#IT WAS SUPPOSED TO BE AN ESSAY WHAT IS THIS

[whathaveidonetoyou]

UGH I'm supposed to study but I can't focus because there's a song in my native language that I JUST can't listen to without relating back to the tboah timeline and the book.

Because: 1. The song's insistence that "Everything is part of the show" like y'know the book and how Cale was convinced that he was in a fictional world at first

2. The "show" not seeming quite right (or seeming 'dead') because tboah was written by Choi Jung Gun who isn't omnipotent and didn't actually know what everyone was thinking and wrote what he assumed they were thinking based on their actions and the events that surrounded them (he got some things right, he got some things wrong)

3. THIS

There are other things too, but I would have to write an essay.

PLEASE someone tell me im not crazy and this isn't the tcf obsession getting to my head!!!

The song is Μπουρλέσκ (burlesque) by Solmeister and it's up on YouTube and Spotify. If anyone can't find the English translation on Google lmk and I'll link it!!

[puffleyia]

Dear Diary || Cedric Diggory

Cedric Diggory x fem!reader || 5.2k words, fluff-ish, banter and awkward confessions !

Reader and Ced are both seventh years and Ced is head boy!

Warnings: slow and sappy smut, unprotected p-in-v, clothed sex , first times !!!

Summary: Cedric finds your diary, what's the worst that could happen?

---------

Cedric was idly perusing the shelves of the library on one fine afternoon, if the wads of homework given and expected to be completed by the end of the Easter holidays were not taken into account. He sought for some books that he could use as reference for his essay in History of Magic, a particularly tricky one, on famous and historical duels.

Though, his initial intentions were long forgotten as he noticed something. His attention was drawn to a small, forgotten notebook left on one of the study tables. He looked around to see if any sign of the owner was around. Once the coast was clear, he took it as a go-signal. Carefully, he picked it up with curiosity as he examined the notebook.

The cover was brown, its material being that of leather. It had a few tears, but it looked okay enough to be passed as a choice of style. It is decorated with intricate golden patterns on it, engraved with small jewels for design. The bottom was labelled with your name handwritten on, and the pages seemed to be slightly tarnished. He assumed you had kept it for a couple years or so. 

But what was most intriguing was that it had been padlocked shut. He figured out that it was no ordinary notebook, probably a diary of sorts, piquing his interest.

As much as he knows not to stick his nose in things he is not supposed to, he couldn’t help but feel interested in what was not supposed to be of his concern. He was not going to tell anyone what’s inside, nor was he going to judge— it is not like you would know either if he did look through it. 

But, he supposed a little peak would not hurt, right? He is going to give it back the next time he sees you, anyway. 

Though, it was locked… It is nothing a simple alohomora charm could not fix. He pulled out his wand and pointed it towards the lock. He gave it a flick, chanting the spell out quietly. The padlock fell on the floor with a dull thud. He picked it up and stuffed it in his pocket, to seal it up afterwards to conceal any trace of him ever snooping around.

He flipped through the pages, becoming increasingly fascinated with what he read, some even dating back to seven years. Family issues, random stuff about life at Hogwarts, such as rants about homework, housemates and whatnot. The first thirty pages was about you mainly figuring out things back then as a first year, and a bunch of things you were astonished to discover. 

It was really what your typical teenage girl would write; little things such as that cat you tried to pet in the first year that turned out to be Professor McGonagall, hallway crushes, that time you snuck in the restricted area of the library, so on— and the mundaneness of everyday life. It was pretty much a bunch of stuff about what goes on during your days. 

When he got to the fourth year, he started seeing his name being brought up occasionally— he of course, stopped on those pages to read them— interested in what your perspective on him was. He started with the first page mentioning him:

DEAR DIARY,

I met this guy named Cedric Diggory. He’s popular, tall and good-looking too.. 

He helped me out with my herbology homework. I was really struggling, good thing he stepped in. Though, maybe I was too busy staring at him to really pay attention to what he was teaching me. (Well, who can blame me???)

I know so many girls who would kill to have that happen to them. Wonder what got me so lucky today, maybe those Lumos Lucksweets I ate last night that I got from Honeydukes during Halloween.

I always thought he was cute, though I always felt too intimidated to approach him. Hopefully we can become friends. 

He felt a bit surprised, a faint blush tainting his cheeks as he smiled softly. He would be oblivious if he didn’t know he was sought after by both women and men, albeit it still doesn’t make him any less flustered.  You were one of his friends, yes, but he had never stopped to think that you thought of him in that way. You didn’t make it obvious either.

He mostly skimmed through its pages, but stopped to read whenever he saw his name brought up– about how you talked about each of your interactions; “Cedric helped me with…” “Cedric and I went out to…” “I think I like him..” Cedric this, Cedric that. 

You like him. Or liked him. It only clicked with him now, though he would have to keep reading if he wanted to know if you still felt the same. (Because he definitely did.) Be that as it may, he still definitely had no idea on how to confess. Plus, it was too late to turn back any time now. He continued to leaf through its contents.

But it was not until he got to last year’s pages that some things really stuck out. At first it was about wanting to kiss him on the cheek as you sat beside him in the library whilst you two studied for your transfiguration exam. Then the next time you talked about it being on the lips. 

You even went into detail how you thought his lips would feel, then it was about how you so badly wanted to make out with him after you watched him after his quidditch practice because in your words, not his–

He looked so hot.

The more he read through, the material written within progressively escalated. Soon, it was about how you felt guilty by using the thought of him as a means to get off. 

Now I feel guilty. Yes, I know– it is wrong of me to finger myself at the thought of my really really really hot friend who I also happen to have a crush on, no I’m not being sarcastic, yes, it was just once. Just this ONCE, I got carried away… Oh Merlin, I’m so sorry, Cedric.

He actually found it quite adorable how you were apologising in a diary. He was also extremely flustered at this point, a little bit horny and at the same time, confused. He nonetheless continued, reading several entries about how you admitted to having several fantasies of you being fucked by Cedric, what you think he would be like in bed, yada yada yada. 

You admit throughout several logs that what was supposed to be a one-time thing, turned into nightly endeavours filled with a big ounce of shame afterwards. 

Once he felt content, he got the padlock and clicked it back in place as if nothing ever happened, and took it with him as he went on his way. He figured it was best that he give it back the next time he ran into you. 

Aside from that, his day passed by quite like any ordinary one, though he hadn’t seen you at all. On his way down to the Great Hall, he caught a glimpse of you walking whilst talking to some of your friends– though you quickly disappeared into the crowd of students flocking towards the hall for dinner.

Afterwards, most students are headed towards the library or their respective common rooms, Cedric ought to do the same. 

Meanwhile you were searching every nook and cranny of everywhere you had been within the entire day, searching for that damned diary since the afternoon. You had traced back your steps to the beginning of the day, starting off with the common rooms, the great hall, then you had snuck into the several classrooms you were in earlier. In the potions dungeon, you were almost caught by Snape, you hid in time (you pride yourself on being an absolute pro at hide and seek) and just by the skin of your teeth.

You would stop at nothing until you actually find it, the thought of someone else getting your diary sends shivers down your spine. You just hope if someone did, they’d have enough of a sense of privacy and decency not to look through it. If this keeps up, You would have to be looking throughout the entire night and without being caught at that. 

You doubt any of the staff would actually care about finding it if you had simply asked. You had tried that once when you lost one of your textbooks, you managed to find it, no thanks to anyone but yourself.  And you would think if you would ask any of your professors, they’d probably say (the textbook) was miles more important than some journal with sentimental value.

Before you knew it, you were definitely up past curfew hours. Currently in the library, you were looking everywhere– on and under each of the chairs and tables, the shelves, you were seriously considering going to check the restricted section if you were not able to find it here. Perhaps the librarian thought it was a book, too. You froze in your place as you heard footsteps other than yours echoing as someone entered the library.

–

Cedric was doing his rounds and surprisingly, tonight was not that half-bad. No pesky students loitering around, so far that is. Currently surveying the corridors, classrooms– he is now heading towards the library, hearing faint shuffling noises coming from the sound of it. So it was not a quiet night after all, he thought. He placed his bets on who he thought it was this time, and the lot of students who regularly snuck out was not much to choose from anyway.

Though, he was completely wrong this time. It was you. He flashes you a grin, nearly forgetting his duties as Head Boy to supposedly escort you back to your dorm since it was late hour. He could also give your diary back while he was at it, he was getting tired of having to cling on to it just at the chance he would run into you. But he had thought to strike up a conversation first, because why not?

“Hey,” Cedric greeted you, approaching you slowly. “Hi,” you gulped and said awkwardly. You interrupt him before he could even say a word, “I-I know what this looks like,” you stammer, figuring out the right words to say as you try reasoning with him. “It sounds like a ridiculous thing to ask of you, I know– but don’t tell anyone,” as you speak, you’re also in plenty of disbelief that the literal head boy of all people would give you leeway for sneaking out like thi. Even if he is your friend, and even if it were just once.

“And why shouldn’t I?” He said so casually, as if you two were having a normal conversation; as if he were not on patrol at all and he hadn’t caught you outside your dormitory past the given curfew. He also knew damn well why, it was just fun eliciting a reaction from you. He was of course going to eventually give it back. “It’s so late, you should at least be in your common room around this time, you know?” He points out as well.

“Well, for one, I’ve been a good student this year, this is the only time I snuck out.. And, I have a reason for sneaking out–! It’s not for anything bad, I promise, it’s just I’ve been looking for my damn diary the entire day.. I must’ve lost it somewhere– look, I swear I’ll go back to the dorms right now if you please, please, don’t tell me out to anybody.” 

You begged him, clasping your hands together for dramatic effect as you gave him those puppy eyes you use whenever you wanted something from him. (Such as when you begged him to buy whatever you wanted when you two went to Zonko’s that one time. P.S. It worked.)

“You mean this thing?” he said slyly. As he pulled out your diary, he gave a look of mischievousness. He watched as your eyebrows raise up, a look of relief plastered on your face as you sigh. You walk towards him, extending out your arms as you make grabby hands. “Oh, yes! Yes, that’s the one, now if you could just give it back–” then, that’s when you get cut off. 

“Ah, ah, now wait just a moment,” he said, raising the arm with your diary in his hand so you couldn’t reach it. “I’ll let you off, and I’ll give it back if,” taking a deep breath before he spoke again, wondering if he should really be doing this. It was now or never. “You give me a kiss.”

He found it really amusing as a blush formed on your face, completely flustered as your eyes widened in a look with a mix of shock and disbelief. You had stopped grabbing for your diary, as you opened your mouth to say something, but you were rendered completely speechless. Was this just a dream? Surely it was, it was too good to be true…

“Ha, ha. Very funny, Cedric,” you fake-laugh, your tone being fully sarcastic. Seeing if he is just playing around with you. “No way in hell I would,” you add, just in case he really was joking. (Maybe you have slight trust issues.) “Just give it back.” Despite that, he looked dead serious. He stared you down, not breaking eye contact, making you gulp nervously. “Please?”

“Oh, come on,” he says as his voice drops, sounding more sultry. “I’m not gonna do anything unless you let me, but I know you want to.” His eyes observe your lips. As much as he wanted to, he didn’t touch you at all since you hadn’t given your consent yet. He kept his hands to himself, letting his body language do the talking. 

“Now what makes you say that?” You squint your eyes as you give a questioning look at him, acting, or trying to at least, unaffected. You still had your guard up, because seriously, what was up with this guy today? 

“Now, why’re you acting like you don’t want it? Hmm?” He smirked, “Could make all those fantasies of yours in that little book come true, you know.”

You looked mortified, as if you had seen a ghost. The last bits of your dignity withered away, long gone at this point. You wanted to shrivel up and sob in a corner out of pure humiliation. He read your diary. “No way, you read it!?” You slap his arm as you cover your face in sheer embarrassment. “Privacy exists, you know–!” Cedric let out a guttural laugh, unable consistently to keep up his flirty demeanour. “Hey, better me than anyone else, right? Besides,” he leaned on one of the bookshelves.

“I like you.”

If you thought you couldn’t get any redder, you were awfully wrong. You didn’t know what to say, as you practically threw yourself at him in an embrace. “I like you too…” you said, your voice muffled as your face was buried in his chest. “This is so embarrassing.”

He wasted no time in hugging you back, his arms wrapped around you. It was like you put on a warm blanket. You two stayed like that for a while, enjoying eachothers company. The moment of silence was interrupted as he said, “I should probably ask properly.” You look up at him, waiting for what he has to say. “Will you be my girlfriend?” He finally says.

“What do you think?” A rhetorical question.

“I need a yes or no, not a ‘what do you think’.”

“If you actually read my diary, you already have your answer.”

“Well then, it’s official,” he smiles. “Can I get that kiss now?” He says impatiently. You waste no time, tipping on your toes as you press your lips against his, placing your hands on his broad shoulders. He wraps his hands around your waist, pushing you softly against a bookcase. It was chaste and passionate, as your lips intertwined as you two kissed in a slow rhythm. 

You pull away, catching your breath. “By the way, this doesn’t mean I forgive you for reading my diary,” you blurt out, Cedric chuckling at that.

Before you knew it, he was grabbing your wrist and leading you to his dorm room. It was clear to the both of you where this situation was going. As you walked together, your heart raced in anticipation, a mix of excitement and nervousness flooded your senses. You both stopped in your tracks as you reached a portrait, that of Helena Ravenclaw’s. He mumbled the password and the portrait swung open, walking in whilst ducking his head over the small entrance and motioning you to come in as well. 

You assumed this was the heads’ common room, it was circular and decorated quite lavishly. If it were not for Cedric, you would have taken more time to admire the interior. It was definitely plenty grand compared to the regular ones. Though, you quickly were grounded back into the situation as he led you to his dorm– Head Boy’s–completely away from prying eyes. Oh, bless Cedric for being head boy and whoever decided that heads should have their own room. 

He slams the door shut behind you two, pinning you to it. Tension flooded the room, it was practically suffocating. He wastes no time, cupping your chin as he tilts your head slightly upward to make you look at him. He leaned in for a second kiss, your lips puzzle together once more. His hand interlocked with yours tightly as he held it up against the door panel, keeping you in place. 

It was not as innocent as it was the first time, in fact quite the opposite– amorous. It was far from perfect, given both of you were not experienced. All your knowledge came from things such as muggle films, you think.

You remembered how they opened their mouths slightly, imitating what you saw in fiction. You slowly gaped open your mouth, Cedric immediately getting the hint as he slid his tongue inside. You both attempted to swirl each other's tongues together, yet it was more clashing your tongues together with no rhythm whatsoever, in hoping something just works. Though it didn't make it any less hot, if anything, it was more.

It was awfully sappier than one would might like, but you two were both (not-so hopeless anymore) romantics. Perhaps it was the entire three years of obliviousness and pining for each other being poured into this moment. Though, given what you two are about to do, it is a bit fast for an official relationship. Well, yeah, as much as you just got together.. You both couldn’t help it nor wait anymore, not wanting to waste any more time, not after so many years with your feelings going unsaid. 

He took heavier breaths, grabbing ahold of your waist as he pressed himself closer against you. You both flushed, a bit embarrassed and nervousness surging through your veins as you gasped when his half-chubbed dick pressed against just above your groin. You couldn’t deny– you felt scared, a bit hesitant but you knew you wanted this more than anything. 

While you still kissed, you both toed off your shoes and made a beeline for the bed (a sad attempt). Because your senses of navigation clearly dwindled, not a care in the world but each other. You two accidentally bumped into one of the small tables, knocking down some of the books that lay on them. “Oops,” Cedric said lightheartedly. Pulling the both of you out of the moment momentarily, you two laughed and just chalked it up to fixing it later.

Finally reaching the four-poster (which was a lot bigger than the regular ones), even if it were a few feet away from where you two initially were, it was quite the journey. Cedric, who was the one leading out of the two of you, practically tripped you both into bed as he rested atop you. “Ced!” You squealed, “you’re crushing me!” light-heartedly, you say, as you jab at his chest playfully, in an attempt to push him off. 

“Well..not my problem, princess,” he laughed as he buried his face into your neck. Sucking and nipping at the flesh, leaving red marks on you as he placed a kiss on each one to seal them afterwards. “May I…?” He says, his hand trailing up to grab onto the hem of your tie, ready to pull it off. You give him a small, silent nod. He takes his time with you, as if he were unwrapping a huge present. 

He begins by pulling off your tie, discarding the article of clothing to a random corner of the room. The same goes for your robes, sweater, dress shirt…all long gone and forgotten. You were merely left with your undergarments and skirt on, as well as your socks. He stops dead in his tracks, taking a step back as he takes the sight of you in.

“I forgot to tell you how beautiful you are.” He says each word clear as day– you’ve never heard anyone more confident in your life. You blush profusely, hands covering your face to conceal it. “I’ll die from those compliments before you actually start doing anything, you know?” You babble, too florid to think of words to form. 

He trails his hand, leading it down to your underwear, tugging down at the hem of it as to pull them off. “Sorry, sorry,” he says, though not a hint of apology in his voice. You mutter something about him not being forgiven, ouch, so now he has two things he is yet to be forgiven for. He just smiles innocently back at you, lips all pouty as you pretend to sulk about it. (Obviously jokingly) When in fact, you wallow in the praise.

He leans into your ear as his hands now teasing at your folds, you let out a soft moan at his touch. “Guess I’ll have to make it up to you, huh?” He says in a low, gravelly voice. Which had absolutely no right to sound that hot. “Please, Ced,” you say, trying not to sound like you were begging for it. “Wait,” he stops, getting up and begins to rummage through his drawer, looking for something. You look at him quizzically, wondering what he is doing and looking slightly disappointed at the loss of sensation.

After a few more seconds, he pulls out a small vial of a clear flaxen liquid and examines it before walking back to you. “Um, I’m really sorry, d’you think this’ll do?” He shows you the vial, which you had assumed to be a natural oil of sorts. “I, er, don’t have any lube.” He says awkwardly. “I mean, if you’re not comfortable we don’t have to–” You cut him off immediately, quickly divulging that, “No, no, we– we can. I’m fine with it.” Okay, you definitely sounded a bit desperate. He nods, uncorking the vial as he coats his fingers with a fair amount.

“I’ve never done this before,” he says, prodding two fingers at your pussy. “Just– just tell me if it hurts, okay? Tap my shoulder two times if you can’t speak.” You nod, and with that, he eases in slowly his fingers, your breath hitching as you feel his fingers slip inside you. It feels uncomfortable, causing you to shift in your position slightly. Cedric quickly stops inching his fingers inside as he asks if you’re okay. You tell him that you’re fine and to keep going, assuring yourself and him that it is normal. Hopefully you’ll get used to the feeling. 

He continues, eventually now fully inside you. “Let me know when, um, I can move them, okay?” He says caringly, not an inch of attention wavering away from you. After a bit, you give him the go-signal to move and he starts dragging his fingers out of you, albeit slowly, and pushing them back inside. He watches you attentively, carefully studying your expressions, your body language– His erection was straining against his pants at this point, begging to be freed, but of course he wanted to make sure you were thoroughly prepared. 

“Ah, Ced, mhh, maybe if you curl your fingers a–ah bit–” you moan, still feeling a slight discomfort and pain, though pleasure slowly seeps through. “Like this?” He says, as he curls his fingers inside you, moving in and out with languid strokes. You let out a particular wince, though you nodded in approval. “Yes, just like that– ah,”

It was not anything you were not used to, though you always felt guilty whenever you did such things to yourself. Especially if your only barrier to privacy is the curtains on your four-poster. Though it took a bit of adjusting, because Cedric’s fingers were no doubt bigger than yours. You feel your stomach curling, the feeling of release catching on to you. Cedric must have had a sixth sense, or really good observational skills (perhaps all that astronomy paid off.) because he pulled his fingers out of you the moment you were about to. You whine instinctively in response.

Before you knew it, he was getting rid of his sweater, taking off his tie and unbuttoning his dress shirt, tossing the apparel in the same corner where your clothes went, though leaving his unbuttoned shirt on. You watched his every movement intently, feeling yourself getting wet at the sight of him undressing. He is tall, lean, and burly– has a good build from all that quidditch. Amen for that. 

Your eyes begin to linger down to his trousers, and a very obvious bulge that you can’t help but stare at. He continues by unzipping his fly, though not pulling down his pants. He tugged at his grey boxers just enough to release his cock from its confines, coating it with a light layer of the oil he had used earlier. You could not help but stare, your pupils dilated, clouding your eyes darkly with arousal. He crawls in between your legs as he now hovers atop you. He aligned his cock, tip pressing into the folds of your pussy. 

“M’nervous,” you mumble, almost nonsensically, though Cedric understood what you had tried to say. He leans in, placing a kiss on your forehead as he gently caresses your cheek, “If you’re feeling pressured, we don’t have to, y’know. We can just… Stop here, we can continue another time if you’d like, when you’re ready.” He says softly, warmth naturally oozing through his voice like honey, sweet and assuring. 

“No,” you say, quiet but firmly. “I want to.” 

“Then we will, just tell me when you’re ready. I’ll be gentle.” He says, and his words make all your worries slowly ebb away. You feel safe with Cedric. You press your hips down onto his dick ever so slightly, letting the tip slide in. You gasp at the foreign feeling, nervous to fully take it all in. He notices, and as well lets out a soft moan, asking if he has permission to continue. You breathily say a yes, and that’s when he unhurriedly starts to push inside you.

It feels completely new, slightly painful with a twinge of pleasure. You shut your eyes, wincing at the sensation. Cedric examines your expressions as he inches in, checking for any signs of discomfort. He stops for a moment to ask if you’re okay, noticing your brows knitting together with your eyes shut. You assure him you’re fine, and tell him to keep going.

Eventually, he bottoms out inside you, though he doesn’t move immediately. You two just sit there for a good minute or two, kissing softly as your lips move in unison. Pulling away, panting as you say, “m-move, please,”

And who is Cedric to deny you of that? He began moving his hips slowly and shallowly, not wanting you to take too much at once. You also started getting a bit used to the feeling, though it was still mostly new to you. It didn’t feel as painful as it did, moaning in pleasure as he moved his hips. 

He then pulled out his cock, teasing you, and easing back in steadily, causing you to moan wantonly out loud. His thrusts still slow, but begin to get deeper as he holds your legs open. He was vocal too, nothing short of chanting your name and praising you in a gravelly voice, groaning and grunting ruggedly as he fucked his cock far into you. 

“You’re such a good girl f’me,” he pants, both of you moaning as he rocked his dick back into you with a particularly deep thrust. While the discomfort still remained, you grew more accustomed to the feeling of gratification that grew increasingly.“Ha– ah, harder, Ced,” you say, gasping in between your words. He did nothing shy of it, but not anything that he felt like would be too much for you.

“Merlin, y’feel so good,” he says huskily, moving his hips rhythmically slow, hard and deep as you’re reduced into a moaning mess. Your arms flail to the side of your head, grasping on the sheets as you arch your back. You were mumbling nonsensically, and Cedric laughed breathily as he told you how cute you were. He could only barely make out what seemed to be an I love you. “I love you too, princess,” he groans as he leans in and leaves a few more marks on your collarbone and neck.

You splay your hands onto his back. Digging your nails into his skin, leaving marks of your own though unintentionally. You drag your nails down his broad back, grabbing onto him as he knocks the wind out of you with each thrust.

You feel a fire pooling low in your abdomen, as well as the heightening sense of arousal as Cedric kept thrusting inside you. You feel your pussy tighten around him, “Mmh, Ced, I think I’m gonna–!” You squeal, Cedric grabs your hips and quickened his pace by a bit. “Go on, sweetheart.” He says low, letting his breath into your ear, moving down to kiss your neck. Reaching your limit, you feel your orgasm ripple through you.

Cedric kept going, though you could tell he was close, too– his thrusts growing sloppy as the echo of skin to skin and moans  from the both of you filled the room. His hips jerked a few more times as he finally sheathed fully and deep into you, as you two let out a long, drawn out moan as he was spilling his load inside your pussy. 

Clenching around his cock greedily, it’s as if you were going to wring him dry. You feel the way his cock pulses as he cums in you, a white ring pooling around the base of his cock with your mixed juices as it trickles down your folds. 

He collapses atop you, letting his head rest between your breasts as he’s still inside you. You two lay like that for a while, basking in the silence of the afterglow. You suddenly interrupt as you say, “Okay, maybe I forgive you..” 

He smiles and scoffs at that. Eventually, he pulls out and lays beside you, cuddling you from behind as you two exchange ‘I love you’s’ as you two drift off into sleep.

[nocturnalazure]

📩 Simblr question of the day: Choose as many sims/ocs as you'd like for this question, What's something INCREDIBLY obscure and/or out-of-pocket about your sim/oc? Something that nobody (fellow sims and/or your followers and mutuals) knows 👀 (This could be things about their social skills, physicality and/or birth defects, or it could be something they vaguely remember, a dream they had that actually predicted the future, etc etc... whatever you come up with)

( p.p.s freely share this SQOTD around, anon or not, and use the # SQOTD ~ 💛 )

Oh, thank you Anon! What a lovely question!

I love daydreaming about my OCs and I can come up with a thousand little details about them. I also love integrating those details into my story whenever possible. But the game is sometimes limiting and I can't show everything that I'd like to show, that's why I'm so grateful for OC asks: I get the chance to mention all those things that make up my characters and that would never get mentioned otherwise.

(I'm writing a whole essay again, I'll try to make it short)

So here are a few facts from previous character development questions/oc asks in which I've mentioned a detail that was simply never mentioned or shown in the story, directly or indirectly. :)

Nathaniel: drives too fast and gets speeding tickets. Would have liked to be a piano teacher.

Theo: got the 'heart of stone' lifetime reward. Likes Carmina Burana.

Ralph: was an alcoholic at some point. [NB: that's actually more or less induced in the very first scene in which he appears, which is in a watering hole] Listens to country music. Likes to sniff Pippa's belongings (like a dog!).

Sam: is a fan of Lily Allen. Has a husky voice. Tried to make latte art but failed. Uses "moron" a lot. Is a spendthrift.

Noah: was supposed to become a gigolo in my original storyline for him. Is a repressed Borderline.

Ash: actually strongly autistic-coded. He described love as being (I quote) "a four-leaf clover". Forgets pens everywhere he goes.

Uli: is scared of pigeons.

Ivy: her mother died of cancer when she was a baby. Is scared of old age and her body failing her. Likes sex toys.

Seth: the car he repaired at some point in the story was bought by Yu Wong (Anh's grandmother). His greatest fear was that Erik would suffer from something he's done. Doesn't like people touching him (except his wife).

Tristan: his rings are signet rings (the one on his thumb bears his family crest, the one on his little finger has a rather unidentifiable gemstone coming from his mother). Met in person King Louis XIV of France, Bach and Charlie Chaplin.

Laurie: his favorite drink is Gin & Tonic. Has a Discord account.

Anh: loves mooncakes. Watches anime.

Eloise: doesn't like video games. Loves the holiday season and listening to Tristan playing the piano.

Erik: is a fan of Deadpool and Wolverine. Loves the smell of gasoline and cinnamon.

Romeo: went by Federico in gay bars. Would like to adopt a cat. Is an excellent swimmer.

Jamie: dips his chip back into the salsa after taking a bite. Doesn’t call ahead when he’s late. Chews on his fingernails.

Omar: loves pistachios and Candy Crush.

[fictionadventurer]

I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.

So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.

Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.

Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.

Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.

And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.

They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.

When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.

Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.

Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.

Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.

Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.

And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."

He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.

He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.

Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.

He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.

This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.

[lovesickeros]

☆ even the gods bleed [ pt 2 ]

{☆} characters furina, neuvillette {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings none {☆} word count 1.9k {☆} previous [ 1 ]

This had to be a punishment of some sort – some kind of divine punishment.

She was bored out of her mind just watching the sleeping body – she hadn't blinked once in the past five hours, her eyes were really starting to hurt. Yet they still hadn't moved so much as an inch since she sequestered them away to the only place she had known to be safe.

But it'd been almost a week since then.

The only solace she found was that Teyvat had seemed much less hellbent on collapsing in on itself like a dying star.

That counted for something.

Not much, but something!

..Even if their position was no better then it was a week ago.

There was, after all, still the issue of what to do about the false Creator – the actual imposter – and the Archons following them like blind lambs. The other Archons wouldn't listen if she tried to reason with them, and it would only risk the life of Divine One if she spoke of their location to anyone else.

She also was pretty fond of having her head still attached to her shoulders.

So she avoided them all together. Partially because she wasn't sure she wouldn't have a breakdown at the sight of them..she'd never been a fighter, and fighting an Archon? Easy pass.

Instead she was forced to babysit the sleeping Divine until they woke up while Neuvillette handled taking care of the nation and dealing with the other Archons – and by extension the false Creator.

Really though, she would almost think them dead if not for the subtle rise and fall of their chest.

Though..this also left her with a lot of time to herself. A lot of time to think.

She really didn't like it.

There wasn't a lot to occupy her mind and what little there was only distracted her for a scant few moments before her eyes drifted back to the Divine like she was locked in their orbit, unable to escape.

She closed the same book for the twelfth time – she kept count – and returned it to it's meticulously designed place within her bookcase. A low, barely audible huff of frustration escaped her lips before she could bite it down, her stare boring a hole into the body of the Divine One with a sharp intensity she rarely showed.

She was tired, bored and constantly on edge, fearing that at any moment someone would find out about their presence here.

That, at the drop of a hat, she would be powerless to stop the greatest tragedy of her time play out before her eyes.

Neuvillette would have scolded her for being so petulant, especially around the Divine One, if he were here.

But he wasn't.

He was out running her nation, instead.

And what was she doing? Nothing!

She grit her teeth, nails digging harshly into the palm of her hands as she took a deep breath – now was not the time to think about that. She had..much more pressing matters. Sulking and letting her thoughts spiral helped no one, least of all herself.

Yet her attention was caught by a harsh inhale, the rustle of fabric – were they finally waking up? She was exhausted, but it all vanished at the sudden drop of life within the otherwise deathly still body of the Divine.

Her eyes followed the subtle twitch of their fingers, watching as their brow furrowed and their features twisted in something almost like..pain.

..She wasn't ready.

What was she supposed to say?

Should she even say anything? Would that be considered impolite? Does she wait for them to speak first? Should she kneel? Bow?

She doesn't get much time to find her own answer before their lashes flutter, chest heaving with every strangled breath. Every single thought vanishes from her mind the moment she meets their eyes.

For a long, silent moment she thinks that her heart must have stopped.

Their eyes glow like the cresting of the sun over the horizon, painting the world in hues of gold – yet it also reminded her of the dipping of the moon below the waves, casting the briefest, most gentle of lights upon the world engulfed in darkness. In the depths of their eyes was the birth and death of stars in the infinite cosmos – glittering stars in a sea of empty, blank space that left her feeling lightheaded and breathless.

Beneath the splendor is a spark of recognition in their eyes so vibrant it was like a shooting star piercing through the dark night sky, leaving nothing but the wonder in the eyes of the observer as the only proof it ever existed – brilliant in it's beauty, however brief.

It is the most beautiful thing she has ever seen.

"Focalors?"

The lilt of their voice nearly made her knees buckle beneath her – euphoria so consuming it left her feeling she was starving swallowed her whole, her mind blanking in a moment of utter bliss. It was..an indescribable feeling that she doubted she could ever hope to put into words – not in a way that could properly express it, try as she might.

She swallowed the words that threatened to spill from her lips – she couldn't make a fool of herself. Not in front of them of all people. She'd never forgive herself.

"Divine One," She rasps, clearing her throat and covering her mouth with a hand to mask both her nervousness and the small smile that creeps across her face. She quickly regains her composure, hand resting on her hip as she puffs out her chest with every bit of pride she can manage. "I am sure you must be confused, but worry not– your most loyal acolyte has seen the truth!"

The silence is deafening.

She opens one eye, peaking at the bewildered and almost distraught expression of the Divine.

"What the hell are you talking about?"

That..she was not prepared for. Surely they knew who they were! Surely they knew. They had to– she's been praying to them for as long as she's breathed, she's dedicated every hour of her life to living up to their ideals, they can't just–!

"Lady Furina?"

Neuvillette, thankfully, spares her the embarrassment of having a meltdown in front of the Divine, the gentle rap of his knuckles against the door making her and the Divine pause, the soft lull of his voice soothing her nerves and yet setting her on edge at the same time.

"Neuvillette." She clears her throat again, her steps hurried as she marches to the door and pries it open none too gently, a forced smile pulling at her lips. She wastes no time tugging the man into the room, shutting the door behind him with a short huff. The silence is, somehow, even worse then before as the three of them stare at each other in absolute exasperation.

Neuvillette, for his part, manages to get his act together with a sharp clearing of his throat, bowing so low even she looks unnerved. She steals a brief glance at the Divine, and she's taken aback by the uncomfortability twisting their features into a grimace.

Their expression is schooled back into one of empty apathy when he stands back to his full height, but she saw it – she knows she did! Did they not like their worship? Were they not respectful enough? For a moment, she feared the Divine would smite Neuvillette down on the spot..but they just stared at him like he was a ghost.

"Why aren't you killing me?"

The defeated, resigned tone combined with the way their voice cracks makes her heart ache in her chest – it feels as though her entire world is crumbling down at her feet, and she cannot explain why she feels such emotions so strongly, but it is suffocating. It is almost as if Teyvat itself is weeping, bearing down upon her shoulders like a heavy weight.

She feels the urge to weep herself, but she powers through, gritting her teeth long enough for Neuvillette to take his place at the side of her – though it feels more like their – bed, kneeling like he was going to pray.

"Divine One," He offers a hand with a quiet rumble of his voice, the words slipping off his tongue like honey. It's like trying to soothe a stray cat..though she'd never voice such comparisons of the most Divine out loud. "I..we mean you no harm. I swear on my authority as the Iudex of Fontaine and Chief Justice that you are safe with us."

The skepticism she expected, but the reverence in which Neuvillette must convince them – or perhaps they are simply so tired that they simply did not care any longer if it was all some ploy to drive a knife between their ribs. She didn't expect them to actually place their hand in Neuvillette's.

He didn't either, judging by the way he visibly brightened – not that they'd notice, but she did.

..Not that she could really blame him, her heels clicking against the floorboards as she shifted her weight to the other foot with a nervous energy that was practically bursting at the seams, more then a little jealous of the attention he was receiving. She was the one who found them, she was the one who stayed with them the entire time..but he gets all the attention?

How unfair.

"O-of course! We would never lay a hand on our creator," She adds, her voice a little higher pitched then she would have liked as she placed her hands on her hips, puffing out her chest and brushing off the sting of jealousy. "Least of all I– your most loyal, most devout acolyte!"

She felt baffled when she heard the sound of their laughter, her shoulders hunching and her cheeks flushing on mere instinct – she was expecting mockery, but the look in their eyes, still dulled by a pain she cannot even begin to imagine, made her hesitate.

..It was, perhaps, the most genuine thing she'd heard from them ever since before the hunt began.

She wasn't sure why her heart hurt at such an idea, but it was enthralling to see the beginnings of a half hearted smile on their lips.

For a moment, her mask of theatrics was forgotten as she stared at them in a mixture of awe and adoration– and though she didn't look at Neuvillette, she could imagine he must've shared such an expression.

Had she any doubts that they were her Creator, that they alone were the most Divine..they would wiped clean now. There was no mistaking the way the world itself seemed to grow clearer as they glanced up at her like she was worth something.

For a moment, she realized how cold the false Creators gaze had been now that she has felt warmth so gentle it almost made her knees buckle beneath her. It felt like a pale imitation, now.

Nothing could compare to the warmth that spread through her body at the mere semblance of a smile upon their lips. She didn't even mind if it was her they were laughing at anymore, she just wanted to hear them laugh again.

She'd make a fool of herself, if she had to.

She'd never felt so..ravenous for such a thing, but just the briefest glimpse was addictive.

She simply couldn't help herself from striding across the room and clasping their free hand in her own, her smile wide enough to unnerve as she leaned her weight onto the bed. For a moment, she considered pulling away at the way they startled, but her mind was made up by then – there was no going back.

"Again."

[comradekatara]

normally when i engage with fiction i view the events being depicted through the framing the narrative imposes, but because i am so invested in these characters when it comes to atla im legitimately like “i bet sokka was actually really scared when he got stuck in that hole. he’s spent his whole life preparing to die a martyr, and here he has to contend with the fact that he may die a stupid, insignificant death, failing to provide food for his friends while they hone skills he lacks and is further devalued for, hungry and alone. and yet this existential crisis is brushed aside. first, by his own coping mechanism, making jokes to distract himself from his ultimate fear, and secondly, by his friends, who barely give him a minute of their time and cut him off from a rare moment of true sincerity for the sake of admiring aang’s flashy new earthbending skills. the fact that this entire subplot is played for laughs thus becomes even more sick and twisted, as sokka’s greatest fear, that he is truly worthless, is fully realized, and his entire existence is shown to be nothing more than an absurd, frivolous joke, with no punchline but his own insignificance.”

like what is WRONG with me….

[eyestrain-addict]

I just realized why lestat marked Tom, like the big stupid idiot I am

(I know everyone else probably already figured this out, but this is MY blog and I get to post whatever deranged thought crosses my pea brained mind.)

When I watched that scene in episode 5 where they're at the bar talking to Tom, I was confused as to why exactly. Why does Lestat mark Tom? If he's marked to kill, why does he wait almost 2 decades later? Well I realized, as all realizations come, in the shower.

Lestat has been planning on killing Tom the whole time.

(Warning before you click read more, this post is a lot longer than I first intended holy fuck)

Well not the whole time. Just right when Louis realized that Anderson and Fenwick had screwed him over. Maybe even longer if he knew it was a trick ("ridiculous of you to mix human and vampire business it always ends poorly"). Notice how he's upset with louis when he kills the guy who's microaggressive with him, cus lestat wasn't there (even if he was there I have my doubts Lestat would understand microaggressions, but he would have definitely killed him for touching Louis.) But tells Louis he's proud of him for killing Alderman. I think this has to be because he witnessed the disrespect first hand. He didn't give a fuck about the money, what he DID care about was that those two disrespected not only him, but Louis.

Even with Lestats little understanding of race relations of the time in America, he did understand hierarchys. He's from 1700s France for God's sake. It's no coincidence wanted to be king of mardi gras. Lestat came to New Orleans and saw himself as the king, even if no one knew it. And he wanted Louis to be his queen. Honestly I could make an entire other post about how Lestat almost literally saw himself as if he was a King and Louis his beloved Queen, which is why he thought it was okay for him to sleep with other women (mistresses and playthings of the king should mean nothing compared to the queen in lestats eyes) but that's getting off topic. I only bring that up because I'm trying to paint a picture of how I think Lestat sees disrespect done to Louis. To him that goes beyond disrespect or rudeness, it's irreverence.

You begin to notice if you watch scenes with them together. Because while I wouldn't say lestat is good at controlling his anger, he's definitely great at concealing it until it erupts (props to Sam Reid have to be given here) lestat is always on the verge of fury when talking to Tom. It starts as a distaste then as he begins to fall more in love with Louis and become more protective of him, his anger builds. Claudia was wrong about one thing, it was no petty slight that was the reason Lestat killed Tom first, it was a loooonng time coming.

I could list every detail I think supports this but I'm sure you get the gist by now. My main point is really the layer of complexity this adds to not only the story, the characters, but also lestat and louis' relationship. Consider it for a second, Lestat saw all his violence as justified, everything he did one can see it through the lense of him punishing the disrespectful (take a shot every time I say disrespect in this post jesus christ). "I bring death to those deserving" indeed. Lestat has a god complex out the wazoo, and every attack, torture, and death he caused was righteous to him and thus enjoyable. Louis on the other hand didn't see himself so highly. He may seem confident but if you look through the cracks it's apparent Louis's self worth in near nonexistent and he's horribly insecure. I think lestat thought when Louis was made a vampire he would see himself as Lestat saw himself, and as Lestat saw Louis. But again, another post for another time.

Despite Louis' insecurities (or perhaps because of them) louis revels in the violence lestat commits for his sake. That's probably why louis is so quick to forgive lestat about the priests. For a brief moment Lestat truly said the truth to Louis and Louis could forgive him because of it. As lestat says, he doesn't kill the priests to intimidate Louis, nor does he do it just because he enjoys it. He does it because he sees them as humiliating Louis, charlatans that don't deserve Louis' sorrow. Louis didn't want the priest's to die, but he could understand why lestat killed them, simply because for once in his goddamn life lestat told the truth, and louis loved that truth. That truth being that lestat killed and mutilated and committed such horrors not just because he liked it, but because he did it out of a fucked up sense of protection. Him killing the priests was essentially a knight killing a dragon to earn the princess' hand in marriage.

The worst part is that Lestat doesn't even realize it. Not fully anyway. Let's be honest with ourselves, lestat doesn't understand Louis. Obviously there's the race, background, culture differences that lestat doesn't understand nor seems inclined to try, but there are better posts about that made by smarter people than moi. I'm mostly talking about lestat doesn't understand louis' mind itself (louis' mind in a vacuum I suppose you could say) he understands Louis' desire for violence sure, but he doesn't understand the core of that want. Honestly I'm on the fence of if he ever understood that Louis loved it when lestat was protective in the first place. I guess it can be dumbed down to Louis wants Lestat to kill to protect Louis and to protect the family (and anyone who deeply disrepects them), lestat perhaps understood a little at one point, but since he sees everyone as a threat and everything is a slight to him, he has no trouble and qualms with delighting in the torture of people Louis views as innocent. Louis' heart is a bit dark, but ultimately human, so he's disgusted by lestats violence towards the undeserving. Lestat can no longer read Louis' mind and even if he could, Louis doesn't quite understand the difference himself (that's why he tries to hunt for criminals briefly) so the cracks of miscommunication starts to form, and neither of them even realize there is miscommunication.

Therein lies the importance of Tom Anderson for season 1. Not much of a character, more of a plot device in human skin. Claudia can see that Lestat hates him, but doesn't understand why, nor does she care to get to the depths of that. (*Mr house voice* understandable) I think it's notable that Louis rarely brought him up, he didn't understand the depths of lestats love. Nor did he know about Lestats 3 decade long grudge, all because Tom disrespected Louis.

Now I'm not excusing Lestat's actions, I just think it's interesting how this one throwaway character reveals a whole level of complexity to the relationship between him and Louis, and better sheds light on not only Lestats personal philosophy but louis' as well. Even Claudia to a degree.

Anyway, uh. End of essay. Bye.

[shorthaltsjester]

i do not want to dig a hole but i am too much of a laura bailey pc enjoyer to not make this post so:

selfishness ≠ a lack of kindness 

selfishness is a theme that has come up with all of laura's main campaign pcs. that doesn't mean that her characters are always making selfish choices or that they don't care about the rest of the people they're with or that they're not good. it's just that, for the most part, the first thing they're thinking of when they take action or make choices is themselves. 

in jester and vex both it is more typical and obvious selfishness. vex's developed because she needed it to keep herself and vax alive and as safe as possible and it grew into a behaviour that she had to actively work to avoid. it's evident in her greed, her theft of the broom, her reaction to her own death which relied heavily on i'm okay/i survived to which keyleth reminded her that she wasn't the only one who had to witness and reckon with her death. in jester's case, she grew up in an environment that literally trained her to make every decision based on two things - her mother's opinion and her own. so, when she's out in the world without marion for the first time, her choices are those that will benefit her and her actions are those that consider her own thoughts and not really many others' (aside from the traveler's). 

it isn't a criticism of either vex or jester to say that they are characters who act selfishly. in fact, i'd argue that to claim otherwise does a great disservice to exactly how immense both of their character arcs are. because the nuance of both jester and vex is that they are selfish, and they also hold extreme room for self-sacrifice and empathy. vex is much more brash than jester is, and jester is much more trusting than vex, but both of them are characters who begin with selfish impulses who grow with them. neither ever truly shed those impulses, but they use them in new ways, typically transforming them into impulses towards things that are in the best interest of the party. 

you may have noticed the lack of imogen in this post about laura bailey pcs and that's because of two reasons. one, we are an unknown amount of time into her story, i can't analyse her development the same way i can vex and jester's. two, imogen's selfishness isn't the blatant quasi-self-aware selfishness that we see in things like jester complaining about her lack of money to caleb or vex stealing a broom. instead, imogen's is very internal, like a lot of laura's character work with imogen. it is a bit similar to jester’s in the sense that it comes from a lack of awareness moreso than vex’s practiced behaviour, but imogen’s is a lot more tied to inherent beliefs she has about the world and the people in it.

as a consequence of her powers, imogen sees people's thoughts as their entirety, she holds it above their actions to be the truth of who they are - to act against what they think or to say something that doesn’t cohere with what they’ve thought is akin to lying, so for her to act empathetically is to act in tandem with what someone else’s thoughts are, not how they act, which is typically not all that wanted. the same as vex’s greed and jester’s naivety, this is a trait that makes narrative sense and it’s one i find quite compelling, especially when read in the vein of someone struggling through trauma that has made them assume that the world is against them. imogen’s cynicism is coherent cynicism, i can’t say that in a similar situation i wouldn’t have the same predisposition towards the world.

the part that is particularly self-interested comes in if you look at how imogen has actually been treated in the campaign (quite well) in comparison to the cynicism that she’s developed from her past (something that speaks to a world out to get her). certainly, a bunch of shitty things have happened to imogen in the time we’ve known her, but the same can be said for everyone in bell’s hells and pretty much everyone in exandria at this point in time. but, in a fight to save the aforementioned world, imogen’s focus was getting her mother back on her side. which, while very consistent with her character and a choice that i enjoy, is a very selfish one. the fun thing (to me, obviously) about imogen is that she has, more than most, an insight into the opinions of others and she also tends to seek others’ opinions out and genuinely engages with them and supports their choices. but she still very much acts towards what she thinks is best. it’s one reason i enjoy looking at the dynamic between her and orym as one between foils, as orym tends to be stalwart in his beliefs and doesn’t care too much for other’s opinions if he’s already sure of his own, but his actions tend to favour collaboration and protecting others.

as i mentioned earlier, imogen is a harder case to look at because she is still in the process of her story. however, the circlet is clearly influencing how she interacts with the world and in the wake of the solstice, the hostile reaction towards ruidusborn people has started to become more and more apparent and i’m interested to see what route that ends up leading imogen down and how it will influence her relationship with the rest of bell’s hells. (for better, i think, based on recent conversations, but if it's for worse i will be just as seated and excited).

all of this is just to say, please stop assuming that claiming a character has a trait you think is a bad one is criticism or a hate post. in light of the fact that i know that people who don’t believe this will continue to not believe this, i’ll encourage anyone confused about the ability of a character to be good and kind and selfish all at once to look to what the text itself says, specifically scanlan’s words to pelor when asked what vex means to him:

“Her name is Vex, and she is greedy and mean sometimes, and she can steal a lot. She’s a little bit not the greatest person, but her flaws highlight everything that is right about her, which is she does all these things to protect her friends and her family. She would give her life for any of us and for anyone who was truly in need. And she’s not perfect but she’s the most perfect of all of us.”

would you look at that... an ability to be a multitude of things, some in conflict with one another. i know that's hard for fandoms to believe, especially about female characters with agency, but i promise its true!

[chaoswarfare]

danny falling asleep in weird places part 2! because i’m so tired 😀

[houseofache]

thinking about how sleep token’s discography continually engages with(in) liminal spaces— sleep, dreams, the limbo between heaven and hell, transitive actions, genres, etc.— and the ways it amplifies and further emphasizes the fleeting nature of love and romance, and reminds listeners of the very thing the band continually expresses: nothing lasts forever.

[beanghostprincess]

Sanuso Childhood Best Friends AU in which Sanji ends up in Syrup Village because the Orbit has to stop there for a while. They send little Sanji to buy food on his own with a bit of money (or, just, do whatever until he has to meet the crew again. They're a bit careless with the kid) and he meets Usopp when he sees the younger kid trying to steal food from the market. Usopp gets caught easily and the stand owner tells him to go away. Usopp replies with something along the lines of "If you don't give food to the great captain Usopp I will just send all my allies to destroy your business!!!" but it doesn't work (quite obviously) and the guy just ignores him. That just makes Usopp start begging because he doesn't have the money to buy anything and he doesn't want to go to Kaya's again. Besides, he doesn't want to go to the people who usually help him out because it's embarrassing and he doesn't want them to know. It's better to just either steal from this guy or beg. That makes 9 y/o Sanji's heart ignite with a passion and strength he didn't know he had inside, and he approaches the kid, staring intensely into the man's eyes and saying (with the angriest voice a 9 y/o can make) "Food exists to help the ones who're hungry!! You don't deserve this job!!" and the man stares down at him (Sanji's literally shaking, poor boy) saying that food is business and nothing else. And if he doesn't have anything to buy it with, he can go fuck off along with little long-nose. Usopp is amazed by Sanji's bravery and heroic behavior. Sanji hands him some beris, starts listing some stuff he has on display, and buys it. The man just has to give him the stuff, after all, but once he does he looks at Sanji like he's about to murder the kid. Despite being visibly shaking, little Sanji turns around at Usopp, his tiny hands being barely enough to grab everything he's carrying. So Usopp helps him, and they get out of there as quickly as they can once the man starts shouting at them.

They run for a while until they end up finally far enough to not see the man. Usopp is catching his breath when he turns to Sanji. "That was great! I- I could've handled it on my own, of course, the guy was super afraid of me, but-" And then Sanji just- He starts crying so damn loud. Usopp is completely lost as to why he's the one crying, but Sanji is literally shaking like a leaf and Usopp doesn't know what to do. "What's wrong?! I- Did- Did he hurt you or-"

"It was so scary!!" He holds the food tighter to his chest and tries to hold back the tears. "And- And he was so loud- I- Why were you arguing with him, dummy?!"

Usopp is, uh, a bit confused by the change of tone and meaning behind the kid's words. But he keeps crying and crying and shaking and Usopp can't help but feel awfully lost. "And why did you come to help? I had everything under control, you know?!" He really didn't.

"Because I-" He tries to wipe the tears away but they just keep on falling. "I'm a cook. I don't like it when people treat food like this. Especially when people are hungry." That catches Usopp a bit off guard, Sanji calming down for a few seconds before the crying starts again. He really tries hard not to cry. Like a man, or whatever. But his lower lip is betraying him. "He was so loud." Usopp really, really wants to do something to help, but right when Sanji says this, somebody riding a bicycle passes right behind Sanji, so close and loudly it makes him jump and sob harder. He makes himself even smaller. "Make it stop!" And so, of course, Usopp, as the hero of the village and bravest pirate and warrior of the seas, he takes Sanji's hand and leads him somewhere the older kid can't see because he refuses to open his eyes. But Sanji asks anyway, with the softest and smallest voice ever. "Where are we going?"

Usopp squeezes his hand. "You're a cook, right?" He turns his head around to Sanji, but doesn't stop walking. A huge grin shows up on his face when he sees the kid nodding. "Then you're gonna have the privilege to cook for the great Captain Usopp!"

And-

Usopp swears to this day that he will never forget Sanji's laughter at that moment. "A captain?" And it's like all his worries suddenly faded away with the simplest of lies. Usopp doesn't know if he's being genuine or if he's making fun of him, but the kid's smile makes his hands sweat. "Then I better make a meal worth of a king!"

Long story short, Usopp takes Sanji to his home and lets him cook in his very lonely and depressing kitchen. While the kid works, Usopp can't help but stare at him with impressed eyes. Sanji, on the other hand, has never felt such a rush when cooking for somebody. Not ever since- ... Mom. They talk about that too. They learn everything about each other. Usopp tells Sanji about his dad being a pirate and his mom passing away not long ago. He tells him about how the village and his best friend Kaya help him out most of the time, but he refuses to keep being so dependent on them, even if he has to beg strangers. He tells him about all of the adventures he's had and how people call him a liar out of jealousy. Sanji often believes what the kid says, being the naive kid he is, but he's smart enough to always think twice and realize that, okay, Usopp's stories might not be true, but if they make him happy, then they make Sanji happy too! If his dreams are told in the form of lies, it's kind of like Sanji's wish to find the All Blue. And so he tells Usopp all of that too. He skips the whole, um, family thing to talk about his dream. He tells Usopp about wanting to be a cook because of his ill mom (something they have in common!!). He tells him about his abilities in the kitchen! He keeps saying he'll be the best cook in the east blue!

It's nice having a friend. Usopp thinks Sanji looks really young for being two years older than him, and Sanji complains about Usopp being taller when he's younger. But it's nice, after all, to be with somebody who doesn't want to take anything from you.

Sanji's food is surprisingly good for a kid his age, and he's really glad Usopp likes it because he's been practicing for a whole year with the crew! Even if he makes the simplest of dishes, he's really proud of himself when Usopp won't stop praising him!

One thing leads to another, and when Sanji's crew finds him, they tell him they have to stay for a long while because their ship needs repairing and it's pretty grave. Sanji wishes he could say he's disappointed and sad, but he looks behind him at Usopp, and it kind of feels exciting to stay.

So they grow closer.

Sanji is always going back and forth between his ship and Usopp's home, but he barely spends time with his crew the days he stays in Syrup Village. Most of the time he even sleeps with his new friend! Sanji cooks for him and borrows money for them to buy the ingredients, explaining to Usopp everything that is to know about them. Usopp, on the other hand, is awesome at fishing, so they spend whole days at the beach trying to catch their food. It's the most fun they've ever had in their life. Usopp stops feeling lonely, and Sanji finally finds somebody who loves him for who he is. Usopp shows him beetles and insects and finds out that they make Sanji cry... He isn't proud of this, but sometimes (only sometimes) he places bugs on Sanji's way so he can save him. Sanji calls him his hero with the shiniest of looks, and Usopp just- He feels really warm inside. Sanji is always going to his crew to ask them about new recipes and things to learn while they're there, and he always makes them for Usopp because every praise about his food goes directly to his heart. They just keep on enjoying each other's company and many talents. Usopp even introduces him to Kaya! She's the cutest girl Sanji has ever met (not that he has ever met other girls besides his sister) and he's a bit jealous because it's obvious she likes Usopp, the guy just doesn't notice! If little Sanji isn't sure of who he's jealous of, that's something he refuses to think about.

"We're best friends." Sanji once says.

That gives Usopp the courage to respond with: "Then, when I become the bravest pirate of them all, you'll be my cook! You- You will, right?"

"Of course!" Sanji doesn't think he has ever smiled this much in the short period of time he has been alive. "Captain Usopp and the best cook in the East Blue- No! In all the seas!"

Loneliness is a word that now feels foreign to them.

But then, of course, Sanji has to go.

They promise to see each other again. They will, someday.

Sanji asks Usopp to come with them, though, but Usopp refuses.

"Come with me, Usopp! It's your chance to become a pirate!" (Don't let me go).

"I- I'm already a pirate, Sanji! Did you forget? I need to stay to protect this village from any harm and evil pirates that aren't like me!" (I'm so scared that not even wanting to go with you helps my legs move).

"But you said I'd be your cook!" (You promised).

"You'll always be my cook! And I'll always be your-"

"What kind of captain lets his cook go?!" Sanji yells, but he's the one crying the most.

"Sanji! Please! I- I'll do it. I'll sail someday and we'll see each other and we will be together but- But not now." The shame in Usopp's voice is obvious, and he can't tell lies from promises anymore.

"But I- What if-"

"I'll find you. The sea will bring me to you, don't worry! I told you I'm so good at fishing because I can speak their language, right? I'll just- I'll just send you messages through the sea! Just talk to the fishes and they'll tell you all you need to know. I'll always be with you!"

That, at least, makes Sanji laugh. "Liar. I know you can't speak-"

"But I'm not lying when I say we'll see each other again! Really! Believe in me!"

And Sanji has no other option but to believe.

Usopp tries to live years and years without regretting his decision that day, failing miserably. And Sanji keeps trying to talk to fishes even if he knows it won't work. He even asks some of them to save him (to tell Usopp they might not see each other again, at least) when he's stuck at that damn rock with Zeff, but they don't do anything. They don't even talk back at him. But he keeps believing for a while.

Until someday a gorgeous pirate asks him: "You're not in any crew, right?" Because she apparently wants him to go with her. And he would. He really would. But he owes too much to Zeff. So much he can't give it up. Not even for a girl, even if it hurts.

Her question is more painful than denying her the pleasure of being her cook, though. Because he has to respond with: "Huh? I- No. Had a captain once, though... Not that it matters now. Just- Not anymore."

When Luffy asks Usopp to come with him, he can see the shape of their long-lost best friend in Kaya's eyes. She always knew there was more between them than what they wanted to admit, but then again, they were just kids, so she couldn't really know at the time. Usopp hates having found out so late about it, but now this is a chance he won't waste. He can accomplish his dream and fulfill his promise at the same time!

And they do find each other, earlier than Usopp was actually ready for. Sanji drops a glass of wine when he sees him. Usopp basically trips and falls over the table and makes Zoro's food fall on his lap. Sanji's eyes never move away from him.

There's a long silence and a few weird looks being shared between the rest of the crew, but Usopp can't help but smile. He's extremely scared of what Sanji might say.

"I told you I'd find you, didn't I?" He tries to sound confident, but his voice falters.

Sanji can't stop smiling. "Took you long enough, captain."

Nami almost chokes on her food. "CAPTAIN?!" And the other two share the same startled expression.

But Usopp doesn't look at them. He's still over the table. It definitely looks ridiculous. "You- You're taller."

"And your hand is ruining my Quiche Lorraine." Sanji groans. "Could you not-"

"I'm sorry! I- I'm sorry. But don't speak to your captain like that!"

Nami interrupts him. "I thought you were lying when you talked about this guy!"

Oh. So he has talked about me. Sanji pretends he isn't forcing his heart to slow down.

So he just smirks at the redhead. "To be fair, madame, even if he tends to lie a lot-"

Nami rolls his eyes. "No shit, I figured."

But Sanji keeps going looking at Usopp. "Even if he does, he also keeps his promises."

By the way, you have to imagine them like this:

[britneyshakespeare]

wait james somerton sounds a lot like some people on tumblr when they start spouting off about queer history or supposed controversies within it. is that where you guys are getting your stuff? is it james somerton brain poisoning?

[dr3amofagame]

I think Dream in prison was always going to go poorly because it would require Sam to be as infallible as Pandora's Vault itself, and he's not. He has way too much personal stake in what Dream is doing, and in trying to force himself to be an emotionless machine that abides only the protocol he became a hypocritical wreck that only indulged his vindictive emotions and spiraled out of control trying to keep the situation steady. That's not even addressing how keeping someone in the prison would never be ethical because it's a psychological torture box designed by the psychological torture guy

I mean, I can see the argument that it would've been hard to like. Not make Pandora's Vault unethical, considering the size of the server and the fact that he was the only prisoner etc leading to a situation where yeah, he would've been left alone for long stretches of time no matter what, solitary was kinda inevitable, etc. Like I can see an argument for that. But on principle I feel like the influence that protocol had on the prison arc and on c!Sam specifically tends to be heavily overstated...because a significant portion of the prison arc, honestly, is making the point that the protocol was entirely based on what c!Sam determined.

Like, sure, the prison was always going to suck. c!Dream was never going to come out from it entirely unscathed. But there's a huge fucking difference between what he was prepared for (isolation + shitty food for an unspecified amount of time) and what situation he ended up in (his life at the mercy of two people that showed absolutely no damn qualms about literally torturing him). I think it's very fair to say that yeah, c!Sam was far from an unbiased party, and he was very much emotionally affected to his detriment during the prison arc. But...ultimately? I feel like we really don't see c!Sam struggling to maintain protocol over the course of months only to slowly break down. I don't think we see him "snap" and "lose control." necessarily, in the way that people often act is the case. (The strongest argument, in my opinion, in favor of c!Sam being greatly affected by some stressor that then has him turn to extreme cruelty has little to nothing to do with the prison itself and more to do with his brief stint with the Egg, but with so little attention drawn to that as a cause in the story of the prison itself, I feel like this mostly remains in the realm of speculation.)

Like, if we look at the facts, c!Sam's behavior day one was already weirding people out. Day one and c!Dream is already throwing himself in lava and c!Sam does not seem to give a damn. Of course, both of their behaviors had a myriad of reasons behind them, but it's important to note that there's like literally never been a single moment in the prison arc where c!Sam hasn't been, like, off.

We never see any of c!Ranboo's actual prison visits, but we know these happened very very early in c!Dream's imprisonment and that they were terminated quite early as well, once c!Sam discovered c!Ranboo writing in ender in the prison contracts. However, considering how the inside of the prison was the same between his dream and the real world, it is reasonable to say that c!Sam's behavior in the dream could've also been taken from reality, and "he knows what happens [when he disobeys]" is a hell of a statement to make.

c!Bad's prison visit is when things seem to be seriously off. Even if you consider c!Dream's behavior in this stream as entirely an act, c!Sam is noticeably tense after the prison visit and very demanding about what c!Dream said once c!Bad leaves the cell. c!Dream commenting on food being withheld is consistent with what we know happened in the prison arc later on. c!Sam says that c!Dream has been tossing himself in lava for attention. Several comments are made about "behaving" and "behavior," c!Sam is looking into the installation of an automatic feeder, and visitation is facing restrictions.

Pretty crucially, we see that c!Sam is very comfortable with making changes to the prison. Major changes to the prison, even. Installing an automatic feeder isn't exactly an easy process? And it obviously wasn't outlined in any kind of preexisting protocol. But c!Sam is perfectly willing to change this, just as he's perfectly willing to make all kinds of rules on visitation and limiting visitation because of c!Dream's behavior, etc, (which can reasonably be inferred as not being preexisting rules because that would mean that c!Dream, who allegedly helped with the creation of all of these rules, would be intentionally sabotaging his chances of visitation...when he very evidently wanted people to visit? like sorry but that doesn't make any sense) because he's the Warden and therefore the sole authority of Pandora's Vault and allowed to do literally anything he damn well pleases.

Further, sure, c!Dream might be acting in all the prison visits. Sure, he might be acting In General during this time, etc. But despite disobedience (disobedience with the explicit expressed purpose of trying to get c!Sam to spend more time with him...?) I would hardly characterize almost anything he does during these early days as being anything for c!Sam to be reasonably vindictive over. Even if you consider hopping into the lava (something c!Sam could've solved literally as easily as just raising the netherite barrier), tossing the clock into the lava (also preventable if c!Dream can't access the fucking lava????), and a couple alleged escape attempts (the only one that we know of being him trying to use the lectern to create a nether portal, something hardly easy to do and an attempt that c!Sam very evidently put down quite easily)--like. I can understand him being angry because of what c!Dream had done in the past, and obviously being angry because of c!Dream telling him about exile, but c!Dream early on in the prison arc hardly behaves badly. (Not that bad behavior would justify abuse, but you know.)

By the time of c!Sapnap's prison visit, c!Dream isn't the only one acting weird. c!Sam is strange in ways that are never fully explained and uh heavily imply shady shit??? He's not abiding by protocol when he suddenly interrupts the process of helping a visitor out of the prison by forcing c!Sapnap to respawn in order to check on c!Dream for Some Reason. He's once again very persistent about the question of whether or not c!Dream "said anything" and then reacts strangely when c!Sapnap was able to get him to say a word. He's replaced like a quarter of the obsidian in the cell with crying obsidian, which again, is an instance of c!Sam making BIG changes to the prison without protocol or anything dictating his actions. At most you can maybe make the argument that he's being moved by the spirit of the protocol, that being security should be prioritized over everything (hence potatoes instead of steak, hence no courtyard, hence--in this case--crying obsidian to make the escape attempt ineffective) but it's clearly nothing that they explicitly wrote down.

Also, around this time (I forget the exact date) he explicitly bans c!Ranboo from visiting. Also something we can reasonably assume isn't something that was included in any protocol that c!Dream wrote considering his uh, vested interests in continuing to have an informant.

c!Tommy's visit and that ensuing debacle, of course, is one of the first times we see c!Sam clearly, explicitly acting AGAINST the protocol that was established. The protocol outlines that c!Tommy should have stayed in there for at most a week, and c!Sam explicitly denies him from leaving when the time comes??? Even if you argue that he's doing it "for security", he's doing it in a manner that is going directly against the letter of the law of the protocol that he created with c!Dream. This is a clear demonstration that c!Sam sees himself, and acts as if he is above the law of Pandora's Vault, because, of course, he is the law. He is the Sole Authority. He is the Warden, and he answers to no one but himself. c!Tommy's death obviously ensues in quite the emotional fallout for him, and wanting revenge on c!Dream for this matter motivates his actions later on in the arc...but it's important to consider that mistreatment beyond the scope of what c!Dream expected long preceded this point. c!Sam, immediately after c!Tommy dies, describes himself as thinking that c!Dream's will was too broken to do anything like that. Describes himself as having punished c!Dream in every manner that he could think of. He doesn't go in to feed c!Dream for WEEKS after c!Tommy's death, directly leading to c!Tommy himself being isolated and starved post-revival. He bans visitation. All of these matters hardly seem like matters that c!Dream would have included in the prison protocol that he created when he was planning to be put in that prison, where he specifically had a vested interest in keeping himself (and the book) safe + having, like, FOOD + being able to have visitors in a safe manner + NOT being abused?

And even if we dismiss all of this as c!Sam acting in the best interests of security because c!Dream told him that the security of the prison is more important than anything else (which, even though we know that c!Dream did have this perspective to some degree, still doesn't eliminate c!Sam's responsibility as the one carrying out the existing protocol and making all of these Big Decisions and Big Changes etc to the prison) -- the decision to let c!Quackity into the prison stomps on all of that. That decision completely goes against not only the letter of the damn law that they established together, but the spirit of what the prison was ever meant to be in the first place. He compromises the security of the prisoner and the prison on the DAILY by letting in someone in full gear! With items! And plays a game with chance with c!Dream's life (and the revive book) every damn day. He hardly had enough of a system in place to keep c!Quackity from taking c!Dream's life, and he was certainly unable to stop c!Quackity from landing what would've been a killing blow on c!Techno before he got tp-ed out, like. He completely fucks over EVERYTHING that Pandora's Vault was meant to be, and that was...entirely his decision. Sure, c!Quackity manipulated him, true, but he was not beholden by any protocol or any element of his duty when he made this choice.

This isn't to say that c!Sam wasn't very much emotionally affected and making clouded judgements--he was! Especially if you factor in the stress of other events such as the Egg, etc. But I hesitate to ascribe any element of c!Sam's...c!Samness in the prison arc as him "cracking under the pressure," so to speak. The implications of mistreatment just start too early and are too calculated for me to say that he was simply reacting badly to stressors. I think he was absolutely trying his best to keep the situation "steady," in a sense, but keeping it steady never meant simply being an emotionless guardian to an impenetrable prison who couldn't cope as everything began piling up--keeping things steady, as early as that first month, meant breaking c!Dream into something docile. That was intentional. That was something he was making an active effort to do. Nor do I think that the claim that c!Sam was simply abiding by protocol holds any water, as I outline above: c!Sam has always acted above the protocol established in the prison to the point where even from the first time we see him acting as Warden during that first damn questionaire a specific point is made that he is the ultimate authority on the grounds of the Vault and his word is law. He acted within protocol when convenient to him and trampled over it when convenient to him, and I feel that people can overemphasize the role that protocol played in the decisions he made the same way that he himself did when he was shifting the blame of his own abusive actions onto c!Dream when he had the power, and always had the power, to amend the protocol established in any way he damn well pleased.

Of course, this isn't to say that the protocol was good. It, uh, wasn't--and plenty of people have criticized c!Dream for them even though the prison, as it ended up being used for his plans, was never anything more than a place for him to put himself because of the danger that the rest of the server presented, a base for him to hide in after the prison arc because of its security measures, and a "just-in-case" measure for them to hold their enemies if need be (which he never actually does, even when given golden opportunities to do so: inconsolable differences and the finale come to mind. Even if we're talking about his saw trap in the finale, the plan was to kill one and let the other go free (????????) while also giving them the exact items that could've easily been the keys to their escapes. after c!Tommy and c!Tubbo kill him. but I digress). But c!Sam goes so damn far beyond the protocol established by the "psychological torture guy" that he literally wasn't even beholden to when he was the Warden of the Vault on account of said guy being his prisoner. I don't really see any arguments about c!Sam's behavior having to do with him being too fallible of a man for the job he was given--he does exactly what he wants to do, how he wants to do it, using the job that gives him the power to do so. It's just that "what he wants to do" is not exactly what c!Dream had in mind when he and c!Sam were coming up with the plans for the prison and the protocol that they worked together to create because what he wants to do is, apparently, own a guy and keep him in his hell box. You know?

(i hope this didn't read too aggressively!)

[fictionadventurer]

I usually think of Gale as "playing by the Capitol's rules" and Peeta as "refusing to play the game", but it's not quite as simple as that. Gale and Peeta are both extremely skilled in different parts of the Game.

Gale is good at the violence part of the Capitol's game. He subverts society's rules by living as a semi-outlaw, illegally poaching to save his family, getting more and more active in fighting against oppression. Yet his violent outlook warps who he is at his core, because it warps his vision of the world into a game of "us versus them" that is actually the bedrock of the worldview that led to their oppressive society in the first place.

Peeta is good at the media spectacle at the heart of the Hunger Games. He can manipulate an entire nation with a story and a smile--a dangerous level of power. But though he's good at putting on the mask, he does so as a way to protect who he is at his core, and to stay loyal to his beliefs. He's able to subvert the system of lies into a tool for presenting the truth in ways that change people's hearts and minds.

Of the two of them, Peeta's probably the more dangerous. He could be the next President Snow if he wanted to be--manipulating the truth to warp hearts and minds and shape society in a way that best serves him. Yet Peeta doesn't play the game for personal gain. He doesn't use his skills to benefit himself. He's always acting out of love for Katniss, and eventually, for the good of all Panem, wanting to save everyone from the lies they're living under, instead of punishing some of them for their role in oppression. Gale works to save others, but only his people--everyone else "deserves" destruction, or is acceptable collateral damage. While Peeta could play the game and keep himself, Gale played the game in a way that warped even his good intentions to bad ends.

You wouldn't think that the honest hometown boy would wind up being less moral than the cunning media manipulator. Yet that's how it plays out, which suggests that it's not just playing the game that matters, but who the players are and how they choose to play.

[nyxofdemons]

“one day im going to have to make like a three hour long video essay that's just called In Defense of Helluva Boss” Please do. I see more anti videos than I do with defense ones. Like the ones that say season 2 is terrible even though it’s barely completed and the ones that say Stolitz is a bad despite them barely having a relationship.

no literally i am sick of seeing more anti content than actual appreciation videos but the anti talking point i see most that drives me up the fucking walls is that it's "bAd RePrEsEnTaTiOn," as if that is all that queer people are allowed to have; just the vague nebulous concept of "Rep(TM)." the fact that if a straight character is a bad person then it's just that This Character is a bad person, but if a queer character is a bad person then This Is Bad Representation Of The Community And Is Homophobic. can we not just HAVE characters?? vehicles to tell a story??? tools to craft a compelling narrative??? this is part of why Helluva/Hazbin being adult shows is such a THING because i see this get shut down a lot under the guise of "uhh well just because it's an adult show doesn't mean that it can handle whatever topic it wants however it wants" and like. yeah buddy! that's true! and that's not what this is fucking about!! when people say "it's an adult show" what they mean is that it's made to be engaged with under the assumption that you would know better than to take information to shape your worldview and perception of other real life people from a fucking cartoon! the show doesn't NEED to tell you that Um Hey Guys Just So You Know This Isn't Actually Meant To Reflect How All Real Life Gay Relationships Are because you are an adult who should already be able to discern this.

"bad rep" doesn't mean "characters that are nuanced, morally gray, or just bad people." "bad rep" would be if helluva boss was a show that said "the REASON these characters are in toxic relationships / are bad people is BECAUSE they are queer, or at least directly correlated to that fact." which is. you know. very fucking different than "these characters are in toxic relationships / are bad people because they 1) live in a classist society that actively encourages them to be their worst selves and 2) are extremely traumatized."

[woah-uhuh-uhuh-uhuh]

Christine Canigula was socially ostracized & developed a complex to protect herself: an essay

(suddenly i NEED to infodump about Christine actually so here)

Something I only noticed on rewatch: the way Christine will say something silly and then just kind of gingerly wait to see if Jeremy reacts well to it before continuing, almost like she's asking permission?? (e.g. the gap after the first stanza of "Play Rehearsal"). And it's only after he riffs off her bowling alley bit that she feels comfortable talking about her personal feelings with him (right before "Guy that I'd Kinda be Into"). The same happens with their "weird noise" exchange immediately before "It's pretty killer to sit and chat with you." I know theater relies on being succinct, and that 'bonding over shared quirks' and 'feelings talk' are both just crucial parts of relationship development... but I don't think it's a coincidence that it always goes in that order!

It's like Jeremy has to pass these *trials of weirdness* before she feels safe opening up to him and it drives me BONKERS so I wrote a whole 1000 word thing about it under the cut and this got too massive and I'm sorry. Also some autistic Jeremy meta at the end if that sweetens the pot hehehe

Table of contents:

Why she was ostracized

How she was ostracized

How that might inform her pattern of relationship development with Jeremy and Jake

How gender caused Jeremy's experiences to differ from hers, and how that affects their current relationships with "popularity" and peer acceptance.

1. Why she was ostracized

I am just so certain that Christine has been bullied or at least majorly outcast for a lot of her life. She's very obviously neurodivergent and because of that she can have these obnoxiously deep and repetitive interests, she can't judge if a piece of information will be genuinely interesting to someone, and she doesn't take social cues very well.

She frequently interrupts people when they're talking (an ADHD symptom btw), even when they're literally talking to her about the thing she wants to hear!

(C: "Do you find that? Because I totally find that!" J: "Uh, yeah, I-" C: "-And no matter how hard I try....")

(J: "I know the last thing I deserve is another shot, but-" C:"Jeremy, just... say what's on your mind.") (girl I'm sorry but that's what he was doing..... I have a whole other thoughtpiece on how this particularly fucks with Jeremy while they're dating but thats another thing...)

She doesn't seem confident in her interpretations of people's emotions and she'll ask/talk about them point blank (both theirs and her own) in a way a lot of people would find rude

("Uh, you seem really nervous...") ("Popular people are fucked up! *mutual laughter* …I mean, you're one of them!") ("I am flattered, this is new / still I'm not sure what I should do" <- as a response to getting asked out, that's pretty bold! Plus the entire part where she laughs at Jake's "rich boy routine") (also compare and contrast to Jeremy's "I don't know what I'm supposed to say right now." idk. are your allistic stage dorks in the room with us right now motherfuckers)

I'd go on about her hyperfixations/special interests too but I think Play Rehearsal pretty much sums it up lol

2. How she was ostracized

All this to say that I am CERTAIN she spent a lot of her schooling having "nice girls" patiently let her sit with them at lunch for weeks at a time until they finally get sick of her rambling and faux pas. Only when they leave does Christine realize that they didn't actually care about anything she said... And this happens over and over and over. (I know this seems hella specific but I swear it's an actual phenomenon... at least I'm pretty sure? sdjflksjf)

But anyway, it's clear that by the time they're juniors, Christine has kind of (and I do only mean kind of) figured out what behaviour other people respond poorly to. And from evidence I stated in the intro, I think she's become really careful about which people she lets herself get attached to. She doesn't want this to ever happen again - which means if she's going to hang out with someone, she has to know that they actually care about her, that they know she will sometimes be obnoxious or blunt, and they'll still be okay with that forever.

3. Applying this to her canon relationships

You can extend this to Jake, someone who sees her in her element in drama rehearsal (the thing everyone finds annoying about her because she won't shut up about it) and STILL likes her. I think it's a totally valid reading that her bluntness with him later ("Upgrade") is just because she misreads him / doesn't quite get the social standard that she should be white lying instead. But I think you could also read her as testing the waters. If she's really going to commit to dating this guy, she's gotta know he's okay with her being herself. And the fact that this guy (and I think it's significant that he is a boy, for reasons I'll explain in the end note) genuinely seems to like her is a whole new level of peer validation ("I am flattered, this is new") -- so of course she's gonna fall at least a little! It doesn't hurt that he's "tired of being the person that everyone thinks that I am..." just like her!

Her history with being pity-liked makes Chloe's "advice," that Jake's just toying with her and is going to move on soon, even scarier, because that's genuinely happened to her (on a platonic level) so many times before.

Jeremy is also a good candidate from the beginning because he's weird he's a weirdo he doesn't fit in and he doesn't wanna fit in you ever see him without this stupid cardigan on? that's weird! And she keeps warming up to him not only because they're getting to know each other but because he gets progressively more willing to not only tolerate (as Jake does) but *participate* in her weirdness!

First, she does something weird and he tolerates it ("Play Rehearsal"); the next time she's weird, he participates! (bowling ball before GTIKBI). Then finally finally finally he initiates the weirdness and lets her join in! ("weird noises" exchange before GTIKBI reprise).

And notably, it is THIS moment that canonically signifies that they've hit the apex of their canon relationship development. If there was an achievement called "Befriend Christine," it would have popped up right then and there!!!

IN CONCLUSION: YOUR HONOR I LOVE THEM T_T

4: Christine vs. Jeremy: Gender differences & how that ultimately impacts their social goals

I also think all of this would have happened to Jeremy too if he'd been a girl. But because, generally, young boys feel less social obligation than girls to take pity on the autistic kid (and because boys tend to be more quickly recognized as autistic) he just ends up completely alone for most of his school life (Michael nonwithstanding - and yeah there's an important distinction between your childhood friend putting up with you and knowing that, woah, I guess literally nobody else ever will).

Meanwhile, Christine has had people "put up" with her, and she's SICK OF IT!

That's part of why their complexes are so different, because Christine is trying to check everyone she meets to make sure they'll be okay with her weirdness before she gets attached, Jeremy is trying to eliminate his weirdness altogether because he's never even experienced his peers listening out of *pity* so how the hell can he expect someone to ever listen to him out of *interest?*

Jeremy has never had someone pretend to like him before, so he completely lacks Christine's fear of befriending someone who secretly hates you. He doesn't realize how bad it'll hurt him if he destroys his real self for popularity, if he befriends people who would have bullied his real self. He doesn't know what disingenuous friendship feels like, so like a very young Christine he's still actively trying to get there because he thinks it's the only kind of validation he'll ever get.

Do you see what im saying? Do you see it???? AUAUGUGUUGGH

THANK YOU FOR READING!!! If you have thoughts or even rebuttals please share i am so desperate to discuss the blorbos