#I'm not sure what you mean tbh

[good-to-drive]

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[poorly-drawn-mdzs]

Horse Yaoi trotted so Horsegirl Yuri could fly.

[gottaarc]

Zenji Kotodama is absolutely still my beloved but I think Yuri Isami is now very close behind him

[stop-breaking-my-heart-telltale]

favourite twdg villain?

I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.

Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."

Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.

If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.

But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.

You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.

She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.

Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.

Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.

Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.

But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.

Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.

I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?

Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.

[svtskneecaps]

oh also also, baghera getting increasingly french at the end of the timer was so fucking funny and i love her so much, like when her and phil fought and phil killed her and her accent thickened until she abandoned words and made french noises CHEF'S KISS reminds me of when she played outlast w cellbit slime and jaiden and got progressively more french as the night wore on, genuinely had a blast hearing her progressively dropping more and more swears in french

also reminds me of something i THINK i remember, think it was her who said during brazil she kept accidentally speaking french to people because of how close she felt to them

[copia]

the way copia sits on his silly floor mattress playing his games and sinks into it so much that his knees are right up against his chest ... babygirl you are everything to me

[francy-sketches]

aegon is brokenstar coded (child fighting enjoyer) and joffrey is breezepelt coded do you think if they were warriorcats aegon would be joffrey's evil dark forest mentor

[hannah-heartstrings]

            “Maybe we weren’t cut from the same cloth, but we were sewn into the same quilt.”

[cienie-isengardu]

I have already complained about the lack of sources and character development for Jaster Mereel, the supposed important figure in Mandalorian modern history. At the same time, I’m genuinely fascinated by how he was seen by Dooku, Jango Fett and Tor Vizsla. Which is not really that they have some drastically different opinions that exclude each other but rather what those characters identify with Jaster.

Let’s start with Count Dooku. The man did a great research about Jango Fett’s past before he hired the Mandalorian to become a DNA donor for the clone army. As he said to Darth Sidious, Dooku "interrogated a number of his former associates"

So, obviously, Dooku's opinion is by no means objective, literally colored by what he learned from Jaster/Jango’s allies and followers. Surprisingly there is no mention about honor that tie-in materials like to bring in regard to Jaster Mereel even though this should be the logical conclusion as the difference between True Mandalorians and barbaric Death Watch. For Dooku alone, Jaster Mereel was “reformed murderer” who "held that the Mandalorians were merely highly-paid soldiers" [JF:OS#1]

Then we have Jango who knew Jaster personally, saw him as family and held in great respect. Whale reading the Death Watch Manifesto that at some point he had in his possession, Fett wrote this:

These are lies. Jaster sought true honor, not the right to ignore laws and moral codes. Vizsla's Death Watch was nothing but a license for murder [Jango]

Jaster was an important person for Jango - so much he wanted his unalerted clone to carry on Mereel’s legacy and without doubt Jango idealized the man.

At the same time, Jango’s opinion doesn’t exactly tell us what kind of person Jaster was, more what was his goal and what he represents for Fett and other True Mandalorians.

And then we have Tor Vizsla and look, the Manifesto was written years after Jaster’s death and some time after the destruction of the True Mandalorians on Galidraan. Tor could write anything, literally any lie and slander that comes to his mind, because there were not many people around anymore who knew Jaster and even if they were remains of True Mandalorians, the book wasn’t intended to fall into their hands anyway. And what of all possible things Tor identified with Jaster? Passion.

And yes, this is very subjective point of view and opinion about Jaster - albeit I would argue Tor’s words aren’t detached from reality that much because it easily ties up with Dooku’s statement “merely high-paid soldiers” and let's be real here, no matter how much Jango or other True Mandalorians (sources) will bring honor into discussion, honor itself is not synonymous with being morally right. But I’m gonna leave mandalorian morality for another time. 

I’m furious that Tor didn't elaborate what Jaster was so passionate about - the order and laws? Work ethics? Religion? - that he couldn’t contain passions in himself and tried to “eliminate them in everyone else”. At the same time it amazes me, because this short paragraph may imply that Tor knew Jaster from a different, maybe much more personal side. And I won’t lie, Jaster being a passionate man speaks to me, an introvert, on a very specific level (as in: not showing that side to every person around you), especially since he doesn’t appear like that in comics? For the little we could observe him through two issues, he was rather cool-headed and down to earth type of person? Being sympathetic to Jango and showing anger only once, at Montross (whom he still personally rescued despite Montross openly disobeying his orders). Passion is not something I would call comics!Mereel and in a way Tor’s words, for me, brings more humanity to Jaster than Dooku’s understanding and Jango’s glorification did.

This does not mean that Jango didn’t know Mereel well but Fett understandably idolized his mentor, especially since he was still pretty young (~14) when Jaster died and this “nostalgia” definitely affected how he remembered Mereel in his adult life. In a way I feel Jango’s opinion is for what Mereel strived (virtues) while Tor’s present humanity (flaws).

And let's not forget the History of the Mandalorians - the supposedly objective article - describes Jaster Mereel as a “deeply pious human”.

The oxford and cambridge online dictionaries say pious means “deeply religious” what I find very intrigued yet another overlooked detail. And hey, a person wouldn't fight tooth-and-nail to become reigning Mandalore without being passionate and devoted to his ideals, right? So I like to think that Jango and Tor opinions about Jaster don't contradict each other but simply present Mereel from different angles that add more depth to his otherwise not exploited character.

[mikesbasementbeets]

(bonus:)

[kumakuma-circus]

you ever think about how if it was a straight relationship then yukichie would definitely be canon or at least heavily implied given shadow yukiko calling chie her prince cuz i realized that earlier-

[governmentmandatedryujinstan420]

letting this breach containment.

[devilsskettle]

i've watched a lot of good films lately in an attempt to catch up with a bunch of movies that have come out recently, but talk to me was the best movie i've seen in a LONG time

[svtskneecaps]

i still haven't gotten real baghera and rivers interactions have i........... like the barest of interactions......... a drought........... i was so fucking curious...... i am still so curious............ twenty minutes of conversation and i would be fed forever............ i'd never ask for anything again.... baghera wasn't even there when bolas was doing the whole hostage situation she was off doing her own thing.......... i'm so curious........... i want to know..... what would the dynamic be........ how would they interact............ i'll never know.............. crying...........