#I must write a WHOLE STORY for this

[rileys-battlecats]

my problem is that i love my ocs and want them to be happy. but. i am a tragedy enjoyer at heart

[astrolotte]

Thinking of writing a fic where Wiggly calls Nibbly the "least evil Lord in Black" (a canonical fact about him fyi), and Nibbly responds by deciding to supposedly 'prove him right' by sabotaging his latest apocalypse and working with the humans. Just to fuck with him. As brothers do.

No clue if anyone would even be interested in it but I'm highly considering it. Maybe I'll see where this goes.

edit: turns out people are very interested in this, so I've started writing it! if you're intrigued enough here's the ao3 link: https://archiveofourown.org/works/51812965

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[ran-orimoto]

Stop 👏 having preferences 👏 and learn how👏 to 👏 love everyone in a show. Or stop 👏 calling👏 yourself👏 a Frontuer fan. You artists are so pathetic thinking it's right to shove preferences in our face and reply to us pointing out how wrong it is you can draw whatecver you want. You can't draw whatever you want. Frontier writers also created Takuya, Kouji and Kouichi and you never care about them. You suck. You could put more effort and draw everyone else. Focusing on Junpei and Izumi shows you're an egoistical bitch

Can’t see the problem. Maybe change glasses and you will look at the world differently.

Or start drawing every kid each time you want to draw something.

Bye, Anon, block me because, guess what, yesterday I did it again. I drew Junpei and Izumi all alone once more and I’m about to do it for other thousand times in the near future. Muah💋.

[echoofawind]

I have a problem with 90% of the fests I see advertised with prompting. I love the idea of sharing plot bunnies or creative ideas. I don't like it when the prompt forms have a dozen fields outside of the prompt that further specifies anything. Ship, rating, characters, triggers, etc. A prompt in a standard fest is NOT a request for a gift. The writer is not obligated to write you a story. If you as a prompter have a list of requirements for the prompt, then you are not offering a prompt. You are saying, writer you must write me this exact story. I do not understand how that is seen as the norm in fandom right now instead of rude and limiting?

As long as you don't gift the story to the prompter, you are under NO OBLIGATION to follow any of those superfluous prompt fields. It's a prompt. A starting point for inspiration.

I cannot count how many fest prompts I've read through, found a prompt that sang to my muse and started crafting an idea only to then read 'Do Not Write: age gap relationship. Or only X or Y characters' . Who is this prompter to tell me what stories I am allowed to create? That is not how a prompt works! That is how a gift request works. Stop putting me in a fucking box.

[beastsovrevelation]

I had a dream that Apollo was training Briseis to become a warrior with divine strength. I don't remember the why, or how he got access to her, though.

Sounds like one Helll of an AU, no? She might not be able to save Troy (because fate), but she could avenge it by killing Greeks. She could even be the one to kill Achilles (she deserves her revenge, for being made a sex slave). Or, like Aeneas, she could later travel further into Europe, and be the ancestor to some great tribe, maybe even an empire.

I think, I'll put this idea on my notes (or dream journal, at least). What's with me recieving story concepts in dreams, when I already have an ungodly amount of wips.

I suppose, Apollo decided "I know what Troy lacks! A warrior prodigy teenage girl chosen one with trauma!"

[ourhouseishaunted]

my brain for the past like 2 weeks

[dragon-tamer-1]

I want to be able to reblog people's art without having to worry about people's negative reactions when it's someone that a majority of people don't like, is that so much to ask?

Why must it be a problem if I like someone's art even if the person believes in something others don't? Why must people treat people like they're bad for liking someone's art and writing when others don't like that person because of their beliefs?

I'm just hanging out and reblogging art and writing that I find enjoyable. In the end that's just what I'm doing when I reblog stuff. Enjoying it. If it's something I don't enjoy/like to see, I just block the tag or, if it's a specific blog that I decided that I didn't enjoy and don't want to see I block that blog as well. Otherwise just vibing. I don't hate anyone that doesn't like someone else of course, but the way people talk about that one person, it's like they think it's the worst possible thing for someone to enjoy that person's art and writing. I just can't hate someone based on that person's beliefs, it just goes against my own personal beliefs, and I can't help that I still enjoy those things.

I try to keep the drama and stuff off my blog cause I'm not about that. And it shouldn't be treated like some kind of crime to still enjoy someone's art/writing/etc just because other people don't like that person, in my opinion.

[romanromulus]

[isan0rt]

Hey crazy thought but maybe Kairi wouldn’t seem like such a ‘wasted character’ if this fandom would quit taking everything of narrative and thematic significance about her and assigning it to Riku constantly all the time.

(The evaluation of the ways in which Kairi and Riku are important and vital foils for each other got kind of long so it’s under a read more; to be clear, I love Riku so much, and it makes me super mad to see his narrative also being undermined by this trend, this is not a hate post.)

Kairi and Riku serve opposing but complementary purposes in the narrative. Kairi represents light, but she also represents the stagnation of the light. Many characters who are associated with just light are also associated with stagnation and a resistance to change. Hoder and Eraqus are particularly extreme examples, but Aqua exemplifies this as well. They want a predictable world where things stay as they ‘should’ be and they are threatened by changes to the status quo. Eraqus in particular refuses to change anything about himself for 60 years, only taking on students at the last minute because he’s running out of time. Kairi, like Eraqus and Hoder and Aqua, stands as the bold, sharp light that casts others into shadow.

However, the other side of “resistance to change” means that Kairi represents restoration. She is able to restore Sora in KH1, pull them home in KH2, and hold Sora back from death itself in KH3, because her power is one of restoration. She holds so tightly to their old way of being that she can stop death itself in the interest of not changing too drastically. But she is unable to move forward on her own, because she fears change too much. She wants to chase after the boys when they keep leaving her behind…but she isn’t able to keep up, because what she actually wants is for them not to run at all. 

She wants to go home, and restore their previous status quo. This desire is consistent in her for the entire series; this is also why she is unable to let go of her childhood crush for Sora, even though he’s obviously not the person she wants him to be anymore. For Sora, Kairi is the rock, she is the home that will always be there, he feels that she is the secure dock he can always return to after the storm. He relies on her not changing, which reinforces her fear of change. Lea is similar, and they can bond in KH3 over both their mutual desires to restore a prior, idealized status quo where their friends were reliably there and not at risk of disappearing on them or running away from them or changing.

Riku on the other hand embodies transformation. He represents change to the status quo, growth and development and a new way to be. Too much change is as much of a problem as too little; Kairi in KH1 sees Riku wants change, and it scares her, and he does in fact go too far. At the same time, she’s the catalyst for Riku’s desire to change their circumstances. Kairi’s arrival at the islands in the meteor shower incites Riku to dream of going to the outside world. This too is a tension that creates an anxiety in Kairi - in a way, she can see herself as to blame for Riku’s desire to change. But Riku was always going to change, because that’s who he is. He is radical change, the change that cuts away restrictive dogma so that the world can advance. Riku drives Sora to also want to grow and change, to excel and challenge himself. Sora wants to be like Riku, whose strength and internal drive he admires.

Ultimately Kairi and Riku are in BALANCE with each other. Ironically, while Kairi is themed as ‘the sea,’ her narrative purpose is to be steady as the earth. Riku’s name is ‘the earth,’ but he is changing and dangerous as the sea. They are one another’s reflections in the narrative. Kairi’s arc is about learning to let go and move forward, even though it scares her. Riku’s entire arc is about finding balance, not throwing away the comfort of the past, that inoculates him from falling too far the way Baldr and Xehanort do. Riku can drive Kairi to join them by giving her a Keyblade too. Kairi can pull Riku back from fleeing from them by seeing him even under Ansem’s face. He is able to be in contrast with Kairi in a healthy way, in a way that honors her fears while also refusing stagnation. They have to work TOGETHER to find Sora, because they are one another’s narrative and thematic opposites. Kairi is too stagnant on her own, and Riku too volatile. Sora is the healthy middle between them, the center-point that can bind the light and the dark TOGETHER for one purpose. 

Kairi is narratively and thematically important to Kingdom Hearts. She represents something, and trying to take the things that reinforce her narrative importance to the story (her representation of the light, her narrative purpose of ‘disruption’ in her arrival via the meteor shower, her position as the one who grounds Sora in opposition to Riku’s position as the one who drives Sora to push himself and achieve more) not only undermines her story, it undermines Riku’s.

[crimeronan]

i've been really enjoying making devin's life suck shit lately. i know i keep saying every time i develop a new symptom i give it to them but there really is something to just. being a 38-year-old protagonist who won't kill yourself because you're not a dramatic 18-year-old anymore but who also spends literally every waking moment in so much fucking pain that you're constantly fucking begging to die. while everyone around you is like wow it's wild that you lived to 38 good job :) everyone with your condition before you has eventually lain down in the same graveyard and purposefully starved/frozen to death and you know that you're going to eventually too so you have a pact with your wife (the one you chose)(not the soulmate wife who's been making your life a living hell since you were 16 and she was a grown-ass woman) to die together but before you do you're both taking a ton of people down with you. you poorly speak about eight different languages because you're surrounded by refugees and immigrants and marginalized people and many of them are very afraid until they hear the relief of a familiar tongue and remembering these languages is exhausting because you are so sick all the time but it matters so much. you are terrified to die because whoever succeeds you will be just as sick and just as tired and just as empty and they probably won't make that same effort so you must go on standing you can't break that which isn't yours. you like soft blankets and string music and drums and the color green. you're in so much pain. your wife has made you a murderer but she first recognized you for your kindness a decade before you remember even meeting her. your magic is eating you alive. there is no cure and there is nobody who cares to find one. you wouldn't have chosen any of this but you didn't get a choice so now it's just a matter of what you do with your shitty time in this shitty body in this shitty world. your life sucks So Much Fucking Shit. you just want to curl up with your wife and sleep til you aren't tired anymore. you aren't EVER gonna get to do that.

[vzajemnik]

ohhhhhh sticky note.........youll never be famous and thats ok❤️

[darkandstormydolls]

I’ve kind of lost my writing mojo over the summer (I have still been thinking about my characters and considering things of course but I couldn’t seem to get anything written down), but this evening I was feeling like “eh I could write” and then say down for over an hour and wrote a good half (probably more honestly) pf a scene that has been languishing as a five word idea in my extremely rough outline for literally months

Thank you, writing fairies, for smiling upon me today

[steakout-05]

for months now i have had this little story idea bouncing around in my head for an AU of Jetpack Joyride where Barry is stuck inside a big expermental time loop conducted by Legitimate Research to create an army of randomly selected time-travelling soldiers. the idea is very much still rough and i dunno if and when i'll develop it into a bigger thing, but it's a pretty cool idea and it's a twist on the JJ game that i've never really seen much exploration on.

basically, it focuses on Barry, who is the sort of Patient Zero of an experimental concentrated time-fuckery technology LR is working on. every single day, at exactly the same time, Barry goes out to work his salesman job, discovers the jetpack, breaks into the laboratory, takes it for a joyride, eventually gets hit by an obstacle and dies. the next day, Barry goes out to work his salesman job, discovers the jetpack, breaks into the lab, takes it for a joyride and dies. and he does the same exact thing the next day, and the next day, and the next day, and the next day... he's pretty much stuck in a loop of the exact same events happening repeatedly every single day, and he has absolutely no idea about it. that is, until there's a glitch in the system, and Barry progressively becomes a lot more suspicious and paranoid about the situation he's in. the rest of this post is gonna be REALLY spoilery (like i literally just explain big important chunks of the story for several paragraphs) if i ever make this into a full-fledged fanfic, so i'm gonna put it under a keep reading thingy. also it is... quite long and convoluted lol.

as the story goes on, it focuses more on the mental degredation of Barry as he starts uncovering all these weird clues, slowly trying to piece together what's going on and driving himself insane, because every time a reset occurs, his memory of the previous loop ever happening is completely wiped and everything he did that day goes all the way back to square one. since the malfunctioning of LR's technology though, Barry has been getting little nuggets of deja vu and half-remembered fragments of dying before a reset. this eventually becomes him repeating things to himself, little phrases and codes over and over and over in hopes that it will persist into the next reset. this eventually becomes symbols stuck up on the walls of his room and then progresses to entire rituals to help him remember and little behaviourisms like tics and stims to let him know he's in another loop. he becomes more and more panicked and unsettled, paranoid that someone - or something - is watching him closely. additionally, he keeps having disturbing dreams in the early hours of the morning before he gets up to go to work, ones that are symbolic and prophetic, as if they're trying to warn him about something. i've had concepts of him waking up on top of a pile of millions of mangled carcasses that all look exactly like Barry, and having on them them forcefully grab onto his leg and pull him down with the rest of them. it's kinda like the nightmare Woody has in Toy Story 2, but like, dead guys everywhere, lol.

the backstory of this whole thing is kinda insane. basically, Legitimate Research is a sketchy government funded facility that's doing secret time experiments to create the strongest beings for a purpose that's somewhat similar to Brains' Zomb Bomb plan from AOZ (i haven't fully decided yet). Barry is someone who has been randomly selected for their newest version of the concentrated time loop experiment, where patients will be put under looping tests to extract data about their strength, agility and performance and decide what they need to supplement them with in order to create the perfect soldier.

Barry was 22 years old when he was selected. he was actually a relatively normal local Fish N' Chips vendor living in New South Wales, but one day, when he recieved an exciting letter in the mail about a new ambitious job opportunity, he completely disappeared without a trace and seemed to have been entirely erased from the minds of everyone he had ever known. Barry had actually been kidnapped and ensnared into a mind-experiments facility of the laboratory, where they proceeded to wipe his mind, proof of his existence and his entire personhood up to this point, and replaced all of it with fake memories to fill in the gaps. he was then placed in stasis and to be injected with high doses of strength drugs as they crafted a new life for him behind the scenes. a new house, in a new state, all with new stories and memorabilia meant to be lived out by new person. now, he was Barry Steakfries in Queensland, a rough-around-the-edges guy with a passion for action movies and destruction. he was a revel with a thirst for chaos and freedom, but he just didn't have the means to achieve it yet. it was all according to plan.

a big part of the story i want to tell that involves him is that at some point, Barry tries to break free from the time loop by doing something different. this takes a lot of pre-planning, memory rituals and repeating details to himself, but after he wakes up from a reset and gets out of bed, he hesitates, choosing to go to a different place to sell his gramophones that day. he deliberately tries his best to avoid Legitimate Research's headquarters as much as he can, and while he doesn't completely remember why he's doing it, he has a deep gut feeling that he should stay away from them at all costs. so he does. and at first, it goes well. the day is different, his choices seem to actually matter and for once, the feeling of deja vu isn't tearing him apart... until a crazy freak accident happens that forces Barry to die and reset the time loop again, wiping away everything he had done that day. Legitimate Research is now forcefully trying to stop him from knowing what the hell is going on by forcing him to die with each now discovery he makes, and Barry has to figure out more and more creative solutions to averting their surveillance and trying to get the hell out of the loop.

Craig will also be involved with the story too!! i'm not exactly sure what exactly the events leading up to Barry discovering and meeting him would be, but it'd be kinda halfway-late-ish into the story where Barry manages to cut off LR's surveillance of him, breaks into the laboratory and searches through its archives for anything relating to time. during this raid, he accidentally discovers the true Patient Zero to this time experiment: a broken, decrepit shell of a man who has been hooked up to a set of wires and locked away deep into the laboratory, never meant to be discovered by anyone, only known simply as #000 'Craig'. Craig was the very first human they used to run an early prototype of these experiments, but through malfunctions in the threads of LR's technology, he ended up knowing too much and tried to break free from his time loop, which resulted in him being dragged out of reality and becoming completely detached from his own time, stopping his aging process completely and practically allowing him to exist forever and persistently through every reset unaffected. LR relocated him and considered him a catastrophic failure, locking him away in a cell deep in the bowels of the laboratory before destroying and erasing every archive of him ever having existed in any point in time. and now, the same thing is about to happen to Barry if he doesn't figure out a way to stop what's happening quickly. Barry, outisde of LR, is the only one who is aware of Craig's existence in this timeline. Barry makes a vow to make sure that he will never ever forget Craig, no matter what happens to him, no matter how many times his timeline gets reset, because he is the only other person on the whole world who truly understands what he's going through.

at the very end of the story, when Barry finally escapes the time loop and is about to enter into a new reality where none of this ever happened, he reaches out a hand to Craig and offers he come with him to live. Craig, however, rejects the offer, sadly confessing to Barry that because of his disconect from the threads of time progression itself, Craig must stay behind and be erased along with everything inside this one and let Barry live his life. Barry protests, insisting that his life wouldn't be complete without him and that they've already gone through so much together, but Craig assures him that this is the best for the both of them, and that Barry must leave him soon before the window to escape closes. Barry gives Craig once last goodbye, holding him close and basking in his presence for the final time. he closes his eyes, presses his head against Craig's and whispers "I promise I'll never forget you." before he slowly lets him go, not breaking their locked gaze on each other for even a second as he steps into the portal and ventures into an entirely new reality, never to return.

i want there to be an epilogue part where Barry starts his new life and goes looking for a place to stay, and he comes across the place where LR used to be, which is instead occupied with a big square fence plot and a sign that says "UNDER CONSTRUCTION: NEW RESTAURANT TO BE BUILT". Barry stares at it for a moment and reflects on everything that has happened. all the hellish experiments that were once held inside this very plot of land, all the trauma he went through to get to this point, Craig's sacrifice, everything has lead up to him standing here, in the right place, at the right time, to finally live the life he should've had to begin with. eventually, he turns away, continuing to walk down the street. he should go check that place out sometime.

(insert "what a fucked up dream for a baby to have" ending from 'then what' here)

[rearranging-deck-chairs]

sad clown was such a good summation of his character

[timsgutterson]

as a librarian, i want you all to know that it's okay to write / read dark things, actually. sometimes that's an important aspect of working through your trauma. there's a big difference between stories that feature content, and stories that glorify the content. and honestly? censorship isn't the cool progressive take that some of you think it is.