"

"oh? what would you like changed?"

kaeya's eyes dropped down to the now unlit pyro vision hanging next to his own.

"i think i want to change my last name... back to ragnvindr."

.................

but even with his little belief in the gods, kaeya found himself praying to them everyday — begging them to give him his little brother back. whispering apologies to the wind that he hoped barbatos would carry to diluc.

[idratherdreamofjune]

@sunheart wrote in her tags on another post:

Genuinely hate being alive ... I completely understand on so many levels why you would hate being a woman. Its horrible. And then as a Christian there's this whole really ugly dynamic- that i know is probably a lie i just haven't worked out how yet- that we're the 2nd best. The afterthought. The mediocre option. Almost everything in life men are better at and it's hard to believe it's just cultural-  math logic leadership writing cooking writing physical activities on and on, and women are good at being Nice :)   Which ok i like being nice   but it's like that's my only option   I feel like any other impact i might wish to have upon the world   will be paltry in comparison to what i could do   if only i was a man.   I feel incompetent. Irrational. Emotional. Obnoxious.   I feel like I'm supposed to be a plaything for the beings that were *actually* created to be in harmony with God   like I'm not supposed to have a connection with God-  only through my husband   which what does that make me as a single childless bitch?   I can't even fulfill the main point of my existence. Jesus interacted with women but did he care about them like he did the men? David and John were named his favorites not Deborah or Hannah. And like i said i'm sure none of that's true but i don't know how and it feels awful. hate it.

   Hopefully others have shared encouragement on this already, but just in case I wanted to give some thoughts. Please know that if I sound riled at all (and I’m going to try to avoid that) I’m not upset at anyone who feels this way but am deeply upset by the enemy’s lies that so many are hurt by. As a younger believer I did struggle with some of these questions myself, and for a long time it was difficult to reconcile these concerns with the promises that God loves me.

   Your instincts are right - it is a lie that women are second best. And before I go any further let me also agree that yes, we are physically weaker than men and have other weaknesses too. But since when has weakness meant that someone is any way “less than” others? Men have weaknesses too, just different ones. That’s the nature of humanity: every person is a mixed bag of strengths and weaknesses. I’ve never heard before that men are better at cooking?? My dad literally struggles to cook a hotdog in the microwave and has never touched a grill in his life. And okay men may (possibly, not sure on this one either) be inherently better at math, but which gender is drastically underrepresented in the nursing field? I suspect there are fewer male teachers, too, though not as huge a disparity. Men are more prone to recklessness and violence - part of the reason married men live longer (gotta get that stable influence). Again yes men are physically stronger but have you watched ballet dancers (oooh i mean ballerinas, sorry there’re so few ballerinos that I forgot to differentiate) or female gymnasts? Nothing “less than” there! The famous Proverbs 31 woman is a good insight into Biblical support of female abilities and value: “strength and dignity are her clothing”, “she opens her mouth with wisdom, and the teaching of kindness is on her tongue.” “Let her works praise her in the gates.” (The gates were essentially the city hall or forum of ancient Israel.)

   Going back to the beginning - women were created second, true. But did God not know His own plan? He was always going to create women. And the really amazing thing that I learned in the last couple of years is that, when God says He’s going to make Adam “a helper” (Hebrew ”ezer”), that’s the same word that is used to describe God’s actions for His people throughout the Old Testament: - Exodus 18:4 “The God of my father was my help.” - 1 Samuel 7:12 “Ebenezer” means “rock of help” and is a memorial of Yaweh’s help. - Psalm 30:10 “Hear, O Lord, and be merciful to me! O Lord, be my helper!” - Psalm 115:11 “You who fear the Lord, trust in the Lord, He is their help and their shield” - Psalm 121:2 “My help comes from the Lord” - Hosea 13:9 “‘You are against Me, against your helper.’“

It is a common word for “help” used in other settings, yes, but the fact that it’s used of God illustrates that this is no poor or second-rate role. Helping - aiding - supporting - incredibly important! In fact this article I just found puts it this way:

In two cases it refers to the first woman, Eve, in Genesis 2. Three times it refers to powerful nations Israel called on for help when besieged. In the sixteen remaining cases the word refers to God as our help. He is the one who comes alongside us in our helplessness. That's the meaning of ezer. Because God is not subordinate to his creatures, any idea that an ezer-helper is inferior is untenable. In his book Man and Woman: One in Christ, Philip Payne puts it this way: "The noun used here [ezer] throughout the Old Testament does not suggest 'helper' as in 'servant,' but help, savior, rescuer, protector.'

   Moving on to the New Testament, and the topic of John, who is known as “the disciple whom Jesus loved”. John is the one who wrote the book which tells us that (under the direction of the Holy Spirit, yes) and he only uses that wording as a title, in place of his name. Nowhere does it say he was the favorite disciple, or even most loved, just that he was loved. To me it seems more as if John is saying “Jesus loved me! Can you believe it?!” It has a feeling of awe and thankfulness as opposed to superiority.

  Getting into marriage specifically, I do believe that a wife should be under the headship of her husband ...mainly in the sense of letting him have the last word on decisions and plans. This is in part due to differing areas of strength, and in part because in some situations it’s better to have a family leader - most groups of humans need a leader, and following an assigned (or picked) leader does not make one inferior. All that being said, a wife should be able to provide input, advice, and feedback to her husband, who should take into strong consideration his wife’s needs, insights, and concerns (Ephesians 5:25-29).

   The lie that women cannot be connected to God outside of their husband is refuted not only by all the vibrantly faithful single or windowed Christian ladies of history (Amy Carmichael, Gladys Aylward, Mary Slessor, and Elisabeth Elliot are some of my favorites) but also Scripture itself. When Christ spoke with the divorced Samaritan woman the disciples were shocked not because she was a Samaritan but because she was a woman (John 4:27; she was shocked on both counts - John 4:9) - I hope they got used to it because Jesus spoke with women a lot. Despite the culture of the time, Jesus clearly had very warm and caring direct relationships with Martha and Mary, Mary Magdalene, and other women. Anna the Prophetess in the temple had been widowed for decades and was serving God alone “night and day” (Luke 2:37). Incredibly, in a culture where women were looked down upon, the Lord chose women to be the first to discover the empty tomb, and Mary Magdalene to be the first to see the risen Christ! I love that passage so much (John 20:11-18).

   Another example is when Jesus stopped on His way to heal Jairus’ daughter (i.e. He put aside a powerful man’s urgent request) to lovingly interact with the woman who’d suffered bleeding for years - a terribly personal and female problem (Mark 5:21-35).

   To try to wrap up, I’ll return to David in the OT, who was a “man after God’s own heart”. But again, it doesn’t say that he was actually a favorite - it does say David was chosen by God though, to lead Israel and establish the family from which Jesus would ultimately come. You know who else was chosen? Esther - “for such a time as this”. Once she realizes the task she must complete, she tells Mordecai how it’s going to go, and “Mordecai then went away and did everything Esther had ordered him.” Esther gets a book named after her and is remembered in the holiday of Purim to this day. Also note that Esther was married to an unbeliever. Likewise Ruth was chosen, as a young foreign widow, to be part of the Messiah’s kingly line. As an aside, my favorite thing about Ruth’s story (besides all the faith and beauty of it) is the simultaneous deep respect and protectiveness Boaz shows towards her (okay enough mush). Anyhow what it comes down to is that God chooses and loves both men and women, and both have a place (singly and married) in His plans and kingdom. See also Galatians 3:28 “ There is neither Jew nor Greek, there is neither slave nor free, there is no male and female, for you are all one in Christ Jesus.”

   This post has all over the place, and I probably forgot a bunch of things I wanted to add (if anything else comes to mind I’ll add it later), but I hope it’s been encouraging. Yes I’ve struggled with some aspects of how women are portrayed in the Bible, but what I shared above, plus the love and blessings I’ve known as a single woman are more than enough evidence that we are known and loved. If anything is unclear or anyone has any questions please speak out/send an ask! Anon asks are on too. Also if anyone wants to add or amend anything do so without hesitation!!

[a-dumb-sarcastic-bisexual]

So I rewatched Raya.

And I was really trying to watch it without a skeptical lens. I wanted to be able to act like the oblivious kids in that theater and just enjoy the movie. But I just couldn't. I've mentioned it before it's a gorgeous movie but there are so many things wrong with it that just bug me. And I’ve mentioned before the changes that could be made to fix it and the main one being just completely scrapping the movie and starting from scratch with a tv show. And because I’m on spring break and I have nothing to do (also I’m a perfectionist and I tend to hyper-fixate on things that I know have easy solutions) I broke down how I would make it better in two different categories. The first one being kind of baseline stuff like animation and character designs and other stuff I had small problems with and the second being plot.

Section One:

Okay so I know we all hate Sisu’s design. As someone who grew up with Naga carvings and paintings all around my house seeing this Elsa fursona was like a slap to the face. Like I know I really shouldn’t expect more from Disney but I did. I mentioned in this post that I would have loved to see a longer series even if it meant the animation quality went down. And I feel like Neeith_ on TikTok did a great job of drawing what Sisu could have looked like which only disappointed me more. Caldatelier on Twitter also pointed out the many flaws with Raya’s outfit design which fully proved to me that Disney did little to no research and chose style points over historical accuracy. I also felt like the designs of the main characters were very unremarkable and before you’re like “that the whole point it’s supposed to be normal people saving the world” I don't mean that I mean it feels like they took previous designs and just made them Asian. Like my sister and I were talking about it and she said the baby just reminded her of the boss baby and Tong reminded her of one of the twins from rapunzel with a little more depth. This is also kind of a small thing but it kind of bugged me that they were all the same skin tone if not lighter. SEA is incredibly diverse and if they weren’t going to represent all of the cultures in full then they could at least shown their features. I feel like the food should have been more important. I know I mentioned it in my last post but food is an incredibly important part of our culture. It’s not a placeholder or a set-piece to make a scene look more aesthetically pleasing. It’s a way for us to bond and show each other we care it’s a way we show genuine love and appreciation. And when you have a main character who is emotionally stunted it felt like food was a perfect way for her to show her love and they blew it. Like can you imagine Raya and her dad getting into huge fights and then bringing each other food as an apology sitting in front of that window not needing to say a word because they simply get each other? Can you imagine Raya visiting Namaari and stocking up on foods that she knows Namaari loves but also hasn’t been able to eat for a while? We could have had genuinely heartwarming scenes centered around food but instead, we got set pieces and props. And one more thing that stuck with me was the voice acting this movie should have been a change for SEA voice actors to really put their names out there and be a part of a really big Disney project but as always out voiced were overshadowed by someone lighter.

Section Two:

(I’m going to warn you this is gonna be really long because I’m essentially rewriting the entire plot because as I said before I’m a perfectionist)

I feel like the first ep should be dedicated to the backstory and the lore

How were the Druuns made how where they defeated

I feel like it would have been interesting to see them fighting over the gem

But I think it would have been really interesting to see from the get-go how Sisu wasn’t the one who made the gem

So instead of having this big reveal alongside Raya, we would know that her hope of finding this all powerful Naga is hopeless because the story was a lie

Another thing I think another person who should have had more screentime was Raya’s dad

I think it would have been interesting to know his backstory and get some questions answered like “why does he have so much faith in the other rulers to help him on his journey to make Kumandra a thing?” “When did he become the protector of the gem?” “And how many attempts of stealing the gem has he thwarted”

Also as much as I love him I feel like his personality incredibly unrealistic because all SEA men I’ve met have been really emotionally stunted

Idk it’s just a small thing that made me go “eh he talks to his daughter. What kind of magic world is this?”

I would have liked to see Raya’s various attempts at becoming a protector of the gem

I think it would have been a really good way to show how resilient she is from a very young age

And when she finally succeeds the audience could have celebrated with her like a small “yes she finally got it and all her hard work finally paid off” moment

I feel like we should have gotten more Raya and Namaari moments right from the start

Like how they meet is basically the same but Raya doesn’t trust her with the gem’s location an hour after meeting her

It's a trust that both of them fought for in their own way

Like you get to see them bond over their mutual understanding of “well the worlds fucked”

So when Namaari finally stabs Raya in the back when she betrays her for the first time it hurts when she says the throwaway line about them being friends in another world in burns Raya

Because she thought they were friends and she genuinely trusted Namaari

Which would have really justified her distrust in the world

And again I feel like we should have seen that 6 year period of Raya trying to find Sisu

We would get to experience the frustration of building up the hope of finally finding her just to have it knocked down when she’s not there

It could also do two more things

Raya making genuine connections with people

And Raya and Namaari’s strange alliance forming

Now for the first one, I feel like it would have been really cool for Raya to be introduced to the different lands

And yeah sure I feel like it would make her feel like kind of a tourist but I feel like it would be really interesting to see her go through culture shock

Because she really thought she knew these places but boom they’re completely different from what she was told

And while she’s making her way around she learns about the different lands and the people inhabiting them and also their culture

We could have seen Raya make genuine connections outside of the main cast

And if you’re feeling a little masochistic we could see her lose those people because of the druune or simply because they died

But the main point is we would be able to see her become less and less selfish

Now back to Raya and Namaari’s alliance/romance later on

I mentioned in my other post that when Raya trusted Namaari to put the gem back together it felt very flat very fake

So I feel like it would be cool for the series to be split into two parts the first part being from Raya’s perspective and the second part being Namaari’s

I also feel like Namaari would have to be a constant in Raya’s journey

And what I mean by that is like she’s there every other episode either trying to stop Raya or she’s trying to save her from life or death situations

And later on down the line, we find out the main reason why she kept helping Raya (in her own way) was that she didn’t want to see her get seriously hurt

But anyway that’s mostly backstory and now we’re in the present tense

And like I said before we know that Sisu wasn’t the one who made the gem so we know that Raya’s quest is pointless

But because we’ve seen her various attempts at becoming the protector of the gem and the six years of looking for Sisu we know she’s too stubborn to give up just yet

So she and Sisu head out to find the other gem pieces

Now with context, her and Namaari’s standoff has more tension because for the first time in years Namaari doesn’t know the motives behind Raya’s actions

I don’t really have many ideas for Sisu other than she starts to trust people less and less

Like she’s still really innocent for the most part but there’s a small part of her a really small part that’s kind of lost faith in humanity

And after this, we meet Boun

I feel like we should have known more about Boun considering the fact he’s the first side characters we met

But it’s very clear they gave no thought to his character I’m sure they just wrote down “funny kid who lost his family”

This is such a shame because he could have been so much more than just “Raya’s funny younger brother”

Like he could have been this selfless kid who hands out food to the orphans around and offering his ship to homeless people during the night

Next with the baby and the monkeys, there’s really not much you can do with them unless you seriously age them up

Like at the very least have Noi be a grade-schooler who can express more emotions than mad and hungry

Like she can still be the baby of the group while taking care of herself and expressing her emotions a great example of this is Polly from amphibia (which is a great show with a SEA main character you should check it out)

With Tong, I have two words: Survivors Guilt which is something Raya would be able to relate to in fact they all would

I feel like Tong’s entire character arc would be him realizing that he can’t save everyone

Which yeah sure would seem pretty contradictory with the ending being them literally saving everybody but I have a fix for that too

And finally, we get to Namaari who is selfless to a fault

Giving me very much typical Disney princess she gives up food to kids who seem particularly hungry

She’s usually the one who tells the stories to the kids but her mom was taking over that day

She helps her people in any way she can and honestly, she’s wearing herself a little thin

Because while she’s doing all that she’s also saving Raya & co from their own mistakes

Giving me very much burning the candle at both ends

So you see all these characters bonding over the course of at least a year

Making and losing more allies along the way

And because Namaari has been helping them they trust her… for the most part

But there have been times when she trips them up and makes their end goal all the more difficult

And because they haven’t known her as long as Raya has each character has at least one moment when they look up at the sky and scream in frustration “What is this binturi’s deal!”

But anyway they finally get to fang and Raya is more open to the idea of just talking to Namaari because she trusts her not because Sisu told her to but because she’s seen Namaari do good

And Namaari is even more reluctant to take the gem pieces by force because she has a decent relationship with Raya like yeah sure they’re not best friends but they’re in a good place

And shocker shocker she’s maybe just maybe head over heels in love with the princess of heart

But her mother gives her an ultimatum and that is “either you take it from her or I will”

Because here’s the thing, Queen Virana isn't a moron the exact opposite in fact and she knows her daughter has been going easy on Raya these past six years

She also knows that she could squash Raya under her shoe if she damn well pleased and Namaari knows this too

So when Namaari gets her necklace back she doesn’t even hesitate to take her crossbow when she leaves

The meet up goes basically the same except its more Raya talking Namaari down than Sisu

And while they’re having their little heart to heart Sisu notices Namaari’s finger twitch and she goes to jump in front of Raya

And Namaari was shaken by the sudden movement and fires and kills Sisu

I feel like this would make Raya furious for two reasons one she killed her best friend and two she deep down trusted Namaari to do the right thing

So when the fight goes down instead of the whole “I don't care if you trust me because Sisu did” it would be “I trusted you and you murdered her”

And when the dust settles Raya realizes that this battle doesn’t matter because fighting Namaari isn’t going to bring Sisu and she’s also sick and tired of hurting the people she loves

And she decides to help people instead not because Sisu would want her to but because its the right thing to do

Which is cliche sure but its better than the scene they gave us which really wasn’t faithful to her character arc of not caring for people who aren't close to her

And I feel like Namaari joining her makes more sense with my context if anything else

And here’s how I would fix this scene even with them fighting the Druune off to the best of their abilities there are still falling buildings and the gem can’t really save people from that

So they lose some people not because of the Druune but because death happens even when the heroes are fighting their hardest

And because I feel like this would just affirm Tong’s character arc because there are people dying under these buildings he knows it’ll take too long to save them and its not time they have

So he leaves them behind prioritizing the people he knows he can save

Anyway, after a long battle scene, they finally end up underground

And it goes basically the same except it doesn’t take Raya as long to convince them

And instead of Raya’s reasoning of “Sisu told us to” it's more “all this fighting isn't going to bring Sisu back” and “I know she’s done something terrible and you can be mad at her after this but for now trust her”

So when they all make their sacrifices it’s less “I’m doing this for Raya” and more “I’m doing this because deep down I know you’ll do the right thing”

And Namaari does do the right thing obviously

Sisu comes back and it's all “yay we saved the world!” but it doesn’t really end there

Because I hate the “lifetime” ending of “even though we all went through incredibly traumatic events we’re all fine months later” no they’re running around for months and years fixing their mess

And while this is happening Raya and Namaari is mending their relationship they’ve apologized for all the terrible things they’ve done to each other

And when they’re fixing their world they’re helping each other become the best versions of themselves

That’s when they really fall in love

Like don't get me wrong they loved each other when all the bad shit was going down but there was too much bad blood them to really process it and talk it out

But that’s exactly what they do when it’s all over they talk it out for hours

In fact, they both said its the most they’ve heard the other speak

They both agree they’re in the best place to start a relationship and so they do

[perish-the-creator]

Godzilla and gojirin, fluff, 17

Put it in the bag nice and slowly chump

TW: Mpreg. Teen Parents. Gijinka. Blah blah blah.

“I’m here for you.”

Goji held the phone close to his ear as he resisted the urge to start crying again. When Gojirin had said she would be moving away, the young couple had decided to lose their virginity to each other and keep in contact by any means necessary.

So when Goji found out he was pregnant, he made sure to call the girl who helped make it happen.

“I’m sorry,” Goji said. “I-”

“Don’t apologize,” Gojirin said. “It’s alright. Like I said I’ll be here. It’s just-”

“We’ll have to tell our parents.”

Both young teens held their phones in silence. The mere fact that they would have to confess to their parents that they had committed such an act was hard to stomach (literally). Not to mention the fact that Gojira was only just starting to loosen up and trust Goji more only for him to go and pull this stunt.

“I….I don’t know if I can,” Goji whimpers. He slides against the wall and curls in on himself. He can’t imagine looking his father in the eyes and telling him such massive news. They were barely making ends meet with the two of them, but now they’d have to worry about another mouth. Or even worse, his father would make him give the child up for adoption. “Gojirin I can’t-”

“I’ll tell my parents first,” She sighs as she looks at the picture of Goji and her from the photo booth at the arcade. The same arcade they snuck behind that day to do what led to this moment. She loved Goji and she knew he loved her. She had convinced her parents to let them stay in contact because they had faith that it wouldn’t lead to anything more than just a simple childhood romance. And look at them now. “And then they’ll probably call your dad and we’ll...figure something out.”

There’s a pause.

“I love you,” Goji finally says. “Again, I’m sorry-”

“Goji, this is a two-person act. We both had a part to play. 50/50,” She laughs lightly. “Maybe our parents should’ve let us take those sex-ed lessons after all.”

They both laugh.

_____________________________________________________________

“Can you feel him moving?” Goji asked as Gojirin placed her hand on his stomach. They were sitting on the floor in Gojirin’s mother’s living room. She was in the kitchen making some soup for Goji to eat while he stayed for the night.

Of course, when the two teens had to tell their parents there was the expected reaction. Gojira passed out after Goji told him. He even thought it was a cruel prank before Goji went fishing for the positive test in the trashcan.

After many long weeks of talking, groundings, and otherwise, it was decided that Gojirin and her mother would move back to Japan so that Gojirin would be involved with the growth of her child. Not that either teen truly complained. They were more than happy to get to spend time together.

Granted, it was expected that in the next three or so years the two would be wed, but again it wasn’t an issue. Thankfully their child was conceived out of true love.

“A little,” She says as she draws circles on his stomach. “Kinda crazy, you know?”

“What is?” Goji asks.

“You know,” Gojirin chuckled. “How me and you made another human being. Like man, we made a life together and it’s just mindblowing.”

Goji laughs with her before grabbing her hand and looking at it.

“Do you think he’ll come out brown like you?” He shyly says. “I...would like it if he does, you know? You have a very pretty complexion and I’d hope he gets to reflect that.”

“It doesn’t matter to me either way,” Gojirin says just as her mother starts to set up the small table for them. “As long as he’s a healthy baby that’s what matters most to me.”

“I see,” He nods. “Though I’m a bit scared. I can’t decide whether or not to give birth the normal way or to get cut open. And frankly, both options scare me.”

“Well, I’ll be there either way,” She lightly kisses his cheek. “From your first labor pain to the moment our son is out, I’ll be right by your side.”

“And so will we,” Gojirin’s mother pipes in. “Ugh, I still can’t believe you made me a grandma already, child.”

“Hehe, sorry mama,” The young teen chuckles before helping arrange the table. Goji attempts to stand up but Gojirin’s mother was quick to give him a look. He shrank down and waited for them to finish. The night was filled with laughter. Gojirin’s mother giving the young man advice as to how to handle certain sicknesses and pains.

She prays over the three as well. She hopes that misfortune does not fall upon them. Goji genuinely made Gojirin happy. She remembered the days her daughter would come home brighter after only an hour of walking with him. They complimented each other in a way that reminded her of the love between her husband and her.

Though fear did linger. She learned that Goji’s mother died in childbirth, and Gojira had made a passing remark that his family had a history of producing large babies. She hopes that the young man will be able to grow with his son and her daughter.

_____________________________________________________________

“Oh my,” Biollante says as she looks down at the infant.

The newborn showed off his parents’ genes perfectly. With time the family was certain he would develop that nose Goji has. Lots of curly brown hair on top of his head that laid on beautiful brown skin. To be honest, he wasn’t the prettiest looking baby, but honestly what baby comes out completely perfect?

“Goji please sit down,” Gojira urged as his son gently placed down the baby carrier. Obviously, after several hours of intense labor, the young boy’s body was still recovering even five days later. Gojira was thankful his boy was strong and survived the ordeal.

Gojirin came to him and guided him towards the mat on the floor for him to lay down. They kissed briefly before he eased himself down. Gojira began to attend to his grandson.

Minilla. That’s the name they decided to give him.

“How you feel Uncle?” Biollante asked as Gojira picked up the infant and cradled him. “You know, you’re already a grandpa.”

“Ah it’s weird,” He admits. “But it’ll grow on me.”

Gojirin lays beside her boyfriend, whispering sweet nothings to him as she grabs his hands and caresses them. It was very clear the two were still deeply in love.

But on cue, the newborn awoke with a fury. An ear-piercing screech rang in the air. He was hungry, again, and all Goji could do was groan.

“We don’t have formula yet, huh?” Gojirin asked as she helped Goji sit up. The family shook their head just as Gojira gently handed his grandson off to his son. The young man yawned as he unbuttoned his shirt. Instantly, once latched on the newborn ceased his uproar and suckled peacefully.

“I just want to sleep,” Goji starts sniffling.

“Haha, should’ve thought about that before you two got busy,” Biollante teased just as her uncle hit her upside the head. But as Gojirin rubbed his back, Goji knows that he doesn’t regret a thing. And neither does she. She promised to always be there for him.

And she always will.

[pandoraborn]

BORN TO RISE

Chapter Six || AO3 link Word count: 2669 words Content: Injuries, unconsciousness, backstory, found family, mild blood, heart-to-heart

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Sitting in silence is one thing when the person he’s sitting with is unconscious, but sitting in silence when Dream has been staring at him for the past hour is something massively uncomfortable, and Tommy has no idea how long he’s able to keep up the silent treatment for.

To Dream’s credit, he hasn’t tried to force Tommy to speak since his outburst, but Tommy can feel that stare boring a hole through the nape of his neck, and the sheer discomfort of it all is causing his hair to stand on end. He wants to turn around and tell Dream to go back to sleep or close his eyes, but that would involve talking, and Tommy is still feeling anger and guilt inside

Instead, he pokes at the fire, trying to shut out any thought that would make him feel sick to his stomach, and instead focuses on the pain he’s still feeling. Everything still aches, but at least he can deal with trying to tend to himself instead of actually confronting Dream.

Evidently, that’s not good enough for the speedrunner. Tommy can hear Dream shifting behind him, grunting in pain as he moves around. The grunting is cut off with a sharp intake of breath, followed by a quiet yelp. Tommy whips around to stare, instinctively wanting to drop his own tantrum to help Dream, but when he sees the man curled up on his side, Tommy turns back toward the fire, ignoring the way his neck cracks at the movement.

“Tommy, are you okay?” Dream finally asks. He sounds broken. Far more broken than Tommy is. Dream should be recovering, he was unconscious for longer than Tommy was; there’s no telling how severe his injuries are. Slowly, Tommy turns back around to stare at him. In the flickering fire, he can see how messy Dream looks. The guy has bruises up and down his face and neck, and Tommy can only imagine many more underneath his shirt. Dream’s bleeding, too, with one eye swollen almost shut. He’s clutching his hip, breathing raggedly as if every breath is causing him more pain than he deserves.

“Please say something,” Dream whispers. “Please say something to me so I know you’re okay.”

“Physically or mentally?” Tommy asks. He turns back to poke at the fire. He’s debating putting more food on the flames, but they barely have any mutton left. Whatever they have, they’re stuck with until they either find their way out or get help. He wonders if Bad left when he realized Tommy was gone, or if he knows what happened. Tommy has the feeling he and Dream really are alone.

“I’m hoping both,” Dream admits. “Physically first, then maybe mentally?”

“Physically, not great. I feel like I broke every bone in my body, I’m stuck in a ravine with a puny fire as our only source of light, heat and food. Mentally? Not so great, though I’m pretty sure you already know why.”

Tommy doesn’t mean to sound so snarky. He feels bad for sounding so snarky, but he isn’t going to apologize for the words alone. Dream needs to hear it.

“Did you mean what you said?” Dream prods. “About how being my friend isn’t worth it?” Damn it, he sounds downtrodden. Tommy lets out a groan as he squeezes his eyes shut. He doesn’t want to have any part of this conversation, he doesn’t want to keep talking, he just wants to go back home so he can sleep in a warm bed.

“I don’t know anymore,” Tommy growls. He turns back to face Dream. “You dragged me out against my will, Dream. I’ve no clue what I’m supposed to be doing, or even where I’m going. I wake up from a nap and you’re stood over my bed, telling me to run. I can’t even tell Bad you’re there, I just run because the alternative is you slicing my head off with a sword. I don’t want to be a speedrunner or a hunter, not if this is what’s going to happen every time.”

“This was a fluke. It was supposed to be a lot smoother than this.”

“A fluke? Dream, you and your team kidnapped me. You’re calling an intentional act a fluke?” Tommy laughs in disbelief, only to double over as his chest burns with the action. “I’ve no idea where you’re from, but where I’m from, people don’t kidnap people and call it training. I’ve never done any sort of speedrunning before, I don’t know how it works, and I especially don’t know why you think it ties into the stupid championships. I just want to go back home, alright?”

He hates the expression on Dream’s face. Dream actually looks heartbroken, the pain is evident on his face. Tommy feels a tinge of regret, which he pushes down. He doesn’t want to rein in his impulsive nature, he doesn’t want to deal with the possibility that he went too far. He wants to continue to feel justified.

“I’m sorry, Tommy.” Dream forces himself upright again, swaying slightly with dizziness that Tommy is too familiar with. “You’re right. I didn’t think things through, I just saw a chance to take you under my wing and give you what I thought was a gift. I should have talked to you beforehand.”

“What did you and my dad talk about? Why did you get Phil to agree to it in the first place? He never would’ve agreed to it otherwise.”

Dream nods. “You want the whole truth then?” He doesn’t wait for a response before launching into speech again. “I couldn’t stop thinking about how you took us down during the last championship. You were quick, you were in charge, and you pulled off a really cool move. I’ve been studying you in past championships too, and you’re just. I don’t know, you’re definitely taking after your family. I guess I just wanted to take this talent and help it grow.” He sighs, rubbing at his face. “As for your dad, I just told him I wanted to help. He only agreed under the condition you weren’t permanently hurt or killed.”

“Guess you failed that then, didn’t you?” Tommy snarks. He ignores the wince from Dream. “Look, I get you were coming from a good place, but I’m not cut out for this.” He waves vaguely around the area. “We’re in a tiny cave, it’s the middle of the night, and there are zombies and creepers everywhere. I haven’t even had time to craft a sword or armor. I don’t have the same training or know-how you all have. I’ve only been at this for about a year, and I only agreed to it because my dad and brothers wanted to compete as a family.”

“Do you really have that little faith in yourself?” Dream asks. “You’re better than you’re giving yourself credit for.”

“I’m one of the youngest competitors,” Tommy admits. “Not many people take me seriously, and even when they do, I still have to shout or talk over people to be heard. Sometimes it sucks the fun out of competing.”

“I take you seriously,” Dream whispers. “I’m serious, I’ve seen you in action, and I think you honestly have what it takes. Maybe a little too eager to prove yourself, but you’re skilled. You’ve got the leadership skills too. You can be a champion without your family overshadowing you, and with more discipline, you could be a speedrunner. Or hunter, or even both. You don’t...I dunno. I’m just sorry.”

Tommy doesn’t know what to say to this. He hasn’t even heard these words from his brothers yet. Phil is one thing, but Tommy had always chalked it up to the man fake-praising him to keep Tommy close. Techno and Wilbur had never said anything like this, as far as he remembers. So hearing it from Dream of all people, someone he’d always looked up to, is new and… honestly painful.

“Did I tell you I’m adopted?” Tommy asks.

“I haven’t heard much about that. You don’t have to elaborate if you don’t want to.”

“I was twelve, alright? Phil had already adopted Techno and Wilbur at that point, like a couple years before-hand. He wanted me too, for some reason. I wasn’t anyone special, I hadn’t competed. I played some shit in my area of town, but they weren’t huge, just a bunch of city kids getting together and pretending we were something bigger.” He shrugs. “I wanted to pretend I was cool and that I had some sort of place to go.”

“So how did Phil come into the picture?”

“I don’t know. He came to the home I was in, and picked me out of the crowd. Said he’d seen me in the games and thought I had potential. Also said I would bring stability to his home, whatever the fuck that means. Could’ve been worse though, he could have not adopted me at all.”

“You think you were only brought on because you would round out his team?” Dream frowns. “I don’t think that’s it, Tommy, I think he genuinely-”

“I know he cares!” Tommy clenches his hands into fists. “I know he cares about me, I know my brothers care about me. The problem isn’t that I don’t want to compete, the problem is I want to make them proud of me. Fuck, Dream. I’m useless. Techno and Wilbur are always going on about how I’m annoying, I need to shut up, this and that. You’re the first person since I was twelve to tell me you believed in me. Phil doesn’t even tell me that.”

He’s not going to cry. He refuses to cry. He doesn’t want Dream’s pity or comfort, not when they both desperately need a trip to the hospital. Yet, tears are springing to his eyes anyway, and his throat is tightening.

“Why don’t they tell you that? I was under the impression you’re a happy family.”

“We are.” Tommy turns away to hastily wipe his eyes. “Under normal circumstances, yes. But it’s not like we’re showing it at every turn. I just...I just want to know I’m not a complete failure. I don’t want to hear it from you, I want to hear it from them.”

There’s a long silence. Tommy knows Dream doesn’t know how to react, and that’s okay with him. He’s done more than enough talking to last him all night, Tommy just wants to keep the fire alive as long as possible. He lays the last two pieces of mutton out next to the fire, ignoring how the smell of meat is making him queasy, rather than hungry.

He’d meant what he said, too. He knows his dad and brothers love him, he knows he’s gotten pretty lucky in terms of having a good home, a good family, and a good life ahead of him. Tommy wonders if that’s why he’s been so reluctant to play along with this training session from the get-go; the people who matter aren’t around to see him succeed, they won’t be around to tell him what he desperately wants to hear.

Not that he wants to show off, either. If he were to be honest with himself, and he’s letting himself be completely honest now- he would say that this is exactly what he wants. He wants to win, he wants to compete. He wants to be a hunter, a speedrunner, he wants to stand in a hall of fame somewhere, with a medal. Tommy wants his dad to look at him with pride.

He wants to hear Techno and Wilbur cheering for him.

Dream had been right; this training session is a rare gift, and Tommy had squandered it in all the worst ways. Moreover, he’d blamed Dream when this should’ve been his chance to do things right.

No, they’d both fucked up.

“Whenever we get out of here, I’ll take you home,” comes Dream’s faint response. When Tommy turns to look, Dream’s laying down again, eyes barely open. Wait, that’s not a good sign. “I messed up and I should give you the chance…”

“Dream, Dream wait.” Tommy scrambles over, ignoring the way his body screams at him. “Don’t pass out on me, I’m cooking food, see? Dream, I need you, please don’t-”

There’s no response. Tommy can shake Dream as hard as he needs to, but Dream is unconscious again. A new, nauseating wave of panic crashes over Tommy like a tidal wave, with him realizing he’s on his own again. He waits a few seconds, silently counting to twenty before he springs to action.

He kicks out the fire. The meat is accidentally kicked into the ashes, promptly forgotten about. Tommy grabs whatever he can salvage, which isn’t much. He doesn’t really need anything anyway.

The headsets are useless, but the few torches he has, along with the pickaxe, are grabbed. The last thing on the agenda is Dream.

With great difficulty, Tommy hoists Dream up and throws him over his shoulder. Tommy’s crying tears of pain; this is complete agony for him. Everything about this hurts, but he’s not going to let them die down here, not when Dream needs help. If the headsets are broken, surely the respawn chips are busted as well, which means he needs to dig his way out. Otherwise there’s no hope for either of them.

He retreats further into the cave and starts digging upward. It’s a slow, painful process, but Tommy’s keeping his family in mind. He needs to think about them, and how proud they could be of him. Against all odds, he’s coming out of this in one piece instead of giving up. Tommy’s never been a quitter, and he’s not going to start now.

“I’m a speedrunner,” he mutters to himself. Scabbed wounds are re-opening, his muscles are screaming at him, but he’s pushing himself. “I’m a competitor, I’m a winner. Phil will be proud of me, Wilbur will be proud of me, Techno will be proud of me.”

The ground is disappearing. Tommy can only see darkness above him as he digs into the ravine wall, slowly making his way up. The process feels like it’s taking hours upon hours, but moving is easier when he’s not stopping for a breath. He can’t afford to take breaks, not when he’s so close to the surface and freedom.

He continues his mantra, sweat and tears blurring his vision. His grip on Dream and the pickaxe are weakening, which makes him cling tighter. He can’t risk dropping Dream now, not when the man is already so weak as is. Tommy wonders if he’s still unconscious.

“I’m a speedrunner-”

“Tommy?” That sounds like George. Tommy mines another block away until something softer than stone gives, nearly causing him to slip.

He’s hit dirt. He punches through it, only to be met with someone on the other side grabbing his wrist, and another pair of hands pulling away at the grass and dirt nearby. The result is a sunrise staring him in the face. Blinking, Tommy looks up to see Sapnap, Bad, and George staring down at him.

They immediately grab at him and Dream, pushing Tommy down and checking him over. Distantly, Tommy can hear the sound of a helicopter, but he’s too disoriented and exhausted to really understand what that means. Now that he’s not moving, he can feel himself slipping into darkness.

“Dream-” he tries to say, but George shushes him.

“Tommy, it’s okay. You’re okay, you’re both okay. We’re going to get you both out of here, just rest. We’ve got you.” George sounds so worried, Tommy wants to tell him he’s fine. He wants to brag about how he got Dream out of there all by himself, with no one’s help.

He doesn’t get a chance to. When he finally succumbs to unconsciousness, his dreams are of him standing on a platform facing a large crowd, with his dad cheering the loudest for him.

[stargazerinmoksha]

I am trying to come from a place of understanding, so what I’ll write here will make sense once it is all written down. I have spent a good portion of the last few years inside of this hateful place and to everyone that is still there, I want to be that beacon of hope for you. You will make it out. I lived in this wallowing pit of pity and anger, an anguish so chaotic that it sapped my smile right out of my face. I don’t need to be perfect, I don’t need to be anything, I honestly didn’t even feel like existing. I would wake up and I just hated the feeling of going through the day because of my constant fuck ups and to be honest with you? Was that really any way to live? I tried some acid two months ago and yeah, the visuals were wild, but I went to brush my teeth and for a second I caught a glimpse of my reflection inside of the faucet head and I felt like I saw myself for the very first time. I always hated looking at myself. The cruelty that we deal to ourselves is by far some of the most saddest shit anyone can go through. No one deserves to wake up and feel like that. I just cried. I didn’t know what else to do, I guess my first reaction was to just let it out. To just feel. To feel like I gave enough fucks to tell myself that it’s okay if I’ve been hurt or if I’ve hurt people before. It’s okay, just don’t do it again. A month ago I went on a trip to Colorado and I almost died, I decided to quit smoking cigarettes and vaping period, I wanted to let that part of my life go. I got into a wreck and I almost killed my cousin along with myself. I should’ve bought a pack, but I wanted to stick to it. I wanted to be responsible. It fucked up my little vacation, but I managed to grab some shrooms and went home to see if I could see something.

Yes, this is a story about how I found my faith inside of such tiny things. I hear talks about bad trips and visuals, but I never thought for a second that I would have felt this warm embrace, a love so dear to me— something that I’ve never felt before. Nothing like sex. Nothing like drugs. I know why psychedelics are illegal now, because if everyone went into it with a stable mind and good intentions, the world would find so many answers. I’m not telling you to try it, I’m telling you that our paths all converge eventually. Your karma cycle will repeat itself until you’ve made peace with your demons. I am just a man, but here, I write. My poetry doesn’t sound so sad anymore and that makes me so damn happy. It took me four years to make peace with that part of myself and I know that there’s so many people out there that’s still hurting. I started writing my sappy poetry on tumblr because I couldn’t deal

with my heartache, and a lot of people read and they read and they read some more. I’ve made so many connections through my writings, I’ve become a madman and now I write as easily as breathing, it’s my meditative state. I am telling you all of these personal things because the truth of the matter is that no matter where you go, who you’re with, no matter how bad things get, I wanted you to know that somewhere, someone understands me. Even if for a split second, I want you to know that it does get better. Shrooms showed me where all of our knowledge should be stored, our hearts may break, our minds may succumb to a darkness that only the rarest of flowers may thrive— you are that flower.

You can be big and tough, you can be short and fit, you may not feel like you’re pretty, you may not feel beautiful, you may hate yourself everyday for letting the one get away, you may be the cheater, you may have been cheated on, you may choose to be alone, you might just want to live with your dogs, that’s cool too. There’s love everywhere and you won’t always get along with everyone, that’s okay too. I just want to function from a place of understanding. So this is where I’m at. I love you. I love you regardless if you hate me for being me, even if you think I’ve taken something from you. I love you regardless. I love you even if we don’t talk often, even if we’re on this endless cycle of come back home to me some day. I love you even if you aren’t really who you said you were, I loved you before that knowledge and I will love you then. I love you even if you can only get three hours of sleep a day because on that third hour you have batshit crazy nightmares and call me to help you smile. I love you even if you’ve felt lost and not quite at home, you can always find a home with me. I love you even if you have wronged me and I’ve wronged you back because even if I gave you my heart once, I promise it’s still there. I love you even if you’re unsure about the prospects of an us and that’s okay, as long as you’re trying, I can get down with that. I love you even if it was pure forgetfulness on your part to tell me about yourself and your life, all is forgiven.

I love you even if we sit in silence and I want to hug you and tell you that it’s okay, it’s okay if you didn’t know how to be my dad. You’re here now and that counts. I love you even if you constantly yell and belittle me because I only have one mother in my life and no one can ever replace you. I love you even if you’re dead ass broke and don’t have a single cent to your name, if I fuck with you, I fuck with you, point, blank, period. I love you even if you’re heavily opinionated and all you want to do is talk, I will always have your back. I love you even if you’re extremely stoic as fuck and it get under my empath’s mind, I love you always. I love you so much and I hope all of you grow up to be safe and beautiful. You are so dear to me and you know who you are, I am living on borrowed time and I might not be here by tomorrow, but if you read this just know that it has always been about you. I love you even if you showed your face to me during a time when I was high as fuck, I have such a complex relationship with you God, but I know that you mean well and I can only receive your love and knowledge when I am ready. I love so much and it hurts to love this deep, but I have to make peace with all that I am and if love is the greatest thing that I have to offer, then all that I love is also a part of me. I write to let you know that if this is the worst part of my story, I will write a better ending.

I write this to let you know that self-love starts when you’re ready. It won’t start any sooner than that. And if you try to rush it and go to a place that you’re not supposed to be, you will be sent back like a shooting star that’ll split into two, someone might wish upon you— I am sure you’ll grant their wish. I can only pray that you know I mean well. I hope that you drank some water today, I hope that you ate some food today. I hope that you’re safe and get a chance to know love. Like real love, like for real love, love that hits you up just to smile and laugh with you. Love that lets go of envy and jealousy. I have been there, I’ve done that. I don’t want that in my heart. I want to forgive myself for all of it. You see, love starts there because how can I love anyone if I don’t love myself first. Love starts when you start making changes to how you love. Love starts when you’re ready. So start with yourself, when was the last time you did something nice for yourself? No, not like smoking a joint or taking shrooms haha. More like waking up and doing your blanket as your first kind act of the day, a clean bed will start a clean day. Your room is a direct mirror of your inner world.

Learn more about yourself. Learn about your strengths and weaknesses and I promise, the money will follow. Learn to attract the things that you truly want. The things that truly make your heart feel warmer for the cold days. I want to function from a place of genuine kindness, understanding and love. It’s okay if you hate me, you will find a place in your heart to grow that into something wonderful. Yeah, I’m on my bullshit again, but if you read this whole fucking thing, you’ll know that I meant well. And if you find something in here that’s about you, don’t be afraid to hit me up about it. I wrote it with that in mind. Please enjoy your day and remember, it starts whenever you’re ready. Not any sooner or any later— it begins when you’re content with being here in this moment. The right now, the right here. Don’t worry, you got this because if I made it through, you can too.

— “How can you love anything if you don’t know how to love yourself?”