#I think about this a lot more than I should

[vincentbriggs]

so i am newly in a wheelchair which has been a Massive gain in my ability to go out and about. but i realized that i have aprox 0 clothes that look Good while seated. its a completely different silhouette and i am at a loss as to what to do for it. do you have any suggestions for what could look good seated? preferably no skirts or dresses.

Edit: Check the notes for more people's input, including actual wheelchair users who know much more about what works than I could!

Congrats on chair acquisition!!

Since you're sending this to me specifically I am working under the assumption that you mean to do some amount of sewing.

A high waisted silhouette definitely works best for sitting. I make all my pants with the waistband at my natural waist, and a bit of pleating or gathering at the back just like they did on 18th century breeches, and I've never noticed any particular discomfort from sitting in them. (I think high waisted pants are more comfortable in general, and that low rise jeans are evil.)

It's something I've never really thought about before, but sitting is a very legs-forward position, so perhaps a colourful or fancy stripe down the side would work well.

(I made this pair 10 years ago and they didn't fit well and are long gone, but I should do a better version someday...)

Or some other form of side seam decoration, like these fabulous button tabs.

(I don't know what the source for this mid 19th century fashion plate is.)

Cropped jackets would also be good. The first thing that comes to mind for me is the Carmagnole, which was a style worn by French revolutionaries. It's got a pretty similar cut to a regular 1790's coat, just shorter.

(Source)

(Source)

And there are other styles of short jacket, like this one from a few decades later.

I think it might be possible to get a similar effect from cutting down a thrifted corduroy jacket, depending on the pocket placement? It's not something I've done myself though.

A fancy little bolero could be a lot of fun too! I quite like these ones made by Marlowe Lune. Super easy to sew, and could be patterned by cutting down a bigger pattern that fits the torso.

They'd be a good thing to try if you have a smallish piece of fancy fabric, or a small bit trim to use, or want to try a small amount of embroidery.

There are lots of historical styles with sleeves too, and all sorts of decorations.

(Dunno the source for this one either, unfortunately, but the pin says 1880s reception dress. I think a little jacket like that would look good with a puffy shirt and pants.)

Short capes might be practical too, and the late 19th and early 20th century have tons of fancy capelets for inspiration, like this one.

Or this one.

I hope this is somehow helpful! I don't know if you're looking to sew things from scratch or to buy and alter stuff or what, and I have no personal experience using a wheelchair, but these are the best things I can think of for a suitable silhouette. Dramatic sleeve/shoulder puffs would also be shown off to great effect, if that's something you'd like to wear.

[corviiids]

i think L should've tried harder to piss light off. provoking light into slipping up would not only be hilarious i also think it would be extremely easy and effective. not saying you could get light to actually confess this way, but he would definitely make more dumb mistakes if, for example, L kept interrupting their homoerotic brain chess matches to insist that kira is actually matsuda because the butts match

[pangur-and-grim]

I'm looking into getting a purebred cat for the first time because I've developed allergies, and it's such a different world from my niche corner of dog breeding, I'm so lost How common is it for cat breeders to focus on temperament over conformation? I've shown a dog and been to many shows, and am working on a breed in development. I'm uncomfortable with a fixation on "correct" appearance versus a heavy focus on what an animal's quality of life is and what they're like to live with If I'm paying more for a kitten than I charge for a puppy I want to know the breeder has done a lot of handling and enrichment, grooming conditioning (for relevant breeds), and pair their cats for temperament strengths and weaknesses, not just conformation. What should I look for on a breeder site/what should I ask without sounding rude? I also have seen a couple breeders advertise a health guarantee including FIP for one year, and I'm wondering how that's possible. Can you really guarantee against it? I'm so sorry you and your gremlin are going through this, it sounds like a rollercoaster!

it's difficult to answer your first question! cat breeding seems more…..casual in terminology than dog breeding, if that makes sense? 

with temperament, there’s a stereotype for each breed (Bengals = active, Siamese = yowly, Ragdolls = angelic beings, etc). breeders often have a page on their site explaining their idea of what the breed is (the ideal appearance, personality, and so on), and then a section with their breeding cats, with blurbs for each one. and they usually also have social media, where you can see how these cats slot into their lives.

if you’re from the states, be VERY WARY of breeders who cage their cats! that’s more of a cultural norm there, and personally, I prefer breeders who treat their animals like family members and live alongside them.

here are two examples of breeders who go above and beyond: Praticalcats and Trillium Devon Rex. their sites give away how obsessive they are about their animals - all the articles on Praticalcats, and all the genetic testing on Trillium - and I would feel comfortable recommending them to anyone who asked.

as for over-emphasis on a “correct” appearance – for each breed, there will be a certain look that’s a red flag. Devon Rexes that are too brachy, Maine Coons that are too large, Siamese that are too spindly, etc. if you do enough research on your breed of choice, you’ll start recognizing it. the cat will look more ‘special’, and more ‘like it’s breed’, but it’s an exaggeration at the cost of other qualities.

for specific questions like what handling they do, whether they’re conditioned to tolerate grooming, and how the cats get paired with buyers, most of the time you have to contact a breeder to ask that. there should be a mini job interview before any money changes hand, where the breeder grills you, and you get to return the favour. if a breeder skips this, I’d consider that a major red flag. and don’t worry about sounding rude, a good breeder will be delighted that you care so much about all of this!

and now, the guarantee against FIP – what are they guaranteeing, exactly? it might be a guarantee that they’ll replace the kitten if they develop FIP (the contract with my breeder had a similar clause). but if they’re guaranteeing that any kitten from them won’t develop FIP, then that’s nonsense. basically all young cats get exposed to the feline coronavirus that causes FIP, and whether they develop it or not is just a lottery gamble. I'd be suspicious of any breeder who claims that their kittens are exempt from this.

anyway, I think I've answered everything. hopefully that was helpful, and not just me rambling!

[verstappenverse]

What We Never Said

Pairing: Max Verstappen x Reader

Summary: Max Verstappen, your best friend, has always been a constant in your life. But when jealousy surfaces over a recent date, it stirs emotions he hadn’t quite confronted. Is there more between you two than just friendship?

1.9k words / Masterlist

Max had always been good at keeping his cool. On the track where everything is measured in tenths of a second and a moment’s hesitation can cost everything, keeping a level head was what set him apart from the others. But lately away from the track something had been gnawing at him, disrupting his usually unshakeable focus.

It wasn’t new this feeling it had been there for a long time, simmering quietly beneath the surface. Max knew that. He was painfully aware of it in every shared glance, every late-night conversation, and in the way your laugh could instantly pull him out of his darkest moods. For years you’d both kept things easy, uncomplicated, two best friends never crossing the invisible line that tethered you close but never too close.

At least that’s how it was supposed to be.

It wasn’t until a few nights ago when he overheard a casual comment at a party that Max realised how fragile that balance really was.

“I didn’t know you’d gone on a date,” your friend had said her voice light and teasing.

Max wasn’t eavesdropping intentionally he had been halfway through a conversation with another driver when the words hit him like a punch to the gut. He barely registered what was being said to him after that. His attention had been locked on you, watching the subtle shift in your posture as you casually replied.

“Yeah,” you said, like it was nothing. “We went for dinner and drinks, it was really nice...he was nice.”

Max’s hand had tightened around his drink. Nice. The word grated against Max’s nerves. The conversation around him faded into white noise as his mind fixated on what you hadn’t said, on what you’d kept from him. A date? You’d gone on a date? Since when did you go on dates without mentioning it to him? It felt like the ground beneath him had shifted, like something fundamental had changed, though he couldn’t quite explain why.

For the rest of the evening Max stayed quiet his usual easy-going demeanour replaced by something darker, something more brooding. You didn’t seem to notice or if you did, you didn’t bring it up. But every time he looked at you all he could think about was someone else sitting across from you, someone else making you laugh, someone else getting to know the parts of you that Max had always believed were his to cherish.

-------------------

He thought about it more than he should have over the following days, a slow burn of frustration and confusion twisting in his chest. It wasn’t that he had a claim over you but there had always been something unspoken between the two of you, and hearing about you with someone else, someone who wasn’t him, made it feel like everything was slipping through his fingers.

Max found himself at your door days later, heart racing in a way that had nothing to do with the adrenaline of racing. He wasn’t sure what he was going to say only that the unresolved tension between you needed addressing.

The door opened and there you were, smiling like always, the kind that usually made his stomach flip, but today it only made him more tense. “Hey you,” you greeted stepping aside to let him in.

He walked in without hesitation, but his usual ease was nowhere to be found. He hadn’t been able to shake the image of you with someone else. Max had tried to push it down, to convince himself that it was none of his business. You were your own person, free to do whatever – or whomever – you wanted. But the truth was, it did bother him. A lot more than he cared to admit.

He dropped onto your couch more tense than he’d been in weeks. You sat down next to him, your brow furrowing as you picked up on his mood. Max was many things, but unreadable was not one of them. He wore his emotions on his sleeve and right now you could sense the storm brewing behind his usually calm exterior. His jaw was clenched, and you could see the tension radiating off of him in waves.

“What’s up with you?” you asked, tone light but probing. “You seem… off.”

He wanted to shrug it off, say it was nothing, but the words wouldn’t come. He couldn’t pretend anymore, not with you.

Instead he turned toward you, his blue eyes sharp “Why didn’t you tell me you went on a date?”

Your expression shifted subtly, surprise, then confusion trying to place his tone, “I didn’t think it was a big deal.”

A beat of silence passed, Max could hear the faint hum of the city outside your apartment window, but inside, the air felt thick weighted with something unsaid.

“I overheard you the other night,” he continued, his voice rougher than he intended.

You blinked, processing his words. “You overheard?”

Max nodded, watching you closely waiting for some kind of explanation that would ease the knot in his chest. But you just sat there, not defensive, not guilty, just calm.

You hadn’t kept it from him on purpose. In fact you didn’t even think it was that big of a deal. The date had been fine, nice, but nothing extraordinary, certainly not enough to warrant telling Max about it right away.

“It wasn’t anything serious,” you said after a long pause. “Just dinner. I didn’t think it was worth mentioning.”

Max exhaled sharply running a hand through his hair. “And if it had been serious?”

Now you were even more confused. Your eyes met his then, a flicker of something passed between you. “Why does it matter?”

That was the question, wasn’t it? Why did it matter? He wasn’t your boyfriend. Hell, he wasn’t even sure what he was anymore, except confused. Maybe a little scared. The kind of fear that sinks deep, the kind that makes you realise you’ve been taking something for granted.

“Because it does,” he muttered quietly, his voice tight.

You leaned back slightly, studying him. There was something different about the way you looked at him now, more attuned to whatever was hanging between you. You’d always known that Max was protective of you, but this? This was something else entirely.

“You’ve never cared before,” you said, your voice quieter now, like you were piecing together a puzzle neither of you had fully acknowledged.

Max hesitated then sighed. “Maybe I should’ve.”

The words were out before he could stop them, and they hung in the air, heavier than anything he’d ever admitted to you before.

You didn’t respond right away. The silence stretched, uncomfortable in a way that it never had been between the two of you. And then, after what felt like an eternity you leaned forward resting your elbows on your knees hands clasped in front of you.

“Is that what this is all about? Me going on a date and not telling you?” You paused, your eyes searching his face,“Or is it something else?”

He didn’t answer, couldn’t answer. Because of course it was something else. It had always been something else. He just hadn’t let himself admit it not until now, not until the idea of you with someone else had thrown everything into sharp, painful focus, and maybe that wasn't fair but he didn't know how he could go back now.

Max stood, pacing the length of your living room his mind racing. “I don’t know,” he finally muttered, though it was a lie. He did know. He just wasn’t sure how to say it, cross the line you’d both been skirting around, to take years of friendship and lay it bare without ruining everything.

“Max,” you said softly, your voice pulling him out of his thoughts. “Look at me.” You needed to hear him say it. You needed to know if what you felt for him was mutual or if you were reading too much into this.

He stopped pacing but didn’t turn around right away. His fists clenched at his sides, and for the first time in a long time, Max felt completely out of control. It wasn’t like driving where every move was calculated, where he could read the car, the track, the competition with precision. This was messier, rawer, and there was no strategy for it.

Finally, he turned to face you his blue eyes meeting yours. There was no running from it anymore, no pretending that what he felt for you was anything less than what it really was.

“I didn’t like it,” he said quietly, the admission catching in his throat. “Hearing you talk about him… I hated it.”

You didn’t look away but your eyes softened, your expression still guarded.

“Why?” you asked, though your tone told him you already knew the answer.

Max let out a shaky breath. “Because… I’ve always wanted it to be me.”

The confession hung in the air, and for the first time with you Max felt truly exposed, vulnerable. The invisible line between you two, the one he’d always danced around, was gone.

All the emotions you’d been burying for so long, all the feelings you’d tried to convince yourself weren’t there, came rushing to the surface.

You walked toward him slowly, and for a moment, Max wasn’t sure what you were going to say, but when you reached him you didn’t say anything. Instead you just looked at him, really looked at him, like you were seeing him in a way you hadn’t before.

“I’ve always wanted it to be you, too,” you whispered, the words so soft he almost missed them.

“I didn’t want to ruin things between us,” Max continued, “I didn’t want to lose you. But hearing about you with someone else… it made me realise that maybe I’ve already lost you and I didn’t even know it.”

You took a step closer to him your heart pounding in your chest. “You haven’t lost me."

His heart clenched, and before he could stop himself, he reached out, gently cupping your face with his hand. Your skin was warm beneath his palm and for the first time in days the tension in his chest eased slightly.

You didn’t pull away, you stepped closer eyes never leaving his. It was as if all the years of unspoken tension between you had finally come to a head, and neither of you could ignore it anymore.

He leaned in, slowly, cautiously, giving you every chance to pull away. But you didn’t. And when his lips finally met yours it was like everything he hadn’t been able to say, everything he’d been holding back for years, poured into that kiss.

It wasn’t hurried or desperate. It was slow, deliberate, a moment stretched out between two people who had spent too long pretending they didn’t want this. Max’s arms wrapped around you as the kiss deepened, but still, there was a softness to it a tenderness that spoke of the years of friendship, of trust.

When the kiss broke, you both stood there inches apart breathing in the moment. Max's hand lingered on your cheek his thumb brushing lightly against your skin.

“You know,” you whispered, smiling against his lips teasing, “this is probably something you should’ve told me ages ago.”

Max let out a soft laugh, his forehead resting against yours. “Yeah, well” he said, his voice low and teasing back, “I guess this means I can stop pretending I’m okay with you dating other people now," you laughed softly as he smirked "but I wasn’t too worried, everything’s about timing isn’t it?”

“Yeah,” you murmured, your lips brushing his. “I guess you got it right.”

"Finally," he whispered with a grin, before pulling you into another kiss.

[darkbluekies]

Cannot take what was never meant to leave

Yandere!king OC x fem!fairy!reader

Summary: Edmund walks out in the forest and finds something he never seen before: a tree fairy. Upon learning that he can't take her as long as her tree is there, he does the only thing he can think of.

Warnings: Edmund is a bit more insane than usual, reader is in a lot of pain, kidnapping, basically killing, use of an ax

Word count: 2.5k

A/N: this is HEAVILY inspired by Erutan's song "The Willow Maid"!! I have absolutely loved that song for ages, and after seeing PurestarMedia's music video of it on YouTube, I had to write something!! Edmund felt like the perfect fit for it!!

Summer is almost over. He can tell by a slight shift in the winds that colder times are approaching, even though barely any of the trees show any signs of autumn. He can't wait until he can bring out his thicker coat. He likes the colors of it much more.

Ten men he brought with him on his hunt for rabbits. They've decided to go into another part of the forest in hopes of finding anything.

Suddenly. A sound.

“Shh!” Edmund hushes and holds up a hand, signaling the others to stop.

He listens closely. It sounds like humming. It's a tune he has never heard before, but one that feels weirdly familiar — as if he has heard it in a dream or past life.

Quietly, they follow the sound until they reach a field full of small, white flowers. In the middle of the white field stands a tree with dark leaves. A scene taken straight out of one of the paintings hanging on the castle walls. Edmund notices someone sitting by the foot of the tree, resting among the roots. A woman?

The group of men creep closer. The woman is lying on the tree roots, leaning her head against the tree trunk, having a root under her knees for support. She's dressed in a long, white gown reminding Edmund of the small flowers. On her head rests a flower crown made of the very flowers. Her eyes are shut. Her mouth hums. 

A fairy.

One of Edmund’s men steps onto a branch on the floor, which snaps in half and pulls the fairy out of her thoughts. Her eyes snap open, revealing them to be deep and dark — and full of fear. She shoots up from her root and stumbles backwards, hiding behind her tree.

“Who are you?” she asks quickly. “What do you want?”

“You are a fairy”, Edmund says, still in disbelief.

“Yes … what do you want?”

“Have you seen any rabbits around here?”

She peeks out from behind the tree.

“What do you want them?” she asks and seems to notice the rifles hanging over their shoulders. “I'm not assisting you in killing harmless creatures.”

Edmund meets her dark eyes. They're hypnotic.

“You humans are despicable sometimes”, she says. “Killing innocent creatures who haven't done anything to you.”

“If I wouldn't, someone else would — man or animal.”

“I want you to leave.”

“Yeah, we should move on. We have rabbits to hunt.”

He can feel her eyes burn through his back as he walks back over the field of white flowers. He hopes that she will watch him until he disappears into the forest.

“Did you have a good hunt, your majesty?” his secretary asks as Edmund and his ten men come back to the castle.

“Caught a few rabbits”, he answers and smiles, thinking of the memory. “We encountered a fairy.”

They start to walk inside. 

“A fairy?” the secretary asks and holds the door into the castle open for the young king.

“What do you know about fairies?” Edmund asks. 

They walk down the large hall.

“I know that, like humans, there are different types of fairies”, the secretary says. “You found her in the woods, you said?”

Edmund nods. 

“She’s probably a tree fairy”, the secretary continues. 

“Yeah, she was sitting by a tree … almost like it was holding her”, Edmund says, furrowing his dark brows as he thinks about it. 

He holds out his arms as if he was carrying a woman, imagining her knees bending over his right arm and her back supported by his left … her head resting on his shoulder — like she had done to the tree bark. 

They walk into Edmund’s office, closing the door behind them. 

“What do you know about tree fairies?” Edmund asks and throws himself in his chair. 

“I know that they live in the woods and that they are connected to a particular tree. They feed off of sap from the tree and flower nectar — and if their tree bears fruit they eat that too.”

“What happens if they eat something else? Like meat? Or potatoes?”

“I don’t know, your majesty.”

“Would it kill them, do you think?”

“Perhaps. What I do know kills a tree fairy is killing their tree.”

Edmund looks up at him. “What?” 

“Their life source is connected to their tree. They live as long as their tree does.”

“So you’re saying that a fairy can become hundreds of years? Thousands even?”

“Could be.”

“Interesting.” He sighs and throws his head back. “You should have seen that thing. Before she noticed us she looked so … peaceful. She was resting and humming a tune. When she realized that we were there she flew up and hid behind her tree. All of that seemed so young and naive. Her tree wasn’t that large either. I think I’ve found myself a young fairy.”

“The fairy seems to interest you.”

“I’ve always wanted to meet a fairy. I didn’t believe that they actually existed. But now, I’ve found one. I think that I’m going to make her my wife.”

The next day, he returns with his ten men and his secretary, dressed in his autumn coat. On the way to the glade, Edmund picks a few flowers with the biggest nectars he can find, hoping that they will be a good enough gift. He is going to ask her to marry him. 

She is walking around the white flowers, picking up a few and putting them in her flower crown. She looks up as they come. This time she doesn’t look as startled, but there’s something wary in her eyes. 

She’s beautiful and delicate, there’s no denying. Edmund needs her. Every fiber of his body needs her. She needs to be his wife, to be the mother to his children. He refuses to leave without her. 

“What brings you back?” she asks as Edmund gets close enough, but doesn’t sound like she wants to know. 

He can tell that she wants to get back to her tree. She gives it quick glimpses and takes small steps back towards it. 

Edmund holds out the flowers towards her. She hesitates before taking them out of his hand. Her fingertips barely graces his skin. Her touch is humanlike, kind and delicate. 

“Thank you”, she says and smells them softly. 

He smiles. He wants nothing more than to hug her, to hold what belongs to him in his arms, but he has to ask the question first.

“I want you to marry me”, Edmund says. 

The fairy drops the flowers in shock. They disappear underneath the small, white ones. Edmund furrows his brows.

“Marry you?” the fairy repeats, shocked. “How could I possibly-? No, no, I shall not.”

Edmund stares at her, eyes darkening, unable to understand how anyone could turn down his proposal. Women would travel far and wide to hear those words come from his mouth, and this fairy — who does she think she is — doesn’t even think twice before rejecting him. It should crush him, but instead it has the opposite effect. He will not leave without his fairy. 

He looks over his shoulder, at his ten men. “Seize her.”

Just as the ten men are about to grab the fleeing girl, his secretary grabs his shoulder. 

“Your majesty, don’t”, he says quickly. “That won’t be possible. She can’t leave the glade.”

“What do you mean?” Edmund scoffs.

“She’s connected to that tree.” He nods towards the tree in the middle of the field. “She can’t leave it.”

Edmund glares at the tree. That damn tree. The woman runs through the flowers towards her tree, hugging it tightly. Edmund finds it humorous how she thinks a simple tree could protect her. He could do it a hundred times better, will do it a hundred times better. 

He sees how she sinks down by the tree, huddled up by the tree bark, crying. Soon, she will search for comfort in him, not a damn tree. 

“We can’t take her”, the secretary says. “I don’t know what would happen if we tried, but as long as that tree is there, we can’t remove her.”

Edmund doesn’t answer as he walks back into the forest. The ten men follow him. His secretary keeps a distance. Edmund feels like he could explode with anger. He had pictured himself leaving the forest with his new fiance hand in hand. But he will not give up. He will get his fairy. 

He returns a third time the next day. This time he’s by himself … and this time, he’s brought an ax. Determined to take her with him. She will be his wife. This time, he’s not taking ‘no’ for an answer. He will not walk away empty handed. The thought consumes him as he marches through the forest, towards the glade. 

He can see her lying in the same spot he had seen her the first time. This time, she’s not humming. She opens her eyes as he gets nearer and jumps to her feet as her eyes fall on the sharp edge of the ax. 

“No!” she screams in pure panic. “No, what are you doing?! Don’t!”

Edmund lifts his hands and lands a blow on the bark, cutting away a piece. To his right, the fairy screams in agonizing pain and clutches her heart. He continues to hit the tree. The woman continues to scream. She cries in pain. 

It takes longer than he expects. He takes his eyes off the deep cut in the tree and turns them towards her. She’s lying between the roots, curled up with her hands pressed against her heart, crying and screaming. 

“Please stop!” she screams and sobs so that her entire body trembles. “Y-You’ll kill me! Please s-stop, please! I’m begging y-you!”

If he continues to hit the tree, she will die. 

Edmund will have to bring a piece of the tree with him and replant it in his castle’s garden so that it doesn’t die — so that she doesn’t die. He continues to chop. She continues to scream, cry and plead for him to stop. 

A loud creaking echoes through the air. He watches as the tree bends in half and falls. The fairy stumbles upon weak legs and hugs her fallen tree, sobbing. 

With the ax, Edmund manages to dig up root systems of the tree. He holds it in his left hand and grabs the fairy’s wrist tightly with his right. He yanks her up on her feet. 

“You belong to me now”, he says. 

She only sobs for an answer. She tries reaching out for her tree, but Edmund pulls her with him. She stumbles. He drags her into the forest. 

“Please …”, she sobs. “Please …”

He doesn’t know what she begs for. The tree is fallen, he can’t undo what he has done. 

“Please, I’m in so much pain”, she pants. 

He doesn’t listen, doesn’t have time for it. He has to get her to the castle, where he can lock her in, so that she can’t escape out to the forest again. 

He can feel her collapse. Edmund gasps and watches her lie lifeless on the ground. He shoves the tree roots in his pocket and hurries to check her pulse. She’s still living, for now. Edmund stresses to pick her up. Her limp body rests in his arms as he runs out of the forest, towards the castle. 

He runs into the castle yard, into the hallways and out to the garden. He lays the fairy down on the grass and hurried to dig a hole with his hands. Oh, how he hates the feeling of dirt under his nails. He can’t think about that now. 

He places the root in the hole and covers it with the soil. Edmund runs over to the fountain, cups his hands and fills it with water. He runs back and forth until enough water has been poured over it. He feels for a pulse on the fairy’s neck. There’s still a faint pulsation underneath his fingers. He removes his coat and places it on the ground beside the tree root before lifting the fairy onto it. He caresses her face. 

“You actually got her.”

He looks over his shoulder at his secretary. He stands there, looking at them in disbelief and horror. 

“Is she dead?” he asks. 

“No, not yet”, Edmund replies  breathlessly. “I brought a piece of the tree here and I have replanted it. She should survive. But we need flowers — lots of flowers. And anything else a fairy might eat. We need to nurture her back to life.”

“I’ll prepare some honey water, I think that should be drinkable.”

Edmund sits by the fairy, waiting patiently. 

Hours go by. She doesn’t move. Barely breathing. Edmund wonders if he she has fallen into some kind of limbo, where the tree is barely alive, and so is she. If the tree doesn’t survive, neither will she. He has to nurture both. 

He feeds the tree water and nutrient dense soil and tries to pour droplets of honey water into the fairy’s mouth. Sometimes she responds by swallowing softly, and sometimes let it drip out of her mouth. 

Hours turn to days. Days to weeks. As the tree slowly grows roots in Edmund’s soil and become stronger, so does the fairy. Edmund doubts that she will ever become as strong as she was before. The tree will never be in its full glory again, and neither will she. She can’t walk, her body is too weak to move more than a few minutes. He lets her rest by her short stub. When he can’t stay with her, he watches from afar, from one of the windows. She’s always curled up, hugging her stomach as if she’s got cramps. The poor thing never smiles anymore. 

He holds a glass of warm honey water in his hands as he walks out to the petty excuse of a tree. It'll take years to become as big as it originally was, but it will never be the original tree.

“Hi”, Edmund says softly and sits down beside the fairy, holding the cup to her dry lips.

She doesn't seem to care what she gets fed anymore. Maybe she hopes that it will kill her.

In a sense, Edmund has killed the fairy.

She drinks slowly.

“I don't know what to feed you when winter comes”, he says. “I have harvested a lot of nectar and sap, but I don't know how long that will be good for.”

A tear runs down her cheek. Edmund wipes it carefully.

“My fairy, don't worry”, he whispers reassuringly. “I will figure it out.”

He wishes that she could respond, but he hasn't heard her voice since that day she screams in pain — when he killed her.

He stands up, gives her forehead one last kiss before walking back inside. In the beginning, he used to have guards watch over the garden to make sure that she wouldn't run off, but he realized that as long as that tree is there, she isn't going anywhere.

[calware]

as time goes on my interesting in shipping (for homestuck) (that's really the only fandom i'm in) has just gone down lower and lower because i used to see "shipping" as just "characters who were compatible in some way". for example i would look at karkat and feferi and be like "they didn't interact much but a lot was going on with the two of them in terms of their themes and how those themes intersect. and since romantic relationships are "more complex" or "better" or "more potent" than other relationships the natural progression is to ship them together romantically" but the stuff that would make them potentially interesting as a pairing isn't inherently romantic at all. and i feel like that goes for a lot of if not most of the characters. homestuck to me is way more centered on the idea of friendship (and family sometimes but moreso friendship) than romance and when characters have something important going on between them the interesting part is usually not inherently romantic

even the characters that start dating where their romantic attraction IS very important is based on their initial friendship..!! vrisrezi wouldn't be nearly as meaningful if they weren't friends first, same with dirkjake, etc. arasol is such a popular ship and they only dated once when they were 8 years old…. their relationship from that point on is SO important to who they are but it isn't even inherently romantic after the fact, but people see romance as the "natural progression" from there so clearly they "should" date once they get the chance to do so again. my point is i wish people would pay more attention to some of the non-romantic aspects of relationships in hs because i really think that's what takes center stage within the story most of the time (not ALL of the time of course there are definitely parts where romance is important. but you get what i'm saying)

and then of course to take that a step further and be even more of a hater i'm so tired of people taking stuff and putting it into a romantic context when it's entirely unnecessary…. i made a video with dave and karkat bickering and people tagged it as davekat for no reason. literally that post about dirk and john meeting each other that people kept tagging as dirkjohn for no reason. i'll make posts about the alpha kids being friends and doing stuff together and someone went through my entire blog tagging all of these as "alphacule" for no reason. i'll draw dirk and hal literally just looking at each other and someone will tag it as dirkhal. girl they're just looking at each other. seeing someone liveblog collide and they go "did anyone else think dirk and dave should've kissed >_<??" no i actually don't think they would do that. it's so dark in here

[deerspherestudios]

Hi there! I just wanted to let you know that I love your games! Mushroom Oasis especially has an especially place in my heart. Mychael is such an interesting character and one of my favorite types of yanderes—not violent towards his object of affection but still manipulative and willing to cross lines even if he feels guilty about it. Thank you so much for the work you have done; it’s obvious this game is a labor of love and I am looking forward to see how the story progresses.

In the meantime, I have to ask, do you think there might be a future option where the player can cook for Mychael? Totally okay if that is a little too specific. Cooking is just a love of mine and I love to cook for people I love and I feel that is something that Mychael would appreciate.

Also—and forgive me if you have answered this already—but I was curious to see where Mychael’s affection lands on the scale you created by the end of day 3. Or would there be more than one answer since it seems actions taken on this day might start to split between the platonic and romantic routes.

Thank you again for your time and for creating this wonderful game. Your art is so lovely and you have a real knack for fun character design.

HELLO!! Thank you so much for the kind words!! For me personally I've never been a fan of "if I can't have you no one can <3" type yanderes so knowing that it's a shared sentiment means a lot!!

I actually have something of an idea where MC does something nice for Mychael for a change in Day 4!

It was closer to buying a gift and the players can choose what they'd get for him but adding a cooking/baking option (or a more diverse set of gifts rather than just shopping for it) seems like a good idea! As usual the script is still cooking so we'll see!

As for the charts, they're answered here and explained here!

Also,,, idk if you'll ever read the addition below but I'm holding back on gushing rn because uh, this is for you personally but it's basically an appreciation post for being one of my fave authors <3!!!:

AAAA A A 11 !! ??

I'm gonna try and articulate myself in the best way I can but I have been a FAN of your writing since??? Gosh, 2015??? I was following your blog back when the pfp was a torchic (and a treecko i think??) and the header was Swiggity swiff Gotta Yiff ?? Idk if you're comfortable with people knowing of your writing but let me know if I should edit anything here!!!

I LOVED your writing so much it was silly and witty but you can do drama and heart and spicy just as well it was a major inspiration!!! I genuinely though it was a little goof when I saw you were following my blog the other day and THEN YOU SEND ME AN ASK??? IM, , , THROUGH THE ROOF, I would mention my fav fics of yours by name but I'd be outing myself but the scope is huge <3

I've been thinking of how to respond to this all DAY and decided to just be honest but but just know I love what you do <3 Admittedly idk if you still write these days but either way I hope you're doing well!!!! <3

[ckret2]

I might tweak some details later (jewelry? take the ribbon off the bow?) but I've about got a Scalene design I like. The lipstick is really the centerpiece of the design. Now let's infodump! With more art!

🔺 Notice her lines are a a little curvy. It's not for artistic effect. She's got a Fictional Polygon Physical Disorder that makes her bendier than she should be—meaning, among other things, sides that curve and flex.

🔺 It's also the kind of condition with symptoms that are romanticized by people who don't grok that it's a debilitating medical condition. Sides that curve and flex? How exotic! This went to her head in the wrong ways.

🔺 Bill was born with the same condition. You know how squishy and blobby he was as a baby? Thaaat's genetic! He was a lot squishier than most babies! And, consequently, more adorable.

🔺Scalene dreamed of being a famous super model. Was actually a teen beauty queen at mid-tier beauty pageants. She thinks it's always somebody else's fault she wasn't more successful.

🔺 She took Bill to his first baby beauty pageant the day he was born. He did, in fact, have a Best Baby Ever award presented to him by the mayor, but to be fair he was only competing against like 6 other babies and who's going to withhold a trophy from a newborn on his birthday? Anyway the 6-12 month group and 12-24 month groups also each had a Best Baby Ever award.

🔺 This was an absolutely bonkers thing for Scalene to do.

🔺 What's that small scrunkly thing doing at a pageant, he can't even see color yet.

🔺 Their fictional squishy medical condition doesn't just accidentally make shapes cute. It's the kind of condition that affects just about all parts of the body: sides won't stay straight, poor muscle tone resulting in instability & weakness, poor motor coordination & clumsiness, back aches & pains (well, triangles don't have "backs." side aches?), easily dislocated joints, and increasingly skewed sides with age. Just about everyone in Scalene's family is born equilateral and ends up extremely scalene after young adulthood. The rest of her family have normal relationships with their condition, she's the only one who's weird about it

🔺 She was very rough on her body in pursuit of pageantry success, but her physical symptoms & associated chronic pain got a lot worse due to having a kid; she had to retire from pageantry for good. She doesn't blame Bill for this at all. Out loud, to his face. (If she hadn't been so rough on herself in pageants, having a kid probably wouldn't have impacted her health this much. She doesn't consider this.)

🔺 She's weirdly intent on seeing Bill become the success she wasn't. He's her little golden child, he deserves to be seen as the greatest! He'll show them how great he is for mommy, won't he? He won't let mommy down, will he? When he's very young, she takes him to child pageants—he'll appreciate the lessons they taught him when he's older—and this lasts until he finds out he can get out of it by pyrokinetically setting the stage on fire.

🔺 She jokes ("jokes") that she didn't realize that when she was having a kid, she was firing herself from the pageant circuit so she could hire & train her own replacement. These jokes had no long-term impact on Bill at all!!!

(Compare/contrast: how we're told Stan's "You watch the movie, you scare the girl, the girl snuggles up next to you, next thing you know you gotta raise a kid, your life falls apart" is repeating something he heard his dad say.)

🔺 Did you know that squeaky baby shoes are sometimes medical devices? Squeakers help children with poor muscle tone and delayed motor skills learn how to walk correctly: it makes them want to walk on their heels instead of their toes so they can hear the squeak. Did you know sometimes oversized squeaky baby shoes are worn by young kids who need ankle braces? Did you know that kids with poor motor coordination can take a longer time to learn complicated motor skills like tying shoelaces rather than using shoes with velcro straps? It sure is interesting that baby Bill's most defining visual feature is oversized squeaky sneakers with velcro straps and that he kept wearing velcro shoes until he was 16!

🔺 As a baby, Bill's angles were technically supposed to be equilateral,* but thanks to his inherited condition, his angles were so loose his top corner practically formed a right angle. Not good: the closer a triangle creeps to being obtuse, the more likely he'll have muscle strain and medical issues from his organs being squished out of place by his own exoskeleton.

(*supposed to be equilateral: but after receiving treatment, they discovered his angles were still 60º, 60º, and 60.1º, which is mathematically impossible for a triangle... on a euclidean plane. But on a non-euclidean 3D plane, such as in spherical geometry, a triangle's angles can add up to more than 180º... and it's this slight 3D flex to Bill's body that lets him see up into the third dimension.)

🔺 For his first few years of life he actually had a hypotenuse, until physical therapy and side braces helped him improve his muscle tone. Sometimes he still reflexively refers to his base as his hypotenuse. It's fine, sweetie, it's nothing to be embarrassed about, mommy had a hypotenuse too. Don't tell anyone.

🔺 Scalene took baby Billy to a lot of doctors as a kid, just like how she was taken to a lot of doctors! Doctor for his side braces, doctor for his physical therapy, doctor for his shoes... doctor for his eye when he started talking about seeing white glitter at the edge of his vision. Scalene didn't have that symptom, but the eye doc said their condition does occasionally come with visual problems—blurred vision, lazy eye, visual field defects... It sounds like Bill's main field of vision is unobstructed, but if the visual snow he's getting in his peripheral vision is distracting him and confusing his little toddler mind into thinking it's something real, they can give him a medication that'll narrow his field of view. From the sound of it, he's not seeing anything important at the edge of his vision, anyway.

And she only wants what's best for her golden child.

🔺 Scalene's "bow" is actually a medical device: sort of like a medical corset, it helps tug and press her anatomy into place to reduce pain. Bill started wearing one preventatively—if he can keep everything in place when he's young, it'll take longer for his angles to skew when he's older. Like wearing a retainer when you get your braces out.

🔺 He has a cane for the same reason—he doesn't need it NOW when he's young, but he might as well keep it on hand, by age 35 he'll probably want to stand more often than float and when he's standing he'll probably want the extra support! Even if he doesn't need it by 35, he will eventually!!

🔺 Bill doesn't medically need a bow tie in the third dimension either; but he adapted it to help tie his 3D exoskeleton on.

🔺 A trillion years later, Bill suspects that his mutation to see the third dimension came, at least in part, from his mom's medical condition. Except, she didn't have that vision. Nobody else with the condition on her side of the family had that vision. It's not a known symptom of the condition. His dad had stuff going on with his eye too, did he get it from his dad's side? A mix of both? Just a standalone random mutation? He doesn't know; and with the rest of his species dead, there's no way for him to find out.

But back to Scalene!

🔺 She's not quite red, she's rose gold. However she doesn't like it. She thinks it's a sort of pinkish brown and very dull. She uses makeup to make herself look redder. Note how bright red her sides are: in a species where only your edges are visible, body paint is the most common form of makeup+fashion. She's pleased her baby came out gold-gold, it's much cuter. Bill knows she's rose gold, but he only saw her with her makeup off when she was tired or sick; he remembers her painted red.

🔺 She adores her Billy; but she somewhat sees him as an extension of her will. She thinks he's just perfect and will tell anyone who asks; but she also demands he be perfect and is furious when he isn't. She'll protect him from ANY perceived external threat; but she'll tough love him into being the kind of success she thinks he should be. He learns early that when he screws up, he can often redirect his mother's anger by pointing his finger and saying it's someone else's fault, and she'll bring the wrath of heaven down on them. Woe to the teacher who gives Bill an F on a test.

🔺 I'm on a quest to write Bill as a foil to the entire cast of Gravity Falls, and that extends to writing his family as a foil to the entire cast's families. Scalene's a blend of Pacifica's mom and Caryn: beautiful, proud of her beauty, afraid of losing her youth, self-aggrandizing, quick to lie about her & her family's (false/exaggerated) accomplishments—and very aware of the fact that you can say anything about woo-woo mystical matters and nobody can prove you wrong.

🔺 So she takes it great when they figure out Bill is, like, legit psychic. And by "takes it great" I mean "starts a cult."

There's what I've got on Scalene. Fortunately, I got to keep all my pre-TBOB headcanons about Bill's mom, I only had to change her shape & color. I already had medical trauma baked right into the family!

(Preemptive disclaimer before I get any "but she doesn't look 2D" comments: we all understand that the baby Bill picture we see in the book is a psychically-generated 3D approximation of Bill's 2D Euclidean form, right? And that drawing a 3D baby Bill design alongside rigidly 2D parent designs would make it look like even in the second dimension Bill already had a 3D body, right? So, if we're drawing a 3D baby Bill and want to convey that they looked similar to him, we have to draw his parents in a similar art style, right? Okay, great.)

[demoniccak-e]

i feel like the way they say "i love you" is gonna be so different

like charles, he'll say i love you forever and ever and ever, and edwin will just hum along, pat his cheek, or maybe when they're saying bye and it's like "i love you, bye!!" and edwin is like "i'll see you, charles." charles just loves saying i love you!! he says it every chance he gets

edwin on the otherhand, doesn't say it as often. and i sort of think that it's not really because of his "old timey ways" but it's sort of like that. edwin is very particular about his words and how he talks and presents himself. so he'll have a response to every type of situation of "i love you" charles has and he feels it every time. but the reason he doesn't say it as often is because he really does love charles, and the weird thing that edwin has realized over the course of reading a whole lot (although not a whole lot) of romance novels is that the author really has to try to make the emotion pop out of them. and after reading those books, i think he's subconsciously took note (most likely from younger years) of two things "1) i love yous are big big things and they're supposed to be special and 2) it's said so often.

so knowing that these two boys, when they were alive, lived in hostle environments, i love you isn't said so often. charles' take on it is to say it every chance he gets because!! he can!!! and edwins take on it, is that he simply doesn't want the words to become such a version of obtuse that it doesn't have the same feeling.

so, everytime charles says I love you, edwin responds with actions and hidden words, and charles absolutely adores it because at this time he thinks that "he's SO old"

and then when edwin says it, charles literally needs to have a slowing down moment because. edwin. loves. him.

and one day charles is lounging on the couch and edwin is pacing and reading a book, trying to remember something the case and charles is in wait mode so he just says,

"you know, you don't say 'I love you very often,'" charles comments, then realizes that he should probably not finish off a sentence there, "no that it's bad! it's just- every time you say it, it's always like- and explosion in my chest, you know?"

and edwin doesn't even say anything. just pauses on his paces and looks at him, one hand balancing a book and the other was rubbing his lip. he snaps the book shut- for it was the one he needed- and walks up to kiss charles. charles sort of stares at him and goes,

"i love you," and he suddenly grins very hard thinking, god!! he always manages to make my soul feel so... clean and on fire at the same time.

edwin smiles down at him and says, "you know, every time you say i love you i always feel it. mostly it seems like a phrase passed around, just three words. but they hold a lot." edwin pauses, then decides, "so when i say them, i always make sure that they're new and special, and that there's more than one way to say it back."

i just love them

[dropsnectar]

Pollen and Potions: Bee-men x afab!reader

PART THREE

This is a longer part than the rest, but its all necessary dialogue so it should be fine. More fluffy and romance than smut, BUT!! Their will be smut in the next section! I know I said this will only be 4 parts, but it may actually be more like 5 or 6. Anyway, hope you like!

So. You were starting to learn that using large batches of magic back to back weren't ideal for a young witch's health. It seemed like you might have overdone it, as when you woke you found you had been asleep for TWO WHOLE DAYS. So. If you were going to do magic, it looked like you were going to have to pace yourself, or perhaps use LESS magic.

You put yourself to learning more about witchcraft. The thing was, your grandmother's books didn't really go into the basics, and as witches were so rare, information was hard to find. Of course, the internet was full of supposed witch spells, or frameworks, but it was like throwing dice. Some spells didn't work. Some spells took up WAY too much energy. Some were just… fine? But not what you needed. 

Next you checked out forum sites. Maybe you could find a community through that way? But all you found were psychics and tarot readers. Nice people, but not what you needed.

Whelp. Maybe you needed to look at the issue differently. The environment used to be a beautiful, thriving area. What had changed between now and then? In order to understand a magic ecosystem, you had to understand ecosystems. So, for the rest of the week you busied yourself with ecology study. It was turning out that this project you had adopted on a whim would need a lot more time and breadth of knowledge then you originally thought.

***

When you met with Rena, under Lyith’s friendly gaze, you found that the magic you had cast hadn't waned at all. The flowers had grown beautifully and continued to give magic nectar that created the best honey. Rena was beside herself. “The elders of the hive say they haven't had honey of this quality since they were children! You are really onto something here, little one.”

Rena had now gotten in the habit of calling you little one. Sure, as a Bee-man she was slightly taller than you, but not by much. Also the constant fluttering and floating didn't help. 

“You've been given permission to test your magic on our other gardens as well. As long as we are careful and continue with caution!” Rena babbled. You gave her a small smile and felt Lyiths arm on your shoulder. He laid his head on your other shoulder, leaning his fuzzy head against yours. 

“Whats wrong?”

You wiggled a little. “I'm just having a hard time brainstorming how to do this. I know I said I'd help you guys, but I might not be able to use as much magic as last time. To be honest, I don't really know much about my mana and my limits…” you explained your situation. Expecting there to be disappointment, you were surprised to find none.

“I can’t help but think… How long will this last? One spell isn’t going to cut it for that long. I want to create something that will last for you guys, but that might take a while… and doing just this took all the mana I had. I want to do better. But I don’t want to hurt myself either, especially when I don’t know how this could affect my health in the long run…” The bee-men seemed to be catching on.

“Of course, little one. We wouldn't want you to harm yourself.”

 Lyith also popped up, his voice almost in your ear.

“Us Bee-men also have something like mana. Our magic is not never ending. We would have fixed this situation ourselves if it was.”

Rena reached forward and grabbed your hand, giving it a reassuring pat. “We don't have to do anything today. We can commence whenever you'd like. Our flowers have spread out beautifully and even this is enough.”

You frowned.

“I may have to do this every spring. Or even redo it in the summer…”

“You don’t owe us anything. You are trying your best to do us a kindness. And our hive knows and sees that. We are beyond grateful to you… Its… We’ve needed…We are truly grateful.” His expression fell at the mention of his hive, his antennas drooping. Rena moved forward and held Lyith, a sad expression on her own face.

There was a pause in conversation that grew somewhat awkward.

How do I make this better? You tried to brainstorm, but only one thing came to mind. 

You went over and gave the both of them a big bear hug. It was a tense one, but you tried to adjust your emotions, instead concentrating on how fond you had grown of the two. You tried to shout it as loud as you could through your brain at them.

This seemed to break the spell, as Rena started to laugh. Lyith looked at you affectionately. 

“I know we haven't known each other long, but I just want to say, you can count on me. If you ever need to talk about anything let me know. I'll listen.”

Rena and Lyith hummed in response, returning your group hug with a long squeeze.

Long hugs. The favorite actions of a Bee-men.

After some quiet reassurances, the two of you decided to idle while the two foraged on the edge of the Wood. You walked with them and asked them as many questions you could think of. How old were they? Were they able to do other magics? You had thought Bee-men to be isolated. How come they knew so much about human culture?

Lyith was the one who answered you most of the time. It seemed that bee-man typically lived double the life of a human, with Rena and Lyith being about 45, and 51, Lyith being the oldest. They were in the same season of life as you though!

Bee-man could do some other magics(they didn't go much into what), but they specialized in making their magical honey, which fortified the health and wellbeing of a Bee-men. 

They didn’t say it outright but it seemed like the dip in magic had affected the nutrition of their food source. They kept their own bees and shared honey, but it still wasn't enough, so they had ventured out into human society to buy fruit when it was necessary. They also did trade with neighboring beast-men, the Wolfmen being happy to share their fruit for their Bee’s wax waste. I 

“What exactly do you guys do for fun though?” You asked, trying to lighten the mood.

Lyith smiled. “Late night flying is fun.”

Rena snorted. “You mean late night spying. Lyith has a habit of looking through people's windows.”

Lyith wrinkled his nose at Rena. “If they did not want to be seen they would have drawn the curtains. It's not strange, I am just curious about human life is all.”

Rena reached forward and pinched Lyiths nose. “Poor thing. So bored he must make mischief.”

You looked at Lyith with surprise. His big eyes grew in concern and he pouted at you.

“You are not going to tease me too are you? I promise, I never see anything scandalous. I'm a good little bee.” He fluttered his eyes at you.

You giggled and pushed his shoulder. 

“As long as you're not spying on me I guess it's harmless.”

Lyiths expression shifted to one of his dopey smiles. It always surprised you how innocent he could look despite his size. Was it maybe…

“So… I may have read that you guys are telepathic right?” 

Renas face changed into a smirk. 

“Yes, and?”

“ Well, have you guys ever… used your powers on me?” 

Rena snorted. Lyith gave you an unreadable expression. “We Bee-man are very particular about sharing our heads outside of our hives. But no. We haven't done anything to you if that's what you meant…”

Oh. He was pouting now.

“No! Thats not what I meant! I just… i feel so comfortable around you guys it's almost supernatural. I just. Idk. Wanted to know. Please I didn't mean anything by it!”

Lyith wrinkled his nose at you and Rena continued to seem amused. You felt helpless and got a bit upset with yourself. You did your best to calm yourself down but you were upset. You had so few friends here and you were afraid you blew it. A wave of loneliness swept through you.

Lyith was watching you the whole time, before sighing. “All will be forgiven if you give us some of those fruit tarts you made yesterday.”

You looked at him, shocked. 

“I thought you said you didn't spy on me!”

“I wasn't spying, I just happened to be foraging by the window, and smelled something amazing. It was all incidental.”

“There's sugar in the crust. Won’t your tummy get upset?”

He just smiled. Rena laughed. “He named his price. For offending us, we must get fruit tarts.”

Finally feeling better, the three of you walked(they let you walk!!!) Back to your home. You served them up your tarts, when finally the questions started coming about you. Why did you move here? Do you have any siblings? What were you like as a child?

This went on until dinner time, at which point you decided to shoo your new friends away. “ I'll be back to do the flowers tomorrow. We… we will see what I can do.” You admitted. The two of them smiled at you, hugging you tight for a good three minutes. They always lingered, nuzzling your face and hair, as if they were getting a whiff of you. You could smell their own perfume and tried not to think too much. Their goodbyes always felt so intimate. 

 Rena decided to pepper your face in kisses before they left. Lyith just rolled his eyes at her. When they drew apart you felt empty, like some piece of you was going with them.

***

As always, Lyith picked you up that morning. This time, you made sure to bring a scarf and hat, alongside emergency snacks in your bag. Where he was taking you next was a little longer of a trip, a whole ten minutes to the usual six. That was a long time when you were hurtling through the air.

You were surprised to drop into a small crowd. There were ten Bee-men present besides Rena, who seemed to be communicating silently with them. The air was full of bee noises; humming, purring, the fluttering of wings. The air smelled amazingly fresh, floral and syrupy. It was an odd smell, but it seemed to put you at ease somehow. And maybe a bit peckish.

A Beeman a whole foot and a half taller then Rena fluttered towards you. They bowed, of which you awkwardly returned before they reached forward and took your hand gently. Lyith started,

“This is Elder Bisou. He is the eldest of our hive. He is showing you respect.”

Elder Bisou smiled at you. “Little Witch, I welcome you to our territory. My human is a bit… unused. Please receive our thanks for your efforts.” He took your hand and leaned down so that it met his temple. You could feel the rush of his magic, like your mind was a fish bowl and he was putting a gentle hand on the glass. You could feel his warmth, his deep gratitude through it. 

Your back straightened and you felt water prick your eyelids. You gave him a slow nod, becoming acutely aware just how serious this whole situation actually was. Rena and Lyith had been dancing around it, but the Bee-men must be slowly starving to death. That was the only explanation for the depths of what you had felt.

“I will do my best.” Was all you could reply. 

Lyith, acting as your translator, took you to each Bee-men he could and introduced you. It seemed that some of the elders, as well as some of those who had free time had come to watch the “little witch” work. Most took your hand gently, and sent you a ghost of what their emotions were. There was a sort of film around the emotions, a barrier of sorts. Whether this was on purpose so you wouldn’t be overwhelmed, or just how their telepathy worked, you couldn't tell. 

You did your best to not let your nerves get to you as you dissected the sections of the field where you would be doing your experiments. You didn’t know how these particular flowers would take to your spell, so it was still best to be cautious. The bee-men looked on with interest.

You did your chants in a loud booming fashion, and channeled in as elegant a fashion as you could. Like always, the magic came, and the spell did its work. These flowers were different, like rainbow colored lavender. Rather than letting the magic gush through you, you let it gently trickle out, pacing yourself. When the deeds were done, you still felt sore, and you still held a headache in your temple, but there was no nausea, so growth! 

Once you were done with your work, there was a large excited buzzing throughout the forest. There was clapping, dancing, stomping of feet, pumping of many hands, whoops from Rena and Lyith. One Bee, a worker named Aidenn held a small wooden instrument in his hands and started to play. This triggered a chorus from the Bee-men. There was a harmonizing among the crowd and they started to circle each other, laughing and dancing. A circle of flying, spinning Bee-men formed.

Rena grabbed you by the waist and hoisted you onto her shoulder before joining in the circle of the dance. You giggled as you spun, feeling the giddiness in the air like it was laughing gas. That same pressure filled your mind and a part of your heart started to soar. It was intimate, but not stifling and you loved feeling so close to everyone.

You lifted your hands and, feeling in the spirit, decided to hum along. At some point Rena had taken you in her arms and held you close as they continued to fly in a circle, spinning and perrying, and switching. It was similar to square dancing, where there was a pattern to it. 

At one point, the tune changed and Lyith swooped down from above and grabbed you out of Rena’s arms. She snorted at him but let it happen, joining hands with another passing Bee-men. When Lyith gathered you in his arms, he cradled you as close as possible, surprising you. One hand was gripping firmly around your waist and the other crushing you to him. He landed on the ground, and the rest of the bee-men followed, causing something of a ballroom dance. 

“You did wonderfully today.” He breathed in your ear, causing them to redden. You pulled yourself back a bit to see his face and he was looking at you with such pride and affection it felt like a weight crushing your chest. You moved your hands from his shoulders to reach his own hands. You were shaky, but you wanted to return his feelings somehow. His palms were soft.

This caused him to laugh, a purring sort of trill coming from his throat. You couldn’t help a silly grin form on your face.

“I’m glad you came to my garden.” Was all you could think to say.

He looked at you, with those big black eyes, then reached forward and kissed you on the lips. It was only a peck, but you could feel his joy through it. 

Something complex within you, a mix of happiness, excitement, hope, all of your feelings rose up into your throat. Unable to find the words to express yourself, you took all of those big heavy emotions, wrapped them all up together and kissed him back, right there, in the middle of your makeshift dance floor.

When you pulled away Lyith looked shocked, his bottom lip hanging open. Adorable as usual. 

Rena hollered from the otherside of the gathering, sending out a big whoop. There was laughter, buzzing and an echoing whoop from some of the younger bee-men. Elder Bisou made some clicking sounds, but the sides of his mouth were slightly upturned.

It occurred to you then that you were in the middle of a group of very telepathic monster people. Your cheeks grew hot in embarrassment and you pulled away from Lyith a bit. Your shoes suddenly became very interesting. 

Lyith eventually turned your chin back up to face him. He held a small peaceful smile, before bumping his forehead to yours. He didn’t share his emotions but the affection was still there.

After you grew too tired to dance, you took a seat under a tree, munching on a granola bar. Another one of the Bee-men, a younger drone named Haven, made his way to sit next to you.

“I don’t know if it was mentioned, but honey production has picked up enormously since you agreed to help us. I haven’t felt this great in… well ever! Thank you little witch!”

“I’m not little, but thank you for saying so.” You were starting to get a bit lightheaded now, and not from the dancing. It was possible that some of the symptoms of mana sickness were surfacing a little late.

“You are strong! That is true! Even elder Bisou has said he hasn’t met a human or beastman with mana like yours!” Haven turned his voice down to a whisper, as if he was sharing a secret, “Your magic smells so much like flowers, really, its a huge blessing! In fact, I would eat you up if I could!” He laughed as if he had made a joke. He sighed and looked up dreamily at the sky. “Alas, I am saving myself for when we find our queen.” He wrapped his arms around himself, as if to fend off imaginary suitors.

You wrinkled your nose. “Queen? You don’t have a queen? Isn’t that super bad for bees, I mean bee-men?” 

Heaven tilted his head at you, reminding you of Lyith. 

“Of course. That's why we are all so small and weak.” You stared at him in shock. He put up his hands. “We are doing well though! It's been 20 years since our queen died but we are still here! Oh! There is a hive up north! Any day now, one of their queens' daughters might descend and bless us! Or.. Or we--”

“Little One! You seem like you're getting sick!” Rena Descended from above and put a hand to your forehead.

“You are far too warm! Haven, mind if I take her out of your wings?”

Heaven looked up at Rena, his face a mask of confusion. He eventually gave in though and stood up.

“I should check on Elder Bisou! He might need something!” His voice was flat, obviously fake, but he ran away- flew away with gusto.

Rena took your face into her hands, tilting your head back and forth. Your lightheadedness turned full on dizzy. Rena’s face screwed up in an annoyed expression.

“You overdid it. And after that whole speech about not knowing your limits too..” She gently put a hand on your back and picked you up princess style. You would have been embarrassed, if your brain was functioning properly. Instead your gaze fixed on Rena’s beautiful iridescent wings. The lights were so lovely and they helped ground you. Honestly, everything about Rena was lovely. Well, maybe lovely wasn’t the right word. She was rough around the edges. A tease and a know it all. But she doted on you so, it made you feel a bit overwhelmed. Your gaze shifted from her wings to her lovely nose, pretty sharp for a bee-men. 

Rena started conversing with Lyith about you, pointing her jaw and humming. Huh. Rena was actually incredibly attractive. You had known that before. Maybe it was something about how dizzy everything was. The last time you had felt this way she had been kissing you, her textured tongue pushing nectar down your thoat-

“Little One”

Your mind immediately focused. She was using a demanding tone. 

“Lyith will take you home. Next time, we will only do one spell at a time.” She leaned forward and placed her cool lips to the side of your mouth. Making you blush. Well your face was already heated so you would have blushed. “I will see you again soon. Rest.” And she was off.

You were in Lyith’s arms again. A place you were starting to get comfortable in. He stared at you for a moment, his lips pursed, then sighed loudly. He held your gaze for a moment.

“I do not like this habit you are forming. You will not get sick again, understand?” 

You nodded at him, mind hazy. Sleepy. You were sleepy. 

You didn’t register the fly home, only that the coolness felt nice. You were carried from the porch, into the living room, up the stairs, and laid on your bed. You were covered in warm, delicious blankets. 

You never saw Lyith leave before you passed out. Probably because he tucked himself in right beside you, the cool air washing over both of you from the open bedroom window.

Part Four

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[andcars]

# 𝗙𝗖𝟰𝟯 ─── MAKE IT UP OFF-TRACK MASTERLIST . . . REQUEST ME . . . TAGLIST . . . AO3

YOU'VE RACED WITH HIM AND you've been under him. still, it hurts you when he outqualifies you. it almost hurts as much when you both still think you're just fuck buddies. ────── original prompt req.

PROMPTED DIALOGUE . . . # “You’ve been staring for a while” PROMPTED TAGS . . . # praise kink, rivalry, friends with benefits, jealousy ADD. TAGS . . . # quickie vibes, sex in the hospitality, author has a language kink, but also deepl translations WORD COUNT. . . # 1.6k

────── AO3 VERSION

P11. Fucking P11.

Everyone else is in the garage as you come in, all angry and disappointed. You were tenth of a second behind P10 and you weren't able to push it on the last lap because you went off track limits.

What’s done is done. You can’t work with a car that clearly doesn't wanna work with you. The better part of you wants to let this go and simply rest for tomorrow. Call it a day. Think of how to dominate tomorrow. Sleep it off.

But Franco walks to the garage at P7 and proceeding into Q3. The plan gets thrown away immediately.

You don’t hate the guy, of course not. You’ve met him times before when he was still in F2. If, of course, meeting him included hotel rooms and secluded bathrooms. You met him a lot, if so.

It’s not his fault that he’s better than you, as of now. You should be happy, really. But fuck, it should hurt how some rookie is better than you in a car you’ve driven for a year.

Despite all of this anger bubbling in you, you can’t stay mad at him. You could never stay mad at him, you think. Yet it hurts all the same.

You look away as your eyes meet. Not giving him a chance to even confront you or attempt to comfort you, you leave.

It’s pivotal now to talk with your strategist. He’s expecting you, unfortunately. Knowing damn well that your next duty was to come to him to see how to improve your performance, he already had your data pulled up.

Your, and their, wrongs are being talked into your ear and out the other. The farthest screen turns black, and you see Franco in the reflection. His blurred figure is towards you, his panting from the race still evident on him.

It’s difficult to pretend to care about racing right now. It’s not like they say anything different anyway. The rear wings are fucked, the tyres are fucked, the wheel can’t turn, and your head is just in the wrong direction. All the same things said before.

To the driver’s room you go. Q3 starts and you don’t do anything. The TV screen shows the delayed race as the crowd cheers from the opposite sides of the wall. Franco is in danger, with Mercedes finally coming out from the pit—you don’t expect anything more.

After the stretched minutes alone in your room, a knock comes on your door.

You say, “I’ll be out soon, tell James to get some patience,” with your head in your phone. No fucking way you’re going to be dealing with them while you’re still pissed.

The door opened and you grunt. Looking up, Franco was grinning at you.

“I’m also hiding from Jego,” he says, the grin on his face annoying, “can I come in?”

“And we both get caught?” It doesn’t matter what you think, he puts his feet in anyway.

The couch is uncomfortable. If they aren’t spending money on the car, they might as well spend it on the seats. With you laying across the couch, he kneels between your legs. You raise an eyebrow at him as he undresses his fireproof suit.

You ask, “You seriously wanna fuck?” and he laughs.

“¿Me dirás que no? (Will you tell me no?)” he murmurs, getting on top of you with his hips pressing against your ass. “Did you know I placed 6th today?”

“Mhm.”

“No?” He places a kiss on your cheek. “Didn’t watch me? What were you doing in here?”

His lips ghost over your neck, the warmth of his breath sending a small shiver down your fine. You know he felt it when he chuckles in your skin.

“Getting fucked my brains out,” your voice is flat. “What were you doing out there?”

“Ah, amor (love), you won’t get me like that,” he whines and kisses you once in one side. Then twice the other. He says, “You are so mean though, telling me things like this. Do you wish you were with someone else? Hm? ¿No me querés más? (You don’t want me any more?)”

Franco comes up to part your lips open with his tongue. You gasp a little, your arm limp over his back. His mouth wide open, chest pressed against yours, tongue just brushing against your lips, he says—

“Quiero coger. Te quiero comer a besos. Quiero que me hagas tuyo, mi amor. Don’t go making me jealous because you are.” (I want to fuck you. I want to lavish you with kisses. I want you to make me yours, my love)

His hand is gentle on yours, playing on the hem of your pants as his kisses turn wet. Desperate. Loving. It hurts you how careful he is with you when you spent the past hour hating him in your head.

And he’s always so gentle. He always used to ask you if you liked it, his words almost always in Spanish. As if he’s lost in you, he doesn’t know what words to use.

He no longer needs your permission now. A finger rubs between your clothed cunt as his hand pushes your shirt up to hold your tits. He moans more than you, in love with your body.

“So good,” he murmurs, “don’t ever look for anyone else. For me, please?” You moan against his cheek as he focuses on rubbing your clit through your pants. “I can make you feel so good. Amor, I can be yours.”

In moments like this, he’s too drunk on sex to know the words he’s spewing. He reaches for the lube and condom hidden in your desk. His movements are sloppy. You swear he struggles a little in opening the cap up.

He asks you something in Spanish. It’s out of your vocabulary, so you tilt your head.

“I don’t need to prepare you, right? You’re still loose?” You can see his hips grinding against the palm of his hand. His cheeks are flushed, and you see drool coming down his chin. It’s pitiful.

You nod. “Yeah, just give me a bit to adjust if you wanna—fucking hell.” It’s out of your control when you laugh. Franco eagerly shoves his pants down alongside yours.

“What has gotten you so eager?” you ask.

“I got P6,” he smirks. That little fucker.

His cock is rubbered and wet when it enters you. He moans loud as your hand comes to his cheek. It’s catlike, the way he goes soft against your hold.

Shifting slowly, he grinds inside of you. The soft rubbing inside your walls almost has you mewling. But you keep your eyes on him, ignoring the pooling pleasure between your legs.

Telling him, “You’ve been looking at me,” has his lips pouting. “If I didn’t know better, I would say you were in love with me.”

“I am in love with you,” your cheeks flush, and you’re not sure if it’s the sudden thrust of his cock or his words. “I’m in love with the way you race, how you over-perform a dying car, how you move.”

His eyes drop to where you two meet, jittering his hips a little. With the quick thrusts, you’re caught off guard and moaning out his name. He looks very satisfied with it.

“Oh, amor—” his words turn gibberish to you as he starts to move. His pace is uneven, driven by the thought to take you carefully and the urge to bring the both of you to climax. Not a single word is getting into your head.

But his voice is so loving. He’s panting between every other word, lips pouted and eyebrows furrowed. His voice is getting louder, and you put your hand against his mouth.

“Shut - oh, God… Shut up,” you whine, feeling the cockhead rub against your g-spot. “You’re so fucking… good. Just like that, fuck me.”

He shuts up when he goes down to kiss you. Both his arms wrap around you, embracing you as he finds the right angle to make sure you’re still getting stimulated. His hair is rubbing against your clit, the little tickle in them getting you to moan a little louder.

You feel dizzy. It’s not the lack of air during the kiss, you know it. He’s just holding you close to him while he takes you like you’re his lover. Your heart curls in itself, punishing itself for its own stupidity.

But fuck, you want to focus on the now. The way his hands are going up and down your back, soothing you as you get lost in the pace of his thrusts. The way his body towers over you, completely enveloping you in his hold. 

“I’m gonna—” he gasps, his pace barely slowing as you assume he cums inside of you. You whine when he bottoms inside.

Franco knows you. He knows you too well. He grinds inside of you before pulling out. Still, he doesn’t let you think another thought before he’s flicking your clit.

“Shit, fuck, Franco!” he smiles under your silent praise as his other fingers tease at your hole. “I’m gonna cum too. Just like that. Don’t fucking stop.”

He only leans down to spit on your pussy, easing the rub as you’re moving your hips along him. You cum with your back arched and your hips off the couch. His hand stills on your clit as his eyes are fixated on the way cum leaves your pussy.

You drop back down when he places your hips on his lap. “Don’t get it dirty,” he reminds you, tying the condom and throwing it in the bin. “It’s embarrassing to explain to the cleaners.”

His humour comes in at the worst moments. You grunt and he only laughs. “It’s not even funny. You’re just telling the truth.”

“It’s funnier in Spanish,” he promises.

You think about how it probably sounds just about the same.

🗒 𝗣𝗔𝗣𝗘𝗥 𝗧𝗥𝗔𝗜𝗟 . . . first time writing for bro ! i'm so open to writing more of him so i added him in my taglist options, so if you wanna be tagged for future fics of him 👀 you know what to do . if you already sent me a form before , you can resend another with him included ! anyways , fixing up the next few fics soon . ˎˊ˗ ᝰ. ──── 📨 @delululeclerc @hiireadstuff

you support me best on tumblr with reblogs and comments ! ── by andcars ⟡

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[tkwrites]

Can I Come See You? - Quinn Hughes x OFC

gif from gabelandeskog

Title: Can I Come See You?

Author: Tory / @tkwrites 

Relationship: Pre-established: Quinn Hughes x Sarah Roberts

Summary: After a rough game, Quinn seeks out comfort from Sarah. 

Warnings: some suggestive themes, swearing, other than that, it’s 98% fluff.

Word count: 4,600

Comments: I know I’ve been teasing the family reunion snapshot for a while now, but with all the heavy emotions September brings, I just haven’t been able to finish it. When this ask came in, I started writing right away, wanting some comfort myself. I’ve loved revisiting the beginning of Quinn & Sarah’s relationship while writing this Snapshot. 

Thank you, thank you, and thank you gain for your support and love! I have found such a lovely community here, and I’m so thankful. Even in this radio silence while I’ve been slogging through my grief, everyone has been so kind and supportive.  

If you enjoyed this Snapshot, please consider commenting, reblogging, or sending in an ask about it. I love seeing what you think of Quinn & Sarah’s latest adventures.

Anonymous asked: Quinn gives cuddler energy 1000000% After a game, especially when they played bad and lost/gave up a lead. Immediately wanting Sarah cuddles to make him feel better. Do you think he ever went to hers after a game, giving Eunice a heart attack in the early days. Or did they mostly hang at his?

Can I come see you? 

A Quinn & Sarah Snapshot

If it wasn’t a Friday night, he wouldn’t have even asked. But it was, and he knew Sarah didn’t have to be up early the next day. And they’d lost. Epically. 

Midway through the third, they’d given up a three goal lead. On a power play no less. He’d, thankfully, only been on the ice for one. He didn’t know what he’d do if he’d given up more than one short handed goal in a two-minute span.

There was another game the next day, the third in four days, and he knew he really should go home and go to sleep. But Toch had canceled practice the next morning, and he was upset and feeling restless and just wanted to see her. 

It had been a long time since he’d felt this longing to be with someone and actually had someone he could go to. He called his parents, but there was still a gap there, telling him something was still missing. He wanted a more physical kind of comfort.

It was a miserable night, and Quinn thought seeing Sarah might make him feel a little better. He’d never asked her something like this. Hoping she wouldn’t mind, he fired off a text.

Sarah was in her room after the game – after an awful game – when Quinn texted. 

Can I come see you? 

Her heart leapt into her throat.

Quinn had never sent a text like this before, and she wasn't totally sure what it meant.  

He wouldn't come here to initiate comfort sex, right? That would be crazy. Her roommates were home. 

Maybe he just wanted…she had no idea what he wanted, but he'd respected every boundary she'd thrown at him so far, so she responded. Sure. Let me know when you’re here, and I’ll come let you in. 

Though they hadn’t slept together yet, she was thinking about it a lot, and they'd made out. She'd even let him take off her bra a few days before. Just thinking about that night — the reverent way he'd touched her, like she was a priceless piece of art, and the croaked, pleasured noise he’d groaned into her neck when their dry humping culminated in him coming in his pants — still made her thoughts buzz.

He asked for her address. 

She’d forgotten he’d never been to her apartment before. Not inside, at least. He’d dropped her off several times, but it was always at the end of a date, and at least one of her roommates was usually home, so it’s not like she would invite him up. Also, it seemed silly to go from his lovely penthouse to inviting him up to her little apartment. If they were going to do anything, it wouldn’t be here. 

My roommates are home, just so you know, she sent, not wanting to set unrealistic expectations. 

He reacted with a thumbs up. 

Normally, she would warn them she was having someone over, but telling Eunice Quinn was coming over would only give her more time to wind herself up. So Sarah stayed in her room until he texted that he was downstairs and slipped by her roommates without giving an explanation. 

When she opened the large glass door to her building, he was standing off to the side, hands shoved in his pockets and his head hanging forward, as if it were just a little too heavy to hold up. 

“Hey,” she said quietly, not wanting to startle him.

He still jumped a little, but when he met her eyes, he smiled — genuinely — as if he was just glad to see her. 

Her heart fluttered.

“Come on in.” Taking his hand, she pulled him into the elevator, which was, thankfully, still on the ground floor. They only went up five levels before she got off and led him down the hall, and scanned through door 538. 

Her roommates were on the couch watching an episode of Friends. 

They looked over, and one of them yelped before slapping her hand over her mouth. She continued to make muffled noise, her wide eyes darting between Quinn and Sarah. 

“This is Quinn,” Sarah introduced, though it felt perfunctory. They both knew who he was. “And this is Eunice,” she said, gesturing to her, “she’s a big fan and a little bit excitable.” 

Quinn recognized her. She was the one who screamed when he’d knocked on the glass at Sarah’s first game. Her brown hair, which was more frizz than curl, was pushed back with a headband. She was still wearing a jersey – Petey’s, thankfully – from watching the game. 

“And this is Jane.” 

She was tall and willowy, with pale eyes and a thick, dark blonde braid. 

“It’s nice to meet you,” Jane said, standing up and offering her hand to shake.

Quinn grasped it, managing to pull a smile onto one half of his mouth. 

Eunice stood and followed suit, though he got the distinct impression that were they anywhere else with anyone else, she would be asking for a hug. “I can’t believe you’re in our house right now.” Her voice actually squeaked when she said it. 

“It’s nice to meet you,” he said, not quite managing to pull full sincerity into his voice. Though he did feel it, he was too tired and too miserable to mask the disappointment. 

Eunice finally seemed to get over the shock of Quinn Hughes being in her living room. Leaning her butt on the armrest of the couch, she said, “tough break tonight.”

“Yeah,” he sighed. 

“Here, we can go in my room.” 

When Sarah’s hand slipped into his, his heart did an embarrassing little flutter. Hoping it didn’t show on his face, he followed her down the hall. 

He'd forgotten what it was like to move into a blank slate of an apartment. All the places he'd rented since moving to Vancouver were furnished, including curated, so-neutral-it-wasn’t-interesting artwork. Sarah’s apartment looked like a home - framed photos and unique paintings on the walls. 

Her room was simple. There was a full bed tucked under the window that overlooked the street and a desk. There wasn’t room for much else. A quark board above her desk was filled with photos of who he assumed was her family. Half a dozen babies with her same bright blue eyes or chocolate colored hair. He noticed the warm up puck he'd given her sitting on her desk, bracing the pages of a textbook open to an anatomical drawing of a seahorse. 

She sat on the bed. It was either the bed or her office chair, and they couldn't both fit on the chair.  

“What's up?” she asked after a minute or so of him looking around her room, his hands in his pockets. He was in his suit, a rain jacket over it against the wet, misty night, and had a knit hat pulled over his hair.

His eyes snapped to her. Something about seeing her in leggings and a loose t shirt, sitting on her blue and green patchwork quilt, made him ache. Longing bloomed in him to see her this comfortable somewhere where they could be together. Not together like this; together permanently. The thought stuck in his mind. Had he ever felt that way about someone before?

“I just wanted to see you,” he admitted, shoulders dropping.

“Oh.” The sincerity in his voice took her by surprise. The fact that he wanted to see her on a hard night sent a giddy, effervescent shiver through her. 

She patted the mattress, and relieved, he sunk down next to her. 

Sarah pulled his rain jacket off, throwing it over her office chair before asking, “this too?” as her fingers tucked under the collar of his suit coat. 

Usually, he would have shrugged it off as soon as he'd pulled away from the arena, but he'd been driving in the general direction of Yaletown, breathlessly waiting for Sarah’s reply.  

Nodding, he pushed his shoulders back so she could pull it off. 

She folded it much more deliberately than he usually did, matching the shoulders and making sure the arms were flat before draping it over his jacket. 

“You okay?” she asked, her hand traveling up and down his back. 

Her gentle touch and the sound of her voice sent a pang of relief through him. 

Experiencing Sarah sharing her emotions with him so openly somehow made it easier to reciprocate and trust she wasn't going to dismiss his or throw them back in his face later. 

He shook his head.

“Do you want to talk about it?”

“I don't even want to think about it,” he said, leaning forward and raking his fingers into his hair.

Not quite sure what he meant, her hand paused on it’s journey smoothing over the soft material of his dress shirt. 

“Can we…” he glanced over at her. In the light from her desk lamp, his eyes were the color of cognac. “Can we lay down?”

Her lips pursed. It wasn’t that they hadn’t cuddled before. They had, but she still wasn’t exactly sure what it was that he wanted. 

“I just want to hold you,” he finally admitted. The vulnerability of saying it out loud knotted his stomach.

Her heart did a giddy little dance in her chest, and she barely held herself back from asking, really?  

“Sure,” she said instead, although it still came out a little breathy. “You've gotta take off your shoes, though.” 

As he toed off the sneakers, she scooted back, so she was laying nearest the window. 

He lay next to her. They stayed that way, side by side for a minute before Sarah asked, “how do you...?”

Extending his arm, he patted his side, inviting her to snuggle into him. She accepted readily, pressing her body to his. Really, he wanted her to hold him, but he felt a little too vulnerable to ask for that. 

A deep sigh let go as her hand rested on his chest. It had taken more than six months for him to feel this comfortable with June, for him to even think about asking her for comfort.  It was amazing to him that things with Sarah were so much easier. 

“What do you need?” she asked, tracing one of his buttons. 

Emotion threatened to choke his reply. Taking a moment to swallow it down, he tried to remember the last time someone had asked him that not related to improving his on-ice performance. Nothing immediately came to mind.

“Can you just talk?”

“About what?”

“Anything. Tell me about your roommates.”

“Well, Jane is a pediatric nurse. She works in the BC Children’s ER.” 

He let out a low whistle. 

“Yeah. It’s a rough gig sometimes, but she really loves it. She's actually headed to work in a few hours.”

He glanced at his watch, “at midnight?” 

“She works a lot of graveyards. 3 to 3 or midnight to noon. She coaches a youth lacrosse league on the weekends.”

“Really?” He felt Sarah nod. “My mom played lacrosse. She put all of us in it, too.” 

“Did you like it?” 

He shrugged, “I like hockey better.”

“Good thing you stuck with it, then.”

A breath of a laugh escaped through his nose.

“And Eunice is studying biomedical engineering. She’s on track to get her PhD.”

“Really?”

“Why are you so surprised?”

“I don't know,” he shrugged. “She just seems so…I mean, excitable like you said.”

“Oh, she's just dedicated to everything she does. She has a 4.0. I think it'd actually be higher if the scale didn't stop there. She does everything like that, you know? Doesn’t matter if it’s school or being a fan. She’s always 110% in. I don’t think she knows how to do anything halfway.” 

He hmm’d.

Falling into a companionable silence, Quinn sighed. He’d been looking for this his kind of comfort with another person his entire life. The first time he’d really felt it was on their first date, and it was a revelation. Each time it happened since then, it became a little less awkward. They might well be on their way to sharing the kind of quiet moments he used to see his parents have. Sitting together on the couch reading, or folding laundry together, or watching TV, just happy to be with each other. The idea of it made his chest feel buoyant enough to float away.

“How did you meet them?” 

“Eunice was advertising for someone new to move in on the school housing board. Their old roommate, Jenny, was getting married. So, I met them and saw the place, and it just worked out.” 

“Just like that?” 

“I guess?”

“I’ve never done that before.”

“What?” 

“Interviewed to be a roommate. I’ve always lived with teammates.”

“Not all of us have a built-in best friend squad.”

He snorted, and Sarah smiled. 

They eased into another quiet moment, and Quinn felt his eyelids grow heavy.

“Do you need anything?” she asked. 

“Hmm?” 

“Like, do you need anything to eat?” 

“I ate at the arena,” he said, “but I wouldn't mind something to drink.” 

As she pushed herself up and he resisted the urge to pull her back down. “What do you want? I have water, cranberry juice, or Ginger ale. I have some rum if you need something stronger, or I could make you some tea.” 

“I can't have caffeine this late. It’ll fuck up my sleep schedule.” Truth be told, it was probably already fucked just by him being here, but he didn’t want to inflict any more damage. 

She smiled, “I have peppermint, or a caffeine free maple that's really tasty as a latte.” 

“That sounds nice.”

“Okay. Do you want milk or almond milk?” 

“Almond, please.” 

“You got it.” As she crawled over him to get to the edge of the bed, she leaned down to press a gentle kiss to his lips. 

His mouth was still buzzing when she left the room. 

Eunice came into the kitchen as Sarah was filling the kettle. “What are you doing?” she whispered as if Quinn might hear them from down the hall. 

“Making tea,” Sarah said in her normal tone. 

She could tell Eunice wanted to start interrogating her and pointedly looked the other way. She’d be happy to talk, but not while he was still here. Getting Eunice started on a conversation like that required a certain amount of commitment, and Sarah wasn’t willing to rehash the night until it was over.

She stayed in the kitchen, watching Sarah start the kettle on the stove and pour milk into the frother. 

“I can bring this to you when it’s done.” 

“You’re sure?” 

“Yeah. Go be with Quinn. He looked like he needed some time with you. I’ll be in in a few.” 

“Okay.” 

As she walked back down the hall, she heard Eunice mutter something about getting Quinn to play better tomorrow.

Sarah winced, wondering if he was ever allowed to be human before being an athlete. 

Quinn looked up from his phone when Sarah came back in the room empty-handed. “No tea?” he asked, hoping his tone came off teasing. It was surprising to him she could start something and not finish it. 

Leaving the door cracked open, she got back on the bed and crawled over him, “Eunice offered to bring it in. It takes our stove ages to boil water.” 

He pulled her into him as soon as she got to his other side. As she bounced against him, she giggled, and it dissipated some of the angsty weight he’d been carrying around since the game ended. 

She snuggled up to him again, working her left arm under his back. He arched until her hand brushed his ribs.

“That’s okay?” he asked, settling back down. 

“Yeah.”

Though half of it was tied up, he threaded his fingers into the hair at the nape of her neck, then ran them through the soft strands. She made a contented little noise, so he did it again, just glad to be touching her. 

“Thank you for this,” he said, voice quiet. 

“For what?” 

“For letting me come over. For,” he moved so he could wrap his arm around her, squeezing her a little bit closer. 

“Hey, if cuddling makes you feel better, I’m always down,” she said, nuzzling her cheek into his shoulder. This kind of casual affection was what she missed most every time she broke up with all of her exes. Not to mention, she got so little physical touch being away from her family.

He chuckled, and it ended in a sigh. 

His free hand found hers, and he slotted their fingers together. 

“I really like you, Sarah.” 

“I really like you, too, Quinn,” she said, tipping her head back so she could see his face. From this angle, his nose was more pronounced. She had to resist the urge to pull her hand from his so she could run her finger down the ridge of it to feel the prominent bump. 

Sensing her stare, he turned his head, bringing their lips dangerously close. It only took a bit of stretching on Sarah’s part to bring them together. 

When he felt Sarah strain toward him again, he rolled onto his side to shorten the distance between them. Her hand stayed on his chest, and their kisses remained sweet, though the adjusted position allowed for a little more tongue, which he wasn’t mad about.

This was much softer than anything they'd done so far. It was nice to know they could just be here: not rushing to get undressed or into something more intense and physical. 

She loved this kind of lazy, slow kissing, but found it didn’t usually come until much later in a relationship, after all the first physical stuff was out of the way. To be kissing - making out without really making out - like this before they’d even had sex felt like a gift. Feeling his fingers run into her hair, bringing her face just that little bit closer to his Sarah sighed.

The way her chin moved in and out as they kissed, matching the rhythm of her tongue brushing his, lulled his body into a state of deeper relaxation than he’d felt all evening.

Pulling away just enough, she whispered, “you’re a really good kisser.” 

A zing of pleasure shivered through his brain and all the way down Quinn's spine.

 “Thanks,” he breathed, easing back to see her face. 

He gazed into her eyes for a few moments longer, trying to calm his thoughts. Once he was over the initial daze her compliment brought on, he realized he should probably say something else. Instead of blurting out the, I like being good for you, that popped into his mind, he said, “you make it easy to be.”

When she shyly thanked him as her cheeks pinked, he felt like he'd swallowed the sun. 

Unable to resist anymore, Sarah reached up to trace her finger down the bridge of his nose. “How did you break it?” 

“The first time, Jack punched me in the face in an intense game of mini sticks.”

“Mini sticks?”

“It’s like…” How did he explain this to someone who’d never played? “It’s like indoor, carpet hockey. You use these little plastic sticks and a ball, usually. We used to play in the basement. My mom talks about how we played so hard, we would shake the whole house.”

“That’s some serious competition if you’re getting your nose broken.” 

A breath of a laugh huffed out of him. “I deserved it. I was goading him on pretty bad, and he didn’t really know his own strength. I can still see the horror on his face when the blood started pouring.” 

She resumed stroking, her touch feather light and gentle, “how many times have you broken it?” 

“Three.” Quinn never thought he’d like someone touching him like this, but with Sarah, he found it comforting instead of irritating. It was like she just wanted to know every part of him. “The other two were pucks to the face.”

She winced. “That sounds painful. Those pucks are way heavier than I thought.” 

“It’s not fun,” he said. “Thankfully, the adrenaline is still pumping, so it doesn’t really hurt until after the game is over.” 

“You kept playing with a broken nose?” 

Nodding, he laughed, “they strap on a full face shield, and send you back out there.” 

An incredulous, protective look took over her face that Quinn instantly loved. 

“Don’t worry. They do concussion testing and reset it if it needs it before.” 

“That’s just…really?” 

He nodded.

“I keep seeing all these memes about how tough hockey players are, and I always thought they were kind of exaggerated.” 

“It’s a tough sport,” he said. “My goal is always to be swift enough on my feet to not get involved with the harsh stuff, but sometimes a puck just redirects, and bam, your nose is broken again.” 

The kettle whistled. 

As if by an unspoken rule, they pulled back from each other. Sarah’s hand dropped back to his chest. 

A minute later, Eunice gently hipped open Sarah's door, carrying a tray with two steaming mugs and the whole milk frothing machine. “I figured it would be easier for you to froth in here,” she said, setting the tray down on Sarah's desk. 

As she backed out of the room, she widened her eyes and quirked her brows a few times, giving Sarah a look that plainly said, you have a cute, famous boy in your bed, and we're going to discuss everything as soon as he’s gone. 

“Thanks, Eunice,” Sarah said through a tight smile, hoping Quinn hadn’t seen. 

“Sure thing,” she said before softly clicking the door shut.

“I don’t think I’ve ever had a tea latte,” Quinn said as he rolled onto his back so Sarah could crawl over him again. The urge to pull her on top of him by her hips was so strong that he had to curl his fingers into the quilt. 

“Really?” she asked, plugging the frother into the outlet by her nightstand. 

He shrugged. 

The machine whirred to life.

“It’s good. I like it at night. The warm milk kind of puts me to sleep.” 

When it was done, she divided the creamy concoction into the two mugs and brought one to Quinn. 

“This is okay?” he asked, gesturing to the bed. 

“Yeah.” There wasn’t anywhere else they could go. If he spilled tea on her sheets, she’d just have him help her change them. 

Sarah sat opposite him, knees bent, her bare feet between his socked ones. 

Their eyes met over their mugs, and Quinn smiled. “This is really good, thank you,” he said, gently tapping her leg with his toe. 

“You’re welcome. I’m glad you came over.” 

“Are you still up for the game tomorrow?” 

“Yeah,” she said. “I’m planning on it.”

“And you’ll stay so I can take you home?”

She nodded. “Are you flying out again after that?”

He sighed, “yeah. On Sunday. We fly out to Dallas, play them on Monday, and then go to Colorado to play on Wednesday, and then I’ll be home for a week on Thursday afternoon.”

“I’m glad it’s not too long this time.”

“Me too.” A yawn split his face. He apologized, holding a fist over his mouth.

Shaking her head, Sarah said, “you’ve had a long day.”

“Yeah,” he agreed, downing the rest of the tea. “I should probably get home and get to sleep.”

While he pulled on his sneakers, Sarah set her latte aside and slipped on some sandals. 

Rain was pounding against the glass fronted lobby when they got downstairs. Looking down at herself, Sarah said, “I’d walk you to your car, but I’m not really dressed for it.”

Half of his mouth lifted in an indulgent smile, “that’s okay.” Gathering her against him, he breathed in the smokey smell of her perfume to fortify himself for the dash into the rain and the drive home. “Thank you again.”

Her hands slid under his suit coat, pulling him more tightly against her, “you’re welcome. I’ll see you tomorrow,” she said, pulling back to look into his face. 

“Tomorrow,” he agreed, leaning down to kiss her. They were in public, so he knew he shouldn’t linger, but he did anyway, savoring her mouth as the last thing he’d taste that night. 

“Let me know when you get home, yeah?” she asked when they parted. 

He nodded, and she watched him jog away before heading back upstairs. 

Eunice was waiting in the entryway for her and immediately grabbed her hand. “Tell us everything,” she said, excitedly pulling Sarah down the hall to the bathroom where Jane was re-braiding her hair for work. 

Before she sat in the hallway outside the bathroom, Sarah got her unfinished tea. As she sipped, she explained how he ended up there. 

Both women awed when she recounted Quinn telling her he just wanted to hold her. Eunice broke in when Sarah got to the part about making tea.

“Jane, it was so cute. I walked by, and they’re cuddling. Then, when I came back, they were kissing. Like that soft movie kind of kissing - it looked so dreamy. Then when I walked by again –” 

“Why were you walking by so much?” Sarah demanded. 

Eunice didn't even blush, “I had to get my blanket.”

“And it took you two trips to do it?” 

“I forgot what I was getting the first time and had to come back to the living room to remember.” 

“Right,” Sarah deadpanned. 

“Anyway,” she said in an over-exaggerated tone, “when I walked by again, she was petting his nose.”

“Oh my god,” Sarah exclaimed, “I am never bringing him over here again. He’s going to think you’re some kind of psychopathic stocker for walking by all the time.”

“Oh, he had no idea I was even there,” Eunice said. “He was way too busy longingly gazing at you, Ms. Roberts. I don’t think he would have even noticed me if I was stomping down the hall like a t-rex.”

“He was pretty enraptured,” Jane said. 

“You too?” 

“I had to go to the bathroom. Mine was legitimate.”

“Oh my fucking hell,” Sarah moaned. 

“Why were you touching his nose?” 

“I asked him how he broke it.” Sarah smiled at the floor. “And I like his nose.”

Eunice snorted, “of course you do.” 

Cutting off Sarah’s incredulous look, Jane asked, “what was the best part?”

All of it, she wanted to say. The fact that he came over at all. That he just wanted to cuddle, the kissing… 

“He was really sweet. I told him he was a good kisser and he just looked into my eyes for a while before he goes, ‘you make it easy to be.’” 

“Oh my gosh,” Jane gushed, “really? That is such a good answer.”

“Will you just fuck him already?” 

Sarah let out a surprised cough, and Eunice continued, “I think he’s proven he’s not just in it for the sex.”

“I think I knew that from the start.”

“So why are you waiting so long to jump him?” 

“Eunice,” Jane admonished, “Sarah can take however long she likes to take that step.”

“Yeah, yeah,” Eunice said dismissively, flapping her hands, “I just want to know what he’s like in bed.”

“Oh my god,” Sarah said, dropping her head into her hands. “I am never discussing my sex life with you.”

“Yes you will.” 

“No. I won't.” 

“You will,” Eunice said with a quirk of her brows. “You've told us everything else so far. I don't think you'll be able to resist.”

“You’re unhinged, you know that?” 

“That’s why you love me.”

Laughing, Sarah had to admit she was right.  

Want more Quinn & Sarah? Check out the Snapshots Masterlist

To read all my fics, check out the Fanfiction Masterlist

[sgtpeppers]

Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

[honeyhoneypp]

Think Only About Me

Things One Piece men would say during sex

You felt so good, they loved your face filled with pleasure and loved your naked curves, everything was so perfect. They couldn't stop themselves from letting you know how good they felt.

NSFW!!!

Female pronouns! degradation + praise kink

==================================

L U F F Y

He’s always loud, he doesn’t care if someone hears him or not, he is not even thinking about that right now, all he’s thinking about is how good you're making him feel.

He would be honest with his words, he always asks you how you're doing because he wants you to feel good, but sometimes he could be rude with his words, you just have to tell him so he could do better next time.

==================================

“Shit… It feels so good, keep going, don't stop.”

“Want me to make it bigger, pretty girl?”

“A-Agh, ____… Are you sure you want me to make it bigger?”

“You’re… Ah- So damn wet”

“Please… Do that again… It’s called squirt, right? Please squirt again for me”

“Your ass looks so delicious from here”

“Yeah… Just like that, this feels okay with ya’?”

“Don’t cry, you said you could take it. Don't be a crybaby now”

“What is this bump on your tummy?”

“Oh, this is my cock? Shishi that’s so funny”

“Keep saying my name like that… I don't know why it feels so good when you say my name”

“____… I-I’m so close to cumming, wanna cum inside of you”

“It feels so tight”

“Oh, fuck. Huh? They're going to hear us? So what?”

“Y-You’re making me feel so good... I feel like I'll cum already”

“You look so beautiful... Makes me wanna cum…”

“I-I don’t know why you’re making me feel this way”

“Aw. Cmon pretty girl, don't put your hands on your mouth, wanna hear you, it makes me feel good and it's funny when you sound like that”

Nicknames he would call you

Pretty girl (I don’t see Luffy calling you something else other than your name or pretty girl)

Z O R O

He isn't that loud, he only whispers since he doesn't want any of his crewmates to know that he’s making love to you, that would be embarrassing for him, I mean he should be focused on other things, not on this!

Of course, he loves the noises you make, but sometimes you're too loud. He is kind of more on the sadistic side meaning he can be rude a lot of times with his words…

==================================

“Fuck… this tight ass pussy is killing me”

“Shhh, they'll hear you”

“Shut the hell up!”

“I told you to be quiet… you don’t want me to be mean with you, right?”

“How can you be so wet already?”

“You look so nasty, I like it”

“I’ll make you feel so good”

“You don't tell me what to fucking do”

“Are you that starved for my cock?”

“You need to shut your damn mouth or they’ll hear us!”

“You like it when I talk to you this way? You’re such a damn freak”

“Fuck… fuck… fuck… my beautiful woman…”

“Look at you, doll. You look so beautiful and cock hungry”

“Cmon, you can take my whole cock, right?”

“Yes… you can, take everything like a good girl”

“Mhmm… you’re such a slut… such a slut for my cock”

“You want me to pull your hair? You damn pervert”

Nicknames he would call you

Slut

Good girl

Woman

Babydoll

Pervert

Doll

S A N J I

He is another one that doesn’t care if his crewmates hear him. In fact, he wants his crewmates to hear how good you’re making him feel or how good he’s making you feel because he’s a freak and a whore.

He loves it when you treat him like a dog, he loves to beg you so you can make him feel good, but he can also be on the dominant side if you ask him to. He's so sweet with his words, he’s always telling you how beautiful you look

==================================

“____, p-please don't stop… I'm so close”

“My love, your boobs look so beautiful”

“Y-Yes, ____, I’ll do anything”

“Just please let me cum”

“You want me to go faster?”

“Fuck, sweetheart, you feel so tight it's killing me”

“How does that feel? D-Does this feel okay with you? You like that, sweetheart?”

“A-Ah, shit… You are taking me so well, my love, good job, sweetheart”

“Please keep saying my name… I-I feel like I'm about to cum”

“Don’t hold yourself back, sweetie… Please cum on my cock… please give it to me”

“You look so beautiful when you’re bouncing on my cock”

“Y-You want to take my whole cock? Are you sure?”

“Fuck- good job, my love. You’re making me feel so good”

“____, please do whatever you want to me… yes! Just like that!”

“Want me to go faster, pretty girl?”

“L-Let me eat your pussy, please, I beg you”

“My love, don’t hold yourself back… I want to hear your beautiful moans”

“Doesn’t matter if they can hear us.”

Nicknames he would call you

Pretty girl

Sweetie

Sweetheart

My love

Princess

Angel

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Please let me know if I made spelling mistakes, some things don’t make sense or got their personality wrong!