#MANY THOUGHTS. MANY MANY THOUGHTS I LOVE THIS COMIC

[kyri45]

✨ShadowPeach Bio Parents Bio AU Q&A! 20/09✨

Welcome to the Q&A! A space where I can answer related or similar question about the Shadowpeach Bio Parents AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

@funnybadger868 ha chiesto:wait so if mk can hear macaques past can he hear wukongs for example the circlet and the spell

Yeah he could. It's now just a matter of if he wants to use this power ever again

@cryptic-theseus ha chiesto:you're paying for my therapy btw, the bill is on the way

Blame it on the gay monkies not me. It's bc of them that my life is ruined/hj

@ayrza ha chiesto:Hey!I have an important question, where do you get your sources for the AU👉🏻👈🏻p? I mean, I just recently entered the LMK fandom and I see that there are parts that are not mentioned much in the series and it frustrates me because I feel like I only watch the anime but I'm missing the manga 🫠I love your art and your work, it's amazing 🫰🏻✨

Hi! Well I' finishing to read Journey to the West (im at chapter 80) and if I need extra info or just check I go to the fandom wiki.

@feyqueen91 feyqueen91 ha chiesto:A question for your Shadowpeach Bio Parent AU (btw, I just saw your recent post for More Than A Successor Arc & I thought something light hearted was needed to even out the Angst), is Macaque able to summon something like what Red Son did with the Samadhi Sprite, and he teaches MK to do it too?

Wait what exactly? I haven't understood what you meant by sprite.

@og-glitch-punk ha chiesto: Honestly I expect this to be hidden but i also love your work on both comics, keep it up!! I forgot their names but dude- how would the lotus prince and our moon chef feels about wukong and Macaque being MK's parents? HELL. WHAT ABOUT THE TRIO? YELLOW TUSK, PENG AND THE LOIN (CANT REMMEBER HIS NAME EVEN IF HE IS TECHNICALLY DEAD/GONE). Hell even this chaotic snake man may even use MK to his advantage with the fact he is the child of Wukong and Macaque. So many possibilities and guesses, so many twists and turns we will never know bro

Oh he absolutely woud. Also about the others. They would probably act like protective aunt/uncles to that poor traumatised boy.

@thenerdnico ha chiesto:Oh my GODS that last bio dad's chapter broke me, your expressions are always amazing. I'm going to assume that at the end of Wukong's and Macaque's fight, Wukong realised Macaque wasn't moving and ran up to him, and ended up sobbing and screaming when he realised he was dead??? If that is the case, do you think MK listened to it long enough to hear that as well?

Oh for angst reason yes. He did.

@shadowpeachera ha chiesto:AHHHH YOUR SHADOWPEACH BIO AU IS SOO GOOD!!!! I SCREAMED AT THE LAST UPDATE!!! I have a question though. You know in the series i think season 3 epsiode 5 where Wukong goes into a deep mystic monkey meditation, yeah. Well i was wondering if Mk has ever tried that but got disrupted and lost his memories or started acting strange infront of his monkey parents. It would be hilarious i can imagine him shouting, “TUDI, TUDI!”KEEP UP THE GOOD WORK, no pressure though! HAVE A GOOD DAY!

Lmaooo ok ok I don't think I'll go witha small amnesia arc in the AU but this doeß sound adorable.

@sakuralotus03 ha chiesto:It will probably be quite heavy, but I suggest that after Wukong saw the monkey like that he had a huge attack of guilt and anxiety and ended up injuring his left eye with his claws

Poor baby!! Nono don't worry his eye is fine.

@raylamoongirl ha chiesto:question for macaque: what was the hardest thing to teach Mk?Lmk bio parents Q&A

Mmmm so they tried really hard to teach him shadow teleportation, but he seems to not be able to do it.

@lmkobsessedmoth ha chiesto:For the Shadowpeach Bio Parent AU What if macaque and wukong go on a date and wukong doesn’t know it’s a date because he’s as dense as the rock he hatched out of

He truly would be. May the gods give him a clue or smt otherwise we wont end up nowhere here

Anonimo ha chiesto:Hey!I love your Shadowpeach bio Parent's AU But I Wonder,Does Wukong and Macaque already dance together before?

Danced??? I think so?? When they still were lovers friends I think (i think i m missing something)

Anonimo ha chiesto:I am on my knees, heart giving out, HOW IS BABY MK SO CUTE AND SHADOWPEACH SO ALLERGIC TO JUST KISSING ALREADY LIKE COME ON YOU TWO Anonimo ha chiesto:When I read the other part where swk and mac where talking about wanting MK to view them as parents at first I thought swk was proposing having another kid with Mac and I went “WOAH HEY- HOLD UP FOR A SECOND THERE U NEED TO GET UR SHT TOGETHER FIRST” and thank god it wasn’t that I thought swk was JUMPING AND ACCELERATING THEIR PROGRESS LMAOOOSo I’m actually glad they are taking baby steps, they need them

This slowburn is gonna be so slow-burning you all are gonna die when they actually kiss (will they kiss? Oh that's just for me to know ahah)

Anonimo ha chiesto:Since macaque is called mama by mk does that mean macaque is like a mother figure to mk in your au mama macaque is adorable and he gives off motherly in his character

Anonimo ha chiesto:Whos mom if there is considered a mom by MK or only dads? Is it Wu or Mac? My headcanons is Wukong basically the mom cuz he gives off mom and dad vibes together and Macaque just gives off dad vibes to me

He gives more motherly vibes, yes (Mamacaque and DadWukong forever)

Anonimo ha chiesto:Hi in you bio parent au for monkie kid how were monkey king and macaque as teenagers when they had a good relationship were like they a romantic couple or had secret crushes on each other and never told each other or were they just friends love this au it's amazing

Oh I think they were definitely lovers once. And that makes their past and what happened even more tragic honestly.

@ayrza ha chiesto:I don't know who is more adorable: Baby MK or Macaque and Wukong blushingPsd. I love your AU and your art 💖

Both. Both is good

@diamondwolf23 ha chiesto:THOSE TWO BETTER KISSSSSSSSSSS-I’m gonna miss Baby Mk ;-

Me too. Me too.

Anonimo ha chiesto:You could say Wukong is a...... simpian?(like simian but yknow >>)

LMAO YES

@scififeather21 ha chiesto:You can't believe how much I love your Shadowpeach AU comic series that last part made me grin so much. Mostly because my husband and I have done that exact thing when our kids were small babies and the looks and smiles were the same too. OMG it such a nice thing to see after a long day at work yesterday. :)

THAT'S THE- SWEETEST THING?????? LIKE IM SO GLAD I WAS ABLE TO MAKE IT A SIMILAR EXPERIENCE???? TO HEAR IT'S THE SAME THAT HAPPENED TO YOU IS THE SWEETEST THING EVER

@snsp6 ha chiesto:I love ur bio dads au! I wanted to ask what would happen if smth similar to the baby mk incident happened to the immortal monkeys.Like either they were de-aged to their youth or had an amnesia rules type of situation!(I am in love w the world building in this!!! And ur art is delectable!)

I don't thing the world would be ready for non-reformed Wukong#like-#not really reformed but the guy killed so many people bc of impulsiveness#until he learned that murder is not fine

Anonimo ha chiesto: This might be a stupid question, but for your bio parents, AU is MK just always in his monkey form, or is this just how he permanently looks now?

He's on his monkey form when he trains / stays at the weekends at FFM or when he friendly duels/train with Mei and Red Son.On weekdays he's constantly in his human form

@meisawkwardashecc ha chiesto:Is Wukong potentially shorter than Macaque? 👀🥺Avatar

Yes

@miraclecactus ha chiesto:Can you show us what's going on in the Freenoodles house? I'm looking forward to knowing how they manage to calm MK down :( Puedes mostrarnos que es lo que sucede en la casa de Freenoodles? Estoy ansiosa de conocer como ellos manejan el como calmar a MK :(

They used Wukong and Mac advices until he feel asleep.

Anonimo ha chiesto:I like how Wukong asks Macaque how he knows MK won't hate him after this. Like my guy, you literally killed Macaque, and he still hangs around I think he knows a thing or two

True. Although let Wukong be the dumbass he is.

alizardonfire ha chiesto:I love the idea of macaque being wukongs *rock* if that makes sense? It gives so much character to him.

Aaaahh ty! Yeah I feel like he's pretty good at understanding when he s just out of his mind and bring him back to earth.

Anonimo ha chiesto:If this isn't to much spoiler will the next lmk comic be angsty

This will be answered too late but I will always warn you in advance if there s angst coming.

Anonimo ha chiesto:I love your art! Lighthearted question since your about to bring the pain- do you think Mac and Wu fight over who gets to be little spoon/big spoon or are both of them 100% happy with Mac as big spoon and Wu as little spoon every night

So as for now, they are good with Wukong being the little spoon. Both bc Wukong is the the one who constantly craves for touch amd bc Macaque feels more comfortable in a position of "control" let's say. He can decide how much closer or not to get to Wukong.

Then in the future they would be more comfortable to switch (and the bicker about who should be the big or small)

@sallyvanna ha chiesto:HAIII FIRST OF ALL I LOVE YOUR BIO PARENT AU it makes my day every time I see a new page postedI was just wondering, why was macaque kinda nervous when he summoned rumble and savage? He was like 'ah shit I didn't want that-' 👀

It was because the kid would be afraid of them! Of course he wouldn't. But I guess Macaque still feels like his powers are a threat to him.

@redwrathroit ha chiesto:Hey, note this is something you can completely ignore but I wanted to know if you had a ref sheet for your monkey Bois, I'd love to take a try and drawing them plus I had made an Oc character of my own but I did it once and then art block hit me like a train and said; nah, never again. So it would really help me out if you have a ref, if not ignore this and have a nice day/night

Unfortunately I don't. I have a lot of panels where you can see them full body in various stances though.

Anonimo ha chiesto:Wukong being the little spoon is too cute, he spends years being the big spoon platonically to everyone that someone finally gave him what was needed, to be protected instead of being the protector

Yesss he iss!!!!!!

@froggyofdeath ha chiesto:Question abt Shadowpeach bio parents! Sooo, who kills the spiders, who screaming abt them, who the one who picks it up and try to scare the screaming one?🫠✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️✨️☕️☕️☕️☕️

Mk is screaming, Wukong picks it up, Macaque kills it.

Anonimo ha chiesto:Can we see exactly when they decided to prepare the courtnapping room? Like when exactly did they know oh we need to prepare that our son has apparently followed in our footsteps

Unfortunately in this AU for now I don't plan tp draw a full spicynoodle arc as well. There will be moments for the ship as well but more like extras and side stories.

Anonimo ha chiesto:Your shadowpeach bio au reminds me of something..... I remember you saying to someone that they should Read a Son of Two Dad's. Have you read the entire thing? and the sequel?

Yes I did! Also the sequel, but i think it s in hiatus.

Anonimo ha chiesto:In you newest update for the shadowpeach parent au, that one scene of Macaque looking at Wukong as MK holds his finger kind of reminds me those flashback scenes in movies of the dead lover/wife that is looking at the main character from under a flowing blanket. I have no clue why but the image popped up in my head when I read that part of the comic lmao

I bet when they are back together they will re-create this exact image eventually

Anonimo ha chiesto:I love that Macaque is initiating contact with Wukong. Hugging him, holding his hands, cuddling with him. It makes my heart melt 🥹�� And Wukong is giving him opportunities to do so

He is opening the door for Mac to come closer, so that it's his choice how much he can get closer. The last thing Wukong wants is to rush things or do something that would make him more uncomfortable.

Anonimo ha chiesto:Omg! I love your art especially your shadowpeach parent bio au, it's adorable! Although I'm terrified for the next page. Anyway, my question is, why won't you let the monkey trio breathe from the trauma? 😅🥹

Bc apparently chat asked for it

[zutaranation]

Talking about The Search with some moots on twitter, got me thinking some really interesting potentials.

It’s in character that Zuko would forgive Ursa for forgetting him and want what’s best for her and intellectually understand why she did what she did, but I think emotionally, beneath the surface, he would feel deep pain at that.

Ikem and Kiyi’s existence clog up the plot. It’s too many cooks in the kitchen. Dont get me wrong, Ikem is a fine dude, he seems chill, and I love the dadko moments that come from Kiyi, but it’s too much going on directly linked to the main cast’s lives. That’s why it’ll never be addressed, which feels cheap and makes the reader feel cheated. Like Zuko has a STEPDAD now?! That should be a huge plot and discussion, but it’s not. It’s glossed over. There’s too many characters.

The whole gaang could’ve looked at Zuko, remembered what Ozai looked like, and laughed at him for thinking Ikem was his bio dad. That made no fucking sense. Sadly for Zuko, he’s the spitting image of Ozai. I could see Zuko being in denial, but Aang should’ve laughed at him tbfh.

Like Kiyi and Ikem wouldn’t come up in a gaang adult movie they’d be forgotten and that’s why they shouldn’t have existed.

Kiyi also just feels like some weird bandaid consolation prize for Zuko to toss Azula aside ??? It’s weird idk.

Like why are Ursa’s parents presumably dead? They easily could’ve been alive 💀 Ursa should’ve been vibing with them and zuko meets normal grandparents that were hidden from him for years … it feels less cluttering of a story than making up Ikem and Kiyi and then you would just presume the grandparents are old and rickety and have to hang back in Hira’a most of the time so it’s not like bugging your mind with questions and adding more unaddressed storylines!

I’m okay with the Ursa forgetting her kids plot. I do think it makes her shitty, but I’m okay with the tragedy of it and her being kinda a shitty mom.

Ikem is low key a freak for helping Ursa forget her memories then settling down with her like NOTHING HAPPENED

I wish that Ozai and Ursa once had feelings for each other and he slipped into “madness” in an “absolute power corrupts absolutely” kinda way. It’s more interesting than “he’s always an evil big bad gonna tie you to the train tracks” vibe and eliminates the need for stupid ass Ikem. I remember Bryke mentioning this once too in some old ass trivia bit or something for “Zuko Alone”.

The worst part about The Search is the glossing over the emotional scenes. What readers had wanted for years so badly was the emotional payoff of either Zuko facing his mother was dead, or actually seeing them reunite. Also— the most emotional— Ursa reacting to Zuko’s scar is entirely skipped. It sucks.

Not letting Zuko and Katara have a single conversation when Sokka and Zuko do and Aang and Zuko do is insane. Katara had so much to feel and bond and hurt over Zuko with (yes platonically in this case I’m not that in denial @ antis). It sucks so bad they cut this entirely for shipping bs hatred because BRYKE are 6 years old emotionally.

This would’ve been a much better and emotionally charged story on screen. It was really cheated by being done on a limited page comic. It needed more time, voice acting and music.

It’s implied heavily, as many of us always assumed, that Ursa was SA’d.

If zutara was canon, I think Katara would be furious at Ursa and it would be an interesting conversation and story. Maybe I’ll write that fic

Regardless of these many flaws, the story is much more in character than The Promise or Smoke & Shadow. I hate those comics so bad for making the theme let’s all kill Zuko and be nonchalant if he dies! And making it so that it’s like he never had a found family and still no one loved him and also the weird submissiveness they gave to Katara and the retconning of everything and the repetition and recycling of plots and it all is so bad… 💀😭

What thoughts do yall have? Happy to discuss 👀

[gravelsong]

Excitement canceled I'm going to go scream in the woods for a bit

[chloesimaginationthings]

FNAF movie Vanessa’s thoughts when meeting Abby..

[poorly-drawn-mdzs]

Wrapping up the season with a redraw (Jan 2024)!

Thank you all for these last 6 months, I have loved making so many people laugh from my silly comics B*)

[shkika]

exactly where u belong

[raepliica]

(content warning: blood)

Sewed Up Heart

[ID: A Trigun comic done in grayscale with red accents. First, an anatomical heart gushes blood, forming a puddle which shifts into Vash's coat. Vash's gloved hands can be seen sewing up a tear at the hem.

Vash raises his hands, which are now bare and covered in blood. He looks sweaty and distressed, and he raises his coat to his face and cries into it. His clenched hands rip the sewed portion apart, and the red thread leads to a heart whose own stitches are tearing apart. The background gets darker and darker, and the red looks brighter and starker against it.

Then the background returns to white, and brown-skinned hands using embroidery scissors snip a red thread. Wolfwood holds up Vash's repaired coat, grinning proudly, and does a happy thumbs-up in Vash's direction. Vash lifts his head, seeming distant.

Wolfwood holds out the coat. As Vash puts out his hand to take it, the cloth is replaced so Wolfwood is dropping a sewed-up heart in Vash's hand. Vash rubs the coat against his face with a teary smile. End ID] ID CREDITS

[palskippah]

I LOVE BROPPY

*gives them babies*

[frownyalfred]

Bruce’s faith in Clark is the most powerful gift he could ever give him. Time and time again, his belief in Clark — Kal-El, Superman, all of the in between — has saved the world entire.

[zu-is-here]

September 2020 ✧ June 2024

[pierog]

tiny comic about eating toast with friends

[vechter]

detective comics (1937) #725 // the great believers, rebecca makkai // hesitate to call, louise glück // batman: battle for the cowl (2009) #1 // titans (2008) #21 // the aftermath, caitlin conlon // superman/batman (2003) #76 // i built the walls myself, arch budzar // batman: battle for the cowl (2009) #1 // titans (2008) #15 // detective comics (1937) #874 // postcolonial love poem, natalie díaz // batman (1940) #687 // batman and robin (2009) #1 // i can tell it's aquarius season because my knuckles are splitting, caitlin conlon // superman/batman (2003) #76 // u.k. // batman and robin (2009) #2 // titans (2008) #23 // u.k. // batman (1940) #681 // coded signals, caitlin conlon // titans (2008) #15 // batman and robin (2009) #1 // against silence, frank bidart

dick + being batman

[call-me-oracle]

look at how cute they are together

[danandfuckingjonlmao]

so five and lila being a thing is going right next to allison literally sexually assaulting luther in the box of things we are absolutely under no circumstances accepting as part of canon right

[jesncin]

What Does It Mean? To Be Human, J'onn J'onzz?

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.