#Its part of the art process I guess

[tootditoot]

You see the end goal was to draw my fav characters holding hands, but I am somehow better at illustrating cats lmao

[parab0mb]

I wanna change something about my artwork but I don't know what exactly and it's honestly been frustrating me for like months now.

[cartoon-skeleton]

im fucking fighting demons as if i didnt ACTIVELY CHOOSE to write and draw an entire comic, make a series of giant oil paintings, construct an elaborate idea for my senior project involving a human-size marionette and a live feed camera and an insane amount of portraits, take a class where i have to write a fucking play for the final, and take another class where i have to analyze 208083287 movies per week this semester. like how am i mad at anyone or anything other than myself LOL

[peridots-pixiwolf]

ah. seems the special interest i've now had for 23 months, the only one that still consumes a portion of my mind at all times, just turned six today, and not a single one of the several lists I have to keep track of such anniversaries bothered to warn me of this early enough that I could actually draw something for it in time

[marsbotz]

every time i draw its like “oh my god how the fuck do i do this. theres no fucking way i can draw” and then i black out for 20 minutes and theres a mona lisa style sketch in front of me. how

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[came0dust]

i drew this two days ago between a bunch of other sketches for other things and literally forgot

[drchucktingle]

autistic expression in a neurotypical art gallery

this morning i thought i would talk about AUTHOR VOICE specifically when it comes to AUTISM. as autistic author i have learned to turn the dial up and down when writing characters. rose from CAMP DAMASCUS is basically exactly where i rest on spectrum and this shows in a few ways

in roses internal monolog you will see that she uses phrases like ‘my friend’ to talk about folks where neurotypical buckaroos might just use first name. or with her parents she will think of them in FIRST NAME instead of ‘mom’ or 'dad’. this is way many autistic buds THINK

to explain this trot I will say it is not a way of disrespect or anything like that, it is simply that these terms are TECHNICALLY all correct and interchangeable. socially, autistic buds often learn to mask by pinpointing WHEN to use these words that logically the same to us.

in CAMP DAMASCUS i left these things in to create character, but if you go back in my writing you will see it. in TINGLERS this is because they are honest in PUNK ROCK way. unfiltered expressions. in earlier novels its admittedly just because i did not realize it was unusual yet

point is, ROSES internal dialog in camp damascus is neurodivergent and i CHOSE not to change her thought process in this way, because we are BOTH autistic. this can be a risk because some neurotypical buckaroos will read it and just think ‘what a strange way. this is bad writing’

camp damascus reviews are actually very good it is a very well received book by any measure, but you will see some folks kind of making fun of these traits (i do not think they would do this if they knew it was authentic autistic way BUT we cannot educate EVERYONE on this trot)

POINT IS i am now faced with an artistic choice in later books. do i write with my AUTISTIC voice even though some neurotypical readers find it awkward? in technical sense some readers WILL think each book is better if i eliminate my autistic tendencies in later edits

my advice is this: character voice IS SO IMPORTANT, but a big part of writing is finding the place between YOUR voice and your CHARACTER voice where both are authentically existing in some way. like acting, you are always bringing something of yourself even when you 'disappear'

when writing BURY YOUR GAYS i did not plan to make misha on the spectrum, but misha is part of me and i am on the spectrum. what i have realized over time is that ALL OF MY CHARACTERS will have these traits in some way because i wrote them, and i will never disappear completely

so when edits came for BURY YOUR GAYS and misha, i took that dial and i turned it farther towards neurotypical than i did with rose, BUT I DID NOT TURN IT OFF COMPLETELY. in literal sense, i left some of those ‘my friends’, because i will always bring MY VOICE to my art as well

i am proud of being on the spectrum. while my voice may not hit every convention of ‘good writing’ it is authentically ‘MY writing’ and i think that is more important than any outside checklist for ‘correct literary expression’. and guess what THE RESULTS ARE IN, MY BOOKS DO WELL

so if you are an artist getting feedback or reviews, consider which parts you can LEARN FROM and grow and change, and which parts are just AUTHENTICALLY YOU. because while your honesty may defy conventions and seem unusual to some folks, IT IS OFTEN WHAT MAKES YOUR ART SING

feel free to turn that dial marked 'YOUR TRUE VOICE' up and down when it makes sense. i do this all the time. but i have long since decided i will never turn that dial OFF completely. your voice is your POWER buckaroo, dont be afraid to sing with it

[notherpuppet]

What is your opinion of AI? Personally, I think that like any technology, it depends on the user and their intentions, but that is just me.

What about you?

1. Theft

The most central issues with AI as it is now is that the programs were trained/are trained with STOLEN art. Stolen visual art, music, writing, etc.

The vast majority of what it has been fed is stolen. As in, the artists behind the work were not ever given the chance to consent nor be compensated for their works being used to feed the machine.

This reason alone is straight up copyright infringement and the optimist in me does believe the long arm of the law is gonna shut these programs down for that. But the long arm of the law is looooooong, and the technology is disrupting people’s livelihoods now. Unlike robots or machinery that was invented and built to expedite assembly line/factory work, this technology is only functional by using other people’s labor. If we didn’t live in a society where you have to “earn” your right to live in it, then this would still be wrong, but it probably wouldn’t be such an existential problem.

There are active class action lawsuits for infringement of copyright. And the private sector has begun filing suits and I’m quite certain they’ll win because again—it’s simply theft. These companies did not make licensing contracts, they’re not paying royalties to the artists they stole from.

So if you consider using ai that generates “art” (whether it is visual, music, writing, etc.) please consider stopping immediately, as you would actively be benefiting from theft (which is wrong imo!!!!)

2. AI in its present form dishonors the human spirit

In my personal relationship with AI technology, I do not use it to generate ideas or ‘art’. I detest the notion to use technology in that way tbh. AI is a form of technology, so it’s difficult to break it down into every specific use it actually has. But here’s an attempt; no to generative AI, okay to certain AI.

There are kinds of AI programming in the programs I use (such as features that help you color in a shape quickly or make a perfect circle). This is useful tech (that requires zero IP theft) and I like it because it helps me by taking care of tedious tasks so that I have more time to spend in the creative and drawing processes. But I still choose the colors, I still draw the images, I still write the stories.

I think the way AI is used right now with a focus on “creative thinking” (where it’s not actually creating anything it’s just churning out other people’s *stolen* ideas and practice) is a total waste. AI being used as an assistant to help humans find information easily can be/has been swell. And requires no theft :D

But for whatever reason (greed, capitalism are my guesses), tech companies are leaning into a direction to replace creativity with AI?? I imagine the people behind this view the practice of art as tedious work because it is challenging??

But the beauty of art and the practice of it is that it allows humans to experience and overcome challenges with little to no stakes.

When society determines that is not a valuable use of human time, then I think we’ll all be significantly more miserable. If we allow a machine to be “creative” and leave us to only experience challenges with stakes—like survival (rent, putting food on the table).

So here are some examples of how I feel about AI uses;

AI to translate languages, find resources, discern malicious malware/spam from harmless messages > 👍🏽

AI to generate ideas/art for you > 🤢 Why??????? Why would you want that…that’s the most exceptional part of the human experience and you relinquish it to a bot trained on stolen ideas? 😭

[kathaynesart]

TIP JAR (every little bit is appreciated!)

R E P L I C A

LATEST UPDATE

COMIC: ARC 1 - Boot(y)ing Up - 1 - 2 -  ARC 2 - The Spark - 1 - 2 - ARC 3 - Forgiveness - 1 - 2 - 3 - 4 - 5 - ARC 4 - Probing - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - ARC 5 - Distractions and Dilemmas - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - INTERMISSION - Checkmate - 1 -  HOLIDAY SPECIAL - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

ANIMATICS: The Funny One Not Dead High Five

EXTRAS: Replica Timeline Future Donnie Design Omega Design (SPOILER) No Love for You Processing Stupidity Peepaw Paradox Peepaw Paradise Peepaw Showdown 1 Peepaw Showdown 2 Peepaw Showdown 3 Peepaw Showdown 4 TMNT AU Competition 1 TMNT AU Competition 2 TMNT AU Competition 3 TMNT AU Competition 4 TMNT AU Competition 5 Feral Leo 1 Feral Leo 2 Cass and Replica Reunion 1 Cass and Replica Reunion 2 (not my art) Cass and Replica Reunion 3 (not my art) Cass and Replica Reunion 4 (not my art) Cass and Replica Reunion 5 Bootyyyshaker GIF Leo PUNCH Donnie’s Eyebrows Handsome Future Donnie

INFO: Donnie’s Scars

MERCH: Processing/Displaying Stupidity ROTTMNT General Upcoming

Finally have an official cover and title!  There were some REALLY good guesses as to what the title could have been, but I can at least explain my reasons why I went with Replica.  TLDR you can still call it Future Booty Shaker if you want. Usual info dump below: 

 There are several reasons why I chose Replica as the final name.  The most obvious being that Omega is Donnie’s blatant attempt at replicating himself in digital form.

The second being that this comic is in itself is an attempt at replicating the vibe and setup of the film’s opening as closely as possible.  Those first 4:05 have literally become the bible for this story and I have already had to make vast changes based off of tiny details that weren’t noticed until later on.  

Ironically the cut full opening just dropped today and I do have some feelings I’d like to address.  It’s obvious how substantially different the two openings are from each other.  As cool as it was to see everyone kicking butt, I will admit I still like the final version a lot better.  Sure it’s shorter, but it felt far more personal and intimate than the action packed cut version, and THAT’S the sort of vibe I want to replicate in this comic.

At its core, this isn’t a story about fighting a bunch of Krang, it’s a story about a family fighting their own personal battles before an apocalyptic backdrop and Replica is a vain attempt at retaining that feeling while building a story around it. Will I be successful?  Who knows.  I will definitely be drawing reference from the cut boards especially the appearance of their colony.  I’m happy my hunch was right that they were stationed beneath the Statue of Liberty, that was already a part of my story haha.

My runner up title would have been “Fall of the TMNT” however I felt it was a little too on the nose.  Though it did make for a fun dichotomy with “Rise of the TMNT”s title.   Anyways that’s my info dump.  Feel free to still hashtag Future Bootyyy Shaker, I know I will.

[callmeagardengnome]

˚ʚ paint my world ɞ˚ | SONG MINGI

pairings ᯓ idol!mingi x painter! fem!reader

genre ᯓ soulmate au, one-shot

synopsis ᯓ you’ve been seeing in black and white for all your life - until a popular idol comes in and changes things

w.c ᯓ 2.7k

author’s note: make sure to like and repost!!

not proofread!

masterlist

blue. you’ve never seen blue before.

you stood in front of the clothing rack in shock, trying to process what you were looking at.

from the moment you were born, you were cursed by your soulmark. colour was something that was foreign to you, something that didn’t seem real. you never understood why your friends would fight over certain crayons or when people looked up to the sky, admiring its beauty - it all looked the same to you.

as depressing as it sounds, seeing in black and white wasn’t too bad. you weren’t distracted by the things around you and you could actually focus in school for the most part.

sure, you had a few awkward moments. like when you wore a completely mismatched outfit - highlighter yellow shirt paired with murky orange pants and pastel pink shoes. if anything, it taught you a learning lesson to always ask your parents for fashion advice.

ironically, you became a painter after you graduated. you were always a creative kid and being colourblind wasn’t going to hold you back from releasing your works into the universe.

you slowly rose to fame, with your artworks capturing the eyes of millions around the world. you even managed to earn a lot of money from it, leading you to buy more supplies for your job.

you stood up from your chair, cracking your back. you’ve been working on this certain art piece for at least 7 hours and you decided to finally take a break. it’s been a while since you’ve painted - you took a short holiday to one of your favourite countries which led you to forget the long hours of sitting down.

you reached for your phone, dialling your best friend’s number.

“hello?” your best friend’s voice echoed in the room.

“i’m boredd,” you groaned out, flopping onto your bed. “can we do something?”

she chuckled. “i’m guessing you’re done painting?”

“i’m taking a break,” you said, shifting, making yourself more comfortable.

“if you want, i can pick you up and we can go shopping?” your best friend suggested, her voice sounding more excited.

“you know me so well,” you replied, hanging up almost immediately. you ran to your closet and picked out a simple outfit, one that you knew matched each other.

you scrolled through your phone, waiting for your best friend to text you. when she finally came to pick you up, the both of you went to your favourite shopping centre, looking at the different stores.

that was what led you to.. blue? pink? yellow?

in all honesty, you had no idea of what colour you were looking at. when your best friend decided to stop at a random clothing store, you thought that it wouldn’t hurt to look around a little bit. while she was in the women’s section, you went over to the men’s section - you never know if they have better clothes.

you browsed through the selection of clothes mindlessly until a shirt caught your eye. “ayo what-“

you went closer to the shirt, one that stood out in a vibrant colour against the monochrome background. you touched the sleeves, the material. it was alien to you. for all of your life, everything was in greyscale. you’ve never seen anything as bright, or beautiful as this shirt that was in front you. you took a moment to inspect the shirt, wanting to imprint the colour into your mind. after all, you never know the next time you would see actual colour.

“‘____’?”

you turned to look at your best friend, who stood a few steps away from you, looking confused.

“…are you okay?” she asked cautiously, not knowing why you looked so stunned.

“dude-“ you coughed out, glancing between the shirt and your best friend. “i can see colour.”

her jaw dropped. “wait- really? can you see the colour of my shoes?” she pointed at her shoes eagerly, nearly dropping the pile of clothes she was carrying.

“well- no..” you replied, disappointed. “but i can see the colour of this shirt..?”

“hm..” your best friend hummed, moving closer to you. she awkwardly reached into her pocket, before starting to google about your soulmark.

˚𝜗𝜚˚⋆｡☆ ⋆౨ৎ˚⟡˖ ࣪ ⋆˚ʚɞ ⋆｡𖦹°⭒˚｡⋆

when mingi found out that ATEEZ was going on tour, he wasn’t exactly thrilled. of course, he was happy that he got to meet the international ATINY, but he couldn’t help but feel slightly disappointed that he couldn’t properly enjoy the trip.

to him, he didn’t really see the fun in leaving the country, or even going outside. everything looked the same to him. no matter what, he couldn’t see the true beauty of the things around him - so what was the point of feeling excited to go overseas?

mingi flinched when the lights shined intensely in the plane. he slept throughout the entire plane ride, not even bothering to look outside the windows. he absentmindedly followed his group, trailing behind everyone as they got off the plane.

“what..?” his thoughts echoed in his head as he looked around at the airport.

it was.. bright. unusually bright.

it was almost comical how bright the airport was - it even hurt his eyes. he had to blink a couple of times to make sure that he wasn’t hallucinating.

he stopped following the group, taking in his surroundings. was this what normal people saw?

everything was so.. vibrant and bold. he couldn’t even comprehend that people could see this on the daily and not talk about it more. sure, he bumped into a few people by stopping suddenly, but that didn’t matter - in fact, nothing else mattered. mingi could see colour, and he wasn’t planning to stop anytime soon.

“dude are you okay?” yunho snapped his fingers in front of mingi, finally catching his attention.

mingi furrowed his eyebrows, hitting yunho’s hand away from his face. yunho looked at mingi, concerned. “we’ve been calling you for the past five minutes, why are you standing in the middle of nowhere?”

mingi turned away from yunho, shifting his eyes around the airport. “i can see colour.”

a collective ‘WHAT’ was heard from the group as they gathered around mingi, attacking him with questions.

“i don’t know, maybe this airport is just.. different?” mingi said, unsure.

“does that mean your soulmate is here?” wooyoung asked, looking at his members curiously.

“maybe,” seonghwa shrugged, typing in his phone. “i just googled it, apparently you can see colour of the objects your soulmate touches or the places they’ve been in often.”

yunho whistled. “that means your soulmate in the same city as us,” he said, nudging mingi.

mingi smiled, running his fingers through his hair. “how long are we staying here again?”

“..four days?”

“i only have four days to find my soulmate?” mingi exclaimed, his eyes widening in shock. “how am i supposed to do that?”

“i mean.. we have one rest day..?”

mingi groaned, his face in his hands. he was so caught up with the thought of finding his soulmate that tour completely left his mind. he had spent all of his life in black and white and he didn’t want to return back to that.

mingi asked his members to teach him the different colours. he ended up learning that colour can have different hues, brightness and he didn’t want to stop being surrounded by these colours.

unfortunately, they had to leave the airport due to their packed schedule. everything became ten times more boring. the cars passing by, the trees, the pavement, nothing interested him anymore.

his member’s obviously noticed his change in mood and did a small detour to a nearby shopping centre. they wandered around, going to different stores, looking at the different items the city had to offer.

mingi cheered up a bit when he entered a clothing store that was his style. he made a beeline to the men’s section and tried on a shirt that he liked. unluckily, his manager had to drag him to the car, preventing him from buying the shirt.

luckily for you though, fate brought you to the shirt. you unhooked it from the rack, bringing it closer to your face.

“what colour is this?” you asked your best friend.

“it’s blue,” she answered with a wide grin on her face, barely containing her excitement.

you nodded, unable to take your eyes off of the shirt. “where is blue found?”

“the sky,” she said eagerly. “the ocean too, it’s really beautiful.”

she added, “blue is normally used for sadness though. a lot of films portray it that way.”

you didn’t know that a beautiful colour like blue, could be associated with such a depressing emotion. it didn’t make sense to you.

however, you put off your feelings of confusion. now wasn’t the time to question these sorts of things. now was the time to find your soulmate.

˚𝜗𝜚˚⋆｡☆ ⋆౨ৎ˚⟡˖ ࣪ ⋆˚ʚɞ ⋆｡𖦹°⭒˚｡⋆

it was day 3 of ATEEZ being in your city. with each day passing by, mingi felt more and more anxious. he hated the fact that he didn’t have time to find you and how he had to spend most of his time performing.

obviously, he was extremely grateful that he got to meet his fans, but there was a part of him that always felt irritated.

not only that, on the day that he was planning on resting, he got interrupted.

“shouldn’t you ask someone else?” mingi asked, raising an eyebrow.

“no one here likes art,” hongjoong groaned, sitting next to mingi. “i get that you’re colourblind but pleasee accompany me.”

hongjoong was begging mingi to follow him to an art museum. there was art exhibition going on that was intriguing to hongjoong - but unfortunately, was not interesting to his members. this led to hongjoong asking his colourblind member as a last resort to follow him to the museum.

“maybe you can find your soulmate there,” hongjoong mentioned, wiggling his eyebrows.

“i doubt it,” mingi scoffed. “but you know what? i’ll follow you.. cuz i’m a good friend.”

hongjoong rolled his eyes before running off to get ready for the art exhibition.

˚𝜗𝜚˚⋆｡☆ ⋆౨ৎ˚⟡˖ ࣪ ⋆˚ʚɞ ⋆｡𖦹°⭒˚｡⋆

you looked at yourself in the mirror, debating what outfit to wear. should you go casual? formal? after a year of working on it, the launch of your art exhibition was finally here. it was an important milestone in your life and you did not want to mess it up.

you sighed, walking over to your closet. your eyes immediately landed on the vibrant blue shirt hanging on the side of your dull wardrobe. was this the right choice? it was a nice shirt, and it did feel nice to know what colour you were wearing for once.

after considering it, you grabbed the shirt from the rack and hurriedly put it on. you needed to make it to the museum quick - after all, you didn’t want to be late to such an important event.

you booked a taxi to the museum, going over to where your artworks were stationed. you looked at your art pieces in pride, unable to stop yourself from smiling wildly at them.

mingi and hongjoong reached the museum slightly later than they wanted to. they had to squeeze through the swarm of art enthusiasts crowding at the front of the exhibition.

when the two men finally reached the start of the exhibition, they’re eyes widened in shock. while hongjoong was impressed by your artistic talents, mingi’s jaw was on the ground for a different reason.

it was fully coloured.

he’s never seen a coloured picture before, let alone a painting. when he glanced over at the other art pieces, he noticed that they were too, coloured vividly.

“why- why is this coloured?” mingi muttered to himself, moving closer to the painting.

“you can see this?” hongjoong asked in surprise.

mingi nodded, walking over to another painting. “yeah.. all of the paintings actually.”

the two of them stood in silence, both thinking about what this could mean.

“dude- is the artist your soulmate?” hongjoong exclaimed, staring at mingi with wide eyes. “you can see colour of the objects your soulmate touch right?”

“uhuh..”

“you need to find her,” hongjoong said, squeezing mingi’s arm. “it’s the first day of the exhibition, she’s 100% here.”

mingi wasn’t prepared at all to meet you. the idea of even being in the same area as you terrified him. he was thinking about finding you on their last day in the city, he hadn’t even finished planning out what he wanted to say to you.

unfortunately, hongjoong pushed mingi away, forcing him to look for you.

mingi had zero clue of what you looked like - he had no idea of who he was looking for. after a while, he noticed that one of his shoe laces were untied and kneeled down to tie them. that was when he noticed something strange.

he saw blue-coloured footsteps littered all over the ground. he quickly stood up, looking around the room like a madman. at first, he was was searching for you without any real evidence of you being at the museum, but now, everything changed.

you were actually there, and he was going to do his best to find you.

as creepy as it sounds, mingi followed your footsteps, trying to trace where you were going. it was obvious that you were frantically running around the museum, for reasons that he did not know.

while mingi was trying his hardest to find you, you were trying your hardest to prevent any issues from happening. there had been certain entry problems or people requesting you to explain some of your artworks, which led you to scurry around the museum.

your eyes were glued to your clipboard that had all of the things you needed to take note of jotted down. you were so focused that you accidentally bumped into someone.

“sorry-“ you apologised quickly.

mingi picked up your clipboard and handed it to you. not expecting much of the interaction, he almost immediately moved away from you until.. you made eye contact.

the world around you seemed to stop.

the colours came in gradually at first - the blush of red in your cheeks, the rich colours in your eyes, the vibrant blue of your shirt. it was like the first brushstrokes of a painting, the colours spread and bloomed, saturating everything around you.

you blinked, staring at the man in front of you. the moment you locked eyes with him, you knew. he was the one - your missing piece. your soulmate.

“hey,” he spoke up, his deep voice surprising you slightly.

“hi..” you replied, barely above a whisper.

the both of you stood up, the universe revealing itself to you. for the first time, you saw the world in its true beauty - it was alive.

the museum held different hues, different shades of colours you could barely recognise, each colour filling you with a joy you didn’t know you could feel.

mingi smiled. “i can’t believe it,” he said softly. “it’s so.. beautiful.”

you could feel tears welling up in your eyes, your emotions bubbling to the surface. “it really is,” you said, unable to pull your gaze away from him.

mingi wiped the tear rolling down your face, pulling you closer to him.

“you’re so pretty..” he muttered, studying your face.

there was a pause - one that was comfortable. the two of you stared into each other’s eyes, not wanting to look away.

“can i try something?” mingi asked, tilting your jaw up.

your heart raced as a blush crept up to your cheeks. “sure,” you replied, feeling a flutter in your chest.

mingi leaned in slowly, giving you plenty of time to back away if you wanted to. but you didn’t. instead, you closed the distance between the two of you with your lips meeting in a tender kiss.

the world around you seem to overflow with colour, with the blue in your shirt mixing with the brown of his jacket. the colours in your paintings swirled, creating a beautiful illusion of contrast.

the both of you pulled back, smiling at each other. you saw his warm brown eyes, his hair and how his cheeks were dusted with a light pink.

“i’m so glad i found you,” he said, tracing his thumb across your jaw. “i don’t feel so blue anymore.”

any and all feedback appreciated <3

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series taglist [OPEN] - @jiwoongsblondehair @hwasbabygirl @chngbnwf @passerbyforfun @butterfliesinthesky @ismelllikechlorine247 @pansexual-and-eating-pancakes @forever-atiny @arki-sha

[mewmew-dream]

uh, is it too late to make slay the princess long quiet (and narrator) designs..? the voices designs will get designed soon! ((narrator design is basically a spoiler for those who haven't seen or played to the end of the game so beware!)) theres more info for the design and the narrator's design below along with the full image!! - - - took me so long to actually start drawing out my design tbh! mostly a mix of procrastination and other things honestly!. anyways! you may notice how my design differs from what others designed the long quiet as and the official vague renderings of him! this is very much on purpose if you couldnt tell as there is an explanation for this. - (sorry in advanced for the very odd and choppy explanation, im not very good at explaining things so i'll probably draw what i mean later to compensate) - the long quiet in the first loop(s) looks like this, but with each new part to that specific loop he'll start transforming, looking more bird like (like what we have to go off of from art from the game) each time. this also happens in the void area! (i know its called the long quiet also but i call it the void.) the design was my first idea of the game before getting the game and knowing what happened but i kept the design, just not the reason on why he looks like this! basically my thought process on this before was basically " guy who was sketchy to begin with got cursed? cool! but he has to slay a princess due to him being an outcast and his curse? better!! " it doesnt hold up when you know what happened / happens in the end though but yeah.

the narrator is based off what we get from the mirror when the player obtains 5 vessels for the shifting mound, except with all seeing eyes i guess.. he stays near the long quiet to observe in each loop yet out of sight. of course his voice is in the long quiets head so distance isnt accounted for when he's talking! he of course can see the voices as well with those big ol' eyes.

aaand heres the full image! shoutout to anyone who can see the very visible but suppose to be hidden details! (they where very last minute..) also ignore the odd neck feathers, i was gonna add more to the chest but forgot up until now but i might fix it later!!

[minhosimthings]

Girl Dad!Skz headcannons

Pairings: husband!Skz × wife!fem!reader

Warnings: fluff fluff fluff, mentions of pregnancy, reader wears a dress, mentions of food, teensy swearing

A/N: GUESS WHO HAS BABY FEVER AYY ITS THIS BITCH RIGHT HERE. I am so DONE with watching my fav idols play with babies and not expect me to die. WHERE IS MY CHAN WHO'LL GIVE MR A BABY HUH? anyways enjoy my very drunken headcannons

Bang Christopher Chan

DID I JUST HEAR BEST DAD IN THE WHOLE WIDE WORLD

This man was born to be a dad istg

He'd be so amazing when you're pregnant, like he'd ask his mom for advice, give you belly rubs if your ask and will willingly lend his entire closet to you.

Would be so supportive through the birth process, is not disgusted or anything because he is him.

"She looks just like you."

Would be just a teensy bit overprotective, just a teensy bit.

"And you will bring her back by 7 yes? Oh and what's your address for unrelated purposes?"

*sends the address to Minho incase he needs to murder anyone*

Would be so comforting when she gets her period

"you know I used to do this to your mother.", While massaging her back.

The baby would grow up multilingual and Chan would be so smug about it

"my daughter is my second producer

Lee Minho/Lee Know

Would have such mixed emotions when you tell him you're pregnant

On the one hand A PERSON MADE UP OF BOTH OF YOU? WOAH

On the other hand OH SHIT A PERSON WHO HAS BOTH OUR GENES

Cooks all your weird ass cravings for you but not before giving you a side eye

"Alright y'all are gonna get a sibling." *Is talking to the cats*

Buys everything cat themed

"baby what if the baby is a dog person?"

Y'all have twins, a boy and a girl (manifesting my twin dad Minho fantasies)

Would dance for them when they're babies and would get elated when they try to copy him

Pouts when their first word is mama

Brags so much about them

"I mean they are MY spawn, obviously they're better at dance than your kid, Susan"

Seo Changbin

GIRL DAD GIRL DAD GIRL DAD

So elated when you tell him you're pregnant

PREGNANT CUDDLES KZKSNSNJ

Would be a 100% on board with lifting your belly to save your back

When you find out it's a girl, he straight on sobs.

"I CAN'T HANDLE ANOTHER PAIR OF ADORABLE YN EYES LOOKING AT ME"

Holds the baby extra carefully in his buff ass arms

She looks like you part 2

Tea parties with her are serious buisness for him

"jagi can't you see im currently discussing with the princess about her magical dragon I'll do the dishes later."

Would probably ask her if she wants to go to the gym with her dad and when she says yes he'd be so happy

"you're better than your mother she can't even lift her ass up and go to the gym"

Hwang Hyunjin

When I say this man would paint you a portrait when you tell him you're pregnant-

HE'LL PAINT YOU A FUCKING PORTRAIT

So sweet with you all throughout but also a nervous wreck

Much like me

Would love to paint your belly if you allow him to

Would try your weird cravings with you

And actually like them

Let's not pretend like Hyun doesn't do the pregnant woman pose everyday

Cries so hard when your baby is born

He doesn't mind the gender or anything, but when he found out it's a girl-

"GUYS ITS A MINI Y/N"

She looks like you part 3

Such a clumsy mess when it comes to taking care of her

ART CLASSES ART CLASSES ART CLASSES

"Darling, we painted this for you."

Han Jisung

Immediately freezes when you tell him

Jisung.exe has stopped working

"wait so the protection didn't.... Protect?"

Now Y/N.exe has stopped working trying to figure out whether you actually used protection or not

Talks to your belly all day

Treats the baby like a gossip partner

"girl you won't believe what Hyunjin did today."

"what did he do?"

"yn shush I'm talking to our baby girl."

Is your personal high school cheerleader during the birth

"jagi you are slaying right now you can do this."

Cries when baby is born part 3

Calls her a co-producer part 2

Spoils her shitless

She has him wrapped around her finger, much like her mother :)

Making playlists with her is his love language

Lee Felix Yongbok

Did I just hear breeding kink

Cries when you tell him

Bakes so many brownies when you tell him like one time that you're craving his brownies

Makes your weird cravings part 3

Idk what it is with me and DanceRacha making all your weird cravings

Runs you baths, with bath salts, bath bombs, scented candles and massages your aching muscles I WILL DIE RIGHT NOW

Is the best during the birth, holds your hand allowing you to squeeze it as hard as you want

Dresses baby up like the fashionista she is

Is so amazed and ecstatic when the baby gets an Aussie accent

"JAGI SHE JUST SAID BREKKIE"

Kim Seungmin

Tsundere daddy meow

Will literally melt like his face will be like 🥺

Buys all the cute stuff on day one

I'm talking cradles, blinkies, toys, bonnets for some reason

"of course she needs a ponyo outfit darling come on"

Tones down his teasing a bit

Still makes fun of your penguin walk tho

And if you cry, he will comfort you and never forgive himself for it

Is kinda disgusted by the birth process but he's a strong soldier

Cries when baby is born part 4

Like Kim Seungmin crying is a real thing chat

Singing lessons are free for her, and she has her dad's angel voice!!

Also inherits her dad's roasting style, and she's the only one who can roast him back hehe

He kinda died inside when she told him he was old (he's never been prouder)

Yang Jeongin/ I.N

Bruh this guy istg

Mixed emotions part 2

"IM TOO YOUNG TO HAVE A CHILD"

Calms down eventually (after a slap on the head)

BELLY RUBS

Spoils the shit out of you because obviously

Asks his mum for advice part 2

Sings to your belly at night when he thinks you're asleep

Secretly hopes baby will have his dimple

He loves kids, so parenting is a natural thing that comes to him

Probably more experienced at holding a baby than you are

Feeds her for the first few days when you're tired

Perfect husband honestly he should marry me

Loves braiding her hair and giving her fashion advice

Mini fashion shows!!!

Dances with her a lot

[kosmicdream]

Hello. After drawing webcomics for 10 years and making about 10,000 pages of comics, here are some things i have learned/observed in that experience..

1) making comics does not get easier.. Not really

Making comics is a tedious and slow process and with so many different facets of the experience to learn - you’ll never run out of stuff to learn or weaknesses to work on. I’m not saying this to discourage but to just give the frank reality that it really takes a lifetime to understand. Be patient with yourself and try to set healthy expectations. 

2) Read your own comics after making them.

I don’t know if this is as important to other people as it is to me, but I do think that sometimes its easy to not re-read your own work and just go from your own memory of it, or maybe you’re tired of looking at it because of all the flaws. I don’t personally get sucked into the “rewrite/remake” cycle that I know is common with comics, as I sort of just accept things as they are, but re-reading my work does help me see where I have come from and where I need to go to next. I personally don’t like to lose sight of that, and I think re-reading helps ground me in the planning process of my work and gives me a better perspective on all aspects.

3) A lot of comic advice should be taken with a grain of salt, because its the person talking to themselves. (including this)

I see a lot of advice that never would have worked for me, or just simply wasn’t something I was ever going to follow. “Dont start with your big epic long stories”! Is a common one. I don’t think that’s bad advice exactly, but how many young artists are going to listen, especially if they’ve never told a story in the first place? Yes, the advice to start small and build yourself up with experience sounds great, I’m sure people do it, but if you’re an artist you’re probably not gonna be that responsible. And for me, when i tried to do this with eggshells, my house burnt down and i kinda gave up comics for a while because i lost a lot of work. 

Writing short stories is still something I struggle with, its just not easy for me. I have gotten better at it but i don’t think that makes me less of a comic artist because I haven’t gotten good at that particular format, or that I jump around on my projects. Is it more impressive to have more completed work under your belt, sure. But I also think that.. Idk.. what is the advice actually saying, because with that one it sort of feels (often times) as a warning that you’re setting yourself up for failure/embarrassment by attempting a comic like that. I don’t know how to tell you this, but comics are gonna be embarrassing no matter what you do and there’s no guarantee you’ll be more successful/not experience failure by avoiding your passions. Something to think about anyway. 

4) Don’t draw every leaf. Unless you really want to.

I’m the kind of comic artist that kind of doesn’t care about the art as much as the whole package of the comic. When i see a very impressively drawn panel/page, with laborious detail that is well drawn and maybe even colored ect.. That usually is kind of, I guess, a turn off for me as part of the reading experience. The thing is, when i encounter that, it usually signals to me that someone has poor planning skills for comics. It says to me that comic is probably not going to see its end or that artist is overworking themselves in an unnecessary way, that ends up concerning me about how they’re doing. Because i know how hard it is to draw comics. When an artist phones things in a bit, or has a limit on how much they work on a page, its a relief for me to see! because I understand they have healthier boundaries and expectations, and the art itself usually is less stiff too. This is all an overgeneralization, but I think with a lot of webcomic artists we are usually drawing a comic for the first time ever, so it makes sense we want to do our best and try as hard as possible - that just usually isn’t the smartest plan to put all the stock in the visual department. This also kinda frustrates me to see because most comics (professional or not) will also (generally) not reel the art in ever or make a more simple style. Generally I see it always trying to outdo itself, which leads to burn out. I personally only work about 1hr on each page i draw, that hasn’t changed in the 10 years I have been drawing comics, but i used to spend hundreds of hours drawing detailed lineart for eggshells and it didn’t even read well and i’d be disappointed with the results, feeling more lost with my goals than ever. PLEASe.. Just draw worse, its usually better looking in the end too. (because you wont have the experience to judge visual clarity until you’ve been drawing comics for a while imo..)

5) Don’t draw ahead, draw those inbetweenies.

“Inbetweenies” are the pages for the “boring” ones. They are also usually the most common KIND of page. Its the pages that are necessary, but “inbetween” the action. The impact moments in a scene, ect. You gotta draw them. They’re always gonna be there. They’re the pages where maybe, the character is walking somewhere, thinking, ect. The after impact from an action.. There’s a million examples, but hopefully you’ll understand what I mean when I say they’re both necessary pages/panels, sometimes so mundane/redundant, but also required for telling the story.. As a comic is a sequence of images. This is why, the previous advice is also important IMO- because if you really want to “draw every leaf” - maybe you should save that energy and effort for those impact moments that you want to impress the reader with.. And not for the inbetweenies, which are the foundational support, but also not the most important moments. If you conserve your energy a bit, the contrast OF that effort will also pop more. I personally find it funny when I put more effort into a page and end up tricking my readers into thinking I got better at drawing, when really i just have been able to draw better and only save it for moments like this instead of always.

Also, when I say don’t draw ahead.. I mean I draw each page at a time before going to the next one. I have no idea if this is an unusual practice or not, and I know a lot of people will draw their chapters/episodes/whatever in sections like sketch/ink/color/ect.. But I personally draw and finish page by page, unless its the thumb/sketch stage. Even then, i don’t go ahead much. I think that you can control flow/pacing better by doing chapters all at once of course, I see that as a benefit. But i also think that makes things very overwhelming and can also result in a lack of flexibility if something isn’t working. No matter HOW much planning you do- comics are always going to have an aspect of IMPROVISATION with the result you get in the end. There are way too many factors in play to be in complete control of all of them and always know the result of the reading experience. SO for me, this technique is easier and has been something that continues to get me to working effectively. Plus, rumiko takahashi said that’s what she does. And i think she has some of the best visual flow/compositions in comics. So that’s what I do.

I could write more personal advice or rules that i follow..but I think those are the ones I find are the most important to me anyway. Of course, comics are a strange medium and not everything that works for me will work for you. That’s all for now.. Bye bye…! 

Oh by the way, my comics are here: feastforaking.com nastyreddogs.com https://kosmic.itch.io/ Support me on patreon! https://www.patreon.com/kosmic

[comicaurora]

Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

[yanderepuck]

A YEAR IN THE MAKING

You know this BIG project I keep mentioning??

A good amount of you have guessed it, some of you know all about it because I've been bouncing ideas off of you to help me with the thought process.

SALAÌ IS GETTING HIS OWN ROUTE!!!!

Long story short.. it was supposed to be 8-10 chapters. It was going to be a speed run route. It's obvs not a real route it can be quick and not so indepth right? Right?

It's 20 chapters. With 3 side stories and an Episode 0.

There were going to be 4 cgs but... Art is pricey and well... honestly.. his route isn't even canon.

In Salaìs route, you, the mc, meet Salaì as he's painting in town. He's there looking for someone but you don't know who. But you get closer to him, going on little dates.. having no choice but to stay at his place for a night, helping him get his art shown in a gallery...and then it falls apart

I will be posting each chapter separately. There will be 3-4 days between each chapter. I will have a tag list. If you are tagged on this post you are already part of it. If you'd like to be part of it just comment saying so.

Minor details: so he has 3 side stories plus the episode 0...those will not be posted here. I've put so much work into this.. literally started August 25th last year...they will be available on Kofi as the chapters related to them are posted. They will only $1. You don't need these side stories for the main story just like in the game so please don't complain about me putting 4 of these behind a pay wall.

Info on the route itself: I will be staying this once I start posting it but through the story I will be calling him Salaì..but for a good part of it he goes by a different name. It shouldn't be confusing but he does have three names after all. Also I said his route isn't canon, meaning his route does not line up with his actual lore. In no way would Salai chose Mc over Leonardo, and I also don't put all of trauma of his in here bc its not really the focus, and like I said.. not even canon. BUT I AM WILLING TO ANSWER ANY QUESTIONS AT ANY GIVEN TIME. I also have @ask-salai where you can ask questions about it too if you would want HIM to answer and not me.

I REALLY REALLY REALLY HOPE YOU GUYS READ AND INTERACT WITH THIS.

Not trying to be threatening... But if this doesn't do well... I'm not sure if I'll continue writing. This is a years worth of work. Reblogs really do mean a lot to me. I want feedback. I want to know what you guys think.

I still need to proof read it all and doubt check some things but I wanted to get the word out about what I was doing.

@chandeliermichel @kissmetwicekissmedeadly @fang-and-feather @namine-somebodies-nobody @evil-quartett @lokis-laugh @candied-boys @breadmercury @aquagirl1978 @xenokiryu @lulu-the-smol-floof @tako-cafe @floydsteeth @spoopy-fish-writes @weird-profiterole