#Jared Klein

[troyssix]

KLEINSEN MY BELOVED

[yourfavealbumisgender]

The Work by Rivers of Nihil is Transgender and Polyamorous!

[gbhbl]

Album Review: Rivers of Nihil - Rivers of Nihil (Metal Blade Records)

Pennsylvania’s progressive death metal progenitors, Rivers of Nihil, will release their self titled 5th studio album on the 30th of May. Sixteen years and five albums into a band’s career might seem a strange time to release a self titled album. Aside from when it’s a debut, band’s tend to release self titled albums later in their career when it is time for a refresh or a reset. Perhaps both.…

[ponderingrandomthings]

Rivers of Nihil are an interesting extreme metal band for me.

Some loud passages - and yet not overwhelming to the ears

Many interspersed quieter parts to a song - so your brain doesn't zombie out with the incessant notes

Singing! (not just growling)

Saxophone!! (in such death/extreme metal? how?)

Very recent release.

As soon as it started, I thought:

Oh wow. Saxopohone in this song too...

The lighthouse... could it have been inspired by the movie Annihilation? (No, it wasn't. But that was an interesting movie. Natalie Portman made an exception by being in a horror movie.)

The song description on YouTube:

The new album’s first single of 2025, “House Of Light,” is a track that “encapsulates the nature of what it is that we do perfectly while offering a different perspective on the sound with the new lineup,” explains founding member/guitarist Brody Uttley, who also plays piano and does the programming in the band. “Everything that our fans have come to love about our sound is demonstrated in this song with the new addition of Andy singing and Biggs on main vocals. It has the riffs, it has the big chorus, it has the prog, it has the solos, it has the sax. Just a real classic example of what we do as a band in 2025.”

[squirreljc2]

I swear. They must have been putting something in the lube on that set

[laf-outloud]

Link

I can't believe we all missed this! Thanks to Lea for finding it!

Also, welcome to the Jared Padalecki fan club, Jen! We've known for a while, but it's always nice to see other people appreciate him! Can't wait to see his episodes!

[redstoneofaja]

two panel redraws done :^) thank you for the requests!!

from the book of fate #12 and the demon 1990 #5

[graphicpolicy]

Batman and Son (Fanhome Edition) is a pretty key collection that introduces Damian Wayne

Batman and Son (Fanhome Edition) is a pretty key collection that introduces Damian Wayne #comics #batman #batmanday

Fanhome has launched The Legends of Batman, an expansive series of hardcover graphic novels featuring the greatest adventures of DC’s legendary Caped Crusader. This incredible series of stories brings Batman’s life story together in an epic full-color collection. The Legends of Batman Collection includes the best and most essential Batman adventures by legendary creative teams. The collection…

[mlobsters]

jared padalecki and jensen ackles discuss season 9, oct 2013

the real fake world of supernatural

Creator Chose Not To Use Archive Warnings, Hurt No Comfort, Brotherly Angst, 100k+

the scene in question, 9x08

[iamfuckhead]

United by Music lyric and mv analysis

I’d say this song is Joost’s reflection on Eurovision and his experience with it (as is the whole album Unity), specifically on the “internationally unified” message that Eurovision/the EBU wants their contestants to set forth; but as Joost and Tommy Cash show in this satire, you simply can’t get the peace and unity that Eurovision wants by taking both sides individually; you can’t have both, and making these musicians the symbols and face of this, hypocritical and frankly low-effort, message, harms them.

First thing, I enjoyed this song a lot. I thought the vocals and lyrics were fun, and I really enjoyed the music video (nice job, Tim Rudle!). So the title of the song is taken straight from Eurovision’s slogan “United by Music” (okay buddy), and Tommy Cash and Joost are about to show us how they and the people of the world are United by Music!

INTRO:

In the very opening of the video, there is a cartoon pigeon getting his cig lit as he starts to smoke it. Pigeons are a symbol of peace and allathat, but the image of a pigeon, specifically the pigeon as a symbol of peace, is ridiculous and funny. We hear a pitter-patter warlike drum beat as the pigeon begins to speak. He says,

“For millions of years, the World Peace Committee has had one mission: to establish peace, love, and unity. But, despire countless efforts, they have failed. The world remains divided and hope is fading. They only have one option left.”

Millions of years? The World Peace Committee? Civilization, and even biologically modern humans, haven’t been around that long; and though there is a World Peace Council, this committee just seems like a generic kinda half-assed org. It’s exaggerated. The camera pans to the members of this World Peace Committee: a Jared Leto-looking guy as PEACE, a modern-looking Mother Mary with a nose piercing and baby Jesus as LOVE, and some suited-up general guy (probably the EBU/Eurovision) as UNITY. The camera then focuses on a guy in an apron crying profusely, but the camera pans down to show that he’s just cutting onions. FAKER! I’m unsure of who the Jared Leto PEACE guy is meant to represent, but LOVE and UNITY are pretty clear. So basically these are the people who– apparently! –so dearly want PEACE, LOVE, and UNITY (what a weird mash-up of people!). But it’s all insincere because no, they’re not partnering with Mother Mary, and this apron dude is crying because of onions.

Baby Jesus continues after the smoking pigeon, saying 

“MR. KLEIN, CASH, ATTENTION!”

This absolutely stacked committee has failed, so they, specifically BABY JESUS, are calling to… MUSICIANS?! for help. The army drum beat is now loud and stomping and serious (peace, love, and unity are serious issues!). Joost and Tommy are addressed by their last names, all professional the way media people do. Joost and Tommy enter wearing jesters’ outfits as they march up to the World Peace Committee. They get a stamped paper with their mission, that is to “MAKE LOVE, PEACE, AND UNITY NOW,” from PEACE Jared Leto. Their jesters’ outfits show they’re just entertainment, and not meant to be anything serious for the higher-ups.

Obviously, this is them making fun of the absurdity of the way Eurovision portrays their message: all these super powerful people have failed, despite their best efforts, at unity, and the world’s only hope is musicians. Joost and Tommy say BULLLLLSHIIIIT. 

We also get the PRE-CHORUS:

“We want peace, they want war (da-da-da, da-da-da-da) Rich stay rich, poor stay poor (da-da-da, da-da-da-da)”

Seemingly, the voice of the committee. The committee (EBU) wants peace; they (who?) want war. This statement is very divisive and reductive, as it places a target on some nebulous “they” group. Saying something like, “Eurovision is the one that wants peace, and some other group that we can’t even identify or say much about is what stands in the way!” and as all their talk of peace happens, the rich continue to stay rich, and the poor continue to stay poor. The voice of Eurovision in these lyrics and their entire movement seems (to me) to be intentionally reductive of the true political conflicts occurring, and also as a distraction to prevent the public from pointing the finger to the real cause of war and conflict, capitalist greed (as Rosa Luxemburg and many others said and continue to say, you’re only going to get disarmament with the fall of capitalism). Eurovision is a distraction meant to misplace effort for peace, the same way BP (British Petroleum, oil company) funded and popularized the individual “lifestyle carbon footprint” to distract the public from realizing that the main contributor to the climate crisis is corporations like them.

But Joost and Tommy are made the face of the movement anyway. They’re dressed in white peace clothes in the unity-mobile, as Joost twiddles his thumbs nervously, and they drive through a crowd of ridiculous-looking angry punks and seething goons (goon, lol). If only the anger of the world were that simple, EBU!

They press the unity button together, and the music begins.

CHORUS: TOMMY CASH

“I want to fly to Kyiv, and go to Moscow I wanna vote Kamala and I wanna vote Trump”

As soon as Tommy Cash gets the first lyric outta his mouth, the car backs up, and we pass by the same crowd of punks and goons who are now happy! and dancing! Wow, I guess music does solve everything, thanks Eurovision!

But there is a clear reference to Russia and the nation’s invasion of Ukraine. Then, of course, the United States 2024 Election. But we see the pattern here that both “sides” of these conflicts are taken: he wants to go to Kyiv AND Moscow, he wants to vote for both Kamala Harris AND Donald Trump. There’s not really any meet in the middle (I don’t like meet in the middle BS, it’s just another option for navigating these politics) or neutrality, but advocacy for both. But in reality, you can’t go to both Kyiv and Moscow (I mean, maybe?), as an American I know, you definitely can’t vote for two candidates (unless you’re so motivated to commit voter fraud and want to just cancel out your votes). Both very polarizing political topics right now. I remember seeing some people getting upset about the Trump and Kamala lyric… brah you’re probably 14 but cmon use your brain so you can develop into a more perceptive and thoughtful person.

He continues, 

“I wanna be sober and I wanna take a bump I wanna take the piss, but I gotta take a dump”

Little explanation needed. You can’t do coke and be sober (is coke straight edge X?). You can’t piss and shit at the same time. Yeah yeah.

VERSE 1: JOOST

“Fuck the EBU, I don't want to go to court The less get less and the more get more”

The first line is a clear reference to his disqualification at Eurovision and the charges, later dropped, against him (I’ll get deeper into that in my future analysis of Why Not???). “The less get less and the more get more” is very similar to the lyric in the PRE-CHORUS: “Rich stay rich, poor stay poor.” Additionally, he references the same idea a few times in “Why Not???” I think it is all a reference to the way EBU treated him, specifically how they just abandoned him. As he personally experienced with his disqualification, the less continue to get less, so that the more get more. By this, I mean that I think the Israeli media’s latching onto Joost and harassment of him shows that internally, they were also trying to pressure Eurovision into disqualifying him. I am entirely certain that if the Israeli media (and probably their government, too) had not been pressuring Eurovision, then Joost would not have been disqualified. The disqualification of Joost was such an overreaction because in reality, Eurovision bent to serve Israel and disqualified him for them, only using the incident as an excuse.

“But fuck that shit, I just want the hardcore I wanna buy a Samsung in the Apple Store”

But Joost says “fuck that shit” meaning he’s over the incident and doesn’t care, specifically Eurovision’s unjust treatment of him. He continues that he just wants “the hardcore.” On this line, I have two different interpretations. Meaning 1 is that “hardcore” is a reference to the music style, and that he wants to go back to making music (as in being involved with Eurovision again). Meaning 2 is that he wants a hardcore that would allow him to put this all behind him and not actually care about things. I think either way, the message is that he’ll put his care and concerns behind him to go back to music and the Eurovision message. But of course, this is a satire, and it sends the message that though Eurovision (and others) would like him to just not give a shit about Eurovision’s corruption and go back to being involved with him, that’s ridiculous and he won’t do it.

And now the verse has shifted from anger at and critique of Eurovision in the first two lines, to indifference and engagement with Eurovision in the last two, as Joost now aligns with Eurovision’s hypocritical message and wants to “buy a Samsung in the Apple Store”

VERSE 2: TOMMY CASH

“I'm not a good rapper, that's the reason that I sing (Yeah) I'm not a good singer, that's the reason that I rap (Yeah) I used to love McDonald’s, but I'm never going back I know that I'm white, but I wish that I was—”

Aligning with many of the other phrases, the first two lines are a paradox. He’s not a good rapper so he sings, he’s not a good singer so he raps. It could also be getting into him as a musician (I don’t know much about Tommy Cash) maybe people say he’s bad at singing and rapping.

The line on McDonald’s is a reference to the widespread McDonald’s boycott because of the company’s support of the IDF (McDonald’s gave free meals to IDF soldiers during the genocide, and recently the company bought back its Israeli restaurants). It keeps in pattern with his other witty phrases referencing mutual exclusivity: he loves McDonald’s, but he’s never going back. But it also makes me think of the McDonald’s boycott as a means of easy and often performative activism for some. There was such an emphasis on it (not saying you shouldn’t boycott lol) that much more important means of support for the Palestinian people and resistance against the genocide got swept over the rug. A lot of people focused on boycotting McDonald’s because it was easy and relatively simple to them politically (same with Starbucks) but now I’ve seen tons of people stop giving a shit and going back to the places they once claimed to boycott. The next line, “I know that I’m white, but I wish that I was–” does strengthen in my head that he is referencing the performance of the boycott activism. The censored part is obviously “Black,” and might seem like a tone deaf line if you take it at face value. Remember, it’s a satire! Saying that even though you’re white, you wish you were Black is definitely tone deaf and just an incredible misunderstanding of how to advocate for Black people, I bet you can imagine a person in your life who would say those things. That’s the type of person Tommy Cash is making fun of, those people that are all ignorant and lazy in their activism, and don’t actually give a shit and just do it for the external look and reception. I feel like you get a good amount of that lazy Neo-liberal activism from people –would we call them celebrities?– that would have the relative fame to perform at Eurovision and those types of things.

I’m not saying Tommy Cash is taking a hyperspecific stance on how public figures boycott McDonald’s yada-yada, I’m just analyzing the words he sings and bringing up my opinions on what I believe he references. I try not to engage in any of that social celebrity typa stuff, I mostly listen to Punk music, this is a big swerve for me. 

VERSE 3: JOOST

“And do you ever think that the world would be so safe That the people never die and nobody got AIDS I wanna smoke a cigarette, but also hit a vape I like to keep it straight, but I also like it gay”

Joost, in the voice of somebody fully believing in Eurovision and their message, is asking Tommy Cash or the listeners about this peaceful, unified world they’re fighting for. It’s like he’s daydreaming of it. But his (again, not genuine) dream world is kinda funny: “That the people never die and nobody got AIDS.” People are always gonna die, and people have already gotten AIDS. This dream world feels disingenuous, fake, and half-assed. It feels like Eurovision’s message.

He continues with another scenario of wanting it both ways: a cigarette and a vape, keeping it straight but also gay. They’re fun and witty lines!

I almost forgot about the fire music video! As this is all happening, Joost and Tommy Cash are participating in a photoshoot with Dan Koens as a stereotypical big-time photographer. Joost and Tommy are dressed in white and sacred behind a heavenly sky background. At some point, they even release doves (cut to the doves not flying into the air, but on the ground). This is referencing Eurovision’s media work with pumping out photoshoots, and also how they depict the musicians as the saviors and only hope for unity.

OUTRO:

“When I wake up in the morning, I wanna sleep The people need the money — economy Joost Klein, Tommy — that's unity This song is so funny, it's not that deep”

The first two lines are our last paradoxical/oxymoronic phrases, but this time, Joost and Tommy complete each other’s sentences. Everyone understands the reference of waking up in the morning but still wanting to sleep, but maybe this could relate a bit more to their positions as performers in Eurovision. Not wanting to go out and perform on stage, or not wanting to perform as a symbol for Eurovision’s message. But people need the money; their performances all have other people’s money on the line. Pressure to make money for the big people.

Their voices feel more genuine in this outro, compared to the rest of the song. Seems like they’re referencing the unity between themselves (Joost and Tommy Cash), instead of this made up hypocritical BS unity that Eurovision spouts.

They end it off with, “this song is so funny, it's not that deep.” So I’ve got a few ideas on this last line. Some people read it as “oh, don’t analyze the song at all” but that’s dumb. I think it’s more that the stuff they’re making fun of and bringing into discussion, they’re doing it playfully, and don’t want people to act like those are their exact formal opinions and statements on the matter. Sometimes musicians will fully get into the fame and money and stop acting like real people and just a clean puppet for others, while other musicians want to maintain their autonomy and privacy, don’t want to just become a voice to spread somebody else’s message, and have to fight to be treated as people.

In the outro, Tommy Cash is dressed in black robes, and Joost is in white, and they are in the same room of the World Peace Committee (yellow sky background). Joost takes one flower out of the bouquet in Tommy’s arms and places a flower into the barrel of the giant tank. The image is a reference to the famous photograph Flower Power by Bernie Boston. The photograph shows a protester placing a flower into the barrel of a soldier’s rifle at a protest against the Vietnam War.

This barrel is aiming straight at Joost, and he braces as the tank shoots him. He falls to the ground, and his blood forms a heart around his head. Tommy gets onto the floor with him, and their black and white robes form the Yin-Yang symbol. 

I would say the tank is the World Peace Committee’s, as it takes place in the same room as the intro. Isn’t it ironic that the committee for PEACE, LOVE, and UNITY has got such a big tank? Joost’s placing the flower in the barrel was another act of peace against violence, the same way he spoke for peace out of a place of care against violence. But Joost has gone against the Committee/EBU, so now they aim their tank at him. Very much a reference to how Eurovision turned on him, and absolutely abandoned him, at a moment’s notice.

The Yin and Yang symbol is big in Taoism. The black and the white represent opposing but complementary forces. Duality duality. I think that the Yin-Yang symbol showcases too much genuine complexity and interconnection to refer to the political message of Eurovision, and Eurovision is just BS. Maybe it references the quality of Tommy and Joost’s friendship, specifically in relation to Eurovision? I’m still thinking about it.

Looking back, I think I missed the angle of the public’s treatment of their opinions, so I might add to that later.

Let me know what you think!

[brokehorrorfan]

Us: The Complete Annotated Screenplay by Jordan Peele will be published on September 3 via Inventory Press, who previously released a similar book for Get Out.

The 208-page softcover book illustrates Peele's script with over 150 stills from the film, deleted scenes, in-depth annotations, and an introduction by Peele. Additional details can be found below, along with a preview of several pages.

A masterpiece of identity horror and a dark reflection on America’s past and present, this companion paperback to the critically-acclaimed film Us features Oscar-winning director Jordan Peele’s screenplay illustrated with over 150 stills from the motion picture; deleted scenes; an introduction by the filmmaker; and in-depth annotations. These include texts by hannah baer, Theaster Gates, Jamieson Webster, Jared Sexton, Mary Ping, Shana Redmond, and Leila Taylor, alongside excerpts from Naomi Klein, Coleson Whitehead, Maggie Nelson, Carol J. Clover, Michael Harrington, and Paul Laurence Dunbar, and a constellation of images, definitions, and inspirations that extend the themes of the film.

Pre-order Us: The Complete Annotated Screenplay by Jordan Peele.

[chefkids]

Jeremy and Sabrina carp just followed each other on insta.. need ur opinion on this. I know they were on the same pr for the met but it’s interesting

Probably just because of the Quinta SNL monologue song. Her stylist is Jared who is besties with Molly... He's not going to go there 💀

Or maybe he will and be extra messy and piss her off further lmao I did see this TikTok yesterday and my eyes nearly rolled out of my head at how unserious this pairing is.

Sabrina also just followed Pharrell and a couple other people so I think he just saw it and followed her back.

But either way that means he did reset his Instagram password like I told him to. Need him to post a picture that isn't a Calvin Klein thirst trap or a trailer for The Bear, I'm trying to see something... 👀🤫

[mistofstars]

Ich hab mich heute mit einer Freundin unterhalten, die Joko und Klaas überhaupt nicht leider kann.

Sie meinte, dass es unsympathisch sei, dass Joko mit so Leuten wie Jakob, Micky Beisenherz, Sophie Passmann, etc rumhängt. Klaas hat auch für Late Night Berlin mal Jared Leto eingeladen, der dafür angeklagt wurde minderjährige Backstage zu belästigen?? Und die sind anscheinend gute Freunde? Aber eine weibliche Rapperin wurde sofort ausgeladen, weil sie sich über Israel/Palästina geäußert hat. 🥲

Es ist ja nicht unbekannt, dass J & K früher ebenfalls sexistische Aktionen gebracht haben, Messehostess an die Brüste fassen z.B. Die beiden haben ihre Fehler halt eingesehen und sich gebessert hab ich das Gefühl?

Klaas liest sehr viel und macht auch in Baywatch oft auf wichtige Themen aufmerksam und Joko engagiert sich an vielen Projekten. Meine Freundin meinte man kann als Feministin kein ernsthafter Fan von den beiden sein und jetzt bin ich etwas verunsichert? Weil ich auch zugeben muss dass ich mich nicht so gut auskenne.

Kann man Leute nach ihren Freunden beurteilen? Joko fährt ja schon oft mit Micky und Jakob in den Urlaub & ich glaube dass er bei so einer Aussage von Micky wie "Ausländer sind wie kleine Titten, keiner will sie" dagegen halten würde? 🥲 Aber ich weiß nicht.

Ich wollte mal die Meinung von Leuten hören die auch Fans sind. Hab oft das Gefühl besonders Joko wird viel gehated und ihm wird vorgeworfen fake zu sein, wegen seiner offenen und verletzlichen Art, wegen genau der ich ihn eigentlich sehr mag.

Jan Böhmermann, der ja immer knallhart ist und sich nicht kaufen lässt, hat wohl mal über Joko gesagt, er sei der einzige echte Sonnenschein den er kennt. Wenn Jan das sagt??

Aber es ist nicht in Frage zu stellen, dass J&K halt nunmal weiße reiche Männer sind und man auch mal merkt.

Ich will nicht Männern alles verzeihen nur weil ich ein Fan bin und nicht blind alles entschuldigen, aber andererseits sind mir beide halt auch so sympathisch. Wenn man sie schon länger verfolgt, wie würde man sie einschätzen? Kann man moralisch Fan sein?

Hallöchen Anon 👐

Vorab, es liest sich für mich als ob du noch ein bisschen jünger wärst (Anfang 20 schätze ich?) und leicht verunsichert.

Zu deiner Freundin: Ich bin Joko und Klaas Fan seit spätestens 2009 und bin schon seit immer ganz klar Feministin. Insofern bin ich da nicht ihrer Meinung.

Es ist weder meine noch deine Aufgabe, deine Freundin von einer anderen Meinung zu überzeugen, aber ich sage auch, wenn sie sich mit Joko und Klaas nicht so genau auskennt, wird sie sich kein rechtes Bild darüber machen können... 👀

Zu der damaligen Zeit um 2009 rum. Das war bestimmt kein Glanzlicht deutscher Geschichte bezüglich Gleichberechtigung, Inklusion von LGBTQA oder oder oder.

Man konnte fucking verklagt werden, wenn man fanfictions geschrieben hat. "Schwul" war eine oft gehörte Beleidigung. Ein schwuler Kumpel von mir ist verprügelt worden, weil er schwul war. Eine Freundin von mir ist mit 16 zuhause rausgeschmissen worden von ihre Eltern, weil sie bi war. "Ganz normale" Leute waren das damals.

Die Gesellschaft ist es nicht müde geworden zu diskutieren, wie Frauen auszusehen haben, ob sie arbeiten dürfen, ob sie was zu sagen haben oder nicht.

Fucking Niels Ruf hat in seiner MTV Sendung Kamikaze immer ein "Kamikätzchen" gehabt, das sich auf dem Studio Boxen sexy räkeln durfte und die er unterirdisch behandelt hat.

Alles zur gleichen Zeit, als auch Joko und Klaas im TV bereits liefen. Die waren zu dem Zeitpunkt zwar auch Idioten, aber eher wegen den "Stunts", die sie a la Jackass gemacht haben. Als Frauenfeinde hatten sie jedenfalls keinen Ruf.

Die Aktion damals, als Mutprobe eine Dame unsittlich zu berühren, war weder damals noch heute okay. Aber damals hat man so was noch nicht so ernst genommen - ohne dass ich da jemanden in Schutz nehmen möchte - das war damals einfach ein "Bubenstreich" und "nur eine Frau".

Zum Glück sind wir da gesellschaftlicher hoffentlich ein Stückchen weiter gekommen.

Wie der Vorfall passiert ist erkläre ich mir so - irgendwelche unreflektierten Trottel in der Redaktion sind auf die Idee gekommen, Joko konnte nicht Nein sagen bzw hat auch nicht großartig drüber nachgedacht, und dann ist es passiert.

Ich erinnere an solche Ideen von Thomas Martins, Tiere der Größe nach zu zertreten. Noch Fragen? 😂 Da sind leider manchmal Idioten am Werk gewesen, aber auch Idioten werden groß und ein bisschen weiser mit der Zeit.

Und gerade Joko und Klaas sind heutzutage so AKTIV inklusiv wie man es sich nur wünschen kann.

Hast du die 15 Minuten vergessen, die extra dem Thema gewidmet waren wie Frauen von Männern behandelt werden? Komme gerade nicht mehr auf den Namen.

Sie laden immer wieder Leute ein, die zu LGBTQA gehören.

Zum Beispiel Riccardo Simonetti. Zum Beispiel die Trans-Person Phenix bei WSDMS.

Sie machen sich stark gegen Rechts, für Migranten, für Demokratie.

Also ich weiß echt nicht, wie man da noch das Haar in der Suppe finden mag.

Zu Ihrem Dunstkreis an seltsamen Leuten, mit denen die sich "abgeben", also ich bekomme nicht mit, dass die viel Zeit mit einem Micky Beisenherz verbringen? Freiwillig? Glaub ich nicht mal. Micky kann ich nicht leiden, ich habe aber auch nicht sonderlich Insider-Wissen über ihn. Aber man muss sich ja nur mal Shows anschauen, für die er schreibt 🤮 😂

So und eine Sache noch zum Abschluss - meinen Chef kann ich auch nicht leiden, das ist ein absoluter Vollhorst, der die bescheuertsten Sachen von sich abgibt. Und dennoch kann ich nicht verhindern, dass er in meinem Umfeld agiert... Merkst du?

Also, lieben Gruß an deine Freundin.

Lass dir den Spaß nicht versauen.

[marsmad]

Two epic questions for Jared Leto 💖💖💖💖💖💖💖💖💖💖💖💖

Jared's full interview around 1:23:00

[frazzledsoul]

Magazine ads of yore: Milo Ventimiglia edition

Yes, guys, that's absolutely a 17-year-old boy in that still, not a grown ass man. Anyway, moving on.

Don't judge him. It took a while for us to get the Calvin Klein ad days out of our system.

Sooooo dark and moody!

Milo in the slutty Philadelphia Jess/Peter Petrelli era. Why does Greg Grunberg look.so confused?

The beginning of the slut era

Still in the slut era

Ten years later, the slut era has not worn off.

Guys, we don't care. We are here for the DILFness.

The pap shot that broke the Internet. Don't say Just Jared never did anything for us.

[sammyphd]

thinking about. what if jared did a calvin klein photoshoot 😵‍💫