#Jetlag Productions

[bubbleloo]

GoodTimes Entertainment main princess movie dolls including DVDs

Snow white (1995) doll

Sleeping Beauty (1995) Felicity's doll

Cinderella (1994) doll

The Little Mermaid (1992) Lena's doll

Aladdin (1992) Leila's doll

Beauty and the Beast (1992) Beauty's doll

[luc-elementix]

Comparing Animated Versions of Sleeping Beautys! (Vol. 3) - Video by kingdomorange2 on YouTube

Watch also his other videos about Ever After High : - Ranking Ever After High Characters - Things That Don’t Make Sense About Ever After High - Ranking Ever After High Couples

Watch his comparing videos of animated versions of fairy tales : - Comparing Animated Versions of Snow White - Comparing Animated Versions of Cinderella - Comparing Animated Versions of Sleeping Beauty - Comparing Animated Versions of Little Mermaid - Comparing Animated Versions of Beauty and the Beast - Comparing Animated Versions of Snow Queen - Comparing Animated Versions of Red Ridding Hood - Comparing Animated Versions of Goldilock - Comparing Animated Versions of Rapunzel - Comparing Animated Versions of Alice in Wonderland - Comparing Animated Versions of Thumbelina - Comparing Animated Versions of Odette

[yslandfrog]

cinderella 1994

i remember watching this as a kid cuz i only owned some of the disney vhs and my family had a collection of jetlag production cartoons

[blogoftakuya]

Black Beauty and Jenny

The adorable friendship between Black Beauty and Jenny from Jetlag Productions’ ”Black Beauty” film.

[johngulus]

I LOVE THIS MOVIE PLEASE ITS SO MEMORABLE

Jetlag blease open ur studio again and hire me

quick pic :^>

[essenceofarda]

augh she's so pwetty 🥹🌸 wip of a lil' fanart of a mama celebrian, out on a walk with her kiddos and husband :)

[watermelinoe]

i think the circadian rhythm disorder has ruined my life more than the pain disorder tbh

[mershelle9]

I’m so glad someone else understands how GOOD this is!!

This is what I grew up with.

….and I would totally cosplay Snow White

Auntie Goose Reviews

The Jetlag Productions Snow White (1995)

and it SLAPS!

Now let me tell you why. (Spoilers I guess)

I never watched the Disney Snow White growing up, this was my childhood version. So when I decided to watch this version, I finally watch the Disney one. I may get some flack for this, but jetlag is superior in my opinion.

Her voice is less annoying

Her dress is better

The queen is hotter

They do all the murder attempts, not just hunter and apple

The mirror has so much personality

The characterization in general!

Snow White isn’t woken with a kiss!

The prince wants to take her to find a cure, not make out with a supposed corpse

The only thing I would give Disney is that it was made a lot earlier, their dwarves are more unique, and the romance is marginally more believable, otherwise it’s a clear winner for me.

I must now expand upon the mirror, because it’s the best.

The mirror sounds so long suffering and sassy. Like, it’s this powerful, magic, all-knowing object, and all this lady wants is it to tell her she’s the hottest. You can hear how bored it is. Then, when it can tell her off, the glee is palpable.

The queen’s end is so good! She has a room full of mirrors, the place of honor for the magic one of course. So when it tells her she’s lost for good, she throws a fit, smashing them all. Finally, she goes to smash the magic mirror and it eats the hand mirror she throws at it and then sucks her in, like he’s been waiting for this day.

I find myself rooting for this mirror to liberate itself, so when it gets its revenge, it’s so vindicating.

No joke, I would read fan fiction about this mirror.

If some magically exists, send it my way.

Bonus thoughts:

The princes men are iconic

One of the dwarves just keeps spitting straight facts

I would totally cosplay this evil queen

I can jam to the songs, especially the end credits song

What is the rhythm/rhyming pattern of the mirror?

Should I write mirror fan fiction?

[hungryfacesart]

Eternal Beauty in Every Time Zone: Mastering Jet Lag with a Glow.

If there’s one thing I’ve learned through my countless journeys across the globe, it’s that jet lag is the not-so-glamorous sidekick that often accompanies the rare beauty of travel. But fear not, as I’ve curated a collection of beauty secrets, products, and supplements that have become my allies in conquering the time zone blues and unveiling a radiant post-flight glow. Если есть что-то, чему я…

[pharmagene]

Just realised that I didn't really get through being burned out. Gotta work on that—I literally cannot bring myself to do any work.

[okaihau-express-official]

sam talking about becoming a strava influencer will never not be funny to me

[fuckyeahgoodomens]

Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)

HEAVEN SENT

Gifted a vast creative landscape from two of fantasy’s foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2.  

It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchett’s untimely death in 2015, Neil Gaiman decided he wouldn’t adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that.  

For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting – David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale – and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers.  

Aziraphale’s bookshop was a set design triumph.

Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: “The idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.” 

Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omens’ first outing, he’s also shot three other Pratchett stories – TV mini series  Hogfather  (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010). 

He relishes how the authors provide a vast creative landscape for him to riff off. “The great thing about Pratchett and Gaiman is that there’s no limit to what you can do creatively – everything is up for grabs,” he muses. “When we did the first Pratchett films and the first Good Omens, you couldn’t start by saying, ‘Okay, what should this look like?’, because nothing looks like Pratchett’s world. So, you’re starting from scratch, with no references, and that starting point can be anything you want it to be.”  

Season two saw the introduction of inside-outside sets for key locations including Aziraphale’s bookshop. 

From start to finish 

The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the “immensely complicated” shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburgh’s Pyramids Studio. Much of the action in Good Omens takes place on the Soho street that’s home to Aziraphale’s bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen.  

Finney brought over many elements of his season one lensing, especially Mackinnon’s emphasis on keeping the camera moving, which involved lots of prep and testing. “We had a full-time Scorpio 45’ for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera – Ed Clark and B camera Martin Newstead) all the way through, and in any one day we’d often go from Steadicam, to crane, to dolly and back again,” he says. “The camera is moving all the time, but it’s always driven by the story.” 

One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility.  

The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.

A more complex decision was finding the right lenses for the job. “You hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,” Finney explains. “If you only have one set of this exotic glass, it’s no good for the show.” 

He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: “They had a really nice look – they’re a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When you’re dealing with a lot of wigs and prosthetics, we didn’t want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. They’re also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).” 

The Supremes were paired with a selection of filters to characterise the show’s varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowley’s present-day storyline.  

Finney worked closely with the show’s DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.

Maximising minisodes 

Episodes two, three and four of season two each contain a ‘minisode’ – an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. “Douglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so we’d instantly know we were in a minisode and not the present day,” Finney explains.  

One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: “The Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.” The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities. 

Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.

The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the show’s DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the show’s colourist, Company 3’s Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. “There was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,” Finney recalls. “Then we’d add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.”  

Establishing the show’s lighting was a key part of Finney’s testing process, working closely with gaffer Scott Napier and drawing upon PKE Lighting’s inventory. Good Omens’ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings weren’t as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures. 

Inside Crowley’s treasured Bentley.

Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. “We worked out that what was needed were 12 SkyPanels per 20’x20’ silk, so each one was a block of 20’x20’, then we scaled that up,” Finney recalls. “I wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because we’ve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles – PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.”  

On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Astera’s Titan Tubes came in handy for a fun flashback scene with John Hamm’s character Gabriel. The DP remembers: “[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabriel’s journey through his consciousness has a different colour to it.” 

Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the “Body Snatchers” minisode, shot in Stirling. “We took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.” 

Shooting on the VP stage for the birth of the universe scenes in episode one.

Sky’s the limit 

A lot of weather effects were done in camera – including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the show’s skies. “Gareth is a very artistic colourist – he’s a genius at changing skies,” Finney says. “Often in the UK you get these very boring, flat skies, but he’s got a library of dramatic skies that you can drop in. That would usually be done by VFX, but he’s got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.” 

Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. “This means VFX sequences often need extra work when it comes back into the timeline,” says the DP. “So, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. It’s quite a long grade process but it’s worth its weight in gold.” 

Shooting in the VR cube for the blitz scenes .

Finney took advantage of virtual production (VP) technology for the driving scenes in Crowley’s classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. “We pulled the cars in and out on skates – they went up on little jacks, which you could then rotate and move the car around within the volume,” he explains. “We had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates – either CGI or real location plates –projected 360º around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; we’d use a green screen frustum.” Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots. 

John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.

Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right – a new technique for Finney. “We had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.”  

Bringing such esteemed authors’ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphale’s adventures to life once again. He adds: “What’s nice about Good Omens, especially when there’s so much bad news in the world, is that it’s a good news show. It’s a very funny show. It’s also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. It’s a hopeful message, and I think that that’s what we all need.” 

Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.

[fettuccin-e]

Flying to New Heights

Summary: A flight delay means you're spending your night at the hotel bar, praying for sleep to come to you. Instead, a certain Captain Francisco Morales shows up, tall and broad and far too tempting. With undeniable attraction burning between you, you can't help the way you fall right into his arms.

A/N: Alright! I know it's been a while, I'm sorry, I'm sorry. Life has gotten a tad crazy, but the Frankie thirst never stops okay? And this AU has been buzzing in my head for a little while now, so I just needed to get it out there. I hope y'all enjoy the porn. (dividers are by the lovely @saradika-graphics!)

Tags: Frankie Morales x Reader, Commercial Pilot!Frankie, Flight attendant!reader, afab!fem!reader, alcohol consumption but barely, this is essentially an excuse for porn so, oral and fingering(r!recieving), unprotected piv (pls wrap it up I'm begging you), Francisco Morales and his dirty mouth have struck again (w/c: 4.2K)

You love your job, you really do. Deciding to actually train to be a flight attendant was one of the best decisions of your life. Gone were the days of short-lived stints in retail, and you’ve never been happier for it.

You’ve lived the attendant life for a few years now, and you wouldn’t have it any other way. You’ve met some of your best friends through this job, seen some of the most beautiful places in the world, met celebrities on their way to new production locations and concert venues. 

It’s the dream, you tell your family, during the rare moments you actually get to visit them. And it is. The perks far outweigh the cons in your profession, and you’re happy to be where you are.

That’s not to say there aren’t any cons though.

There are always rude flyers, unruly children, issues with luggage. The turbulence is never much fun, nor are the months spent without being able to go home at all.

There are always nights like tonight, where the rain made the flight arrive later than expected, and you’ve got another flight scheduled for the morning. Between jetlag and the copious amounts of airline coffee you’ve imbibed to remain bright and chipper over an eight hour flight overseas, there’s no way you’ll get more than five hours of sleep before you have to clock in again.

A nightcap in the hotel bar seemed just the thing to cool off. You haven’t even taken your uniform off, the thick fabric stretching across your skin, your legs exposed to the cool air as you sip on your drink. The alcohol burns a bit in the back of your throat, but you take comfort in it, trying to lean into the calming warmth it creates in your stomach.

“Can’t sleep?”

The unexpected voice rips you from your reverie, and fuck, what a wake up call. The voice is deep, a pretty rasp edging into the ends of his words, the warmth of his tone making you far warmer than the alcohol in your glass ever could.

Captain Francisco Morales. Even his name has heat swimming in your stomach, and you wish you had just gone to bed like a normal person instead of drinking at the hotel bar at midnight. 

You can’t decide if the pilot is a perk or a con of the job, only knowing that he seems to pilot most of your flights, and is a fucking distraction during every single one of them. With his big broad shoulders and patchy beard, the crinkles around his eyes when he smiles and his insistence that you call him Frankie, not Captain Morales. 

The whole “flight attendants fucking pilots” trope never really applied to you until you met Frankie. You’ve made it a point not to hit on him, no matter how much you desperately want to. It would be far too stereotypical, and with how fucking nice Frankie is, you’d feel like you’d be taking advantage of him. So you’ve kept your distance, talking to him kindly, trying to cross your legs discreetly when he flexes his damn hands on the plane controls, and doing your job like a normal person.

But as he crosses into your line of vision, sitting in the barstool directly next to you, you’re struck with the realization that you’re in unknown territory. There’s no distracting yourself here with other passengers, or your fellow flight attendants. You can’t excuse yourself to an airplane bathroom to splash cold water on your face and yell at yourself to get it together. No, Frankie is right in front of you, ordering a whiskey neat from the bored-looking bartender, and smiling at you so fucking prettily with those big brown eyes and big hands and oh god you’re not going to survive-

“Nah, the jet-lag is really getting to me this time,” you say casually, your voice working on its own accord. At least you aren’t staring at him dopily like some kind of imbecile.

He chuckles. “Same here. Flight go okay?”

“You got us here, didn’t you, Captain? I’d say that’s a success.”

“Then let’s hope I’m always successful,” he winks, and it takes effort to breathe normally. You giggle, and he smiles at you again, his eyes crinkling up.

“You have a flight tomorrow?” he asks, sipping at his drink. 

“Yeah, unfortunately," you sigh. "10:00AM, which is making the whole ‘no sleeping thing’ even worse. Y’know, it’s really the airline’s fault if I collapse on a passenger." You grin at him, and he laughs.

“Oh, they should be so lucky,” he chuckles, and you could swear that you see just a flicker of heat in his eyes. A heat that turns into a raging inferno inside of you, spreading from your cheeks to the tips of your toes. 

“How about you, Captain? Flying again tomorrow?” You need to keep your mind out of the fucking gutter, not that he makes it very easy.

“Yup. They’ve got me in the air at 8:00AM.”

“Oh man, and you’re listening to me complain about my 10:00AM?”

“Work is work, sweetheart,” he smiles at you, and you want to collapse into him at that very moment. Sweetheart. Coming from anyone else, it would sound smarmy, like a pick up line, but from Frankie, it just sounds warm and comforting. You want to be his sweetheart. “We’re all allowed to complain. We aren’t in any kind of competition.”

He sips his whiskey, his eyes feeling like they’re boring into your fucking soul. “And either way, we’re both in the same bar, at midnight, sleep nowhere in sight. We’re pretty much in the same boat.”

“If you say so, Captain,” you say, your body positively burning under his gaze. You hope that you can blame it on the alcohol.

He raises an eyebrow, “I thought I told you to call me Frankie, sweetheart.”

“Frankie, sorry.”

“No need to be sorry,” he says, taking another sip. You try to not watch his throat work as he swallows. You fail. “Think you just need more practice,” he mumbles into his drink, so soft you almost miss it.

“Practice?” you blurt, mind too distracted to think of an intelligent response.

“Practice saying my name.”

A laugh startles out of your mouth. “I have no idea how I’d practice that, Frankie.”

He hums, pretending to think. “I have a few ideas,” he murmurs, and fuck, you definitely aren’t imagining the heat in his eyes now. It’s blazing into you, and you have to press your thighs together to alleviate the ache between them, hoping that Frankie doesn’t notice. Or maybe you hope he does, as you watch those thick fingers wrap around his glass.

Fuck it. He’s hot, you’re horny, and God, you can’t take much more of this. “I’d love to hear all about them, Frankie,” you say, adding a little rasp to your voice that you hope sounds sexy.

Frankie chuckles, but it doesn’t sound like he’s making fun of you. No, he sounds surprised, like he can’t believe you’re flirting back at him. Confidence swims in your chest as red colors his cheeks. You gaze up into those warm, brown eyes of his, and fuck, he’s so pretty up close like this.

“You sure about that, hermosa?”

You don’t break eye contact with him, and his deep gaze burns into yours. “Positive,” you breathe, and Frankie’s smirk is absolutely devastating.

Captain Francisco Morales doesn’t do this often. No, he doesn’t do this ever. Fucking between flights is supposed to be a perk of being a pilot, but it’s a “perk” he rarely utilizes. One night stands have never really suited him; he gets attached far too easily, and with his job, he can never stick around for long.

But god you’re pretty. And you’re licking hotly into his mouth, and whining in the back of your throat like you’re fucking desperate for it.

He couldn’t help himself when he saw you, still in your little uniform skirt, nursing a drink at the hotel bar. He couldn’t help himself when he struck up a conversation with you, wanting to see your pretty smile and soft laugh that he only ever hears mid-flight. And damn it, he sure as hell can’t help himself from pressing you up against the wall of the hotel elevator, pressing one of his thighs between yours while your fingers curl into his hair and his arms wrap around your waist.

You wiggle down onto his thick thigh, and it creates the most perfect pressure on your clit. You whimper against Frankie’s mouth, and he groans with you, pulling you flush against him.

“Fuck,” he breathes, and his voice is deep and gravelly, breathless from your fevered kisses. “I, uh, I don’t usually do this kind of thing.” His cheeks burn, but he doesn’t back away, just leans his forehead against yours and tries to catch his breath.

It isn’t a surprise, his confession. You’ve heard stories about every other pilot, about their conquests with flight attendants, or how someone saw one of them take their wedding band off when they got to their hotel. There are stories upon stories about every pilot you’ve flown with, except Frankie. And it’s intoxicating, knowing that he wants you enough to have you like this. 

“Good. Me neither,” you whisper, and Frankie grins again. That boyish, devastating grin, and fuck, your clit is throbbing so hard that you could cum like this. You could cum, right in this elevator, Frankie’s thigh between yours and his tongue in your mouth, fuck-

The elevator dings, signaling your arrival to your floor, and Frankie jumps away from you as the doors slide open. You don’t take it personally, not when you’re instinctually tugging your rumpled skirt down. You glance up, and Frankie is already staring down at you, gaze blazing as he braces a hand against the elevator door, holding it open for you. 

“Where’s your room?” he asks, and the question is casual, but his voice certainly isn’t. There’s promise in it, and you have to make sure your knees don’t buckle. 

“Why don’t I show you?” you say, stepping toward him to press your bodies together. Frankie doesn’t answer, he only cups a hand under your jaw, dragging your face up for a sticky kiss. It’s so much better than a yes.

He breaks the kiss far too soon, but one of his hands makes its way down to your ass, squeezing the fat of it through your skirt. “Lead the way, princesa,” he grumbles, and how could you ever think to refuse him?

Maybe you’re a little too eager in your walk to your room, but Frankie doesn’t seem to fare much better. No, he’s just as desperate as you are, with the way he presses you against the door of your room the moment you close it. With the way he swiftly kisses down your neck, sucking your skin between his teeth as he unbuttons your blazer, shoving the fabric down your arms. The buttons of your white undershirt follow, and you keen as he sucks maddeningly at your pulse point, his mustache scratching at the sensitive skin of your neck.

As soon as you’re divested of your shirt, Frankie’s moving again, kissing his way down your chest. He drags his teeth against the soft skin of your breasts, and you dig your hands into his hair. 

“Fuck, baby, you’ve got the prettiest tits,” he murmurs against your skin. It doesn’t sound like a line, no, it sounds like a prayer. 

“Frankie, please,” you breathe.

He looks up at you from his position at your chest. “What, gorgeous?” he asks, coy, as if he doesn’t know what you want. What you desperately need. 

“Please, just,” you use your grip in his hair to drag him back up to your mouth, and he goes willingly, groaning softly as his tongue meets yours again. “Please fuck me, Frankie,” you whisper, and Frankie groans like he’s dying.

“Take- take your clothes off, baby,” he mutters, and it sounds more like he’s begging than he’s commanding. “Take your clothes off, and get on the bed.”

He doesn’t have to tell you twice.

You have to make sure you don’t trip on your way to the bed as you kick off your heels. You tug your skirt and nylons down your thighs, making sure to wiggle your ass a bit more than normal as you bend over to tug them the rest of the way down your legs. You smirk at Frankie’s soft groan behind you.

The air of the hotel room is slightly cold, but as soon as you kneel on the bed, arching your back in a shameless display of your desperation, Frankie is burning hot above you, and you can’t feel the cold at all. Frankie’s thick, calloused hands palm your ass, and you moan as he spreads you apart, staring unabashedly at your aching cunt.

“Can I eat your pussy, baby?” he grumbles from behind you, and the fact that he’s asking permission to eat you out is making you so much hotter, making you clench around nothing. 

“Yes, yes, Frankie, oh please-” you whine, and Frankie barely lets you finish your sentence before he’s dragging his tongue in a long stripe up your dripping pussy. “Fuck, Frankie,” you groan, and he moans into you, sounding like he’s enjoying eating you out just as much as you are. 

His nose drags maddeningly through your folds as he brings his lips down to your clit, sucking it into his mouth and swirling his tongue around it in circles that send pure pleasure sparking endlessly up your spine. You arch your back into it, pressing yourself into his mouth, and Frankie groans again. The vibrations of it against your clit make you jerk wildly, whining high as you clutch desperate fingers into the pristine white sheets of the bed.

Frankie tries to keep you still with one of his big hands pressing into the small of your back. His other hand makes its way to your pussy, and you don’t even realize, not when he’s licking into you so feverishly, until there’s a thick finger pressing into your achy entrance.

“Frankie, oh my god-” you gasp wetly, his finger so much thicker than one of your own. It’s been so long, too long, since you’ve had the touch of anything other than yourself. Your tiny, traveling bullet vibrator doesn’t feel like this. You can’t stretch yourself like this, you can’t drive yourself wild like he can.

He moves his finger around inside you, searching, searching, while he licks softly at your clit. “Where is it, baby?” he mutters against you, and you have to force your brain to work at least a little bit to decipher whatever the fuck he means.

His finger is still searching, stroking against your slick inner walls, and you can barely gasp out a, “up, up,” before he’s finally touching that sweet spot deep inside you. You can’t hide it when he does, gasping out a high pitched moan as pleasure rockets up your body.

“There it is, sweetheart,” he says, “good girl.”

And fuck, how do you hold yourself together when he says things like that. He licks again at your clit, but plays with that spongy spot inside you, abusing it. You’re so slick and hot, it doesn’t take long before he’s pressing a second finger into you, then a third. And his fingers are so fucking thick, breaking you apart and pressing into that wonderful spot inside you. Your vision is blurring at the edges as he plays with you like a practiced instrument. How is he so good at this? Your body barely feels like it’s your own, just Frankie’s; his to play with, his to fuck. God, he’s ruining you. It’s never been this good.

“Frankie, Frankie-” you whimper his name like a prayer, and his fingers move fast into you, jackhammering you into the mattress. You whine as he breaks his mouth from your clit, but he keeps his fingers pressed deep inside of you as he leans over your trembling body. 

“C’mon baby, c’mon baby,” he mutters, moving his fingers inside you so roughly that you could swear he’s trying to break you in two. “What do you need, sweetheart? What do you need to cum all over my fingers, huh?”

“Just keep-” you gasp between shuddering moans. “Just keep talking to me, fuck, please-”

“Talk about what, gorgeous? Talk about how hard I am for you right now? How hard you always make me?” You whine at his words, and you can feel his smirk against the skin of your shoulder. His fingers move into you even harder, if that’s even possible. “Fuck, princesa, you have to know how fucking sexy you are. Make me so fucking hard whenever we fly together. Fuck, watched you bend over to pick up your bag once, right in front of me. Had to fuckin’ jerk my cock as soon as we got back to the hotel. Can’t help it around you baby.”

You feel like you’re underwater. Frankie’s voice is deep and dark in your ear, and your pussy is so fucking sensitive. You can feel your orgasm burning relentlessly in your stomach. Just a little more, just a little-

“Thought about taking you to the back of the plane, mid flight. Thought about fucking you hard, stuffing this pretty pussy, making you go back out to work with my cum dripping down your thighs. You want that, sweet girl? Fuck you’re so pretty, so pretty baby, you’ve gotta cum. Please, please let me fuck this pussy. Be my good girl, cum all over my hand.”

You don’t think he means it like a command, but you follow it anyway. You moan, throaty and wet, into the sheets as your cunt clenches around Frankie’s fingers, hips twitching as he presses reassuring kisses to your shoulder. You turn your head blindly, and he leans forward to meet your lips in a bruising kiss, his fingers buried deep inside as you gush all over his hand.

“Fuck me, fuck me, fuck me,” you whisper against his lips, repeating it like a mantra, and Frankie whimpers, needy and so hot that it makes you want to cry.

“Okay, baby, okay, I’ve got you,” he says, and you know he does. 

When Frankie presses the blunt tip of his cock against the opening of your sensitive pussy, you both groan. You push your hips back just as he pushes his hips forward, and the tip of his cock is just as big as the rest of him. Which, of course, means fucking massive. You have to breathe through the stretch of him inside you as he sinks deep, deeper, deeper. 

“Doing so fucking good, sweetheart. Jesus fuck- ah- so fucking tight baby- fucking beautiful- oh fuck-” Frankie mutters, sounding just as overwhelmed as you feel. It feels like forever until he bottoms out, his hips pressed against your ass as he hunches over you, hot and big and all man. It’s a dream that you’ve had before, but the reality is so much better than anything you could have ever imagined.

“So- you’re so big, Frankie,” you whimper, and Frankie groans behind you. “Need you to fuck me, wanna feel it tomorrow, please, please-” and he does. He pulls his hips back, just to shove himself back in, and the drag of his fat cock against that spot he found earlier has tears springing unbidden to your eyes. 

“Yes! Oh my god, like that, just like that-” you’ve never talked this much before during sex. But his unyielding thrusts, deep, deep inside, have you babbling wildly.

“Christ, you can’t talk like that, princesa, gonna make me blow my fucking load-”

“Want it, fuck Frankie, want you dripping down my fucking thighs, wanna gape open after you fuck me, oh god-”

Frankie fucks in harder, and it’s like every thought you’ve ever had flies out of you. His chest and stomach press into your back as he holds you still, thrusting desperately into you, harder and harder.

The bed is creaking, a rhythmic squeak that mixes in with the endless sounds of your keening whines and Frankie’s moans, and the obscene squelching of your pussy around Frankie’s cock. Your wetness drips down your thighs as Frankie bullies his way inside. He’s hitting that beautiful spot inside you, so perfectly, so overwhelmingly perfect, and fuck, tears are dripping down your face as you clutch onto a pillow, only able to squeak out pitiful whines of “Frankie, Frankie,” as he destroys you.

“So fucking gorgeous for me, god, bebita, fuckin’- fucking tight, fucking strangling me. Been too long, honey? Too long since you got fucked like you deserve?” Frankie growls into your ear, fucking you like a god damn animal.

Frankie’s lost control above you, which he just doesn’t do. He’s always in control, always, he has to be in this profession. But it’s like you’ve stripped him bare, literally and figuratively, to the most primal parts of himself. You’re so fucking hot and wet and tight around him, whining and throwing yourself back on his cock like it’s the best you’ve ever had, and he’s losing it. Losing it far too quickly, and he’s going to cum far too quickly.

“C’mon, baby, give me another one,” he groans, “squeeze my cock with this perfect fuckin’ pussy, wanna, wanna feel it.”

“Touch my clit- oh please, please, Frankie, ah- ah” and he does, the moment the words leave your lips. He reaches underneath the both of you, not breaking the rhythm of his hips driving into yours, and rubs two of those thick, calloused fingers against your throbbing clit.

“Fuck- yes, just like that, just like that, oh my god.” You’re slurring your words, so stupidly drunk on the feeling of his cock filling you over and over, of his body radiating heat above you.

“Gonna take care of you hermosa, make you cum like you deserve, so fuckin’ beautiful crying on my cock,” Frankie says, rubbing your clit hard and methodical. “Never gonna get enough of you baby. Gonna fuck you in every hotel we ever get, fuck you at the terminal, fuck this pussy in the god damn cockpit, oh shit-”

And you’re screaming, outright screaming into the sheets as the thread in your stomach snaps, your pussy clenching and gushing all over Frankie’s giant cock. He’s still mumbling into the cook of your neck, mindless mumbles about how pretty you are, how perfect, as you tremble through the most powerful orgasm of your fucking life. It’s devastating, it breaks you apart and puts you back together all at once, and you just have to trust Frankie to hold you together in his strong arms.

“Where do you want it, huh baby? Please, please, you’ve gotta tell me, oh shit-” Frankie whimpers, and it’s a damned good thing you still have enough brain cells to understand what he means.

“Inside, inside, 'm on the pill, please, please fill me up.” It’s fucking risky that you both didn’t even think about a condom, but with a man like Frankie, it’s hard to think about anything.

His hips still, his cock pressed inside so deep that it feels like he could be in your lungs, as he fills your pussy with his cum. He bites harshly into your shoulder, but it doesn’t fully muffle his whimpers as he crashes through his orgasm. Your eyes flutter shut. You wish you could bottle those sounds and listen to them forever.

Your knees slide out from under you, leaving you laying flat on your stomach, and Frankie follows, holding himself against you as you wait for your breathing to slow. 

“That was…” you whisper into the quiet.

“Fucking amazing.”

You can’t suppress your giggle. “Took the words right out of my mouth, Frankie.”

He tucks his face into the crook of your shoulder, and you can feel his pretty smile, before he’s lifting himself off of you, and you realize how cold you are without his heat.

“I’ll be right back, okay?” he says, and you can’t bring yourself to do anything more than nod. Frankie rushes quickly into the en suite bathroom, and you can hear the sink running for a moment, before he comes back. A warm, wet rag makes its way down your back, over the curve of your ass, and between your legs. He’s ridiculously gentle as he wipes you down, and it’s wonderful. 

Once Frankie deems you clean again, he climbs into bed next to you. He wraps his arms around your placid body, tugging you close. “Didn’t take you for a cuddler, Frankie,” you murmur, but you only snuggle closer, relishing in his deep chuckle.

“I’m usually not.”

“You don’t do this often, though?” you say, dragging a finger down his chest, your eyes already fluttering shut.

You feel Frankie’s lips press to your forehead as he murmurs, “I think I’m willing to let this,” he hugs you against him softly, “become a new habit.”

You smile, and you lean up to kiss him gently. “I wouldn’t mind that at all.”

[treason-and-plot]

Manon tells Roy that acupuncture works by balancing the flow of energy that is channelled through pathways in the body. These pathways are known as meridians. By inserting very thin needles into specific points along these meridians, his energy flow will re-balance and he will be more relaxed, less stressed, and his shoulder pain will be significantly reduced.

“So will my mood improve?” he asks. “Because everything kind of sucks at the moment, to be honest.”

“Of course!” says Manon. He can’t see her face but her voice sounds as if she’s smiling. “Acupuncture is also widely believed to increase the production of dopamine levels, in addition to all its other benefits.”

“Still sounds like new age bullshit to me,” grunts Roy.

“Why are you not in a good mood? Is your shoulder still troubling you?”

“It’s not that. It’s…I dunno. It’s probably just jetlag.”

He closes his eyes. His back is dotted with pleasant tingling sensations, and a sense of golden warmth has descended over him. The room is silent except for Manon’s breathing, and the burbling of an essential oil diffuser.

“I thought this trip to Paris with my girlfriend would be fantastic, but we haven’t even been here a full day and I’m already feeling like I’ve made a huge mistake,” he says. “The dynamics have all changed. And for some fucked up reason I can’t stop thinking about my ex-wife. And I don’t know what to do about it.”

[trainsinanime]

The Getaway, the new show by the Wendover and Jetlag team over on Nebula, is really fun. Basic premise: There's a game show where there's money to be won, but as far as the players know, one of them is secretly the snitch who undermines them all. The not-so-secret twist, which is in the trailer, is that everybody is the snitch.

So there is a lot of interpersonal intrigue and conflict between the players, which is what the show is ostensibly about, but then there's also the bigger story of the twist.

The way they shoot and edit it is to frame it as a cat-and-mouse game between the production team (specifically the Jetlag crew, who are all well-known YouTubers in their own right) and the players. We get almost as many confessionals from the producers as we do from the players. There are times when the players do a confessional, and the producers then react to it on camera.

The show also takes great pains to take their players seriously. Their thoughts and their decisions (they vote people out regularly) are given weight and taken seriously.

What this means in practice is: A player does something. The show could cut to the producers, who then go, "haha, those idiots!" But instead it cuts to the producers who go, "oh that's clever! I wonder whether they're close to figuring out the twist!" To me that's really crucial to why the show feels more fun than mean.

If you're into internet-based streaming game shows, there's a certain amount of overlap with Game Changer, notably the Bingo episode. Which they should frankly lean into; there's no way to make a second season of this, but if they combine it with Game Changer, perhaps without telling Sam, Ben and Adam (or at least Sam), that could be something.

[shakespeareallanpoe]

Damian is NOT a morning person

What I don't understand is that I see so much content and read so many fics that have Damian waking up at like 5AM. Just because he's routine and skilled doesn't automatically mean he's an early bird- night owls are extremely productive too. Plus, the boy literally patrols at NIGHT. He takes shifts with his Gotham family throughout the night so Gotham is protected during it's most dangerous hours. And I'm not an expert on assassination but I find it hard to believe that they would strike in broad daylight unless it's a special hit, and even then would they do it in the early morning? Our favorite demon spawn probably learned how to kill using the night to his advantage and he was likely used to being up extremely late for that reason.

And I know in Son of Batman Alfred made a comment to Bats that Damian had been in the yard training since 5, but remember that he had traveled halfway across the world the night before from Nada Parbat to Gotham, so he was very likely just jetlagged.

Jon even makes fun of Damian's sleep schedule on multiple occasions because being a farm kid, Jon's used to waking up with the sun and he finds it funny that Damian hates waking up that early. Here's a panel from one of their comics (though I don't remember which one):

All I'm saying is that yeah, Damian being all stoic and regime and waking up at 5 is cool but inaccurate, but we are all missing the comedy that is the normally put together Damian being grouchy AF by nothing more than the existence of the sun in the morning. The boy hates the sun. Catch him anytime before 8 and he'll be on the verge of pulling a katana on it. Do NOT drag him out of bed in the morning unless you want to see an unfiltered side of him that's somehow even worse than what you usually get.

Anywho, I don't know how as a fanbase we all collectively looked at Damian what-is-curfew Wayne and decided that he's totally fine with being up before dawn. I'm sure somewhere in the DC universe he's seething because Duke accidentally dropped something in the manor and the crash woke him up at the ungodly hour that is 7 in the morning.