#I just have a lot of feelings about all these characters and I want them to be good and safe and happy

[harmoonix]

🪄Dark Hour🖤

- Astrology Observations -

Having Venus in your 4th house can make you automatically to attract people with traditional values even if are not traditional yourself

Libra Risings can have it hard in relationship since their 7th house is ruled by Mars (Aries) which rules over war and conflicts

Cancer Placements can turn out to be manipulative if you do them wrong or if they simply just wake up and say 'lets be toxic today' and im not talking about all cancer placement natives

The dark side of a Venus in the 12th/Pisces Venus is that they tend to idolize their relationships/partners a lot, making a lot of scenarios in their head

Virgo or Cancer Venus may have a 'savior' complex in their love relationship, like trying to save themselves or trying to find someone who can save them

6th house Sun or Moon may have lots of encounters with animals, is like animals feel some kind of "calling' from you

Gemini/Leo/Taurus/ Venus may like to cosplay/playing the role of a character matches a lot with their personality

If you have unevolved Virgo Placements, you may hate when people disagree with you or when ppl come witn a counter-argument for you

Mars in the 8th house can get crazy if they don't get physical touch. Some might crave it and not have it 100% all the time

Moon in the 10th house feels like everyone is watching every single emotion of yours and may react to your sensitivity. You may get called 'over sensitive'

Moon in the 8th/12th house can struggle to talk about their feelings if they are surrounded by people with a toxic energy

Scorpio Moons can also struggle with 'feeling love' especially if they never experienced that properly. Don't press them to show their love for you early in a relationship let them feel safe first

Leo Chiron is a placement where they may nedd attention from others but not that type of "spotlight attention" rather just to be seen and understood by others

The dark side of Taurus Placements is that they tend to be very greedy and I talk here about their finances and money, of course if they are unevolved

Uranus in your 10H can make you change/switch your job more than once or twice, and can indicate having a confusing time with choosing the right job

Moon in your 2H can talk about 'working with love' and putting your heart into everything you do. You get rewards for your kindness

Unevolved 10th house placements can turn really materialistic if they have the chance, looking only for money and that's it

Capricorns are used to expect the worse in some situations since they have been thru multiple such situations in their lives

Uranus in Aquarius generation can be attached to technology 24/7. In love with technology, their phones are their world

Gemini and Virgo Moons are the first indicators of someone having anxiety/stress/panic attacks/overthinking

Pisces Placements but mostly Pisces Suns/Risings can use escapism a lot, trying to create their own reality in their head rather than living in the actual one

Scorpio Venus/Mars natives, some of their hidden fears can be betrayal/getting cheating on. This can possibly be one of the reasons why they can attach fast to people

Saturn/Pluto/Moon in the 8th/12th houses the planets become more dark in these houses, getting

Cardi B has a crazy chart because she has BOTH Jupiter and POF in the 7th house and is still still coming to the man who cheated on her??? (Never mind her Venus in the 8th house explaining everything)

A water sign in your 11th house can indicate you can understand people deeply and attach to them emotionally

Earth signs in the 1st house can indicate you tend to put a lot of pressure on themselves, being hard on themselves, criticizing themselves sometimes quite a lot

Mercury - Moon aspects natives can get therapeutic with other people, they like to talk about deep stuff with others and tend to share a lot from their live experiences

Jupiter in Sagittarius can be a good placement if you want to explore the whole world or just simply travel Jupiter can help you to manifest that

Jupiter - Mercury or Saturn in harsh aspects tend to be close-minded or afraid to open to new things/learning or knowing about them (I'm talking for the aspects generally not the people)

Moon or Venus at 5° or in the 5th house can make you have a baby fever more when you're young, like in your 20s. Wanting to be a young parent (this does not apply to all)

Mars or Neptune in the 11th house tend to attract people easily with their energy/personality. People get interested about you too

North Node aspecting Saturn in harsh aspects is not easy, actually is a very challenging position in your chart

North Node in the 8th or 12th house tends to live intense lives or have intense life situations, even near death situations

✨️🤍 Hope you all have a good Monday 🤍✨️

Harmoonix ✨️✨️✨️

[luna-azzurra]

do you have any advice for writing a love confession without making it grossly cheesy or awkward?

im writing one between long time childhood best friends that are EXTREMELY close and im so stuck

Since these two characters have been best friends for a long time, the confession should feel like it’s built off their history together. Maybe start with a memory that’s meaningful to both of them. It doesn’t have to be a huge, dramatic moment, something small but personal, like a time they supported each other or a running joke they’ve had forever.

For example, one of them could say something like

“Remember that time we got caught in the rain walking home from school, and you made up that ridiculous song to keep me from freaking out? I’ve been thinking about that a lot lately… and I realized that’s when I first started seeing you differently.”

When people confess their feelings, especially in a real and vulnerable way, it’s usually not in flowery language. If you try to make it too poetic or dramatic, it might feel forced. Instead, keep it honest and straightforward. They don’t need to say “I’ve loved you all along” in some grand, movie-like way. Let the confession come out more naturally, almost like they’ve been fighting it for a while and finally just have to get it off their chest.

You could have them say

“I don’t really know how to say this, and it might sound weird… but somewhere along the way, I started seeing you as more than just my best friend.”

There’s no way for this kind of confession to be totally smooth, and honestly, that’s what makes it feel more authentic. They’ve been best friends forever, so there’s going to be nerves, maybe some hesitation or stumbling over words. Lean into that awkwardness, it actually makes the moment more relatable and shows how important it is to them.

Maybe one of them starts talking, realizes they’re rambling, and tries to correct themselves. Like

“Okay, wait, that sounded dumb, let me start over. What I’m trying to say is… you mean a lot to me, more than I’ve probably ever said out loud, and it’s kind of terrifying because I don’t want to mess things up between us. But I’ve gotta be honest, this is how I feel.” The vulnerability in admitting they’re scared to ruin the friendship makes it more heartfelt and real.

This is probably the most important part! These two aren’t just falling for each other out of nowhere, they’ve built this strong, deep friendship over the years. So the confession should acknowledge how much that means to them. Make it clear that the romantic feelings don’t take away from their friendship but add to it.

You could have one of them say something like

“You’ve always been the person I turn to for everything, and that’s not gonna change, no matter what. But lately, I’ve been feeling something more, and I can’t keep pretending it’s not there. I just hope it doesn’t mess things up between us.” This way, they’re emphasizing that the friendship is still the foundation of everything, but they can’t ignore the fact that it’s evolving into something deeper.

Overall, just make sure it feels true to the characters and their relationship. Don’t feel like you have to tie it up neatly with a perfect line or a romantic kiss right away. The beauty of this kind of love confession is that it’s messy and emotional, and it should reflect the complexity of their relationship. They don’t need to have all the answers right away. Let the moment be about the honesty and the fact that they’re finally admitting something that’s been building for a while.

Maybe end with something like

“I don’t know where this goes from here, but I had to tell you. You’re too important to me to keep pretending like I don’t feel this way.” This leaves room for both characters to process what’s happening without forcing a big romantic resolution right away. It’s more about them taking that first step into new territory, which feels more genuine and in line with the close friendship they’ve had for so long.

[honeydewandcake]

TW — Asylum/Hospital setting, mental disorders, medical malpractice

Inspired by Fran Bow, Sparklecare, Pure Trance, and other such things; I had an idea for a Dandy’s World AU that centers around a hospital setting

I feel like a lot of people don’t like asylum or hospital AUs because they are full of exaggerated or misinformed ideas of what mental illness is. I tried not to do that, though I’m not a professional so I still might be wrong about some things. I don’t want to take this idea too far in fear that it might be distasteful, but I do want to share this idea to see if others like it too.

Dandy’s Care is a separate world where, instead of a museum, Dandy and his friends were meant to be for a children’s hospital to treat the sick and ill. They were meant to be comfort characters to patients and were meant to support them during their stay. Like in Dandy’s World, the hospital shut down due to unspecified sanitation issues. Dandy, also known as Dr. Dandicus Dancifer, slowly became more and more starved for activity. He started targeting his friends, making the hospital into an asylum for them. He changed their characters, changing his friends into patients. The toons have no memory of their former self, only knowing their diseased and ill present self.

The staff is made up of the main toons. All of them are nurses and Dandy is the main doctor. They all act like their former selves, though they have no memory. I didn’t want to draw all of them so just imagine Astro and Vee in these uniforms.

Read more to see other toons (not all of them drawn or thought of yet, don’t attack me ;-;) ↓

Razzle and Dazzle, the only ones that I thought of completely because I already drew them before. They’re the reason why I made this entire thing anyway.

They are just experiments by Dandy, who wanted to see if the two could live together if they were attached. They used to love each other, now they don’t. Razzle is no longer looking for comedy, Dazzle is no longer looking for hope. Both are only set on the idea of revenge against Dandy for making them this way.

Life is hard when you can only feel the sensations on one half on your body, they can barely walk and can only stand or sit. They take many painkillers as their wounds take a long time to health properly. They wish they could escape this place and just die already, but they’re stuck and forced to live for as long as Dandy wants.

Razzle is a lot more violent now. He is prone to biting and scratching the staff. He hates doing all the lab tests and medical procedures, he hates being near Dazzle, he hates being stuck in this living hell. Razzle is the reason why they’re not allowed near sharp or blunt objects.

Dazzle became paranoid, scared of any noise that happens. He’s terrified of Razzle because of how violent he can get, he hates him too. Dazzle cries a lot, he cries until he can’t everyday. Dazzle wishes he could just die already, he thinks everything is scary and out to get him.

Shrimpo is thought to be a patient that had anger issues and aggressive tendencies. According to Dandy, he was admitted for being violent in public, although this is only part of the fake story that Dandy gave him. Shrimpo was forced to get a lobotomy, unethical but who cares. Dandy sure didn’t.

He’s still in the recovery phase, so he might be a bit loopy. Once those bandages are off, he’ll be as right as rain. Shrimpo is a wanderer around the hospital as he’s no longer a threat. He’s allowed to leave his room and go out in the play yard but only if a nurse is with him.

Shrimpo doesn’t really have much going for him. His thoughts are scrambled and he only cares for things in front of him. Although the lobotomy made him more passive, it doesn’t mean he’s any better in terms of motivation. Shrimpo certainly has no drive for anything anymore, he doesn’t mind but it gets in the way of his health as well. The staff needs to remind him to go to the dining room to eat or to go take a shower, because otherwise he’ll forget.

Boxten was made to believe that he has had problems with insomnia ever since he was little, of course it’s not true. He takes sleeping pills and melatonin, but it only seems to worsen his nightmares. This makes him skip his doses to avoid sleeping, repeating the cycle over and over.

Boxten is afraid of imaginary things that might get him. He thinks they’ve already in his head, eating away at his brain and giving him nightmares. Of course the only thing the nurses can see is his music box. Boxten has lost all trust in the staff since they couldn’t see or feel the things he can.

In my original notes, it said that Boxten might have psychosis.

Well that’s all the once I’ve drawn, I don’t really have the motivation to make every single toon. I have a couple of ideas though

— Goob somehow survived a terrible accident, but both his arms needed to be amputated making him armless. He suffers from brain damage and internal bleeding. He doesn’t seem to have any change in his personality, still as joyful as ever. Maybe it’s a coping mechanism

— Tisha has severe OCD which damages her mental health. She’s constantly worried about everything that happens around her, making her super aware of her surroundings. She could be a danger to herself and others as she sometimes has very aggressive thoughts but can’t control her actions. She unintentionally hurts herself because of her OCD, such as washing her hands so many times that they start to bleed.

Not for a toon, but I did have an idea for an added addition to the hospital. Maybe there’s a twisted reform center where the staff try and heal twisteds back to their normal self. They would clean the ichor from them but since the ichor is also inside of them their personalities don’t change as much. Twisteds such as Finn and R&D might be too far gone though, they would have to be disabled for life. I might draw this idea because I think it’s kind of cool, I definitely will if people also think this is interesting.

[alpaca-clouds]

BG3 fans, we gotta talk CPTSD

Okay, I have spend about a week considering writing this blog, but I really gotta say, that it is something people really need to understand. See, I mostly see this issue with Astarion and his depiction in fandom. However, I would argue that it is a thing that affects literally all characters that play some sort of bigger in this entire game. Including many NPCs.

But let me start with Astarion. See, I wrote the blog two weeks ago about people being judgy on people, who do not want to have graveyard sex with him. Mostly people will argue how Astarion should be allowed to have his agency in that moment - while I argued that whoever the player is playing should have also agency in that scene. Including the agency to say "no" for whatever reason. I also included that my Tav absolutely denied Astarion, because he was not trusting that Astarion in the scene really was ready for it, for a variety of reasons. Which is very much a valid reason for someone not to want to sleep with someone else. (Literally every reason is a good reason for that, mind you.)

And obviously there came the comment, that went basically: "As someone who was raped I am very appalled by you saying that raped people cannot consent." Which is very much not what I said.

What I said was, that my Tav did not consent. Yes, he did not consent because he thought Astarion was not ready for it - but he is the one not consenting. It does not matter for this whether his assumption about Astarion is true or not. Tav does not feel comfortable in the scene, so Tav does not want sex right there.

However... If you consider the drow orgy scene, Tav is also very much right. If you do that scene after defeating Cazador, Astarion is enthusiastically consenting to that orgy, but he still ends up dissociating during the scene. (And in that scene, even if your character notices it, you cannot go "Stop!" Which I hate.)

Here is the thing. If you are in the BDSM scene, you might actually have encountered a scenario in real life where someone was enthusiastically consenting to something - only to them realize, that they were not into it at all. And people can withdraw their consent IRL at this point. Only that in this game, obviously you can't. So within the game choices I will just start out with "no" for this character.

Still, that is actually not what I mainly wanted to talk about. No.

What I wanted to talk about is the other thing. I absolutely know that for a variety of reasons a lot of SA survivors do identify with Astarion, and I do not want to take that from anyone. I think it is amazing that we got a character with whom we see this issue portrayed seriously. And let's face it. Especially in tumblr fandom circles, we will have a lot of SA survivors, because the userbase of this website is majority afab, and many are queer. And we know from statistics that queer afab people are even more likely than non-queer afab people to experience SA at some point in there life. So, yes, Astarion is going to be embraced by this community makes sense - even without his dashing looks.

But here we get to the actual meat of the issue: Astarion was not just raped. Astarion was abused in a variety of ways - some of them sexual - over the course of 200 years. He went not through a single traumatic event, but an ongoing trauma that, again, lasted for 200 years.

Or to put different: Astarion does not have PTSD. He has C-PTSD. Complex trauma. The kind of trauma that develops when the trauma lasts over a long, long time, without the survivor getting a chance to ever really properly ever relax. Something that was very true for Astarion's time under Cazador. He was under constant threat of rape, torture, and other forms of violence.

While CPTSD is a form of PTSD, it has some differing symptoms - and additional symptoms from plain old PTSD.

I found this graphic on this blog here, and found it fairly good in the depictions. (If you google CPTSD you will find several graphics like this.) It shows very well the additional symptoms, compared to normal trauma.

Generally speaking, CPTSD brings a lot stronger issues with self-worth, interpersonal problems, and emotional regulation. CPTSD folks are often prone to emotional outbursts (this graphic names anger, but technically it can be all other kinds of emotional outbursts - which is why at times CPTSD gets confused with BPD).

And Astarion is written like this. He shows very much all the symptoms of CPTSD. And let's be honest: That is an issue he will have to deal with for a long, long while.

But... As I said, the same is actually true for pretty much all the characters.

If you look at the companions, it is obvious.

Gale spent at least a year in constant fear of blowing up. While Mystra's abusiveness towards him within the relationship prior the orb is more fanon than canon (though the relationship was defnitely not an easy one), the "one year in constant fear of death" is very likely going to instill some form of CPTSD in him.

Karlach was a slave for 10 years, forced to fight in the hells. While she will also probably suffer from certain forms of PTSD more common in soldiers. Additionally I would argue that she also has some CPTSD from tiefling-racism. While she does not bring it up often... She does seem to have a thing there.

With Wyll it is a bit more complicated. Yes, for him I would see the kind of CPTSD I have - parental abuse related. Ulder was not openly abusive, but neither was my mother, and guess what fucked me most up in my childhood, despite experiencing some really bad violence elsewhere.

Shadowheart was abused by Viconia and midwashed and tortured and was forced to kill her fucking pet mouse. Bonus points that a lot of it happened during her childhood. She very much is gonna suffer the consequences.

Lae'zel... Do I really need to say something about her upbringing among the Gith?

Then we have Halsin. We know fairly little about his background, given that he is very coy in talking about it. But his "three years as a drow slave" definitely make it likely that he has developed some form of CPTSD.

And then we have Jaheira and Minsc. For whom just the... Well, look folks, the adventuring lifestyle would logically also leave you with CPTSD of some sort.

Even if you play a Tav who entered the game after having a very untraumatic life... They will spent what has to be at least two months with a tadpole in their head threatening to kill them - while half of Baldur's Gate is trying to do the same. They'll have PTSD after this at the very least, if not CPTSD. (Even though, let's face it, chances are we all gave our Tavs more than enough background trauma to go along with it, right?)

And same goes for so many other characters. The tiefling refugees. Our main villains (especially Gortash and Orin). Cazador. The other vampire spawn (duh). The list goes on.

So, what am I trying to say here?

Well, for once I just want to make sure folks understand that CPTSD is a thing that exists and while being similar to normal PTSD differs in some points. Including the fact that people with CPTSD have a high likelihood to make very rash decisions driven by instable emotional states, that might be harmful to them on the long run.

And mind you. In real life most people with CPTSD have it because either they were bullied for a long time, or were in an abusive relationship of some sort. (Abusive parents, abusive partners, abusive friends/roommates.) But even in those heightened scenarios the game represents for the most part - the issues are gonna be still mainly the same.

[gffa]

I'm enjoying Padawan's Pride a lot so far! I am this close to making the effort to clip out some of the book's moments to shove them at you all because the Obi-Wan & Anakin banter is delightful and the author has so far done a really good job of showing the awkwardness and stiffness between them but with an undercurrent of genuine affection and care and the glimmers of the pillars of each others' lives they're starting to grow into. I'm really enjoying the gentle hints of their deeper dynamic, the way Obi-Wan and Anakin don't fully understand each other, the meta conflict of their individual points of view that view a given scene differently, that Anakin thinks of Obi-Wan as distant and unfeeling at times, but then you see Obi-Wan's internal dialogue and you understand just how hard he's working to guide this young kid, and he constantly surprises Anakin with moments of warm humor or opening up about his own emotions. But it's also good on the front of how Anakin is having trouble as a Jedi and it's making me feel a lot of heartwrenching feelings for him, because yeah I see how these can be red flags (the craving of adventure, the misunderstanding of those around him, the way he doesn't really seem to want to control his feelings) but the author presents it in a way that's very sweet and sympathetic to the character, that it's not about fault or pointing fingers (and I think it would be a severe misreading of the story to frame it that way in either direction) but instead about presenting characters as they are, that they're a great fit in some ways and not in others. That Anakin just. Is who he is, in a lot of ways. He misses his mother, he misses the excitement of podracing, he feels trapped as a Jedi--and it's not that the Jedi way is wrong, but that maybe it's not fitting Anakin very well and that's not wrong either. It just is. Mostly the story seems to be focused on the mission--a podracing mission! I'm enjoying how much fun this is--and I'm a little disappointed that Obi-Wan and Anakin are separated about a third of the way into the book, but up until now we've gotten delightful banter--I've laughed out loud at least three times--moments of characterization worth chewing on, and a fun experience. It's a short story, just under four hours long, but one I would cautiously say is worth it so far.

[bengiyo]

Hello 👋

All of your favorite horniest sex scenes?

Hello! I've been busy, so this has taken forever to get to!

I don't always need the guys to bounce around on each other and gyrate enthusiastically for it to out as horny. Oftentimes, I find myself more drawn in by the building desire between the characters, and the explicit acknowledgement of release. I like when the sex feels like it's also revealing something to us about the characters. I've highlighted many of these before, but it's fun to revisit.

Ghost Host, Ghost House Episode 4 Couch Scene

I will never get over this scene, and especially the director's cut of it. These guys knew they liked each other almost instantly, and it was so rewarding to see them reach a place where they could express that. Bonus points for discussing the logistics of gay sex.

This show has been on Gaga and YouTube for a while, but it's also now available on Viki!

La Pluie Episode 6 Floor Scene and Episode 7 Bed Scene

I liked this scene so much that I wrote about it. Again, there's a lot of anticipation between these two, and you can tell how far it's built up because Patts has to dial it back down when Saengtai wants to stop. It's especially important to me because Saengtai does blow Patts in the next episode. If you're on iQIYI, there's an extended cut of that at the end of the video lists.

Mood Indigo: The Post-Funeral Scene

These two are so horrible for each other, but damn are their sex scenes compelling. Theirs are the kinds of scenes only possible between two people you know can never work long term. I was so glad that we got back to Haruhiko in Playback, and the first thing he did was blow Rio in a car. If you haven't seen the Novelist, and you're itching for hornier BL, it's right there.

The End of the World With You "You're Soaked"

From the same team as The Novelsit, we got to experience baby's first fuckboy in this incredible show. Again, I love when we get scenes with couples who aren't ready to work, because they're allowed to have raunchier sex. They get to amp the intensity of the physicality because they need to give a reason why someone was so caught up and missed the warning signs. I actually love the car scene later as a more romantic intimacy scene, but we're focusing on horny here.

Jack o' Frost Birthday Sex

A common theme here with the Japanese offerings is that people are allowed to have more interesting sex scenes right before they split. This is true even in Jack o' Frost. We get a really great oner from the leads that precedes their breakup and Ritsu's accident. I think this might be my favorite of this list because the actors have to build the entire scene together since there aren't any cuts.

Gameboys 2 Bed Scene

Cairo and Gav are one of my favorite pandemic couples we got on screen, and I was quite relieved for them when they finally got to have this moment. We also confirmed they switch, and I love that.

Wedding Plan: Namnuea Showing Off His Stamina

No list for me would be complete without including them. I really loved seeing two gay men go at it after clearing out all of their misunderstandings. They had already had sad goodbye sex. It was thrilling to see them having enthusiastic, athletic sex. This also leads directly to one of my favorite emotional payoffs for a closeted character of all time.

Kiseki: Dear to Me Reunion

The second couple stole this show, but damn if I didn't love the way these two played out sex across multiple years between their characters. These two really suffered, and I really love the way Taro Lin and Hsu Kai captured the changes between these two as Bai Zong Yi grew and matured. This really was a solid sex scene.

Love Class 2: Sungmin and Joo Hyuk

I just really wanna thank them for reassuring me that if Korea wanted to, they could deliver.

Sleep With Me Jeans Scene

I am not a lesbian, but I share their beliefs. This scene was so good. I loved that these two, who have different kinds of disabilities, were able to have a very fun sex scene. I really like when it's clear both characters want to be there.

Only Friends: Boston and Top in the Car

Despite my eventual disdain for this show, I was impressed with Neo and Force for giving this incredibly selfish sex scene between their characters. This entire scene is about injured egos, and it's a standout scene from this show. We won't discuss the rest of the show here.

Thanks for the ask!

[3hks]

How to Write the "Black Cat" Character

A trope that's becoming increasingly popular right now is the "Black Cat and Golden Retriever" dynamic! And with good reason: their opposition in character makes such a cute and fun relationship! So today, let's explore the "Black Cat" character and how to write them!

OVERVIEW

The Black Cat is known to be introverted and can seem harsh at times; they tend to avoid people and might not talk a lot. They also dislike showing vulnerability or sensitivity, which results in their genuine emotions getting concealed more often than not. In general, they aren't great at dealing with other people.

DIALOGUE

In general, the "Black Cat" is not known for making a lot of friends and getting along with everyone. One of the main reasons for this is because of their communication, which we'll explore!

**SUBTEXT**

Like I said, this character archetype is not honest about their true feelings towards people. When talking, they have a tendency to avoid or lie about the topics they may find sensitive or don't want to share. Thus, their dialogue isn't all that reliable.

So instead, subtext is the key to portraying their emotions.

They could lie and say, "I'm not scared", but their tenseness and darting eyes betray their words, offering the truth without speaking. Those actions are the subtext.

This creates a contrast between their words and their actions, forming a more dimensional person! I'm not saying that they're dishonest all the time, but they will absolutely make something up if they have to, which makes communication with them just that much harder.

**SPEECH PATTERNS**

Everyone has their distinct speech patterns, and this trope is no different! The "Black Cat" is concise and terse with their speech. They're the type to respond with short, curt answers, which makes holding a conversation difficult because they don't feel the need to butter up their words. As a result, they can be quite blunt.

Obviously, that can pose a problem.

Additionally, more often than not, they're unaware of their ruthless honesty and/or struggle to understand why it could hurt someone.

On the other hand, they may say stuff they do not mean (much like word vomit), which can also be hurtful.

Tone-wise, they tend to have a blanker manner of speaking. Not necessarily in an emotionless way, but they speak more to get their point across than to express their emotions. So naturally, their tone is more consistently calm (or even cold) and involves less emotion.

Lastly, there's vocabulary. These characters are unlikely to use slang and generally don't stutter. They might have a richer vocabulary but also may not show it off when talking.

PERSONALITY

Let's break down some of the standard characteristics of this trope!

**FLAWS**

Blunt

Stubborn (Unwilling to accept help)

Closed off

Lack of communication skills

Struggles with empathy

Sometimes (unnecessarily) mean

Cold/Apathetic

**VIRTUES**

Intelligent

Analytical

Unbiased (Unless it the "Golden Retriever" is involved)

Highly skilled (Or a wide range)

Independent

Responsible

**GENERALIZED TROPES**

Tsundere

Apathetic

Mean/Cold

This is just a quick overview of their characters as a whole; the tsundere generally is softer compared to the other two. Although they act disinterested, they care deep down. On the other hand, an apathetic is one that strongly lacks empathy and emotions. They typically don't care about anything and may or may not be mean--it's up to you! And finally, there's the mean/cold type. Obviously, they have more hostile tendencies but sometimes it's a defense system in which they have no control over.

If you can't tell, this archetype is introverted with a more neutral temperament (it depends on how you write them, but the point is that they aren't all sparkles and butterflies). Most of their struggle consists of connecting with other people and building on that relationship. Normally, this is because they may feel that others weigh them down--especially if they themselves are gifted--or that they don't need anyone else because they can sustain themselves just fine. However, when they are close with someone, they're protective, if not overprotective of them.

**CHARACTER**

Another important aspect to keep in mind is that because the "Black Cat" won't show as much emotion and is considerably more serious, this character can easily seem too robotic. So how do we avoid this? We give them some more personal traits!

For starters, slowly establish any fears and/or weaknesses that your character has. The fact that they have their own vulnerabilities demonstrates that they are still human while adding some depth! I also suggest including backstory and dreams to build onto the dimension.

Following that, when they do open up, I recommend not skimping out when it comes to describing the importance of the moment! It doesn't have to be every time, but it allows you to demonstrate the value of their honest expression! Yes, it's mainly just for fun and fluff, but it doesn't hurt to be a bit dramatic about their elusive smile or laugh!

To finish up, the point of view the story takes place in is also crucial. If you're telling it from the "Black Cat's" POV, you have more access to their thoughts, which is pivotal when developing the character. However, they may be less self-aware about how their demeanor affects others.

On the flip side, if you're telling the story through the eyes of the "Golden Retriever", you get to establish how the other looks from someone else's angle and how they handle such a character.

Personally, I prefer to switch the perspective from time to time to get the full picture!

RELATIONSHIP

Here's the fun part! How does the "Black Cat" and "Golden Retriever" trope really function?

Most of the BC's character development actually happens around their partner or loved ones. This is because alone, they have no reason to change and they're perfectly fine with how they're functioning. However, with the GR, they must put in more effort into communication, opening up, asking for help, etc.

That slowly builds character development!

As expected, in their relationship, the BC is the most reliable and organized of the two, balancing out the GR's more reckless nature. Part of their enjoyability is the sheer opposition in their persona, but they should also break out-of-character for each other every once in a while.

What do I mean?

Well, like I mentioned before, although the BC is stoic and distanced, they should be willing to express their vulnerabilities and might even act uncharacteristically shy with their partner. Conversely, the happy and loveable GR may have serious moments when concerning their loved ones. That's how you can tell they do care about each other and that's what makes this dynamic so cute!

CONCLUSION

To summarize, the "Black Cat" is terrible at dealing with emotions and communication. As a result, their actions speak louder than words, so subtext is vital when their writing dialogue! Most of their development happens around their partner--not everything will change, but that's the beauty of this character!

Guys, I'm SO, SO sorry for uploading less recently; school is a mess right now so I'm trying my best to make it up! Homework is getting a bit overwhelming, and my tennis season is starting so I'm still trying to figure things out. With that being said, fall break is only a week away and I understand very well now that I need to prepare beforehand 😅 I genuinely apologize, and I'll working hard to clean my schedule up!

On a separate note, I appreciate all the asks I've been getting, it makes me so happy, so if you need something, please reach out! Thank you so much for making it all the way to the end, expect a post on writing "Golden Retrievers" soon! ;)

Happy writing~

3hks <3

[clockwayswrites]

City Pigeons Bleed Green Part 21

CW: discussions of mental health and past temporary character death Masterpost

“Hey Dandelion, do you have everything?” Dick asked as he peered into Danny’s room— or the room that Danny had been using since they moved to this safe house.

Now that they were moving to the Manor, Danny would be getting his actual room with the rest of them in the family wing. For those that had moved out, the Manor wasn’t their only home, but it was still home and their room was still their room. Or at least for Dick and Cass. Jason… Dick knew that it was still harder for Jason.

Thinking about it now, Dick didn’t know if he’d actually ever seen Jason actually sleep in his childhood room again. Jason was always up first, helping Alfred in the kitchen on the rare nights that he stayed over. Once Dick had fond Jason still asleep in the library, book still in hand. Maybe it was something to change. Maybe it could change, now that Danny was there to bring up the conversation.

“Danny?”

“Sorry,” Danny said with a slightly water smile. His little brother was clutching his blue bear, as he almost always was these last few days. “I, um, yeah, I think I have everything.”

Dick sat down on the edge of the bed next to Danny. “But?”

“But?” Danny repeated. His brows crunched up adorably.

Dick leaned over to bump their shoulders together. “But you don’t seem happy. If this is all too soon, we can delay.”

Danny gave a little, unhappy snort. “You all keep delaying for me. I didn’t want to meet Bruce so you kept him away. I didn’t want to tell you things and you all still haven’t made me.”

“We want you to be comfortable and feel safe.”

“I do,” Danny insisted. “I have and I… and I still ran, didn’t I? I was safe and cared for and I ran. And now I don’t want to leave here. That’s so stupid of me!”

“It’s not—”

“It is!” The words seemed to choke Danny. “It is. I trust you! I trust you and Hood and B.B. and I… I still can’t! I want to tell you, but I still can’t…”

Dick wrapped Danny up in his arms, pulling his brother tight against his chest and cradling Danny there as he sobbed. There had been a lot of tears in the last few days, and Dick knew that there would be many more. He didn’t try to shush Danny, just kept him held close until the tears ran out.

“Sorry,” Danny mumbled against Dick’s damp shirt.

Dick took a moment to think of his words. “This family is bad about trauma, which isn’t great because we have a lot of it. But we all know it. And… and you can feel completely safe and still have part of you that’s terrified because of the trauma. That if you speak it or face it or acknowledge it the trauma will suddenly have so much power over you and… and all the worst things that you fear in the dark quiet of the night will be true. It makes you fear that the same people you’re safe with and love you will look at you differently or blame you. And… um…”

He needed a moment to breathe, face buried against Danny’s dark locks, as his own monsters reared up. “And there are people who might. But not… not us. We have been through so much as a family and no mater what we’re still family. And you’re part of that too now, Danny. So it’s okay to be scared or sad or not tell us things, but none of that changes that you’re family. If we argue or get annoyed or cry we’re still family. So don’t be sorry. Please, don’t be sorry for any of it because I don’t want you to be sorry for being family, okay?”

“Okay,” Danny said, breath choked but words still sure. “Okay.”

Dick carded gentle fingers through Danny’s hair. “Look at it this way, you’ve already tamed Damian. That’s a big step in this family.”

Danny’s snort of laughter was slightly lost with the way his was still buried against Dick’s chest. “I don’t think Damian can ever be tamed. He’s like one of those… whatchamacalls it. Those tiny desert cats with the highest kill ratios for predators. Small and kitten shaped but still very wild.”

“Yeah, okay, maybe you’re right. Adorable and stabby is pretty accurate,” Dick agreed. “But it’s going better than it did with Tim! You should ask him about it— actually, you know what, don’t. Don’t ask about it. Water under the bridge. Bloody, bloody water.”

“…what?”

“Yep, never mind! Okay. Let’s double check you have everything,” Dick said, hauling them both bodily to their feet.

When in doubt, distract.

-

Alfred was struck silent when he opened the door. That was not something that happened often and in fact his sharp tongue was something that Alfred prided himself on. But in that moment, he was without words.

Young Daniel looked so distinctly like Bruce at that age, down to the haunted look of desperate hope waging battle against a highly rational mind, that Alfred was thrown back into times past. Back then, even half a decade after past Thomas and Martha’s death, Alfred still had no idea how to handle a child. At least now he had more of an idea.

“Welcome home, Master Danny,” Alfred said and stepped aside to let the newest Wayne enter the Manor.

Master Dick and Master Jason flanked the boy like towering honor guards.

“I am Alfred Pennyworth, and you may call me Alfred, or Alfie if you must. Master Jason certainly seems to prefer it,” Alfred said with a fond look Jason’s way. “If there is anything you need, at any time of day or night, to feel more comfortable here you simply need to ask me. It is my duty and honor to serve this family, which very much includes you.”

“I— ah, thank you, Alfred,” Danny said softly. He was quiet in a different way than young Bruce had been and the Bristol accent was almost shockingly absent, even though Alfred had known it wouldn’t be present.

“Of course. Now, lunch is in about an hour. I thought perhaps you might like to settle into your room a little before the meal,” Alfred said and turned slightly towards the stairs.

Danny obediently fell into step. That behavior was much more like Tim’s had been when he first arrived. Alfred tucked that thought away with the rest.

“You are in the family wing, of course. Master Bruce, Master Duke, and Master Damian are the other permanent residents of the manor. While the others still have their rooms, they come and go,” Alfred explained as they made their way to and up the stairs. “We have put together a room that we hope will be suitable for you, but anything that isn’t to your liking, we can easily change it.”

“We’ll go shopping in a few days too,” Dick said. “We can grab some things then that you might like for the walls and desk.”

“I’m sure it will be fine,” Danny said quickly.

“Fine’s not the goal, kid,” Jason said. “The goal is to make this home.”

Danny was silent in response to that. Alfred made another mental note to check in with Danny about the room a few times and possibly even to suggest items.

“Master Bruce’s room is at the end of the hall,” Alfred explained when they reached the top of the stairs. “Master Dick’s on the left and Master Jason’s on the right of it. This way we have Master Tim’s and Miss Stephanie’s. While she is not family, there have been enough nights she has stayed over to warrant the space. Miss Cass’, Master Damian’s, Master Duke’s next and this is yours, Master Danny.”

Alfred opened the door to the room with a little bow. As with every room in the manor, it was fitted with a bed, two side tables, a dresser, and a credenza all in the same dark wood. There had thankfully been enough time to paint the walls a two tone blue and bring a desk from one of the other rooms. The star project sat on the desk next to the basic supplies and an air diffuser. Already the room smelled softly of sandalwood. The bed was dressed in blues and creams with an extra, luxuriously soft blue blanket draped across the foot of the bed.

Danny stepped into the room almost cautiously.

Alfred moved back to give Danny room and took an even breath. Danny would settle with time.

“Lunch in an hour,” Alfred reminded the trio of Wayne boys as he took his exit. He’d best made sure that Danny’s first meal here was a fine one. After all, this would be home.

-

Dick entered the library quietly. He might be there to actively disturb Jason, but he didn’t have to be rude about it. Besides, it was nice to see Jason settled in an armchair, curled up slightly around a book. It was easy to see the little kid that Jason used to be like this.

(Dick made himself shake that vision away.)

“So,” Dick started as he settled in, arms crossed, against the back of the armchair across from Jason, “Danny’s first day in the manor seemed to go alright.”

Jason looked up from the book with a soft frown. “Yeah. We’ll see how tonight goes. Worried about nightmares for him. Just since it’s a new place and all.”

“I could see that happening,” Dick agreed. “Luckily we’ll all be close up upstairs if he does have one. You and me will just have to work not to run into each other as we bust out of our rooms.”

Jason’s fingers scrapped lightly against the pages of the book as he fanned them, gaze away from Dick and uneasy.

“Jason—”

“What did you mean about hallucinating?”

Dick’s intended question crashed to a halt against the roof of his mouth as he snapped it closed. What? When had he said…

“Um,” Dick cleared his throat to get rid of the lingering pile up. “What now?”

“When Danny ran, after your panic attack you said you were good, you weren’t at ‘the hallucinating stage yet’.” Jason looked up, pining Dick with that forever green tinted gaze. “What did that mean, Dick?”

It was Dick’s turn to look away as he scrambled to make a new plan of how to approach this. He’d never… how he was after Jason’s death, how it had broken him… that wasn’t something Dick ever wanted to burden Jason with. Bruce’s own lapse of sanity, Tim ending up in the Robin suit, Dick knew how those things weighed on Jason. As if it had been Jason’s fault he died. Dick breathed out a slow, measured breath. Guess there was no avoiding it now.

But Dick wasn’t going to let that information go without using some of it to his own favor. “Fine, I’ll explain but you have to stay and talk through the question I have for you too, deal?”

Jason took a silent moment. “…yeah, fine, deal.”

“Okay. Right. Um…” Dick rubbed his hands together, then circled the armchair and sat lightly down on the edge of the too soft cushion. Had the rich green fabric always been so itchy? “So, it’s nothing major, really, just that I have, before— at just one period actually— when I really stressed and too emotional about things, maybe had some hallucinations. But! But, I knew h—they were hallucinations and not real. It wasn’t like I was listening to the voice telling me to do anything or following after someone who didn’t exist or anything! It was— I dealt with it. It was fine. It hasn’t happened in a long time now.”

“You were hallucinating.”

“Yes.”

“A person.”

“Yes.”

“You could see them and hear them? Jesus, Dick,” Jason said, abandoning his book to rub at his face. “How bad was it? Did they talk back? Did you talk back? Did—”

“Yes! Okay, yes!” Dick exploded out of his chair. “Yes I could hear them. Yes I could see them! Yes he could talk back! Yes I talked back to him! Of course I talked back to him. You… you were gone, little wing. You were gone and I didn’t think— who could have thought you’d come back? You were gone and I know… I know he wasn’t real. I know he wasn’t you, but how I was I going to turn away any chance to talk to you when you were gone? Even when it was just… just my mind being cruel.”

“Me? You were— Dick, you were seeing me?”

The armchair cushioned Dick’s heavy fall back into it.

He shrugged.

What could he say to that? What could he say other than another torn ‘yes’?

“Jesus fucking… Dick.” Jason sounded torn.

Dick didn’t want to look up to see his brother’s expression.

Apparently Jason wasn’t having that because a moment later he was crouched in front of Dick, forcing himself into Dicks view.

“It’s not your fault,” Dick said quickly. Even as Jason’s large, calloused hand came to rest on his cheek Dick kept talking. The words needed to come out. “I just handled coming back from space and the mission to the… to the news badly. And Bruce was in a state. He’d ripped down every photo of you like just seeing your presence would break him and I think it would have! I know you— I know there are issues with you two and I’m not invalidating that, but he was so close to breaking and I was just angry about it all. And then Alfred put up that damn suit in that case like that and all I could— all I could see was the little brother that I’d never gotten to show how happy I was to have… and then I did see you. In a way. It just…”

Dick didn’t realize he was crying until Jason’s thumb wiped a tear away.

“Okay.” Jason took a deep breath. “Okay, so I’m going to need you to repeat part of that.”

“Bruce? Or that I’m sorry? Or—”

“Alfred. Alfred put the suit on display?”

Dick blinked, scattering more tears he ignored. “Yes? Did you— you didn’t know that? Did you think it was— No. Bruce couldn’t even handle seeing a photo of you! I thought Alfred putting that case in the Cave was going to kill Bruce. Drive him to finally let himself be killed like Tim said he was trying to do.”

“Right, fuck that. I’m going down and—” Jason started to stand and then took a knee again quickly and clasped Dick’s face on both sides. “No. No, first, if you ever and I mean fucking ever get to the point of hallucinating like that again you come to me or call me or anything. Do you hear me, big bird? If it gets bad or you think it will you come to me. I’m your little brother. You come to me.”

For a moment, Dick let himself close his eyes. He let himself close his eyes and breathe and take comfort in his little brother being there. “Promise.”

“Okay. Now, I’m going to go smash a case.”

Dick reached out and caught Jason’s hand. “Wait, you owe me an answer.”

“Dick.”

“You said you would! And I promise after we’ll go smash that fucking case together, okay? I’ve always hated it. But a deal is a deal.”

Jason basically deflated as he sat down on the floor at Dick’s feet. He rubbed a hand across his face. Dick felt bad, but he had bared his own soul and payment was due.

“Jay, have you ever slept in your room? Since you’ve been back, I mean. Since you’ve been back, have you ever actually slept a night in your room here?”

There was a long moment of silence where deal or no, Dick didn’t know if Jason was going to answer. Then—

“I can’t, Dick. It’s just— have you seen it? Nothing’s changed! It belongs to a dead kid and I just can’t. I can’t be him anymore.”

“Okay. Tomorrow I’ll clean it out for you.”

Jason’s head snapped to look up at Dick.

Dick shrugged. “This is your home too. Tomorrow I’ll clean it out. I can put it in a bunch of boxes and label it all or—”

“Toss it,” Jason spat and then quickly amended in a softer voice, “Not the books, leave those. And I guess… pack up and notebooks you find and stash them somewhere. You can… if there’s clothing Danny or Damian might like, give it to them. But the rest… toss the rest.”

“Okay, I can do that. And when I take Danny out in a few days you can come too and we’ll out some new things for your room too.”

“Dick,” Jason started, a clear protest. And then he sighed like all the air was let out of him. “Okay. But just like sheets and stuff.”

“Sure,” Dick agreed easily and with a too innocent smile. Before Jason could question it, Dick escaped sideways from the chair. “Now come on, we have a case to smash.”

Jason scrambled up from the floor. “We’re burning the suit after.”

“Of course we are. We’ll torch it on your grave.”

--- AN: Well this was a very dramatic section! Who knew that adding Danny to the family would help the rest of them deal with things! And yep, it's canon that the case with Jason's suit and that damn plaque are Alfred's doing, not Bruce's.

Stay delightful, darlings!

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[kentuckyfriedmegumi]

i’m PISSED about the way gege handled megumi’s character and i wrote an entire 1k-word analysis/rant on it

i think what makes me especially mad in the way that gege has handled megumi’s character is just in how much set up we were being given. yes, megumi was taken over and suppressed for 50 chapters, but we see how he haunts the narrative.

yuji is CONSTANTLY fighting, working to get him back, it is his MAIN focus in this entire fight. yes, he wants to kill sukuna, but it’s BECAUSE he wants megumi back.

“wake up, fushiguro.” (chapter 251)

i’ll do it as many times as it takes! “wake up, fushiguro!” (chapter 263)

in addition to the long, drawn-out “save megumi” arc, we had megumi’s growth as a character before then. he starts off as someone who does not see value in his life. he would rather sacrifice himself to save his friends bc he believes that their lives are worth more than his.

we see this in how willing he is to throw away his life and summon mahoraga. he’s NOT suicidal, it’s just that he would rather that HE be the one to die than anyone else that he cares about when it comes to a deadly situation (sukuna, finger bearer, etc.)

haruta is an entirely different thing, he was already dying. people who think he was stupid for summoning mahoraga on haruta don’t realize he was literally on the verge of death when haruta pulls up and slashes him from behind.

megumi’s mindset is also PERFECTLY defined in the baseball episode and in his flashback talk with gojo in the OoBO. he’d rather play support and sacrifice himself than have someone else sacrifice themselves for him. he needs to learn to be more selfish, greedier, if he ever wants to grow as a sorcerer.

but that contradicts with how he wants to live. he’s living for tsumiki, he’s a socercer for tsumiki. he doesn’t care about getting strong or being the best, he just wants to do what he can to support her, so he doesn’t mind if he’s the sacrifice play.

until yuji. yuji comes in and he dies in the detention center, and we see meg slowly morph into this desire to become stronger. he wants to be strong so he can save people, which is something that he never really cared about doing before, but he doesn’t know how.

then we get to the exchange event, the fight with hanami, and him getting taken out by the bud curse, and he realizes that he NEEDS to be stronger so he can save people like yuji and tsumiki. this is the start of his arc and after his fight in OoBO, he never summons maho again til shibuya

after shibuya (bc there wasn’t a TON of meg development-focused stuff in that arc), we see he’s had a MAJOR growth in his abilities and CT. he’s a lot more confident in how he fights, he’s very dynamic and cunning, and he’s using the shadows in a new way.

but on the other side of it all, he’s struggling a lot internally. tsumiki is awake, but she’s been roped into the CG. he’s wavering and he needs support. he’s stronger now, but he’s not strong enough. he wants to save tsumiki, but he doesn’t know how.

“so start by saving me, itadori!” (chapter 143)

after megumi is taken over sukuna, we see him fight back. he does originally and he suppresses sukuna’s technique in order to protect yuji. however, sukuna acts specifically in a way to sink his soul and submerges him in darkness.

this is the lowest point on megumi’s character. it leads directly into chapter 251 where megumi has entirely given up. he sees no purpose in living, his entire reason for being a sorcerer is dead. yuji tries to pick him up but sukuna cuts them off and we’re left with megumi no longer wanting to live.

this makes his recovery THAT MUCH more important. this makes his character arc SO MUCH more impactful. this is why whenever we get to ch. 266, and yuji and megumi FINALLY talk, it’s a beautiful convergence of their emotions as they talk about their loss and why they feel the way that they do.

this is why it entirely pisses me OFF that after we finally, FINALLY get megumi back, he is immediately sidelined with the rest of the B cast. we don’t get any post-battle discussions, we don’t get a continuation of “i’ll be lonely without you,” we don’t even get a proper conversation between him and yuji.

all of this buildup, this setup, this constant tension between megumi and yuji saving each other and yuji doing literally anything and everything to get megumi back, it all comes to a boiling point, it’s about to spill over the pot, and then it just… ????

i actually get so SO mad thinking about the way that megumi’s character has been concluded. unless this final chapter really does touch on him, his outlook on life, and his motivations now, megumi’s character was just entirely wasted and thrown to the side of the sake of other conclusions and new plot introductions.

we don’t even get a further explanation of “i’ll try to live for someone else.” we know it’s for yuji, we know he comes back because yuji tells him he’ll be lonely. but megumi deciding to live for another person is just putting him back at square one. UNLESS we learn that it’s different.

maybe meg is living for yuji but without the self-expectation and pressure he had when he was living for tsumiki. maybe he realized that even a simple life is worth living, so he will use yuji as a crutch as he finds his purpose again again.

something. ANYTHING. any sort of convo that indicates that megumi has NOT retracted into his old self. it probably is the case where he chooses to live for yuji, but is determined to live for himself, but JESUS can we not get a convo about that????

in conclusion, megumi’s character has been so BEAUTIFULLY written. he is so tragic with so many complex motivations and ideas. and we get all this converging together at the very end and it just… disappears. it’s immediately sidelined. how fucking frustrating is that.

[slutshamethesquirrels]

Your JJK Fav + Why I think You're Single

hi so i did a version of this on tiktok way back when but i feel like i didn't have as great of an understanding of these characters and their respective fans as i do now. please keep in mind that this is purely my OPINION!!!! (my correct opinion)(im kidding)

Gojo - This one's a little hard because there are subsections of Gojo stans. You have the bad bitches, the coolest of the cool Gojo meat riders and then you have (incoherent screeching). I'm gonna assume you are the former here.

Y'all really love the idea of a partner, not actually having one. I feel like y'all will have talking stages a plenty, but when it comes to the nitty gritty y'all are not riders. Not that you don't want to be, no no you'd love to find your person but at some point friends you gotta realize that your person is gonna come with an ick or two you might not like. Relationships are about compromise. Real people simply can't be hot, rich, talented, strong, and funny all at once!! You're getting three of those at best.

Geto - I feel a need to disclose here that I am a Geto girly. I feel like most of us are chill, if not a bit odd // willing to swing.

Babes,,,, and im gonna touch ur clit when I say this-- Real life relationships aren't supposed to have intense cycles of highs and lows. Thats,, thats the cycle of abuse friends. Genuine, healthy connections actually aren't supposed to make you feel like you wanna rip their chest open and crawl inside. I know, i know you can't get attached unless you feel insane about them- but we have to stop this.

Nanami - Again, I feel like Nanami girls have a wide umbrella, but generally I think Nanami stans are very nice people. Nanami, for the most part, is the safest healthiest choice.

Put down the fuckin calculators. I am contacting cafe astrology as we speak and having them ban your IP from accessing their domain anymore. No, put your wallet away, we are not PAYING a psychic to tell you your most recent crush is not your soulmate. Y'all are over-analyzers, over-thinkers, and have a list of requirements for a partner that is twelve miles long. Maybe just talk to people?? Hmm?? Make a connection??

Choso - Oh, Choso stans,,,, loves of my life. Y'all are cool. Like genuinely actually fucking cool. Kiss me.

Okay, so I actually need you guys to see red flags as what they are. No, he doesn't coincidentally have 13 insane exes that won't stay out of his DMs. He did something to all of them. No, its not cute and sweet that he has to call his mommy and tell her goodnight and goodmorning everyday with kissy noises. That man is 24. No, Dominoes pizza did not text him and ask if he was up at 2AM. ur too optimistic, baby. I love you. Get a grip.

Toji - I have knocked noggins with more Toji stans than I care to admit in this fandom, however the ones I do vibe with are SUPER cool. Again, I feel like Gojo/Toji stans have that same thing. Im gonna assume you're the cool variety.

I feel like a lot of your relationships start purely based on sexual/physical attraction, and then get explosive bc yall didn't actually like eachother, you just liked the way the other one looked. I can definitely see this leading to maybe not abusive, but definitely toxic situations. and the thing is i feel like toji stans actually would make a BOMB partner but yall will settle for shitty people because theyre hot and then end up locking yourself in the bathroom and going through their phone while they bang on the door and scream from the other side.

Sukuna - This is the one I have the least interaction with on the day to day. Y'all fascinate me. Just out here doing you. I feel like most Sukuna stans are actually probably some of the sanest of the bunch, they seem to just slide in, post their fan works and dip. I respect it.

You can't fix him. no, no, you can't. stop trying. he's already grown. you cannot raise him.

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[kittyandco]

something i've been thinking about for the last few... forever.

shout out to the people who identify so strongly with, and/or find the most comfort in, the worst character(s) of any media that you're into. some of us find connection and similarities with the most terrible figures that canon has to offer. often, you're expected to identify most strongly with the good guy, or aspire to be like them (and not to say you don't, because i do sometimes). but that often doesn't happen for me, and i see more of myself in the evil impacting them.

not because i think i'm a bad person, and not because i aspire to be a flamboyant supervillain, but i often understand their feelings, their mindset, i understand how they got there, because i often went through a lot of the same things they did, even if only emotionally. it often goes beyond sheer appreciation for me (though i often find them more interesting from a narrative sense). and if i were in their world, i might become like them if things were even slightly different. if i didn't try to unlearn the fact that destruction is the only way to get what you want. catharsis is a powerful motivator.

i think it's important to embrace the "they're just like me" perspective when it comes to characters who aren't always "morally sound," and i do unequivocally include the "unsympathetic" ones. we're always going to find fictional characters we admire so long as art keeps being made, and sometimes admiration moves into "i identify with this character because of our background/personality/etc.", and sometimes these characters are the ones you're supposed to hate and root against... intentionally or not, many antagonists are very relatable (though often in unspoken ways).

none of this is to say that your taste in favorite characters means anything about you as a person, because it doesn't. how you treat others says all it needs to say about you as a person. i've seen this first-hand: people being surprised that i am friendly and compassionate (i try my best!) simply because i have a deep love for fictional guys who commit atrocities. yes, my worldly experiences, and the way i view them, as well as my fantastic taste draws me to fictional bad guys, but at the end of the day, i strive to be the best i can be every day. i aim to exude the kindness that i didn't always get when i practically begged for it. on the other hand, you could like the most sugary sweet, do-good fictional characters ever created (and good for you! no shame here!) and still be a nightmare to those around you.

i don't like the idea that you CANNOT like these characters, or identify with them, without condoning some sort of evil or being a bad person. they are people (or robots, or monsters, or whatever they are) who did bad things, whatever their reasons -- here's no inherence about it, and i think that belief has helped me in trying to understand them. i try to practice this with everyone i encounter. and along the way, i actually find that we aren't so different

[coca-lastic]

5 Green flags 🟩 VS 5 Red Flags 🟥

I'M BACK 👹

Well well, My last post about Keigo have lots of support from you all, and like I said, I'm willing to do a part 2 about Bakugo Katsuki sooo, here I am.

Tell me if you want a part 3 and which character you would like.

Let's start with his red flags. Let's be clear that Katsuki does have a few, it's true that it's nice to imagine him as an attentive boyfriend who takes the initiative, and I firmly believe that he would be like that, but that shouldn't hide the little things he has that can get on your nerves at the time of a fight.

Now, let's start listing his bad things:

1. He acts like you're a burden: I don't think he would do this on purpose, but he would. Comments like "What the fuck do you want now?", "Stop bothering me", "You're too intense", "Will you shut up?" can come up at the beginning of the relationship. Even to the point that you feel bad about his independent actions, as if you were just another thing on his list. Of course, deep down he doesn't consider you a burden, but he expresses himself as if you were one.

2. He doesn't open up to you: Katsuki has this constant thought that he can't be inferior, that he has to be the best and his feelings can be a difficult thing, and I think that in a relationship he feels a lot more pressure about all this to be strong and show you how tough he is. So I think that for a long time he won't tell you if something is wrong with him even if it's clear that something is wrong with him. This could just be something normal, but I add it as a red flag since a large part of Katsuki's life is clouded by those insecurities, so he doesn't tell you how he feels every time he sees Deku, or how he was in training, or how he felt when he won something, because if he does, his facade will fall apart. This ends up being something that can affect the communication between you two.

3. He doesn't understand you: He tries, he really does, but he just has a hard time understanding when you feel bad. He's so used to minimizing what's happening to him that he doesn't understand why it affects you so much. So you might be crying in his arms, and he might be hugging you, but deep down he doesn't understand, and that's terrible in arguments, because he doesn't understand why you're angry or why you're sad or why you're disappointed, he tries to fix it but he doesn't understand the roots of the problem.

4. He's jealous: Like, not jealous to get insecure when he sees you with a friend, jealous to get furious when he sees you with another man. And that, OBVIOUSLY, brings problems. He trusts you, he doesn't trust them, he knows you're hot and he also knows that the other jerks know it. So don't doubt that he's going to complain to you repeatedly that a certain person shouldn't be so close to you, or that he doesn't get along very well with a certain friend.

5. His anger: In the anime we can already see that he is a little bit... impatient. He tries to control himself with you, he truly loves you and treats you with his best version, but there are times when you simply act in a bad way, I mean, you also have your red flags, and that makes him angry, and you too, then you fight. A lot. For a long time. A lot of yelling. And probably a lot of painful words that he doesn't really feel, but says them, because his fury is faster to speak than to think, analyze and meditate.

Now, like every person, he has his flaws and his virtues. He has things to improve and things that you should love, because they are incredible.

So let's see what those good sides are and let's see which side of his personality ends up winning, let's see the second side of his furious personality.

1. He doesn't talk, he acts: Maybe he doesn't open up to you as much as he should, but he decides to make you feel comfortable by letting you know that he loves you through more practical methods. Are you hungry? He cooks, are you sick? He takes care of you, do you want a snack? He buys it. Because actions are worth more than words, so he decides to act, he decides to give you what you want, and consider yourself lucky because you are the only one who sees his helpful side.

2. He puts you first: If his friends invited him out to eat something, he won't care if you sent him a text telling him to go with you to buy something. If his mother told him she was going to celebrate a birthday with the family, he'll run away because you asked him to bring you some chocolates. Because he knows that if you love someone, you're not going to replace them with the smallest things, so if he has to make a decision that involves you, you'll always be the right answer.

3. He is not ashamed to show you off, he loves to do it: You are also part of his achievements, and being the show-off that he is, he will show you off. God, he has a sexy, smart, strong, kind and hot girlfriend, he has to show you and show them that you two are together, that he is a lucky and happy man.

4. He knows you: I think this is important, but not all men do it, in fact those who do are very few. Because not all of them observe you, remember, learn and please you, but Katsuki does. He is observant and knows how to listen, maybe he doesn't understand perfectly why you feel so much, why you get excited and sad about small things, but he knows that you do it, he knows how you feel, he knows how you reacts, he knows what you like and how he knows you, he knows how to please you, he knows how to make you happy with a gift, he knows how to excite you, he knows how to make you laugh and he knows how to make you feel loved.

5. You're part of his future: If he sees himself as a great hero, he sees you by his side, making and fulfilling your dream. Holding your hand. Kissing you. Hugging you. Caressing you. That's what he sees. Maybe two house, or a single one, whatever you want, maybe 2 children, or maybe none, just a pet, maybe a red car, or maybe a black car, but within all those variables there is one constant: you.

Sorry, this doesn't match your way of seeing Katsuki. Remember that he is still a character that each one sees and imagines in their own way, but I try to do it in a way that everyone feels comfortable.

Now, did the 🟩 flags or the 🟥 flags win?

[unluckilyimnot]

Playing with their hair – aether, kinich, wanderer, rin, sae, sakura

note: i'm just in love with aether and kinich recently and i needed to write something with aether's hair so why not had some of my fav characters along with them. that's probably not really good but i guess it's cute. ooc

m.list | rules

Aether is used to your hands suddenly laying on his hair, running through them when you walk behind him – it’s like an urge, you just have to. You stopped on your track, bowing to kiss his head, inhaling his shampoo a little and hummed at the sweet scent.

“You took my shampoo again,” you mentioned, not in a warning way, more like you appreciate it. He nodded lightly, delighting himself from the feeling of your hands still running through his hair, scratching his scalp a little before kissing it again.

Sensing that you’re about to go away, his hands take yours gently and his head bent down to look up at you. “Already leaving ? We can both take a break…” he said, subtly implying you to not stop yet, making you giggle.

“Sure, we can.”

That’s basically how he ended up sitting on the floor between your thighs, watching a movie while you brush his hair for him, kindly letting your fingers run down his beautifully long hair – trying small, low buns to one high ponytail.

“Having fun ?” You can hear the smile in his voice, amused as always when he let you enjoy his hair more than he does.

“Always.” you said while kissing his nose from above, hiding the tv from his sight for a mere second but he still whines at you for doing so. Such a crybaby.

Kinich sighs as he feels your hands examining his hair again. “Would you stop doing that ?”

He knows you’re not doing this to annoy him, yet it always kind of stresses him to picture you scanning his scalp without any invitation to do so. He also knows that you don’t care about what he says, continuing to play with his hair while you swipe away some dandruff here and there.

“What’s the matter,” you talked back, seemingly frustrated. “You never say anything when it’s to help you fall asleep.” you argued, feeling really satisfied when he doesn’t find anything to say after that. It for sure helps a lot, he can’t argue with that, but he really hoped you could realize that it works all the time and not only when he wants it to – which means he was getting sleepy, slightly closing his eyes while he still had a lot to do.

A satisfied sigh escaped his lips before he could hold it in and you hummed teasingly. Your hands moved from his head to his chest, your arms caging him against you and you laid your head on top of his. “Tired already ?”

“Shut it.” he sounded harsh but he still rested against your chest as well, feeling at peace being so close to you. He wasn’t really tired but if you let him, Kinich would for sure appreciate some quality time with his head in your chest and your hands in his hair. Not that he’ll say it to you.

Wanderer honestly never mind when you ask him if you can play with his hair, he’s usually already busy and not moving so someone touching his hair while studying doesn’t change much for him. He won’t say that it doesn’t make it easy to concentrate since he, sometimes, tends to focus on this more than on the words written in front of him but he still appreciates how peaceful it makes him feel when he’s particularly worried or stressed.

Your hand running through his short strands of hair takes him somewhere else where he doesn’t need to worry as much, he likes it, even if he would never be physically capable of telling you.

“You’re braiding it ?” he asks, half absent in his question – he just wanted to confirm the feeling of your fingers brushing past his cheeks repeatedly. You hummed softly in response, leaving the braid dying the second you let it go since his hair was too short to handle it. It doesn’t discourage you though, and before he can ask what you’ll do next, he can already feel your steady movement back to the same scheme and a soft chuckle left his lips.

“You want me to stop ?” you asked under your breath, probably still concentrated on what you were doing but still caught his sigh.

“No, it’s fine. Go on.” he assured before stepping back again into his study, more than relaxing by this short break.

Rin loves movie dates to his core, but it always gets him when you start touching his hair in the middle of the movie. It's like he's never getting used to it and he's jolting a bit every single time, making you chuckle. But you always kiss his head as an excuse after. 

There's something relaxing when your fingers start to twirl around his short hair, making him wonder who appreciates it the most between you and him. Because he for sure loves it. 

His mind drifts away easily despite himself and how badly he wants to follow the movie. He always finds some way to lean into you, craving for more like a cat and more often than not, he ends up laying on top of you. 

“Don't fall asleep this time Rin,” you joke while scratching his head playfully. He simply nodded, absorbed in the movie more than you gave him credit for. He just didn't want you to stop.

Sae hates it when he feels your hands finding his hair in the middle of the day. He spends quite some time styling his hair in the morning, even if it doesn’t look like it, and you being nearby automatically becomes a danger for that.

Not that he doesn’t like you touching his hair, he’s fond of it, he wishes he could die with you touching his hair, but not during the day. So as soon as he feels it, he immediately gets up and warns you. “Please don’t.”

But he knows it can't be helped and soon your lips meet his, kissing him sweetly – your successful way to distract him – so you can end up with your hands reaching the hair in his neck. Twirling your fingers around it, pulling ever so slightly to annoy him but he still lets you. Not without a sigh against your lips, but he knows damn well he can't hold you back when you're determined to do something. 

He wishes he could keep his hair pretty for the day at least once in a while but he can't blame you ; both of you like it very much. He can forget his image for yet another day if that means he can appreciate the relaxing feint of your fingernails on his scalp. Even if lately it's starting to be everyday, he won't mention it – or not seriously. 

Your smile is more precious than some good hair day. 

Sakura still isn't used to you touching his hair, he hasn't been used to gentle gestures in his life before coming here  –  especially regarding his looks. The second your hands find his hair, he flinches by reflex even if he knows that it’s only you around him. He doesn’t turn you down anymore though since you always let him know how you love his hair, for the color or the fluffiness ; it’s just the best thing in the word and it got to be your boyfriend’s hair. You must be blessed. 

You still try not to frighten him too much, and start by touching his shoulders then going up to his neck and finally the hair in the nape of it. Twirling it lightly with your fingers and you’re sure to catch him snapping his head to you with a blush. 

“What are you doing ?!” he asked as always, flustered but not telling you to stop anyway which made you smile sweetly. 

“I’m playing with your hair ? You want me to stop ?” you tilted your head to the side, trying to act cute and confused so he doesn’t have the heart to tell you no. And with a resigned look but his brows still frowned, he compiled without adding anything.It’s a win, once again. 

You then slowly but surely brush through all his hair, tossing it one side to another, mixing the two colors together then separating it again like a puzzle. That’s something you grew to love, separating his hair for him and that’s also your best excuse to touch it even when there’s people around. Even if he’s not fond of it.

He tends to lay a bit in your hand when you do so, or when you stop your hand in his hair, quietly liking the feeling now that you’ve given him some time. Not that he’ll say it to you, never, but he doesn’t need to for you to know. It’s just like you to notice how he relaxes around you and when you do it. There’s a small smile on your lips when he tries to catch your eyes but looks away instantly, blushing again, and it makes you wonder when he’ll stop blushing around you. 

“You’re cute, Haruka,” you said, brushing away his bang to kiss his forehead. And without a second of hesitation – when in fact yes, but you tried to ignore it –  he was arguing with you about how he is NOT cute, simply proving your point again and again.

Let me know if you like it !

[captainmera]

Words can't describe how much I love your modern au for the folktale trio. As always your Evelyn is the skrunkly scrimbo of all time, and Caleb as an exhausted barista is just perfect. Any lore you care to share about this au?

Sure! :D

And thank you! Haha, it's rather fun actually! And yes, skrunkly little powerhouse, there she goes. :3

Modern AU character synopses and plot ideas(?) Under cut!

EVELYN:

Evelyn is fighting with her mum and runs away to live in an abandoned tower. Now that she's trying to live independently, her older sisters advise her to become a bounty hunter (since she's so powerful, it should be easy! ..probably!)

And, because she's got a special interest in the human realm, she dives head first into chasing criminals who try to hide there.

Evelyn basically does what Eda was doing after she lost most of her magical power. Having to do odd jobs and hunt bounties. Except, for Ev, she takes jobs she can do in the human realm. She finds collectables to sell to shops (like tibbles), and hunts bounties.

She also tries to figure out why Gravesfield got so many little portal holes? It's as if someone in Gravesfield is opening them.. hm!

CALEB:

Caleb is a struggling barista at the coffee shop, who's raising his little brother and had to drop out of high school to work.

He's depressed, hates everything, and one sad night he uncovers a demon disguised as a human - who tries to kill him. He's rescued by a "local" strange and homeless girl (Evelyn), and he has now made himself enemy number one to a criminal gang by picking up a magical item (a disc with a moon on it) from the now-beaten-and-captured demon.

He still likes to carve wood, and is a bit of a shy artist. He doesn't believe his figurines or wood artwork is of any worth or interest.

He's also a closeted bisexual who wants to be out but terrified of being shunned from the community (the church) that helped him when he was/is struggling financially. He owes them a lot of gratitude for getting him his low-wage job and birthday/Christmas gifts for Philip via their support programs. As well as their poverty support.

He feels very indebt to the church (and they kind of use it against him too) and he feels stuck.

PHILIP:

Philip, the school weirdo who will not shut up about ghosts and demons. He runs a mewtube vlog about demonic beings and monsters. His online name is "Belos."

He's got no irl friends, loves horror video games and listens to the soundtrack from Zombie Deer the musical on repeat.

Philip makes his own ghost hunting gear, and goes exploring old abandoned places to hunt ghosts, try to summon demons, open portals, etc. To his knowledge, it has never worked...... to his knowledge, that is.

THE WITTEBANE BROTHERS:

Their parents are dead. Caleb stepped up to the role, and it's a lot to deal with. The brothers never talk about their parents. Their house (like the Noceda home) is full of pictures and half-finished projects. The brothers are in grief limbo. Caleb avoids and just keeps-calm-and-carries-on, Philip uses escapism and secludes himself.

Caleb has been gut punched hard by life's reality-check fists and has not recovered. He's more or less she'd and dropped his hobies and dreams because "that's just life, rat-girl. You either adjust and fit in, or, buh-bye!"

He unfortunately takes this pessimistic and depressive attitude out on Philip, creating a divide between the brothers. (Like Camila and Luz, except Caleb is less gentle about it)

Caleb wants Philip to start living in the hard, real world. Philip, however, wants to stay frozen in the fantasy that; if ghosts are real, then their parents aren't truly gone, and things can go back to how it was before. Kind of. Almost.

"How it was before" being him and Caleb watching monster movies together, where Caleb was just an older brother and not an adult-too-soon that boss him around. "Before" being when Caleb was happy, and didn't sit up late at night reading bills and planning the next meal with coupons.

Philip doesn't want to be the "normal" Caleb asks of him, because to him; that normal doesn't exist anymore.

While Caleb tries to conform too much to his new hopeless mindset that he has no control at all, anyway, so why fight it at all?

Philip is turning 15 soon.

FOLKLORE TRIO DYNAMIC

After saving him, and introducing him to a whole new reality of witches, demons and magic.. Caleb loses his marbles a little. Life is more nuanced than he thought - maybe he's not so stuck after all. Maybe there's alternatives?

Evelyn needs a human guide, and in exchange for his help, he gets jewels he can trade in for cash. And he gladly shakes her hand on that.

Now he's got money for bills, food, and necessities, and he can even save money for Philip to go to college. This is going to be Calebs birthday present to Philip. To give him the future and life he never could have.

Evelyn is happy to have a guide, and friend. But as she becomes closer friends with the Wittebane brothers, she discovers there's trouble in the household.

Philip is also suspicious of her. To him, and the locals of Gravesfield, she's a crazy homeless girl who chases random citizens yelling about them being demon criminals. As well as stealing miscellaneous things from dumpsters. Like broken toasters and yoga mats.

A girl whom Caleb has befriended because she ate his customers' leftovers. Philip is less than keen on their budding friendship, and his brother's apparent crush on her. Philip, in the beginning, feels like she's taking advantage of Caleb’s good heart. But discovers soon enough that she's actually really nice, and is more than happy to talk about demons and magic with him.

ANTAGONIST PLOT: EVELYNS MUM.

Ev is a powerful witch, but has a bailsack condition where the sack is too large (that's why she's a powerhouse), but it has a physical affect on her. She can get lethargic or "turn gray" as she calls it (like when a basilisk sucks a witch empty on magic)

Evelyn wants to be a researcher and an author. She wants to learn from the human realm and use their inventions and adaptability to help the demon realm.

Evelyn's mum doesn't want her to go her own way.

Despite knowing her daughter's condition, she still wants her to utilise her power. She's trying to turn Ev to various plant-magic corporations to make mass production of crops, to help fight the famines.

Evelyn wants to understand how humans do things because they have no magic and they still sustain somehow.

She has a hard time arguing with her mother. She wants to appease her (find a human invention replacenent) and also go her own way. But it's just not how things goes.

Caleb becomes Evelyn's one defender and protector.

While standing up for her, he also realises hiw he's been treating Philip. Telling him who to be and how to fit in, instead ofvtrying to understand why Philip needs to escape into his hoby so much.

Evelyn's mother does not like Caleb, and doesn't like how the human is able to bark back to her - armed with reason and solid arguments, too.

She's been trying to guilt Evelyn into shouldering the whole world, more or less, by making her sacrifice her happinessand well being to keep famine away.

Which, obviously, hits Caleb close to home. And he makes an enemy out of Mrs.Clawthorne.

Mrs.Clawthorne wants Calebs influence on Evelyn gone. Caleb must be removed.

She discovers that there's someone else who doesn't like Caleb, and wants to get him (caleb got their disc after all.) And strikes a deal with them.

ATAGONIST PLOT: THE DISC

Evelyn takes both the brothers to her realm at some point, to hide them from the criminal that has it in for Caleb. Not knowing her mother is assisting the criminal.

In exchange of getting rid of Caleb, they can have the disc.

This is when Pip and Ev discovers that Caleb HAS the disc in the first place. And has been using it as a mirror decor in his bedroom. To him, it was just a keepsake from the first time he met Evelyn, and to commemorate that the night actually happened.

Philip has, at that point, gathered enough knowledge to know what the disc actually is: from what he knows, it supposedly grants wishes?

And he wants to use it to bring their parents back.

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AND THAT'S ABOUT IT SO FAR?? :,D