#Locally relevant topics

[oopsallfictives]

Before you use "women and femmes", stop and ask yourself if there's any reason you couldn't use "women and trans people" instead. Talking about the pressure to perform femininity? Transmascs and nonbinary people also face that pressure to varying degrees and for various reasons (and obviously so do trans women, but they're already covered under women). Talking about anything to do with "female" reproductive organs and/or secondary sex characteristics? That's gonna affect a lot of transmascs and nonbinary people, and since it already doesn't affect all women it shouldn't matter that it's not all of them. Talking about misogyny and oppression under patriarchy? That affects transmascs and nonbinary people because, frankly, all trans people are oppressed under patriarchy.

I personally can't think of a usage of "women and femmes" where "women and trans people" wouldn't be just as accurate, if not more. You could also throw in an "and intersex people" where it's relevant. Gender isn't a binary, so can we please stop acting like it is?

-Oliver (it/its)

[waterberry-strawmelon]

By the way, local city government also fucking lied about the number of turbines. The permits allow fifteen–but there are currently THIRTY-FIVE in active use. Furthermore, as the Politico article states, these permits also don’t even go into effect until June, while the turbines have been here and running and polluting the air of local neighborhoods for MONTHS already.

Sudden uptick in "oh ai isn't that bad you people are just reactionaries" posting right after stories about ai data centers poisoning the air of entire communities break is a coincidence, I'm sure

[great-and-small]

When I was in vet school I went to this one lecture that I will never forget. Various clubs would have different guest lecturers come in to talk about relevant topics and since I was in the Wildlife Disease Association club I naturally attended all the wildlife and conservation discussions. Well on this particular occasion, the speakers started off telling us they had been working on a project involving the conservation of lemurs in Madagascar. Lemurs exist only in Madagascar, and they are in real trouble; they’re considered the most endangered group of mammals on Earth. This team of veterinarians was initially assembled to address threats to lemur health and work on conservation solutions to try and save as many lemur species from extinction as possible. As they explored the most present dangers to lemurs they found that although habitat loss was the primary problem for these vulnerable animals, predation by humans was a significant cause of losses as well. The vets realized it was crucial for the hunting of lemurs by native people to stop, but of course this is not so simple a problem.

The local Malagasy people are dealing with extreme poverty and food insecurity, with nearly half of children under five years old suffering from chronic malnutrition. The local people have always subsisted on hunting wildlife for food, and as Madagascar’s wildlife population declines, the people who rely on so-called bushmeat to survive are struggling more and more. People are literally starving.

Our conservation team thought about this a lot. They had initially intended to focus efforts on education but came to understand that this is not an issue arising from a lack of knowledge. For these people it is a question of survival. It doesn’t matter how many times a foreigner tells you not to eat an animal you’ve hunted your entire life, if your child is starving you are going to do everything in your power to keep your family alive.

So the vets changed course. Rather than focus efforts on simply teaching people about lemurs, they decided to try and use veterinary medicine to reduce the underlying issue of food insecurity. They supposed that if a reliable protein source could be introduced for the people who needed it, the dependence on meat from wildlife would greatly decrease. So they got to work establishing new flocks of chickens in the most at-risk communities, and also initiated an aggressive vaccination program for Newcastle disease (an infectious illness of poultry that is of particular concern in this area). They worked with over 600 households to ensure appropriate husbandry and vaccination for every flock, and soon found these communities were being transformed by the introduction of a steady protein source. Families with a healthy flock of chickens were far less likely to hunt wild animals like lemurs, and fewer kids went hungry. Thats what we call a win-win situation.

This chicken vaccine program became just one small part of an amazing conservation outreach initiative in Madagascar that puts local people at the center of everything they do. Helping these vulnerable communities of people helps similarly vulnerable wildlife, always. If we go into a country guns-blazing with that fire for conservation in our hearts and a plan to save native animals, we simply cannot ignore the humans who live around them. Doing so is counterintuitive to creating an effective plan because whether we recognize it or not, humans and animals are inextricably linked in many ways. A true conservation success story is one that doesn’t leave needy humans in its wake, and that is why I think this particular story has stuck with me for so long.

(Source 1)

(Source 2- cool video exploring this initiative from some folks involved)

(Source 3)

[lackadaisycats]

Miss Tracy, do u have any advice on researching a specific time period?

(also I know u probably won't see this, but I love your art and you are awesome)

Look for books about the time period, but also books written contemporaneous to the time period, whether fiction or non-fiction. Check used book stores for out of print gems at good prices.

If photography was a technology that existed in the time period you're researching, look for photos of people doing everyday things. Take in the context, the geography, the economic situation. Look at how they're dressed and what their clothes say about them.

Newspaper archives. Sometimes newspapers of the past are free to browse. Sometimes you have to pay for access. Old shopping catalogue collections - if they exist for your time period - are great too.

Documentary films about time periods, or specific events in a given time period can be useful, even if only for a broad overview.

Museum exhibits - helpful whether you're looking for famous paintings or artifacts of past civilizations in a world renowned institution, or trying to dig up something impossibly unique in an oddity denture museum in some forgotten place in the Midwest. If you can't go in person, check online. You can find museums with vintage clothing or household appliance collections from even a few decades ago. Some museums have extensive, searchable online collections too. Take the Metropolitan Museum for instance.

If you can visit historical sites relevant to your area of interest, do it! Do those little guided walking tours. Do the ghost tours even - they're often fairly history-centric with some paranormal folklore for added spice. Sometimes they get you access to places you otherwise can't enter. Check historical societies local to cities or towns of interest.

If you need information about something deeply specific, check the internet for communities that form around that deeply specific topic. I've found tidbits of useful info searching around old forum posts from radio enthusiasts, Model T owners, and people who collect old telephone booths. (Granted, it's getting harder to search for this kind of stuff nowadays.)

-----------

Be careful of AI trash, whether it's generative images, text descriptions, or entire articles. Don't rely much on film or television for accuracy. Some things are more interested in being accurate than others, but there's almost always some artistic license taken. If you're trying to be particularly accurate about something, triple check it for confirmation. Misinformation has had a way of spreading like insidious mildew even before AI started disseminating it with delusory authority.

Lastly, if you don't enjoy doing this kind of historical research like a weird little detective-creature, consider loosening up on the 'historical' aspect of your writing. It's okay to not focus on historicity in your fiction. But if you're going to dive in whole-hog on history, bear in mind it's an ongoing, often time-consuming adventure in information-finding.

(Thank you for the kind words!)

[babyjinsu]

˗ˏˋ ꒰ heartlink ꒱ ˎˊ˗

it's a match!

anton x fem!reader || 2.8k

𐙚 002 003

you weren’t looking for love—you weren’t even looking for something casual.

it was boredom, plain and simple. besides, the semester just ended and you had nothing else to do besides attending your part-time job at a local cafe as a waitress. it was a quiet sunday night when the idea came to you—a way to kill time.

going on dating apps!

you created your profile—chose the best, prettiest selfie you have of yourself. you didn’t put much details in your bio, just a simple, just for fun! ◡̈. at first, it was just swiping for the entertainment of it. left, left, left… right, left… most of the profiles were almost the same—bad quality selfies, forced, corny bios, dudes flexing their muscles in bathroom mirrors… you weren’t expecting much, or anything at all.

then his profile appeared. 

anton lee. 20 years old. likes music n playing them.

holy shit. this guy doesn’t even look real, you thought. he looked like he had been pulled straight from a magazine—the type of guy you just know you stood no chance with—his hair was dark and it fall just past his eyes and he had those handsome features and this anton dude just looked like someone who didn’t belong in dating apps (he definitely didn’t need one too).

you hesitated—but reminded yourself that this was just for fun. if you had no chance with this guy to begin with, what’s the harm? just have fun!

you couldn’t deny that he was exactly your type. painfully so. 

you swiped right. and a second later, almost immediately, your screen flashed—

it’s a match!

——

it didn’t take long for anton to send you a text. 

in fact, it happened faster than you’d expected that it got you wondering if he was the one who had been waiting for you to initiate a conversation. you thought that anton was just one of those guys who matched with girls to boost his ego—that he’s still relevant to the market, but you might be wrong.

anton lee: hey.

even the greeting suited him. short, simple, deceptively normal. or maybe you were just sooo starstruck by his appearance to think he was weird.

upon receiving the text, you stared at your screen—your thumb hovering over the keyboard. it was just a simple hey, but you were thinking too hard on the perfect reply. one that won’t leave anton ghosting you afterwards.

you hesitated for a second before typing back.

yn: hi. i didn’t think you’d text first.

you hummed in satisfaction, giving yourself a slight nod and smile. almost immediately, you got a reply. 

anton lee: why wouldnt i?

you bit the inside of your cheek—why wouldn’t he…?—debating what and how to respond. now feeling a little bit stupid for asking him that. you should’ve just said hi back. you didn’t want to sound insecure, or ‘pick me’, but at the same time, realistically, it felt insane that someone like him, would even notice someone like you.

yn: i dont know lol. you look kinda out of my league. im surprised we even matched.

there was a pause after your text—read—and for a second, you thought you fucked up.

but then his reply came through.

anton lee: you think so?

huh, there was something about his response that made you… shift uncomfortably on your bed. a feeling—an unfamiliar one. it wasn’t a dismissal, nor was it a playful teasing. it didn’t even feel like a question…

before you could think too hard about responding, another message popped up.

anton lee: i think youre really cute though.

the unfamiliar feeling vanished as soon as it came—replaced with a now strange warmth booming in your chest. he thinks i’m cute, you thought, giggling by yourself. you reread the text over and over—flattered.

yn: i guess i got lucky then :) 

anton lee: yeah you did ;)

——

for the next few weeks, you and anton fell into an easy rhythm.

it started slow—just a few, once or twice texts a day. but somehow, the conversations never died. surprisingly, anton knew how to carry a conversation, and he always came up with different topics to talk to you. you started to realise that anton wasn’t like any other guys on the app, or any guys you’ve talked to before. 

he was calm, steady, and almost too easy to talk to—despite his looks.

the odd feeling never came back. he never bombarded you with clingy or needy texts, or pushed you for more than you were comfortable with. he never asked for your inappropriate pictures, or drifted the conversation to one. if you took hours to respond, he understood. if he sensed that you weren’t in the mood to talk, he was more than willing to hear you out. 

anton was just always ready to pick up where the conversation was left off.

you found out that anton created his profile because of a bet—which he had lost a few hours prior to meeting you. and you told him your reason as well—boredom. he was also a student like you too, studying music performance (he didn’t tell you where though, but you understood). 

additionally, anton had a sense of humour like yours—he wasn’t boring, or dry, or had no personality like most handsome guys you knew. he also wasn’t always flirting—but he’d say things that let you guess how he felt about you. there were definitely moments where talking to him was too good to be true, but you’d quickly remind yourself that it wasn’t serious.

and then, one evening, it happened, 

anton lee: so… when are you gonna let me take you out?

you blinked at your screen. 

of course this would come sooner or later—it was only a matter of time before he asked. seeing the question actually came true made your stomach flip in all directions. you bit on your bottom lip, your thumbs hovering over your keyboard.

you wanted to say yes so badly, 

but a small, nagging voice in the back of your mind told you to think it through thoroughly. you had only been talking to anton for a few weeks, and you’d heard all the horror stories about meeting guys online—creepy messages, dates gone wrong, murders…

not that you thought anton would be like that�� hopefully. if anything, he had been kind, patient, easygoing, and almost too normal. but… wasn’t that how it always started…?

on the other hand, maybe you were just overthinking it. what if it actually goes well? it’s like winning a lottery, you thought.

yn: i donno. are you as charming in person as you are over the text?

his reply came fast.

anton lee: only one way to find out

you didn’t realise you were holding your breath until his reply came.

anton lee: we can go to rain report in seongsu if you’d like. 

anton lee: they have good pastries there

okay, a cafe. it’s an open, safe, neutral ground.

yn: that sounds good.

anton lee: saturday at 5? 

you hesitated again for a split second—then shook the doubt away as soon as.

yn: okies, see you then?

it took anton a few minutes to reply.

anton lee: im looking forward to it yn :) 

you stared at his response, your grip still around your phone. they felt strangely heavier than they should have. 

you locked your phone and exhaled.

it was just a date. 

what’s the worst that could happen?

——

saturday came by pretty sooner than you’d expected. too soon, honestly.

you had spent the whole week trying not to overthink it. that it was just a date. a date with a normal guy. except this guy was intimidatingly handsome and chill. in hindsight, there was nothing to be nervous about, it was anton who had asked you out. but you woke up that morning feeling like your stomach had been tied into a thousand knots and twists.

you weren’t a loser by any means. in fact, talking to guys wasn't anything new to you at all.  but this was the first time ever that you’d be meeting up with a guy you’d only ever spoken to through a screen. one with a romantic intention.

that morning, while waiting for the perfect time to start getting ready, you distracted yourself by doing the laundry, studying—just whatever to keep your mind from spiraling. but the hours ticked by and the nerves started to creep back in. by 3, you started getting ready.

throughout the whole process of prepping, your mind went through every possible scenario that existed to a man—what if he thought you don’t look like your pictures? what if the conversation was awkward in real life? what if he prefers you over the phone? 

4:30. the distance between the cafe and your apartment wasn’t that far—but it’d be nice to get there early and calm yourself. make a nice first impression.

you took a deep breath, smoothing your clothes down one last time in front of the mirror. 

it’s just a date. but the nervous pit in your stomach refused to go away.

——

when you arrived there, anton was nowhere to be seen. for a split second, you thought anton stood you up. you hated that your heart sank at the possibility. it wasn’t like you were that desperate for the date to happen, but the idea of your date not showing up…

you scanned the cafe, trying not to look too obvious as you searched for a familiar face. people—teenagers and young adults your age, specifically, were chatting and laughing amongst themselves. but there was no sign of anton. 

you exhaled sharply and stared down at your phone, debating whether or not to text him. you decided to ask; and then—

“you’re early.”

the voice came from behind you and it made you jump slightly. whipping your head around, there anton was.

he stood just a few feet away from you. dressed casually in a dark blue sweater with his hands tucked into his jeans’ pockets, his hair was slightly tousled like he had run a hand through it. he looked exactly like his pictures—better in person.

your breath hitched, and you felt stupid for thinking he wasn’t going to show up—after saying he was kind and all.

“i—” you swallowed, feeling caught. you let out a small dry laugh. “i thought maybe you stood me up.” 

anton tilted his head slightly, his eyebrows furrowed in confusion. “why would i do that?” 

you didn’t have an answer. 

before you could think of one—anton smiled softly, god he looked so good.

“come on,” he hummed, nodding toward the open cashier. “should we order?” 

you nodded quickly and followed his lead as he made his way towards the counter. 

“what do you want?” he asked, glancing down at you beside him. the height difference was apparent. he was so tall too. you stared at the menu displayed on the television screen above, humming in thought.

“vanilla latte, i think.” anton nodded then turned to the cashier to order. he got himself a classic latte. the employee rang it up, and before you could even reach for your purse, anton was already tapping his card on the terminal. 

“oh, i could’ve paid…” you murmured softly, not wanting to say it outloud in front of the staff. you know it’s a thing where it is expected for a guy to pay on the first date—a gesture of chivalry. but still, you felt guilty.

anton gave you a soft smile and shrugged, tucking his wallet back in the back of his jeans. “don’t worry about it,” he said. “next date, then.” he added, casually.

your brain short-circuited for a moment. next date?

he said it so effortlessly like it was given. like anton had already known there would be a second one. you felt your face heat up, fingers tightening around the strap of your bag. was it his sheer assumption that made you flustered?

either way, it didn’t seem like anton noticed. or he probably did and was just enjoying watching you squirm.

minutes later, after you both had settled at a nice, quiet table by the corner—and anton had grabbed the drinks from the counter—an odd silence sort of just… settled between you.

not awkward, exactly… just charged.

you wrapped your hands around your cup, focusing on the warmth against your skin instead of the man before you. anton, on the other hand, was a lot more calm—leaning back against his chair as he stirred his coffee absentmindedly. his eyes laid on you in quiet amusement. 

for anyone who didn’t know the context, it didn’t look like a date. 

“you always this nervous?” he asked, cocking his head to the side slightly as he tapped the mocha spoon on the rim of the cup before putting it down. 

“i’m not nervous.”

he raised an eyebrow, his lips twitching like he was suppressing a smile. “really?”

you hummed and nodded before letting your eyes meet his’. “maybe a little. i’ve never done this before.”

anton leaned forward slightly, placing his elbow on the table. “meet guys from tinder?”

“yeah.”

he hummed in understanding, bringing his coffee to his lips. “don’t you wanna know why i swiped right on you?” he asked. you blinked at the question, slightly caught off guard. of course you do. so you nodded shyly.

anton set his cup down, his fingers traced the rim of the lid deliberately. “i thought you were pretty,” he said, a smile playing on his lips. “really pretty, actually.”

a warmth crept up your neck—you weren’t used to being complimented.

you wanted to thank him, but he cut you off. “and you looked cute too. i didn’t know you could look better in real life,” he let out a soft laugh, humming. “i’m so glad we matched.”

okay now, you were sure your face was as red as a tomato. blood was rushing, sprinting to your cheeks.

“thanks, wow,” you brought your cup to your lips, trying to conceal how flustered you were.  

anton smiled, just a little, “and i feel like i’ve known you.”

your breath hitched, “what?” 

anton tilted his head, studying your reaction. “i don’t know. i feel like i’ve seen you before.”

out of nowhere, something cold curled in your stomach. what did he mean by that? was it just one of his flirting pick up lines? you forced a small laugh, keeping your voice light. he looked way too calm, maybe you were just overreacting. “you… haven’t though, right?”

what is wrong with me? you thought, why couldn’t you shake off the uneasiness? 

anton didn’t respond right away. his eyes flickered over your face, and he wasn’t smiling. then, after what felt like hours long of pause— “no,” he finally said, lips curling slightly as he looked down on his cup. “just a feeling.” 

——

if you were being really honest, the date felt a little strange. 

you didn’t mean it in a bad way—anton was really nice. he never made you uncomfortable (in an obvious way), and he paid for your drink—oh, and he bought you some pastries to take home too. the conversation flowed as well enough, and you learned a lot about him. he had been playing the cello since he was young; and he was also a part of the swimming team during his school days. 

but there was just something—you couldn’t name it—about him that sat in your chest.

maybe it was the way anton looked, watching you when you weren’t looking at him. or maybe it was the way he spoke—so calm and collected, so nonchalant about the things he was saying. his mannerism, perhaps? the way he never broke off eye contact when you were talking about your university life? 

but then again, who were you to judge? you had never been on a proper date before. heck, you didn’t even know how a date was supposed to go, to feel. for all you know, it could be normal for girls to feel the way you did upon their first dates too. maybe you were just overthinking—so many maybes. 

anton lee: i had a really nice time today yn :) you looked even prettier up close. 

you found yourself smiling as you locked the door behind you.

yn: thanks! i had fun too ><

yn: you’re just as handsome anton 

it wasn’t a lie, at all. you did have fun, and he looked even better in person.

anton’s reply came just as fast. 

anton lee: i’d love to see you again soon.

you bit your lip, typing a response—that you too, looked forward to seeing him again.

 totally ignoring the way your stomach was twisting.

💭 AAAAAAAHHHHHHHH creepy anton ill probably proofread n edit this l8rrrrrr

[queerromancerecs]

Non Amazon book resources

Look, I know Amazon is a sensitive topic. It has been allowed to dominate the market, and for indie writers, it is a huge (if not their main) source of income. Personally, as an indie writer, I have tried to always keep my work available elsewhere (because you can't trust Amazon not to screw you over, I mean just look at Audible. For those who don't know, Audible royally fucks over authors, and the narrators don't do that great either). But even for me, the loss of Amazon sales would highly affect my ability to keep going without getting another job or three. So I get it. Nonetheless, they cannot be trusted not to drop queer writers and readers, so it's best to have alternatives now.

If you are a reader or an indie author looking for different platforms to buy and/or sell books, even if only to start branching out a little, here is a list.

I doubt it's comprehensive. Feel free to reblog with more.

Kobo and Kobo Plus -Kobo is the biggest online 'Zon alternative. Kobo Plus is sort of like KU. On either one, you get points for buying books and can use the points to get more books. Works for ebook and audiobooks. (And, if you have a non-Kindle ereader, it works for Kobo but it also works for like, fanfiction. I'm just saying. I got a refurbished Kobo a while ago and it's lovely.)

Bookshop.org -print as well as ebooks (authors, make sure you click "expanded distribution" on your bookselling platform of choice if you want your stuff for sale with Bookshop--which also benefits local bookstores!)

Smashwords/Draft2Digital - mostly ebooks but D2D does have a print option

Itch.io - ebook only (but gives a larger chunk of profits to authors than 'Zon does. Authors take note.)

Rainbow Crate -special edition print queer books. (I know there was some controversy with them but I am out of touch and don't know what it was, and most people who use them seem happy with them??? but if you know other queer/romance book crate services, lemme know)

The Ripped Bodice -brick and mortar stores but you can also shop online

Check out your local bookstores---many will order print copies for you if you request them

The authors' websites if they do direct sales

Barnes & Noble- yeah, it's a corporation and they are not great either, but it's not Amazon and sometimes a well-meaning relative gets you a gift card. And, for the moment, they do in fact sell queer romance and queer fiction. I know because I just used a gift card to get a paperback of The Prince and the Assassin. lol

Powell's Books- Portland's famous book store sells new and used books (and you can browse the stock online) --print only. They sell queer romance as well. I got a copy of Drag Me Up by RM Virtues there. That's not super relevant, but I was pleased :)

New link: Queer Books Weekly-- free and affordable books with queer protagonists

Tubby & Coos Bookshop: curates pocket bookstores featuring underrepresented voices

And from user @bobthebenevolentpirate (thank you!)

Giovanni's Room in Philadelphia was founded in 1973 and is “The Oldest & Very Best LGBTQ & Feminist Bookstore in the Country.” They ship to US addresses, but you can also email them about international shipping. The people who run it are lovely humans and have started providing harm reduction supplies/info to people to respond to the needs of the community! They deserve all the support

Also consider library books!

And for those in America--you can use library apps to read books. Yes, the authors still get paid! Libby is a big one. You can get audiobooks too, AND it can connect you with the Queer Liberation Library.

Also there is Hoopla - digital content

In Europe, I know there is Vivlio, which is French and I believe sells ereaders and also ebooks.

[acatinabox]

Incoherent rambling about Antiva and organised crime

Hello, you read it a bunch of times in my disclaimers: I'm Italian. I love lore. Again, I'm not claiming Antiva as Italian, I am just analysing the lore through that lens because it's my culture. I fully recognise that Antiva is a mélange of Spanish and Italian culture, but I don't feel comfortable speaking on behalf of something that doesn't belong to me, so I only stick to what I know.

I've been hesitant to write this up because I find it really hard to express myself coherently. I have very ambiguous but also very visceral thoughts about the way Antivan lore shifted in Veilguard.

On the one hand, I think a refresh of the lore was needed. To me, the idea that one of the most popular fantasy renditions of my culture revolves around the concept that the entire nation is governed by organised crime is... unpleasant. There are so many more interesting things in Italian history, like trade guilds, maritime republics, etc. that like, did we really need that level of stereotypisation? I don't know, I think we could have done with something more tasteful or interesting.

As someone who people in real life have asked if my country was really governed by the mafia, seeing it in my fantasy game is just another reminder that that's how we're perceived abroad. Not a fan of it.

Despite this, I really enjoyed Eight Little Crows and The Wigmaker Job because of the focus on family politics, which is something that is very culturally relevant. At the same time, I was afraid it would lean more and more into the epic narrative of the mafia that has been promoted by American movies that couldn't be further from the reality of organised crime.

But I frankly don't even know what to make of what they did with Antivan lore in Veilguard.

As I said, I recognise that a revision of the lore was needed, and it's hinted at in previous installations. It doesn't come from nothing. Zevran has been cleaning up the Crows via murder for decades now. It must have had some effect. The new guard of Talons is also presented in a more idealistic and politic/trade oriented way in Eight Little Talons, but nothing of that or almost nothing makes it in the actual game. It's handwaved away.

And that doesn't sit right with me.

The previous rendition of Antivan lore was painfully stereotypical, but sadly, it was at least a merciless and raw mirror to look at. It didn't shy away from the fact that it sucked.

What we have in Veilguard is... much more painfully surface level. I don't really know what to make of it.

Nowhere it mentions reform, or a revolution. I think that's the direction they were going but there is no text about this, only subtext.

I can't really come to terms with how the topic was banalised and emptied out until it turned with something so shallow that is more an aesthetic than anything. Like as if we're cosplaying the mafia. And that is unacceptable.

Let me tell you in no unclear terms. The mafia sucks. It's not an aesthetic to be worn. It destroys my country from inside out and I have a stomach ache every time I see it glorified.

It exploits and kills innocents continuously and it poisons my country.

Some real life examples of what the mafia did:

Heading reads: strangled and thrown in the acid. It's about an 11 years old whose only "crime" was to be the child of someone who was in the mafia and testified against it to the authorities.

In 1992 the mafia blew up a highway to make sure they killed a magistrate who was fighting against it. Four people died and 23 were injured.

To this day the mafia is an accomplice of real world slavery and exploitation on top of the plague of drug and weapon trafficking and its businesses are not even a local issue anymore, but worldwide.

As you can imagine it really hurts in a visceral way to see something that still causes a lot of harm to real people being trivialised and made into an aesthetic.

And this is where my semi-coherent thoughts end.

I don't know where to go with this. I enjoyed parts of the crows arc and the more intimate family drama aspect. My rook is unapologetically a crow. I write Antivan lore tidbits because I find it fun.

I just wish we could have had that in a more sensitive or meaningful way. Something that was thematically satisfying.

[fumifooms]

The Nakamoto household - facts & theories masterpost

Table of contents:

the hierarchy & general situation

The parents

The Maizuru situation

The siblings

The other retainers

Izutsumi

Toshiro

Conclusion

I also made tldr summary charts here. This post is about collecting facts about the setting and characters, but it’s gonna be a lot of analysis on what it means through the lens of Toshiro as well, his relationship and place in everything etc etc. They have entangled drama the scale of Daltian Clan. Things are so interwoven it’s hard to keep topics neatly in their own section, because of this pictures may be relevant at several point of this but I mostly won’t be putting them in twice, you might have to do some scrolling up while reading if you want the visual proof to accompany statements. Unlike with Chilchuck’s family there’s less ambiguousness and more intricate details and implications so it’s less theorizing & headcanoning and more stringing together all the crumbs canon gave us. I also dig into some cultural parallels, especially since characters from Wa are the most culturally coded in the series. Also disclaimer that I’ll be calling Shuro Toshiro through this whole thing because that’s his actual name & Shuro isn’t even a nickname he’s shown to like, for accuracy’s sake. The servant girls have real names but are always called by their code names so I’ll call them as such, except for Izutsumi who was named Asebi which I won’t be using.

The general situation

To start off, what’s the situation in canon? All three kids of the head of the house, the three sons (Toshiro and his two younger brothers), are sent out on a vague mission to find something interesting for his father to pick the heir. Each son is thus on their own journey, out with their own group of retainers for an unsure length of time, during canon it’s been 2 years that Toshiro left the house for this mission, and they seemingly all drifted towards dungeons. It’s important to remember that this state of things is the exception and not the rule, and before this the sons lived at home and had different uses of their time, and the retainers had other jobs than care after them. See the next paragraph.

The household offers ninja services, no exaggeration or misuse of the term, mostly spyint but also "covert maneuvers" which could include anything including assassination of people high up. That’s the job of their servants/retainers at least, the heads themselves are more like managers probably, possibly samurais themselves though especially since as we see with the heirs (besides the samurai armor) they also got trained in fighting as their skills showcase. I need to dig into the history of samurais more before I can draw the parallel confidently though. The Nakamoto household is noble/wealthy, distinguished as the Adventurer’s Bible puts it, but it works for and puts its service at use for "their local lord". It buys servants, but also has families who have served it for generations like with Hien. The comic shows that there aren’t only women servants, it’s just the ones we see all happen to be because Toshiro’s retainers are only a small team of all of Nakamoto’s servants.

Above, in a page showcasing characters’ relationships with their party leader: 父親の部下を借りている状態なので、 距離がある。Doubtlessly there must be a translation of this already somewhere but I’m lazy and impatient so I turned to machine translation instead, this translates into: "Since he is borrowing his father's subordinates, there is a distance between him and them". Calling the servants retainers is what most of the fandom does and it’s accurate so I’ll be calling them this.

Hien and Toshiro were childhood friends which means the servants do have some degree of contact not even just together but with the heirs too, or maybe just specifically Hien, since both their parents were ninjas for the Nakamotos she ended up getting raised there and they let her play with him as an exception? They did end up drifting away as adults as their relationship got more professional, so it’s possible. The servants eat and sleep in shared spaces, separate from the masters, though Maizuru has her own bedroom, if the room configuration at the in is to be believed + it’d make sense since she’s governess/head servant. I’m hesitant wether to say it’s implied that this group of 4 retainers was always a bit of a team or it wasn’t and got formed for Toshiro specifically. We know that Benichidori had little contact with Toshiro before they were sent out together for example, but we do see all three girls with Izutsumi in Inutade’s extra when they were younger, and them eating in the same japanese styled room etc. The inn they stay at on The Island is western styled though they do have futons rather than beds (there’s only one bed in their shared room and Hien has it because of her rank).

From Izutsumi’s Adventurer’s Bible profile: "Maizuru, who was also Shuro's governess, is the one thing Izutsumi fears. After Izutsumi was taken in by the Nakamoto family, Maizuru forced her through a harsh training regimen of speech, common sense, and fighting skills. Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn't touch her within a set time frame: "Ninja Art: Babysitter." "

Maizuru, called a governess, is the one training the girls, at least some of them, we know for a fact she was the one to train Izutsumi for example, and in general she’s the one in charge of the ninja girls we see. She was a ninja herself but retired from frontline missions, but has a central role managing the servants instead. Inutade for example is strong but not stealthy, and it’s said that it’s Maizuru’s job to choose how to train her and what role to give her in consequence. Her training includes manners but fighting as well, notably kunais and martial arts. Hien is shown to use bombs and Benichidori is implied to be good at disguises, Inutade uses a bold weapon like a club but it’s implied with "ogres and clubs just go together" and Maizuru not knowing where to put her to use that it’s uncommon for Nakamoto servants to use those. Their board game artworks also show their specialties neatly. When brought into the household, the servants are given new names and their whole lives become devotion to the house and their duties. The names might be intended to act as code names due to them being ninjas? It’s implied that they never use their non-code names anymore once they start serving the household. Maizuru’s training also contains language and "common sense"… Critical thinking? As well as implied etiquette. This isn’t surprising, as she was the one put in charge of raising not only Toshiro but his brothers as well.

Oh yes I want to mention that all the retainers’ "first deaths" are in the dungeon during canon, considering our main cast we’re used to death being permissible because dungeons make resurrections possible, but it’s relevant to remember that these people never died before. Never. These girls are professionals, ninjas with a sometimes very dangerous job. Messing up means death, permanently.

From what we see and with who we see, the hierarchy is:

Father (head of house, his word goes)

Mother (has status which puts her wishes above others’ and give her some control over the house, it’s unsure how much though, but hierarchy wise she’s very much above the rest but below the father)

Maizuru (governess, in charge of (at least some) servants and raising Toshiro. Two dots)

Hien (leader of their squad, trained servant from a family devoted to the Nakamotos. Two dots)

Benichidori (trained bought servant. Two dots)

Inutade and Izutsumi (bought servants. Power wise from their rank it’s unsure just how much the difference between Inutade (who has one dot), Izutsumi (who has none) and Benichidori (who has two) is, since Hien is team leader between the four servants at least that’s measurable. Inutade gets some janitor duties, and Izutsumi has a curse put on her so she doesn’t run away I suppose. Power wise it’s unsure, but socially/role wise Inutade and especially Asebi are treated worse.)

I didn’t add the sons because I’m talking more generally about the power structure and it’d depend on each sibling, like Toshiro’s wants and directives during canon trump Maizuru’s, but Maizuru is also his nanny and manages the girls so she has a lot of importance and sway even on the final decisions.

The parents

I am so pissed I forgot that we know Toshiro’s father’s name, Toshitsugu, from these panels showing the progression of the family tree. I am so pissed I’m adding this halfway into writing this whole thing, I am not gonna go back and replace every "the father" by his name atm.

The father is the part of this puzzle most important yet most shrouded in mystery, or rather a lack of details. What we do know paints a pretty full and vivid portrait: impulsive and cares mainly about his own entertainment. Maizuru calls him a fool, his sons are exasperated and go "This again?" when he summons them saying that they’re boring/dull, everyone knows he’s having an affair and he often has undignified demeanor, but what he says goes so yes Maizuru will take Izutsumi under her wing, yes the sons will be going out right away into the world to find you the 8th world wonder, yes whatever you want lord. He seems to have little care for how his action affects others, like crashing into Maizuru’s room at night and asking she take care of a catgirl, or sending out his sons suddenly with kicks to the butts. He does what he wants hen he wants and others have to comply.

Like we see with Izutsumi and Inutade, he tends to take a liking to slaves here and there and buy them on the spot, usually at entertainment places, like sumo wrestling matches for Inutade and a freakshow for Izutsumi. The Adventurer’s Bible states him acquiring Inutade as "By coincidence, Shuro's father came to see her first match; he liked her and bought her for the Nakamoto family." and Izutsumi as "She was on display as a "cat-girl" in a sideshow when Shuro's father took an interest in her and bought her." In Maizuru’s extra, he calls Izutsumi a "souvenir" he got for her, and he’s drunk so it could well be assumed that buying Izutsumi was a drunken whim, and that he mitht be alcoholic. You can’t really say that he picks them out because he sees potential in them to be a ninja or would be useful, since with Izutsumi she had no fighting training and Inutade doesn’t fit the skills they seek like stealth and she has trouble fitting in. You could assign noble goals to him like maybe wanting to help or relating to the misfits, but I think with what we see of him it’s more likely that he likes to pick up "oddities", like a catgirl at a freakshow or an ogre, especially since one of the only things we know of him is he wants his sons to bring back interesting trophies from their travels. Toshiro, about his father buying Inutade, says: "People in power desire ogre as servants, and ogres are chosen as opponents in tests of strengths or military exploits. My father bought her for similar reasons."

Also from this we can infer that he goes out to events often, like circus and sumo wrestling, again mostly for entertainment from what we see. I like to think it’s implied that he used to travell maybe still does, due to his own liking for it as a test and because he visits various places like the sideshow, plus his forearm scars in Toshiro’s extra… But him being a samurai in service of a lord could definitely explain that.

This all paints an interesting picture doesn’t it… The Nakamoto’s lifestyle is super encased in rules and social propriety, duty and hierarchy. Old noble man who’s been surrounded by propriety all his life and just wants some spark of interesting stuff happening amongst the humdrum of his lavish cushioned life at home, and is shitty to people around him in consequence and due to his privilege allowing him to. He’s despicable, but from his 3 appearances he becomes an interesting well-fleshed character, at least proportionally to the screentime he gets…

We also know that the affair with Maizuru is well known at least inside the household, so there’s no genuine secrecy around the topic. Makes sense that the wife would hate her guts.

Ahh yes the mother. Little is known about the mother, except that from Maizuru’s profile "Shuro’s mother can’t stand the sight of her, to the point where there are areas on the property Maizuru is forbidden to enter. Maizuru, however, is impressed by his wife’s strength of character." From this I glean that she does have enough power/respect in the house that she can make rules like where Maizuru is allowed to go. Also the implication that otherwise Mazuru would have access to EVERYWHERE in the house despite being only a (high-ranking) servant is a bit interesting. Wether the mother’s "strength of character" is overt and hot-headed or understated and cool-headed is unsure, but I imagine the latter more. I could see Maizuru’s angle in many ways, from being able to tolerate "that fool" aka the father both just in general and with knowing that he’s cheating on her, to knowing how hard it is to be respected as a woman and admiring her putting up with it all and still being able to have sway in the household. This is I think the only mention of the mother anywhere. Doesn’t seem like she is an important figure to Toshiro at all: in fact we hear about her on Maizuru’s profile, and seeing all of this we can see the importance of her in Maizuru’s backstory and life, moreso than Toshiro’s. I imagine she’s a bit of a recluse, which is part of why Maizuru not being allowed to roam the full house is important, because them running into each other at the house is high.

It’s unsure how much contact the parents have with their kids. What we know is that they left the principal tasks of raising the kids, or at least Toshiro, to servants. Toshiro’s profile says that he’s more attached to Maizuru than his parents, and that’s the phrasing. From the comic where their father summons the sons, it does seem like they’re more or less used to interacting, with the sons’ "This again?". So it’s not that they’ve only interacted with them few times enough to count on fingers, but how meaningful were those interactions? From Toshiro’s profile we know he has a complex where he thinks he’ll never get recognition from his father or be able to measure up to him… But is that more born out of secondhand gossip and expectations, or from direct interactions with him that made him feel that way? Likely a mix of both, especially since the father does seem to be very dismissive, uncaring and insulting with his sons. Oh, but it’s definitely notable that in the Hag monster tidbit (below in Maizuru’s section) six years old Toshiro runs to his father scared shitless for help against the shikigami, and his father casually helps him without batting an eye. Toshitsugu knows how to deal with Maizuru’s shikigamis, and he does so efficiently and without any sense of worry or urgency. Although the event traumatized Toshiro and he was very scared, it doesn’t seem like his father offered any comfort, beyond just helping getting rid of it and letting him cower behind him without comment. Toshitsugu gives hungover vibes in that one imo haha. It’s shown he was already training as a ninja, perhaps this event only reinforced Toshiro’s complex, seeing his father, the samurai the achieved man who has expectations for him, so unfazed and uncaring like that.

The Maizuru situation

Let’s establish a timeline first. It’s left vague how much time she’s served the Nakamoto family for, or how she came to be in their service. The central point is that "She was put in charge of raising their children at a young age". If straight from his birth, Maizuru started taking care of Toshiro when she was 15 years old. If from toddler age, then 16. It’s uncertain if when she stopped getting front-line espionage missions, but we know it’s late rather than early despite having kid raising duties. But well, since she’s also in charge of the ninjas she’s definitely has a multitasking role even now.

The dad prob has around 5-10 years more than Maizuru, I’d say. We only see half of his face and only a good few years in the past, around ~3 years ago probably with the shuro quest and a good 7 years with Izutsumi as a kid, but visually those are the vibes I’m getting. From Toshiro’s birth, it’s possible that the father was 15 when the baby was born too? But conception would have been closer to 14 years old then, and yeah I don’t think they marry and have kids that young. Toshiro is 26 years old in canon and is unmarried, and the heir hasn’t been officially picked, so marriage and kids don’t seem to be in the family’s priorities. Even if Maizuru do say that the father would love if Toshiro brought back a wife.

Now the elephant in the room: she has an on-and-off affair with the father and it has been si for many many years, at LEAST 7 years since that’s when we see that comic of him going into her chambers about Izutsumi, and in the comic above, Hien in that panel has an ambiguous age. Regardless it’s definitely implied that it’s a long, long-standing thing. Hien’s phrasing above makes it sound as if it’s not purely physical, as if feelings are involved, "he’s head over heels for his confidante", and who knows if this relationship is part of why Maizuru was chosen to be the governess, or even hired at all.

It’s in the feud with his father that we learn about maizuru’s affair and how after learning it he started shutting her out emotionally. It’s left vague when Toshiro learned about it, Hien made it sound as if everybody always more or less knew but I don’t think Toshiro started shutting her out when he was still pretty young. Regardless, the two are implied to be linked, his dislike of his father/complex and how he stopped getting along well with Maizuru/being emotionally open with her. Is it that he now feels as though Maizuru is actually on his father’s side and not his own, that after all if she had to choose she’d pick him over Toshiro too? Or is it that, because his father’s known to be a self-centered frivolous jerk, that knowing she lets it happen, "can’t seem to shake it", he respects her less? He has an irresponsible reputation and she does give off the vibe of needing to clean up his messes, so that wouldn’t be unplausible either.

On the flipside from her perspective, since he learned she was his dad’s mistress he emotionally shut her out, which can partly explain why she’s SO fussy with him and happy at the slightest hint of happiness or compliance, like when he listens to her and eats, or maybe even being happy that he lets her help him dress and keep tidy (imo this is supported by how they interact in the page showing him interacting with all his party members). She wants to regain that closeness they once had and for her baby chick to be alright as he’s slipping through her fingers. Man so sad to think about him rejecting her when he’s the only thing in her life. She’s raised him for 26 years, no wonder she’s so attached to him, the only thing in her life she feels true unconditional attachment for. Maizuru says that she thinks Toshiro’ll be a better head of the house than the father, too. The respect and care is somewhat onesided, given freely from her side but repressed from his end. When she cares for Toshiro is when her demeanor immediately and drastically softens. She gets easily carried away when it comes to him, rambling enthusiastically or smiling widely or tearing up. Her tendency to ramble or tell anecdotes about Toshiro is shown making Hien and Benichidori go "Here she goes again…" twice through canon.

With Izutsumi’s timeline we see Izutsumi was taken into the Nakamoto household at 10 yo, and since in the comic with Maizuru and the dad she’s shown as stinky and all I imagine she arrived there the same day, so Maizuru was in charge of her since she was first here. In fact if we assumed that it’s the same day as when he bought her at the circus show, then we could assume that buying her was a drunken whim like mentioned.

Since Izutsumi was taken in at 10 and she’s 17, this would mean that Maizuru is 34 years old here. She looks younger without makeup, but lower than that is mathematically impossible besides maybe 33 if Maizuru and Izutsumi’s birthdays line up just right.

Time for the second elephant in the room!!

Maizuru’s magic

Maizuru is the only person in the Nakamoto household, anyone from Wa really, who we see using magic, I doubt she’d be the only one who can use magic in the household but as the governess it wouldn’t be unplausible I suppose. From what we see, the magic is estimated by Marcille to be an "appropriation of gnomic magic" with an eastern script. For my analysis of written magic (though with only a brief glance over Maizuru’s magic), see this post.

If you scroll up and read the little section on Maizuru’s profile, Ninja art: babysitter: "One of the curses put on Izutsumi is Ninja Art: Babysitter, which manifests as a terrifying hag shikigami. Unless Maizuru touches the victim within a set time frame, this terrible curse makes a hag appear and chase them around with a carving knife. Maizuru originally created it in an attempt to keep Shuro from getting lost, but it ended up traumatizing him…"

From Izutsumi’s profile: "Maizuru, who was Shuro’s governess, is the one thing Izutsumi fears. […] Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn’t touch her within a set time frame: "Ninja Art: Babysitter." It was put on her when she was 12. Since Toshiro had it as a kid, presumably the curse can be lifted off rather easily, Marcille was confident on reverse engineering it as well. It’s unsaid what the time frame is, it’s kept vague everywhere and Izutsumi herself says "who knows" how long it is. Izutsumi ran away despite the very real risk of it killing her. Essentially, Maizuru can put people in a timebomb collar

… MAIZURU WHAT THE HELL

As we might have expected, Maizuru being given the task of rasing a child at 15 did not go perfectly. This, a babysitting technique??! This comic happens when Toshiro was 6 and so Maizuru was 21. Interesting to note that Toshiro didn’t even know it was Maizuru’s doing before this conversation during canon, and he doesn’t know how to bring it up or deal with it how it affected him. Maizuru seems surprisingly uncaring of Toshiro’s feelings on the matter here, oblivious to his conflict her and fondly recalling it all.

This curse is a shikigami. From her profile: "A shikigami user, Maizuru has a variety of shikigami that have been sealed in paper as her servants. Her favorite seems to be Gyuki, a bull ogre." Now don’t ask me when Gyuki appears, I do not remember it. But before we go into the cultural/historical basis for this practice, let’s take a second to recognize the parallel that Maizuru has servants she keeps sealed unless useful in the moment, even despite having enough "attachment" to have a favorite. She’s the governess in charge of the other servants, and she has shikigamis, which she has used on the heir and the runt at the bottom of the hierarchy alike.

Shikigami, in traditional japanese folklore, are conjured to exercise risky orders for their masters, such as spying, stealing and enemy tracking. Shikigami are said to be invisible most of the time, but they can be made visible by binding them into small, folded and artfully cut paper manikins.

Shikigamis are from onmyodo, onmyoji is a profession-legal title historically but it’s what you call a practitioner of onmyodo, and so I feel content in saying that Maizuru is an onmyoji, or based on it. Her outfit reminds me of a shinto priest. It’s interestingly closer to a shinto priest outfit than a miko/shrine maiden’s (in picture below, 2 instead of 5), and I feel like red being chosen for the inner sleeve is a very charged decision since the white & red color combo is the shinto clothes color combo. Especially white clothes with red inner sleeve. Shinto priests can be women nowadays but they’re rare, and onmyojis can be considered shinto priests though it’s a more complex than that. Image below as example, source. Now I don’t think Maizuru has the role or prestige of a priest at all- But the association with onmyodo and spirituality is definitely meant to be made I think. Onmyojis are usually clothed similarly to this.

The babysitter ninja art seems to be based off of the hannya yokai. "They were once human women who were consumed by jealousy and transformed into demonesses", twisted by anger and resentment. Interesting considering her being a mistress to a man whose wife hates her. Hannyas are associated with wisdom because of its name, but there is nothing positive about them. At its highest level of "demonic corruption" if I can call it that, their body tend to become serpentine, fun link to make with her name being from the snakeberry plant.

Other cultural ties or symbolism on Maizuru’s character could be found in the motif of cranes due to her sleeves, in the tales of the crane wife, origami cranes (called orizuru, from deformation of 鶴 "tsuru" aka "crane". All names are written in katakanas in Dungeon Meshi, but thus if we had had the kanjis it’s possible her name would have been written with the kanji for crane), tennyos, and japanese crane symbolism in general. I thought cranes might have been associated with motherhood, but seemingly not in japanese culture at least, I was thinking of storks haha.

Ok speaking of her name. Maizuru is the name of an existing japanese city (舞鶴), meaning "dancing crane". From @room-surprise’s work in progress research paper on Dungeon Meshi characters’ names: "Maizuru is her ninja code name, and comes from “maizurusou”, which is maianthemum dilatatum, the snakeberry plant/two-leaved Solomon's seal/false lily of the valley. Lily of the Valley is a plant associated with motherhood and virtue… So Maizuru being a false Lily of the Valley implies that she is a false, replacement mother, and also hints at the way that Toshiro became cold towards her when he realized she was his father’s mistress, and not a pure, virtuous mother-like figure that he thought she was. Also, lilies are toxic to cats, which makes sense since Maizuru and Izutsumi have an extremely bad relationship." For more details I’ll leave it up to Room when the paper is ready to be released. Edit: It’s out!! Click here! Incredible meta that goes into a ton of details not only about Maizuru.

So some big themes of her character are: (false) motherhood, spirituality/magic, control, cranes, woman’s jealousy.

The siblings

Alriight so besides Toshiro the eldest at 26 years old, there is Toshiyuki (Toshitsuge in one fantranslation) the middle son and Toshizane the youngest (Toshikage in one fantranslation). They were all said to be raised by Maizuru. "A strange level of distance" is interesting. Why strange? I feel like this implies they do interact regularly, and that they’re all rather civil wirh each other, but they still have little bond to speak of. That wouldn’t surprise me, especially since even inside the family etiquette and propriety and rules are enforced, the summoning by his father feels very formal and they all listen to him standing in silence despite having snappy inner thoughts. It’s unsure if they were largely raised together or apart, but since Maizuru was their (at least main) caretaker/governess it implies that they were imo. They were put in competition with each other for the title of heir to the house, though it’s unsure to what degree. It’s examplified by their family all having names that start with "Toshi" that the legacy is very important and thrust upon them, cogs in a machine almost. They all think the same thing when their father summons them and has a spiel, so they’re used to the same sort of treatment and they are indeed brothers for being on similar wavelengths haha.

Toshiyuki, as seen in the comic about his retainers, the poor soul sent into Darkest Dungeon, is brattish. Rude, selfish and rather lecherous, does not hesitate to be mean to his retainers and complain he wasn’t given women retainers. Visually he looks what, 14 years old top. I wonder if Maizuru stopped using her babysitter ninja art on the heirs after it traumatized Toshiro, and if so maybe that explains why Toshiyuki Knows No Fear In His Heart™️ and that’s why he can spout off stuff like that.

The retainers for the youngest brother, Toshizane, don’t seem to be as clad in ninja gear as the other two, seems like the priority is to take care of the very young young master there? Rather than truly go adventuring and dungeoneering, perhaps. Not that it’s ever said by anyone that their quest is to go into dungeons specifically, only to find something "interesting" to bring back, but both Toshiro and Toshiyuki are shown to have ended up drifting into dungeons. Toshizane looks young, I’d clock him 8 years old personally. He’s drawn looking rather innocent, especially the headshot doodle above and in the Toshitsuge complaining about his retainers comic. ALTHOUGH on the latter, interestingly as we see with Toshiro having a smug smirk in that same panel (or alternatively a smug indifferent/uncomfortable "i don’t care about this, even though you want it so much" look which at the very least is very exaggerated from how he emotes in reality), it’s Toshiyuki’s unreliable/exaggerated vision of his brothers and it doesn’t necessaeily reflect reality, though it’s still interesting to note that that’s the vision Toshiyuki has of his brothers/the impression Toshizane gives off. That can imply juicy dynamics for the brothers, for example if Toshiyuki feels as though he’s in competition with his brothers, feels superior to them, that instead of pushing the shitty family dynamic angst onto his father he puts the blame for it all onto Toshiro. Toshizane seems maybe too young to notice the tensions and seriousness around him, maybe more coddled… IS WHAT I WOULD SAY BUT in the comic where their father send them away he’s as well-behaved and serious as the others, so clearly he has a grasp on his role.

When talking about which retainers go with who, it’s said it was the father’s choice. I’d like to assume it wasn’t an airheaded/random choice. Maybe he knew that Toshiyuki would be weird about having women in his team of retainers? And wants to forge their character or protect them in the way they need. Though how Toshiro’s party only has women isn’t only pointed out and commented on by the comic with Toshitsuge but also in the main Dungeon Meshi story, both Marcille and Chilchuck going "his party is fully made up of women", one more loudly than the other haha. So it does feel like a somewhat pointed/purposeful decision, if not that the 4 girls were already a team like I mentioned.

The other retainers

Already made an analysis of Hien and Benichidori’s relationship (+ moment compilation) here. Honestly my juices are exhausted so quick rundown:

Hien’s parents both serve the Nakamotos, so she grew up with the family and was even a childhood friend of Toshiro. She assumed he and her might end up in a Maizuru-Toshitsugu situation ‘just because that’s how things are’/‘it’d be a natural development’ if we’re to believe Hien, ahh what growing up at the Nakamotos’ with those role models will make you believe is normal hah, and was surprised when it ended up not in that way at all. They grew more distant with time, in good part because of the professional nature of their roles in relation to each other (truly a reversal of the Maizuru-Toshitsugu situation). She’s the leader of their lil squad, under Maizuru, she’s very confident and she gets the perks, like getting the bedframe in the shared inn room. For all the details just read her page. She has two dots, showing her rank as a full fledged ninja. I made a more in depth more speculative reading of her in this post.

Benichidori was bought, by "the Nakamotos" so we don’t know who made the final decision. She’s perceptive and submissive, her specialty is implied to be disguise. She never had much contact with Toshiro before she became part of his party. She has facial dysmorphia where she fears the judgement of others if she doesn’t wear makeup and highly values beauty, in her extra her anxiety really shows and she ends up angrily snapping at Hien. Benichidori ends up taking a big liking to Hien and from there on they’re implied to be inseparable. She has two dots, showing her rank as a full fledged ninja.

Inutade is said to worship Toshitsugu because he "saved her" from her horrible life conditions, buying her personally from the sumo matches, she’s extremely grateful to the family and is happy to do any work they give her and is highly satisfied with her current living conditions. She seems to find Toshiro intimidating, though. She was separated from her parents from before she can remember and raised as a sumo wrestler in inhumane betting matches, where her front tooth broke. It seems she has very littke ambitions and dreams besides obeying orders day to day, but after Izutsumi fled away she was happy for her and mused that she’d love to go out and find her one day. They’re so besties Izutsumi gave her a dream of her own I’m sobbing… </3 She has one dot, showing she still has to be attributed her role and earn her stripes.

Their approval rating of their leader. The highest total score from all the parties.

Izutsumi

Sighh where to even begin. Her timeline was put in Maizuru’s section of this post but the rundown is "taken away from parents and turned into a beastkin" at 6 yo (the human half of her soul), "sent to a sideshow on the island of Wa" at 7 yo and bought by Toshitsugu at 10 yo when he took an interest in her when he visited the sideshow. Maizuru put the curse on Izutsumi at age 12, so from then on she always had to not stray much far from Maizuru or risk death, it’s unsure if Inutade’s extra is from before that time, before she was 12, so she could still attempt many many tries to run away. If that’s the case, then Maizuru’s curse was very much treated as a last resort, honestly beyond everything else I can see it being a pain that Maizuru would need to touch her every so often on Maizuru’s schedule as well. The alternative is that, not unlike Kabru who had no regrets dying in a dungeon rather than staying with Milsiril, she’d risk her life to get a taste of freedom. Besides, you know, being a slave and having a timebomb collar with Maizuru’s curse, her frustrations with her life with the Nakamotos is most concisely put in the comic just up above, Inutade’s extra.

She has no dot tattoo, meaning she’s at rock bottom of the hierarchy. It makes sense, since unlike Inutade she’s rebellious and needs threats to obey orders, and even then might try shifty business.

This last part where Izutsumi tries sleeping with Toshiro is most interesting to me. So she’s sought out contact with Toshiro before, she considers him "the stuck-up guy" but she doesn’t exactly hate him. I wonder if this comic is set in the inn on The Island or back at the Nakamoto household, because if that’s the latter it implies that she could get access to his room if she’s sneaky.

Oh oh also, this is fanon but since Toshiro’s weapon is one used usually on horseback, and with the steadfast and upright character of horses I associate Toshiro with horses a bit, though this is wild fanon. What’s interesting is that the plant Asebi was named after is a plant infamous for being toxic to horses. Hehe hehehe he wears a ponytail… Hm now that I think of it hairdos have importance for samurais, should look into that.

Toshiro

God. Ok. Everything was leading up to this guy. Need to split open his head like a geode and vibecheck his brain crystals. Let’s get some interesting details out of the way first.

His weapon is a tachi, not a katana. The wikipedia on tachis is more in depth if you want, but I consider the article I linked to be in deoth and digestible. Tachis are heavier and longer blades than katanas, and make for better horseback weapons than close combat. The way Toshiro uses one instead of a katakana shows that he’s extra strong… And does make sense, since most monsters won’t fight in as close quarters as human fighters. If katanas aren’t a thing in the world yet could make a difference, since tachis were invented first, and once the katana was invented and spread tachis became something more common in higher-ranking samurais. In the monster tidbit of the Hag, it’s shown that even at 6 years old Toshiro was training and learning ninja skills, his first instinct to the shikigami besides running being to fight.

Toshiro knew that Izutsumi wanted to leave, for sure. He may have been sympathetic, if his cryptic look back at her in the ‘Toshiro interacting with his party members’ page means anything. As seen below though, him being sympathetic doesn’t necessarily mean that much. Also, Toshiro had to have known about the curse on Izutsumi, where if Maizuru doesn’t touch her once in a while she’d die. "Asebi must have ran away, leave her" can be seen as subtle support for her to gain her freedom, but it could just as easily be seen as him leaving her behind to die. Because the outcome options are 1) she gets killed by Maizuru's curse, 2) she finds a way to break the spell, 3) she finds a way back to them.

He’s very conflict averse. Wether it be in relationships like with Laios or the status quo. Will not stand up for 99% things including himself. He obeys his father quietly despite his anger and dislike. This is the same guy who can't even get himself to speak up to correct the butchering of his name, the slippery slope that got him tangled in the Laios party seemingly without resistance. It’s very japanese etiquette from even nowadays, never saying a direct no to not be rude. ALSO THAT PANEL, has Toshiro beaten an ogre before?? Is that a brother of his?? Does seem in character for Toshiyuki the most, unless Toshiro was desperate to earn his father’s attention with feats. On the right I’d say the ones in the foreground are two of the brothers, maybe the third being the one to gesture to the ogre. It’s worth noting that inheritance laws during the Edo period often made the heir the son with "the most merit".

When with a goal that’s important to him he’s fine with even starving for it. Although what we see him be like that about in canon is Falin, aka self-admittedly in the post-canon proposal comic "the first person he has liked this much", which for him I feel is like admitting she’s one of the first things he has truly wanted for himself and fought for, soo… It’s more like an exceptional freaking out moment than something that would be recurring, most likely. How disheveled he got is a testament to how much he would forego propriety and rules for people of his status for the person he cares about most. Maizuru says the first personal request he’s (ever?) made was for them to help him rescue Falin.

Which ahh yes, his crush on Falin. I do think idealization plays into it, he doesn’t know Falin that well for sure, but it’s more complex than that too. Falin is pretty and can have an ethereal energy to her, she’s caring and gentle kinda motherly which Toshiro would find soothing I imagine, BUT MOST OF ALL. She’s weird!! She’s just weird enough to allow and be charmed by!! Shuro was fully shaped by his upbringing and environment of nobility, social etiquette and whatnot. Yeah she’s weird and quirky, but still quiet and sweet-mannered enough that he’s like "Yes, she wouldn’t bring shame on my family name". And why would he be charmed by her weirdness? Because all he’s ever known is rules!! Conformity, fitting in!! Unlike the others he knows, she is weird without being overbearing as well. "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" She’s like his comfort character. MOREOVERRR I had totally forgotten about it, but Toshiro was shown watching a snail behind a bush and losing sight of everything else (like Maizuru calling him) as a kid in the Hag monster tidbit, the moment he fell in love with Falin it was when she looked enthralled at a caterpillar and he mentions how "most girls would have screamed or recoiled in disgust", and in the beach chibis page he’s crouching and collecting shells thinking about Falin… He likes bugs and crawly critters guys, he wishes he could be cottagecore too… It’s a genuine shared interest… . Someone pointed out that Toshiro & Falin’s relationship probaboy references this japanese folk tale, and I think that’s very interesting to note.

And Maizuru is like his mom but it’s a Thistle situation where they can’t just be a normal family and normal affectionate either- and when he learns about his father having a thing with her he feels weirded out. And like. Who knows how much he even got out of the mansion. He got homeschooled. He’s distant with his brothers. The family is in shambles

Shuro’s issue is that he was taught to be perfect and have the upmost respectable behavior, so if something annoys him he has to be righteous about it and that it’s the annoying thing’s fault or moral failing. Bro just let yourself be petty sometimes it’s healthier. With the feud with his father it’s explicitly stated that the pressure and expectations of the family name weigh on him a lot.

But then, that makes his beef with Laios so understandable doesn’t it. Not justified, but explained certainly.

Laios & Shuro and the whole mess coming to a head

I’ve made an analysis of the Laios-Shuro fight from Laios’ pov before, here. This is the Shuro pov analysis. Yes yes in The Fight, Shuro is dehydrated sleep-deprived and underate, he’s majorly off his rocker, BUT his frustration and the underlying issues are still things he felt on any day and it’s interesting to note.

Toshiro has been raised from his birth with the priority of propriety, nobility, etiquette, rules, conforming elegantly, appareances and reputation are everything. He’s modest, humble, quiet, stays in his lane and bottles all his feelings up. Wait who is this loud guy coming up to me being inconsiderate and loud af?? Does he not see me blinking in morse code that I’m not enjoying this and want him to leave?? Was he raised in a barn?? He’s overbearing and rude and way too friendly- He’s weird wtf! Not conforming to basic etiquette is illegal??! And people just… Let him do whateve he wants?? He lives well, no one stops him or kills him?? What the fuck, I’ve followed rules and etiquette thoroughly all my life, and it’s thankless work I get no recognition for, meanwhile he gets to be oblivious af and do whatever he wants without getting clapped?? Resentment, frustration, dislike, anger anger anger, jealousy.

Laios might even remind Toshuro of his dad in a way, because he SEEMS impulsive and like he does whatever he wants without a care to people around him, without thinking of how it might affect them. Doing things without thinking through the Implications. And interestingly this is a bit paralleled to to how Shuro is serious, strict, and big on the duties that come with having a leader role and the family dynamic it brings, like Laios’ own father, who Laios also dislikes… Dealing with his anger towards Laios, especially knowing that Laios doesn’t mean anything bad by it like Toshiro admits, is probably very healing to him. He stops repressing and thinks through his issues a bit, realizes what parts of his life he’s unhappy with and where all the negative feelings come from. I do think he bottles up his dislike for his father a bit, he has to at least for appearances. His beef with Laios is repackaged internalized anger for his father, but it’s ALSO repackaged frustration from his etiquette-bound lifestyle. He says it himself, when Laios is like "You never told Falin how you feel…? Alright, when I can I’ll tell her for you buddy!!", "that’s the part of you that I envy". Laios’ ability to just come out and say what he wants to, what he means. He wishes he could be free of all the rules more, that he had te courage to speak out, like with Inutade, or talking things out with Maizuru, or nit having to act like he’s not angry with his father. This narrative point of Toshiro envying Laios’ ability to say things freely and being frustrated by not being able to himself is ESPECIALLY examplified by their first interactions, the basis of their relationship: Laios enthusiastically befriending him, giving him a bad nickname and roping him into joining his party, with Toshiro never turning it all down despite wanting to, too hesitant to act possibly rude.

And now is time for the laishuro addendum… Because of personal experiences it’s a bit of a sensitive spot to me so while I see timelines in which I enjoy it I’m very picky… This is all further theorizing from me btw I’m not pushing my view here onto ppl as facts, but I think there’s more interesting bits and scenarios to bite into here. Laishuro has very cute and sweet potential. I personally don’t see the "Oh wait Laios is just girl Falin… 😳" angle because to me if anything that’d just make Shuro disillusioned with Falin lol, but like yes make Shuro learn that it’s ok to be weird with Laios 🥺 They DO have differences first of all, important ones, especially from Toshiro’s perspective. Laios is overwhelming, whereas Falin is soothing. Laios is loud and asks things of him where Falin is a calm, quiet presence. Laios pushes himself onto Toshiro, whereas Falin is content on just doing her own thing in her corner alone.

Hot take but the ultimate laishuro timeline is the one where he DOESN’T bring Laios back home, because he knows he’ll be seen as an oddity and clown by his father, and he doesn’t want Laios to be treated like the tapdancing monkey there to please and entertain his father the way he himself has always kind of been. Wouldn’t inflict that onto someone he loves. He can recognize when people are taken advantage of (mostly) like Inutade, and it doesn’t settle right with him. He might be especially sensitive to it in Inutade’s case because it’s about seeing his dad in a better light than he deserves, though. His father is his weak spot, THE weak spot.

It gets me so emotional thinking about it actually because seeing Laios played like a fiddle by his father, Laios so happy to find someone who’s enthusiastically listening to him ramble and engaging, would destroy Shuro emotionally I think. Like. On one hand being like "Oh of course my dad would find Laios fun, unlike me his boring son", super angry as coping mechanism for his intense sadness of not having positive parental attention, and then on the other he’d see Laios being treated as a clown and identify with it and that would remind him of how he gets treated similarly which he’s in denial about (more or less, but since he puts up with the family rules and follows along he hasn’t given up on getting recognition. He wants his father’s approval, and he couldn’t blame Laios for being happy with it despite how hurtful that attention truly is without Laios’ knowledge), which would be such an overwhelming conflicted mess of emotions and his worldview would shatter a bit because he has to repress it all even now, and he’d have a breakdown.

And similar deal but if he brought Falin home… Bc ok yes he idealizes her and doesn’t even know her all that well, but like I said imo what he sees in her is that "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" So meanwhile with Laios he’d have mixed feelings on him getting treated like a clown and identify with it, bringing Falin home and having her be demeaned would be like having his perfect comfort character dunked on and he gets reminded that the world can’t have anything good actually. With both Toudens it’d make his resentment towards his father even worse, he might snap. I’m not the biggest on gendered analysis tbh but Kui evidently does like to do it to some degree, with the genderbending changing their life considerably and different fantasy cultures having different gender roles and all, but Shuro idealizing the Touden sister as something perfect he cannot attain while being jealous and frustrated at Laios for being something he cannot attain is like. So compelling actually. With Maizuru’s hannya of female rage weaponized there could be a theme of pushing the blame and responsibilities of things onto women too, the responsibility to raise and to manage and to dish out the work and to clean after mens’ reckless decisions. Anyways just a tangent.

Shuro on a bad family angst day is everything I love in a blorbo… He can be a lil shitty as a treat to make his healing arc more fulfilling. Toshiro snapping after he sees how they treat Laios/Falin and he gives up the family headship to LEAVE. Maizuru arc where she has to choose between loyalty to the clan and loyalty to Toshiro, will she stay with the boy she raised or go home… To me Maizuru is much less sympathetic than Shuro, but she is pretty tragic and her selfless love for Shuro is her one redeeming quality. Babygirl take no shit no more, but also better yourself and turn your life around please and thank you… She is so evidently taken advantage of but like. What else does she have? So she just takes care of and loves the boy she raised like her own kid and goes about her daily life in servitude and doesn’t think too much about it all.

Shuro is awful a nickname but also, I think Shiro would be a good nickname for Toshiro, because it gets rid of that ‘Toshi’ first part of his name that all the male members of his family share. It severes the link to his father and the tied pressure from his family.

Laishuro brotp turning slow burn romance would be so lovely. I think college au for laishuro would be peak actually… Shuro so is the repressed "I am so normal" guy who has a furry liberation identity crisis arc… I also quite like the potential he’d have with Namari, as both work-oriented misfit foreigners cast out of their homes, and she’s also bolder so it’d be good for him, and he could bring her stability… That’s a topic for another day tho. Even he and falin are sweet tbh, they could have traveled around together even if just as friends… Bc yeah she does value him as a friend at least somewhat, she says she’ll visit him~! Mostly I want Izutsumi-Toshiro brotp fancontent.

Conclusion

The household is very hierarchy oriented, and honestly the system doesn’t seem to make anyone happy, or at least not healthily so. Sighh feudalism.

Obviously their situation are very different, but still Toshiro and Izutsumi react to the same conflict in opposite ways: when a hierarchy and lifestyle of rules and duty is thrust upon them, Toshiro obeys and believes that it’s how things simply are, always having it been drilled into him since being a baby and being privileged enough to live ok with things as they are, meanwhile Izutsumi rages and eventually breaks free and never wants to submit herself to rules or hierarchy ever again, even if that perceived hierarchy is a mutually beneficial professional party dynamic or having a role inside a well-meaning team, like Laios’ party. WHICH IS WHY THEY SHOULD HANG OUT AND HAVE AN ARC TOGETHER. LET HER INFLUENCE HIM TO GET WILDER AND THINK OF HIMSELF MORE. FUCK INHERITING THE HEADSHIP. THE SIBLINGS NARRATIVE.

As always if I find more stuff to add i’ll edit it in. Rn I’m thinking that I’ll look into ninja & samurai feudal history and try to find specific terms that might fit their roles and situations more. I should reread try to cover Izutsumi’s end of the Toshiro-Izu dynamic as well.

I greatly recommend this paper for more excellent meta on all named Dunmeshi characters and their culture!

Ah yes yes, I forgot to talk about it but we don’t know what Toshiro’s retainers have been doing with their time on The Island, especially while he was dungeon diving with Laios and co. Although in the anime’s ed in this shot we see them "stealthily" follow him around, so presumably when he’s not in dungeons they’re tailing his moves.

Afterword here, it has summary charts about the power structure & relationships and complementary pages and artworks, couldn’t put them in here because SIGH 30 pictures per post limit.

[trans-axolotl]

hi! do you or your followers have any recommendations or suggestions on ways to get more politically organised when you're very chronically ill and mainly bedbound / housebound?

im truly at a loss of what to do now because i cannot do the usual protest attending, mutual aid fundraiser event hosting, even making food for friends that are struggling. i sign petitions and try to keep friends updated with news but its not enough

Hi anon! Super important question. I have a few thoughts on possible ways to get more involved in organizing while you're bedbound/housebound. A lot of my suggestions are shaped by the context of me mostly doing organizing in largeish US cities, and I also know that a lot of what's possible depends on your own personal access needs/energy levels/etc. feel free to let me know if nothing i suggest is accessible for your situation and I can try to brainstorm some other ways of getting involved!

Joining an organization like Crips for Esims for Gaza that works to directly support Palestinians and needs help with online logistics work like handling donations, buying Esims, and connecting people. Their email is listed in the article to get in contact.

Prisoner solidarity support! This could look like writing cards or letters for incarcerated people, or helping out with a books to prisoners program. Survived and Punished has a guide on how to write letters, Black and Pink has an LGBTQ prison penpal program, and if you search "prisoner penpal program" in your area you can probably find something local to you. The Prison Library Support Network is a great online based organization that works as a reference library for incarcerated people, and has people do research (sometimes just by searching on Google!) to answer information questions sent by incarcerated people. They have regular online trainings about how to participate as a volunteer, the next one is on July 13th.

Listening in on police scanners when there are protests happening in your area, and giving live updates to protesters, either in a Signal message thread or just by posting live updates on twitter/bluesky. This can be super helpful so that people on the ground can get information about what the cops are doing and can try to avoid getting kettled/arrested/etc.

Adding alt text and video captions to social media content about protests, news, protest safety infographics, etc to ensure that this kind of content is accessible to everyone.

If you have access to a printer and ink, printing out things like know your rights cards, radical zines, flyers, etc. a lot of orgs i've been part of haven't had easy access to a printer and would have been SO thrilled if someone reached out to us and said "Hi I can't participate in other ways but I have a printer and I'm happy to print stuff for you when you need!"

Creating plain language translations of news, political concepts, etc. Autism against Fascism is a group that makes plain language articles about fascism and antifascism, and I think there are so many topics surrounding protests, oppression, organizing, etc for which it would be incredibly helpful to have plain language resources.

Online fundraising for a particular cause by making social media posts. You could spotlight a campaign from a family in Gaza and commit to making posts and boosting their campaign. If you have a hobby that you already spend energy on, you could do something like raffling off your art, or doing a video game stream to raise money.

Researching resources in your area and making a mutual aid reference document to help people connect to resources. For example, @tigerrsmn has an amazing trans resource directory that they spent a lot of work researching and continually update. This can be a super helpful community resource to create and share if there isn't something like it for your area yet.

The next few suggestions are ones that require more energy or might require leaving the house so I know they might not be at all relevant for you, but I also got another ask about ways to participate when you're a disabled person who can't risk getting arrested at protests and I wanted to combine the asks in one post.

In person jail support. This usually happens right after a protest where people have gotten arrested and can go into the night or the next day. People show up outside the jail with food, cigs, water, subway cards or cash, and wait for people to get released from jail. This might be more accessible to some people because it's low risk, stays in one spot, and you can sit down the whole time if needed.

Kit making for a harm reduction group. A lot of harm reduction groups in my city have monthly kit making nights where we meet up at a local bookstore and put safer use supplies in individual kits for people to give out at outreach.

Cooking for a mutual aid group, either at a community kitchen or at your own kitchen to create meals for people to hand out at outreach. I highly recommend Food not Bombs if there's a local FNB group in your area.

Creating "Don't get Kettled" maps for your city so that protestors can plan better routes where they can avoid police kettles. This can be done through a combination of looking for google street view and showing up to places in person to look for streets with easy pedestrian exits, accessible exits with no stairs, curb cuts, avoiding dead ends, tunnels, etc.

Cop Watch, Court Watch, ICE Watch. Joining networks of people who keep an eye out in your neighborhood and share information to rapid response networks about when cops and ICE are spotted. Participate in Court Watch by going to in person or virtual court hearings to observe, document, and address injustice in local courts. DC has a really robust CourtWatch program that you could learn from to set up something in your area if a courtwatch program doesn't already exist in your region.

This is definitely not a complete list so followers please feel free to add on with suggestions, and definitely feel free to reach out again with more info/questions and I can try to keep brainstorming!

[qqueenofhades]

do you have any advice for those in the very early stages of thesis-writing? currently desperately clinging to the mantra of "shitty first drafts," et al

Unfortunately, there is no place where you will more whole-assedly have to embrace the "shitty first draft" mantra than in academic writing, especially in thesis writing, especially if this is your first-ish crack at an advanced and major piece of original research. I'm not sure if this is for an undergraduate senior thesis, a MA-level thesis, or (my true and heartfelt sympathies) a PhD dissertation, but the basic principles of it will remain the same. So there is that, at least. This means that yes, you will write something, you may even feel slightly proud of it, and then you will hand it into your supervisor and they will more or less kindly dismantle it. You have to train yourself to have a thick skin about this and not take it as a personal insult, and if your supervisor is remotely good at their job (not all of them are, alas) they will know how to be tactful about it and not make it feel like a direct and extensive commentary on your private worth as a person. But you will have to swallow it and do what you can, which can include -- if you're the one who has done the research and know that's how you want to present it and/or you are correct about it -- pushing back and having a conversation with them about how you think your original approach does work best. But that will come later. The first step is, yes, to mentally gird yourself to receive critical feedback on something that you have worked hard on, and to understand that no matter how much you grump and grumble and deservedly vent to your friends and so on, implementing the feedback will usually make your piece better and stronger. That is the benefit of working with a trained expert who knows what makes a good piece of research in your particular academic field, and while it doesn't get easier, per se, at least it gets familiar. Be not afraid, etc.

If you're in the writing stage, I assume that you've moved past the topic-selection and general-research stage, but allow me to plump once more the services of your friendly local university library. You can (or at least you can at mine and probably in any decently well-equipped research university) schedule a personal consultation with an expert librarian, who can give you tips on how to find relevant subject databases, create individual research guides (these might already be available on the university library website for classes/general topics), and otherwise level you up to Shockingly Competent Research Superhero. So if you're still looking for a few extra sources, or for someone else who might be reading this and is still in the "how the heck do I find appropriate and extensive scholarly literature for my thesis??" stage, please. Go become a Research Ninja. It's much easier when you have a minion doing half the work for you, but please do appreciate and make use of your university librarian. It's much more effective than haphazard Google Scholar or JSTOR searches hoping to turn up something vaguely relevant (though to be fair, we all do that too), and it's what your tuition dollars are paying for.

Next, please do remind yourself that you are not writing the whole thesis in one go, and to break it down into manageable chunks. It usually does make sense to write the whole thing semi-chronologically (i.e. introduction, lit review, chapter 1, chapter 2/3/4 etc, conclusion), because that allows you to develop your thoughts and make logical connections, and to build on one piece to develop the next. If you're constantly scrambling between chapters and zig-zagging back and forth as things occur to you, it will be harder to focus on any one thought or thread of research, and while you might get more raw output, it will not be as good and will require more correction and revision, so you're not actually hacking yourself into increased productivity. You should also internally structure your chapters in addition to organizing your overall thesis, so it makes sense to draw up a rough outline for section A, section B, section C within the body of a single chapter. This will make you think about why the segues are going in that order and what a reasonably intelligent reader, who nonetheless may not have the specialized knowledge that you are demonstrating for them, needs to move understandably from one section to the next.

Some academics I know like to do an extensive outline, dumping all their material into separate documents for each chapter/paper and kneading and massaging and poking it into a more refined shape, and if that works for you -- great! I'm more of the type that doesn't bother with a ton of secondary outlines or non-writing activity, since that can lead you away from actually writing, but if you need to see the fruit of your research all together in one place before you can start thinking about how it goes together, that is also absolutely the way that some people do it. Either way, to be a successful academic writer, you have to train yourself to approach academic writing in a very different way from fun writing. You do fun writing when you have free time and feel inspired and can glop a lot of words down at once, or at least some words. You do it electively and for distraction and when you want to, not to a set timeline or schedule, and alas, you can't do this for academic writing. You will have to sit your ass down and write even when you do not feel like writing, do not feel Magically Inspired, don't even want to look at the fucking thing, etc. I have had enough practice that I can turn on Academic Writing Brain, sit down, bang something out, sit down the next day and turn on Academic Editing Brain, go over it again, and send it off, but I have been in academia for uh, quite a while. The good news is that you can also automate yourself to be the same way, but the bad news is that it will take practice and genuine time invested in it.

As such, this means developing a writing schedule and sticking to it, and figuring out whether you work best going for several hours without an interruption, or if you set a timer, write for a certain time, then allow yourself to look at the internet/answer texts/fuck around on Tumblr, and then make yourself put down the distraction and go back to work for another set period of time. (I am admittedly horrible at putting my phone away when I should be doing something else, but learn ye from your wizened elders, etc.) You will have to figure out in which physical space you work best, which may not be a public coffee shop where you can likewise get distracted with doing other things/chatting to friends/screwing around on the internet/doomscrolling/peeking at AO3, and to try to be there as often as possible. It might be your carrel in the library, it might be your desk at home, it might be somewhere else on campus, but if you can place yourself in a setting that tells your brain it's time to work and not look at WhatsApp for the 1000th time in a row, that is also beneficial.

Finally, remember that you do not have to produce an absolutely world-beating, stunningly original, totally flawless and perfect piece, even in its final form. Lots of us write very shitty things when we're starting out (and some of us, uh, still write very shitty things as established academics), and you do not have to totally redefine your entire field of study or propose a groundbreaking theory that nobody has heard of or anything like that. A lot of academic work is small-scale and nuanced, filling in spaces on the margins of other things or responding or offering a new perspective on existing work, and it's best to think of it as a conversation between yourself and other scholars. They have said something and now you're saying something back. You don't need to be so brilliant that everyone goes ZOMGZ I HAVE NEVER HEARD OF THAT BEFORE; by its nature that happens very rarely and is usually way out on a limb (extraordinary claims require extraordinary evidence, etc); you just need to continue the dialogue with a reasonably well-constructed and internally plausible piece. So if you think of it that way, and understand that a shitty first draft will usually develop into something that is good and valuable but not SHOCKING NEW REVELATION clickbait hype, you will take some of the pressure off yourself and be more able to shut up that perfectionist voice in your head. However, all of us have some degree of imposter syndrome and it never entirely goes away, so you'll have to manage that too. Etc etc as before, it doesn't vanish altogether, but it gets easier.

And last but not least, though I'm sure I don't have to say this: for the love of fuckin' god, do not use ChatGPT. Even the genuinely shittiest paper in the world that you still worked on researching, organizing, and writing with your own brain is better than that. Trust me.

[rassicas]

In the splatoon fanbase, there are many misconceptions surrounding the relationship between inklings and water. without fail whenever I mention something related to the topic I'll get replies of "actually the canon is [some popular but incorrect theory]" "no they can do this and this canonically [it's actually a headcanon]" "no its really [something NOA made up]"

so to briefly go over The Facts:

Inklings canonically die when submerged in water. And yes, getting "splatted" is them dying for real, respawning is also an in-universe thing that has existed for at least 2000 years and not just a game mechanic. While the dying in water thing originally came from a game mechanic, it has been repeatedly stated that they incorporated this into the inkling's biology. The water weakness is not because of the water itself being toxic. The reason is based in osmosis. in the process of their evolution, Inklings (and octolings) changed a lot, and one of these changes was the ability to transform between a humanoid and swim form. Doing this transformation requires skin that is a thin, semi permeable membrane [this kind of skin is a trait found in real life molluscs]. The evolutionary trade off is that, because of how semi permeable their skin is, the ink inside of their bodies will bleed out when in contact with another liquid. This is the answer given directly by the series' creator. And here it is confirmed that while the water weakness originated from game mechanics, it is very much became a part of an inkling's in-universe biology. Kind of like how a slug will die if you sprinkle salt on it (for a reason that's almost the same as the inklings), but ultimately needs salt in its diet through the food it eats to live, inklings do drink water and other liquids. Its also not like they touch water and immediately explode, it seems they can wash their hands in it and dip their feet in it and be fine.

Some people think the water weakness is stupid, personally i think its reasonable because Inkling biology is already weird as hell and of how ridiculously advantageous it is to be an ink-based cephalopod. the ink gives them the ability to jump absurdly long distances and cheat death to an extent. they're not losing much by not being able to dunk themselves in water. Anyway point is it sucks that all the relevant canon information on this is one of those japan only things/exclusive to developer interviews and pretty much every time it's brought up in English the localizers make shit up. I plan to make a video about this one of these days, but with how 'controversial' the topic is, and how many little details and connected concepts there are, I've been holding it off because I want to do it right. there's also some specific details that are unclear that I've been hoping would be clarified in the artbook or a dev interview but haven't, I might just have to go for it at this point. for the time being, i hope this post helps clear up a few things!

[crescent-blades]

What Rank did Michikatsu [Human Kokushibō] Hold as a Samurai?

When we think of a samurai, we often envision a fierce warrior prepared for battle. While this is partly true, we often tend to forget the internal heirarchy among them. Like any military group, samurai had a clear chain of command for smooth operations. However, it's important to note that samurai were a social class rather than a military one. 

These "ranks," or more so, distinctions within the samurai were closely tied to hereditary social status, the extent of land ownership, and titles within the clan, rather than personal skills, which could vary depending on the era.  

In this discussion, we will concentrate on the Sengoku era, as it is relevant to our topic. I will examine Michikatsu's role based on the available canonical information. 

⚠ SPOILERS AHEAD ⚠ | Masterlist

⨳ Where His Father stood   

In the image above, Michikatsu talks about his father having a "vassal." A lot could be inferred from this, but it is likely that his father either might be a samurai lord [Sengoku daimyo] or a wealthy, high-ranking samurai who supports smaller samurai. 

[Daimyo (大名): military lords who controlled small, unified areas in which all the land either belonged to themselves or was held in fief by their vassals] [Vassals: subordinates who pledged their loyalty and obligations towards powerful lords] 

So essentially, he was not just an ordinary samurai but rather a figure of considerable importance. His possession of vassals and land suggests that he must be exercising some form of governance, implying that he is possibly some sort of lord having an independent clan. 

As you can see, he seemed to have personal servants:   

And also personal messengers:     

Though it is rather difficult to tell whether he was a powerful lord or not—an actual daimyo who was the direct vassal of the shogun, or just a lesser lord having a smaller land—possibly a heir to the family head or a landowner with a fief.

⨳ Was The Tsugikuni Clan Powerful? 

First, let us understand what was going on during that time:  

"This was the 'Age of Warring States', when scores of minor daimyo seized power for themselves in their immediate localities and fought each other until, during the mid-16th century, a comparative handful of 'super-daimyo' competed with each other on a grand scale before Japan was finally reunified" [source]

From this, it seems logical to assume that the Tsugikuni clan was a smaller one rather than a grand one—also considering Michikatsu's father's rather obsessive nature and his intense determination on getting better heirs, even to the point of being willing to harm his own family due to superstitious beliefs. Better heirs: more likely the clan gets to thrive and gain power.

Also, if we consider these words from Kokushibou:  

Notice how he says this—he doesn't seem to be very surprised to know that his clan's name has died out, which would only solidify the fact that his clan must not be very powerful to begin with. [Considering that many direct descendants of the major clans today still seem to be thriving, with many carrying out their clan names. Muichiro seems to be an exception here]   

So now that we know that his clan was likely not a powerful one, we could also assume that his father was a local lord rather than a full on daimyo for obvious reasons. Not only that, but this would also suggest that their clan must be a retainer family—they would be under a much stronger lord—a powerful daimyo, whom they would had to serve.

⨳ MICHIKATSU'S POSIBBLE RANK [DISTINCTION]  

Before moving on, I would just like to point out that holding a high-ranking position as a samurai—such as leading troops— was a result of personal achievement rather than mere familial ties. If a family did not meet the necessary standards of talent and capability, their members would be assigned to lesser roles based on who they served.

With that being said, let us now try fitting in Michikatsu into all of this and find out what military rank he should have based on his family background:

Initailly, I was rather confused and wondered if Michikatsu could be a Hatamoto. They were the highest ranking samurai, considered the most loyal and skilled, who acted as bodyguards towards their lord. Sounds familiar, right? However, there was one piece of canon information that completely debunked this idea:

Samurai usually had to chop off their enemy’s head as proof of their kills; typically that shouldn't be done by the hatamoto, as they typically stayed close to their lords as a last resort instead of fighting on the front lines like the others. 

Okay.. so he probably isn't a hatamoto. If his first instinct was to bring the head of Ubuyashiki to Muzan, then it suggests he must have done this before. if that's the case, then he must have ranked lower than a hatamoto, more so in a class where he might have been around collecting heads. After looking into what the manga could offer, I reached two conclusions:

1. He was a Taisho (大将)[general]: These ranked officials were the generals in the Daimyo's army, leading groups of soldiers called kumi. Depending on the troops they commanded, they were either referred to as Samurai-taisho or Ashigaru-taisho. They usually oversaw multiple kumi, each consisting of around 50 to 100 men. 

2. He was a Kumigashira (組頭) [captain/platoon commander]: These officers controlled and led a single kumi of troops and were called samurai-kumigashira or ashigaru-kumigashira based on the type of troops in their kumi; which, often consisted upto 15-30 men each.

-> By those conical hats (jingasa) those men are wearing, I'm pretty sure they are depicted as Ashigaru foot soldiers. [This explains why he refers to them as his subordinates, as ashigaru were considered lower than samurai.]

Looking at the image, I doubt there are 50-100 men present there, and it seems more likely there are about 15-30. Therefore, we can conclude that he must be an Ashigaru-kumigashira.   

Also, when people talk about Ashigaru, they usually think of peasants taken out of their farms. This is a misconception. Even though they were lower in class, ashigaru were generally treated as full on warriors. Not only were they as capable as their samurai counterparts, some were even stronger than them.The men under Michikatsu's command were fully capable and skilled swordsmen.

⨳ Michikatsu's Troops and His Role:    

A general overview of the make up of the sengoku era army

—In short, the troops were reorganised in Sonae, which had between 300 to 800 men. Each Sonae included various types of troops. They were split into smaller units called Kumi, based on their weapons. These included archers, gun squads, cavalry, spear squads, and standard bearers.

By looking at these images, I see no one holding weapons, just a few casual swords thrown in here and there, which I find to be very odd.. 

Perhaps Michikatsu had set up his base further from his soldiers and gathered them up for a speech about the next day's plans just before they went to sleep? This could explain why they were caught off guard by the demon and didn’t have their weapons ready. After all, it’s strange not to have your weapons out when you are being attacked.   

Regardless of the situation, his troops should be either a spear unit [Yari-gumi (長柄組)] or an archer unit [Yumi-gumi (弓組)].

These troops Consisted of: 1 samurai commander/katana samurai, 2-4 servants, ~20-30 foot soldiers, 3 labourers, 1 cavalry horse, and 2 packhorses.

Why you ask? This is because, firstly; guns weren't introduced until the mid sengoku period in 1543 [Michikatsu is theorised to be born around 1432] In the cavalry unit, the troops consisted of samurai rather than ashigaru, and bannermen did not engage in battle. 

MICHIKATSU'S ROLE: Although there is not much provided anywhere about these commanders, from everything I have gathered: These commanding officers used to lead a unit of ashigaru soldiers. They were ranked below the sodaisho and samurai daisho (commanders) and an ashigaru taisho.

He would be assigned to train them, discipline the foot soldiers, and turn uneducated common men into reliable warriors. He would command and lead them, ensuring everyone followed his commands and maintained order within the ranks, and not disrupt the hierarchy. Hmm that sounds familiar doesn't it?

[I might actually make a detailed post about the military formation with Michikatsu if any of you are interested.]   

Final thoughts: 

[A/n: Hello everyone! It's been a while since my last post. No, I haven't abandoned my blogs. I just took a short break last week. Now I'm back and eager to share a theory with you all! Which I will be posting more of, both here and on my other blog, @gilded-sunrays. Please feel free to share your insights!]  

And if you've made it through all of this, then I thank you wholeheartedly!

[altis-of-olympia]

Hello all! I am happy to announce that I am finished with finals, and now have a little bit more free time. While that free time may be dedicated elsewhere, I do plan on dedicating some of it to more posts like this one. I apologize in advance if this post reads as a ramble -- it was inspired by my own thoughts and introspection into my practice and personal perceptions.

Today's topic is the exclusionary culture surrounding Modern Priesthood.

Throughout my training and work under King Zeus, I was introduced to the belief that the Hellenic Priesthood was an exclusive concept. The Gods selected who they wanted to be their servants. It was not something anyone could claim as theirs. And while this was true in ancient times, it was not as strict as it was made out to be.

But before discussing this, what exactly is a Priest of Antiquity?

Defining Priesthood

Hellenic Priesthood can be described as follows:

...there is no priestly caste as a closed group with fixed tradition, education, initiation, and hierarchy, and even in the permanently established cults there is no discipline, but only usage, nomos. The god in principle admits anyone, as long as he respects the nomos, that is, as long as he is willing to fit into the local community;... Burket W. (1991) Greek Religion: Archaic and Classical

Essentially, this excerpt is saying that the Priesthood was not an exclusive practice. Anyone could fulfill the role, "as long as he respects the nomos, that is, as long as he is willing to fit into the local community." In some cults, the Priesthood was a temporary title. One held it for one month, one year, whatever fixed amount of time, and then a new Priest was selected. Sometimes, this was done by drawing lots, elections, or through purchase of the title.

Additionally, during Antiquity, the main role of a Priest, although varied between cult practice and community worship, was simply to lead rituals. If there was no Priest present, they could very easily be replaced or have a stand-in to do their job for them. While the Priest was important, it was a job that could be, and was frequently, handed off.

Oracles are an exception to this. The Oracle at Delphi and the Oracle of Dodona were often lifetime titles one would hold.

Not to mention the fact that one individual could wear multiple hats, so to speak. From the same source quoted from above, "Several priesthoods can, of course, be united in one person." If you were a Priestess of Lady Athena, you would serve her on her holidays and festivals. At the same time, you could serve Lady Artemis on her holidays and festivals due to the individual nature of these festivities and rituals. This debunks the idea that floats around (one that I have personally subscribed to in the past) that you can only be a Priest for one God. You can be a Priest for many, though the title would only be relevant on respective holidays. Priesthood is not a year-round title. It is only relevant on select days, unless, of course, one was a Priest for a cult with requirements (i.e., the Priest must be in the temple x number of days in a month, minimum).

But with this definition in mind, let's move into my main point.

Modern Priesthood

Now, to clarify, when I say "Modern Priesthood," I am not referring to Priests who may live in Greece and practice Hellenic Polytheism, as there is a group of them who do. I am mainly referring to the online practice of Modern Hellenic Priesthood and how people treat not only the title, but the affiliated responsibilities.

When someone comes online and announces themself as a Priest, people are quick to look to them as a symbol of knowledge, a speaker for the people, and someone whom they can go to with absolutely anything. And while it is important to have people like this, it is also important to note that just because someone has a fancy title like Oath Keeper or Priest, it does not mean that they are going to know anything or be entirely infallible. Priests, historically, were just members of the community.

These individuals are regarded as Priests all of the time. They are referred to as a Priest all of the time, even when it is not applicable. There is a difference between informing others of the role and flaunting it all of the time. I mention it where applicable. Perhaps I am discussing Oaths in Ancient Greece, and to contextualize the lens of which I look at them from, I will bring up my status as an Oath Keeper and Priest of King Zeus Horkios. However, I wouldn't bring it up if I were simply discussing Hellenic Polytheism with friends. The role is only really applicable in situations regarding rituals and Temples. And as it stands currently, we do not have temples that require Priests to tend to.

There is also an air of superiority whenever someone steps into the role of a Priest. Does it take a lot of work to get to this point? Yes, absolutely. But carrying a title should not put someone in an automatic position of power. It is a title that should be associated with humility, not waved about like it is a status symbol. Modern Priests in the online age tend to think that, by having a title as a Priest, Oracle, Melissa, whatever the status may be, that they are automatically a symbol of morality and an icon for what the religion should look like. But there are corrupt Priests, individuals who have little regard for the actual duties of the title, people who think that they are immune simply because they have been given the honor of being a servant to a God in such a way.

Modern Priesthood is treated as though it is a hierarchical status symbol when, in Antiquity, it was emphasized that this is not the case. Individuals who were regarded as Priests were just members of the community. Infrequently were they separated from the rest of society due to their status. There are rare, famous cases of this, like the Oracle at Delphi or the Oracle of Dodona. But these are rare cases that could be classified as outliers due to how rigorous the title of Oracle could be.

Exclusionary Culture

With these titles comes the idea that only a certain group of people can become a Priest. I used to maintain this mindset because it is what I was taught. I have taken the time to unlearn this mentality through research and historical texts. There are ways for anyone to reach the title of Priest, whether "formally" through a Mystery School, or "informally" through personal training with the God of choice.

Priesthood has been treated like it is something that can only be achieved by a select group of people who have been specifically plucked out by a God and asked to be their Priest. I was approached by King Zeus to be a Priest of His, but I have quickly learned that this title is only truly applicable when I am doing my "job," which is mostly overseeing others in their paths and being here if they need help, doing rituals when applicable, and celebrating His holidays.

Through my training, I was told that I should be honored because I am going to be a Priest of King Zeus, and only a specific kind of person could do it, not just anyone. This, in retrospect, is simply not true. And I would encourage individuals with this mindset to do some research on the selection process of Priests. It was not as exclusive as we make it out to be. It was not as special as we make it now. Do things change with time? Most certainly. But some things do not need to change. We do not need to make the Priesthood an exclusive club that only few can join. Anyone is capable of stepping into the shoes of a Priest or Oathsworn title. I would highly advise that those seeking it do the necessary research and ask questions, but I would never turn someone away from the path simply because they "don't have it in them."

The exclusivity of Priesthood seems to be a very new-age concept, as well. I don't personally have any theories as to why this may be, not yet, but I have definitely noticed it from individuals in the community who claim that Priesthood is something that has to be strenuous and flaunted. I have seen the rhetoric that Priesthood should be exclusive to "weed out" those who falsely claim the title. I have heard that making it exclusive makes those who are not serious about being a Priest second-guess seeking the title. All of these mentalities are, in my opinion, inaccurate and damaging to adopt. It just creates a divide in the community when Priests are meant to serve the people.

I will also urge those who do not hold a title to deconstruct these beliefs that a title holds such weight. Respect those who bear titles, but do not bow to their feet and bend to their every beck and call. Be critical of their actions; they are not infallible because they have a title. And yes, these words apply to me. A lot of this came from me being critical of myself and my own actions, and feeling the need to write something that all can benefit from. Be respectful, of course, but be skeptical as well. Approach individuals with titles with an air of caution. Some people let the title get to their heads, and they act out of turn and hide behind their title as though it were a shield. Be mindful of what they may say and how they may say it. If anyone tries to act as though they are an authority, I would be wary. I am not an authority. For anything. I may supervise Oaths and give advice, but I am not the final say or the deciding factor. I can act as a witness on Oaths, Vows, and Promises, but I am not the person who makes them sacred or consecrates them. I do not speak your words for you. I advise, I can make suggestions, but everyone reading this has free will. Never forget that.

That being said, I do hope that people may look at title-bearers with a bit of a skeptical eye. And if Priesthood is something you wish to pursue, do the necessary research, and step with caution. Do not be afraid to trip and fall. That is the only way you will learn where to dig your heels in.

Xaire, Altis.

[themuskrater]

I think Doctor Who either needs to stop visiting Jim Crow era America or bring in an American Civil Rights expert to be a consultant on the episode.

It's just between Rosa and now Lux, it feels like the BBC doesn't really...understand what segregation was like and how serious it really was.

Granted, I think Rosa handled it MUCH better than Lux did, with the constant harassment from local police, the physical violence Ryan experienced for just daring to speak to a white woman, the disgust that James Blake expressed at the concept of an interracial family. That was all very accurate to life in the American South during segregation. My main issue with the episode is they felt the need to include a scifi villain for the episode, when really the villain should have just been the attitudes of the time period itself. I felt like Krasko cheapened the subject a bit.

Lux on the other hand...Lux had no idea what it was doing with this setting. Just like Rosa, it's set in a southern state in Jim Crow America in the 1950s. And just like Rosa, the main cast features a black man and a south asian woman. But besides that, they're treated completely differently. Miami is a major nightlife city, so when the Doctor says "we'll be safe, it's late. There's no one around to see us" um...no? There's probably MORE cops out in Miami at night than there are during the day. And a black man out at night would have been treated as guilty of SOMETHING.

But ignoring that, what really threw me was the Diner scene. The Doctor and Belinda walk through the front doors of a white diner, sit down at the counter, and just have a friendly chat with the line cook. WHAT? Russell, people were KILLED doing what they just did. They were beaten, they had sizzling hot oil thrown on them, they were sprayed with fire hoses, and if none of that worked, they were fucking SHOT. So the fact this is treated so nonchalantly in the episode is insane. And then the Doctor sits down and has a conversation with a white woman who has information on the episode's mystery. You know, the same thing that Ryan was assaulted for doing in Rosa. And everything is brushed away with "oh, but we're cool, so it's okay, right?"

I don't think Russell understands segregation era America. Which, I mean is fair. He's not American, it's not relevant to his life, it's not his history. But if you're going to do these stories, you NEED to have a better understanding of this subject or bring someone in who does. It wasn't something you could just wave away with a "sorry, but...", it was a constant oppressive presence. You also need to understand the location. You set this story in Florida, but if you had set in a more progressive area, like New York or Seattle, where attitudes a few steps closer to desegregation, this leniency and acceptance all the side characters have would have made much more sense.

I liked everything else in the episode, but it deflates a little bit by Doctor's constant struggle to adequately handle the topic of segregation.

[four-loose-screws]

Hi! I’ve seen people people say that Dimitri speaks in an informal rude manner in Japanese so him being super polite in English is weird changes his character a lot, but I’ve also seen people say the localization is just fine. Could you clear up please? Thank you!

This ask has been in my inbox forever, and I know other ENG/JP bilingual FE fans have weighed in on this topic before. But exploring the nuances of Japanese formal vs. casual speech is always super fun, so I want to share my own thoughts too. There's always a chance there will be more to learn with each new person's input on the same topic. Plus, I discovered some things even I didn't expect! So, I'll still offer everything I have to say!

First, I'll explain the full background this ask is referring to. Japanese has 2 major distinct speaking styles - casual and formal. I was taught to call the formal style "distal" - because it is more about respecting distance in social standing than being formal specifically. But formal is the more common term, so I tend to stick with saying formal most of the time.

The distinction between casual and formal is made with pronoun choice, word choice, and other factors as well, but the fastest way to differentiate the two is to look/ listen for the use of desu and masu at the end of someone's sentences. Formal uses them. Casual drops them. This concept is entirely foreign to English speakers!

Dimitri drops desu and masu most of the time. His "I pronoun" is also ore, and his "you pronoun" is omae - both casual, blunt, and masculine choices. But does speaking casually to most of the cast make him rude?

Short answer is... no, not at all! There's 2 major reasons for this.

Reason #1 - the rules for casual vs. formal speech are a bit different in reality vs. fiction:

Partially, Dimitri speaks casually because he is showing his personality. He's got all those traits most standard FE protagonists share - he's strong, straightforward, and wants to connect directly on a personal level with everyone he meets. He tries to convince several characters that they can speak casually with him, because he sees people as people, and doesn't want social status putting distance between them.

Fictional characters generally speak more in-line with their personality more often, rather than following the socially acceptable speaking rules of the real world. (Though don't get me wrong - casual real Japanese people will speak casually in more circumstances than the average Japanese person.) This is simply the style that Japanese writers largely choose. And I think it is one of the great benefits of Japanese - anyone can start to pick up on a character's personality archetype almost instantly, thanks to their speaking style!

Reason #2 - Dimitri is a prince, making him of high social rank:

Here's the second nuance to this - it is absolutely standard for a superior to talk to their subordinates in casual style.

In modern times, this is shown in the workplace. Bosses and those in other leadership positions will frequently speak casually with the staff in a lower-ranking position than them. The president of the office I now work at is Japanese, and he speaks very casually with me - I have to be formal in response though, because he's at the top!!

But in the past, this would have been a distinction made between lord/ royalty, and those beneath them. Which is the case that is relevant in Fire Emblem's setting.

Dimitri can also speak casually without coming off as rude, because he is one of the highest ranking people across all of Fodlan.

-

Okay, so that's the answer in broad strokes - but let's get a bit more nuanced, go down Dimitri's support partner list, and confirm whether or not he always speaks casually!

Group #1 - Dimitri and the other citizens of Faerghus (8 other Blue Lions + Gilbert)

Dimitri has a multi-layered relationship with all of the other 8 Blue Lions. They are citizens of the country he is a prince of, therefore he is ranked very highly in social standing above them. But they are also his friends, classmates, and later, war allies; placing them on the same social level in that regard. So the way they speak to him comes down to a little bit of column A - personality, and a little bit of column B - which aspect of their relationship with Dimitri they feel is the "main" one.

Gilbert is also here in this category, as another person from Faerghus.

Dedue: Dimitri speaks casually, Dedue speaks formally, as they have a lord/ servant relationship. Dimitri wants Dedue to be a very close friend to him though, and wants Dedue to speak casually with him - this is a major source of tension in their supports. In the end, being able to mutually speak casually with each other and be friends, is a place they may reach one day. With other characters, Dedue speaks casually.

Felix: As royalty above Felix's noble house, Dimitri speaks casually. Felix is Felix, so he speaks casually too. I imagine he sees Dimitri quite literally as more of a wild boar than a human being, much less royalty.

Ashe: Dimitri speaks casually, Ashe speaks formally. However, pretty much the whole point of their supports is Dimitri attempting to get Ashe to speak casually with him.. Ashe tries in earnest to switch, but in the end sticks with speaking formally, otherwise he feels too uncomfortable. His view of Dimitri as his prince is too strong for him to let go and speak casually.

Sylvain: Dimitri speaks casually, and Sylvain speaks casually more often, but actually switches to desu and masu more than once. When a relationship is "in-between" higher/lower social standing and friendship, it's not uncommon for at least one person to switch back and forth between casual and polite speech, depending on which side of the relationship they are appealing to more at the moment. This happens in real life too as people shift from strangers, coworkers, etc. to friends.

Mercedes: They both speak casually. In Mercedes' case, I think she's speaks more in-line with her personality rather than paying attention to social status.

Annette: Both speak casually, but Annette is well aware that there's something a little wrong with that - her father would never let her get away with it if he knew!

Ingrid: Dimitri speaks casually, Ingrid speaks formally. But I think Ingrid speaks formally with everyone.

Gilbert: As you can probably guess based on my comments in Dimitri and Annette's analysis, her father most certainly speaks formally with Dimitri! He is very formal and takes social heirarchy very seriously. Dimitri, as the prince above him in social status, speaks casually.

Group #2 - The other characters at the monastary:

Since the remaining characters are not from Faerghus, Dimitri is not their prince. They'll be more likely to view him through the lens of a different relationship than royalty/ subject.

Catherine is originally from Faerghus yes, but she has cut her ties from her homeland completely to serve Rhea, so she fits into this group now.

Raphael: Both speak casually. I think Raphael treats everyone like a life-long friend!! He at least attaches san or sensei (teacher) to the names of his instructors, but that's about it for formal language for him.

Marianne: Dimitri speaks casually. Marianne speaks formally, as she does with everyone. I think she even attaches san to everyone's name, conveying how much she keeps her distance from people, trying not to form close relationships.

Flayn: Dimitri speaks casually. Flayn speaks formally, as I think she does with everyone.

Hapi: Both speak casually. I think Hapi speaks casually with everyone.

Alois: Now *here's* where things get interesting! At this point, I really thought I would discover that Dimitri speaks casually with everyone. But alas, he does NOT! Dimitri speaks formally with Alois, while Alois speaks casually to him. Why? Well, while Dimitri is a prince, he's also a student at Garreg Mach (in Part 1 of course). In this way, he is below all Garreg Mach staff and professors in social standing. So it makes perfect sense that he'd speak formally and Alois would be casual in this case.

Catherine: Same situation as Dimitri and Alois - as someone who serves as an instructor at Garreg Mach, all students like Dimitri are below her in status at the monastary. So Dimitri speaks formally, and she speaks casually.

Byleth: I left Byleth for last, because while Byleth is a professor at the monastary... Dimitri speaks casually with them. I imagine this has more to do with Byleth being the self insert than anything. Everyone bonds to Byleth on a deep level faster than magnets stick together.

And that's all I can think of to say for now! This is a super fun example of how nuanced Japanese's casual vs. formal language can get, and showcases one of the many reasons why Japanese has such a high barrier of entry for anyone learning it - including young native speakers! You don't get all this desu and masu stuff, until finally you just do.

Let me know if I missed anything, or if anyone has any follow up comments to make!

I apologize it took me so long to respond to this one! Thank you anon, and all readers, for waiting! I hope it helped explain even more of the trickier nuances of Japanese.

[o-sachi]

Record Store - Drabble for WinBre Week!

ᯓ you and kaji working together part-time at a local record store ᯓ character; kaji ren (wind breaker) ᯓ tags; fluff, college au, technically a budding workplace romance, has a 500 days of summer reference, afab reader, no y/n

[🐟]: for day 6 - part-time job prompt! @windbreakerweek

There was this guy you worked with at the local record store. He was pretty quiet and always wore headphones no matter what—which was fitting for a record store employee, you thought.

But that meant it was almost impossible to talk to him. So the register and the customer service were left in your care. He mostly handled the logistics like carrying the boxes containing new records and arranging them on the display shelves.

On his chest he wore the same employee nameplate that you did. It said "Hi I'm, Kaji," in black letters. You assumed he was the one who wrote his name with those asemic strokes. But all that mattered was that the nameplate served its purpose and everyone now knows his name is Kaji.

Unfortunately, that's about everything you know of this guy. Too bad he can't write his life's story or his favorite food on something he can plaster somewhere on his body.

Kaji was intriguing though. You found yourself stealing glances at him while you stood behind the counter and he'd be walking back-and-forth between the shelves and the storage room. The only time he'd talk to you was when he absolutely need to, but would you really consider conversations about work as ACTUAL conversations? No, not really.

It was a rather slow and peaceful day for the record store. To be fair, you've never experienced a busy day here. It was one of the many charms of this place. But you were bored out of your mind doing absolutely nothing at the register while Kaji was busy with rearranging the vinyls.

An idea popped into your head and you found yourself making way to the very same shelf he was at. Scanning his work, you realized he was arranging records by genre, so you started doing the same. He didn't protest—or maybe he really had no words for you—but he silently let you help him.

The music streaming through his headphones were loud enough that even as you stood a few inches away from him—you could hear it clearly.

"I love Deftones."

Kaji lifts one side of the headphones. "What?"

"I said I love Deftones."

He kept it lifted off his ear while he thought of something meaningful to say.

"You have good taste in music," you add, hoping that he could springboard from that.

"You like Deftones?"

"If like, you should stay down beneath~"

"Yeah, I love them."

Holy shit. Kaji was short-circuiting like an idiot. Normally, the news that someone listens to the same music as he does is nothing amazing. But finding out the pretty girl at his part-time job did? It had him feeling some type of way.

Safe to say, you caught his attention. Hook line and sinker. He removed the headphones from his ears completely, setting them slowly around his neck—telling you that he was ready to listen whatever else you had to say.

"That's cool," he stammered out.

For a long while, the only sound between the two of you were the sounds of the records being shuffled on the shelf. The tension was more palpable than ever.

"There's this music festival on Friday evening," you said. In all honesty, you wanted to continue the topic of music and that seemed relevant at the moment, but it was too late once you realized the implication of it.

He cranes his head to look at you, wanting to make sure he wasn't reading into it too much. But it was accidental and he did read into it too much. "Rock music?" he asked.

"Yeah."

"Who's playing?"

You decided to double down on it. "Let's go together and see."

The slight shift in his expression was a dead giveaway that your words had an effect on him. "Eh... uh... like as co-workers?"

"Ouch, not even friends? Besides, who goes to events like that as co-workers?"

"So... what? Friends?"

Jeez. You sigh. "If I called it a date, would you mind? And no, not a friendly date."

What date isn't friendly—he thought. Hearing the word d-a-t-e, there was no way he'd misinterpret that. He was hoping your invitation was for something more than friends anyway.

"Sure, it's a date then."

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