#Like who would say that??

[iddybittysnail]

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[lgbtlunaverse]

The world exists in such a baffling state of simultaneous sex-aversion and sex-hegemony. Every social platform on the internet is trying to banish sex workers to the shadow realm but I can't post a tweet without at least two bots replying P U S S Y I N B I O. People are self-censoring sex to seggs and $3× but every other ad you see is still filled with half-naked women. Rightwingers want queer people arrested for so much as existing in the same postal code as a child and are also drumming up a moral panic about how teenage boys aren't getting laid enough. I feel like I'm losing my mind.

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[hoshizoralone]

reflection

[louisegluckpdf]

the irony of this year's met gala theme being based on a short story about cloistered, decadently-dressed aristocracy desperately pillaging the natural resources at their disposal to hold the advancing tide of the restless underclass at bay is honestly baffling

[talaricula]

Things I've seen tumblr memeing about James Somerton doing à la "How did no one see how bigoted he was!" as if those things haven't been a significant part of tumblr culture for over a decade :

Presenting untrue and bordering on conspiratorial versions of (queer or otherwise marginalised) history without any sources

Completely disregarding and disrespecting any expertise on socio-cultural topics/humanities and distrusting academics and historians (incl. acting as if no academics or historians could be queer or marginalised)

Downplaying the role misogyny played in the historical oppression of queer women and concluding that queer men must have been more oppressed than queer women

Bi women are, at best, not as queer as "real" queer ppl, and at worst, simply equivalent to straight women

Despite nominal trans inclusivity, transmasculine ppl are functionally women when convenient (combined with the above, bi transmascs are functionally straight women)

Despite nominal trans inclusivity (bis), shamelessly attacking, threatening and actively endangering any trans woman who questions them or smth they find important (often by unfairly presenting her as violent or as a threat)

Having absolutely fucking wild and reductive takes about ace ppl, the oppression they face and their place in the queer community

Stating that marriage equality is an assimilationist fight while completely ignoring its direct roots in the horrifying consequences of the AIDS crisis for partners of ppl who died of AIDS

Praising western media creators from the past for queer coding even under censure and in the same breath condemning current non western media creators for being homophobic bc their representation isn't explicit enough

Blaming China for all existing homophobic censoring in western media

Assuming all queer media would be better told by western creators and by western standards

Only out queer ppl get to tell queer stories

Heavily criticising almost all queer media created by women or ppl they see as such (see above points about trans ppl) or involving/starring a significant amount of women for any perceived or real amount of "problematicness", but fawning over and praising and negating criticism of queer media created by and starring mostly or even functionally exclusively men (even when it could be argued that, you know, not involving/seriously sidelining women is a pretty clear example of misogyny which should probably be considered "problematic")

And I'm probably forgetting stuff or there's stuff I have internalised myself and don't recognise as an issue

Like idk but I feel like the takeaway from Hbomberguy and Toddintheshadow's videos should maybe be "be aware of such patterns in your communities bc they definitely exist" and not "this guy is uniquely awful" and I feel like a lot of the discussion I've seen surrounding this has been severely failing at that. Most ppl who've spent any significant amount of time on tumblr prob either have internalised at least one of those thought patterns, have had to de-internalise them, or have had to be extremely vigilant to not internalise them (which is done by, you know, seeking out other sources, which also seemed like an important takeaway from the videos)

[ace-with--a-mace]

bitches be like "we need more evil women in media" and they cant even handle tashi duncan from challengers (2024)

[stars-obsession-pit]

“Mom, why do you think ghosts are intrinsically evil?”

“It’s what the science says, of course!”

“No, I mean like, what were the studies? What did they actually observe”

“Ohh, I get what you mean, Danny! Well across all reputable reports of encounters with the ghosts strong enough to matter, they’ve always attacked first and never responded to attempts at communication! There’s no reason for them to do that if they’re not evil!”

“Huh…”

…

Danny, learning about Ghost Speak and how humans can’t understand it: hmm.

Danny, learning that ghosts greet each other and bond by fighting: hmmm.

[deadpoolsmom]

as far as one piece antagonists go Crocodile truly gets absolutely scooby-doo’d at unmatched levels

He immediately falls for a phone scam and from basically little garden to rainbase he doesn’t even know the strawhats are alive (and clowning towards him at incredible speed). As soon as he does, they’re in his house tearing at his walls and bringing marines into his villain lair.

He uses a literal floor trap door over a gator pit to catch them, gets phone scammed again, full scooby-doo chase scenes after Chopper through the streets while still missing him, and suddenly his prisoners have escaped his impossible cage, and his giant bananagators are dead. and Nico Robin saw it all happen.

He then spends rest of the arc complaining about those meddling kids and their dog “strawhat pirates and their weird pet” and at no point does he even know how many strawhats there are.

Like yeah he keeps having plans on top of plans to stop everything Vivi can do but also she keeps coming up with a new thing to do (Tom and Jerry ass dynamic).

Part of it is that he’s underestimating them and keeps grandstanding villain monologuing but also teens keep killing hundreds of his grand line bounty hunters and he straight up does not know what is happening.

Cause he IS trying to kill them he’s sending top assassins after them and ripping out luffy’s organs, the whole time he’s yelling HOW ARE YOU ALIVE?? DIE. as whack-a-mole Luffy keeps inventing new ways to hit him.

[probablybadrpgideas]

Hasbro: Huh, I notice we still have a tiny amount of Goodwill left among our fanbase.

Hasbro: Time to nip that in the bud!

Hasbro:

[ciil]

what makes us any different?

[proselles]

you know what i think is really cool about dungeon meshi? the fact that it really handles the whole 'how our food is made' so gracefully. in this day and age, we've become so disconnected from how our food is produced and distributed that the thought of how our food is obtained brings disgust to many people (and for the big industry farms, it honestly should! but im referring to our existence as omnivores in the food chain). marcille acted ridiculous whenever the thought of killing a monster for food is brought up, but honestly, she's a great model for how many people nowadays react whenever they have to truly think about what they are consuming/are brought to a meat farm.

senshi shows the characters (and us, the audience) about the process of making food in a respectful, genuine way to the creatures he has used to produce nourishing meals. by explaining the nutrition and benefits of each creature, he creates and healthy relationship between the consumers and the meal they have. the show really brings a new dimension of respect for each of our meals. truly the bob ross/marie kondo of cooking.

[starbuck]

reading and watching “classic” books and films is such an interesting experience because, before you get into them, when you only know them by name and maybe the vaguest plot outline, they’re intimidating and stuffy and up on a pedestal, but then you finally take the leap and check them out and realize that almost every story that’s achieved such a legendary level of popularity did so because something in its emotional core reached out and grabbed a lot of people by the throat and you are NOT immune.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[azulhood]

Danny was tired, like 'I feel it in my bones and soul' tired. And he didn't want sleep at home because there's only so many nights, he could spend lying awake making sure his heart was beating in case his parents checked on him.

Currently he was flying aimlessly not really taking in his surroundings, but he could neither sleep while flying or fly forever. Normally he'd sleep over at Sam or Tucker's, but the Mansons had made it clear that he wasn't welcome at their house anymore and Tucker was grounded. Both would sneak him in if he asked, but he didn't want them to get in trouble for him. Which leads him to decide between his two choices, sleeping in a graveyard, or sleeping in a forest.

The graveyard was a little crowded with all the ghosts that called it home but he could probably find a quiet spot to sleep. The forest had a great view of the stars but was filled with traps from both his parents and the GIW after tracking his ecto-signature. Both options weren't appealing, but he wasn't about to chance sleeping on the roof of his house again. There were too many ghost detecting guns attached to it now. Danny sighed, graveyard it was, at least the ecto from all the shades/ghosts would hide him well enough. Decision made, now all he had to do was make his way over there. But first, where the heck was he? Danny looked around at the unfamiliar grey sky and gargoyles littered around and realized he had no clue where he was. He must have flown too far away from Amity without noticing...Again. It was really becoming a bad habit. Danny stared down at the city's inhabitants that were going home or heading to nightshifts or whatever and dreaded the long flight back to his town. And maybe it was ghost instinct, or maybe it was just his exhaustion. But his brain suggested 'What if I just possess someone?' And to him that seemed like a perfectly logical train of thought. He wouldn't control their body or anything, just sleep in their skin...That did not make it sound better at all. Before he could think twice, someone left a general store, arms filled with stuff and somehow projecting an aura of safety. The two thoughts of 'They look comfy' and 'screw it' clashed together in his head as he made the very stupid decision of performing a swan drive right into the someone. "WHAT THE-" "Don't worry, I'll be gone by morning I just need to sleep" Danny cut off the persons freakout-he should really get their name at some point- he would have explained more but the sleep gods had already done their job. This left one very confused, scared, and freaked out Batkid.