After I finish and post this chapter, there will be no more rewriting. All of it will be new. We will officially be farthest into this story than we ever have been.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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op / inktober day 6: golden
happy birthday, Law! coordinate your gifts next year
okay i sketched this out last night, paused because, 'oh shit hold on am i lore timeline accurate??' and then loaded up the Law novel and finished reading overnight first
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Okay.
As much as I love feral Satan, who lets his instincts run wild and growls, bites and everything else… his soft side is so fuckin’ cute.
The Satan that stares at you in confusion as you tend to a small cut on his hand he’d received on one of his rampages, unbothered by the mess around the two of you and concerned solely with him. How he doesn’t quite know why his chest feels so warm and tight as he looks at your gentle, concerned expression.
Satan, who doesn’t understand why he feels so weightless with you, why his heart flutters and why he wants to hold you so gently, as if cradling something precious.
Satan, whose anger fades just from your presence alone, overtaken with feelings he’s never experienced, that baffle him entirely but he can’t get enough.
Satan, who desperately throws himself into research just to understand you a little more, to put a name on how he feels about you— who’s just as afraid of his own feelings as he is elated by them.
Satan, who worries you’ll be frightened of him if his temper rises, but you never are, even when he tells you that you should be.
Satan, who lays beside you, watching your sleeping face and utterly baffled that you trust him so completely to allow him to see you in such a vulnerable state… who knows deep down he’ll protect you forever.
Satan, who fumbles each time he tries to explain any of this to you, whose face becomes adorably reddened with each failed attempt.
Satan, who realizes that you’ve accepted him entirely, his every fault, his everything, before he had even come close to accepting himself. Who loves you more than he could ever put to words, or that he could ever really comprehend.
Just him. You know? Ahh, just helping him come to terms with everything he doesn’t know, to grow and understand. Helping him, in the end, to love.
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wait wait wait maybe crowley was so opposed to aziraphale taking the bentley not just bc....well it's his bentley his car the machine he loves and Aziraphale is a bumbling disaster who obeys traffic rules yes sure....but also, hear me out, because that means he can't give Aziraphale a lift. he loves giving aziraphale lifts (anywhere he wants to go)!! if aziraphale just starts taking his bentley out by himself then crowley is not needed?? but mr. acts of service crowley wants to drive aziraphale, loves driving beside him....together... aziraphale wanting to go by himself might be disconcerting in a whole other way....oh my
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my ideal timkon don't get together until they've both already done some queer realizations and dated other guys a little bit, in part because on tim's end, i think he's been in love with kon since he was 17, but at 17 tim didn't even know he was bisexual, forget anything else. and his feelings for kon were so big but also so constant that he didn't even realize they were there or significant because they've always been there and been huge. for years. so he putters along and does his time in the torment nexus (the closet) and languishes a bit but slowly starts to figure it out.
meanwhile kon dates someone, mostly like omg im dating a guy this is ALLOWED !??!?! and its pretty lowkey and casual and doesnt last bc like . super identity issues, right. kon would Never just tell someone, but secrets and casual relationships dont last long etc etc. but just the entire principle of kon dating someone and then being like yeah idk im not really feeling it like hes nice and all but i think hes more interested in like… yknow, my hot bod, than me. its whatever tho. and tim just being SOOOOO mad that someone would date kon and not absolutely adore him. tim will not be unpacking why hes so mad about kon having a shitty boyfriend. obviously its just bc kons his bestie and deserves better. (😶)
so he's just grouchily tinkering on some upgrade for his car to get the grumpy energies out. like WHATEVER! (angrily turns socket wrench) he's not saying kon should dump the guy or anything (angrily turns socket wrench) but he's just SAYING, kon can do BETTER!!!!! (angrily turns socket wrench) and kon DESERVES better!!! kon deserves someone who will treat him RIGHT!!!!! (angrily turns socket wrench) like if TIM was gonna fuck kon he wouldn't do it like a goddamn quickie and just fucking leave (angrily grabs the next size socket and scoots further under the car) like kon OBVIOUSLY doesn't like that so why won't this guy GET THAT!!!! (angry tinkering noises) if he's that shallow he can go find himself a sexy body pillow to screw!!! leave kon alone!!!!
and cassie sitting on a chair nearby is just like. sorry what was that? "if i was gonna fuck kon"? did you just say--hey tim? hey. can you go back a step?
and tim's just. obviously this is a hypothetical everyone considers about kon. look at him he's . you know. besides, tim's just talking as his best friend who wants the best for him! ugh stop trying to read into it cassie, that's not the POINT--
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