#I wish we have more episodes

[ranminfan]

What would you do with a bunch of whalers early in the morning?

I wish we had more episodes of them working together in the vastness of the sea and how their comradery makes them a competent bunch of whalers.

[movietimegirl]

AHhhhhh! That was amazing 😭

[gunstellations]

In the world I love

_

In a different world

[ba1laur]

last saturday that will be spent staring 20 minutes at a screen watching this guy go thru incomprehensible horrors. cant wait to have normal weekends from now on

[captaincolorblob]

Everyday i think about this screenboard scene that got semi-scrapped from Donnie vs Witch Town, like it just explains so much about Donnie as a character and i’m very sad we didnt get to see it entirely

[twelvemonkeyswere]

ofmd season 1: "hurt people hurt people" mostly from the perspective of Stede, who copes with his trauma through avoidance, hurting himself by hurting those around him

ofmd season 2: "hurt people hurt people" mostly from the perspective of Ed, who copes with his trauma through violence, hurting himself by hurting those around him

both seasons have subplots about healing and growth, about finding love, about what to do with those parts of yourself that are drowning you, and what NOT to do with them, and those storylines and themes help support the main ones, seen through the eyes of our protagonists.

in particular, the parallel deaths in the last episodes of each season (Badminton dying in front of Stede, Izzy dying in front of Ed) have distinct thematic beats as well, in different moments of the main characters' storylines, but are still connected in a similar way: both Badminton and Izzy represent the external voices and pressures that have etched themselves in Ed and Stede and have forced them to hide their true selves in order to survive. in Stede's case, the pressure and bullying was always kind of detached, an overwhelming indifference and casual hatred, while for Ed, the pressure and bullying was always up close and personal, given to him by the very people who claimed to appreciate him. that's why Badminton is a villain we don't care much about, and Izzy is a character that was much more fleshed out by the end, because sometimes the call comes from inside the house, and I thought it was nice the team tried to incorporate some of those nuances into the storyline to help develop the main themes.

[biographydivider]

The fact that we were denied a ‘Clothes Don’t Make The Turtle’-style, low-stakes episode with the kids trying on funky outfits is one of the greatest tragedies of Owl House being prematurely ended.

[pumpkinrootbeer]

Eugene was truly the best boyfriend. saw his girlfriend get broken up with, and immediately had a revenge glow up. Imagine being Cassandra seeing your ex girlfriend's boyfriend and he's wearing a golden choker with the just deepest v neck known to man, the world's sluttiest gloves, and a thigh garter. I'd have to give up then and there.

[samwpmarleau]

JAMIE & KEELEY            ↳ 1.03 Trent Crimm, The Independent

[mirkodoesstuff]

Hot take: I think there should be more non-object AND non-joke characters, that would be important for either their OCs lore, their show lore etc., because who wouldn't love to have an OC, who's, for example, a cat that is actually important and isn't there to just make a joke about how they're not an object or just do nothing and get eliminated/get hated.

Like, seriously, why are you all afraid of making interesting non-object characters, that aren't joke characters? Of course I have nothing against non-object joke characters, because I love Yellow Face from BFDI series and also I really like David and Dora, but MAN things could be way cooler if there were more non-object non-joke characters, who were for example guards over objects, or even were a co-host, or heck, had lots of knowledge over objects.

Just imagine the scenerio, where a bunch of objects need help and, instead of going to the host of the competition/their other friends - they decide to go to, for example, a cat to ask for an advice for help and the cat actually helps, instead of being there for humour. Or even better - a group of objects have to save the world from something and they're deciding to get help from a dragon, who helps them get rid of the danger!

Just imagine it... Imagine it how epic those things would become if we got to see more important non-object non-joke characters!

GET CRAZY WITH YOUR OBJECT SHOW OCS! DON'T CARE ABOUT WHAT WOULD OTHER PEOPLE THINK! DO WHAT YOU WANNA DO!

[ohnoitsnoma]

and if i were to make a sunny coloring book like what would our thoughts be🧐

[booasaur]

The Dragon Prince - 2x01 || 4x01

[royaltea000]

Redraw of human Barf and Belch!

[fleshadept]

what we do in the shadows is widely considered one of those shows that’s a comedy but the way tumblr talks about it makes it seem like a high drama or tragedy but it’s really like. a comedy with layers of deep tragedy right below the surface. the story and presentation is comedy-focused but there are so many events that are and are recognized by the narrative as being deeply tragic.

laszlo and colin robinson’s arc last season is a good example—laszlo’s close friend died and was replaced by an identical baby, whom laszlo then chose to raise as best he could and had to work through his own parental issues to do it well. then, when he felt the worst about it, when colin was a teenager and angry at the world and he hated laszlo for not being able to help him, he grew up. and he was colin robinson again, with no memories of laszlo raising him anymore, as if none of it had ever happened. of all the season 4 arcs this one was the most consistently dramatic, and laszlo ended the season devastated. and that’s only one arc

while it is true that wwdits is a comedy and people on tumblr do talk about it like it’s a tragedy, it is also the case that the tragedy is Right There. we don’t have to dig very deep to get there, and in many cases it’s a central aspect of the story. in a way this is due to its predecessor, the 2014 film, which was intentionally made to be a comedy with tragic elements, not one or the other

[ribbit9]

so many Chekhov’s guns unfired!

(aka i am frothing at the mouth over fionna and cake’s finale and have things I need to say)

what happened to thing glitching and becoming normal when fionna and cake touch them

what about the show cheers? why was the last episode named after it when it played almost no part

why is prismo glitching?

ASIDE FROM THAT

I both love and feel unsatisfied with the finale

It felt like Simon was spoonfed his revelations

the final episode felt like a rushed attempt at a ‘and they all lived happily ever after’

what happened to the rest of farm world Finn’s family? Did he die? Is he okay with his son leaving to go to another world forever? What about the other children?

why does Simon move on so fast? Not even a year? And he has to get basically spoonfed by a choose your own adventure book to come to the realisation his relationship with Betty was not exactly healthy

Also what happened to Marceline and regular Finn? Did they not notice Simon disappearing for a week? We needed more interaction between them!

HOW WOULD MARCELINE FEEL ABOUT HIM WANTING TO BE ICE KING AGAIN

WE NEEDED THIS INTERACTION

WE WERE STARVED

idk it wasn’t a BAD finale but it wasn’t amazing either

it felt okay

but I am definitely going to ao3 to get that missing angst and feelings

might even write something

(pls excuse any spelling mistakes this was made at 2am full of emotion after the finale with no checking)

but srsly I had tears in my eyes after ‘The Star’ and comparatively the ending feels shallow where everyone gets to live happily ever after and everything is fine with no heartfelt reunions or residual feelings about what just happened

did Simon just not tell anyone he went on a crazy multiverse adventure? Or was he just like lol this happened to me… MOVING ON! It isn’t shown if any of the people close to him know what he went through

pls I needed more Marceline

I am begging there is a season two

these guns need firing

and if hbo won’t do it

then I will

[bumblingbabooshka]

Do you think Kes' ability to pick up on things so quickly is linked to her being an Ocampa? Like, since she's 2~ years old in canon (and has distinct memories of her father) I imagine her species doesn't spend much time as children and I wouldn't imagine they'd have formal schools (like entire buildings for schooling) and would instead learn from like, primarily parents or other elders. In that case learning things very quickly would be extremely beneficial for their survival. Kes: Oh yes, childhood...what a lovely few days~ Kes was a baby like for a day and then the next day she was up and ready to learn. Kes meets Naomi and every day that passes she becomes more and more amazed that she's still a baby. Wow! It's been like two months and she still can't do anything?? The doctor told her it was normal but wow. What I'm saying is they should have had Kes as a jack-of-all-trades character who could slide into pretty much any of the teams on Voyager. The Doc misses her when she's not in sickbay though!