Virgil and Rike and Trent and Iris at Formula one. (I’m not vagueposting. I just don’t know shit about car sports.)
Monaco?
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with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet
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Not beating the allegations.
[First] Prev <–-> Next
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one of the things that's the most fucking frustrating for me about arguing with climate change deniers is the sheer fucking scope of how much it matters. sweating in my father's car, thinking about how it's the "hottest summer so far," every summer. and there's this deep, roiling rage that comes over me, every time.
the stakes are wrong, is the thing. that's part of what makes it not an actual debate: the other side isn't coming to the table with anything to fucking lose.
like okay. i am obviously pro gun control. but there is a basic human part of me that can understand and empathize with someone who says, "i'm worried that would lead to the law-abiding citizens being punished while criminals now essentially have a superpower." i don't agree, but i can tell the stakes for them are also very high.
but let's say the science is wrong and i'm wrong and the visible reality is wrong and every climate disaster refugee is wrong. let's say you're right, humans aren't causing it or it's not happening or whatever else. let's just say that, for fun.
so we spend hundreds of millions of dollars making the earth cleaner, and then it turns out we didn't need to do that. oops! we cleaned the earth. our children grow up with skies full of more butterflies and bees. lawns are taken over with rich local biodiversity. we don't cry over our electric bills anymore. and, if you're staunchly capitalist and i need to speak ROI with you - we've created so many jobs in developing sectors and we have exciting new investment opportunities.
i am reminded of kodak, and how they did not make "the switch" to digital photography; how within 20 years kodak was no longer a household brand. do we, as a nation, feel comfortable watching as the world makes "the switch" while we ride the laurels of oil? this boggles me. i have heard so much propaganda about how america cannot "fall behind" other countries, but in this crucial sector - the one that could actually influence our own monopolies - suddenly we turn the other cheek. but maybe you're right! maybe it will collapse like just another silicone valley dream. but isn't that the crux of capitalism? that some economies will peter out eventually?
but let's say you're right, and i'm wrong, and we stopped fracking for no good reason. that they re-seed quarries. that we tear down unused corporate-owned buildings or at least repurpose them for communities. that we make an effort, and that effort doesn't really help. what happens then? what are the stakes. what have we lost, and what have we gained?
sometimes we take our cars through a car wash and then later, it rains. "oh," we laugh to ourselves. we gripe about it over coffee with our coworkers. what a shame! but we are also aware: the car is cleaner. is that what you are worried about? that you'll make the effort but things will resolve naturally? that it will just be "a waste"?
and what i'm right. what if we're already seeing people lose their houses and their lives. what if it is happening everywhere, not just in coastal towns or equatorial countries you don't care about. what if i'm right and you're wrong but you're yelling and rich and powerful. so we ignore all of the bellwethers and all of the indicators and all of the sirens. what if we say - well, if it happens, it's fate.
nevermind. you wouldn't even wear a mask, anyway. i know what happens when you see disaster. you think the disaster will flinch if you just shout louder. that you can toss enough lives into the storm for the storm to recognize your sacrifice and balk. you argue because it feels good to stand up against "the liberals" even when the situation should not be political. you are busy crying for jesus with a bullhorn while i am trying to usher people into a shelter. you've already locked the doors, even on the church.
the stakes are skewed. you think this is some intellectual "debate" to win, some funny banter. you fuel up your huge unmuddied truck and say suck it to every citizen of that shitbird state california. serves them right for voting blue!
and the rest of us are terrified of the entire fucking environment collapsing.
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youtube shorts is just tiktok without being on the app the amount of "i'm a [qualification] and [misinformation]" could make one turn their skin inside-out in protest. "i'm a board-certified OB-GYN & it's only been about the last hundred years that women have actually experienced menopause. We didn't live long enough to experience it" how can you be so incredibly wrong about something so integral to your practice. King of the Hittites Hattusilis III was told in 1250 BCE that his sister was too old to reproduce at age 50+. Aristotle wrote in the 4th century BCE that women stopped menstruating between ages 40 to 50, common menopause ages today still. i cannot begin to tell you how 4th century & 1250 BCE don't really count as "the last hundred years" unless that -s is doing a lot of heavy lifting. waiter waiter more misinformation laws.
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Bruh emotional support ghost kid? Well thats what they are calling him
Suicide cases in gothem are about to fucking plummet boiz cause this one weird blue eyes, black haired boy is now heading to your location.
How does he know where to be? Having a bad day and are all alone? No the fuck your not cause don’t turn around now but theres some shiny blue eyes coming at you from that dark ally. Oh shit hes here to drop some information about you and your lost loved ones that he should know. Oh god the closure. How could you have been afraid on this sweet, creepy, boy who just helped you find your way.
Meanwhile Danny is chillin in Gothem cause the GIW hate it there (none of they equipment actually functions in Gothem so it’s either super haunted or actually not haunted at all). Then all of a sudden he gets approached by a random ghost begging for his help because their sweet baby girl is about to do something horrible. Oops now all the ghosts are following their most loved ones around just to make sure they are there to rush to Danny for help when all else fails. Now hes getting to fulfil his protection obsession double time because one hes helping protect people from themselves and two hes protecting everyone in Gothem by stopping people from becoming villains for revenge. Plus he gets to see first hand how hes making a difference because all those people he saved are sending him some good vibes from all across Gothem.
Thank god he followed Jazz around so much to slightly absorb some of her phycology knowledge over the years. Plus it was actually pretty interesting so she gave him her old text books. Shes also helping him deal with the rare events where he can’t save someone. Just a moment too late or he stops them but they later succeeded in the hospital. Neither are his fault. Now only if he could convince his core of that.
Anyway why Gothem you ask? Amity Park would have been just as good tbh but imagine Batmans face when he finally gets to be face to face with the emotional support ghost boy. Why is he here? Bruce is fine. Batman is fine. Hes not gonna do anything crazy. It’s just a hard time of year. Around their death always gives him grief. But hes an adult and can manage it.
“You know they are so proud of you.” The boy states. As if it’s clear as day, even though it’s Gothem and never a clear day. Batman blinks at him, stunned for a moment. “What?” This boy can’t possibly know that. No one will ever know that, Bruce can only hope. “They see their home, full of such life. That big house that felt so empty, so cold, to them as well for years. Then you filled it with Family and Love like they had always wanted for you. They are so proud of what you have turned it into. Somewhere full of life and warmth.” A small smile graces his face as finally “you have made your parents so proud” and its all he can do to contain himself. Emotions are running high and sue him because he really did need to hear that ok. The boy suddenly looks to Bruces right with a confused face “aren’t all basements like that though?” Before Bruce can even get a word in hes gone. Just vanished before his eyes.
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Use The Resources At Your Disposal
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Huzzah! It's birthday time! I'm slowly accumulating more and more things I like (latest additions this vest I made and a travel typewriter! Still need to fix the latter one though)
Sure has been a year.
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need to somehow hammer it into the heads of young coquettes and egirls and whatever-the-fuck-else girls that the coolest thing you can do is develop a personality and sense of self that doesn't revolve around making yourself as appealing as possible to men
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not to project like a motherfucker on natalie berzatto but ohhhh boy the impact of a narrative that says “hey, is your desire to make sure everybody around you is okay also about you? and could that perhaps be partially a maladaptive trauma response you should look into and maybe mitigate? because if it’s a genuine question that’s fine, but if the only answer you will respond well to hearing is yes that’s a You Issue Too, Babe”
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I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
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Do you think gojo makes those freaky ass feral expressions while getting dicked down?
YES YES YESSSSSSSSSSS RAAAAAAAAAHHHH THIS IS SOMETHIGN IM PASSIONATE ABOUT OKAY!!!!!!! YES HE DOES
like, pleasure looks such a specific way on satoru. we can see it in the tojigo fight, the hanami/jogo fight and the sukugo fight. they're the only moments where we truly get to see raw pleasure on him and it's that. eyes popping out and manic grin and laughter bubbling in his torso and body charged, and mannerisms especially crude.
there's something so animalistic about it, his "human" mask slipping from him and showing him in all his monstrous glory, unfiltered and raw and like the freak of nature he truly is
and it's exactly the same thing when it comes to sex. it's all pleasure after all.
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I headcanon that at first Ray is adamantly against the use of nicknames and pet names for himself because he thinks it's silly.
"My name is Ray. It's literally three letters and one syllable long. Just call me Ray."
But Emma can't let that stand. She has "sunshine" and "Em," Norman has "Nor," "Norm," and "Boss."
So her proposed solution is for Ray to change his name so that "Ray" can be a nickname and show of affection. Ray balks at the suggestions she litters throughout their conversations, addressing him as Raymond, Rayner, even Raybert at one point.
Norman is more deft in his timing so the first time he drops a "Raymond" during one of their chess matches he ends up on the receiving end of Ray channeling Isabella with this look
He does eventually come around to them calling him Sunray.
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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